front cover of Digital Techniques for Documenting and Preserving Cultural Heritage
Digital Techniques for Documenting and Preserving Cultural Heritage
Anna Bentkowska-Kafel
Arc Humanities Press, 2017
In this unique collection the authors present a wide range of interdisciplinary methods to study, document, and conserve material cultural heritage. The methods used serve as exemplars of best practice with a wide variety of cultural heritage objectshaving been recorded, examined, and visualised. The objects range in date, scale, materials, and state of preservation and sopose different research questions and challenges for digitization, conservation, and ontological representation of knowledge. Heritage science and specialist digital technologies are presented in a way approachable to non-scientists, while a separate technical section provides details of methods and techniques, alongside examples of notable applications of spatial and spectral documentation of material cultural heritage, with selected literature and identification of future research. This book is an outcome of interdisciplinary research and debates conducted by the participants of the COST Action TD1201, Colour and Space in Cultural Heritage, 2012–16 and is an Open Access publication available under a CC BY-NC-ND licence.
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Inventories and Surveys for Heritage Management
Lessons for the Digital Age
David Myers
J. Paul Getty Trust, The, 2024
This is the first step-by-step guide to the design, implementation, and maintenance of heritage inventories and surveys.

A critical first step in the conservation of cultural heritage is to identify and understand the places we want to protect. Inventories and surveys are essential tools in this effort, and their use in managing national, regional, and local heritage is mandated in heritage-related legislation across the globe. Despite the widespread understanding of the importance of inventories and surveys, however, practical, up-to-date guidance on how they should be created, implemented, and maintained has been substantially lacking—until now.
 
This publication draws from the Getty Conservation Institute’s ongoing work with heritage inventories and on the Los Angeles Office of Historic Resources’ experience with SurveyLA. It provides technical advice, guidance, and lessons learned for employing inventories and surveys as tools for heritage conservation and management.

The free online edition of this open-access publication will be available at www.getty.edu/publications/inventories-and-surveys. Also available are free PDF and EPUB downloads of the book.
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Heritage Keywords
Rhetoric and Redescription in Cultural Heritage
Kathryn Lafrenz Samuels
University Press of Colorado, 2015

Situated at the intersection of scholarship and practice, Heritage Keywords positions cultural heritage as a transformative tool for social change. This volume unlocks the persuasive power of cultural heritage—as it shapes experiences of change and crafts present and future possibilities from historic conditions—by offering new ways forward for cultivating positive change and social justice in contemporary social debates and struggles. It draws inspiration from deliberative democratic practice, with its focus on rhetoric and redescription, to complement participatory turns in recent heritage work.

Through attention to the rhetorical edge of cultural heritage, contributors to this volume offer innovative reworkings of critical heritage categories. Each of the fifteen chapters examines a key term from the field of heritage practice—authenticity, civil society, cultural diversity, cultural property, democratization, difficult heritage, discourse, equity, intangible heritage, memory, natural heritage, place, risk, rights, and sustainability—to showcase the creative potential of cultural heritage as it becomes mobilized within a wide array of social, political, economic, and moral contexts.

This highly readable collection will be of interest to students, scholars, and professionals in heritage studies, cultural resource management, public archaeology, historic preservation, and related cultural policy fields.

Contributors include Jeffrey Adams, Sigrid Van der Auwera, Melissa F. Baird, Alexander Bauer, Malcolm A. Cooper, Anna Karlström, Paul J. Lane, Alicia Ebbitt McGill, Gabriel Moshenska, Regis Pecos, Robert Preucel, Trinidad Rico, Cecelia Rodéhn, Joshua Samuels, Kathryn Lafrenz Samuels, and Klaus Zehbe.


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James Loeb, Collector and Connoisseur
Proceedings of the Second James Loeb Biennial Conference, Munich and Murnau 6–8 June 2019
Jeffrey Henderson and Richard F. Thomas
Harvard University Press, 2022

James Loeb (1867–1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), and after pandemic postponement, psychology and medicine (2023), and music (2025).

