A SCHOLARLY BOOK REPOSITORY2474 start with C start with C
Catholicism has, on the one hand, traditionally regarded earthly life as of secondary importance—as an instrument of spiritual transformation—and, on the other, has ascribed great value to the early institutions of the church, taking great interest in temporal matters that affects its institutional concerns. Against the backdrop of this duality, the church has changed over the centuries, adapting to local and national conditions. Catholicism and Politics in Communist Societies surveys these local and national adaptations in their historical contexts, linking the past experience of the church to its present circumstances. Organized around themes of tradition vs. modernity, hierarchy vs. lower clergy, and institutional structure vs. grass-roots organization, this comprehensive volume presents a detailed, country-by-country portrait of the political and social status of the church today in communist and socialist settings.
Contributors. Pedro Ramet, Arthur F. McGovern, Roman Solchanyk, Ivan Hvat, Robert F. Goeckel, C. Chrypinski, Milan J. Reban, Leslie Laszlo, Janice Broun, Eric O. Hanson, Stephen Denney, Thomas E. Quigley, Humberto Belli, Hansjakob Stehle, George H. Williams
The Catholics and German Unity was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The period of German history between the overthrow of the old German Confederation in 1866 and the establishment of the Second Reich in 1871 was critical and far-reaching in its influence upon subsequent events in Germany and in Europe. It is, therefore, a period that still merits close scrutiny and analysis in all its aspects by historians.
In this detailed study, Professor Windell traces the development of political movements among German Catholics during those years and explores the relationship of the various streams of Catholic political action to the larger questions of German history. The War of 1866, which ended Austrian predominance in Germany, was a shattering blow to German Catholics. During the next five years they gradually adjusted to the new situations and were responsible for a series of political movements which exerted a powerful and generally underestimated effects on state governments, on other political parties, and on the domestic and foreign policy of Bismarck.
Although a substantial amount of material was available on Catholic political activity in the individual German states, it had not, until now, been synthesized into a comprehensive, single work placing these events in proper perspective against the broader canvas of history.
Of this book Hans Rothfels, professor of history at the University of Chicago and the University of Tubingen, Germany, says: "Without being partial to any side, in fact with considerable circumspection, the author analyzes and interprets a great nineteenth century dilemma to which the foundation of the German Reich adds only a specific issue."
Focusing primarily on the Catholic doctrinal view of the Jews and its ramifications, Egal Feldman traces the historicalroots of anti-Semitism, examining tenacious Catholic beliefsincluding the idea that the Jews lost their place as the chosen people with the coming of Christianity, deicide, and the conviction that their purported responsibility for the Crucifixion justified subsequent Jewish misery.
A new era of Catholic-Jewish relations opened in 1962 with Vatican II’s Declaration on the Jews, reversing the theology of contempt. Feldman explores the strides made in improving relations, such as the Vatican’s diplomatic recognition of the Jewish state, as well as a number of recent issues.
The opening essay, a skillful work of historical detection, investigates the strange career of Nicholas Hill. In "Laudianism and Political Power," Trevor-Roper returns to the subject of his first, now classic, book. He analyzes the real significance of the ecclesiastical movement associated with Archbishop Laud and speculates on what might have happened if the Stuarts had not abandoned it. "James Ussher, Archbishop of Armagh" deals with a key figure in the intellectual and religious life of his time. A long essay on "The Great Tew Circle" reinstates Lord Falkland as an important influence on the continuity of ideas through the English revolution. The final essay reassesses the political ideology of Milton.
English intellectual history, as Trevor-Roper constructs it here for the seventeenth century, is conditioned by its social and political context. Always engaging and fresh, these essays deal with currently interesting historical topics and up-to-date controversies.
In 62 BC, Roman Senator Lucius Sergius Catiline lay dead on a battlefield in Tuscany. He was slain along with his soldiers after his conspiracy to overthrow the Roman Republic had been exposed by his adversary Cicero. It was an ignominious end for a man described at the time as a perverted, insane monster who had attempted to return his family to fortune and social standing. Chroniclers were not kind to Catiline, and his name over the centuries was synonymous with treachery. Recently, scholars have been reappraising the life and influence of this ancient Roman. In Catiline, The Monster of Rome: An Ancient Case of Political Assassination, economic historian Francis Galassi provides the first book-length account of Catiline in more than a generation.
Rome first achieved a status as an empire during Catiline’s lifetime. The republic was, however, constantly at war with foreign powers and occasionally its own allies, and the disparity between the wealthy and the poor threatened to destabilize society. Catiline was from an aristocratic but impoverished family and first served as an officer with Cornelius Sulla during that general’s purges against Gaius Marius, the supposed champion of the oppressed masses. Catiline’s goal was to serve Sulla and then use that as a springboard to public office where he could recover his family’s former wealth and honor. However, the senatorial elite became suspicious if not threatened by the upstart Catiline and blocked his ambitions. Catiline was dogged by trumped-up charges, including raping a Vestal virgin and murdering his brother-in-law; he was acquitted each time, but his political life was ruined. With citizens demanding land and agrarian reform, Catiline genuinely embraced their dissatisfaction, and realizing that the elite would stop his attempt to gain status through elections, he organized a conspiracy to take control of Roman government through arms. Once his actions had been made public, many of his supporters and co-conspirators left him; but honoring the course he had chosen, he and his remaining soldiers fought a Roman army to their deaths. Rather than the “monster” as portrayed by his contemporaries, the author contends that Catiline was compelled to act for the benefit of common Romans to save Rome even if it meant overthrowing the government. As Galassi notes, Catiline’s contemporary, the slave Spartacus, has been a symbol of social reform for centuries, but it was actually Catiline, not Spartacus, who attempted to change Rome.
Catina’s Haircut: A Novel in Stories spans four generations of a peasant family in the brutal poverty of post-Unification southern Italy and in an immigrant’s United States. The women in these tales dare to cross boundaries by discovering magical leaps inherent in the landscape, in themselves, and in the stories they tell and retell of family tragedy at a time of political unrest. Through an oral tradition embedded in the stone of memory and the flow of its reinvention, their passionate tale of resistance and transformation courses forward into new generations in a new world.
A woman threatens to join the land reform struggle in her Calabrian hill town, against her husband’s will, during a call for revolution in 1919. A brother and sister turn to the village sorceress in Fascist Italy to bring rain to their father’s drought-stricken farm. In Pittsburgh, new immigrants witness a miraculous rescue during the Great Flood of 1936. A young girl courageously dives into the Allegheny River to save her grandfather’s only memento of the old country. With only broken English to guide her, a widow hops a bus in search of live chickens to cook for Easter dinner in her husband’s memory. An aging woman in the title story is on a quest to cut the ankle-length hair as hard as the rocky soil of Calabria in a drought. A lonely woman who survived World War II bombings in her close-knit village, struggles to find community as a recent immigrant. A daughter visits her mother’s hill town to try and fulfill a wish for her to see the Fata Morgana. These haunting images permeate Corso’s linked stories of loss, hope, struggle, and freedom.
An official selection of The Sons of Italy® Book Club
Best Books for General Audiences, selected by the Public Library Association
Early popular dramas of this time, Ellison shows, linked male stoicism with sentimentality through portrayals of stoic figures whose civic sacrifices bring other men to tears. Later works develop a different model of sensibility, drawing their objects of sympathy from other races and classes—Native Americans, African slaves, servants. Only by examining these texts in light of the complex masculine tradition of stoic sentimentality, Ellison argues, can one interpret women's roles in the culture of sensibility.
In her conclusion, Ellison offers "a short history of liberal guilt," exploring the enduring link between male stoicism and male sensibility in political and cultural life from the late seventeenth century to today.
In addition to his mainstream research, Cattell had also authored a series of publications that posited evolutionary progress as the ultimate goal of human existence and argued that scientifically measurable criteria should be used to distinguish "successful" from "failing" racial groups so that the latter might be gradually "phased out" by non-violent methods such as regulation of birth control. Derived from science, Cattell's evolutionary philosophy was intended to be the basis of a full-blown religion. Although the earliest of these works had been published in the 1930s, near the end of an era in which eugenically based policies for human improvement were much more acceptable, Cattell promoted similar ideas well into the 1980s and '90s.
