front cover of Advertising and the Transformation of Screen Cultures
Advertising and the Transformation of Screen Cultures
Bo Florin
Amsterdam University Press, 2021
Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects (products and services), screens (exhibition, programming, physical media), practices (production, marketing), and intermediaries (ad agencies). In this way, the book develops new historical, methodological, and theoretical perspectives.
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Anthropology and Antihumanism in Imperial Germany
Andrew Zimmerman
University of Chicago Press, 2001
With the rise of imperialism, the centuries-old European tradition of humanist scholarship as the key to understanding the world was jeopardized. Nowhere was this more true than in nineteenth-century Germany. It was there, Andrew Zimmerman argues, that the battle lines of today's "culture wars" were first drawn when anthropology challenged humanism as a basis for human scientific knowledge.

Drawing on sources ranging from scientific papers and government correspondence to photographs, pamphlets, and police reports of "freak shows," Zimmerman demonstrates how German imperialism opened the door to antihumanism. As Germans interacted more frequently with peoples and objects from far-flung cultures, they were forced to reevaluate not just those peoples, but also the construction of German identity itself. Anthropologists successfully argued that their discipline addressed these issues more productively—and more accessibly—than humanistic studies.

Scholars of anthropology, European and intellectual history, museum studies, the history of science, popular culture, and colonial studies will welcome this book.
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The Arabian Nights
A Play
Mary Zimmerman
Northwestern University Press, 2005
A twelve-member cast enacts Scheherazade's tales of love, lust, comedy, and dreams. Scheherazade's cliffhanger stories prevent her husband, the cruel ruler Shahryar, from murdering her, and after 1,001 nights, Shahryar is cured of his madness, and Scheherazade returns to her family. This adaptation offers a wonderful blend of the lesser-known tales from Arabian Nights with the recurring theme of how the magic of storytelling holds the power to change people. The final scene brings the audience back to a modern day Baghdad with the wail of air raid sirens threatening the rich culture and history that are embodied by these tales.
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Architecture against Democracy
Histories of the Nationalist International
Reinhold Martin
University of Minnesota Press, 2024

Examining architecture’s foundational role in the repression of democracy
 

Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, Architecture against Democracy analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power.

 

Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, Architecture against Democracy presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent “nationalist international.” 

 

As new forms of nationalism and authoritarian rule proliferate across the globe, this timely collection offers fresh understandings of the role of architecture in the opposition to democracy.

 

Contributors: Esra Akcan, Cornell U; Can Bilsel, U of San Diego; José H. Bortoluci, Getulio Vargas Foundation; Charles L. Davis II, U of Texas at Austin; Laura diZerega; Eve Duffy, Duke U; María González Pendás, Cornell U; Paul B. Jaskot, Duke U; Ana María León, Harvard U; Ruth W. Lo, Hamilton College; Peter Minosh, Northeastern U; Itohan Osayimwese, Brown U; Kishwar Rizvi, Yale U; Naomi Vaughan; Nader Vossoughian, New York Institute of Technology and Columbia U; Mabel O. Wilson, Columbia U.

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Argonautika
The Voyage of Jason and the Argonauts
Mary Zimmerman
Northwestern University Press, 2013

As in her Tony Award–winning Metamorphoses, Mary Zimmerman transforms Greek mythology—here the story of Jason and the Argonauts—into a mesmerizing piece of theater. Encountering an array of daunting challenges in their “first voyage of the world,” Jason and his crew illus­trate the essence of all such journeys to follow—their un­predictability, their inspiring and overwhelming breadth of emotion, their lessons in the inevitability of failure and loss. Bursts of humor and fantastical creatures enrich a story whose characters reveal remarkable complexity. Medea is profoundly sympathetic even as the seeds are sown for the monstrous life ahead of her, and the brute strength of Hercules leaves him no less vulnerable to the vicissitudes of love. Zimmerman brings to Argonautika her trademark ability to encompass the full range of human experience in a work as entertaining as it is enlightening.

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Beyond Subsistence
Plains Archaeology and the Postprocessual Critique
Edited by Philip Duke and Michael C. Wilson
University of Alabama Press, 1995

A series of essays, written by Plains scholars of diverse research interests and backgrounds, that apply postprocessual approaches to the solution of current problems in Plains archaeology

Postprocessual archaeology is seen as a potential vehicle for integrating culture-historical, processual, and postmodernist approaches to solve specific archaeological problems.

The contributors address specific interpretive problems in all the major regions of the North American Plains, investigate different Plains societies (including hunter-gatherers and farmers and their associated archaeological records), and examine the political content of archaeology in such fields as gender studies and cultural resource management. They avoid a programmatic adherence to a single paradigm, arguing instead that a mature archaeology will use different theories, methods, and techniques to solve specific empirical problems. By avoiding excessive infatuation with the correct scientific method, this volume addresses questions that have often been categorized as beyond archaeological investigations.

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Bringing Aztlan to Mexican Chicago
My Life, My Work, My Art
Jose Gamaliel Gonzalez, Edited and with an Introduction by Marc Zimmerman
University of Illinois Press, 2010
Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home.
 
Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s.
 
With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
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Building Special Operations Partnerships in Afghanistan and Beyond
Challenges and Best Practices from Afghanistan, Iraq, and Colombia
Austin Long
RAND Corporation, 2015
Building the capacity of Afghan special operations forces (SOF) is a key goal of the United States and its coalition partners. This report summarizes key partnering practices and presents findings from SOF partnership case studies in Afghanistan, Iraq, and Colombia. The goal is to identify best practices to benefit the development of Afghan SOF, as well as for special operations partnerships beyond Afghanistan.
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The Case for Contention
Teaching Controversial Issues in American Schools
Jonathan Zimmerman and Emily Robertson
University of Chicago Press, 2017
From the fights about the teaching of evolution to the details of sex education, it may seem like American schools are hotbeds of controversy. But as Jonathan Zimmerman and Emily Robertson show in this insightful book, it is precisely because such topics are so inflammatory outside school walls that they are so commonly avoided within them. And this, they argue, is a tremendous disservice to our students. Armed with a detailed history of the development of American educational policy and norms and a clear philosophical analysis of the value of contention in public discourse, they show that one of the best things American schools should do is face controversial topics dead on, right in their classrooms.
           
