Contributors. Leonard Blussé, Wen-Chin Chang, Lucille Chia, Bien Chiang, Nola Cooke, Jean DeBernardi, C. Patterson Giersch, Takeshi Hamashita, Kwee Hui Kian, Li Tana, Lin Man-houng, Masuda Erika, Adam McKeown, Anthony Reid , Sun Laichen, Heather Sutherland, Eric Tagliacozzo, Carl A. Trocki, Wang Gungwu, Kevin Woods, Wu Xiao
The Chinese Diaspora on American Screens looks at the way in which issues of race and sexuality have become central concerns in cinema generated by and about Chinese communities in America after the mid-1990s. This companion volume to Marchetti's From Tian'anmen to Times Square looks specifically at the Chinese diaspora in relation to ethnic, racial, gender, and sexual identity as depicted in the cinema.
Examining films from the United States and Canada, as well as transnational co-productions, The Chinese Diaspora on American Screens includes analyses of films such as The Wedding Banquet and Double Happiness in addition to interviews with celebrated filmmakers such as Wayne Wang.
Marchetti also reflects on how Chinese identity is presented in a multitude of media forms, including commercial cinema, documentaries, experimental films, and hybrid digital media to offer a textured look at representations of the Chinese diasporic experience after Tian'anmen.
A tour de force chronicling the development of realism in Chinese cinema
The history of Chinese cinema is as long and complicated as the tumultuous history of China itself. Be it the silent, the Communist, or the contemporary, each Chinese cinematic era has necessitated its own form in conversation with broader trends in politics and culture.
In Chinese Film, Jason McGrath tells this fascinating story by tracing the varied claims to cinematic realism made by Chinese filmmakers, officials, critics, and scholars. Understanding realism as a historical dynamic that is both enabled and mitigated by aesthetic conventions of the day, he analyzes it across six different types of claims: ontological, perceptual, fictional, social, prescriptive, and apophatic.
Through this method, McGrath makes major claims not just about Chinese cinema but also about realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real. He comes to envision it as more than just a cinematic question, showing how the struggle for realism is central to the Chinese struggle for modernity itself.
The “Chinese question” and the “Negro problem” were bound up with one another in nineteenth-century America. Indeed, the negative stereotypes, exclusionary laws, and incendiary rhetoric employed against both populations bore striking similarities.
Najia Aarim-Heriot forcefully demonstrates that the anti-Chinese sentiment behind the passage of the Chinese Exclusion Act of 1882 is inseparable from the racial double standards applied by mainstream white society toward white and nonwhite groups during the same period. Aarim-Heriot argues that previous studies on American Sinophobia have overemphasized the resentment labor organizations felt toward incoming Chinese workers. As a result, scholars have overlooked the broader ways in which the growing nation sought to define and unify itself through the exclusion and oppression of nonwhite peoples.
A challenge to traditional approaches to Chinese American history, Chinese immigrants, African Americans, and Racial Anxiety in the United States, 1848–82 offers a holistic examination of American Sinophobia and the racialization of national immigration policies.
This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)— a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of California, Davis. Learn more at the TOME website, available at: openmonographs.org.
Download the open access book here.
Since Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian.
Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.
Chippewa Lake is an idyllic waterfront community in north-central Michigan, popular with retirees and weekenders. The lake is surrounded by a rural farming community, but the area is facing a difficult transition as local demographics shift, and as it transforms from an agriculture-based economy to one that relies on wage labor. As farms have disappeared, local residents have employed a variety of strategies to adapt to a new economic structure. The community, meanwhile, has been indelibly affected by the advent of newcomers and retirees challenging the rural cultural values. An anthropologist with a background in sociology, Cindy L. Hull deftly weaves together oral accounts, historic documents, and participant surveys compiled from her nearly thirty years of living in the area to create a textured portrait of a community in flux.