The Cattell Controversy describes Cattell's socio-religious beliefs in detail and analyzes their relationship to his scientific contributions. William H. Tucker discusses the controversy that arose within the field in response to the award's postponement, after which Cattell withdrew his name from consideration for the award but insisted that his position had been distorted by taking statements out of context. Reflecting on these events, Tucker concludes with a discussion of the complex question of whether and how a scientist's ideological views should ever be a relevant factor in determining the value of his or her contributions to the field.
Henry A. Wallace Award, The Agricultural History Society, 2018
Brazil has the second-largest cattle herd in the world and is a major exporter of beef. While ranching in the Amazon—and its destructive environmental consequences—receives attention from both the media and scholars, the states of Mato Grosso and Mato Grosso do Sul actually host the most cattle. A significant beef producer in Brazil beginning in the late nineteenth century, the region served as a laboratory for raising cattle in the tropics, where temperate zone ranching practices do not work. Mato Grosso ranchers and cowboys transformed ranching’s relationship with the environment, including the introduction of an exotic cattle breed—the Zebu—that now dominates Latin American tropical ranching.
Cattle in the Backlands presents a comprehensive history of ranching in Mato Grosso. Using extensive primary sources, Robert W. Wilcox explores three key aspects: the economic transformation of a remote frontier region through modern technical inputs; the resulting social changes, especially in labor structures and land tenure; and environmental factors, including the long-term impact of ranching on ecosystems, which, he contends, was not as detrimental as might be assumed. Wilcox demonstrates that ranching practices in Mato Grosso set the parameters for tropical beef production in Brazil and throughout Latin America. As the region was incorporated into national and international economic structures, its ranching industry experienced the entry of foreign investment, the introduction of capitalized processing facilities, and nascent discussions of ecological impacts—developments that later affected many sectors of the Brazilian economy.
A sophisticated ecological analysis of ranching in northern Nevada featuring a new chapter and new epilogue by the authors.First published in 1985, Cattle in the Cold Desert has become a classic in the environmental history of the Great Basin, brilliantly combining a lively account of the development of the Great Basin grazing industry with a detailed scientific discussion of the ecology of its sagebrush/grassland plant communities. The volume traces the history of white settlement in the Great Basin from about 1860, along with the arrival of herds of cattle and sheep to exploit the forage resources of a pristine environment and, through the history of John Sparks, a pioneer cattleman, illustrates how the herdsmen interacted with the sagebrush/grasslands of the cold desert West. As the story unfolds on two levels—that of the herdsmen adapting their livelihood to the challenging conditions of the Great Basin's scanty forage, aridity, and fierce winters, and that of the fragile ecology of the desert plant communities responding to the presence of huge herds of livestock—we see the results of a grand experiment initiated by men willing to venture beyond the limits of accepted environmental potential to settle the Great Basin, as well as the often ruinous consequences of the introduction of domestic livestock into the plant communities of the region. The result is a remarkably balanced and insightful discussion of the grazing industry in the Intermountain West. This new paperback edition includes an additional chapter that addresses the impact of wild mustangs on the Great Basin rangelands, and an epilogue that discusses changes in rangeland management and in rangeland conditions, especially the impact of recent wildfires. As concern over the future of the Great Basin's unique rangeland environment and its principal agricultural industry grows, Cattle in the Cold Desert remains essential reading for everyone who cares about this underappreciated region of the American West.
Cattle raising today is the most widely practiced form of agriculture in Alabama and ranks second only to the poultry industry in terms of revenue. Brooks Blevins not only relates the development and importance of the industry to agricultural practices but also presents it as an integral component of southern history, inextricably linked to issues of sectional politics, progressivism, race and class struggles, and rural depopulation. Most historians believe cattle were first introduced by the Spanish explorers and missionaries during the early decades of the 16th century. Native Americans quickly took up cattle raising, and the practice was reinforced with the arrival of the French and the British. By 1819--after massive immigration of Anglo-American herders, farmers, and planters--cattle played an integral role in the territory's agriculture and economy. Despite the dominance of the cotton industry during the antebellum period, cattle herding continued to grow and to become identified as an important part of the region's agriculture.
In the early decades of the 20th century, the boll weevil drove many planters out of the cotton business. These planters adopted a midwestern model of cattle raising consisting of purebred English breeds, enclosed pastures, scientific breeding and feeding practices, and intimate cooperation among cattlemen, government agents, and business interests. This model of farming gradually replaced the open range herding tradition.
Chicano Catholicism—both as a popular religion and a foundation for community organizing—has, over the past century, inspired Chicano resistance to external forces of oppression and discrimination including from other non-Mexican Catholics and even the institutionalized church. Chicano Catholics have also used their faith to assert their particular identity and establish a kind of cultural citizenship.
Based exclusively on original research and sources, Mario T. García here offers the first major historical study to explore the various dimensions of the role of Catholicism in Chicano history in the twentieth century. This is also one of the first significant studies in the still limited field of Chicano religious history.
Topics range from how early Chicano Catholic intellectuals and civil rights leaders were influenced by Catholic Social Doctrine, to the role that popular religion has played in the lives of ordinary men and women in both rural and urban areas. García also examines faith-based Chicano community movements like Católicos Por La Raza in the 1960s and the Sanctuary movement in Los Angeles in the 1980s.
While Latino/a history and culture has been, for the most part, inextricably linked with the tenets and practices of Catholicism, there has been very little written, until recently, about Chicano Catholic history. García helps to fill that void and explore the impact—both positive and negative—that the Catholic experience has had on the Chicano community.
Delving deep into the Caucasus, Griffin transcends the headlines trumpeting Chechen insurgency to give the land and its conflicts dimension: evoking the weather, terrain, and geography alongside national traditions, religious affiliations, and personal legends as barriers to peaceful co-existence. In focusing his tale on Shamil while retracing his steps, Griffin compellingly demonstrates the way history repeats itself.
A New Edition of One of the Great Military Treatises of the Nineteenth Century
First published in 1853, Cavalry: Its History and Tactics had a major impact on military theorists and officers for decades—it was reprinted as a manual during the American Civil War—and its influence on European cavalry performance can be traced into World War I. It is an intelligent work which discusses the history and development of cavalry over the ages, advocates a program of reform for Britain’s horsed troops, and covers many aspects of equipment, training, drill, organization, formation, and battlefield tactics. The author, an experienced and gifted cavalryman, first served in the Austrian army, then joined the British army’s 15th Hussars in 1839, fought in India, and became the regimental riding master. Captain Nolan’s 1852 tour of European armies, wide reading in many languages, and service in Europe and India makes Cavalry an extraordinary statement on mid-nineteenth-century theory and practice.
As historian Jon Coulston explains in his introduction, Nolan was writing at the cusp of technological change, drawing upon the experiences of the Napoleonic Wars, continental suppression of the 1848 Revolutions, and Britain’s wars in India, but with an eye to firepower developments on the eve of the Crimean War. In 1854, at the Battle of Balaklava, Nolan rode with the written order which unleashed the Charge of the Light Brigade, an action in which he lost his life. Presented here as the first modern reprint, complete with a new introduction and further reading, Nolan’s Cavalry remains a hallmark of military history.
Nine Historians and Writers Investigate the Role of Cavalry in the War for Independence
From the bitterly contested no-man’s-land between American and British lines in New York and New Jersey to the scorching pine forests of the South, the cavalry of both armies fought valiantly throughout the American Revolution. This volume explores several aspects of cavalry’s role in the war, which has often been overlooked in general histories. The topics covered include the development of the Continental Army’s cavalry arm, European influences on American cavalry training and tactics, accounts of several important cavalry raids and battles, and histories of mounted units such as the Continental Light Dragoons, American rangers in the South Carolina backcountry, and the British army’s Queen’s Rangers and “Black Dragoons,” the latter force composed entirely of former slaves. The essays also examine the roles of important commanders, including Brigadier General Francis “Swamp Fox” Marion, Lieutenant Colonel William Washington, and Colonel Anthony Walton White of the American army, and British cavalry leaders Banastre “Bloody Ban” Tarleton and John Graves Simcoe, as well as the American prisoners of war who switched sides and served in the “British Legion.” The authors of the essays include acclaimed military historians Gregory J. W. Urwin and Lawrence E. Babits. Readers with a general interest in military history, as well as those with more specific interests in the American Revolution or the history of the cavalry arm, and anyone who wishes to undertake further study of these subjects, will find the essays fresh, engaging, and informative.
