When the Space Shuttle Challenger exploded on January 28, 1986, millions of Americans became bound together in a single, historic moment. Many still vividly remember exactly where they were and what they were doing when they heard about the tragedy. In The Challenger Launch Decision, Diane Vaughan recreates the steps leading up to that fateful decision, contradicting conventional interpretations to prove that what occurred at NASA was not skulduggery or misconduct but a disastrous mistake.

Journalists and investigators have historically cited production problems and managerial wrong-doing as the reasons behind the disaster. The Presidential Commission uncovered a flawed decision-making process at the space agency as well, citing a well-documented history of problems with the O-ring and a dramatic last-minute protest by engineers over the Solid Rocket Boosters as evidence of managerial neglect.

Why did NASA managers, who not only had all the information prior to the launch but also were warned against it, decide to proceed? In retelling how the decision unfolded through the eyes of the managers and the engineers, Vaughan uncovers an incremental descent into poor judgment, supported by a culture of high-risk technology. She reveals how and why NASA insiders, when repeatedly faced with evidence that something was wrong, normalized the deviance so that it became acceptable to them.

No safety rules were broken. No single individual was at fault. Instead, the cause of the disaster is a story not of evil but of the banality of organizational life. This powerful work explains why the Challenger tragedy must be reexamined and offers an unexpected warning about the hidden hazards of living in this technological age.

The classic, groundbreaking account of how the culture of NASA helped lead to the Challenger disaster

When the Space Shuttle Challenger exploded on January 28, 1986, millions of Americans became bound together in a single, historic moment. Many still vividly remember exactly where they were and what they were doing when they heard about the tragedy. Diane Vaughan recreates the steps leading up to that fateful decision, contradicting conventional interpretations to prove that what occurred at NASA was not skullduggery or misconduct but a disastrous mistake.

Why did NASA managers, who not only had all the information prior to the launch but also were warned against it, decide to proceed? In retelling how the decision unfolded through the eyes of the managers and the engineers, Vaughan uncovers an incremental descent into poor judgment, supported by a culture of high-risk technology. She reveals how and why NASA insiders, when repeatedly faced with evidence that something was wrong, normalized the deviance so that it became acceptable to them. In a new preface, Vaughan reveals the ramifications for this book and for her when a similar decision-making process brought down NASA's Space Shuttle Columbia in 2003.

What unites and what divides Americans as a nation? Who are we, and can we strike a balance between an emphasis on our divergent ethnic origins and what we have in common? Opening with a survey of American literature through the vantage point of ethnicity, Werner Sollors examines our evolving understanding of ourselves as an Anglo-American nation to a multicultural one and the key role writing has played in that process. 

Challenges of Diversity contains stories of American myths of arrival (pilgrims at Plymouth Rock, slave ships at Jamestown, steerage passengers at Ellis Island), the powerful rhetoric of egalitarian promise in the Declaration of Independence and the heterogeneous ends to which it has been put, and the recurring tropes of multiculturalism over time (e pluribus unum, melting pot, cultural pluralism). Sollors suggests that although the transformation of this settler country into a polyethnic and self-consciously multicultural nation may appear as a story of great progress toward the fulfillment of egalitarian ideals, deepening economic inequality actually exacerbates the divisions among Americans today.   
 

Challenging Colonial Narratives demonstrates that the traditional colonial dichotomy may reflect an artifice of the colonial discourse rather than the lived reality of the past. Matthew A. Beaudoin makes a striking case that comparative research can unsettle many deeply held assumptions and offer a rapprochement of the conventional scholarly separation of colonial and historical archaeology.

To create a conceptual bridge between disparate dialogues, Beaudoin examines multigenerational nineteenth-century Mohawk and settler sites in southern Ontario, Canada. He demonstrates that few obvious differences exist and calls for more nuanced interpretive frameworks. Using conventional categories, methodologies, and interpretative processes from Indigenous and settler archaeologies, Beaudoin encourages archaeologists and scholars to focus on the different or similar aspects among sites to better understand the nineteenth-century life of contemporaneous Indigenous and settler peoples.

Beaudoin posits that the archaeological record represents people’s navigation through the social and political constraints of their time. Their actions, he maintains, were undertaken within the understood present, the remembered past, and perceived future possibilities. Deconstructing existing paradigms in colonial and postcolonial theories, Matthew A. Beaudoin establishes a new, dynamic discourse on identity formation and politics within the power relations created by colonization that will be useful to archaeologists in the academy as well as in cultural resource management.

In Challenging Social Inequality, an international and interdisciplinary group of scholars and development workers explores the causes, consequences, and contemporary reactions to Brazil's sharply unequal agrarian structure. They focus on the Landless Rural Workers Movement (MST)—Latin America's largest and most prominent social movement—and its ongoing efforts to confront historic patterns of inequality in the Brazilian countryside. Several essays provide essential historical background for understanding the MST. They examine Brazil's agrarian structure, state policies, and the formation of rural civil-society organizations. Other essays build on a frequently made distinction between the struggle for land and the struggle on the land. The first refers to the mobilization undertaken by landless peasants to demand government land redistribution. The struggle on the land takes place after the establishment of an official agricultural settlement. The main efforts during this phase are geared toward developing productive and meaningful rural communities. The last essays in the collection are wide-ranging analyses of the MST, which delve into the movement's relations with recent governments and its impact on other Brazilian social movements. In the conclusion, Miguel Carter appraises the future of agrarian reform in Brazil.

Contributors. José Batista Gonçalves Afonso, Sonia Maria P..P. Bergamasco, Sue Branford, Elena Calvo-González, Miguel Carter, Horacio Martins de Carvalho, Guilherme Costa Delgado, Bernardo Mançano Fernandes, Leonilde Sérvolo de Medeiros, George Mészáros, Luiz Antonio Norder, Gabriel Ondetti, Ivo Poletto, Marcelo Carvalho Rosa, Lygia Maria Sigaud, Emmanuel Wambergue, Wendy Wolford

Challenging U.S. Apartheid is an innovative, richly detailed history of Black struggles for human dignity, equality, and opportunity in Atlanta from the early 1960s through the end of the initial term of Maynard Jackson, the city’s first Black mayor, in 1977. Winston A. Grady-Willis provides a seamless narrative stretching from the student nonviolent direct action movement and the first experiments in urban field organizing through efforts to define and realize the meaning of Black Power to the reemergence of Black women-centered activism. The work of African Americans in Atlanta, Grady-Willis argues, was crucial to the broader development of late-twentieth-century Black freedom struggles.

Grady-Willis describes Black activism within a framework of human rights rather than in terms of civil rights. As he demonstrates, civil rights were only one part of a larger struggle for self-determination, a fight to dismantle a system of inequalities that he conceptualizes as “apartheid structures.” Drawing on archival research and interviews with activists of the 1960s and 1970s, he illuminates a wide range of activities, organizations, and achievements, including the neighborhood-based efforts of Atlanta’s Black working poor, clandestine associations such as the African American women’s group Sojourner South, and the establishment of autonomous Black intellectual institutions such as the Institute of the Black World. Grady-Willis’s chronicle of the politics within the Black freedom movement in Atlanta brings to light overlapping ideologies, gender and class tensions, and conflicts over divergent policies, strategies, and tactics. It also highlights the work of grassroots activists, who take center stage alongside well-known figures in Challenging U.S. Apartheid. Women, who played central roles in the human rights struggle in Atlanta, are at the foreground of this history.

