A SCHOLARLY BOOK REPOSITORY11 start with A start with A
Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.
Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.
This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.
Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.
This collection of biographical essays, written by thirty-four noted historians and political scientists, chronicles the times, careers, challenges, leadership, and legacies of the fifty-seven men and one woman who have served as the state's highest elected official. The book is organized chronologically into six sections that cover Alabama’s years as a US territory and its early statehood, the 1840s through the Civil War and Reconstruction, the late nineteenth-century Bourbon era, twentieth-century progressive and wartime governors, the Civil Rights era and George Wallace’s period of influence, and recent chief executives in the post-Wallace era.
The political careers of these fifty-eight individuals reflect the story of Alabama itself. Taken together, these essays provide a unified history of the state, with its recurring themes of race, federal-state relations, tensions between north and south Alabama, economic development, taxation, and education.
Alabama Governors expertly delineates the decisions and challenges of the chief executives, their policy initiatives, their accomplishments and failures, and the lasting impact of their terms. The book also includes the true and sometimes scandalous anecdotes that pepper Alabama’s storied history. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his office and refused to give it up when voters failed to reelect him. A twentieth-century governor, an alumnus of Yale, served as an officer in the Ku Klux Klan.
This entirely updated and revised edition includes enlarged and enhanced images of each governor. Published as Alabama prepares for its sixty-fourth gubernatorial election, Alabama Governors is certain to become a valuable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history of Alabama politics.
The story of Alabama's governors has been often bizarre, occasionally inspiring, but never dull. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his administrative office and refused to give it up when voters failed to reelect him. A 20th-century governor, an alumnus of Yale, married his first cousin and served as an officer in the Ku Klux Klan.
This collection of biographical essays, written by 34 noted historians and political scientists, chronicles the foibles and idiosyncrasies, in and out of office, of those who have served as the state's highest elected official. It also describes their courage; their meaningful policy initiatives; their accomplishments and failures; the complex factors that led to their actions or inaction; and the enormous consequences of their choices on the state's behalf.
Taken together, the essays provide a unified history of the state, with its recurring themes of race, federal-state relations, economic development, taxation, and education. Alabama Governors is certain to become an invaluable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history and politics of the state.
From 1979 to 2000, the Southern Baptist Convention (SBC) was mired in conflict, with the biblicist and autonomist parties fighting openly for control. This highly polarizing struggle ended in a schism that created major changes within the SBC and also resulted in the formation of several new Baptist groups. Discussions of the schism, academic and otherwise, generally ignore the church’s clergywomen for the roles they played and the contributions they made to the fracturing of the largest Protestant group in the United States. Ordained women are typically treated as a contentious issue between the parties. Only recently are scholars beginning to take seriously these women’s contributions and interpretations as active participants in the struggle.
Anatomy of a Schism is the first book on the Southern Baptist split to place ordained women’s narratives at the center of interpretation. Author Eileen Campbell-Reed brings her unique perspective as a pastoral theologian in conducting qualitative interviews with five Baptist clergywomen and allowing their narratives to focus attention on both psychological and theological issues of the split. The stories she uncovers offer a compelling new structure for understanding the path of Southern Baptists at the close of the twentieth century. The narratives of Anna, Martha, Joanna, Rebecca, and Chloe reframe the story of Southern Baptists and reinterpret the rupture and realignment in broad and significant ways. Together they offer an understanding of the schism from three interdisciplinary perspectives—gendered, psychological, and theological—not previously available together. In conversation with other historical events and documents, the women’s narratives collaborate to provide specific perspectives with universal implications for understanding changes in Baptist life over the last four decades.
The schism’s outcomes held profound consequences for Baptist individuals and communities. Anatomy of Schism is an illuminating ethnographic and qualitative study sure to be indispensable to scholars of theology, history, and women’s studies alike.
Sydney J. Freedberg presents an interpretive analysis and a full Catalogue Raisonné of Andrea del Sarto’s achievement. The interpretive work includes an account of Andrea’s career as a painter, illustrations of all his authentic paintings and many of his drawings, a brief biography, and a selective bibliography. The painter’s style and its place in the history of Italian painting are discussed in detail. The author questions current concepts of a sudden “triumph of Mannerism” in Florence after 1520 and presents a more balanced interpretation of this era.
The Catalogue Raisonné includes a complete critical catalogue of Andrea’s paintings and drawings, an inventory of lost works, and a full account of paintings and drawings attributed to the artist. Documentary information on Andrea’s life and the details of dating and attribution which are the basis for the interpretive text are also included. The illustrations in this volume supplement those in the interpretive work and will be of particular interest to scholars and art historians.