The subject of the second conference was Loeb’s deep and multifaceted engagement with the material culture of the ancient world as a scholar, connoisseur, collector, and curator. The volume’s contributors range broadly over the manifold connections and contexts, both personal and institutional, of Loeb’s archaeological interests, and consider these in light of the long history of collection and connoisseurship from antiquity to the present. Their essays also reflect on the contemporary significance of Loeb’s work, as the collections he shaped continue to be curated and studied in today’s rapidly evolving environment for the arts.

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Monuments and Memory, Made and Unmade
Edited by Robert S. Nelson and Margaret Olin
University of Chicago Press, 2003
How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and Margaret Olin assembled essays from leading scholars about how monuments have functioned throughout the world and how globalization has challenged Western notions of the "monument."

Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present with an epilogue on the World Trade Center, Monuments and Memory, Made and Unmade is pertinent not only for art historians but for anyone interested in the turbulent history of monuments—a history that is still very much with us today.

Contributors:
Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung
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Negotiating Culture
Heritage, Ownership, and Intellectual Property
Laetitia La Follette
University of Massachusetts Press, 2013
Rival claims of ownership or control over various aspects of culture are a regular feature of our twenty-first-century world. Such debates are shaping disciplines as diverse as anthropology and archaeology, art history and museum studies, linguistics and genetics.

This provocative collection of essays—a series of case studies in cultural ownership by scholars from a range of fields—explores issues of cultural heritage and intellectual property in a variety of contexts, from contests over tangible artifacts as well as more abstract forms of culture such as language and oral traditions to current studies of DNA and genes that combine nature and culture, and even new, nonproprietary models for the sharing of digital technologies. Each chapter sets the debate in its historical and disciplinary context and suggests how the approaches to these issues are changing or should change.

One of the most innovative aspects of the volume is the way each author recognizes the social dimensions of group ownership and demonstrates the need for negotiation and new models. The collection as a whole thus challenges the reader to reevaluate traditional ways of thinking about cultural ownership and to examine the broader social contexts within which negotiation over the ownership of culture is taking place.

In addition to Laetitia La Follette, contributors include David Bollier, Stephen Clingman, Susan DiGiacomo, Oriol Pi-Sunyer, Margaret Speas, Banu Subramaniam, Joe Watkins, and H. Martin Wobst.
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Preservation Education
Sharing Best Practices and Finding Common Ground
Edited by Barry L. Stiefel and Jeremy C. Wells
University Press of New England, 2014
Over the past twenty years, there has been a fundamental shift in the institutional organization of historic preservation education. Historic preservation is the most recent arrival in the collection of built environment disciplines and therefore lacks the pedagogical depth and breadth found in allied endeavors such as architecture and planning. As the first degree programs in preservation only date to the 1970s and the first doctoral programs to the 1990s, new faculty are confronted with pedagogical challenges that are unique to this relatively nascent field. Based on a conference that included educators from around the world, Barry L. Stiefel and Jeremy C. Wells now present a collection that seeks to address fundamental issues of preservation pedagogy, outcome-based education and assessment, and global issues of authenticity and significance in historic preservation. The editors argue that the subject of the analysis has shifted from, “What is the best way to fix a historic building?” to, “What are the best ways for teaching people how to preserve historic properties (and why) according to the various standards that have been established?” This important reconsideration of the state of the field in historic preservation education will appeal to a broad audience across numerous disciplines.
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Selective Remembrances
Archaeology in the Construction, Commemoration, and Consecration of National Pasts
Edited by Philip L. Kohl, Mara Kozelsky, and Nachman Ben-Yehuda
University of Chicago Press, 2008
When political geography changes, how do reorganized or newly formed states justify their rule and create a sense of shared history for their people? Often, the essays in Selective Remembrances reveal, they turn to archaeology, employing the field and its findings to develop nationalistic feelings and forge legitimate distinctive national identities.

Examining such relatively new or reconfigured nation-states as Iran, Iraq, Turkey, Israel, Russia, Ukraine, India, and Thailand, Selective Remembrances shows how states invoke the remote past to extol the glories of specific peoples or prove claims to ancestral homelands. Religion has long played a key role in such efforts, and the contributors take care to demonstrate the tendency of many people, including archaeologists themselves, to view the world through a religious lens—which can be exploited by new regimes to suppress objective study of the past and justify contemporary political actions.

