A SCHOLARLY BOOK REPOSITORY
Known widely in Europe as “interpretive narrative archaeology,” the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This book is the first compilation of international case studies of the various artistic methods used in this new form of education—one that makes archaeology “come alive” for the nonprofessional. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery—all can effectively communicate archaeological processes and cultural values to public audiences.
The contributors to this volume are a diverse group of archaeologists, educators, and artisans who have direct experience in schools, museums, and at archaeological sites. Citing specific examples, such as the film The English Patient, science fiction mysteries, and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize, and demystify the research process. A 16-page color section illuminates their examples, and an accompanying CD includes relevant videos, music, web sites, and additional color images.
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Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor.
Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young’s “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry.
Hank Lazer’s introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.
The Archaeology of Environmental Change shows that the challenges facing humanity today, in terms of causing and reacting to environmental change, can be better approached through an attempt to understand how societies in the past dealt with similar circumstances. The contributors draw on archaeological research in multiple regions—North America, Mesoamerica, Europe, the Near East, and Africa—from time periods spanning the Holocene, and from environments ranging from tropical forest to desert.
Blessings Beyond the Binary: Transparent and the Queer Jewish Family brings together leading scholars to analyze and offer commentary on what scholar Josh Lambert calls, “the most important work of Jewish culture of the century so far.” The book explores the show’s depiction of Jewish life, religion, and history, as well as Transparent’s scandals, criticisms, and how it fits and diverges from today’s transgender and queer politics.
The first book to focus on Transparent, Blessings Beyond the Binary offers a rich analysis of the groundbreaking series and its connections to contemporary queer, trans, and Jewish life.
After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system – the suffused eroticism of the sleek, "feminine" and intensely private "white interiors". A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.
A religious studies scholar argues that in antebellum America, evangelicals, not Transcendentalists, connected ordinary Americans with their spiritual roots in the natural world.
We have long credited Emerson and his fellow Transcendentalists with revolutionizing religious life in America and introducing a new appreciation of nature. Breaking with Protestant orthodoxy, these New Englanders claimed that God could be found not in church but in forest, fields, and streams. Their spiritual nonconformity had thrilling implications but never traveled far beyond their circle. In this essential reconsideration of American faith in the years leading up to the Civil War, Brett Malcolm Grainger argues that it was not the Transcendentalists but the evangelical revivalists who transformed the everyday religious life of Americans and spiritualized the natural environment.
Evangelical Christianity won believers from the rural South to the industrial North: this was the true popular religion of the antebellum years. Revivalists went to the woods not to free themselves from the constraints of Christianity but to renew their ties to God. Evangelical Christianity provided a sense of enchantment for those alienated by a rapidly industrializing world. In forested camp meetings and riverside baptisms, in private contemplation and public water cures, in electrotherapy and mesmerism, American evangelicals communed with nature, God, and one another. A distinctive spirituality emerged pairing personal piety with a mystical relation to nature.
As Church in the Wild reveals, the revivalist attitude toward nature and the material world, which echoed that of Catholicism, spread like wildfire among Christians of all backgrounds during the years leading up to the Civil War.
Immigration is continuously and rapidly changing the face of Western countries. While newcomers are harbingers of change, host nations also participate in how new populations are incorporated into their social and political fabric.
Bringing together a transcontinental group of anthropologists, this book provides an in-depth look at the current processes of immigration, political behavior, and citizenship in both the United States and Europe. Essays draw on issues of race, national identity, religion, and more, while addressing questions, including: How should citizenship be defined? In what ways do immigrants use the political process to achieve group aims? And, how do adults and youth learn to become active participants in the public sphere?
Among numerous case studies, examples include instances of racialized citizenship in “Algerian France,” Ireland’s new citizenship laws in response to asylum-seeking mothers, the role of Evangelical Christianity in creating a space for the construction of an identity that transcends state borders, and the Internet as one of the new public spheres for the expression of citizenship, be it local, national, or global.
Throughout the seventies, the idea of being “pro-Israel” was traditionally equated with support for the Israeli government and was central to an understanding of American Jewish identity. It was so central, argues Marla Brettschneider, that even committed activists who took issue with such a monolithic stance were silenced by mainstream Jewish organizations. But during the 1980s, a change took place. An explosion of new Jewish groups intent on challenging the dominant definition of the pro-Israel attitude transformed an increasingly closed Jewish community into one more democratic and inclusive.
In Cornerstones of Peace, Marla Brettschneider skillfully combines a lucid review of contemporary Liberal political theory and its understanding of the role of groups in the political process, a sophisticated analysis of Hobbesian philosophy, and a rich history of “alternative” Jewish activist groups like Breira and Americans for Peace Now (APN) to ask: What can we learn about identity and democratic theory from the changes that have taken place in the Jewish community? Through an insightful exploration of how small, activist groups have reclaimed pro-Israel identity politics as a collective multilayered process, Brettschneider adds her voice to the growing number of political theorists envisioning a pro-diversity alternative to Liberal political thought. She theorizes about a new democratic theory, showing theorists and activists how to envision and enact more vibrant, inclusive democratic politics.