The Cham people once inhabited and ruled over a large stretch of what is now the central Vietnamese coast. The Indianized civilization of this Austronesian-speaking group flourished between roughly the third and fifteenth centuries, and they competed with the Vietnamese and Khmers for influence in mainland Southeast Asia, but the Cham territories eventually became part of modern Vietnam. Written by specialists in history, archaeology, anthropology, art history, and linguistics, the essays in The Cham of Vietnam contribute to a revisionist overview of Cham history by re-assessing the ways the Cham have been studied by different generations of scholars of what "Champa" has represented over the centuries of its history. Several chapters focus on archaeological work in central Vietnam and position recent discoveries within the broader framework of Cham history, but there are also discussions of Cham economy, society and culture. Through this study of a people that did not become a nation-state, the book provides penetrating insights into the history of Vietnam and on the broader dynamic of Southeast Asian history.

Sébastien Roch Nicolas Chamfort (1740-1794), whom Nietzsche called the "wittiest of all moralists," is now known for little more than brillian aphorisms that captivated a long line of thinkers, from Stendhal to Cioran, Schopenhauer to Camus. Yet the fascination of Chamfort's life is barely suggested by the fragments of writing that have survived him. In Claude Arnaud's captivating biography, Chamfort the libertine, playwright, journalist, and revolutionary stands revealed as the most telling emblem of his times.

The kings of ancient Champa, a civilization located in the central region of today's Vietnam, started building sacred temples in a circular valley more than 1500 years ago. The monuments, now known by the Vietnamese name M? So'n, were discovered by nineteenth-century colonial soldiers and first studied by the French architect Henri Parmentier. Bombed during the Vietnam War, the ruins of the brick towers, decorated with exquisite carvings and sculptures, were designated as a UNESCO World Cultural Heritage site in 1999. An Italian team has worked at the site for the last ten years, doing archaeological research and restoration work in cooperation with Vietnamese specialists. This book is the first published volume based on their efforts. The opening section consists of historical, anthropological and architectural studies of the civilization of Champa. The remainder of the book presents an unusually intimate and extensively illustrated portrait of the archaeologists' research and restoration work at M? So'n. While this book is important for specialists and students of the history and archaeology of Champa and Southeast Asia, it also tells a fascinating story that will appeal to general readers and visitors to this exceptional archaeological site.

In this rich, imaginative survey of variety musical theater, Gillian M. Rodger masterfully chronicles the social history and class dynamics of the robust, nineteenth-century American theatrical phenomenon that gave way to twentieth-century entertainment forms such as vaudeville and comedy on radio and television. Fresh, bawdy, and unabashedly aimed at the working class, variety honed in on its audience's fascinations, emerging in the 1840s as a vehicle to accentuate class divisions and stoke curiosity about gender and sexuality. Cross-dressing acts were a regular feature of these entertainments, and Rodger profiles key male impersonators Annie Hindle and Ella Wesner while examining how both gender and sexuality gave shape to variety. By the last two decades of the nineteenth century, variety theater developed into a platform for ideas about race and whiteness.

As some in the working class moved up into the middling classes, they took their affinity for variety with them, transforming and broadening middle-class values. Champagne Charlie and Pretty Jemima places the saloon keepers, managers, male impersonators, minstrels, acrobats, singers, and dancers of the variety era within economic and social contexts by examining the business models of variety shows and their primarily white, working-class urban audiences. Rodger traces the transformation of variety from sexualized entertainment to more family-friendly fare, a domestication that mirrored efforts to regulate the industry, as well as the adoption of aspects of middle-class culture and values by the shows' performers, managers, and consumers.

Conjoined twins Chang and Eng Bunker have fascinated the world since the nineteenth century. In her captivating book, Chang and Eng Reconnected, Cynthia Wu traces the “Original Siamese Twins” through the terrain of American culture, showing how their inseparability underscored tensions between individuality and collectivity in the American popular imagination. 

Using letters, medical documents and exhibits, literature, art, film, and family lore, Wu provides a trans-historical analysis that presents the Bunkers as both a material presence and as metaphor. She also shows how the twins figure in representations of race, disability, and science in fictional narratives about nation building.

As astute entrepreneurs, the twins managed their own lives; nonetheless, as Chang and Eng Reconnected shows, American culture has always viewed them through the multiple lenses of difference.

". . . extraordinarily far-reaching. . . . highly accessible."
—Notes

"No one has written this way about music in a long, long time. Lucid, insightful, with real spiritual, political, intellectual, and emotional grasp of the whole picture. A book about why music matters, and how, and to whom."
—Dave Marsh, author of Louie, Louie and Born to Run: The Bruce Springsteen Story

"This book is urgently needed: a comprehensive look at the various forms of black popular music, both as music and as seen in a larger social context. No one can do this better than Craig Werner."
—Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard University

"[Werner has] mastered the extremely difficult art of writing about music as both an aesthetic and social force that conveys, implies, symbolizes, and represents ideas as well as emotion, but without reducing its complexities and ambiguities to merely didactic categories."
—African American Review

A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On."

Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers.

Craig Werner is Professor of Afro-American Studies at the University of Wisconsin, and author of many books, including Playing the Changes: From Afro-Modernism to the Jazz Impulse and Up Around the Bend: An Oral History of Creedence Clearwater Revival. His most recent book is Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.

Have Americans become more or less tolerant of racial discrimination? More or less supportive of abortion? Is a new tax revolt underway? Did a "new conservative mood" dominate elections and policy discussions in the early 1980s?

Popular and academic discussions about the past and future of American politics often turn on the question of whether and how public opinion has changed. Yet for all the talk about such matters, observes political scientist William G. Mayer, there is surprisingly little hard evidence on many of these questions. The Changing American Mind is designed to fill that gap, by presenting a comprehensive history of American public opinion over the last three decades: how it changed, why it changed, and what difference that makes for American politics.

The Changing American Mind is important reading for all who are interested in American politics and public opinion. Its appendixes, which include the results of more than 250 survey questions that have been asked regularly of national samples over the last three decades, make it an indispensable reference source for everyone who studies or participates in American politics.

New in paperback
Revised and expanded

During the tumultuous 1990s, as Russia struggled to shed the trappings of the Soviet empire, television viewing emerged as an enormous influence on Russian life. The number of viewers who routinely watch the nightly news in Russia matches the number of Americans who tune in to the Super Bowl, thus making TV coverage the prized asset for which political leaders intensely—and sometimes violently—compete. In this revised and expanded edition of Changing Channels, Ellen Mickiewicz provides many fascinating insights, describing the knowing ways in which ordinary Russians watch the news, skeptically analyze information, and develop strategies for dealing with news bias.
Covering the period from the state-controlled television broadcasts at the end of the Soviet Union through the attempted coup against Gorbachev, the war in Chechnya, the presidential election of 1996, and the economic collapse of 1998, Mickiewicz draws on firsthand research, public opinion surveys, and many interviews with key players, including Gorbachev himself. By examining the role that television has played in the struggle to create political pluralism in Russia, she reveals how this struggle is both helped and hindered by the barrage of information, advertisements, and media-created personalities that populate the airwaves. Perhaps most significantly, she shows how television has emerged as the sole emblem of legitimate authority and has provided a rare and much-needed connection from one area of this huge, crisis-laden country to the next.
This new edition of Changing Channels will be valued by those interested in Russian studies, politics, media and communications, and cultural studies, as well as general readers who desire an up-to-date view of crucial developments in Russia at the end of the twentieth century.