Louise Erdrich is arguably the most prolific and prominent contemporary writer of American Indian descent in North America today. Her novels and short stories have won great critical acclaim and are widely taught in American and world literature courses.
This collection of original ssays focuses on Erdrich's writings rooted in the Chippewa experience. Premier scholars of Native American literature investigate narrative structure, signs of ethnicity, the notions of luck and chance in Erdrich's narrative cosmology, her use of hunting metaphors, her efforts to counter stereotypes of American Indian women, her use of comedy in exploring American Indians' tragic past, her intentions underlying the process of revision in Love Medicine, and other subjects.
Including a variety of theoretical approaches, this book provides a comprehensive examination of Erdrich's work, making it more accessible to new readers and richer to those already familiar with her work.
Drawing on more than a decade of fieldwork, Lewis offers a richly detailed and subtle ethnography of the lives and stories of the people of San Nicolás, including community residents who have migrated to the United States. San Nicoladenses, she finds, have complex attitudes toward blackness—as a way of identifying themselves and as a racial and cultural category. They neither consider themselves part of an African diaspora nor deny their heritage. Rather, they acknowledge their hybridity and choose to identify most deeply with their community.
In Chocolate Islands: Cocoa, Slavery, and Colonial Africa, Catherine Higgs traces the early-twentieth-century journey of the Englishman Joseph Burtt to the Portuguese colony of São Tomé and Príncipe—the chocolate islands—through Angola and Mozambique, and finally to British Southern Africa. Burtt had been hired by the chocolate firm Cadbury Brothers Limited to determine if the cocoa it was buying from the islands had been harvested by slave laborers forcibly recruited from Angola, an allegation that became one of the grand scandals of the early colonial era. Burtt spent six months on São Tomé and Príncipe and a year in Angola. His five-month march across Angola in 1906 took him from innocence and credulity to outrage and activism and ultimately helped change labor recruiting practices in colonial Africa.
This beautifully written and engaging travel narrative draws on collections in Portugal, the United Kingdom, and Africa to explore British and Portuguese attitudes toward work, slavery, race, and imperialism. In a story still familiar a century after Burtt’s sojourn, Chocolate Islands reveals the idealism, naivety, and racism that shaped attitudes toward Africa, even among those who sought to improve the conditions of its workers.
Chomsky is as controversial as he is influential. Admirers see him as a courageous teller of unpleasant truths about political power and those who wield it in the United States. Critics view him as a propagandist and ideologue who sees only black and white where there are multiple shades of gray. While Chomsky's fans tend to view him uncritically, his critics often don't take him seriously. Unlike any previous work, this book takes Chomsky seriously while treating him critically. The author gives Chomsky credit for valuable contributions to our understanding of the contemporary political world, but spares no criticism of the serious deficiencies he sees in Chomsky's political analyses.
Carter and Scott combine extensive quantitative analysis, interviews with members of Congress and their staff, and case studies of key foreign policy entrepreneurs, including Frank Church, William Fulbright, Jesse Helms, Edward Kennedy, Pat McCarran, and Curt Weldon. Drawing on their empirical data, the authors identify the key variables in foreign policy entrepreneurship, including membership in the Senate or House, seniority and committee assignments, majority or minority party status, choice of foreign policy issues, and the means used to influence policy. By illuminating the roles and impact of individual members of Congress, Carter and Scott contribute to a more nuanced understanding of the broader U.S. foreign policy-making process.
The essays in Chop Suey and Sushi from Sea to Shining Sea fill gaps in the existing food studies by revealing and contextualizing the hidden, local histories of Chinese and Japanese restaurants in the United States.
The writer of these essays show how the taste and presentation of Chinese and Japanese dishes have evolved in sweat and hardship over generations of immigrants who became restaurant owners, chefs, and laborers in the small towns and large cities of America. These vivid, detailed, and sometimes emotional portrayals reveal the survival strategies deployed in Asian restaurant kitchens over the past 150 years and the impact these restaurants have had on the culture, politics, and foodways of the United States.