Zimmerman and Robertson highlight an aspect of American politics that we know all too well: We are terrible at having informed, reasonable debates. We opt instead to hurl insults and accusations at one another or, worse, sit in silence and privately ridicule the other side. Wouldn’t an educational system that focuses on how to have such debates in civil and mutually respectful ways improve our public culture and help us overcome the political impasses that plague us today? To realize such a system, the authors argue that we need to not only better prepare our educators for the teaching of hot-button issues, but also provide them the professional autonomy and legal protection to do so. And we need to know exactly what constitutes a controversy, which is itself a controversial issue. The existence of climate change, for instance, should not be subject to discussion in schools: scientists overwhelmingly agree that it exists. How we prioritize it against other needs, such as economic growth, however—that is worth a debate.
           
With clarity and common-sense wisdom, Zimmerman and Robertson show that our squeamishness over controversy in the classroom has left our students woefully underserved as future citizens. But they also show that we can fix it: if we all just agree to disagree, in an atmosphere of mutual respect.
 
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Contested Memories
Poles and Jews during the Holocaust and Its Aftermath
Zimmerman, Joshua D.
Rutgers University Press, 2003
Few issues have divided Poles and Jews more deeply than the Nazi occupation of Poland during the Second World War and the subsequent slaughter of almost ninety percent of Polish Jewry. Many Jewish historians have argued that, during the occupation, Poles at best displayed indifference to the fate of the Jews and at worst were willing accomplices of the Nazis. Many Polish scholars, however, deny any connection between the prewar culture of antisemitism and the wartime situation. They emphasized that Poles were also victims of the Nazis and, for the most part, tried their best to protect the Jews.

This collection of essays, representing three generations of Polish and Jewish scholars, is the first attempt since the fall of Communism to reassess the existing historiography of Polish-Jewish relations just before, during, and after the Second World War. In the spirit of detached scholarly inquiry, these essays fearlessly challenge commonly held views on both sides of the debates. The authors are committed to analyzing issues fairly and to reaching a mutual understanding. Contributors cover six topics:
1. The prewar legacy
2. The deterioration of Polish-Jewish relations during the first years of the war
3. Institutional Polish responses to the Nazi Final Solution
4. Poles and the Polish nation through Jewish eyes
5. The destruction of European Jewry and Polish popular opinion
6. Polish-Jewish relations since 1945
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Counterculture Kaleidoscope
Musical and Cultural Perspectives on Late Sixties San Francisco
Nadya Zimmerman
University of Michigan Press, 2013
Forty years after the fact, 1960s counterculture---personified by hippies, protest, and the Summer of Love---basks in a nostalgic glow in the popular imagination as a turning point in modern American history and the end of the age of innocence. Yet, while the era has come to be synonymous with rebellion and opposition, its truth is much more complex.

In a bold reconsideration of the late sixties San Francisco counterculture movement, Counterculture Kaleidoscope takes a close look at the cultural and musical practices of that era. Addressing the conventional wisdom that the movement was grounded in rebellion and opposition, the book exposes two myths: first, that the counterculture was an organized social and political movement of progressives with a shared agenda who opposed the mainstream (dubbed "hippies"); and second, that the counterculture was an innocent entity hijacked by commercialism and transformed over time into a vehicle of so-called "hip consumerism."

Seeking an alternative to the now common narrative, Nadya Zimmerman examines primary source material including music, artwork, popular literature, personal narratives, and firsthand historical accounts. She reveals that the San Francisco counterculture wasn't interested in commitments to causes and made no association with divisive issues---that it embraced everything in general and nothing in particular.

"Astute and accessible, Counterculture Kaleidoscope provides thought-provoking insights into the historical, cultural and social context of the San Francisco counter-culture and its music scene, including discussions of Vietnam and student protest, the Haight-Ashbury Diggers, the Grateful Dead, Led Zeppelin, Altamont, and Charlie Manson. A must for students and scholars of socio-musical activity and for all of us to whom music matters."
---Sheila Whiteley, author of The Space Between the Notes: Rock and the Counter-Culture and Too Much Too Young: Popular Music, Age and Gender

"The hippie counterculture has never garnered the scholarly attention accorded the new left and the black freedom struggle. Overviews of the period ritualistically mention it as part and parcel of that apparently incandescent era---the Sixties---but rarely capture its distinctiveness. Counterculture Kaleidoscope is a timely and provocative intervention in Sixties scholarship that significantly deepens our understanding of this important but understudied phenomenon."
—Alice Echols, Associate Professor, University of Southern California, and author of Scars of Sweet Paradise: The Life and Times of Janis Joplin

[more]

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Creative Urban Milieus
Historical Perspectives on Culture, Economy, and the City
Edited by Martina Heßler and Clemens Zimmermann
Campus Verlag, 2008
Fashion Week in Paris and London, the Venice Biennale, and the nineteenth-century Viennese scientific community  may seem wildly disparate, but each represent the cultural possibilities of an international metropolis. Creative Urban Milieus is an interdisciplinary examination of the historical relationship between culture and the economy in such cities as Berlin, New York, Helsinki, London, Venice, and many others. This groundbreaking work investigates the contributions of the creative class to the urban renaissance, contextualized by historical examples from the eighteenth century to the present day.
Skeptical of the current euphoria surrounding the commercialization of culture, a distinguished group of contributors apply a comparative and historical perspective to probe how creative works have affected the global economy.  Drawing on lessons from urban planning, art history, and cultural spectacles alike, Creative Urban Milieus will change the way we think about the symbiotic relationship between cities and innovation.
 