Northern Michigan is undergoing unprecedented changes in land use, climate, resource extraction, and species distributions. For the last hundred years, the University of Michigan Biological Station has monitored these environmental transformations. Stretching 10,000 acres along Burt and Douglas Lakes in the northern Lower Peninsula and 3,200 acres on Sugar Island near Sault Ste. Marie, Michigan, the station has played host to nearly 10,000 students and a steady stream of top scientists in the fields of biology, ecology, geology, archeology, and climatology.

The Changing Environment of Northern Michigan collects essays by some of these scientists, who lead readers on virtual field trips exploring the history of people and science at the station itself, the relations of indigenous people to the land, the geophysical history of the region, characteristics of terrestrial and aquatic ecosystems, key groups of organisms and their relations to local habitats, and perspectives on critical environmental challenges of today and their effects on the region. Accompanying the chapters are color illustrations and photographs that bring the station's pristine setting to life.

Like the station itself, the book provides a solid background for better appreciating the relationships among living and nonliving parts of northern Michigan, for anyone interested in exploring the region's forests, fields, and wetlands; wading or paddling down its rivers; or swimming or floating across its lakes.

Knute J. Nadelhoffer is Director of the University of Michigan Biological Station and Professor of Ecology and Evolutionary Biology at the University of Michigan.

Alan J. Hogg, Jr., teaches science writing at the University of Michigan as a faculty member of the Sweetland Writing Center. His Ph.D. research explored the effects of ozone and nitrogen oxides on University of Michigan Biological Station forests.

Brian A. Hazlett is Professor Emeritus of Zoology at the University of Michigan.

Originally published in 1983, The Changing Face of Inequality is the first systematic social history of a major American city undergoing industrialization. Zunz examines Detroit's evolution between 1880 and 1920 and discovers the ways in which ethnic and class relations profoundly altered its urban scene. Stunning in scope, this work makes a major contribution to our understanding of twentieth-century cities.

In Changing Hands, Peter J. Capuano sifts through Victorian literature and culture for changes in the way the human body is imagined in the face of urgent questions about creation, labor, gender, class, and racial categorization, using “hands” (the “distinguishing mark of . . . humanity”) as the primary point of reference. Capuano complicates his study by situating the historical argument in the context of questions about the disappearance of hands during the twentieth century into the haze of figurative meaning. Out of this curious aporia, Capuano exposes a powerful, “embodied handedness” as the historical basis for many of the uncritically metaphoric, metonymic, and/or ideogrammatic approaches to the study of the human body in recent critical discourse.

Changing Identities in Early Modern France offers new interpretations of what it meant to be French during a period of profound transition, from the outbreak of the Hundred Years War to the consolidation of the Bourbon monarchy in the seventeenth century. As medieval notions were gradually replaced by new definitions of the state, society, and family, dynastic struggles and religious wars raised questions about loyalty and identity and destabilized the meaning of "Frenchness."
After examining the interplay between competing ideologies and public institutions, from the monarchy to the Parlement of Paris to the aristocratic household, the volume explores the dynamics of deviance and dissent, particularly in regard to women’s roles in religious reform movements and such sensationalized phenomena as the witch hunts and infanticide trials. Concluding essays examine how regional and confessional identities reshaped French identity in response to the discovery of the New World and the spectacular spread of Calvinism.

Contributors. Charmarie Blaisdell, William Bouwsma, Lawrence M. Bryant, Denis Crouzet, Robert Descimon, Barbara B. Diefendorf, Richard M. Golden, Sarah Hanley, Mack P. Holt, Donald R. Kelley, Kristen B. Neuschel, J. H. M. Salmon, Zachary Sayre Schiffman, Silvia Shannon, Alfred Soman, Michael Wolfe

Changing Pacific Forests examines the forest-related economy of the Pacific Basin—including Japan, Malaysia, New Zealand, China, and the Philippines—from a historical perspective.
Drawing on a 1991 conference sponsored by the Forest History Society and the International Union of Forestry Research Organizations held in Honolulu, these papers address a range of topics related to the changing Pacific forests, including the remnants of colonialism, the emergence of the Third World, people and resources caught in the middle of policy decisions, land management, national forests, and subsistence use of the forest by indigenous peoples. Essays also explore macroeconomic theories of international trade and the interests of the United States and the former Soviet Union in the economic health of the region. Changing Pacific Forests will be of interest to scholars of the economy and environment of the Pacific Basin as well as of land management and the history of land use in general.

Contributors. Charles S. Backman, Thomas R. Cox, John Dargavel, Elizabeth Flint, Lim Hin Fui, G. R. Henning, Kenneth E. Jackson, Hiroaki Kakizawa, Nicholas K. Menzies, Andrew Price, John F. Richards, Jr., M. M. Roche, I. Gustin M. Tantra, Conrad Totman, Richard P. Tucker, Thomas R. Waggener

E.H. Carr said: “Before you study the history, study the historian.” Written history often tells us more about the historian’s own times than it does of the times about which he is writing. The historians and the way in which each generation has rewritten history in the light of its own preoccupations is the subject of The Changing Past. This is the first book-length survey in English that covers all the main trends in South African historiography. Starting with the first documents and histories, it goes on to trace the 19th century. British and settler “schools,” Afrikaans historiography from its pre-academic 19th century phase to the present, and the liberal historians who struck out in a new direction from the 1920s. The book highlights the break with the past that historians of the “new radical school” have made in the last 15 years, and surveys the position of historical writing to the present.

The canvas is delineated in bold strokes that sketch in the main outlines rather than seek an exhaustive treatment of all existing literature. This, together with a conscious effort to minimize theoretical discussion, makes it a highly readable text.

E.H. Carr said: “Before you study the history, study the historian.” Written history often tells us more about the historian’s own times than it does of the times about which he is writing. The historians and the way in which each generation has rewritten history in the light of its own preoccupations is the subject of The Changing Past. This is the first book-length survey in English that covers all the main trends in South African historiography. Starting with the first documents and histories, it goes on to trace the 19th century. British and settler “schools,” Afrikaans historiography from its pre-academic 19th century phase to the present, and the liberal historians who struck out in a new direction from the 1920s. The book highlights the break with the past that historians of the “new radical school” have made in the last 15 years, and surveys the position of historical writing to the present.

The canvas is delineated in bold strokes that sketch in the main outlines rather than seek an exhaustive treatment of all existing literature. This, together with a conscious effort to minimize theoretical discussion, makes it a highly readable text.

Fourteen experts examine the current state of Central Valley prehistoric research and provide an important touchstone for future archaeological study of the region

The Mississippi Valley region has long played a critical role in the development of American archaeology and continues to be widely known for the major research of the early 1950s. To bring the archaeological record up to date, fourteen Central Valley experts address diverse topics including the distribution of artifacts across the landscape, internal configurations of large fortified settlements, human-bone chemistry, and ceramic technology.

The authors demonstrate that much is to be learned from the rich and varied archaeological record of the region and that the methods and techniques used to study the record have changed dramatically over the past half century. Operating at the cutting edge of current research strategies, these archaeologists provide a fresh look at old problems in central Mississippi Valley research.

 

Changing Places is a transnational history of the birth, life, and death of a modern borderland and of frontier peoples' changing relationships to nations, states, and territorial belonging. The cross-border region between Germany and Habsburg Austria---and after 1918 between Germany and Czechoslovakia---became an international showcase for modern state building, nationalist agitation, and local pragmatism after World War I, in the 1930s, and again after 1945.