Sydney J. Freedberg presents an interpretive analysis and a full Catalogue Raisonné of Andrea del Sarto’s achievement. The interpretive work includes an account of Andrea’s career as a painter, illustrations of all his authentic paintings and many of his drawings, a brief biography, and a selective bibliography. The painter’s style and its place in the history of Italian painting are discussed in detail. The author questions current concepts of a sudden “triumph of Mannerism” in Florence after 1520 and presents a more balanced interpretation of this era.
The Catalogue Raisonné includes a complete critical catalogue of Andrea’s paintings and drawings, an inventory of lost works, and a full account of paintings and drawings attributed to the artist. Documentary information on Andrea’s life and the details of dating and attribution which are the basis for the interpretive text are also included. The illustrations in this volume supplement those in the interpretive work and will be of particular interest to scholars and art historians.
Fort Polk Military Reservation encompasses approximately 139,000 acres in western Louisiana 40 miles southwest of Alexandria. As a result of federal mandates for cultural resource investigation, more archaeological work has been undertaken there, beginning in the 1970s, than has occurred at any other comparably sized area in Louisiana or at most other localities in the southeastern United States. The extensive program of survey, excavation, testing, and large-scale data and artifact recovery, as well as historic and archival research, has yielded a massive amount of information. While superbly curated by the U.S. Army, the material has been difficult to examine and comprehend in its totality.
With this volume, Anderson and Smith collate and synthesize all the information into a comprehensive whole. Included are previous investigations, an overview of local environmental conditions, base military history and architecture, and the prehistoric and historic cultural sequence. An analysis of location, environmental, and assemblage data employing a sample of more than 2,800 sites and isolated finds was used to develop a predictive model that identifies areas where significant cultural resources are likely to occur. Developed in 1995, this model has already proven to be highly accurate and easy to use.
Archaeology, History, and Predictive Modeling will allow scholars to more easily examine the record of human activity over the past 13,000 or more years in this part of western Louisiana and adjacent portions of east Texas. It will be useful to southeastern archaeologists and anthropologists, both professional and amateur.
Some of the most visible expressions of human culture are illustrated architecturally. Unfortunately for archaeologists, the architecture being studied is not always visible and must be inferred from soil inconsistencies or charred remains. This study deals with research into roughly a millennium of Native American architecture in the Southeast and includes research on the variation of construction techniques employed both above and below ground. Most of the architecture discussed is that of domestic houses with some emphasis on large public buildings and sweat lodges. The authors use an array of methods and techniques in examining native architecture including experimental archaeology, ethnohistory, ethnography, multi-variant analysis, structural engineering, and wood science technology. A major portion of the work, and probably the most important in terms of overall significance, is that it addresses the debate of early Mississippian houses and what they looked like above ground and the changes that occurred both before and after the arrival of Europeans.
With funding cuts well under way and many institutions already promising to charge the maximum £9,000 yearly tuition fee, university education for the majority is under threat. This book exposes the true motives behind the government's programme and provides the analytical tools to fight it.
Widespread student protests and occupations, often supported by staff, unions and society at large, show the public's opposition to funding cuts and fee increases. The contributors to this sharp, well-written collection, many of whom are active participants in the anti-cuts movement, outline what's at stake and why it matters. They argue that university education is becoming increasingly skewed towards vocational degrees, which devalues the arts and social sciences – subjects that allow creativity and political inquiry to flourish.
Released at the beginning of the new academic year, this book will be at the heart of debates around the future of higher education in the UK and beyond, inspiring both new and seasoned activists in the fight for the soul of our universities.
The editors’ introduction presents a condensed history of academic writing, chronicles the origins of autobiographical criticism, and emphasizes the role of feminism in championing the value of personal narrative to disciplinary discourse. The essays are all explicitly informed by the identities of their authors, among whom are a feminist scientist, a Jewish filmmaker living in Germany, a potential carrier of Huntington’s disease, and a doctor pregnant while in medical school. Whether describing how being a professor of ethnic literature necessarily entails being an activist, how music and cooking are related, or how a theology is shaped by cultural identity, the contributors illuminate the relationship between their scholarly pursuits and personal lives and, in the process, expand the boundaries of their disciplines.
Contributors:
Kwame Anthony Appiah
Ruth Behar
Merrill Black
David Bleich
James Cone
Brenda Daly
Laura B. DeLind
Carlos L. Dews
Michael Dorris
Diane P. Freedman
Olivia Frey
Peter Hamlin
Laura Duhan Kaplan
Perri Klass
Muriel Lederman
Deborah Lefkowitz
Eunice Lipton
Robert D. Marcus
Donald Murray
Seymour Papert
Carla T. Peterson
David Richman
Sara Ruddick
Julie Tharp
Bonnie TuSmith
Alex Wexler
Naomi Weisstein
Patricia Williams
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