 
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Defending Their Own in the Cold
The Cultural Turns of U.S. Puerto Ricans
Marc Zimmerman
University of Illinois Press, 2011
Marc Zimmerman works from a theoretical frame of cultural, postcolonial, and diasporic studies to compare the artistic experiences and cultural production of Puerto Ricans with that of Chicanos and Cuban Americans. As he shows, even supposedly mainstream U.S. Puerto Ricans participate in a performative culture that embodies elements of possible cultural "Ricanstruction." Zimmerman examines a spectrum of U.S. Puerto Rican artistic life, including relations with other ethnic groups and resistance to colonialism and cultural assimilation. To illustrate how Puerto Ricans have survived and created new identities and relations out of their colonized and diasporic circumstances, Zimmerman looks at the cultural examples of Latino entertainment stars like Jennifer Lopez and Benicio del Toro; visual artists Juan Sánchez, Ramón Flores, and Elizam Escobar; and a group of Chicago Puerto Rican writers.
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Dialogical Imaginations
Aisthesis as Social Perception and New Ideas of Humanism
Edited by Michael F. Zimmermann with Gernot Müller, Christian Sauer, Kerstin Schmidt, Robert Schmidt, and Fosca Mariani Zini
Diaphanes
We tend to think of imagination as private, originating from our innermost selves—and language as something that is created in communication. Turning this idea on its head, the contributors to Dialogical Imaginations start from the provocative premise that imagination and language are both inherently social constructs that determine how we perceive the world. In addition, the idea of imagination as a dialogical formation, where dialogue within the self can raise questions and can open up new topics for consideration, may also be applied to how societies as a whole perceive their own conditions.

With contributors from a wide range of disciplines, including philosophy, media and film studies, art history, literature, and sociology, the book considers a wide variety of cultural manifestations of social perception. In the process, it offers a reevaluation of he concept of humanism, addressing key criticisms of by Foucault, Butler, and others. 
 
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Dialogues
Saint Gregory the Great
Catholic University of America Press, 1959
No description available
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The Division of the World
On Archives, Empires and the Vanity of Borders
Martin Zimmermann and Ursula Schulz-Dornburg
Haus Publishing, 2021
A photographer and a historian explore a vast archive of Spanish colonial history.

At a time when Western nations are being urged to confront their colonial past, this book examines a major archive, revealing the scale of the Spanish colonial enterprise in South and Central America.
 
Established in 1785, the Archivo General de Indias in Seville holds roughly three hundred years of Spanish colonial history in the Americas. It houses 8,000 charts and around ninety million documents—among them Christopher Columbus’s logbook and the famous Treaty of Tordesillas which, mediated by the Pope and signed in 1494, entitled the Spanish and Portuguese kings to divide the world between them. With this treaty as a starting point, the historian Martin Zimmermann journeys into the age of discovery and recounts stories of dangerous passages, encounters with the unknown, colonial brutality, and the power of cartographers, illustrating the insatiable lust of colonialists to conquer, exploit, and own the world. Ursula Schulz-Dornburg’s photographs show the archive before its redevelopment in 2002, offering a unique view into one of Europe’s most significant archives.
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Eclipse of the Self
The Development of Heidegger’s Concept of Authenticity
Michael E. Zimmerman
Ohio University Press, 1986

Although it is sometimes said that Martin Heidegger’s later philosophy no longer concerned itself with the theme of authenticity so crucial to Being and Time (1927), this book argues that his interest in authenticity was always strong.

After leaving the seminary to become a philosophy student, Heidegger began to “de–mythologize” religious themes for his own philosophical purposes. Like the Christian notion of faith, Heidegger’s notion of authenticity involves relinquishing the egotistical self–understanding which blocks our openness for possibilities. Yet authenticity as “resoluteness” includes an element of voluntarism foreign to the idea of faith. Heidegger’s brief engagement with National Socialism (1933–1934) helped him to re–think the Nietzschean concept of will which had influenced his early views on authenticity. Although part of the meaning of resoluteness is to allow things to be revealed, it also suggests that an individual can somehow will to be authentic. After about 1936, Heidegger emphasized that an individual can only be released from egoism (inauthenticity) by a power which transcends him. The abiding theological issue concerning the efficacy of works as against the saving power of grace finds expression in the distinction between resoluteness and releasement.

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Ecology and the Environment
Perspectives from the Humanities
Donald K. Swearer
Harvard University Press, 2009

The scientific, political, and economic policy debates about the global environmental crisis have tended to ignore its historical, ethical, religious, and aesthetic dimensions. This book redresses that omission by highlighting these humanistic components that are integral to the fabric of our ecological understanding and, consequentially, essential to a broad, multidisciplinary approach to environmental studies and public policy initiatives.

In this slim volume, seven world-class scholars discuss the wide range of perspectives that the fields of literature, history, religion, philosophy, environmental ethics, and anthropology bring to the natural environment and our place in it. The preface summarizes the development of the religion and ecology movement; the editor’s critical introduction highlights the essays’ major themes. Bringing insights from the humanities to bear on ecological concerns, this volume will appeal to a wide audience in the humanities and environmental studies, policy makers, and the general public. The book represents a continuation of the Center for the Study of World Religions’ highly regarded Religions of the World and Ecology series.

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Films That Work Harder
The Circulation of Industrial Film
Vinzenz Hediger
Amsterdam University Press, 2024
What unleashed the forces of global capitalism which continue to shape today’s world? To solve this riddle economic historians usually point to the emergence of business-friendly values, the emergence of consumer markets and new forms of applied knowledge in early European modernity, which led to innovations in industrial organization, shipping, logistics and trade (which, among other things, enabled and were driven by the transatlantic slave trade). This book focuses on the 20th and 21st centuries and zooms in on the moving image as a factor of economic development and the history of global capitalism. In a series of in-depth cases studies at the intersection of film and media studies, science and technology studies and economic and social history, Films That Work Harder: The Circulations of Industrial Film presents an in-depth, global perspective on the dynamic relationship between film, industrial organization and economic development. Bringing together new research from leading scholars from Europe, Asia, Australia and North America, this book combines the state of the art in the field with an agenda for future research.
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Flights of Victory/Vuelos de Victoria
Ernesto Cardenal
Northwestern University Press, 1995
In this bilingual edition, Ernesto Cardenal celebrates his country's successful revolution against the Somoza regime. Recognized world-wide as a major poetic voice from Latin America, he also has long been an activist fighting for political freedom, and he served as Nicaragua's Minister of Culture from 1979-1988. In Flights of Victory, Ernesto Cardenal reflects on events of recent Nicaraguan history with poems about the insurrection against Somoza, the triumph of the popular movement, and the reconstruction of the country, from the unique perspective of a poet-participant.
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The Gostling Manuscript
Compiled by John Gostling
University of Texas Press, 1977

The rare and beautiful Gostling Manuscript is a primary source for the anthems of Henry Purcell and other major composers of the English Restoration period. Listed as missing since its sale to an anonymous buyer in 1935, the manuscript was eventually discovered in the Humanities Research Center at the University of Texas at Austin. This facsimile edition of the Gostling Manuscript (sometimes referred to by scholars as the "W. Kennedy Gostling Manuscript") made the document available to a wide audience for the first time in its history.