Selected by C. Michael Curtis
The characters in Brett Ellen Block’s debut collection of short stories may know their destinations, but they don’t always rush to them. From a runaway on an ice cream truck to a down-and-out retiree in a porn shop, they struggle to face both their pasts and their futures.
In a series of tightly focused and deftly drawn vignettes, Block explores the detours, potholes, and speed bumps along the road of life. These are stories about people at loose ends in their lives, coming to the realization that they can’t always sit back and enjoy the ride. Whether they’re committing petty larceny, moping their way through the winding streets and canals of Venice, or seeking to escape North Carolina’s Outer Banks, Block’s characters are learning to get behind the wheel and take control.
Brett Whalen explores the compelling belief that Christendom would spread to every corner of the earth before the end of time. During the High Middle Ages—an era of crusade, mission, and European expansion—the Western followers of Rome imagined the future conversion of Jews, Muslims, pagans, and Eastern Christians into one fold of God’s people, assembled under the authority of the Roman Church.
Starting with the eleventh-century papal reform, Whalen shows how theological readings of history, prophecies, and apocalyptic scenarios enabled medieval churchmen to project the authority of Rome over the world. Looking to Byzantium, the Islamic world, and beyond, Western Christians claimed their special place in the divine plan for salvation, whether they were battling for Jerusalem or preaching to unbelievers. For those who knew how to read the signs, history pointed toward the triumph and spread of Roman Christianity.
Yet this dream of Christendom raised troublesome questions about the problem of sin within the body of the faithful. By the late thirteenth and fourteenth centuries, radical apocalyptic thinkers numbered among the papacy’s most outspoken critics, who associated present-day ecclesiastical institutions with the evil of Antichrist—a subversive reading of the future. For such critics, the conversion of the world would happen only after the purgation of the Roman Church and a time of suffering for the true followers of God.
This engaging and beautifully written book offers an important window onto Western religious views in the past that continue to haunt modern times.
The term “civilization” comes with considerable baggage, dichotomizing people, cultures, and histories as “civilized”—or not. While the idea of civilization has been deployed throughout history to justify all manner of interventions and sociopolitical engineering, few scholars have stopped to consider what the concept actually means. Here, Brett Bowden examines how the idea of civilization has informed our thinking about international relations over the course of ten centuries.
From the Crusades to the colonial era to the global war on terror, this sweeping volume exposes “civilization” as a stage-managed account of history that legitimizes imperialism, uniformity, and conformity to Western standards, culminating in a liberal-democratic global order. Along the way, Bowden explores the variety of confrontations and conquests—as well as those peoples and places excluded or swept aside—undertaken in the name of civilization. Concluding that the “West and the rest” have more commonalities than differences,this provocative and engaging bookultimately points the way toward an authentic intercivilizational dialogue that emphasizes cooperation over clashes.
The innovative format of Exploring Civil War Wisconsin makes it easy for Civil War buffs, genealogists, and students to find and effectively use the vast array of historical materials about the Civil War found in archives, military and census records, published firsthand accounts, newspapers, and even on the Internet. This lively, illustrated guide focuses on Wisconsin in the Civil War, but is broadly applicable to Civil War research anywhere. Images of original documents and historic photographs illustrate every chapter, acquainting readers with both the Civil War and its sources. The easy-to-use and informative text is unlike anything else currently on the market.
Throughout the book, boxed features and sidebars provide background information and tips on how to do research. Author Brett Barker explains how to uncover the history of an individual soldier, his regiment, and his role in the Union Army using rosters, military records, pension files, and memoirs. And, he shows how to explore the home front during the war using the census, newspapers, city directories, and government records.
The poems ask questions with hymnlike couplets, in a language of the gospel of empathy. We are allowed to rethink our choices, question and be wary of our machinery, and, in the end, with metaphors that channel feelings of loss, humor, and compassion, we are reminded “to come, and dream, with eyes wide open / and set within the vessels of our waking selves, / of ever more intricate schemes, extravagant rescues.”
However, change is in the air. Fight the Tower is a continuation of the Fight the Tower movement, which supports women standing up for their rights to claim their earned place in academia and to work for positive change for all within academic institutions. The essays provide powerful portraits, reflections, and analyses of a population often rendered invisible by the lies that sustain intersectional injustices in order to operate an oppressive system.