Some of these authors are family members of restaurant owners or chefs, writing with a passion and richness that can only come from personal investment, while others are academic writers who have painstakingly mined decades of archival data to reconstruct the past. Still others offer a fresh look at the amazing continuity and domination of the “evil Chinaman” stereotype in the “foreign” world of American Chinatown restaurants. The essays include insights from a variety of disciplines, including history, sociology, anthropology, ethnography, economics, phenomenology, journalism, food studies, and film and literary criticism.
Chop Suey and Sushi from Sea to Shining Sea not only complements the existing scholarship and exposes the work that still needs to be done in this field, but also underscores the unique and innovative approaches that can be taken in the field of American food studies.
From 1974 to the present, the Institute of Classical Archaeology at the University of Texas at Austin has carried out archaeological excavations in the ancient territory (chora) of Metaponto, now located in the modern province of Basilicata on the southern coast of Italy. This wide-ranging investigation, which covers a number of sites and a time period ranging from prehistory to the Roman Empire, has unearthed a wealth of new information about the ancient rural economy in southern Italy. These discoveries will be published in a multi-volume series titled The Chora of Metaponto. This volume on archaeozoology—the study of animal remains from archaeological sites—is the second in the series, following The Chora of Metaponto: The Necropoleis (1998).
Archaeozoology at Pantanello and Five Other Sites describes the animal remains found throughout Metaponto and discusses what they reveal about ancient practices of hunting and herding, domestication and importation of new breeds, people's attitudes toward animals, and what animal remains indicate about past environments. A chapter devoted to bird bones, which are a relatively rare find because of their fragility, provides high quality information on the environment and methods of fowling, as well as on the beliefs and symbolism associated with birds. The final chapter covers tools—some simple, others sophisticated and richly decorated—made from animal bones.
2023 de la Torre Bueno® First Book Award, Dance Studies Association
The impact of folkloric dance and performance on Mexican cultural politics and national identity.
The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation.
Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.
Recovers an important dimension of the work of the renowned African American artist
While Zora Neale Hurston and her 1937 novel Their Eyes Were Watching God have become widely celebrated, she was also a prolific stage director and choreographer. In the 1930s Hurston produced theatrical concerts that depicted a day in the life of a railroad work camp in Florida and featured a rousing Bahamian Fire Dance as the dramatic finale. In Choreographing the Folk, Anthea Kraut traces the significance and influence of Hurston’s little-known choreographic work.
Hurston’s concerts were concrete illustrations of the “real Negro art theatre” she was eager to establish, and they compellingly demonstrate how she used the arena of performance to advance a nuanced understanding of the black diaspora. Her version of the Fire Dance was staged in a variety of venues during the 1930s. In its multiple representations, Kraut asserts, the dance raised critical issues about ownership, artistry, and authenticity. Choreographing the Folk argues for the significance of Hurston’s choreography, and with perceptiveness, sensitivity, and originality, Kraut illuminates the important and often-contested place of black folk dance in American culture.Texas has one of the largest Jewish populations in the South and West, comprising an often-overlooked vestige of the Diaspora. The Chosen Folks brings this rich aspect of the past to light, going beyond single biographies and photographic histories to explore the full evolution of the Jewish experience in Texas.
Drawing on previously unpublished archival materials and synthesizing earlier research, Bryan Edward Stone begins with the crypto-Jews who fled the Spanish Inquisition in the late sixteenth century and then discusses the unique Texas-Jewish communities that flourished far from the acknowledged centers of Jewish history and culture. The effects of this peripheral identity are explored in depth, from the days when geographic distance created physical divides to the redefinitions of "frontier" that marked the twentieth century. The rise of the Ku Klux Klan, the creation of Israel in the wake of the Holocaust, and the civil rights movement are covered as well, raising provocative questions about the attributes that enabled Texas Jews to forge a distinctive identity on the national and world stage. Brimming with memorable narratives, The Chosen Folks brings to life a cast of vibrant pioneers.