The anthems in this volume were assembled by the Reverend John Gostling, a celebrated bass soloist and an assiduous collector of the contemporary music of his day. His musical taste and editorial judgment, not to mention his skill as a copyist, were excellent. The Gostling Manuscript, completed around 1706, is considered essential for collating and editing some of the best anthems of the period. These sixty-four pieces, fair-copied in full score, include seventeen by Purcell; twenty-four by John Blow; four each by William Turner, Pelham Humfrey, and Jeremiah Clark; three each by Matthew Locke and Thomas Tudway; one by both William Child and Francis Pigott; and three arrangements by Henry Aldrich of anthems by Carissimi, Byrd, and Wise.

Gostling appended inscriptions to many of the pieces, giving the date and circumstances of composition, notes of considerable value to the musical historian. This folio-size facsimile edition will serve not only as an invaluable anthology but also as a unique and singularly helpful source of information about English musical life in the late seventeenth and early eighteenth centuries.

The foreword by Franklin B. Zimmerman provides a brief history of the Gostling Manuscript.

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How Film Histories Were Made
Materials, Methods, Discourses
Malte Hagener
Amsterdam University Press, 2024
This book is specifically dedicated to film history’s own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions and hidden agendas that determine film historiography until today, also with the aim to act as a critical reflection on the potential future orientation of the field. The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked. It explores past and ongoing processes of doing, undoing and redoing film history. Thereby, in a self-reflective gesture, it also draws attention to our own work as film historians.
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In the Flesh
Embodied Identities in Roman Elegy
Erika Zimmermann Damer
University of Wisconsin Press, 2022
In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets—Propertius, Tibullus, and Ovid—writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change.

Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse—mistresses, rivals, enslaved characters, overlooked members of households—their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.
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Indians and Anthropologists
Vine Deloria, Jr., and the Critique of Anthropology
Thomas Biolsi
University of Arizona Press, 1997
In 1969 Vine Deloria, Jr., in his controversial book Custer Died for Your Sins, criticized the anthropological community for its impersonal dissection of living Native American cultures. Twenty-five years later, anthropologists have become more sensitive to Native American concerns, and Indian people have become more active in fighting for accurate representations of their cultures. In this collection of essays, Indian and non-Indian scholars examine how the relationship between anthropology and Indians has changed over that quarter-century and show how controversial this issue remains. Practitioners of cultural anthropology, archaeology, education, and history provide multiple lenses through which to view how Deloria's message has been interpreted or misinterpreted. Among the contributions are comments on Deloria's criticisms, thoughts on the reburial issue, and views on the ethnographic study of specific peoples. A final contribution by Deloria himself puts the issue of anthropologist/Indian interaction in the context of the century's end.

CONTENTS
Introduction: What's Changed, What Hasn't, Thomas Biolsi & Larry J. Zimmerman
Part One--Deloria Writes Back
Vine Deloria, Jr., in American Historiography, Herbert T. Hoover
Growing Up on Deloria: The Impact of His Work on a New Generation of Anthropologists, Elizabeth S. Grobsmith
Educating an Anthro: The Influence of Vine Deloria, Jr., Murray L. Wax
Part Two--Archaeology and American Indians
Why Have Archaeologists Thought That the Real Indians Were Dead and What Can We Do about It?, Randall H. McGuire
Anthropology and Responses to the Reburial Issue, Larry J. Zimmerman
Part Three-Ethnography and Colonialism
Here Come the Anthros, Cecil King
Beyond Ethics: Science, Friendship and Privacy, Marilyn Bentz
The Anthropological Construction of Indians: Haviland Scudder Mekeel and the Search for the Primitive in Lakota Country, Thomas Biolsi
Informant as Critic: Conducting Research on a Dispute between Iroquoianist Scholars and Traditional Iroquois, Gail Landsman
The End of Anthropology (at Hopi)?, Peter Whiteley
Conclusion: Anthros, Indians and Planetary Reality, Vine Deloria, Jr.
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Innocents Abroad
American Teachers in the American Century
Jonathan Zimmerman
Harvard University Press, 2008

Protestant missionaries in Latin America. Colonial "civilizers" in the Pacific. Peace Corps Volunteers in Africa. Since the 1890s, thousands of American teachers--mostly young, white, middle-class, and inexperienced--have fanned out across the globe. Innocents Abroad tells the story of what they intended to teach and what lessons they learned.

Drawing on extensive archives of the teachers' letters and diaries, as well as more recent accounts, Jonathan Zimmerman argues that until the early twentieth century, the teachers assumed their own superiority; they sought to bring civilization, Protestantism, and soap to their host countries. But by the mid-twentieth century, as teachers borrowed the concept of "culture" from influential anthropologists, they became far more self-questioning about their ethical and social assumptions, their educational theories, and the complexity of their role in a foreign society.

Filled with anecdotes and dilemmas--often funny, always vivid--Zimmerman's narrative explores the teachers' shifting attitudes about their country and themselves, in a world that was more unexpected and unsettling than they could have imagined.