Approaching the study of literature as a unique form of the philosophy of language and mind—as a study of how we produce nonsense and imagine it as sense—this is a book about our human ways of making and losing meaning. Brett Bourbon asserts that our complex and variable relation with language defines a domain of meaning and being that is misconstrued and missed in philosophy, in literary studies, and in our ordinary understanding of what we are and how things make sense. Accordingly, his book seeks to demonstrate how the study of literature gives us the means to understand this relationship.
The book itself is framed by the literary and philosophical challenges presented by Joyce’s Finnegans Wake and Wittgenstein’s Philosophical Investigations. With reference to these books and the problems of interpretation and meaning that they pose, Bourbon makes a case for the fundamental philosophical character of the study of literature, and for its dependence on theories of meaning disguised as theories of mind. Within this context, he provides original accounts of what sentences, fictions, non-fictions, and poems are; produces a new account of the logical form of fiction and of the limits of interpretation that follow from it; and delineates a new and fruitful domain of inquiry in which literature, philosophy, and science intersect.
Winner, ISHS Certificate of Excellence, 2016
In the late 1850s and early 1860s, the attention of the Catholic and Protestant religious communities around the world focused on a few small settlements of French Canadian immigrants in northeastern Illinois. Soon after arriving in their new home, a large number of these immigrants, led by Father Charles Chiniquy, the charismatic Catholic priest who had brought them there, converted to Protestantism. In this anthropological history, Caroline B. Brettell explores how Father Chiniquy took on both the sacred and the secular authority of the Catholic Church to engineer the religious schism and how the legacy of this rift affected the lives of the immigrants and their descendants for generations. This intriguing study of a nineteenth-century migration of French Canadians to the American Midwest offers an innovative perspective on the immigrant experience in America.
Brettell chronicles how Chiniquy came to lead approximately one thousand French Canadian families to St. Anne, Illinois, in the early 1850s and how his conflict with the Catholic hierarchy over the ownership and administration of church property, delivery of the mass in French instead of Latin, and access to the Bible by laymen led to his excommunication. Drawing on the concept of social drama—a situation of intensely lived conflict that emerges within social groups—Brettell explains the religious schism in terms of larger ethnic and religious disagreements that were happening elsewhere in the United States and in Canada. Brettell also explores legal disputes, analyzes the reemergence of Catholicism in St. Anne in the first decade of the twentieth century, addresses the legacy of Chiniquy in both the United States and Quebec, and closely examines the French Canadian immigrant communities, focusing on the differences between the people who converted to Protestantism and those who remained Catholic.
Occurring when nativism was pervasive and the anti-immigrant Know-Nothing Party was at its height, Chiniquy’s religious schism offers an opportunity to examine a range of important historical and anthropological issues, including immigration, ethnicity, and religion; changes in household and family structure; the ways social identities are constructed and reconstructed through time; and the significance of charismatic leadership in processes of social and religious change. Through its multidisciplinary approach, Brettell’s enlightening study provides a pioneering assessment of larger national tensions and social processes, some of which are still evident in modern immigration to the United States.
In Foster’s vivid imagination, however, they point to the surprises hidden in the quotidian: a trip to the DMV, a visit to a chain restaurant, and the saintly reflections of the Kansas City Royals’ best closer. A lesser, more faddish writer would then tend toward ironic distance, but Foster fearlessly raises such unfashionable subjects as joy, doubt, gratitude, and grief without losing a sly sense of humor, even (as the sample poem shows) about poetry itself. Given its ambition, The Garbage Eater hardly seems a debut work. Foster’s universal subject matter and approachable style will win fans among both the most experienced poetry readers and those easily intimidated by contemporary verse.
For all the turmoil that roiled financial markets during the Great Recession and its aftermath, Wall Street forecasts once again turned bullish and corporate profitability soared to unprecedented heights. How does capitalism consistently generate profits despite its vulnerability to destabilizing events that can plunge the global economy into chaos? The Great Levelerelucidates the crucial but underappreciated role of the law in regulating capitalism’s rhythms of accumulation and growth.
Brett Christophers argues that capitalism requires a delicate balance between competition and monopoly. When monopolistic forces become dominant, antitrust law steps in to discourage the growth of giant corporations and restore competitiveness. When competitive forces become dominant, intellectual property law steps in to protect corporate assets and encourage investment. These two sets of laws—antitrust and intellectual property—have a pincer effect on corporate profitability, ensuring that markets become neither monopolistic, which would lead to rent-seeking and stagnation, nor overly competitive, which would drive down profits.
Christophers pursues these ideas through a close study of the historical development of American and British capitalist economies from the late nineteenth century to the present, tracing the relationship between monopoly and competition in each country and the evolution of legal mechanisms for keeping these forces in check. More than an illuminating study of the economic role of law, The Great Leveler is a bold and fresh dissection of the anatomy of modern capitalism.