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Contents
Gregory J. W. Urwin: The Continental Light Dragoons, 1776-1783
Lee F. McGee: European Influences on Continental Cavalry
John M. Hutchins: Cavalry Action at Poundridge, New York
Donald J. Gara: Cavalry Battles in New York and New Jersey
Scott A. Miskimon: Anthony Walton White: A Revolutionary Dragoon
Michael C. Scoggins: South Carolina’s Backcountry Rangers
Lawrence E. Babits and Joshua B. Howard: Continentals in Tarleton’s
British Legion
Charles F. Price: Cavalry Operations at Eutaw Springs
Jim Piecuch: The “Black Dragoons”
A History of the Finest and Most Flamboyant Cavalry Arm of the Civil War
While Robert E. Lee’s Army of Northern Virginia prosecuted the war in the East for the Confederacy, the Army of Tennessee fought in the West, ranging over a tremendous expanse during the course of the Civil War, from southern Ohio and eastern Kentucky all the way to Georgia and the Carolinas. Unlike Lee’s army, however, the Army of Tennessee suffered at the hands of a series of uninspired commanders and had few impressive victories. It did have, however, arguably the best cavalry of any army in the war in terms of numbers and leadership. Led by some of the most colorful officers of the Civil War—the brilliant, passionate Nathan Bedford Forrest, the flamboyant but erratic John Hunt Morgan, and the quietly competent “Fightin’ Joe” Wheeler—and grabbing headlines for daring raids, such as Morgan’s foray into Ohio, the mounted forces of the Army of Tennessee developed a strategy of a highly mobile fighting unit that could be deployed rapidly in strength to strike deep behind enemy lines and maneuver at a moment’s notice during a battle, tactics that were to have the most impact on military operations in the future.
As distinguished historian Edward G. Longacre chronicles in Cavalry of the Heartland: The Mounted Forces of the Army of Tennessee, the army’s top generals failed to recognize the battle-winning potential of their cavalry and instead sent them off on sideshow operations rather than deploying them consistently to assist the main body’s efforts. Based on a wide array of research materials, Cavalry of the Heartland is the only book-length study of the strategy and tactics of the Army of Tennessee’s mounted forces from its inception in the spring of 1861 to its final bow at Bentonville, North Carolina, four years later. Throughout, numerous campaigns and battles are described in full detail, including Fort Donelson, Shiloh, Perryville, Murfreesboro (Stones River), Tullahoma, Chickamauga, Chattanooga, Atlanta, Nashville, and the Carolinas.
As a young girl in Bombay, Kirin Narayan was enthralled by her father’s stories about how their ancestors had made the ancient rock-cut cave temples at Ellora. Recalling those stories as an adult, she was inspired to learn more about the caves, especially the Buddhist worship hall known as the “Vishwakarma cave.” Immersing herself in family history, oral traditions, and works by archaeologists, art historians, scholars of Buddhism, Indologists, and Sanskritists, Narayan set out to answer the question of how this cave came to be venerated as the home of Vishwakarma, the god of making in Hindu and Buddhist traditions.
Cave of My Ancestors represents the perfect blend of Narayan’s skills as a researcher and writer. Her quest to trace her family’s stories took her to Ellora; through libraries, archives, and museums around the world; and across disciplinary borders. Equal parts scholarship, detective story, and memoir, Narayan’s book ably leads readers through centuries of history, offering a sensitive meditation on devotion, wonder, and all that connects us to place, family, the past, and the divine.
The story has been passed through generations for more than two centuries. Details vary depending on who is doing the telling, but all refer to this momentous maritime event as the Wreck of the Ten Sail. Sometimes misunderstood as the loss of a single ship, it was in fact the wreck of ten vessels at once, comprising one of the most dramatic maritime disasters in all of Caribbean naval history. Surviving historical documents and the remains of the wrecked ships in the sea confirm that the narrative is more than folklore. It is a legend based on a historical event in which HMS Convert, formerly L’Inconstante, a recent prize from the French, and 9 of her 58-ship merchant convoy sailing from Jamaica to Britain, wrecked on the jagged eastern reefs of Grand Cayman in 1794.
The incident has historical significance far beyond the boundaries of the Cayman Islands. It is tied to British and French history during the French Revolution, when these and other European nations were competing for military and commercial dominance around the globe. The Wreck of the Ten Sail attests to the worldwide distribution of European war and trade at the close of the eighteenth century.
In Cayman’s 1794 Wreck of the Ten Sail: Peace, War, and Peril in the Caribbean, Margaret E. Leshikar-Denton focuses on the ships, the people, and the wreck itself to define their place in Caymanian, Caribbean, and European history. This well-researched volume weaves together rich oral folklore accounts, invaluable supporting documents found in archives in the United Kingdom, Jamaica, and France, and tangible evidence of the disaster from archaeological sites on the reefs of the East End.
Once isolated from the modern world in the heights of the Andean mountains, the indigenous communities of Ecuador now send migrants to New York City as readily as they celebrate festivals whose roots reach back to the pre-Columbian past. Fascinated by this blending of old and new and eager to make a record of traditional customs and rituals before they disappear entirely, photographer-journalist Judy Blankenship spent several years in Cañar, Ecuador, photographing the local people in their daily lives and conducting photography workshops to enable them to preserve their own visions of their culture. In this engaging book, Blankenship combines her sensitively observed photographs with an inviting text to tell the story of the most recent year she and her husband Michael spent living and working among the people of Cañar.
Very much a personal account of a community undergoing change, Cañar documents such activities as plantings and harvests, religious processions, a traditional wedding, healing ceremonies, a death and funeral, and a home birth with a native midwife. Along the way, Blankenship describes how she and Michael went from being outsiders only warily accepted in the community to becoming neighbors and even godparents to some of the local children. She also explains how outside forces, from Ecuador's failing economy to globalization, are disrupting the traditional lifeways of the Cañari as economic migration virtually empties highland communities of young people. Blankenship's words and photographs create a moving, intimate portrait of a people trying to balance the demands of the twenty-first century with the traditions that have formed their identity for centuries.
The Cedarville Conspiracy is the story of that doomed ship and its crew. It is also the first Great Lakes history to expose the heroism, villainy, courage, and confusion surrounding the Cedarville disaster.
In atmospheric, cinematic style, L. Stephen Cox's gripping page-turner dramatizes the events surrounding the collision between the Norwegian and American freighters. As the mortally wounded Cedarville began to list and sink, U.S. Steel refused to allow the crew to escape to safety, while the captain secretly donned his life jacket and abandoned the sinking ship. Ten seamen died in the frigid waters that morning as the captain and survivors swam to safety.
Researching the story, author L. Stephen Cox interviewed the surviving crew and their rescuers and attorneys, examined more than 20,000 pages of Coast Guard reports, and discovered deposition transcripts and other documentary evidence that detailed the deterioration of the ship, the captain's disregard of Great Lakes navigational rules, the company's participation in the decision to confine the men aboard the sinking vessel, and the subsequent efforts by U.S. Steel to manipulate the evidence.
A CHOICE Outstanding Academic Book
Public rituals have always held a vital place in American culture. By far the noisiest and most popular of these to emerge in the nation's early years was Independence Day. After a decade of fitful starts, the Fourth of July eclipsed local and regional patriotic observances to become the premier “American Jubilee.” Celebrating the Fourth provides a history of this holiday and explores its role in shaping a national identity and consciousness in three cities—Boston, Charleston, and Philadelphia—during the first fifty years of the American republic. Independence Day celebrations justified, validated, and helped maintain nationalism among people unused to offering political allegiance beyond their own state borders. As the observances became increasingly popular and symbolically important, political partisans competed hotly for the right to control the meaning of the festivals.
Set during the Spanish Civil War (1936–39), Celia in the Revolution is the last in a series of young adult novels written by Encarnación Aragoneses, known by the pen name Elena Fortún, one of the most prolific and popular Spanish authors of the mid-twentieth century.
In a series of more than twenty novels, Fortún’s protagonist is Celia Gálvez de Montalbán, a precocious and rebellious girl from an affluent family who’s not afraid to question authority and dream, and that often gets her into trouble. Readers watch her grow from age seven through adolescence to the threshold of womanhood at seventeen, which is her age in this dark, inspiring novel about the war that changed Spain.