This biography shows how Black political leader Chris Hani’s life and death were pivotal to ending apartheid and to establishing a democratic government in South Africa.
Chris Hani is one of the most iconic figures in South Africa’s history, as a leader within the African National Congress (ANC) and as chief of staff of uMkhonto we Sizwe, the armed wing of the ANC. His assassination in 1993 by a far-right militant threatened negotiations to end apartheid and install a democratic government. Serious tensions followed the assassination, leading Nelson Mandela to address the nation in an effort to avert further violence:
Tonight I am reaching out to every single South African, black and white, from the very depths of my being. A white man, full of prejudice and hate, came to our country and committed a deed so foul that our whole nation now teeters on the brink of disaster. A white woman, of Afrikaner origin, risked her life so that we may know, and bring to justice, this assassin. The cold-blooded murder of Chris Hani has sent shock waves throughout the country and the world… Now is the time for all South Africans to stand together against those who, from any quarter, wish to destroy what Chris Hani gave his life for: the freedom of all of us.
Hugh Macmillan’s concise biography details Hani’s important role in shaping twentieth-century South African history.
A timely new edition of the acclaimed work, Christian America and the Kingdom of God spotlights how the centuries-long pursuit of a Christian America has bred an aggressive white Christian nationalism that twists faith, unleashes unchristian behavior, and threatens the nation.
Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity “the true and only turning point in history.” For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religion, science, and philosophy.
Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism. Primarily known through its inclusion in a French omnibus edition, ithas remained one of Camus’ least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine’s “second revelation” of the Christian faith.
Ronald Srigley’s translation of this seminal document helps illuminate these aspects of Camus’ work. His freestanding English edition exposes readers to an important part of Camus’ thought that is often overlooked by those concerned primarily with the book’s literary value and supersedes the extant McBride translation by retaining a greater degree of literalness.
Srigley has fully annotated Christian Metaphysics to include nearly all of Camus’ original citations and has tracked down many poorly identified sources. When Camus cites an ancient primary source, whether in French translation or in the original language, Srigley substitutes a standard English translation in the interest of making his edition accessible to a wider range of readers. His introduction places the text in the context of Camus’ better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books.
Arguing that Camus was one of the great critics of modernity through his attempt to disentangle the Greeks from the Christians, Srigley clearly demonstrates the place of Christian Metaphysics in Camus’ oeuvre. As the only stand-alone English version of this important work—and a long-overdue critical edition—his fluent translation is an essential benchmark in our understanding of Camus and his place in modern thought.
Observers and historians continue to marvel at the diversity and complexity of the Ottoman Empire. This book explores the significant and multifaceted role that Orthodox Christian networks played in the sultan’s realm from the 17th century until WWI. These multi-ethnic, multi-lingual, and multi-confessional formations contributed fundamentally to the political, economic, social, and cultural development of the Empire as well as to its gradual disintegration.
Bringing together scholars from most Balkan countries, Christian Networks in the Ottoman Empire describes the variety of Orthodox Christian networks under Ottoman rule. The examples examined include commercial relations, intellectual networks, educational systems, religious dynamics, consular activities, and revolutionary movements, and involve Muslims and Christians, Romanians and Serbs, Bulgarians and Greeks, Albanians and Turks. The contributions show that the Christian populations and their elites were an integral part of Ottoman society.
The geographical spread of the formal and informal networks enriches our understanding of the terms ‘center’ and ‘periphery.’ They were either centered within the official Ottoman borders and extended their activities to other states and empires, or vice versa, located elsewhere, but also active in the Ottoman Empire. A common feature of these formations is their constant fluctuation, which enables a dynamic understanding of Ottoman history.
