Peter Clark Haus Publishing, 2019 Library of Congress PR4584.C58 2012
Marking the 150th anniversary of Charles Dickens’s death, Dickens’s London leads us in the footsteps of the author through this beloved city. Few novelists have written so intimately about a place as Dickens wrote about London, and, from a young age, his near-photographic memory rendered his experiences there both significant and in constant focus. Virginia Woolf maintained that “we remodel our psychological geography when we read Dickens,” as he produces “characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks.” The most enduring “character” Dickens was drawn back to throughout his novels was London itself, in all its aspects, from the coaching inns of his early years to the taverns and watermen of the Thames. These were the constant cityscapes of his life and work.
In five walks through central London, Peter Clark explores “The First Suburbs”—Camden Town, Chelsea, Greenwich, Hampstead, Highgate and Limehouse—as they feature in Dickens’s writing and illuminates the settings of Dickens’s life and his greatest works of journalism and fiction. Describing these storied spaces of today’s central London in intimate detail, Clark invites us to experience the city as it was known to Dickens and his characters. These walks take us through the locations and buildings that he interacted with and wrote about, creating an imaginative reconstruction of the Dickensian world that has been lost to time.
Old Masters: A Comedy
Thomas Bernhard University of Chicago Press, 1992 Library of Congress PT2662.E7A7513 1992 | Dewey Decimal 833.914
In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher—who fears Reger's plans to kill himself—gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with
art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating.
"Bernhard's . . . most enjoyable novel."—Robert Craft, New YorkReview of Books.
"Bernhard is one of the masters of contemporary European fiction."—George Steiner
Thomas Bernhard University of Chicago Press, 1992 Library of Congress PT2662.E7J213 1992 | Dewey Decimal 833.914
The narrator, a scientist working on antibodies and suffering from emotional and mental illness, meets a Persian woman, the companion of a Swiss engineer, at an office in rural Austria. For the scientist, his endless talks with the strange Asian woman mean release from his condition, but for the Persian woman, as her own circumstances deteriorate, there is only one answer.
"Thomas Bernhard was one of the few major writers of the second half of this century."—Gabriel Josipovici, Independent
"With his death, European letters lost one of its most perceptive, uncompromising voices since the war."—Spectator
Widely acclaimed as a novelist, playwright, and poet, Thomas Bernhard (1931-89) won many of the most prestigious literary prizes of Europe, including the Austrian State Prize, the Bremen and Brüchner prizes, and Le Prix Séguier.