Caitlin Murdock uses wide-ranging archival and published sources from Germany and the Czech Republic to tell a truly transnational story of how state, regional, and local historical actors created, and eventually destroyed, a cross-border region. Changing Places demonstrates the persistence of national fluidity, ambiguity, and ambivalence in Germany long after unification and even under fascism. It shows how the 1938 Nazi annexation of the Czechoslovak "Sudetenland" became imaginable to local actors and political leaders alike. At the same time, it illustrates that the Czech-German nationalist conflict and Hitler's Anschluss are only a small part of the larger, more complex borderland story that continues to shape local identities and international politics today.

Caitlin E. Murdock is Associate Professor of History at California State University, Long Beach.

Jacket Credit: Cover art courtesy of the author

Poverty declined significantly in the decade after Lyndon Johnson's 1964 declaration of "War on Poverty." Dramatically increased federal funding for education and training programs, social security benefits, other income support programs, and a growing economy reduced poverty and raised expectations that income poverty could be eliminated within a generation. Yet the official poverty rate has never fallen below its 1973 level and remains higher than the rates in many other advanced economies. In this book, editors Maria Cancian and Sheldon Danziger and leading poverty researchers assess why the War on Poverty was not won and analyze the most promising strategies to reduce poverty in the twenty-first century economy. Changing Poverty, Changing Policies documents how economic, social, demographic, and public policy changes since the early 1970s have altered who is poor and where antipoverty initiatives have kept pace or fallen behind. Part I shows that little progress has been made in reducing poverty, except among the elderly, in the last three decades. The chapters examine how changing labor market opportunities for less-educated workers have increased their risk of poverty (Rebecca Blank), and how family structure changes (Maria Cancian and Deborah Reed) and immigration have affected poverty (Steven Raphael and Eugene Smolensky). Part II assesses the ways childhood poverty influences adult outcomes. Markus Jäntti finds that poor American children are more likely to be poor adults than are children in many other industrialized countries. Part III focuses on current antipoverty policies and possible alternatives. Jane Waldfogel demonstrates that policies in other countries—such as sick leave, subsidized child care, and schedule flexibility—help low-wage parents better balance work and family responsibilities. Part IV considers how rethinking and redefining poverty might take antipoverty policies in new directions. Mary Jo Bane assesses the politics of poverty since the 1996 welfare reform act. Robert Haveman argues that income-based poverty measures should be expanded, as they have been in Europe, to include social exclusion and multiple dimensions of material hardships. Changing Poverty, Changing Policies shows that thoughtful policy reforms can reduce poverty and promote opportunities for poor workers and their families. The authors' focus on pragmatic measures that have real possibilities of being implemented in the United States not only provides vital knowledge about what works but real hope for change.

Nearly one hundred years ago America's foremost philosopher of education, John Dewey, set in motion the progressive education movement—an effort to enhance both child and community by establishing schools that would focus on the needs and interests of children, thereby turning out more productive citizens. To what degree did these ideas actually change the day-to-day lives of school children? What can the progressive education movement teach us about the conditions that facilitate and impede the implementation of new ideas about schools?

Through a focus on actual classroom practices in several school systems in the Chicago area, Zilversmit examines the impact of Dewey's ideas at a national and local level. He looks at the course of progressivism from the 1930s, when its influence was at its height but reform was difficult because of the Depression, through the post-World War II period when the baby boom led to rapid school expansion. The new affluence made reform possible, but the Cold War put progressivism on the defensive.

Zilversmit's goal is to illuminate the role of the ideas of the progressives in determining school practices so we can develop a better understanding of the relationship between education ideas and educational practices. This understanding, argues Zilversmit, will better enable us to determine new directions for educational reform, and to determine how reforms can be successfully implemented.

Changing Sex takes a bold new approach to the study of transsexualism in the twentieth century. By addressing the significance of medical technology to the phenomenon of transsexualism, Bernice L. Hausman transforms current conceptions of transsexuality as a disorder of gender identity by showing how developments in medical knowledge and technology make possible the emergence of new subjectivities.
Hausman’s inquiry into the development of endocrinology and plastic surgery shows how advances in medical knowledge were central to the establishment of the material and discursive conditions necessary to produce the demand for sex change—that is, to both "make" and "think" the transsexual. She also retraces the hidden history of the concept of gender, demonstrating that the semantic distinction between "natural" sex and "social" gender has its roots in the development of medical treatment practices for intersexuality—the condition of having physical characteristics of both sexes— in the 1950s. Her research reveals the medical institution’s desire to make heterosexual subjects out of intersexuals and indicates how gender operates semiotically to maintain heterosexuality as the norm of the human body. In critically examining medical discourses, popularizations of medical theories, and transsexual autobiographies, Hausman details the elaboration of "gender narratives" that not only support the emergence of transsexualism, but also regulate the lives of all contemporary Western subjects. Changing Sex will change the ways we think about the relation between sex and gender, the body and sexual identity, and medical technology and the idea of the human.

The growth of Las Vegas that began in the 1940s brought an influx of both women and men looking to work in the expanding hotel and casino industries. In fact, for the next fifty years the proportion of women in the labor force was greater in Las Vegas than the United States as a whole. Joanne L. Goodwin’s study captures the shifting boundaries of women’s employment in the postwar decades with narratives drawn from the Las Vegas Women Oral History Project. It counters clichéd pictures of women at work in the famed resort city as it explores women’s real strategies for economic survival and success.

Their experiences anticipated major trends in post-World War II labor history: the national migration of workers during and after the war, the growing proportion of women in the labor force, balancing work with family life, the unionization of service workers, and, above all, the desegregation of the labor force by sex and race. These narratives show women in Las Vegas resisting preassigned roles, seeing their work as a testimony of skill, a measure of independence, and a fulfillment of needs. Overall, these stories of women who lived and worked in Las Vegas in the last half of the twentieth century reveal much about the broader transitions for women in America between 1940 and 1990.

Yoweri Museveni battled to power in 1986. His government has impressed many observers as Uganda’s most innovative since it gained independence from Britain in 1962. The Economist recommended it as a model for other African states struggling to develop their resources in the best interests of their peoples.

But where was change to start? At the bottom in building resistance committees, or at the top in tough negotiations with the IMF? How was it to continue? Was it in the restructuring of the national army, in increasing respect for human rights, in the reform of education, in tackling AIDS, or in getting Ugandans to speak a common language? Was it in building more viable survival strategies for the poorest Ugandans or in restructuring the national constitution? The last five years have shown a radical approach to Uganda’s dilemmas.

Holger Bernt Hansen and Michael Twaddle previously edited Uganda Now. It was brought together at a significant moment just as President Museveni was gaining power in 1985-6. It was so much in demand that it even entered the magendo market on the streets of Kampala. The book, which is still in print, was described by The Canadian Journal of African Studies as ‘virtually a mini-encyclopedia of Uganda’ and by The African Studies Review as ‘the best overview of Uganda’s trauma in the last two decades.’

The editors have assembled another team of Ugandan and international scholars to review the dilemmas of introducing revolutionary changes in an African country deeply affected by structural adjustment plans which have been imposed from outside.

