The Sacred Image East and West
Edited by Robert Ousterhout and Leslie Brubaker University of Illinois Press, 1995 Library of Congress BX380.5.S23 1995 | Dewey Decimal 246.5309
A new generation of American medieval art historians explores how sacred images were perceived during the Middle Ages in Byzantium and Europe. The essays cover a full range of images, including panel paintings, altarpieces, manuscripts, and wall paintings, and a rich variety of socioreligious settings, private, monastic, and imperial. Also examined are the differences between images produced for a single viewer and those produced for communities; images produced for private contemplation or devotion and those functioned within a liturgical setting; and the varying ways in which sacred images affected women and men, religious and secular communities, rulers and ruled.