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Journey to the West
A Play
Mary Zimmerman
Northwestern University Press, 2011
This adaptation of a late sixteenth-century classic Chinese comic novel, Journey to the West, based on Anthony C. Yu’s translation, takes as its point of departure the true story of a seventh-century monk and his fabled pilgrimage from China to India in search of sacred texts. Mixing whimsy with spiritual weight, Zimmerman’s script combines comedy, adventure, and satire in a moving allegory of human perseverance.
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Judicial Institutions in Nineteenth-Century Latin America
Edited by Eduardo Zimmermann
University of London Press, 1999

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Kingdom at Any Cost
Right-Wing Visions of Apocalypse in America
Johnnie Chamberlin
Parkhurst Brothers, Inc., 2009
Director Michael Wilson and producer Natalie Zimmerman, in their documentary film Silhouette City, have dramatically captured the religious right's concerted effort to form a theocracy in America, with an aim to spread control worldwide. This insightful book, Kingdom at Any Cost, includes valuable interviews and writings not covered in the film, but further revealing the impact of the ominous religious movement. It serves as a powerful resource: a handbook for studying the film and a reader for examining America's contemporary Christian extremes.
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Language in Use
Cognitive and Discourse Perspectives on Language and Language Learning
Andrea E. Tyler, Mari Takada, Yiyoung Kim, and Diana Marinova, Editors
Georgetown University Press, 2005

Language in Use creatively brings together, for the first time, perspectives from cognitive linguistics, language acquisition, discourse analysis, and linguistic anthropology. The physical distance between nations and continents, and the boundaries between different theories and subfields within linguistics have made it difficult to recognize the possibilities of how research from each of these fields can challenge, inform, and enrich the others. This book aims to make those boundaries more transparent and encourages more collaborative research.

The unifying theme is studying how language is used in context and explores how language is shaped by the nature of human cognition and social-cultural activity. Language in Use examines language processing and first language learning and illuminates the insights that discourse and usage-based models provide in issues of second language learning. Using a diverse array of methodologies, it examines how speakers employ various discourse-level resources to structure interaction and create meaning. Finally, it addresses issues of language use and creation of social identity.

Unique in approach and wide-ranging in application, the contributions in this volume place emphasis on the analysis of actual discourse and the insights that analyses of such data bring to language learning as well as how language shapes and reflects social identity—making it an invaluable addition to the library of anyone interested in cutting-edge linguistics.

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The Latin American Cultural Studies Reader
Ana Del Sarto, Alicia Ríos and Abril Trigo, eds.
Duke University Press, 2004
The Latin American Cultural Studies Reader brings together thirty-six field-defining essays by the most prominent theorists of Latin American cultural studies. Written over the past several decades, these essays provide an assessment of Latin American cultural studies, an account of the field’s historical formation, and an outline of its significant ideological and methodological trends and theoretical controversies. With many essays appearing in English for the first time, the collection offers a comprehensive view of the specific problems, topics, and methodologies that characterize Latin American cultural studies vis-à-vis British and U.S. cultural studies.

Divided into sections preceded by brief introductory essays, this volume traces the complex development of Latin American cultural studies from its roots in literary criticism and the economic, social, political, and cultural transformations wrought by neoliberal policies in the 1970s. It tracks the impassioned debates within the field during the early 1990s; explores different theoretical trends, including studies of postcolonialism, the subaltern, and globalization; and reflects on the significance of Latin American cultural studies for cultural studies projects outside Latin America. Considering literature, nationalism, soccer, cinema, postcolonialism, the Zapatistas, community radio, and much more, The Latin American Cultural Studies Reader is an invaluable resource for all those who want to understand the past, present, and future of Latin American cultural studies.

Contributors. Hugo Achugar, Eduardo Archetti, John Beverley, José Joaquín Brunner, Antonio Candido, Debra A. Castillo, Antonio Cornejo Polar, Román de la Campa, Ana Del Sarto, Roberto Fernández Retamar, Juan Flores, Jean Franco, Néstor García Canclini, María Gudelia Rangel Gómez, Adrián Gorelik, John Kraniauskas, Neil Larsen, Ana López, Jesús Martín-Barbero, Francine Masiello, Daniel Mato, Walter D. Mignolo, Carlos Monsiváis, Mabel Moraña, Alberto Moreiras, Renato Ortiz, José Rabasa, Angel Rama, Gustavo A. Remedi, Darcy Ribeiro, Nelly Richard, Alicia Ríos, Beatriz Sarlo, Roberto Schwarz, Irene Silverblatt, Graciela Silvestri, Armando Rosas Solís, Beatriz González Stephan, Abril Trigo, George Yúdice

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Literature and Politics in the Central American Revolutions
By John Beverley and Marc Zimmerman
University of Texas Press, 1990

“This book began in what seemed like a counterfactual intuition . . . that what had been happening in Nicaraguan poetry was essential to the victory of the Nicaraguan Revolution,” write John Beverley and Marc Zimmerman. “In our own postmodern North American culture, we are long past thinking of literature as mattering much at all in the ‘real’ world, so how could this be?” This study sets out to answer that question by showing how literature has been an agent of the revolutionary process in Nicaragua, El Salvador, and Guatemala.

The book begins by discussing theory about the relationship between literature, ideology, and politics, and charts the development of a regional system of political poetry beginning in the late nineteenth century and culminating in late twentieth-century writers. In this context, Ernesto Cardenal of Nicaragua, Roque Dalton of El Salvador, and Otto René Castillo of Guatemala are among the poets who receive detailed attention.

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Literature and Resistance in Guatemala
Textual Modes and Cultural Politics from El Señor Presidente to Rigoberta Menchú
Marc Zimmerman
Ohio University Press, 1994
What circumstances lead writers in a poor, multi-ethnic and largely illiterate country to produce a literature that both expresses and affects opposition to the regime? Who are these writers? This study examines these and other questions about the literature of resistance in Guatemala, from the days of Estrada Cabrera up to the events of May and June of 1993. Zimmerman provides the cultural context for the various modes of literary production and analysis, and identifies the currents of opposition in the nation’s fiction, poetry, and testimonial writing. He details the cultural politics involving Guatemalan writers and their organizations during their years of Cerezo and Serrano-Elías, paying particular attention to the role of women and indigenous groups, Rigoberta Menchú among them. These two volumes are companion texts to Guatemala: Voices from the Silence, an “epic-collage” of writings compiled by Zimmerman and Raúl Rojas.
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Mali's Next Battle
Improving Counterterrorism Capabilities
Michael Shurkin
RAND Corporation, 2017
This report examines Mali’s counterterrorism requirements in light of recent evolutions in the country’s security environment: The terrorist threat in Mali is growing, but Mali’s military remains largely ineffective. It is not possible to strengthen Mali’s counterterrorism capabilities in isolation from its general military capabilities, which are in need of fundamental reform.
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Metamorphoses
A Play
Mary Zimmerman
Northwestern University Press, 2002
Called by Time the "theater event of the year," Mary Zimmerman's Metamorphoses brings Ovid's tales to stunning visual life. Set in and around a large pool of water onstage, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including "Best Play," Metamorphoses earned Zimmerman a Tony for "Best Direction of a Play."
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Metropolitan Governance
Different Paths in Contrasting Contexts: Germany and Israel
Edited by Hubert Heinelt, Eran Razin, and Karsten Zimmermann
Campus Verlag, 2011

As urban areas have grown and sprawl has spread in recent decades, metropolitan governments around the world have begun to look beyond city borders, establishing regional partnerships to help them deal with issues of transit, resource use, and more. Metropolitan Governance examines this trend through a close comparative study of seven metropolitan areas in Israel and Germany. While not neglecting the reasons behind these changes in governance, the authors pay particular attention to their effects on—and diminishing of—democratic participation and accountability.