Popular anger against the financial system has never been higher, yet the practical workings of the system remain opaque to many people. The Heretic's Guide to Global Finance aims to bridge the gap between protest slogans and practical proposals for reform.
Brett Scott is a campaigner and former derivatives broker who has a unique understanding of life inside and outside the financial sector. He builds up a framework for approaching it based on the three principles of 'Exploring', 'Jamming' and 'Building', offering a practical guide for those who wish to deepen their understanding of, and access to, the inner workings of financial institutions.
Scott covers aspects frequently overlooked, such as the cultural dimensions of the financial system, and considers major issues such as agricultural speculation, carbon markets and tar-sands financing. Crucially, it also showcases the growing alternative finance movement, showing how everyday people can get involved in building a new, democratic, financial system.
Hour of the Ox received the 2015 AWP Donald Hall Prize for Poetry, selected by Crystal Ann Williams, who called it “a timeless collection written by a poet of exceptional talent and grace, a voice as tough as it is tender.” Cancio-Bello examines the multiplicity of distance, wanderlust, and grief at the intersection between filial and cultural responsibility. Desires are sloughed off, replaced by new ones, re-cultivated as mythos. These poems offer a complex and necessary new perspective on the elegiac immigrant song.
This book focuses on changing land-use patterns and their relationship to socio-political organization. Using a combination of archaeological and environmental data, Brett Hill examines the human ecology of agriculture and pastoralism from the beginnings of domestication through the rise and collapse of complex societies. Models of land use often consider political complexity as an important factor affecting mismanagement. Together with GIS erosion modeling and settlement pattern analysis, Hill evaluates the archaeological, historical, and environmental record spanning the Holocene to show how land use was affected by the rise of centralized authority. Yet populations in the Hasa maintained the ability to resist authority and return to a nomadic life when it became advantageous. This process emphasizes the power of local groups to pursue alternative strategies when their interests diverged from those of elites, creating a dynamic that reshapes the landscape each generation.
Hill’s analysis contributes significantly to our understanding of the history of human ecology in the southern Levant, wherein current debates are complicated by research at different scales and by a lack of consensus on the importance of localized phenomena. It not only complements existing research but also seeks to refine models of processes in human ecology to demonstrate the effect of political organization on land mismanagement.
This illuminating study of the evolution of Chinese capitalism chronicles the fortunes of the Song family of North China under five successive authoritarian governments. Headed initially by Song Chuandian, who became rich by exporting hairnets to Europe and America in the early twentieth century, the family built a thriving business against long odds of rural poverty and political chaos.
A savvy political operator, Song Chuandian prospered and kept local warlords at bay, but his career ended badly when he fell afoul of the new Nationalist government. His son Song Feiqing—inspired by the reformist currents of the May Fourth Movement—developed a utopian capitalist vision that industry would redeem China from foreign imperialism and cultural backwardness. He founded the Dongya Corporation in 1932 to manufacture wool knitting yarn and for two decades steered the company through a constantly changing political landscape—the Nationalists, then Japanese occupiers, then the Nationalists again, and finally Chinese Communists. Increasingly hostile governments, combined with inflation, foreign competition, and a restless labor force, thwarted his ambition to create an “Industrial Eden.”
Brett Sheehan shows how the Song family engaged in eclectic business practices that bore the imprint of both foreign and traditional Chinese influences. Businesspeople came to expect much from increasingly intrusive states, but the position of private capitalists remained tenuous no matter which government was in control. Although private business in China was closely linked to the state, it was neither a handmaiden to authoritarianism nor a natural ally of democracy.
With an interdisciplinary combination of philosophy, theology, and family law, The Law of Love explores the impact of secular conceptions of autonomy on sexuality and family. Drawing from the thought of Aristotle, Cicero, Augustine, Aquinas, and the modern theologian Servais Pinckaers, Stephen F. Brett argues that the divorce of freedom from virtue has caused cultural relativism, and that a potent and healthy mix of temperance, chastity, and modesty is the antidote. Styled accessibly and quite cleverly with a broader audience in mind, The Law of Love will appeal to intellectuals of all faiths who are interested in facing the ambiguities and problems of contemporary life in a secularized society.
Multiculturalism in the United States has been tricky for Jews. Remaining outside of the dominant Christian culture yet often excluded from multicultural agendas, Jews walk a precarious line––a narrow bridge––between dominance and marginality. Many Jews, aware of the shaky identity of Jewishness, are deeply involved in all levels of the multiculturalism debate. But there still exists a need for careful, reflective analysis of the importance and dangers of multiculturalism to the Jewish community. What is multiculturalism? What can it be to the Jews? What can the Jewish community learn from and contribute to the current debate?