The work of Douglas Harper has for two decades documented worlds in eclipse. A glimpse into the life of dairy farmers in upstate New York on the cusp of technological change, Changing Works is no exception. With photographs and interviews with farmers, Harper brings into view a social world altered by machines and stuns us with gorgeous visions of rural times past. As a member of this community, Harper relates compelling stories about families and their dairies that reveal how the advent of industrialized labor changed the way farmers structure their work and organize their lives. His new book charts the transformation of American farming from small dairies based on animal power and cooperative work to industrialized agriculture.

Changing Works combines Harper's pictures with classic images by photographers such as Gordon Parks, Sol Libsohn, and Charlotte Brooks-men and women whose work during the 1940s documented the mechanization and automation of agricultural practices. Part social history and part analysis of the drive to mass production, Changing Works examines how we farmed a half century ago versus how we do today through pictures new and old and through discussions with elderly farmers who witnessed the makeover. Ultimately, Harper challenges timely ecological and social questions about contemporary agriculture. He shows us how the dissolution of cooperative dairy farming has diminished the safety of the practice, degraded the way we relate to our natural environment, and splintered the once tight-knit communities of rural farmers. Mindful, then, of the advantages of preindustrial agriculture, and heeding the alarming spread of mad cow and foot-and-mouth disease, Changing Works harks back to the benefits of an older system.

U.S. suburbs are typically imagined to be predominantly white communities, but this is increasingly untrue in many parts of the country. Examining a multiracial suburb that is decidedly nonwhite, Wendy Cheng unpacks questions of how identity—especially racial identity—is shaped by place. She offers an in-depth portrait, enriched by nearly seventy interviews, of the San Gabriel Valley, not far from downtown Los Angeles, where approximately 60 percent of residents are Asian American and more than 30 percent are Latino. At first glance, the cities of the San Gabriel Valley look like stereotypical suburbs, but almost no one who lives there is white.

The Changs Next Door to the Díazes reveals how a distinct culture is being fashioned in, and simultaneously reshaping, an environment of strip malls, multifamily housing, and faux Mediterranean tract homes. Informed by her interviews as well as extensive analysis of three episodic case studies, Cheng argues that people’s daily experiences—in neighborhoods, schools, civic organizations, and public space—deeply influence their racial consciousness. In the San Gabriel Valley, racial ideologies are being reformulated by these encounters. Cheng views everyday landscapes as crucial terrains through which racial hierarchies are learned, instantiated, and transformed. She terms the process “regional racial formation,” through which locally accepted racial orders and hierarchies complicate and often challenge prevailing notions of race.

There is a place-specific state of mind here, Cheng finds. Understanding the processes of racial formation in the San Gabriel Valley in the contemporary moment is important in itself but also has larger value as a model for considering the spatial dimensions of racial formation and the significant demographic shifts taking place across the national landscape.

After the turmoil of the Great Depression and World War II, Americans looked to the nation’s more distant past for lessons to inform its uncertain future. By applying recent and emerging techniques in mass communication—including radio and television programs and commercial book clubs—American elites working in media, commerce, and government used history to confer authority on their respective messages.
    With insight and wit, Erik Christiansen uncovers in Channeling the Past the ways that powerful corporations rewrote history to strengthen the postwar corporate state, while progressives, communists, and other leftists vied to make their own versions of the past more popular. Christiansen looks closely at several notable initiatives—CBS’s flashback You Are There program; the Smithsonian Museum of American History, constructed in the late 1950s; the Cavalcade of America program sponsored by the Du Pont Company; the History Book Club; and the Freedom Train, a museum on rails that traveled the country from 1947 to 1949 exhibiting historic documents and flags, including original copies of the U.S. Constitution and the Magna Carta.
    It is often said that history is written by the victors, but Christiansen offers a more nuanced perspective: history is constantly remade to suit the objectives of those with the resources to do it. He provides dramatic evidence of sophisticated calculations that influenced both public opinion and historical memory, and shows that Americans’ relationships with the past changed as a result.

Venezuela's most prominent community television station, Catia TVe, was launched in 2000 by activists from the barrios of Caracas. Run on the principle that state resources should serve as a weapon of the poor to advance revolutionary social change, the station covered everything from Hugo Chávez’s speeches to barrio residents' complaints about bureaucratic mismanagement. In Channeling the State, Naomi Schiller explores how and why Catia TVe's founders embraced alliances with Venezuelan state officials and institutions. Drawing on long-term ethnographic research among the station's participants, Schiller shows how community television production created unique openings for Caracas's urban poor to embrace the state as a collective process with transformative potential. Rather than an unchangeable entity built for the exercise of elite power, the state emerges in Schiller's analysis as an uneven, variable process and a contentious terrain where institutions are continuously made and remade. In Venezuela under Chávez, media activists from poor communities did not assert their autonomy from the state but rather forged ties with the middle class to question whose state they were constructing and who it represented.

The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be?

Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.

Poor Edward the Fifth was young killed in his bed
By his uncle, Richard, who was knocked on the head
By Henry the Seventh, who in fame grew big
And Henry the Eighth, who was fat as a pig!

By the time "Mr. Collins" had written this verse, George III, the King of England, had been noticeably missing for seven years—having spent much of the time in his final period of illness at Windsor Castle—and the country had forever lost its American colonies. For many English citizens this dismal period was considered to be the beginning of the end for the British monarchy. The Chapter of Kings, offered here in a facsimile edition, provides a good deal of illustration to that effect.

For the first time since 1818, these charming verses, which were written for children but remain a biting satire ofthe British monarchy, are available for our edification and amusement, each accompanied by hand-drawn "portraits" of England's kings, from Caesar through George, the prince and future king.

Written and illustrated with a keen sense of irony, The Chapter of Kings is a fascinating peek, both for children and parents, into nineteenth-century attitudes toward the royals.

Charcoal and Blood is a detailed account of a heinous crime perpetrated on Italian immigrants engaged in the production of charcoal on Nevada’s mining frontier at the close of the nineteenth century. On August 18, 1879, in a canyon near Fish Creek, outside Eureka, Nevada, five Italian charcoal burners were slain and six more were wounded, while fourteen were taken prisoner by a sheriff’s posse.

Through meticulous research on the event, relying on such primary sources as newspaper articles, author Silvio Manno provides the only comprehensive account of Eureka’s charcoal crisis and what came to be known as the Fish Creek Massacre. This is a well-documented narrative history of an important instance of class and ethnic conflict in the West. Readers interested in Nevada history, Italian American history, frontier trade unionism, and mining in the West will find this book a unique examination of an incident that occurred almost a century and a half ago and that has, until now, been largely overlooked.

Charisma and Factionalism in the Nazi Party was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Few aspects of the history of the German Nazi party have had as little scholarly attention as has the nature or pattern of the intraparty factionalism. References to conflicts within the party may be found in most accounts dealing with the Nazi movement, but this book presents the first systematic study of those conflicts and their significance to an understanding of Nazism.

Professor Nyomarkay bases his study on extensive research in which he had access to original source materials, including diaries and memoirs of party leaders and documents from Nazi trials and party archives. His study is concerned with the issues, attitudes, motivations, and actions of the various factions. His conclusions suggest new interpretations of such turning points in the history of Nazism as the Hanover and Bamberg conferences of 1925 and 1926, respectively, the Strasser crisis of 1930, and the stormtrooper purge of 1934.

The author examines the role of Hitler's charisma in the party and shows that this trait elevated Hitler above factional strife, making him the object rather than the subject of rivalries. The discussion of charisma points up the difference between the Nazi factionalism and that which has occurred in other totalitarian movements, such as communism, where authority rests on ideology rather than on charisma.