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Militarizing Marriage
West African Soldiers’ Conjugal Traditions in Modern French Empire
Sarah J. Zimmerman
Ohio University Press, 2020
Following tirailleurs sénégalais’ deployments in West Africa, Congo, Madagascar, North Africa, Syria-Lebanon, Vietnam, and Algeria from the 1880s to 1962, Militarizing Marriage historicizes how African servicemen advanced conjugal strategies with women at home and abroad. Sarah J. Zimmerman examines the evolution of women’s conjugal relationships with West African colonial soldiers to show how the sexuality, gender, and exploitation of women were fundamental to the violent colonial expansion and the everyday operation of colonial rule in modern French Empire. These conjugal behaviors became military marital traditions that normalized the intimate manifestation of colonial power in social reproduction across the empire. Soldiers’ cross-colonial and interracial households formed at the intersection of race and sexuality outside the colonizer/colonized binary. Militarizing Marriage uses contemporary feminist scholarship on militarism and violence to portray how the subjugation of women was indispensable to military conquest and colonial rule.
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National Will to Fight
Why Some States Keep Fighting and Others Don’t
McNerney
RAND Corporation, 2018
In this report, RAND researchers explore the factors, contexts, and mechanisms that shape a national government’s decision to continue or end military and other operations during a conflict (i.e., national will to fight). To help U.S. leaders better understand and influence will to fight, the researchers propose an exploratory model of 15 variables that can be tailored and applied to a wide set of conflict scenarios.
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The Odyssey
A Play
Mary Zimmerman
Northwestern University Press, 2003
This dramatic adaptation of Homer's myth begins with a modern young woman who is struggling to understand Robert Fitzgerald's translation of The Odyssey. A classical muse appears, and the young woman becomes the goddess Athena--a tireless advocate for Odysseus in his struggle to get home. With her trademark irreverent and witty twist on classic works, Zimmerman brings to life the story of Odysseus's ten-year journey, depicting his encounters with characters such as Circe, the Cyclops, Poseidon, Calypso, the Sirens, and others.
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Out of the Alleyway
Nakagami Kenji and the Poetics of Outcaste Fiction
Eve Zimmerman
Harvard University Press, 2007

The writer Nakagami Kenji (1946-1992) rose to fame in the mid-1970s for his vivid stories about a clan scarred by violence and poverty on the underside of the Japanese economic miracle. Drawing upon the lives, experiences, and languages of the burakumin, the outcaste communities long discriminated against in Japanese society as a defiled underclass, Nakagami's works of fiction and nonfiction record with vitality and violence the realities—actual and imagined—of buraku culture.

In this critical study of Nakagami's life and oeuvre, Eve Zimmerman delves into the writer's literary world, exploring the genres, forms, and themes with which Nakagami worked and experimented. These chapters trace the biographical thread running through his works while foregrounding such diverse facets of his writing as his interest in the modern possibilities of traditional myths and forms of storytelling, his deployment of shocking tropes and images, and his crafting of a unique poetic language.

By bringing to the fore the literary urgency and social engagement that informed all aspects of Nakagami's creative and intellectual production, from his works of prose and poetry to his criticism, this book argues eloquently and effectively for us to appreciate Nakagami as a distinctive and relevant voice in modern Japanese literature.

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Poles, Jews, and the Politics of Nationality
The Bund and the Polish Socialist Party in Late Tsarist Russia, 1892–1914
Joshua D. Zimmerman
University of Wisconsin Press, 2004
The Jewish experience on Polish lands is often viewed backwards through the lens of the Holocaust and the ethnic rivalries that escalated in the period between the two world wars. Critical to the history of Polish-Jewish relations, however, is the period prior to World War I when the emergence of mass electoral politics in Czarist Russia led to the consolidation of modern political parties. Using sources published in Polish, Yiddish, Hebrew, and Russian, Joshua D. Zimmerman has compiled a full-length English-language study of the relations between the two dominant progressive movements in Russian Poland. He examines the Polish Socialist Party (PPS), which sought social emancipation and equal civil rights for minority nationalities, including Jews, under a democratic Polish republic, and the Jewish Labor Bund, which declared that Jews were a nation distinct from Poles and Russians and advocated cultural autonomy. By 1905, the PPS abandoned its call for Jewish assimilation, and recognized Jews as a separate nationality. Zimmerman demonstrates persuasively that Polish history in Czarist Russia cannot be fully understood without studying the Jewish influence and that Jewish history was equally infused with the Polish influence.
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Sandinista
Carlos Fonseca and the Nicaraguan Revolution
Matilde Zimmermann
Duke University Press, 2000
“A must-read for anyone interested in Nicaragua—or in the overall issue of social change.”—Margaret Randall, author of SANDINO'S DAUGHTERS and SANDINO'S DAUGHTERS REVISITED 

Sandinista is the first English-language biography of Carlos Fonseca Amador, the legendary leader of the Sandinista National Liberation Front of Nicaragua (the FSLN) and the most important and influential figure of the post–1959 revolutionary generation in Latin America. Fonseca, killed in battle in 1976, was the undisputed intellectual and strategic leader of the FSLN. In a groundbreaking and fast-paced narrative that draws on a rich archive of previously unpublished Fonseca writings, Matilde Zimmermann sheds new light on central themes in his ideology as well as on internal disputes, ideological shifts, and personalities of the FSLN.
The first researcher ever to be allowed access to Fonseca’s unpublished writings (collected by the Institute for the Study of Sandinism in the early 1980s and now in the hands of the Nicaraguan Army), Zimmermann also obtained personal interviews with Fonseca’s friends, family members, fellow combatants, and political enemies. Unlike previous scholars, Zimmermann sees the Cuban revolution as the crucial turning point in Fonseca’s political evolution. Furthermore, while others have argued that he rejected Marxism in favor of a more pragmatic nationalism, Zimmermann shows how Fonseca’s political writings remained committed to both socialist revolution and national liberation from U.S. imperialism and followed the ideas of both Che Guevara and the earlier Nicaraguan leader Augusto César Sandino. She further argues that his philosophy embracing the experiences of the nation’s workers and peasants was central to the FSLN’s initial platform and charismatic appeal.