In this last narrative in the legendary series, Celia has an awakening that not even her lively imagination could have anticipated. The once carefree, innocent child prone to playful fantasies must suddenly confront a world that’s utterly changed, finding herself amid a bloody conflict, la Guerra Civil. Celia, now a madrecita, a little mother to her two younger sisters since the death of their mother, is forced into a life of hardship, a world of hunger, witness to violence, executions, bombing raids, and death. With Celia’s sorrows come her courageous and profound compassion, consoling and caring for virtually every war victim that crosses her path, no matter their political inclinations, and no matter all that Celia must contend with herself. Celia, despite all her travails, manages to survive with determination, defiance, and dignity.
Written immediately after the war, Celia in the Revolution was not published during Elena Fortún’s lifetime, until after the death of the dictator, Francisco Franco, due to censorship. This first major English translation by eminent scholar and Hispanist Michael Ugarte captures the narrative and nuances of Celia’s voice and others in this character-rich novel, and fellow eminent scholar and Hispanist Nuria Capdevila-Arguëlles’s preface brings powerful insights into this remarkable work by Elena Fortún that transcends young adult literature.
“Schiavi tells a compelling story in this biography—from his re-creation of life on the streets of East Harlem and in Greenwich Village of the 1960s and 1970s to the way he conveys Russo’s excitement about his film research and popular education to his account of the AIDS years in New York City.”—John D’Emilio, Italian American Review
“In [Schiavi’s] hands Russo’s life is both fascinating in its own right and a window into a larger milieu of activism during two critical decades.”—Italian American Review
Best Books for General Audiences, selected by the Public Library Reviewers
Finalist, Gay Memoir/Biography, Lambda Literary Awards
Finalist, Over the Rainbow Selection, American Library Association
Celluloid China: Cinematic Encounters with Culture and Society by Harry H. Kuoshu is a lucid introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study invites film scholars and students to a broad cinematic analysis that includes investigations of cultural, cross-cultural, intellectual, social, ethnic, and political issues. Such a holistic evaluation allows for a better understanding of both the genesis of a special kind of film art from the People’s Republic of China and the culture exemplified in those films.
The fifteen films include: Two Stage Sisters; Hibiscus Town; Farewell My Concubine; Street Angel; Three Women; Human, Woman, Demon; Judou; Girl from Hunan; Sacrificed Youth; Horse Thief; Yellow Earth; Old Well; Red Sorghum; Black Cannon Incident; and Good Morning, Beijing. Discussions of each film have an introduction, passages from the director’s own notes whenever available, and a scholarly article. Discussion questions are found in an appendix. Within its complete bibliography, the book also features a suggested reading list for Chinese film classes. Celluloid China is the first book to provide such an exhaustive study of the art and cultural context of Chinese cinema.
Celluloid Pueblo tells the story of Western Ways Features and its role in the invention of the Southwest of the imagination. Active during a thirty-year period of profound growth and transformation, the Herberts created a dynamic visual record of the region, and their archival films now serve as a time capsule of the Sunbelt in the mid-twentieth century. Drawing upon a ten-year career with Fox, Western Ways owner-operator Charles Herbert brought a newshound’s sensibility and acute skill at in-camera editing to his southwestern subjects. The Western Ways films provided counternarratives to Hollywood representations of the West and established the regional identity of Tucson and the borderlands.
Jennifer L. Jenkins’s broad-sweeping book examines the Herberts’ work on some of the first sound films in the Arizona borderlands and their ongoing promotion of the Southwest. The book covers the filmic representation of Native and Mexican lifeways, Anglo ranching and leisure, Mexican missions and tourism, and postwar borderlands prosperity and progressivism. The story of Western Ways closely follows the boom-and-bust arc of the midcentury Southwest and the constantly evolving representations of an exotic—but safe and domesticated—frontier.
- the ways different materials used as gravestones and markers reflect historical trends;
- how to understanding the changes in the use of iconographic images;
- the story behind architectural features like fencing, roads, and gates;
- what enthusiasts can do to preserve local cemeteries for future generations.
Although Austrian writer Ingeborg Bachmann (1926–1973) is widely regarded as one of the most important twentieth-century authors writing in German, her novels and stories have sometimes been viewed narrowly as portraits of women as victims. In this innovative study, Sara Lennox provides a much broader perspective on Bachmann's work, at the same time undertaking an experiment in feminist methodology. Lennox examines Bachmann's poetry and prose in historical context, arguing that the varied feminist interpretations of her writings are the result of shifts in theoretical emphases over a period of more than three decades. Lennox then places her own essays on Bachmann in similar perspective, showing how each piece reflects the historical moment in which it was written. Making use of recent interdisciplinary approaches—Foucauldian theories of sexuality, post-colonial theory, materialist feminism—she explores the extent to which each of her earlier readings was shaped by the methods employed, the questions asked, and the political issues that seemed most germane at the time. Out of this analysis comes a new understanding of the significance of Bachmann's work and new insight into the theory and practice of feminist criticism.
Guardado crafted the poems in Cenizas over a ten-year period, often traveling to El Salvador for research and to conduct interviews. The Salvadoran Civil War haunts the pages of this collection as it unflinchingly explores war, its aftermath, and the bittersweet legacies that are passed down from one generation to the next. The poems mourn those who were lost and honor the strength of the speaker’s ancestors. “All my people have been born from the ashes of volcanoes,” she writes, invoking a family lineage that has endured the atrocities committed against them. Even so, El Salvador keeps pulling the speaker back—and despite warnings of danger, she still manages to find beauty among the ruins.
At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.
India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring.
Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact.
In Centaurs and Amazons, Page duBois offers a prehistory of hierarchy. Using structural anthropology, symbolic analysis, and recent literary theory, she demonstrates a shift in Greek thought from the fifth to the fourth century B.C. that had a profound influence upon subsequent Western culture and politics.
Through an analysis of mythology, drama, sculpture, architecture, and Greek vase painting, duBois documents the transition from a system of thought that organized the experience of difference in terms of polarity and analogy to one based upon a relatively rigid hierarchical scheme. This was the beginning of "the great chain of being," the philosophical construct that all life was organized in minute gradations of superiority and inferiority. This scheme, in various guises, has continued to influence philosophical and political thought.
The author's intelligent and discriminating use of scholarship from various fields makes Centaurs and Amazons an impressive interdisciplinary study of interest to classicists, feminist scholars, historians, art historians, anthropologists, and political scientists.
Arielismo takes its name from José Enrique Rodó’s foundational essay Ariel (1900), a wide‑ranging gospel dedicated to Latin American youth that incited a cultural awakening under the banner of the spirit throughout the Americas at an ominous juncture—when the US co-opted the Cuban War of Independence in 1898, effectively rebranding it as the Spanish‑American War. Rodó’s optimistic message of transcendence as an antidote to the encroaching empire quickly became one of the most pervasive and malleable paradigms of regional empowerment, reverberating throughout a range of Latin Americanist projects in the twentieth and twenty‑first centuries.
Centenary Subjects recovers a series of important but understudied essays penned by arielista writers, radicals, pedagogues, prophets, and politicians of diverse stripes in the early twentieth century, and analyzes how, under the auspices of the arielista platform, young people emerged as historical subjects invested with unprecedented cultural capital, increasing political power, and an urgent mandate to break with the past and transform the sociopolitical and cultural landscape of their countries. But their respective designs harbor racial, epistemological, aesthetic, and anarchistic strains that bring into sharper relief the conflicting signals that the centenary subject had to parse with respect to race, reason, and rupture.
“The people who lived in what became the seventeenth state in the American Union in 1803 were not only at the center of a great empire, they were at the center of the most important historical developments in the revolutionary Atlantic World.”
—From the introduction
Nowhere did the revolutions in politics, commerce, and society in the late eighteenth and early nineteenth centuries occur more quickly or more thoroughly than in the Ohio country. A forested borderland dominated by American Indians in 1780, Ohio was a landscape of farms and towns inhabited by people from all over the world by 1830. The Center of a Great Empire: The Ohio Country in the Early Republic chronicles this dramatic and all-encompassing change.