Through his study Professor Nyomarkay offers a new theory of the relationship between factional conflict and legitimacy of power, presenting a hypothesis of possible typologies of factional behavior based on the nature and degree of group cohesion.

The book is important for students of political science and history and particularly for those interested in totalitarian movements and comparative political parties.

Social and political change is impossible in the absence of gifted male charismatic leadership—this is the fiction that shaped African American culture throughout the twentieth century. If we understand this, Erica R. Edwards tells us, we will better appreciate the dramatic variations within both the modern black freedom struggle and the black literary tradition.

By considering leaders such as Marcus Garvey, Martin Luther King Jr., Malcolm X, and Barack Obama as both historical personages and narrative inventions of contemporary American culture, Edwards brings to the study of black politics the tools of intertextual narrative analysis as well as deconstruction and close reading. Examining a number of literary restagings of black leadership in African American fiction by W. E. B. Du Bois, George Schuyler, Zora Neale Hurston, William Melvin Kelley, Paul Beatty, and Toni Morrison, Edwards demonstrates how African American literature has contested charisma as a structuring fiction of modern black politics.

Though recent scholarship has challenged top-down accounts of historical change, the presumption that history is made by gifted men continues to hold sway in American letters and life. This may be, Edwards shows us, because while charisma is a transformative historical phenomenon, it carries an even stronger seductive narrative power that obscures the people and methods that have created social and political shifts.

Alongside the architectural splendor and intellectual brilliance of early Renaissance Florence there existed a second world of poverty, misery, social despair, and child abandonment. The Ospedale degli Innocenti (Hospital of the Innocents), designed and built between 1419 and 1445 by the renowned architect Filippo Brunelleschi, united these disparate worlds. Christian charity and compassion, as well as the humanist commitment to social perfection, family values, and love for children, were intertwined with a civic pride in which charity curried God's favor and invoked God's blessings on the city's fortunes.

Based on a close and attentive reading of archival material from the hospital and from the Florentine State Archives, Charity and Children in Renaissance Florence both chronicles the concerns and ambivalence of parents who abandoned children and follows the lives of the hospital's inhabitants from childhood to death. The book also demonstrates how hospital officials deliberately duplicated the structure and values of the Florentine family within the hospital walls. Gavitt's research shows that early modern foundling hospitals were not charnel houses where parents knowingly and impersonally abandoned their unwanted children to certain death. Charity and Children in Renaissance Florence provokes reflection on the contrast between our own views on the care of homeless children and those of the Italian Renaissance.

Winner of the Society for Italian Historical Studies 1988 Award for Best Unpublished Manuscript.

Charity and Condescension explores how condescension, a traditional English virtue, went sour in the nineteenth century, and considers how the failure of condescension influenced Victorian efforts to reform philanthropy and to construct new narrative models of social conciliation. In the literary work of authors like Dickens, Eliot, and Tennyson, and in the writing of reformers like Octavia Hill and Samuel Barnett, condescension—once a sign of the power and value of charity—became an emblem of charity’s limitations.

This book argues that, despite Victorian charity’s reputation for idealistic self-assurance, it frequently doubted its own operations and was driven by creative self-critique. Through sophisticated and original close readings of important Victorian texts, Daniel Siegel shows how these important ideas developed even as England struggled to deal with its growing underclass and an expanding notion of the state’s responsibility to its poor.

Sir Charles Bell (1774–1842) was a medical reformer in a great age of reform—an occasional and reluctant vivisectionist, a theistic popularizer of natural science, a Fellow of the Royal Society, a surgeon, an artist, and a teacher. He was among the last of a generation of medical men who strove to fashion a particularly British science of medicine; who formed their careers, their research, and their publications through the private classrooms of nineteenth-century London; and whose politics were shaped by the exigencies of developing a living through patronage in a time when careers in medical science simply did not exist. A decade after Bell’s death, that world was gone, replaced by professionalism, standardized education, and regular career paths.
           
In Charles Bell and the Anatomy of Reform, Carin Berkowitz takes readers into Bell’s world, helping us understand the life of medicine before the modern separation of classroom, laboratory, and clinic. Through Bell’s story, we witness the age when modern medical science, with its practical universities, set curricula, and medical professionals, was born.

Introduced at the 1876 Centennial Exposition and powered by an historic advertising campaign, Hires Root Beer—launched 10 years before Coca-Cola—blazed the trail for development of the American soft drink industry. Its inventor, Charles Elmer Hires, has been described as “a tycoon with the soul of a chemist.” In addition to creating root beer, Hires, a devoted family man and a pillar of the Quaker community, became a leading importer of botanical commodities, an authority on the vanilla bean. Starting from scratch, he also built one of the world’s largest condensed milk companies.

Charles E. Hires and the Drink that Wowed a Nation chronicles the humble origin and meteoric business success of this extraordinary entrepreneur. Author Bill Double uses published interviews, correspondence, newspaper reports, magazine articles, financial data, and a small family archive to tell this story of native ingenuity. Here, the rough-hewn capitalism of the gilded age, the evolution of the neighborhood drugstore, the rise of advertising in creating mass markets, and the emerging temperance movement all come together in a biography that, well, fizzes with entrepreneurial spirit.

On September 25, 1890, the Mormon prophet Wilford Woodruff publicly instructed his followers to abandon polygamy. In doing so, he initiated a process that would fundamentally alter the Latter-day Saints and their faith. Trading the most integral elements of their belief system for national acceptance, the Mormons recreated themselves as model Americans.

Mary Campbell tells the story of this remarkable religious transformation in Charles Ellis Johnson and the Erotic Mormon Image. One of the church’s favorite photographers, Johnson (1857–1926) spent the 1890s and early 1900s taking pictures of Mormonism’s most revered figures and sacred sites. At the same time, he did a brisk business in mail-order erotica, creating and selling stereoviews that he referred to as his “spicy pictures of girls.” Situating these images within the religious, artistic, and legal culture of turn-of-the-century America, Campbell reveals the unexpected ways in which they worked to bring the Saints into the nation’s mainstream after the scandal of polygamy.

Engaging, interdisciplinary, and deeply researched, Charles Ellis Johnson and the Erotic Mormon Image demonstrates the profound role pictures played in the creation of both the modern Church of Jesus Christ of Latter-day Saints and the modern American nation.

Charles Gates Dawes: A Life is the first comprehensive biography of an American in whose fascinating story contemporary readers can follow the struggles and triumphs of early twentieth-century America and Europe.

Dawes is most known today as vice president of the United States under Calvin Coolidge, but he also distinguished himself and his hometown of Evanston, Illinois, on the world stage with the 1925 Nobel Peace Prize. This engrossing biography traces how, when the punitive armistice that ended the First World War resulted in a disabled, restive Germany, Dawes’s diplomatic legerdemain averted war through a renegotiation of Germany’s debt repayments.

Dawes’s diplomatic and political achievements, however, were only the illustrious capstones to a multifaceted career that included military service, law, finance, and business on the local, state, national, and global stages. In every arena of his life, he combined the social graces of the Gilded Age with the spirit of service of the Progressive Era.

Despite his life of disciplined service, Dawes was an ebullient and irrepressible figure. Dawes’s salty language was often colorful fodder for tabloid and magazine writers of his era. In this captivating biography, Annette B. Dunlap recounts the story of an original American who enlightened and enlivened his world.