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The Secret in the Wings
A Play
Mary Zimmerman
Northwestern University Press, 2014

Mary Zimmerman’s The Secret in the Wings adapts a group of lesser-known fairy tales to create a theatrical work that sets their dark mystery against her signature wit and humor. The framing story concerns a child and the frightening babysitter with whom her parents leave her. As the babysitter reads from a book, the characters in each of the tales materialize, with each tale breaking off just at its bleakest moment before giving way to the next one.

The central tale is told without interruption, after which each previous tale is successively resumed, with each looming disaster averted. As in Zimmerman’s other productions, here she uses costumes, props, sets, and lighting to brilliant effect, creating images and feelings that render the fairy tales in all their elemental and enduring power.

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Silicone Survivors
Women's Experiences with Breast Implants
Susan Zimmermann
Temple University Press, 1998
Susan Zimmermann talked with forty women about perhaps one of the most sensitive issues of body image and health - their breasts, the chief attribute of femininity. In the aftermath of the early 1990s controversy over the use of silicone breast implants, how do women decide to undergo surgery o enhance or reconstruct their bodies? How does surgery alter a woman's self-image? How did they face the possibility of debilitating autoimmune disease from rupturing or leaking implants?

Some opted for breast implants after mastectomies, others for cosmetic reasons. Some felt empowered by the surgery: "Being a woman, I just like breasts and felt like I got ripped off. ... I did it for myself." Others were pressured by their husbands: "He used to make fun of parts of my body. .... And, he made me believe that if I was ever to leave him, no one would have anything to do with me because I was this deformed type of person."

After surgery, some women were ecstatic, while others had a sense of inner conflict about what they had done to themselves: were they "faking it"? And a few were angry: "I was really angry inside that I had  had to put plastic bags filled with chemicals in my body in order for me to feel like I could do the Hoochie Koo on Saturday nights. ... I didn't wear tight clothes; I didn't want my children to find out."

Now, having faced years of medical and personal uncertainty, many have coped by reassessing their lives and their relationships, by sharing information and support with other women with implants, outreach that became a means for self-empowerment.
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Targeting Investments in Children
Fighting Poverty When Resources Are Limited
Edited by Phillip B. Levine and David J. Zimmerman
University of Chicago Press, 2010

A substantial number of American children experience poverty: about 17 percent of those under the age of eighteen meet the government’s definition, and the proportion is even greater within minority groups. Childhood poverty can have lifelong effects, resulting in poor educational, labor market, and physical and mental health outcomes for adults. These problems have long been recognized, and there are numerous programs designed to alleviate or even eliminate poverty; as these programs compete for scarce resources, it is important to develop a clear view of their impact as tools for poverty alleviation.

Targeting Investments in Children
tackles the problem of evaluating these programs by examining them using a common metric: their impact on earnings in adulthood. The volume’s contributors explore a variety of issues, such as the effect of interventions targeted at children of different ages, and study a range of programs, including child care, after-school care, and drug prevention. The results will be invaluable to educational leaders and researchers as well as policy makers.

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Theatre Symposium, Vol. 28
Theatre and Citizenship
Edited by Andrew Gibb
University of Alabama Press, 2020
A collection of essays whose authors reach beyond simple definitions of citizenship as determined by documents and legal rights

The scholarly conference from which this publication emerged was circulated in the waning months of 2018, following a summer of urgent and emotional debate surrounding new US immigration policies regarding immigrant family separations, arguments fueled on one side by fears about the loss of social cohesion, and on the other by photographs of incarcerated children. Given the then-prevailing political atmosphere, editor Andrew Gibb anticipated that a good number of submissions might draw connections between the patterns, policies, and histories of immigration on the one hand, and theatrical or otherwise performance-centered expressions of citizenship, whether inclusive or exclusionary, on the other. In retrospect, what could have been foreseen is that theatre scholars, educators, and professionals would interpret recent events against a wider and more complex backdrop. The ultimate result of that initial call is this volume, a collection of essays whose authors reach beyond simple definitions of citizenship as determined by documents and legal rights, and who engage in larger conversations about what citizenship can mean, and how such meanings are expressed through theatre and performance.

Interestingly, while none of the authors published herein take up immigration as a central issue, they all make use of some combination of three particular analytical frameworks, all of which happen to be pertinent to the current immigrant experience and attempts to regulate it: bodies, institutions, and technologies.
 
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Treasure Island
A Play
Mary Zimmerman
Northwestern University Press, 2019
“Zimmerman has powerfully captured the joy, danger, and fantasy of Stevenson’s novel. . . Pure fun, a potent coming-of-age story, and a rollicking swashbuckler.”—San Francisco Chronicle

In Treasure Island, Tony Award winner and inventive adapter-director Mary Zimmerman has penned a spirited, energetic adaptation of Robert Louis Stevenson’s most beloved novel, proving again that “a strong story full of larger-than-life characters and the quest for filthy lucre has no age barrier” (Chicago Sun-Times).