Through a collection of essays by scholars and activists whose writing ranges from the personal to the philosophical, The Narrow Bridge examines multiculturalism within and beyond the Jewish community. How does classism work within the Jewish community? How can synagogues reach out to gays and lesbians? How have tensions between Jews and Blacks developed historically and what can we learn from that history? How can we include Jewish studies in multicultural curricula? This timely collection of provocative articles makes fine use of these and other questions, offering us a look at where Jews have stood, where they now stand, and what they can hope for in the complex arena of multiculturalism.
Brettell shapes his manifesto around three masterworks from the collection of the J. Paul Getty Museum: Édouard Manet’s Jeanne (Spring), Paul Gauguin’s Arii Matamoe (The Royal End), and Paul Cézanne’s Young Italian Woman at a Table. The provocative discussion reveals how each of these exceptional paintings, though depicting very different subjects—a fashionable actress, a preserved head, and a weary working woman—enacts a revolutionary, yet enduring, icon of beauty.
In a sweeping reinterpretation of nineteenth-and twentieth-century Japanese literature, Karatani Kojin forces a reconsideration of the very assumptions underlying our concepts of modernity. In his analysis, such familiar terms as origin, modern, literature, and the state reveal themselves to be ideological constructs. Karatani weaves many separate strands into an argument that exposes what has been hidden in both Japanese and Western accounts of the development of modern culture. Among these strands are: the "discovery" of landscape in painting and literature and its relation to the inwardness of individual consciousness; the similar "discovery" in Japanese drama of the naked face as another kind of landscape produced by interiority; the challenge to the dominance of Chinese characters in writing; the emergence of confessional literature as an outgrowth of the repression of sexuality and the body; the conversion of the samurai class to Christianity; the mythologizing of tuberculosis, cancer, and illness in general as a producer of meaning; and the "discovery" of "the child" as an independent category of human being.
A work that will be important beyond the confines of literary studies, Karatani's analysis challenges basic Western presumptions of theoretical centrality and originality and disturbs the binary opposition of the "West" to its so-called "other." Origins of Modern Japanese Literature should be read by all those with an interest in the development of cultural concepts and in the interrelating factors that have determined modernity.
The fifteen contributors to Other Sisterhoods: Literary Theory and
U.S. Women of Color examine the ways that women writers of color have
contributed to the discourse of literary and cultural theory. They focus
on the impact of key issues, such as social construction and identity
politics, on the works of women writers of color, as well as on the ways
these women deal with differences relating to gender, class, race/ethnicity,
and sexuality. The book also explores the ways women writers of color
have created their own ethnopoetics within the arena of literary and cultural
theory, helping to redefine the nature of theory itself.
"A sophisticated resource that will do much to carry us through
to the next century. Great work!" -- Alvina E. Quintana, author of
Home Girls: Chicana Literary Voices
CONTRIBUTORS:Sandra Kumamoto Stanley, AnaLouise Keating, Dionne
Espinoza, Kimberly N. Brown, Marilyn Edelstein, Tomo Hattori, Robin Riley
Fast, King-Kok Cheung, Timothy Libretti, Renae Moore Bredin, Jennifer
Browdy de Hernandez, Kimberly M. Blaeser, Kathryn Bond Stockton, Eun Kyung
Min, Cecilia Rodriguez Milanes
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
He examines the costs of corruption, both financial and nonpecuniary, and considers the opportunity cost that corruption imposes. Mandel explores the nature and development of Philadelphia’s unique culture of corruption, emphasizing how machine politics and self-dealing are entwined with city history, creating a culture that allows corruption to thrive. In addition, he provides practical, achievable policies and actions that can produce positive change in Philadelphia and elsewhere.
Mandel seeks to provide insight into how our collective actions or inattention give consent to the corruption, as well as its roots and effects, and the reasons for its persistence. Philadelphia, Corrupt and Consenting is a critique, but above all, it is a call to action.
Known as much for their pink curly tails and pudgy snouts as their low-brow choice of diet and habitat, pigs are prevalent in popular culture—from the Three Little Pigs to Miss Piggy to Babe. Today there are more than one billion pigs on the planet, and there are countless representations of pigs and piggishness throughout the world’s cultures.
In Pig, Brett Mizelle provides a richly illustrated and compelling look at the long, complicated relationship between humans and these highly intelligent, sociable animals. Mizelle traces the natural and cultural history of the pig, focusing on the contradictions between our imaginative representation of pigs and the real-world truth of the ways in which pigs are prized for their meat, used as subjects in medical research, and killed in order to make hundreds of consumer products. Pig begins with the evolution of the suidae, animals that were domesticated in multiple regions 9,000 years ago, and points toward a future where pigs and humans are even more closely intertwined as a result of biomedical breakthroughs. Pig both examines the widespread art, entertainment, and literature that imagines human kinship with pigs and the development of modern industrial pork production.
In charting how humans have shaped the pig and how the pig has shaped us, Mizelle focuses on the unresolved contradictions between the fiction and the reality of our relations with pigs.