Andrew R. L. Cayton and Stuart D. Hobbs have assembled an impressive collection of articles by established and rising scholars. They address the conquest of Native Americans, the emergence of a democratic political culture, the origins of capitalism, the formation of public culture, the growth of evangelical Protestantism, the ambiguous status of African Americans, and social life in a place that most regarded as the cutting edge of human history.
For The Center of a Great Empire, distinguished historians of the American nation in its first decades question conventional wisdom. They emphasize contingency rather than inevitability and contention rather than progress. Downplaying the frontier character of Ohio, they offer new interpretations and open new paths of inquiry through investigations of race, education, politics, religion, family, commerce, colonialism, and conquest. As it underscores key themes in the history of the United States, The Center of a Great Empire pursues issues that have fascinated people for two centuries.
In Center Places and Cherokee Towns, Christopher B. Rodning opens a panoramic vista onto protohistoric Cherokee culture. He posits that Cherokee households and towns were anchored within their cultural and natural landscapes by built features that acted as “center places.”
Rodning investigates the period from just before the first Spanish contact with sixteenth-century Native American chiefdoms in La Florida through the development of formal trade relations between Native American societies and English and French colonial provinces in the American South during the late 1600s and 1700s. Rodning focuses particularly on the Coweeta Creek archaeological site in the upper Little Tennessee Valley in southwestern North Carolina and describes the ways in which elements of the built environment were manifestations of Cherokee senses of place.
Drawing on archaeological data, delving into primary documentary sources dating from the eighteenth century, and considering Cherokee myths and legends remembered and recorded during the nineteenth century, Rodning shows how the arrangement of public structures and household dwellings in Cherokee towns both shaped and were shaped by Cherokee culture. Center places at different scales served as points of attachment between Cherokee individuals and their communities as well as between their present and past. Rodning explores the ways in which Cherokee architecture and the built environment were sources of cultural stability in the aftermath of European contact, and how the course of European contact altered the landscape of Cherokee towns in the long run.
In this multi-faceted consideration of archaeology, ethnohistory, and recorded oral tradition, Rodning adeptly demonstrates the distinct ways that Cherokee identity was constructed through architecture and other material forms. Center Places and Cherokee Towns will have a broad appeal to students and scholars of southeastern archaeology, anthropology, Native American studies, prehistoric and protohistoric Cherokee culture, landscape archaeology, and ethnohistory.
Contributors. Neel Ahuja, Lauren Derby, Regina Horta Duarte, Martha Few, Erica Fudge, León García Garagarza, Reinaldo Funes Monzote, Heather L. McCrea, John Soluri, Zeb Tortorici, Adam Warren, Neil L. Whitehead
Central America and its ill-fated federation (1824-1839) are often viewed as the archetype of the “anarchy” of early independent Spanish America. This book consists of two interralted essays dealing with the economic, social, and political changes that took place in Central America, changes that let to both Liberal regime consolidation and export agricultural development after the middle of the last century. The authors provide a challenging reinterpretation of Central American history and the most detailed analysis available in English of this most heterogeneous and obscure of societies. It avoids the dichotomous (Costa Rica versus the rest of Central America) and the centralist (Guatemala as the standard or model) treatments dominant in the existing literature and is required reading for anyone with an interest in 19th century Latin America.
Central American Migrations in the Twenty-First Century tackles head-on the way Central America has been portrayed as a region profoundly marked by the migration of its people. Through an intersectional approach, this volume demonstrates how the migration experience is complex and affected by gender, age, language, ethnicity, social class, migratory status, and other variables. Contributors carefully examine a broad range of topics, including forced migration, deportation and outsourcing, intraregional displacements, the role of social media, and the representations of human mobility in performance, film, and literature. The volume establishes a productive dialogue between humanities and social sciences scholars, and it paves the way for fruitful future discussions on the region’s complex migratory processes.
Contributors
Guillermo Acuña
Andrew Bentley
Fiore Bran-Aragón
Tiffanie Clark
Mauricio Espinoza
Hilary Goodfriend
Leda Carolina Lozier
Judith Martínez
Alicia V. Nuñez
Miroslava Arely Rosales Vásquez
Manuel Sánchez Cabrera
Ignacio Sarmiento
Gracia Silva
Carolina Simbaña González
María Victoria Véliz
Now in its third edition (it was first published in 1967 and revised in 1989), this new edition of Central Asia has been updated to include a new preface, a revised and updated bibliography, and a final chapter that brings the book up to 1994 in considering the crucial problems that stem from a deprivation of sovereign, indigenous leadership over the past 130 years. This volume provides a broad and essential background for understanding what has led up to the late twentieth-century configuration of Central Asia.
In late 1974 the U.S. Senate Select Committee on the CIA, headed by Frank Church of Idaho, began collecting documents and materials to buttress the committee hearings on the CIA’s role and activities that were to begin in the fall of 1975. Among the materials prepared for the Church Committee is History of the Central Intelligence Agency, which was written by committee staff member Anne Karalekas.
This book reproduces the History, with an introduction by Leary that establishes the historical framework for the Church Committee hearings, and also includes ten relevant documents covering events from 1944 to 1981.
The terms "center" and "periphery" are particularly relevant to anthropologists, since traditionally they look outward from institutional "centers"-universities, museums, government bureaus-to learn about people on the "peripheries." Yet anthropology itself, as compared with economics, politics, or history, occupies a space somewhat on the margins of academe. Still, anthropologists, who control esoteric knowledge about the vast range of human variation, often find themselves in a theoretically central position, able to critique the "universal" truths promoted by other disciplines.
Central Sites, Peripheral Visions presents five case studies that explore the dilemmas, moral as well as political, that emerge out of this unique position. From David Koester's analysis of how ethnographic descriptions of Iceland marginalized that country's population, to Kath Weston's account of an offshore penal colony where officials mixed prison work with ethnographic pursuits; from Brad Evans's reflections on the "bohemianism" of both the Harlem vogue and American anthropology, to Arthur J. Ray's study of anthropologists who serve as expert witnesses in legal cases, the essays in the eleventh volume of the History of Anthropology Series reflect on anthropology's always problematic status as centrally peripheral, or peripherally central.
Finally, George W. Stocking, Jr., in a contribution that is almost a book in its own right, traces the professional trajectory of American anthropologist Robert Gelston Armstrong, who was unceremoniously expelled from his place of privilege because of his communist sympathies in the 1950s. By taking up Armstrong's unfinished business decades later, Stocking engages in an extended meditation on the relationship between center and periphery and offers "a kind of posthumous reparation," a page in the history of the discipline for a distant colleague who might otherwise have remained in the footnotes.
Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil.
A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the Amazon has been a focus for land-reform and Indigenous-rights activists. Other key documentary themes include Brazil’s swings from democracy to dictatorship, tensions between cosmopolitanism and rurality, and shifting attitudes toward race and gender. Sadlier also provides critical perspectives on aesthetics and media technology, exploring how documentaries inspired dramatic depictions of poverty and migration in the country’s Northeast and examining Brazilians’ participation in streaming platforms that have suddenly democratized filmmaking.
In commemoration of the hundredth anniversary of the American Society of Church History, this monumental compilation of historiographical scholarship calls on 10 eminent specialists to review significant achievements that over the past century have shaped current understanding of the multifaceted church.
The book inevitably honors the memory of Philip Schaff, the great 19th century church historian who laid the foundations of the discipline in America and in 1888 founded the ASCH. In examining the major subfields of church history, many of which Schaff pioneered himself in the U.S., the essayists explore such topics as early Christianity, the medieval church, the Reformation, American religious liberty, creeds and liturgies, and ecumenism.
The anthology includes David W. Lotz, "Philip Schaff and the Idea of Church History"; Robert M. Kingdon, "Reformation Studies"; John F. Wilson, "Civil Authority and Religious Freedom in America: Philip Schaff on the United States as a Christian Nation"; and Aidan Kavanagh, "Liturgical and Credal Studies"; Henry W. Bowden, "The First Century: Institutional Development and Ideas about the Profession"; Glenn F. Chesnut, "A Century of Patristic Studies, 1888–1988"; Bernard McGinn, "The Gold of Catholicity": Reflections on a Century of American Study of Medieval Church History"; Jay P. Dolan, "Immigration and American Christianity: A History of Their Histories"; Gerald H. Anderson, "To the Ends of the Earth: American Protestants in Pursuit of Mission"; and John T. Ford, "Ecumenical Studies."
