Gerhard von Rad's study of biblical wisdom literature in Weisheit in Israel (1970) is widely regarded as one of the most important studies in the field of ancient Israelite wisdom literature. More than fifty years later, contributors to Gerhard von Rad and the Study of Wisdom Literature reevaluate the significance and shortcomings of the late scholar's work and engage new methods and directions for wisdom studies today. Contributors include George J. Brooke, Ariel Feldman, Edward L. Greenstein, Arthur Jan Keefer, Jennifer L. Koosed, Will Kynes, Christl M. Maier, Timothy J. Sandoval, Bernd U. Schipper, Mark Sneed, Hermann Spieckermann, Anne W. Stewart, Raymond C. Van Leeuwen, Stuart Weeks, and Benjamin G. Wright III. This collection of essays is essential reading not only for specialists in wisdom studies but also for scholars and advanced students of the Hebrew Bible in general.
This revised and expanded English edition of Bernd U. Schipper’s 2012 Hermeneutik der Tora incorporates the results of his continued research and writings on Proverbs. For nearly a century, many biblical scholars have argued that the main theological traditions, such as the divine law, God’s torah, do not appear in the book of Proverbs. In this volume, however, Schipper demonstrates that Proverbs interacts in a sophisticated way with the concept of the torah. A detailed analysis of Proverbs 2 and other passages from the first part of the book of Proverbs shows that Proverbs engages in a postexilic discourse around “wisdom and torah” concerning the abilities of humans to fulfill the will of YHWH exemplified in the divine torah.
Given the long history of feminism and its contested place in popular culture, important, practical questions arise: What effect, if any, have feminist ideas and practices had on the lives of young men and women who grew up with them? How do these individuals negotiate the realities of gender in their daily lives?
In Rockin’ Out of the Box, Mimi Schippers, employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. The author focuses on this sizable section of rock music both because it is widely inclusive of men and women and because it explicitly adopted feminism as its point of departure from mainstream music. Schippers uses the innovative term gender maneuvering to explain her observations that gender and sexuality are negotiated and always changing features of social relations. This process, she demonstrates, operates as a cultural practice and as an individual strategy of resistance to socially prescribed gender roles.
Schippers, who spent more than two years frequenting alternative hard rock clubs and concerts in Chicago, conducted extensive interviews with fans as well as musicians, including Ian MacKaye of Fugazi, Eddie Vedder of Pearl Jam, Kim Thayil of Soundgarden, Donita Sparks and Jennifer Finch of L7, Kat Bjelland and Lori Barbero of Babes in Toyland, Rose of Poster Children, Louise Post and Nina Gordon of Veruca Salt, and Liz Davis and Valerie Agnew of 7 Year Bitch. As it documents the development of a rock music genre that has so far received little academic attention, this book also demonstrates how this musical culture contributes to our understanding of the daily practices of gender relations among young people.
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