The wide geographic and intellectual range of the essays in Selective Remembrances will make it a seminal text for archaeologists and historians.
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Values in Heritage Management
Emerging Approaches and Research Directions
Erica Avrami
J. Paul Getty Trust, The, 2019
Bringing together leading conservation scholars and professionals from around the world, this volume offers a timely look at values-based approaches to heritage management.
 
Over the last fifty years, conservation professionals have confronted increasingly complex political, economic, and cultural dynamics. This volume, with contributions by leading international practitioners and scholars, reviews how values-based methods have come to influence conservation, takes stock of emerging approaches to values in heritage practice and policy, identifies common challenges and related spheres of knowledge, and proposes specific areas in which the development of new approaches and future research may help advance the field.

The free online edition of this open-access book is available at www.getty.edu/publications/heritagemanagement/ and includes zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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What Is Archaeology?
An Essay on the Nature of Archaeological Research
Paul Courbin
University of Chicago Press, 1988
Paul Courbin puts forward a penetrating and eloquent critique of the New Archeology, a movement of primarily American and British archaeologists that began in the 1960s and continues today. The New Archeologists dropped the "ae" spelling, symbolizing their intent to put the field on a modern and scientific footing. They questioned the bases, the objectives, and consequently the methods of traditional archaeology.

Courbin examines this movement, its latent philosophy, its methods and their application, its theories, and its results. He declares that the record shows a devastating failure. The New Archeologists, he contends, may have developed scientific hypotheses, but in most cases they failed to carry out what is necessary to test their theories, thus contradicting the very goals they had set for the discipline.

Reevaluating the field as a whole, Courbin asks, What is archaeology? He distinguishes it from such related fields as history and anthropology, emphatically arguing that the primary task of archaeology is what the archaeologist alone can accomplish: the establishment of facts—stratigraphies, time sequences, and identification tools, bones, potsherds, and so on. When archaeological findings lead to historical or anthropological conclusions, as they very often do, archaeologists must be aware that this involves a specific change in their work; they are no longer archaeologists proper. The archaeologist's work, Courbin stresses, is not a humble auxiliary of anthropology or history, but the foundation upon which historians and anthropologists of ancient civilizations will build and without which their theories cannot but collapse. What Is Archaeology? was originally published in French in 1982.
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Archaeology's Footprints in the Modern World
Michael Brian Schiffer
University of Utah Press, 2017

What is the social value of archaeological research to present-day society? Michael Schiffer answers this question with forty-two case studies from a global perspective to demonstrate archaeology’s diverse scientific and humanistic contributions. Drawing on nearly five decades of research, he delivers fascinating yet nontechnical discussions that provide a deeper understanding of what archaeologists do and why they do it.

From reconstructing human evolution and behavior in prehistoric times to providing evidence that complements recorded history or debunks common legends, archaeologists help us understand our human past. They have also played crucial roles in developing techniques essential for the investigation of climate change along with tools for environmental reconstruction. Working for cities, tribes, and federal agencies, archaeologists manage cultural resources and testify in court. In forensic contexts, archaeological expertise enables the gathering of critical evidence. With engaging and lively prose, Archaeology’s Footprints brings to life a full panorama of contributions that have had an impact on modern society. 

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Style, Function, Transmission
Evolutionary Archaeological Perspectives
Michael J O'Brien
University of Utah Press, 2003

Darwin's theory of evolutionary descent with modification rests in part on the notion that there is heritable continuity affected by transmission between ancestor and descendant. It is precisely this continuity that allows one to trace hylogenetic histories between fossil taxa of various ages and recent taxa. Darwin was clear that were an analyst to attempt such tracings, then the anatomical characters of choice are those least influenced by natural selection, or what are today referred to as adaptively neutral traits. The transmission of these traits is influenced solely by such mechanisms as drift and not by natural selection.

The application of Darwin's theory to archaeological phenomena requires that the theory be retooled to accommodate artifacts. One aspect that has undergone this retooling concerns cultural transmission, the mechanism that affects heritable continuity between cultural phenomena. Archaeologists have long traced what is readily interpreted as heritable continuity between artifacts, but the theory underpinning their tracings is seldom explicit. Thus what have been referred to as artifacts styles underpin such tracings because styles are adaptively neutral. Other traits are referred to as functional.

