This book relates the founding in America, and evaluates the effectiveness of, a branch of the worldwide organization of volunteers known as the Samaritans, committed to the prevention of suicide through the simple means of “listening therapy.” Great-granddaughter of Charles Dickens, Monica Dickens was best known in England as a novelist; in America, as the founder of the U.S. Samaritans. Today Samaritans are in every large city of the country. Volunteers work twenty-four hours a day, answering telephones or meeting troubled people, to try to give them, in nonjudgmental ways, the help they need to get their lives back in order.
A charming memento of the Victorian era’s literary colossus, The Daily Charles Dickens is a literary almanac for the ages. Tenderly and irreverently anthologized by Dickens scholar James R. Kincaid, this collection mines the British author’s beloved novels and Christmas stories as well as his lesser-known sketches and letters for “an around-the-calendar set of jolts, soothings, blandishments, and soarings.”
A bedside companion to dip into year round, this book introduces each month with a longer seasonal quote, while concise bits of wisdom and whimsy mark each day. Hopping gleefully from Esther Summerson’s abandonment by her mother in Bleak House to a meditation on the difficult posture of letter-writing in The Pickwick Papers, this anthology displays the wide range of Dickens’s stylistic virtuosity—his humor and his deep tragic sense, his ear for repetition, and his genius at all sorts of voices. Even the devotee will find between these pages a mix of old friends and strangers—from Oliver Twist and Ebenezer Scrooge to the likes of Lord Coodle, Sir Thomas Doodle, Mrs. Todgers, and Edwin Drood—as well as a delightful assortment of the some of the novelist’s most famous, peculiar, witty, and incisive passages, tailored to fit the season. To give one particularly apt example: David Copperfield blunders, in a letter of apology to Agnes Wickfield, “I began one note, in a six-syllable line, ‘Oh, do not remember’—but that associated itself with the fifth of November, and became an absurdity.”
Never Pecksniffian or Gradgrindish, this daily dose of Dickens crystallizes the novelist’s agile humor and his reformist zeal alike. This is a book to accompany you through the best of times and the worst of times.
This volume collects for the first time all of Charles Dickens' extant plans and notes for his novels. Dickens wrote his novels in segments during the course of serial publication. Beginning with Dombey and Son, the sixth novel, he wrote out plans for each segment as he went along, sketching future developments, querying himself about options, noting motifs, establishing recurrent images, working out chronologies, experimenting with names, and, in general, reminding himself of what he had done and what he should do next. Some notes survive from before Dombey and those for a few novels after that are incomplete or abbreviated, but for the most part the plan from Dombey on are full and complete. Each sheet of these notes is reproduced here in actual-size photographic facsimile and is transcribed on the facing page in typographic facsimile, a format that preserves Dickens' holographic nuances and at the same time allows for the instant decipherment of his often difficult hand. Included are his plans for The Old Curiosity Shop, Martin Chuzzlewit, Dombey and Son, David Copperfield, Bleak House, Hard Times, Little Dorrit, Great Expectations, Our Mutual Friend, and Edwin Drood. The volume also contains thirty-three full-page illustrations and a full-color frontispiece.
Harry Stone, an internationally recognized Dickens scholar, provides the reader with a full account of Dickens' methods of planning and working. In a comprehensive introduction and extensive notes, he uses Dickens' written plans to illuminate the thought and technique of the novels. He examines creative concerns, such as Dickens' process of naming and visualization, and technical matters, such as his use of various pen nibs, ink colors, and papers.
By making fully available and comprehensible Dickens' own cache of in-process plans, possibilities, and alternatives for shaping his novels, Dickens' Working Notes offers unparalleled insights into the novelist's art and into the nature of the creative imagination.
Hard Times: For These Times
Heidi Stillman Northwestern University Press, 2003 Library of Congress PS3619.T55H37 2003 | Dewey Decimal 813.6
The highly acclaimed adaptation of Dickens's classic novel--a 2001 Jeff Award Winner!
The citizens of Charles Dickens's Coketown have moved readers for over a century. Now, Heidi Stillman's stunning adaptation brings these iconic characters to life on the stage, revealing the universality of their hopes and suffering in their times and in ours. The world premiere of Hard Times was presented by the Lookingglass Theatre Company of Chicago in 2001. The Play won five Joseph Jefferson Awards, for best production of a play, best director, best adaptation, best choreography, and best lighting design.
From Benjamin Bunny to Peter Cottontail, the Velveteen Rabbit to the Flopsy Bunnies, the Rabbit of Caerbannog to Bugs Bunny and Roger Rabbit, the winsome long-eared animal is a permanent fixture of our childhoods. We know rabbits for their place in our stories, myths, and legends, and also for how they helped us learn to tie our shoes. In this richly illustrated book, Victoria Dickenson explores the natural and cultural history of the most familiar of the lagomorphs.
Tracing the history of the species, Dickenson brings to life the giant extinct rabbits of Minorca and the tiny endangered Volcano rabbits of Mexico while focusing on the European rabbit. She explains how humans became this particular rabbit’s greatest predator, coveting its fur and flesh, and how they distributed rabbits to such far-flung places as New Zealand and Australia to provide food and sport for settlers. Dickenson also examines the paradox of the rabbit as prey and trickster who outwits all rivals, as cuddly companion for children and symbol of unbridled animal passion. She looks at the use of the rabbit’s foot to charm away evil, celebrates the Year of the Rabbit, and discovers the Jade Moon Rabbit, who lives on the moon. Hopping from B’rer Rabbit to the Energizer Bunny, Rabbit is the perfect gift for anyone who loves these intelligent, adorable creatures.