The topics addressed in this book are the major concerns of church history today. The essays provide a critical survey of major developments in the different fields over the past century, discussing the scholars and publications that brought new information to light or changed the general understanding of church history by contributing fresh interpretations. In bringing readers up to date in church history by surveying benchmark contributions in each of the special areas surveyed, the contributors seek to orient historians and stimulate colleagues toward further investigation of a common past.
A common thread running through all of these essays, Bowden notes, "is the recognition that we are heirs to a major change in historical self-understanding. Over the course of a century we have moved from views where history taught lessons of exclusivist rectitude to an appreciation of shared heritage and mutual development." Two appendixes provide extensive historical data about the society itself.
A timely examination of Alabama’s severely criticized state constitution
Alabama’s present constitution, adopted in 1901, is widely viewed as the source of many, if not most, of the state’s historic difficulties and inequities. Chief among these is a poorly funded school system, an imbalanced tax system that favors special business interests, legislated racism, and unchecked urban sprawl. Many citizens believe that, after 100 years of overburdening amendments and confusing addendums, the constitution urgently needs rewriting.
With this book, Bailey Thomson has assembled the best scholarship on the constitution, its history, and its implications for the future. Historian Harvey H. Jackson III details the degree to which the 1901 document was drafted as a legal tool to ensure white supremacy at the expense of poor whites and blacks, while Joe A. Sumners illustrates how the constitution ties the hands of elected civic leaders by handing authority for local decisions to state government in Montgomery. James W. Williams Jr. explores the impact of the state constitution on the beleaguered tax system and the three principal “revenue crises” it has engendered. Thomson’s own contribution explains how, in contrast to the previous failed attempts for constitutional change by past governors who appealed to their fellow power brokers, the current reform movement arose from the grassroots level.
As citizens and politicians in Alabama review the 1901 constitution for revision, as they navigate the pitfalls and opportunities inherent in change, it is incumbent that they inform themselves adequately on the controversies that have swirled around the constitution since its adoption. The future of Alabama’s government will depend upon it, as will the fortunes of Alabama’s business interests and the well-being of every citizen in the state for years to come.
Exploring the resilience, identity, and contributions of Southern Jews in the heart of Alabama.
This is the first substantial history of the Jews in any inland town or city of the industrial South. A Century of Jewish Life in Dixie offers a vivid and deeply researched portrait of Birmingham, Alabama’s Jewish community. Mark H. Elovitz traces the community’s evolution from its immigrant roots in the late 19th century through its growth into a vibrant and influential part of Southern society. Drawing on archival records, oral histories, and cultural analysis, Elovitz explores how Southern Jews balanced tradition and assimilation, navigated racial and religious tensions, and contributed to civic and economic life in a region undergoing dramatic transformation. This book provides a rare and nuanced look at Jewish identity in the American South, making it an essential resource for scholars of Jewish studies, Southern history, and American cultural life.
The Dell, which opened in 1930, and the Mann, which opened in 1976, were initially built as summer homes for The Philadelphia Orchestra. As McCarthy fondly recounts, the Mann Center evolved to host the world’s top artists across many musical genres. Contemporary audiences have gathered on the Great Lawn for concerts by performers including James Taylor, The Roots, Phish, Diana Ross, John Legend, and others.
The venues, however, are more than just the music; they are about the beautiful natural setting, communal atmosphere, and spectacular view of the Philadelphia skyline. A Century of Music Under the Stars is a revealing and celebratory look back at beloved Philadelphia cultural icons. This informative and illuminating history will provide happy memories for generations of music lovers.
The renowned historian Ivan T. Berend discusses populist demagoguery through the presentation of eighteen politicians from twelve European countries spanning World War I to the present. Berend defines demagoguery, reflects on its connections with populism, and examines the common features and differences in the demagogues’ programs and language.
Mussolini and Hitler, the “model demagogues,” are only briefly discussed, as is the election of Donald Trump in the United States and its impact on Europe. The eighteen detailed portraits include two communists, two fascists, and several right-wing and anti-EU politicians, extending across the full range of demagoguery. The author covers Béla Kun, the leader of the Hungarian Soviet Republic in 1919, weaving through Codreanu and Gömbös from the 1930s, on to Stahremberg and Haider in Austria, and then more broadly throughout Europe from Ceaușescu, Milošević, Tuđjman, Izetbegović, Berlusconi, Wilders, to the two Le Pens, Farage, and Boris Johnson, Orbán and the two Kaczyńskis. Each case includes an analysis of the time and place and is illustrated with quotations from the demagogues’ speeches.
This book is a warning about the continuing threat of populist demagogues both for their subjects and for history itself. Berend insists on the crucial importance for Europe to understand the reality behind their promises and persuasive language as imperative to impeding their success.
Contributors. Michelle Chase, Jeffrey L. Gould, Greg Grandin, Lillian Guerra, Forrest Hylton, Gilbert M. Joseph, Friedrich Katz, Thomas Miller Klubock, Neil Larsen, Arno J. Mayer, Carlota McAllister, Jocelyn Olcott, Gerardo Rénique, Corey Robin, Peter Winn
Provides insight into the political currents that led to the Iranian revolution.
Before late 1978 Iran did not occupy a large place in the public mind, mass media, or academic pursuits. With the massive upheaval of the next few months, all this changed-and the world is still trying to catch up with the dramatic events that brought Iran to its attention. This volume offers a much needed look into the historical, social, and political developments leading up to the Iranian revolution. Bringing together a group of scholars, historians, and social scientists, most of them Iranian in origin, the book documents an extraordinary revolutionary heritage that predates this century.
Each contributor examines a critical moment in Iranian social history-on its own terms as well as within a larger theoretical and comparative context. The topics they take up include: • the Tobacco Rebellion of 1890-91 • the Constitutional Revolution of 1905-11 • the rise of Reza Khan between 1921 and 1925• the autonomy movement in Azerbaijan and Kurdistan after World War II• the oil nationalization movement under Musaddiq between 1951and 1953• the unrest of the 1960-63 period• the Iranian revolution of 1977-79 • the state of Iran since the revolution Thoughout, common themes emerge, especially the heterogeneous bases of Iranian social movements with respect to class, gender, and ethnicity, as well as the diverse discourses-nationalist, Islamic, socialist, populist, and radical-that have animated these movements. Representing a wide variety of perspectives and approaches, this volume provides crucial insight into the widely watched but poorly understood phenomenon of present-day Iran.Contributors: Janet Afary, Purdue University; John Foran, University of California, Santa Barbara; Amir Hassanpour, Uppsala University; Mansoor Moaddel, Eastern Michigan University; Val Moghadam, United Nations University; Misgah Parsa, Dartmouth College; Sussan Siavoshi, Trinity University; Michael Zirinsky, Boise State University
In 1877 the thirty-year-old artist Mary Louise McLaughlin wrote China Painting, the first manual on the subject in the United States written by a woman for women. Extremely successful, it is now accepted as the book that launched the china painting movement in America.
When in 1898 McLaughlin decided to produce porcelain, the most difficult of ceramics, she showed the determination and exactitude that were her trademarks. Already renowned as a ceramicist, she became the first to produce studio porcelain in America and the first to discover the technique for decorating under the glaze. Her work was welcomed with enthusiasm in New York and Paris.
Despite the enormous influence of Mary Louise McLaughlin on the history of American ceramics, Anita Ellis’s The Ceramic Career of M. Louise McLaughlin is the first definitive study dedicated to her accomplishments.
Anita Ellis depicts the many challenges McLaughlin encountered in pursuit of her ultimately successful career. Not the least of these was her rivalry with the formidable Maria Longworth Nichols, fellow Cincinnatian and founder of the Rookwood Pottery Company. Another was that of being a woman in the arts: her primary goal had been to paint portraits on canvas, but Victorian society did not afford opportunities in what was considered a male sphere.
Replete with historic photos and color illustrations of many of McLaughlin’s works, The Ceramic Career of M. Louise McLaughlin is a tribute to a woman artist who rose to one of the most esteemed positions in her field.
Monte Albán was the capital of the Valley of Oaxaca, Mexico, ca. 500 BC–AD 600, but once its control began to wane, other sites filled the political vacuum. Archaeologists have long awaited a meticulous excavation of one of these sites—one that would help us better understand the process that transformed second-tier sites into a series of polities or señoríos that competed with each other for centuries.