In their introduction to Style, Function, Transmission, Michael O’Brien and R. Lee Lyman outline in detail the interrelations of a theory of cultural descent with modification and the concepts of drift, style, and function. The chapters in the volume specifically address the issues of selection and drift and their relation to style and function. In non-polemic presentations, contributors specify empirical implications of aspects of cultural transmission for evolutionary lineages of artifacts and then present archaeological data for those implications.

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Archaeologists as Activists
Can Archaeologists Change the World?
Edited by M. Jay Stottman
University of Alabama Press, 2011
Examines the various ways in which archaeologists can and do use their research to forge a partnership with the past and guide the ongoing dialogue between the archaeological record and various contemporary stakeholders

Could archaeologists benefit contemporary cultures and be a factor in solving world problems? Can archaeologists help individuals? Can archaeologists change the world? These questions form the root of “archaeology activism” or “activist archaeology”: using archaeology to advocate for and affect change in contemporary communities.

Archaeologists currently change the world through the products of their archaeological research that contribute to our collective historical and cultural knowledge. Their work helps to shape and reshape our perceptions of the past and our understanding of written history. Archaeologists affect contemporary communities through the consequences of their work as they become embroiled in controversies over negotiating the past and the present with native peoples. Beyond the obvious economic contributions to local communities caused by heritage tourism established on the research of archaeologists at cultural sites, archaeologists have begun to use the process of their work as a means to benefit the public and even advocate for communities.

In this volume, Stottman and his colleagues examine the various ways in which archaeologists can and do use their research to forge a partnership with the past and guide the ongoing dialogue between the archaeological record and the various contemporary stakeholders. They draw inspiration and guidance from applied anthropology, social history, public history, heritage studies, museum studies, historic preservation, philosophy, and education to develop an activist approach to archaeology—theoretically, methodologically, and ethically.
 
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Ethics in Action
Case Studies in Archaeological Dilemmas
Chip Colwell-Chanthaphonh
University Press of Colorado, 2008
Based on the Society for American Archaeology’s Annual Ethics Bowl, this SAA Press book is centered on a series of hypothetical case studies that challenge the reader to think through the complexities of archaeological ethics. The volume will benefit undergraduate and graduate students who can either use these cases as a classroom activity or as preparation for the Ethics Bowl, as well as those who are seeking to better understand the ethical predicaments that face the discipline.
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Cosmopolitan Archaeologies
Lynn Meskell, ed.
Duke University Press, 2009
An important collection, Cosmopolitan Archaeologies delves into the politics of contemporary archaeology in an increasingly complex international environment. The contributors explore the implications of applying the cosmopolitan ideals of obligation to others and respect for cultural difference to archaeological practice, showing that those ethics increasingly demand the rethinking of research agendas. While cosmopolitan archaeologies must be practiced in contextually specific ways, what unites and defines them is archaeologists’ acceptance of responsibility for the repercussions of their projects, as well as their undertaking of heritage practices attentive to the concerns of the living communities with whom they work. These concerns may require archaeologists to address the impact of war, the political and economic depredations of past regimes, the livelihoods of those living near archaeological sites, or the incursions of transnational companies and institutions.

The contributors describe various forms of cosmopolitan engagement involving sites that span the globe. They take up the links between conservation, natural heritage and ecology movements, and the ways that local heritage politics are constructed through international discourses and regulations. They are attentive to how communities near heritage sites are affected by archaeological fieldwork and findings, and to the complex interactions that local communities and national bodies have with international sponsors and universities, conservation agencies, development organizations, and NGOs. Whether discussing the toll of efforts to preserve biodiversity on South Africans living near Kruger National Park, the ways that UNESCO’s global heritage project universalizes the ethic of preservation, or the Open Declaration on Cultural Heritage at Risk that the Archaeological Institute of America sent to the U.S. government before the Iraq invasion, the contributors provide nuanced assessments of the ethical implications of the discursive production, consumption, and governing of other people’s pasts.