Ommen argues, for example, that on viewing a billboard, a driver isn’t merely being exposed to a set of commercial messages or exhortations, but rather responding in a self-aware way that differentiates her from her collective associations like Democrat, Republican, rich, poor, Catholic, or Jewish.
By examining graphic design—as a profession, practice, and academic field—as the nexus for understanding visual display in public culture, The Politics of the Superficial develops two arguments about contemporary visual communication practices: first, that the study of visual communication privileges visual content at the expense of other dynamics, such as context; and second, that interpretations focusing on content conceal the most persuasive and subversive dimensions of the visual.
Wide-ranging and stimulating, The Politics of the Superficial ultimately posits that, far from serving as a communal oasis for public imagination, contemporary visual culture offers the possibility for politically engaged communication and persuasion while simultaneously threatening the health of public discourse by atomizing its constituent parts. It will serve as a vital contribution to the field of visual rhetoric.
This is the first scholarly volume to focus on popular music in Leeds. It delves into the rich musical history of Leeds and its long tradition of vibrant venues, nightclubs, dance halls, pubs, and other sites of musical entertainment. The contributors use the popular music of Leeds to exemplify and inform understandings of broader cultural and urban changes, the social and historical significance of music as mass media; music and migration; music, racialization, and social equity; and industrial decline, deindustrialization, neoliberalism, and the rise of the twenty-four-hour city. Charting moments of stark musical politicization and de-politicization, while also tracing arguments about heritagizing popular music within discussions about music’s place in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds and beyond.
From broken-window policing in Detroit to prison-building in Appalachia, exploring the expansion of the carceral state and its oppressive social relations into everyday life
Prison Land offers a geographic excavation of the prison as a set of social relations—including property, work, gender, and race—enacted across various landscapes of American life. Prisons, Brett Story shows, are more than just buildings of incarceration bound to cycles of crime and punishment. Instead, she investigates the production of carceral power at a range of sites, from buses to coalfields and from blighted cities to urban financial hubs, to demonstrate how the organization of carceral space is ideologically and materially grounded in racial capitalism.
Story’s critically acclaimed film The Prison in Twelve Landscapes is based on the same research that informs this book. In both, Story takes an expansive view of what constitutes contemporary carceral space, interrogating the ways in which racial capitalism is reproduced and for which police technologies of containment and control are employed. By framing the prison as a set of social relations, Prison Land forces us to confront the production of new carceral forms that go well beyond the prison system. In doing so, it profoundly undermines both conventional ideas of prisons as logical responses to the problem of crime and attachment to punishment as the relevant measure of a transformed criminal justice system.
Exploring the relationship between queer sexuality and music in the late nineteenth and early twentieth century
Queer Episodes in Music and Modern Identity approaches modern sexuality by way of music. Through the hidden or lost stories of composers, scholars, patrons, performers, audiences, repertoires, venues, and specific works, this intriguing volume explores points of intersection between music and queerness in Europe and the United States in the years 1870 to 1950--a period when dramatic changes in musical expression and in the expression of individual sexual identity played similar roles in washing away the certainties of the past. Pursuing the shadowy, obscured tracks of queerness, contributors unravel connections among dissident identities and concrete aspects of musical style, gestures, and personae.
Contributors are Byron Adams, Philip Brett, Malcolm Hamrick Brown, Sophie Fuller, Mitchell Morris, Jann Pasler, Ivan Raykoff, Fiona Richards, Eva Rieger, Gillian Rodger, Sherrie Tucker, and Lloyd Whitesell.
Since the 1980s there has been much speculation about the demise of public service television, initially because of the advent of cable and satellite television and the variety of entertainment channels they offer. While the proliferation of global niche media might seem to accelerate the demise of public television, in reality, public broadcasters are undergoing a reinvention. Reinventing Public Service Television for the Digital Future draws on fifty interviews with media industry and academic specialists from four countries to discuss on how public service broadcasting institutions are responding to the changes in digital media. This seminal work offers superior insights into the constraints and possibilities of the public service system and its prospects for survival in the age of on-demand media.
Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with …And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as "Home Is the Hangman" and "24 Views of Mt. Fuji, by Hokusai." Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism.
Clear-eyed and detailed, Roger Zelazny provides an up-to-date reconsideration of an often-misunderstood SF maverick.
Saving the World tells the forgotten history of climatic botany, the idea that forests are essential for creating and recycling rain. Long before the specter of global warming, societies recognized that deforestation caused drastic climate shifts—as early as 1770, concerns over deforestation spurred legislation to combat human-induced climate change. Across the twentieth century, climatic botany experienced fluctuating fortunes, influenced by technological advancements and evolving meteorological theories. Remarkably, contemporary scientists are rediscovering the crucial role of forests in rainfall recycling, unaware of the long history of climatic botany. This enlightening book is essential reading for anyone passionate about conserving the world’s forests and preserving our climate for future generations.