Enlivened by rum, mutiny, and buried treasure, Treasure Island is the classic pirates’ tale, widely regarded as the forerunner of this genre. After discovering a treasure map, young Jim Hawkins sets off to sea as cabin boy aboard the Hispaniola, where he encounters one of the most unforgettable characters in literary history—peg-legged buccaneer Long John Silver, a malicious mutineer and charismatic father figure.
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Urban Infrastructure
Historical and Social Dimensions of an Interconnected World
Joseph Heathcott, Jonathan Soffer, and Rae Zimmerman
University of Pittsburgh Press, 2022

Urban Infrastructures creates space for an encounter between historians, humanists, and social scientists who seek new methodological approaches to the history of urban infrastructure. It draws on recent work across history, anthropology, science and technology studies, geography, resilience/sustainability, and other disciplines to explore the social effects of infrastructure. The volume rejects narrow conceptions of infrastructure history as only the history of public works, and instead expands the definition to all business enterprises and public bodies that provide the goods and services essential for the day-to-day lives of most people. Essays examine traditional artifacts such as roads, highways, and waterworks, as well as nontraditional topics like regimes of heating and cooling, the processing and distribution of food, and even the metaphysics of electromagnetic infrastructure. Contributors reveal both the material grounding of urban social relations and the social life of material infrastructure. In the end, they show that infrastructure profoundly reshapes urban life even as residents fight to reshape infrastructure to their own ends.

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Vision in Motion
Streams of Sensation and Configurations of Time
Edited by Michael F. Zimmermann
Diaphanes, 2015
Vision is not just a simple recognition of what passes through our field of sight, the reflection and observation of light and shape. Even before Freud posited dreams as a way of “seeing” even as we sleep, the writings of philosophers, artists, and scientists from Goethe to Cézanne have argued that to understand vision as a mere mirroring of the outside world is to overlook a more important cognitive act of seeing that is dependent on time.
           
Bringing together a renowned international group of contributors, Vision in Motion explores one of the most vexing problems in the study of vision and cognition: To make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. This volume offers a critical reexamination of seeing that restores a concept of “vision in motion” that avoids reducing the sensations we experience to narrative chronological sequencing. The contributors draw on Hume, Bergson, and Deleuze, among others, to establish a nuanced idea of how we perceive.
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Voices from the Silence
Guatemalan Literature of Resistance
Marc Zimmerman
Ohio University Press, 1998
The conquest, colonization, independence, the liberal reforms, the regimes, revolution, and dictatorships, the insurrections and ongoing peace dialogues all are combined in a narrative projecting the most important forces in Guatemalan history from the Mayan period to our own times. Using excerpts from poems, novels, stories, essays, and interviews by writers ranging from Cardoza y Aragón and Nobel Prize winner Miguel Angel Asturias to the indigenous and testimonial voices of Rigoberta Menchú and Mario Payeras, this full sampling of a country’s literature is, in truth, a documentary of realism and magic. Voices from the Silence bears witness to a nation’s long journey toward some ideal community for which so many have fought and died. Texts translated by Marc Zimmerman with the collaboration of Robert Scott Curry, Linda Thelma Campos, Preston Browning, Brad Stull, and Anne Woerhle.
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The White Snake
A Play
Mary Zimmerman
Northwestern University Press, 2013
In her latest theatrical production inspired by a classic story, Mary Zimmerman reimagines The White Snake, an ancient Chinese legend in which a snake spirit transforms herself into a beautiful woman in order to experience the human world. Adventuring down her mountainside with her companion, Green Snake, White Snake meets and falls in love with the humble, virtuous Xu Xian and convinces him to marry her. Together, the three friends open a pharmacy, but soon the remarkable healing powers of White Snake draw the attention of a treacherous monk, Fa Hai. Outraged at the union between a mortal and a snake spirit, Fa Hai takes it upon himself to destroy it. Zimmerman brings to this timeless romance her usual brilliant mix of ingenious stagecraft, song, abundant humor, and compassion.
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Whose America?
Culture Wars in the Public Schools
Jonathan Zimmerman
University of Chicago Press, 2022
In this expanded edition of his 2002 book, Zimmerman surveys how battles over public education have become conflicts at the heart of American national identity.
 
Critical Race Theory. The 1619 Project. Mask mandates. As the headlines remind us, American public education is still wracked by culture wars. But these conflicts have shifted sharply over the past two decades, marking larger changes in the ways that Americans imagine themselves. In his 2002 book, Whose America?, Zimmerman predicted that religious differences would continue to dominate the culture wars. Twenty years after that seminal work, Zimmerman has reconsidered: arguments over what American history is, what it means, and how it is taught have exploded with special force in recent years. In this substantially expanded new edition, Zimmerman meditates on the history of the culture wars in the classroom—and on what our inability to find common ground might mean for our future.
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Whose America?
Culture Wars in the Public Schools
Jonathan Zimmerman
University of Chicago Press, 2022
This is an auto-narrated audiobook edition of this book. 

In this expanded edition of his 2002 book, Zimmerman surveys how battles over public education have become conflicts at the heart of American national identity.

 
Critical Race Theory. The 1619 Project. Mask mandates. As the headlines remind us, American public education is still wracked by culture wars. But these conflicts have shifted sharply over the past two decades, marking larger changes in the ways that Americans imagine themselves. In his 2002 book, Whose America?, Zimmerman predicted that religious differences would continue to dominate the culture wars. Twenty years after that seminal work, Zimmerman has reconsidered: arguments over what American history is, what it means, and how it is taught have exploded with special force in recent years. In this substantially expanded new edition, Zimmerman meditates on the history of the culture wars in the classroom—and on what our inability to find common ground might mean for our future.
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front cover of Whose America?
Whose America?
Culture Wars in the Public Schools
Jonathan Zimmerman
Harvard University Press, 2005

What do America’s children learn about American history, American values, and human decency? Who decides? In this absorbing book, Jonathan Zimmerman tells the dramatic story of conflict, compromise, and more conflict over the teaching of history and morality in twentieth-century America.

In history, whose stories are told, and how? As Zimmerman reveals, multiculturalism began long ago. Starting in the 1920s, various immigrant groups—the Irish, the Germans, the Italians, even the newly arrived Eastern European Jews—urged school systems and textbook publishers to include their stories in the teaching of American history. The civil rights movement of the 1960s and ’70s brought similar criticism of the white version of American history, and in the end, textbooks and curricula have offered a more inclusive account of American progress in freedom and justice.

But moral and religious education, Zimmerman argues, will remain on much thornier ground. In battles over school prayer or sex education, each side argues from such deeply held beliefs that they rarely understand one another’s reasoning, let alone find a middle ground for compromise. Here there have been no resolutions to calm the teaching of history. All the same, Zimmerman argues, the strong American tradition of pluralism has softened the edges of the most rigorous moral and religious absolutism.

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