Jaan Kross's historical novel Sailing Against the Wind fictionalizes the life of Bernhard Schmidt (1879-1935), an Estonian-born inventor. Schmidt lost an arm in his youth while experimenting with a homemade rocket, resulting in psychological trauma that would plague him for the rest of his life. Largely self-taught, Schmidt was driven to seek recognition of his talents.
He moved to Germany in the 1930s, where, after perfecting techniques for polishing lenses, he began developing ideas for improving astronomical telescopes. He was arrested for selling one to the Russians, and although he got off with only a warning, he later suffered a breakdown and was sent to a mental hospital, where he soon died. Sailing Against the Wind becomes a meditation on national identity, the relationship between history and the individual life, and the mechanisms of the historical novel as a genre.
Playful and inquisitive, seals have long been interested in humans—and humans have reciprocated that interest, falling for their beauty, grace, and charm as they frolic alongside our boats or loll on sandy shores. In this newest entry in the Animal series, Victoria Dickenson traces the history of our interaction with these beautiful, fascinating swimmers, from the centuries of hunting—in which people killed countless seals for their skin, oil, and meat—to the present, when the white-furred baby seal has become one of the most potent symbols of the need for ecological conservation. Along the way, she offers an approachable account of seal biology and behavior, and she delineates the threats they face from habitat destruction and climate change. Beautifully illustrated and packed with stories from folklore, myth, and history, Seal offers a richly immersive view of a much-loved, storied creature.
In this wide-ranging effort to theorize about the relationships between society and nature, Peter Dickens attempts to reconstruct social theory in a way that enables it to speak to contemporary environmental issues. After reviewing existing sociological traditions, he draws on the early work of Karl Marx to suggest that processes and relations in the workplace are the main source of people's separation from nature. In addition, people's understanding of "nature" tends to mirror their experience of the social world. Redefining the work of Anthony Giddens in an ecological direction, Dickens analyzes developments in biological thinking that seem consistent with this approach. He considers the role of culture, and he critiques the contemporary "deep green" and "deep ecology" movements.
Focusing on the alienation of human begins from the natural world and the place of nature in their "deep mental structures," the author works in part from a Marxist perspective but draws a wide variety of social psychological, and biological theories into the discussion. Society and Nature not only addresses a central debate in contemporary social science regarding this interrelationship but also responds to the intellectual challenge presented by natural scientific concepts of environmental problems that oversimplify or ignore their political or social relational dimensions.
Within the general structure-and-process theme of this compendium, the authors have focused on either intrasite problems (those dealing with the formation and structure of a site, type of site, or type of feature) or intersite problems (those dealing with behavioral organization and process as developed from comparative site data). These papers, from a broad range of specialists, present a comprehensive study of southeastern archaeology.
Section I: Intrasite Structure and Formation Processes
Formation Processes for the Practical Prehistorian: An Example from the Southeast, J. Jefferson Reid
The Form, Function, and Formation of Garbage-filled Pits on Southeastern Aboriginal Sites: An Archaeobotanical Analysis, Roy S. Dickens Jr.
Feature Zones and Feature Fill: More Than Trash, Jack H. Wilson Jr.
Social Implications of Storage and Disposal Patterns, H. Trawick Ward
The Form and Function of South Carolina's Early Woodland Shell Rings, Michael B. Trinkley
A New Way of Looking at Old Holes: Methods for Excavating and Interpreting Timber Structures, Alexander H. Morrison II
Section II: Intersite Comparisons and Regional Chronology
Archaeology and the Archaic Period in the Southern Ridge-and-Valley Province, Jefferson Chapman
Intersite Assemblage Variability in the Lower Little Tennessee River Valley: Exploring Extinct Settlement Systems Through Probabilistic Sampling, R. P. Stephen Davis Jr.
Lithic Scatters in the South Carolina Piedmont, Veletta Canouts and Albert C. Goodyear III
Tradition and Typology: Basic Elements of the Carolina Projectile Point Sequence, Billy L. Oliver
Model and Sequence in the Maryland Archaic, Kit W. Wesler
Spheres of Cultural Interaction across the Coastal Plain of Virginia in the Woodland Period, Keith T. Egloff
Early Hopewellian Ceremonial Encampments in the South Appalachian Highlands, John A. Walthall
Deep Water and High Ground: Seventeenth-Century Settlement Patterns on the Carolina Coast, Stanley South and Michael O. Hartley
Epilogue: Joffre Lanning Coe: The Quiet Giant of Southeastern Archaeology, James B. Griffin
Hazel Dickens is an Appalachian singer and songwriter known for her superb musicianship, feminist country songs, union anthems, and blue-collar laments. Growing up in a West Virginia coal mining community, she drew on the mountain music and repertoire of her family and neighbors when establishing her own vibrant and powerful vocal style that is a trademark in old-time, bluegrass, and traditional country circles. Working Girl Blues presents forty original songs that Hazel Dickens wrote about coal mining, labor issues, personal relationships, and her life and family in Appalachia. Conveying sensitivity, determination, and feistiness, Dickens comments on each of her songs, explaining how she came to write them and what they meant and continue to mean to her. Bill C. Malone's introduction traces Dickens's life, musical career, and development as a songwriter, and the book features forty-one illustrations and a detailed discography of her commercial recordings.