This book reports in detail on Ronald Faulseit’s excavations at the site of Dainzú-Macuilxóchitl in the Valley of Oaxaca. His 2007–2010 mapping and excavation seasons focused on the Late Classic (AD 600–900) and Early Postclassic (AD 900–1300). The spatial distributions of surface artifacts—collected during the intensive mapping and systematic surface collecting—on residential terraces at Cerro Danush are analyzed to evaluate evidence for craft production, ritual, and abandonment at the community level. This community analysis is complemented by data from the comprehensive excavation of a residential terrace, which documents diachronic patterns of behavior at the household level. The results from Faulseit’s survey and excavations are evaluated within the theoretical frameworks of political cycling and resilience theory. Faulseit concludes that resilient social structures may have helped orchestrate reorganization in the dynamic political landscape of Oaxaca after the political collapse of Monte Albán.
When Mrázek began his interviews, he expected to discuss phenomena such as the transition from colonialism to postcolonialism. His interviewees, however, wanted to share more personal recollections. Mrázek illuminates their stories of the past with evocative depictions of their late-twentieth-century surroundings. He brings to bear insights from thinkers including Walter Benjamin, Bertold Brecht, Le Corbusier, and Marcel Proust, and from his youth in Prague, another metropolis with its own experience of passages and revolution. Architectural and spatial tropes organize the book. Thresholds, windowsills, and sidewalks come to seem more apt as descriptors of historical transitions than colonial and postcolonial, or modern and postmodern. Asphalt roads, homes, classrooms, fences, and windows organize movement, perceptions, and selves in relation to others. A Certain Age is a portal into questions about how the past informs the present and how historical accounts are inevitably partial and incomplete.
This book looks at Sankara's political philosophies and legacies and their relevance today. Analyses of his synthesis of Pan-Africanism and humanist Marxist politics, as well as his approach to gender, development, ecology and decolonisation offer new insights to Sankarist political philosophies. Critical evaluations of the limitations of the revolution examine his relationship with labour unions and other aspects of his leadership style. His legacy is revealed by looking at contemporary activists, artists and politicians who draw inspiration from Sankarist thought in social movement struggles today, from South Africa to Burkina Faso.
In the 30th anniversary of his assassination, this book illustrates how Sankara's political praxis continues to provide lessons and hope for decolonisation struggles today.
Antebellum America saw a great upsurge in abortion, driven in part by the rise of the pharmaceutical industry. Unsurprisingly, the practice became increasingly visible in the popular culture and literature of the era, appearing openly in advertisements, popular fiction, and newspaper reports. One figure would come to dominate national headlines from the 1840s onward: Madame Restell. Facing public condemnation and mob attacks at her home for her dogged support of women’s reproductive rights, Restell built an empire selling her powders, pills, and services along the Eastern Seaboard.
Edgar Allan Poe and Nathaniel Hawthorne undoubtedly knew of Restell’s work and would go on to depict the incompatibility of abortion and nationalism in their writings. Through the thwarted plotlines, genealogical interruptions, and terminated ideas of Poe’s Dupin trilogy and Hawthorne’s The Scarlet Letter, The House of Seven Gables, and The Blithedale Romance, these authors consider new concepts around race, reproduction, and American exceptionalism. Dana Medoro demonstrates that their work can be usefully read in the context of debates on fetal life and personhood that circulated in the era.
By combining quantitative techniques in the analysis of over seven thousand cases, as well as careful and detailed readings of individual cases, the book exposes trends and patterns that might not have been evident in works using only one method. For instance, by examining all homicide trials rather than concentrating exclusively on a few highly celebrated ones, it becomes clear that most female killers were not viewed with particular horror, but were treated much like their male counterparts.
The conclusions offer challenges and correctives to existing scholarship on gender, ethnicity, class, and violence. The book also demonstrates that the Welsh, Scots, and English remained quite distinct long after their melding as Britons was announced and celebrated. By blending a study of trends in violent behavior with ideas about national identity, Conley brings together rich and hotly debated fields of modern history. This book will be valuable both for scholars of crime and violence as well as for those studying British history.
No work has documented in such vivid and illuminating detail the socio-political world of sixteenth-century Algiers, Cervantes's life in the prison-house, his four escape attempts, and the conditions of his final ransom. Garces's portrait of a sophisticated multi-ethnic culture in Algiers, moreover, is likely to open up new discussions about early modern encounters between Christians and Muslims. By bringing together evidence from many different sources, historical and literary, Garces reconstructs the relations between Christians, Muslims, and renegades in a number of Cervantes's writings.
The idea that survivors of captivity need to repeat their story in order to survive (an insight invoked from Coleridge to Primo Levi to Dori Laub) explains not only Cervantes's storytelling but also the book that theorizes it so compellingly. As a former captive herself (a hostage of Colombian guerrillas), the author reads and listens to Cervantes with another ear.
Expanding the study of Etruscan habitation sites to include not only traditional cities but also smaller Etruscan communities, Cetamura del Chianti examines a settlement that flourished during an exceptional time period, amid wars with the Romans in the fourth to first centuries BCE.
Situated in an ideal hilltop location that was easy to defend and had access to fresh water, clay, and timber, the community never grew to the size of a city, and no known references to it survive in ancient writings; its ancient name isn’t even known. Because no cities were ever built on top of the site, excavation is unusually unimpeded. Intriguing features described in Cetamura del Chianti include an artisans’ zone with an adjoining sanctuary, which fostered the cult worship of Lur and Leinth, two relatively little known Etruscan deities, and ancient wells that reveal the cultural development and natural environment, including the vineyards and oak forests of Chianti, over a period of some six hundred years. Deeply enhancing our understanding of an intriguing economic, political, and cultural environment, this is a compelling portrait of a singular society.
Like many of his childhood friends, Cézanne detested the homogenizing effects of modernism and bourgeois capitalism on the culture, people, and landscapes of his beloved Provence. Turning away from the mainstream modernist aesthetic of his impressionist years, Cézanne sought instead to develop a new artistic tradition more evocative of his Provençal heritage. Athanassoglou-Kallmyer shows that Provence served as a distinct and defining cultural force that shaped all aspects of Cézanne's approach to representation, including subject matter, style, and technical treatment. For instance, his self-portraits and portraits of family members reflect a specifically Provençal sense of identity. And Cézanne's Provençal landscapes express an increasingly traditionalist style firmly grounded in details of local history and even geology. These landscapes, together with images of bathers, cardplayers, and other figures, were key facets of Cézanne's imaginary reconstruction of Provence as primordial and idyllic—a modern French Arcadia.
Highly original and lavishly illustrated, Cézanne and Provence gives us an entirely new Cézanne: no longer the quintessential icon of generic, depersonalized modernism, but instead a self-consciously provincial innovator of mainstream styles deeply influenced by Provençal culture, places, and politics.
Spanish missions in the New World usually pacified sedentary peoples accustomed to the agricultural mode of mission life, prompting many scholars to generalize about mission history. James Saeger now reconsiders the effectiveness of the missions by examining how Guaycuruan peoples of South America's Gran Chaco adapted to them during the eighteenth century. Because the Guaycuruans were hunter-gatherers less suited to an agricultural lifestyle, their attitudes and behaviors can provide new insight about the impact of missions on native peoples.
Responding to recent syntheses of the mission system, Saeger proposes that missions in the Gran Chaco did not fit the usual pattern. Through research in colonial documents, he reveals the Guaycuruan perspective on the missions, thereby presenting an alternative view of Guaycuruan history and the development of the mission system. He investigates Guaycuruan social, economic, political, and religious life before the missions and analyzes subsequent changes; he then traces Guaycuruan history into the modern era and offers an assessment of what Catholic missions meant to these peoples.
Saeger's research into Spanish documents is unique for its elicitation of the Indian point of view. He not only reconstructs Guaycuruan life independent of Spanish contact but also shows how these Indians negotiated the conditions under which they would adapt to the mission way of life, thereby retaining much of their independence.
By showing that the Guaycuruans were not as restricted in missions as has been assumed, Saeger demonstrates that there is a distinct difference between the establishment of missions and conquest. The Chaco Mission Frontier helps redefine mission studies by correcting overgeneralization about their role in Latin America.