Contributors. O. Hugo Benavides, Lisa Breglia, Denis Byrne, Chip Colwell-Chanthaphonh, Alfredo González-Ruibal, Ian Hodder, Ian Lilley, Jane Lydon, Lynn Meskell, Sandra Arnold Scham

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Curated Decay
Heritage beyond Saving
Caitlin DeSilvey
University of Minnesota Press, 2017

Transporting readers from derelict homesteads to imperiled harbors, postindustrial ruins to Cold War test sites, Curated Decay presents an unparalleled provocation to conventional thinking on the conservation of cultural heritage. Caitlin DeSilvey proposes rethinking the care of certain vulnerable sites in terms of ecology and entropy, and explains how we must adopt an ethical stance that allows us to collaborate with—rather than defend against—natural processes. 

Curated Decay chronicles DeSilvey’s travels to places where experiments in curated ruination and creative collapse are under way, or under consideration. It uses case studies from the United States, Europe, and elsewhere to explore how objects and structures produce meaning not only in their preservation and persistence, but also in their decay and disintegration. Through accessible and engaging discussion of specific places and their stories, it traces how cultural memory is generated in encounters with ephemeral artifacts and architectures. 

An interdisciplinary reframing of the concept of the ruin that combines historical and philosophical depth with attentive storytelling, Curated Decay represents the first attempt to apply new theories of materiality and ecology to the concerns of critical heritage studies.

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Ruins and Fragments
Tales of Loss and Rediscovery
Robert Harbison
Reaktion Books, 2015
What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. Why are we, he asks, so suspicious of things that are too smooth, too continuous? What makes us feel, when we look upon a fragment, that its very incompletion has a kind of meaning in itself? Is it that our experience on earth is inherently discontinuous, or that we are simply unable to believe in anything whole?
           
Harbison guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work. Likewise he examines the visual arts, from Schwitters’ collages to Ruskin’s drawings, as well as cinematic works from Sergei Eisenstein to Julien Temple, never shying from more deliberate creators of ruin, from Gordon Matta-Clark to countless graffiti artists.
           
From ancient to modern times and across every imaginable form of art, Harbison takes a poetic look at how ruins have offered us a way of understanding history and how they have enabled us to create the new. 
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Bending Archaeology toward Social Justice
Transformational Action for Positive Peace
Barbara J. Little
University of Alabama Press, 2023
Introduces an analytic model for how archaeologists can work toward social justice

In this time of Black Lives Matter, the demands of NAGPRA, and climate crises, the field of American archaeology needs a radical transformation. It has been largely a white, male, privileged domain that replicates an entrenched patriarchal, colonial, and capitalist system. In Bending Archaeology toward Social Justice, Barbara J. Little explores the concepts and actions required for such a change, looking to peace studies, anthropology, sociology, social justice activism, and the achievements of community-based archaeology for helpful approaches in keeping with the UN Sustainable Development Goals. She introduces an analytic model that uses the strengths of archaeology to destabilize violence and build peace.

As Little explains, the Diachronic Transformational Action model and the peace/violence triad of interconnected personal, cultural, and structural domains of power can help disrupt the injustice of all forms of violence. Diachronic connects the past to the present to understand how power worked in the past and works now. Transformational influences power now by disrupting the stability of the violence triad. Action refers to collaborative work to diagnose power relations and transform toward social justice.

Using this framework, Little confronts the country’s founding and myth of liberty and justice for all, as well as the American Dream. She also examines whiteness, antiracism, privilege, and intergenerational trauma, and offers white archaeologists concepts to grapple with their own racialized identities and to consider how to relinquish white supremacy. Archaeological case studies examine cultural violence and violent direct actions against women, Indigenous peoples, African Americans, and Japanese Americans, while archaeologies of poverty, precarity, and labor are used to show how archaeologists have helped expose the roots of these injustices. Because climate justice is integral to social justice, Little showcases insights that archaeology can bring to bear on the climate crisis and how lessons from the past can inform direct actions today. Finally, Little invites archaeologists to embrace inquiry and imagination so that they can both imagine and achieve the positive peace of social justice.
 