This book was published in cooperation with the Evanston History Center and with generous support from the Tawani Foundation.
 

Charles K. McClatchy was twenty-five when he inherited The Sacramento Bee from his father, and his ensuing career as the paper’s editor extended well beyond the newsroom. Until his death in 1936, McClatchy was a consistent advocate for Progressive politics, a crusader for urban reform, a staunch isolationist, and a voice for Northern California. This biography explores his career as the long-time editor of the Bee in a work that weaves the history of Northern California with that of American newspapers.

Received an Honorable Mention for the American Revolution Round Table of Richmond's 2014 Book Award

Dominick Mazzagetti presents an engaging account of the life of Charles Lee, the forgotten man of the American Revolution. History has not been kind to Lee—for good reason. In this compelling biography, Mazzagetti compares Lee’s life and attributes to those of George Washington and offers significant observations omitted from previous Lee biographies, including extensive correspondence with British officers in 1777 that reflects Lee’s abandonment of the Patriots’ cause.

Lee, a British officer, a veteran of the French and Indian War, and a critic of King George III, arrived in New York City in 1773 with an ego that knew no bounds and tolerated no rivals.  A highly visible and newsworthy personality, he quickly took up the American cause and encouraged rebellion. As a result of this advocacy and his military skills, Lee was granted a commission as a major general in the Continental Army and soon became second-in-command to George Washington. He helped organize the defense of Boston, designed defenses for New York City, and commanded the force that repelled the British attack on Charleston.

Upon his return to New York in 1776, Lee was considered by some leaders of the Revolution to be an alternative to George Washington, who was in full retreat from British forces. Lee’s capture by the British in December 1776 put an end to that possibility. Lee’s subsequent release in a prisoner exchange in 1778 and return to an American command led to a dramatic confrontation with Washington on the battlefield at Monmouth, New Jersey, in June 1778. Washington chastised Lee publicly for ordering an unnecessary retreat. Lee suffered the ignominy of a court-martial conviction for this blunder and spent the remaining years to his death in 1782 attacking Washington. Although few doubted Lee’s loyalty at the time, his actions at Monmouth fueled speculation that he switched sides during his imprisonment.

A discovery years after his death completed Lee’s tale. In 1862, a researcher discovered “Mr. Lee’s Plan,” a detailed strategy for the defeat of the American rebels delivered to British General William Howe while Lee was held in captivity. This discovery sealed Lee’s historical record and ended all further discussion of his contributions to the American Revolution. Today, few people even realize that Fort Lee, on the New Jersey side of the George Washington Bridge, was named in his honor.

Playwright, actor and director Charles Ludlam (1943–1987) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s.  Decades after his death, his place in the chronicle of American theater has remained constant, but his influence has changed.  Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain a groundbreaking genre, maintaining its relevance and potency by metamorphosing along with changes in the LGBTQ community.  
Author Sean F. Edgecomb focuses on the neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mac to trace the connections between Ludlam’s legacy and their performances, using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp. Charles Ludlam Lives! demonstrates that the queer legacy of Ludlam is one of distinct transformation—one where artists can reject faithful interpretations in order to move in new interpretive directions.

 

Playwright, actor and director Charles Ludlam (1943–1987) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s.  Decades after his death, his place in the chronicle of American theater has remained constant, but his influence has changed.  Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain a groundbreaking genre, maintaining its relevance and potency by metamorphosing along with changes in the LGBTQ community.  
Author Sean F. Edgecomb focuses on the neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mac to trace the connections between Ludlam’s legacy and their performances, using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp. Charles Ludlam Lives! demonstrates that the queer legacy of Ludlam is one of distinct transformation—one where artists can reject faithful interpretations in order to move in new interpretive directions.

 

Riley propelled entomology from a collector’s parlor hobby of the nineteenth century to the serious study of insects in the Modern Age
 
This definitive biography is the first full account of a fascinating American scientist whose leadership created the modern science of entomology that recognizes both the essential role of insects in natural systems and their challenge to the agricultural food supply that sustains humankind. Charles Valentine Riley: Founder of Modern Entomology tells the story of how Riley (1843–1895), a young British immigrant to America—with classical schooling, only a smattering of natural history knowledge, and with talent in art and writing but no formal training in science—came to play a key role in the reorientation of entomology from the collection and arrangement of specimens to a scientific approach to insect evolution, diversity, ecology, and applied management of insect pests.
 
Drawing on Riley’s personal diaries, family records, correspondence, and publications, the authors trace Riley’s career as farm laborer, Chicago journalist, Missouri State Entomologist, chief federal entomologist, founder of the National Insect Collection, and initiator of the professional organization that became the Entomological Society of America. Also examined in detail are his spectacular campaigns against the Rocky Mountain Locust that stalled western migration in the 1870s, the Grape Phylloxera that threatened French vineyards in the 1870s and 80s, the Cotton Worm that devastated southern cotton fields after the Civil War, and the Cottony Cushion Scale that threatened the California citrus industry in the 1880s. The latter was defeated through importation of the Vedalia Beetle from Australia, the spectacular first example of biological control of an invasive insect pest by its introduced natural enemy.

A striking figure in appearance and deed, Riley combined scientific, literary, artistic, and managerial skills that enabled him to influence every aspect of entomology. A correspondent of Darwin and one of his most vocal American advocates, he discovered the famous example of mimicry of the Monarch butterfly by the Viceroy, and described the intricate coevolution of yucca moths and yuccas, a complex system that fascinates evolutionary scientists to this day. Whether applying evolutionary theory to pest control, promoting an American silk industry, developing improved spray technologies, or promoting applied entomology in state and federal government and to the public, Riley was the central figure in the formative years of the entomology profession. In addition to showcasing his own renderings of the insects he investigated, this comprehensive account provides fresh insight into the personal and public life of an ingenious, colorful, and controversial scientist, who aimed to discover, understand, and outsmart the insects.

The first public orphanage in America, the Charleston Orphan House saw to the welfare and education of thousands of children from poor white families in the urban South. From wealthy benefactors to the families who sought its assistance to the artisans and merchants who relied on its charges as apprentices, the Orphan House was a critical component of the city’s social fabric. By bringing together white citizens from all levels of society, it also played a powerful political role in maintaining the prevailing social order.

 

John E. Murray tells the story of the Charleston Orphan House for the first time through the words of those who lived there or had family members who did. Through their letters and petitions, the book follows the families from the events and decisions that led them to the Charleston Orphan House through the children’s time spent there to, in a few cases, their later adult lives. What these accounts reveal are families struggling to maintain ties after catastrophic loss and to preserve bonds with children who no longer lived under their roofs.

 

An intimate glimpse into the lives of the white poor in early American history, The Charleston Orphan House is moreover an illuminating look at social welfare provision in the antebellum South.

In 1943, Charlotte Delbo and 229 other women were deported to a station with no name, which they later learned was Auschwitz. Arrested for resisting the Nazi occupation of Paris, Delbo was sent to the camps, enduring both Auschwitz and Ravensbrück for twenty-seven months. There, she, her fellow deportees, and millions of others were subjected to slave labor and nearly succumbed to typhus, dysentery, and hunger. She sustained herself by reciting Molière and resolved to someday write a book about herself and her fellow deportees, a stunning work called None of Us Will Return. After the camps, Delbo devoted her life to the art of writing and the duty of witnessing, fiercely advocating for the power of the arts to testify against despotism and tyranny.