In Chaim Weizmann: A Biography, Jehuda Reinharz and Motti Golani show how Weizmann, a leader of the World Zionist Organization who became the first president of Israel, advocated for a Jewish state by gaining the support of influential politicians and statesmen as well as Jews around the world. Beginning with his childhood in Belorussia and concluding with his tenure as president, Reinharz and Golani describe how a Russian Jew, who immigrated to the United Kingdom in the early twentieth century, was able to advance the goals of Theodor Herzl, the founder of the Zionist Organization. Weizmann is also shown as a man of human foibles—his infatuations, political machinations, and elitism—as well as a man of admirable qualities—intelligence, wit, charisma, and dedication.
Weizmann, who came to the UK to work as a biochemist, was in regular communication with British political figures, including prime ministers Arthur James Balfour, David Lloyd George, Winston Churchill, and Ramsay MacDonald. He also met presidents of the United States from Woodrow Wilson to Harry Truman. His success in earning the support of British political figures helped lead to the Balfour Declaration, which advocated for a “national home” for the Jewish people in Palestine.
As the authors show in this authoritative account of Weizmann’s life, Weizmann was guided by the belief that “Zion shall be redeemed in justice,” a phrase that recurs often in his writings.
In Chains of Babylon, Daryl J. Maeda presents a cultural history of Asian American activism in the late 1960s and early 1970s, showing how the movement created the category of "Asian American" to join Asians of many ethnicities in racial solidarity. Drawing on the Black Power and antiwar movements, Asian American radicals argued that all Asians in the United States should resist assimilation and band together to oppose racism within the country and imperialism abroad.
As revealed in Maeda's in-depth work, the Asian American movement contended that people of all Asian ethnicities in the United States shared a common relationship to oppression and exploitation with each other and with other nonwhite peoples. In the early stages of the civil rights era, the possibility of assimilation was held out to Asian Americans under a model minority myth. Maeda insists that it was only in the disruption of that myth for both African Americans and Asian Americans in the 1960s and 1970s that the full Asian American culture and movement he describes could emerge. Maeda challenges accounts of the post-1968 era as hopelessly divisive by examining how racial and cultural identity enabled Asian Americans to see eye-to-eye with and support other groups of color in their campaigns for social justice.
Asian American opposition to the war in Vietnam, unlike that of the broader antiwar movement, was predicated on understanding it as a racial, specifically anti-Asian genocide. Throughout he argues that cultural critiques of racism and imperialism, the twin "chains of Babylon" of the title, informed the construction of a multiethnic Asian American identity committed to interracial and transnational solidarity.
A surprising look at the big business of owning small businesses and what America’s franchise economy means for its workers.
Walk into a McDonald’s anywhere in the United States, and it will be identical to every other McDonald’s in the country. Yet, that particular store is almost certainly owned and operated by an “independent” franchisee. While McDonald’s presents an image of centralized uniformity to the consumer, it shows a different face to the small business owners operating its stores under its control and the workers preparing its product to its standards. How then does McDonald’s—and its big business peers—manage to be two things at once?
In this revelatory work, economist Brian Callaci shows how franchisors have altered the legal treatment of corporations in their favor through a decades-long crusade of lobbying and litigation. Their efforts subsequently unleashed a slew of legal and economic sins upon the US economy and labor force, allowing multinational corporations to control continent-spanning empires while outsourcing employment and scapegoating legal responsibilities onto small businesses. The result: the unfettered growth of some of America’s most recognizable businesses, at the aggregate expense of America’s workers.
Remarkable in both its scale and synthesis, Callaci’s story is the first chronicle of this business movement—initially resisted by US courts before experiencing a dramatic reversal of fortune after decades of campaigning by some of America’s most established entrepreneurs. An urgent and erudite history, Chains of Command reveals how the US labor market was tamed one small business at a time.
Focusing on South Carolina, West deals directly with the most intimate areas of the slave experience including courtship, love and affection between spouses, the abuse of slave women by white men, and the devastating consequences of forced separations. Slaves fought these separations through cross-gender bonding and cross-plantation marriages, illustrating West's thesis about slave marriage as a fierce source of resistance to the oppression of slavery in general.
Making expert use of sources such as the Works Progress Administration narratives, slave autobiographies, slave owner records, and church records, this book-length study is the first to focus on the primacy of spousal support as a means for facing oppression. Chains of Love provides telling insights into the nature of the slave family that emerged from these tensions, celebrates its strength, and reveals new dimensions to the slaves' struggle for freedom.
Winner, Peter C. Rollins Book Award, Southwest Texas Popular Culture Association/American Culture Association, 2011
During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers.
Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's $100-million blockbuster, Spy Kids. Each chapter explores the behind-the-scenes story of a specific movie, such as Linklater's Dazed and Confused and Judge's Office Space, against the backdrop of Austin's ever-expanding film community.
Carl A. Gerstacker was born in 1916 in Cleveland, Ohio. At an early age his father, Rollin, instilled in him an interest in finance and the stock market. In 1930, when Carl turned fourteen, Rollin advised his son to withdraw his paper-route and odd-job money from a local bank and invest it all in The Dow Chemical Company. It was the beginning of a relationship that would last a lifetime. After high school, Carl landed an hourly position with Dow Chemical as a lab assistant and, at the same time, pursued an engineering degree at the University of Michigan as part of the company’s student training course. After graduating in 1938, Gerstacker continued to work for Dow Chemical until the outbreak of World War II when he joined the U.S. Army. Returning to civilian life in 1946, he was rehired by Dow and quickly moved up the corporate ladder, becoming Treasurer in 1949, Vice-President in 1955, and Chairman of the Board in 1960, a position he retained until 1976. He retired five years later in 1981.
Carl Gerstacker was a business leader who believed that every company had a special personality and that the Dow personality was largely shaped by its employees. “For Dow Chemical, people are the most important asset, not the patents, the plants, nor the products.” Gerstacker’s personal financial acumen was rivaled only by his own contributions to the sound corporate growth of Dow Chemical, a business he loved and to which he devoted his life. Gerstacker died in 1995, leaving a legacy that lives on in the form of numerous philanthropic endeavors he began during his lifetime and on whose boards he once served. Carl A. Gerstacker was one of the towering figures of twentieth-century American industry.
The copper mines of Michigan's Copper Country, in the Upper Peninsula, were active for 150 years, from 1845 until 1995. Many of the mine workers attempted to unionize, in order to obtain better working conditions, wages, and hours.
The Michigan miners were unsuccessful in their struggles with mine owners, which came to a climax in the 1913–14 Copper Country Strike. This nine-month battle between workers represented by the Western Federation of Miners (WFM) and the three major mining companies in the region took a particularly nasty turn on Christmas Eve, 1913, at a party for strikers and their families organized by the WFM. As many as 500 people were in the Italian Benevolent Society hall in Calumet, Michigan, when someone reportedly shouted "fire." There was no fire, but it is estimated that 73–79 people, more than 60 of them children, died in the stampede for the exit.
Against this dramatic backdrop, Gary Kaunonen tells the story of Finnish immigrants to Copper Country. By examining the written record and material culture of Finnish immigrant proletarians-analyzing buildings, cultural institutions, and publications of the socialist-unionist media—Kaunonen adds a new depth to our understanding of the time and place, the events and a people.
The essays contained in The Challenge of Modernity cover three distinct subject areas: the history of the Social Democratic labor movement, housing, and popular and mass culture. More specifically, von Saldern addresses the self-modernizing Social Democratic Party; Social Democrats' and Communists' opposing views of modernization; social rationalization in the private sphere (particularly with regard to women and hygiene); sport; the arrival of "trashy" literature, movies, and radio in Germany; and cultural conservatives' attempts to enhance a national and Volks-culture in opposition to mass-culture, Americanization, and the avant-garde. The variety of responses to the modernization process, as well as von Saldern's focus on social agents, makes this book unique.
Required reading for scholars of social, cultural, and gender history, The Challenge of Modernity will also find an audience among urban anthropologists, political scientists, and sociologists. Von Saldern's ability to combine a strong theoretical framework with concrete historical examples will also make this outstanding reading for undergraduate and graduate students seeking to familiarize themselves with the history of German society and culture.
Adelheid von Saldern is Professor of Modern History and Director, Historisches Seminar, Universität Hanover.
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