"Joe Richardson's Christian Reconstruction is a solid addition to historical scholarship on the work of Yankee missionaries among the freedmen during the Civil War and Reconstruction. . . . Without question, this is the most comprehensive history of the American Missionary Association (AMA), and no one has uncovered as much detailed information on any other Northern aid society. Rich in detail and strongly recommended, the book argues that the AMA struggled to prepare the liberated slaves for civil and political equality by freeing them of the shackles of ignorance, superstition and sin.This book ought to be read by all those interested in Northern educational and social reformers in the Reconstruction South."
--The Journal of American History
"In an extraordinarily balanced study Richardson has synthesized a wealth of sources and research to produce a thoroughly convincing interpretation of the AMA and southern blacks. Besides exploring relations between the two, his main objective has been to assess the AMA's effectiveness in bringing blacks into the American mainstream. Because of his successful labors, we now have a much-needed comprehensive study of that most influential missionary organization. Whether addressing conflicts between the AMA and the US military over the treatment of contrabands, charges of racism among black and white missionaries, or the quality of association colleges, Richardson does not allow his obvious admiration for the AMA to interfere. . . . With bold logic and considerable subtlety Richardson has made an impressive contribution.
--The Journal of Southern History
From the first rumblings of the Moral Majority over twenty years ago, the Christian Right has been marshalling its forces and maneuvering its troops in an effort to re-shape the landscape of American politics. It has fascinated social scientists and journalists as the first right-wing social movement in postwar America to achieve significant political and popular support, and it has repeatedly defied those who would step up to write its obituary. In 2000, while many touted the demise of the Christian Coalition, the broader undercurrents of the movement were instrumental in helping George W. Bush win the GOP nomination and the White House. Bush repaid that swell of support by choosing Senator John Ashcroft, once the movement's favored presidential candidate, as attorney general.
The Christian Right in American Politics, under the direction of three of the nation's leading scholars in the field of religion and politics, recognizing the movement as a force still to be reckoned with, undertakes the important task of making an historical analysis of the Christian Right in state politics during its heyday, 1980 to the millennium. Its twelve chapters, written by outstanding scholars, review the impact and influence of the Christian Right in those states where it has had its most significant presence: South Carolina, Virginia, Texas, Florida, Michigan, Iowa, Kansas, Minnesota, Colorado, California, Maine, and Oregon and Washington.
Since 1980, scholars have learned a good deal about the social characteristics, religious doctrine, and political beliefs of activists in and supporters of the Christian Right in these states, and each contribution is based on rigorous, dispassionate scholarship. The writers explore the gains and losses of the movement as it attempts to re-shape political landscapes. More precisely, they provide in-depth descriptions of the resources, organizations, and the group ecologies in which the Christian Right operates-the distinct elements that drove the movement forward.
As the editors state, "the Christian Right has been engaged in a long and torturous 'march toward the millennium,' from outsider status into the thick of American politics." Those formative years, 1980-2000, are essential for any understanding of this uniquely American social movement. This rigorous analysis over many states and many elections provides the clearest picture yet of the goals, tactics, and hopes of the Christian Right in America.
Christianity and Public Culture in Africa takes readers beyond familiar images of religious politicians and populations steeped in spirituality. It shows how critical reason and Christian convictions have combined in surprising ways as African Christians confront issues such as national constitutions, gender relations, and the continuing struggle with HIV/AIDS.
The wide-ranging essays included here explore rural Africa and the continent’s major cities, colonial and missionary legacies, and mass media images in the twenty-first century. They also reveal the diversity of Pentecostalism in Africa and highlight the region’s remarkable denominational diversity. Scholars and students alike will find these essays timely and impressive.
The contributors demonstrate how the public significance of Christianity varies across time and place. They explore rural Africa and the continent’s major cities, and colonial and missionary situations, as well as mass-mediated ideas and images in the twenty-first century. They also reveal the plurality of Pentecostalism in Africa and keep in view the continent’s continuing denominational diversity. Studentsand scholars will find these topical studies to be impressive in scope.