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Lost City, Found Pyramid
Understanding Alternative Archaeologies and Pseudoscientific Practices
Edited by Jeb J. Card and David S. Anderson
University of Alabama Press, 2016
Lost City, Found Pyramid delves into the fascinating world of sensational “pseudoarchaeology,” from perennial discoveries of lost pyramids or civilizations to contemporary ghost-hunting and reality TV. It examines how nonscientific pursuit of myths and legends warps both public perceptions of archaeology and of human history itself.
 
A collection of twelve engaging and insightful essays, Lost City, Found Pyramid does far more than argue for the simple debunking of false archaeology. Rather, it brings into focus the value of understanding how and why pseudoarchaeology captures the public imagination. By comprehending pseudoarchaeology’s appeal as a media product, cultural practice, and communication strategy, archaeologists can enhance and enliven how they communicate about real archaeology in the classroom and in the public arena.
 
The first part of Lost City, Found Pyramid provides numerous case studies. Some examine the work of well-intentioned romantics who project onto actual archaeological data whimsical interpretative frameworks or quixotic “proofs” that confirm legends, such as that of the Lost White City of Honduras, or other alternative claims. Other case studies lay bare how false claims may inadvertently lead to the perpetuation of ethnic stereotypes, economic exploitation, political adventurism, and a misunderstanding of science.
 
Offering much of interest to scholars and students of archaeology, archaeology buffs, as well as policy-makers involved in the discovery, curation, and care of archaeological sites and relics, Lost City, Found Pyramid provides an invaluable corrective and hopeful strategy for engaging the public’s curiosity with the compelling world of archaeological discovery.
 
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Roadside Crosses in Contemporary Memorial Culture
Holly Everett
University of North Texas Press, 2002

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Defining a Discipline
Archival Research and Practice in the 21st Century: Essays in Honor of Richard J. Cox
Jeannette A. Bastian
Society of American Archivists, 2020
Fourteen archivists present a mosaic of the research that represents the current state of archival science and introduces themes that will carry the profession into the future as a complex academic discipline. As the archival profession in the United States continues to evolve, the book honors one of its most prolific and influential thinkers and writers, Richard J. Cox, who retired from the profession in 2017 after a 45-year career. The book addresses the archival themes of accountability and evidence, ethics and education, archival history, and memory. Defining a Discipline demonstrates the importance of the role of archivists, archives, and archival institutions in communities, organizations, and the digital environment. It looks forward—a direction that the pioneering Cox promoted throughout his career.
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Module 17
Implementing DACS: A Guide to the Archival Content Standard
Cory Nimer
Society of American Archivists, 2017
Leads archivists through the provisions of Describing Archives: A Content Standard (DACS) with the aim of assisting institutions in choosing between available options and creating documentation for local application. Includes extended examples of recording DACS content in EAD3, EAC-CPF, and MARC formats.
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Archives
Andrew Lison
University of Minnesota Press, 2019

How digital networks and services bring the issues of archives out of the realm of institutions and into the lives of everyday users


Archives have become a nexus in the wake of the digital turn. Electronic files, search engines, video sites, and media player libraries make the concepts of “archival” and “retrieval” practically synonymous with the experience of interconnected computing. Archives today are the center of much attention but few agendas. Can archives inform the redistribution of power and resources when the concept of the public library as an institution makes knowledge and culture accessible to all members of society regardless of social or economic status? This book sets out to show that archives need our active support and continuing engagement. 

This volume offers three distinct perspectives on the present status of archives that are at once in disagreement and solidarity with each other, from contributors whose backgrounds cut across the theory–practice divide. Is the increasing digital storage of knowledge pushing us toward a turning point in its democratization? Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle? Is there a downside to the present-day impulse toward total preservation? 

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Dust
The Archive and Cultural History
Carolyn Steedman
Rutgers University Press, 2002

In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.

Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased.

This unique work will be welcomed by all historians who want to think about what it is they do.