Archaeologists today are interpreting Native American religion and ritual in the distant past in more sophisticated ways, considering new understandings of the ways that Native Americans themselves experienced them. Shaman, Priest, Practice, Belief: Materials of Ritual and Religion in Eastern North America broadly considers Native American religion and ritual in eastern North America and focuses on practices that altered and used a vast array of material items as well as how physical spaces were shaped by religious practices.
Unbound to a single theoretical perspective of religion, contributors approach ritual and religion in diverse ways. Importantly, they focus on how people in the past practiced religion by altering and using a vast array of material items, from smoking pipes, ceremonial vessels, carved figurines, and iconographic images, to sacred bundles, hallucinogenic plants, revered animals, and ritual architecture. Contributors also show how physical spaces were shaped by religious practice, and how rock art, monuments, soils and special substances, and even land- and cityscapes were part of the active material worlds of religious agents.
Case studies, arranged chronologically, cover time periods ranging from the Paleoindian period (13,000–7900 BC) to the late Mississippian and into the protohistoric/contact periods. The geographical scope is much of the greater southeastern and southern Midwestern culture areas of the Eastern Woodlands, from the Central and Lower Mississippi River Valleys to the Ohio Hopewell region, and from the greater Ohio River Valley down through the Deep South and across to the Carolinas.
Contributors
Sarah E. Baires / Melissa R. Baltus / Casey R. Barrier / James F. Bates / Sierra M. Bow / James A. Brown / Stephen B. Carmody / Meagan E. Dennison / Aaron Deter-Wolf / David H. Dye / Bretton T. Giles / Cameron Gokee / Kandace D. Hollenbach / Thomas A. Jennings / Megan C. Kassabaum / John E. Kelly / Ashley A. Peles / Tanya M. Peres / Charlotte D. Pevny / Connie M. Randall / Jan F. Simek / Ashley M. Smallwood / Renee B. Walker / Alice P. Wright
This book is a reprint of the original edited volume first published in 2004. In thirty-one chapters, the edited volume documents the exciting period of the emerging interdisciplinary field of society and natural resource scholarship from 1986 to 2004. It was published in part to commemorate the tenth International Symposium on Society and Resources Management (ISSRM) in Keystone, Colorado. ISSRM has brought together natural resource professionals, social science researchers, non-government agencies, private sector organizations, and students on a biennial basis since 1986. The book presents the most significant contributions to the symposia hosted by Pennsylvania State University, Colorado State University, University of Wisconsin-Madison, Texas A&M University, University of Illinois at Urbana-Champaign, Oregon State University, University of Missouri at Columbia, Western Washington University, and Indiana University. The first International ISSRM was held in Belize, Australia, and Italy and started a fruitful cross-continental exchange on society and natural resources showcased in this book.
Contributors: Jim Absher, Kathleen Andereck, Jill Belsky, John Bergstrom, Carter Betz, Alan Bright, Perry J. Brown, Tommy Brown, Mark Brunson, Rabel Burdge, Fred Buttel, KristinCheek, Chia-Kuen Cheng, Tony Cheng, David Cole, H Ken Cordell, Terry Daniel, Steven Daniels, Dan Decker, Robert Ditton, John Dwyer, Alan Ewert, Don Field, Myron Floyd, R Bruce Gill, Alan Graefe, Gary Green, Doug Jackson-Smith, Rebecca Johnson, Richard Knopf, Rick Krannich, Jessica Leahy, Xinran You Lehto, John Loomas, Al Luloff, Mike Manfredo, Robert Manning, Sarah McCaffrey, Stephen McCool, Yoon-Jung Oh, Joseph O'Leary, Carol Saunders, Steve Selin, Bruce Shindler, George Stankey, Bill Stewart, Vicky Sturtevant, Jonathan Taylor, Suzanne Taylor, Tara Teel, Brijesh Thapa, Gene Theodori, Carla Koons Trentelman, Jerry Vaske, Joanne Vining, Doug Whittaker, Dan Williams
Building on the psychoanalytic concept of the fantasmatic, Farmer works to depathologize gay male subjectivity. While discussing such films as Kiss of the Spider Woman, The Pirate, Suddenly Last Summer, and Sunset Boulevard, and stars ranging from Mae West to Montgomery Clift, Farmer argues that the particularities of gay men’s social and psychic positionings motivate unique receptions of and investments in film. The Hollywood musical, gay camp readings of the extravagant female star, and the explicit homoeroticism of the cinematic male body in gay fanzines are further proof, says Farmer, of how the shifting libidinal profiles of homosexual desire interact with the fantasy scenarios of Hollywood film to produce a range of variable queer meanings.