Ghislaine Dunant's unforgettable biography of Delbo, La vie retrouvée (2016), captivated French readers and was awarded the Prix Femina. Now translated into English for the first time, Charlotte Delbo: A Life Reclaimed depicts Delbo's lifelong battles as a working-class woman, as a survivor, as a leftist who broke from the Communist Party, and most of all, as a writer whose words compelled others to see.

A compelling critical investigation into Gilman’s conception of setting and place

Charlotte Perkins Gilman and a Woman’s Place in America is a pioneering collection that probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman’s place on its ear, this finely crafted essay collection studies Gilman’s writings and the manner in which they push back against societal norms and reject male-dominated confines of space.

The contributors present fascinating and innovative readings of some of Gilman’s most significant works. By examining the settings in “The Yellow Wallpaper” and Herland, for example, the volume analyzes Gilman’s construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home.
 
Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman’s narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman’s work that focus on the author’s own renouncement of her “natural” role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization.
 
Engaging, well-researched, and deftly written, the essays in this collection will appeal to scholars of Gilman, literature, and gender issues alike.

Considers Gilman’s place in American literary and social history by examining her relationships to other prominent intellectuals of her era

By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman believed and preached that no life is ever led in isolation; indeed, the cornerstone of her philosophy was the idea that “humanity is a relation.”
 
Gilman's highly public and combative stances as a critic and social activist brought her into contact and conflict with many of the major thinkers and writers of the period, including Mary Austin, Margaret Sanger, Ambrose Bierce, Grace Ellery Channing, Lester Ward, Inez Haynes Gillmore, William Randolph Hearst, Karen Horney, William Dean Howells, Catharine Beecher, George Bernard Shaw, and Owen Wister. Gilman wrote on subjects as wide ranging as birth control, eugenics, race, women's rights and suffrage, psychology, Marxism, and literary aesthetics. Her many contributions to social, intellectual, and literary life at the turn of the 20th century raised the bar for future discourse, but at great personal and professional cost.
 

During her lifetime, Charlotte Perkins Gilman (1860–1935) was a popular writer, public speaker, and social reformer whose literary interests ranged from short stories, novels, and nonfiction philosophical studies to poetry, newspaper columns, plays, and many other genres. Though she fell into obscurity after her death, there has been a resurgence of interest in Gilman’s works among literary scholars.

 

Charlotte Perkins Gilman: New Texts, New Contexts represents a new phase of feminist scholarship in recovery, drawing readers’ attention to Gilman’s lesser-known works from fresh perspectives that revise what we thought we knew about the author and her work. Volume contributors consider an array of texts that have not yet enjoyed adequate critical scrutiny, including Gilman’s short fiction, drama, and writing for periodicals, as well as her long fiction. Similarly, incorporating careful archival, biographical, and historical research, contributors explore Gilman’s life and writings—including her most famous story, “The Yellow Wall-Paper”—through strikingly new critical lenses. Other essays included here assess Gilman’s place in a longer historical trajectory and within multiple rhetorical traditions, from the genre of feminist humor to the canon of African American women’s literary production.

 

Charlotte’s Rose—justifiably back in print—tells the story of a young Welsh girl, Charlotte Edwards, who, soon after her mother dies, sails with her father from England to the United States to become part of a company of Mormon handcart pioneers—emigrants with no horses or oxen who themselves pulled the heavy carts filled with their belongings. These were arduous journeys. While on the Mormon Trail, Charlotte befriends a young mother who later dies in childbirth. Though only 12 years old, Charlotte assumes responsibility for the infant and carries her to Utah. Over the course of their journey together, Charlotte becomes deeply attached to the baby she calls Rose, which makes Charlotte’s choice at the novel’s end particularly poignant.

The author, A. E. Cannon, is adept at creating vivid, multifaceted, believable characters and has crafted a story of pioneers that will seem relevant to today’s young people. The reader will quickly be drawn into the story as Charlotte struggles to navigate the trials of an adolescent moving into adulthood. Although this is a book about Mormon pioneers, it is in fact about the larger American experience of immigration—a drama still unfolding today­—and Charlotte’s coming-of-age journey will resonate with readers young and old.
 

Situated in Chicago's famed Gold Coast, just north of the Magnificent Mile, the Charnley house is one of the finest dwellings in the city and considered worldwide to be a stunning example of avant-garde architecture. Now the headquarters of the Society of Architectural Historians and designated a National Historic Landmark in 1998, the house was built in 1892 at a critical moment in urban and architectural history. The Charnley House is the first authoritative publication on the building, which has long been discussed in surveys but never before examined in detail.

In this collection of original essays, six well-known architectural historians illuminate various aspects of the house, both inside and out, as they consider its remarkable formal and spatial qualities, its historical significance in the development of Chicago's elite residential neighborhood, and its place in the context of American domestic architecture. Equally important, the contributors tackle the knotty, decades-old issue concerning the building's designer. While many have ascribed the scheme to Frank Lloyd Wright, Louis Sullivan's chief assistant at the time, this book sheds new light on how the house relates significantly to the work of both master and apprentice.

The continuing debate over the house's "authorship" highlights the importance of the Charnley house in the history of modern architecture as the seminal work of residential design in the United States. These thoroughly researched interpretations, supplemented by an abundance of never before published illustrations, analyze this house of distinction with the care and detail it deserves. Beautifully restored in late 1980s, the Charnley house now has a book worthy of it.

How did early modern England—an island nation on the periphery of world affairs—transform itself into the center of a worldwide empire? Lesley B. Cormack argues that the newly institutionalized study of geography played a crucial role in fueling England's imperial ambitions.

Cormack demonstrates that geography was part of the Arts curriculum between 1580 and 1620, read at university by a broad range of soon-to-be political, economic, and religious leaders. By teaching these young Englishmen to view their country in a global context, and to see England playing a major role on that stage, geography supplied a set of shared assumptions about the feasibility and desirability of an English empire. Thus, the study of geography helped create an ideology of empire that made possible the actual forays of the next century.

Geography emerges in Cormack's account as the fruitful ground between college and court, in whose well-prepared soil the seeds of English imperialism took root. Charting an Empire will interest historians of science, geography, cartography, education, and empire.

Can imaginative literature change the political and social history of a class or nation? In The Chartist Imaginary: Literary Form in Working-Class Political Theory and Practice, Margaret Loose turns to the Chartist Movement—Britain’s first mass working-class movement, dating from the 1830s to the 1840s—and argues that, based on literature by members of the movement, the answer to that question is a resounding “yes.” Chartist writing awakened workers’ awareness of discord between professed ideals and reality; exercised their conceptual powers (literary and social); and sharpened their appetite for more knowledge, intellectual power, dignity, and agency in the present to fashion a utopian future. Igniting such self-respecting, politically transfigurative energy was a unique kind of agency Loose calls “the Chartist imaginary.” In examining the Chartist movement, Loose balances the nervous projections of canonical Victorian writers against a consideration of the ways that laborers represented Chartism’s aims and tactics.
 
The Chartist Imaginary offers close readings of poems and fiction by Chartist figures from Ernest Jones and Thomas Cooper to W. J. Linton, Thomas Martin Wheeler, and Gerald Massey. It also draws on extensive archival research to examine, for the first time, working-class female Chartist poets Mary Hutton, E. L. E., and Elizabeth La Mont. Focusing on the literary form of these works, Loose strongly argues for the political power of the aesthetic in working-class literature.