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Developing and Maintaining Practical Archives
Gregory S. Hunter
American Library Association, 2003

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Developing and Maintaining Practical Archives
A How-To-Do-It Manual
Gregory S. Hunter
American Library Association, 2020
Since its original publication Hunter's manual has been "not only a rich and ready reference tool but also a practical resource for solving problems" (Catholic Library World), and no text has served as a better overview of the field of archives. Newly revised and updated to more thoroughly address our increasingly digital world, including integration of digital records and audiovisual records into each chapter, it remains the clearest and most comprehensive guide to the discipline. Former editor of American Archivist, the journal of the Society of American Archivists (SAA), Hunter covers such keystone topics as
  • a history of archives, including the roles of historical societies and local history collections in libraries;
  • new sections on community archives, diversity, and inclusion;
  • conducting a survey and starting an archival program;
  • selection, appraisal, acquisition, accessioning, and deaccessioning;
  • important points of copyright, privacy, and ethics;
  • arrangement of archival collections, with a discussion of new theories;
  • description, including DACS, EAD, and tools such as ArchivesSpace;
  • access, reference, and outreach, with a look at how recent innovations in finding aids can help researchers;
  • preservation, including guidance on how to handle rare books, maps, architectural records, and artifacts;
  • digital records, addressing new and popular methods of storage and preservation of email, social media, image files, webpages, Word documents, spreadsheets, databases, and media files;
  • disaster planning, security, and theft prevention;
  • metrics, assessment, establishing employee procedures and policies, working with interns and volunteers, and other managerial duties;
  • public relations and marketing, from social media and the Web to advocacy; and
  • professional guidelines and codes, such as the newly developed SAA Statement of Core Values of Archivists.
Providing in-depth coverage of both theory and practice, this manual is essential for archivists at all levels of experience and of all backgrounds.
 
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Leading and Managing Archives and Manuscripts Programs
Peter Gottlieb
Society of American Archivists, 2019
Book 1 of the Archival Fundamentals Series III
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Managing Archives and Archival Institutions
Edited by James Gregory Bradsher
University of Chicago Press, 1988

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Arranging and Describing Archives and Manuscripts
Dennis Meissner
Society of American Archivists, 2019
Book 2 in the Archival Fundamentals Series III
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Arranging and Describing Archives and Manuscripts
Dennis Meissner
American Library Association, 2019

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Advocacy and Awareness for Archivists
Kathleen D. Roe
Society of American Archivists, 2019
Book 3 in the Archival Fundamentals Series III
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Arranging and Describing Archives and Manuscripts
Kathleen D. Roe
Society of American Archivists, 2005
Kathleen Roe's guide to arranging and describing archival materials provides both practical advice and critical context, creating an important resource for archivists in all walks of their professional lives. The arrangement and description of archival materials has so changed since Fredric M. Miller's 1990 edition of ARRANGING AND DESCRIBING ARCHIVES AND MANUSCRIPTS that it may nearly seem a new practice. Kathleen Roe's thorough and readable revision, however, shows that this critical function of archival work is truly one based on core principles that still hold today. Roe has intermingled the theory and context in which collections are arranged and described with clear and practical instructions on the process, resulting in a work that is richer than an instruction manual, yet equally valuable. The chapter on "The Context of Arrangement and Description" provides a clear discussion of the origins of the practice in Europe and the United States, and moves into an historical overview of developing standards that archivists of all levels will appreciate for its clarity. The lengthy chapter on "The Practice of Arrangement and Description" is complemented by appendices that offer sample scenarios, arrangement patterns, and finding aids. Together, these provide a sturdy foundation for students or novice archivists seeking to hone their processing skills. Just as the importance of arrangement and description to the archivist cannot be overstated, neither can the significance of this text in describing that process. Roe's work will introduce new archivists to the practice as well as refresh the sensibilities of seasoned professionals for years to come.
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Through the Archival Looking Glass
A Reader on Diversity and Inclusion
Mary A. Caldera
Society of American Archivists, 2014
Realizing Diversity and Inclusion in Archives and the Archival Profession The impulse to create archives is rooted in the very human need to leave one’s mark on the world. Whether through letters, diaries, reports, photographs, films, or a teenager’s simple need to scrawl “I was here” on a subway wall, there’s a deep desire in individuals to tell their stories, to be seen literally and figuratively in archives. With this desire also comes the need to ensure that archives are as diverse as the world we live in and to preserve the individuals and cultures that have been consciously or unconsciously underserved in the archives. Through the Archival Looking Glass: A Reader on Diversity and Inclusion, edited by Mary A. Caldera and Kathryn M. Neal, features ten essays that explore prominent themes related to diversity, including: • Creating a diverse record • Recruiting diversity to the profession and retaining a diverse workforce • Questioning the archive itself, on representation, authority, neutrality, objectivity, and power Through the Archival Looking Glass illustrates a multitude of perspectives and issues so that fresh voices can emerge alongside more familiar ones, and new concepts can be examined with new treatments of established ideas. Diversity is an ever-evolving concept; the term itself is increasingly rephrased as inclusion. By stimulating further ideas and conversation, we can come closer to a common understanding of what diversity and inclusion are or can be and, perhaps most importantly, how they may be realized in archives and the archival profession.
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Archival Values
Essays in Honor of Mark A. Greene
Christine Weideman
American Library Association, 2019