Contributors: Barbara M. Cooper, Harri Englund, Marja Hinfelaar, Nicholas Kamau-Goro, Birgit Meyer, Michael Perry Kweku Okyerefo, Damaris Parsitau, Ruth Prince, James A. Pritchett, Ilana van Wyk
This volume collects studies exploring the relationship of Christians and Muslims in everyday life in Early Islamic Egypt (642–10th c.) focusing mainly, but not exclusively on administrative and social history. The contributions concentrate on the papyrological documentation preserved in Greek, Coptic, and Arabic. By doing so, this book transcends traditional disciplinary boundaries and offers results based on a holistic view of the documentary material. The articles of this volume discuss various aspects of change and continuity from Byzantine to Islamic Egypt and offer also the (re)edition of 23 papyrus documents in Greek, Coptic, and Arabic. The authors provide a showcase of recent papyrological research on this under-studied, but dynamically evolving field.
After an introduction by the editor of the volume that outlines the most important trends and developments of the period, the first two essays shed light on Egypt as part of the Caliphate. The following six articles, the bulk of the volume, deal with the interaction and involvement of the Egyptian population with the new Muslim administrative apparatus. The last three studies of the volume focus on naming practices and language change.
Readers do not always take into account how books that combine image and text make their meanings. But for the Pre-Raphaelite poet Christina Rossetti, such considerations were central.
Christina Rossetti and Illustration maps the production and reception of Rossetti’s illustrated poetry, devotional prose, and work for children, both in the author’s lifetime and in posthumous twentieth-century reprints.
Lorraine Janzen Kooistra’s reading of Rossetti’s illustrated works reveals for the first time the visual-verbal aesthetic that was fundamental to Rossetti’s poetics. Her exhaustive archival research brings to light new information on how Rossetti’s commitment to illustration and attitudes to copyright and control influenced her transactions with publishers and the books they produced. Janzen Kooistra also tracks the poet’s reception in the twentieth century through a complex web of illustrated books produced for a wide range of audiences.
Analyzing an impressive array of empirical data, Janzen Kooistra shows how Rossetti’s packaging for commodity consumption—by religious presses, publishers of academic editions and children’s picture books, and makers of erotica and collectibles—influenced the reception of her work and her place in literary history.
Chronicle of a Genocide Foretold is a powerful account of one of the most devastating human crises of the 21st century. Drawing on firsthand research conducted in Burma (Myanmar) and neighboring countries, the book uncovers how the Rohingya Muslims have been systematically isolated, impoverished, and targeted in a state-led genocidal campaign. Through more than 150 interviews with survivors, local officials, religious leaders, and international actors, the authors reveal how discrimination, mass displacement, and organized brutality have created conditions that meet the legal, criminological, and moral definition of genocide. The book also challenges the silence and complicity of the international community. Accessible and grounded in rigorous research, this book speaks to scholars, activists, policymakers, and anyone concerned with justice, human rights, and the global failure to prevent genocide.
2025 Al Lowman Memorial Prize, Texas State Historical Association
An immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas.
Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.
Church and State in the City provides the first comprehensive analysis of the city’s long debate about the public interest. Historian William Issel explores the complex ways that the San Francisco Catholic Church—and its lay men and women—developed relationships with the local businesses, unions, other community groups, and city government to shape debates about how to define and implement the common good. Issel’s deeply researched narrative also sheds new light on the city’s socialists, including Communist Party activists—the most important transnational challengers of both capitalism and Catholicism during the twentieth century.
Moreover, Church and State in the City is revisionist in challenging the notion that the history of urban politics and policy can best be understood as the unfolding of a progressive, secular modernization of urban political culture. Issel shows how tussles over the public interest in San Francisco were both distinctive to the city and shaped by its American character.
In the series Urban Life, Landscape, and Policy, edited by Zane L. Miller, David Stradling, and Larry Bennett
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