This fascinating and provocative study makes a significant new contribution to discussions of cinema, spectatorship, and sexuality. As such, it will be welcomed by those in the fields of film theory, queer theory, and cultural studies.
The five essays are arranged chronologically, starting with Alan Sikes’s discussion of the Abydos Passion Play. Sikes challenges the long-held interpretation of that ritualized annual reenactment of the death, dismemberment, and return to life of Egyptian god-king Osiris as the world’s first recorded dramatic production. In analyzing the “Passion Play”—Sikes argues the term is not apt—he applies semiotic theory using "sign and referent" to revise general concepts of mimesis, and in so doing clarifies the fundamental answer to the question, “What is theatre?”
In a pair of essays, Andrew Gibb and Nicole Berkin both explore theatre during America’s antebellum period. Gibb examines minstrelsy in antebellum California, exploding narrow definitions of minstrelsy as a primarily Eastern phenomenon and one reflecting a stark interaction of two races. Following the story of Jewish African Caribbean immigrant William Alexander Leidesdorff, Gibb demonstrates that national forms are always affected by their local productions and audiences. Berkin’s essay focuses on the struggles over cultural power that took place between popular entertainers and theatre managers. She examines how both parties used touring strategically to engage with antebellum notions of deception and fraud.
The last two essays, by Megan Geigner and Heide Nees, present findings from performance studies which, by examining a wide array of dramatic and performative texts, expands the interdisciplinary foundations of theatre history studies. This fascinating collection is rounded out by an expanded selection of insightful reviews of recent literature in the area.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Although humans have long depended on oceans and aquatic ecosystems for sustenance and trade, only recently has human influence on these resources dramatically increased, transforming and undermining oceanic environments throughout the world. Marine ecosystems are in a crisis that is global in scope, rapid in pace, and colossal in scale. In The Tragedy of the Commodity, sociologists Stefano B. Longo, Rebecca Clausen, and Brett Clark explore the role human influence plays in this crisis, highlighting the social and economic forces that are at the heart of this looming ecological problem.
This timely book traces the development of banking and paper money in republican Tianjin in order to explore the creation of social trust in financial institutions. Framing the study around Bian Baimei, a conscientious branch manager of the Bank of China, Brett Sheehan analyzes the actions of bankers, officials, and local elites as they tried to overcome political and financial crises and instill trust in the banking system.
After early failures in promoting trust, government authority as a regulator of the financial system gradually increased, peaking in 1935, when the state unified the money supply for the first time in several hundred years. Concurrently, when local elites proved unable to develop successful strategies to make people trust the system, their influence declined. The need for trust in increasingly complex financial arrangements redefined state-society relations, simultaneously enhancing state power and creating new constraints on the actions of both elites and governments.
Trust in Troubled Times is a valuable new perspective on the economic, social, and political history of modern China.
Contributors draw on theories of identity, rhetorical third space, and linguistics to articulate a praxis of just teaching. They describe existing institutional challenges and opportunities that foster equity and offer cautionary tales of educational systems dismantled for short-term economic and political gains. Two-year college writing studies—when properly resourced—holds the potential to foster (or undermine) democratic ideals of civic literacy and uplift. Chapters in this volume offer case study examples of changes in departmental practices for reflection, interaction, and assessment that empower faculty to break free and engage directly with institutional, regional, state, and national constraints.
By making these resilient practices visible, Two-Year College Writing Studies amplifies the voices and validates the experiences of instructors engaging in this work. It will serve generalists, specialists, and academics interested in the subdiscipline of student success pedagogies and the political histories of two-year colleges and be useful for instructors new to the field, as professional development for veteran instructors, and as an introduction for graduate students entering two-year college writing studies programs.
In our everyday lives, we navigate a vast sea of visual imagery. Yet we rarely consider systematically how or why we derive meaning from this sea of the visual. Nor do we typically contemplate the effect it has on our motivations and actions as individuals and collectives. Visual Futures provides a new lens through which to analyze and challenge established perspectives, norms, and practices surrounding the visual.
This edited collection ruminates on how visuality and the visual provoke a new kind of cultural exchange and explores the relationships, intersections, and collisions between visuality and visual practices and one (or a combination) of the following: embodiment, spatial literacy, emerging languages, historical reflection, educative practices, civic development, and social development.
Wildlife and Recreationists defines and clarifies the issues surrounding the conflict between outdoor recreation and the health and well-being of wildlife and ecosystems. Contributors to the volume consider both direct and indirect effects of widlife-recreationist interactions, including:
- wildlife responses to disturbance, and the origins of these responses
- how specific recreational activities affect diverse types of wildlife
- the human dimensions of managing recreationists
- the economic importance of outdoor recreation
- how wildlife and recreationists might be able to coexist
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