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Archival Values
Essays in Honor of Mark A. Greene
Christine Weideman
Society of American Archivists, 2019
As a practitioner, administrator, teacher, theorist, and leader, Mark A. Greene (1959–2017) was one of the most influential archivists of his generation on US archival theory and practice. He helped shape the modern American archivist identity through the establishment of a core set of values for the profession. In this exquisite collection of essays, twenty-three archivists from repositories across the profession examine the values that comprise the Core Values statement of the Society of American Archivists. For each value, several archivists comment on what the value means to them and how it reflects and impacts archival work. These essays clearly demonstrate how core values empower archivists’ interactions with resource providers, legislators, donors, patrons, and the public. For anyone who wishes to engage in thinking about what archivists do and why, Archival Values is essential reading.
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Archive Stories
Facts, Fictions, and the Writing of History
Antoinette Burton, ed.
Duke University Press, 2005
Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there.

Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized.

Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles

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Archives in Libraries
Jeannette A. Bastian
Society of American Archivists, 2015
Many libraries have archives, which serve a distinct function, albeit in a shared setting. Reconciling differences between archivists and librarians has been a long-standing issue for the information professions in the United States. Today more than ever, librarians and archivists need to understand one another and harmonize their divergent but complementary professional paths. ARCHIVES IN LIBRARIES: WHAT LIBRARIANS AND ARCHIVISTS NEED TO KNOW TO WORK TOGETHER builds a bridge toward that harmonization, suggesting ways in which archivists working in libraries can better negotiate their relationships with the institution and with their library colleagues. It also helps librarians and library directors better understand archival work by providing overviews of archival concepts, policies, and best practices. Vignettes and interviews throughout the book articulate similarities and points of departure between libraries and archives while highlighting the issues and offering solutions to practical problems.
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Archival Virtue
Relationship, Obligation, and the Just Archives
Scott Cline
Society of American Archivists, 2021
Archival literature is full of what we do and how we do it. In Archival Virtue, Scott Cline raises questions that grapple with the meaning of what we do and, perhaps more important, who we are. A book about archivists as individuals and as community, Archival Virtue explores ideas of moral commitment, truth, difference, and just behavior in the pursuit of archival ideals.
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Matchmaking in the Archive
19 Conversations with the Dead and 3 Encounters with Ghosts
E.G. Crichton
Rutgers University Press, 2023
Though today’s LGBTQ people owe a lot to the generations who came before them, their historical inheritances are not always obvious.
 
Working with the archives of the Gay Lesbian Bisexual Transgender Historical Society, artist E.G. Crichton decided to do something to bridge this generation gap. She selected 19 innovative LGBTQ artists, writers, and musicians, then paired each of them with a deceased person whose personal artifacts are part of the archive. 
 
Including 25 pages of vivid images, Matchmaking in the Archive documents this monumental creative project and adds essays by Jonathan Katz, Michelle Tea, and Chris Vargas, who describe their own unique encounters with the ghosts of LGBTQ history. Together, they make the archive come alive in remarkably intimate ways. 
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Engagement in the Digital Era
Christopher Prom
Society of American Archivists, 2020


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