Why do the paintings and poetry of the Italian Renaissance—a celebration of classical antiquity—also depict the Florentine countryside populated with figures dressed in contemporary silk robes and fleur-de-lys crowns? Upending conventional interpretations of this well-studied period, Charles Dempsey argues that a fusion of classical form with contemporary content, once seen as the paradox of the Renaissance, can be better understood as its defining characteristic.

Dempsey describes how Renaissance artists deftly incorporated secular and popular culture into their creations, just as they interwove classical and religious influences. Inspired by the love lyrics of Parisian troubadours, Simone Martini altered his fresco Maestà in 1321 to reflect a court culture that prized terrestrial beauty. As a result the Maestà scandalously revealed, for the first time in Italian painting, a glimpse of the Madonna’s golden locks. Modeled on an ancient statue, Botticelli’s Birth of Venus went much further, featuring fashionable beauty ideals of long flowing blonde hair, ivory skin, rosy cheeks, and perfectly arched eyebrows. In the only complete reconstruction of Feo Belcari’s twelve Sybilline Octaves, Dempsey shows how this poet, patronized by the Medici family, was also indebted to contemporary dramatic modes. Popularizing biblical scenes by mixing the familiar with the exotic, players took the stage outfitted in taffeta tunics and fanciful hats, and one staging even featured a papier-maché replica of Jonah’s Whale. As Dempsey’s thorough study illuminates, Renaissance poets and artists did not simply reproduce classical aesthetics but reimagined them in vernacular idioms.

A renowned Renaissance poet’s homage to Naples makes its debut in modern English translation.

Giovanni Pontano (1429–1503), whose academic name was Gioviano, was one of the great scholar-poets of the Renaissance as well as a leading statesman who served as prime minister to the Aragonese kings of southern Italy. The dominant literary figure of quattrocento Naples, Pontano produced literary works in several genres and was the leader of the Neapolitan academy. The two works included in the present volume, broadly inspired by Virgil, might be considered Pontano’s love songs to the landscapes of Naples. The Eclogues offer a spectacular, panoramic tour of the Bay of Naples region, even as they focus on intimate domestic scenes and allegorize the people and places of the poet’s world. The Garden of the Hesperides is a work of brilliant erudition on an unprecedented poetic topic: the cultivation of citrus trees and the splendid pleasures of gardens. This volume features a newly established Latin text of the Garden of the Hesperides as well as the first published translations of both works into English.

This book explores the diplomatic role of women in early modern European dynastic networks through the study of Aragonese marriage alliances in late fifteenth-century Italy and Hungary. It challenges the frequent erasure of dynastic wives from diplomatic and political narratives to show how elite women were diplomatically active agents for two dynasties.

Chapters analyze the lives of Eleonora (1450-1493) and Beatrice d'Aragona (1457-1508), daughters of King Ferrante of Naples (1423-1494), and how they negotiated their natal and marital relationships to achieve diplomatic outcomes. While Ferrante expected his daughters to follow paternal imperatives and to remain engaged in collective dynastic strategy, the extent of his kinswomen's continued participation in familial projects was dependent on the nature of their marital relationships. The book traces the access to these relationships that enabled courtly women to re-enter the diplomatic space after marriage, not as objects, but as agents, with their own strategies, politics, and schemes.

Throughout her reign, Elizabeth I and her supporters used biblical analogies to perpetuate the Queen’s claim to be England’s providential Protestant monarch. While Elizabeth’s parallels with various biblical figures—including Deborah, Esther, Judith, David, Solomon, and Daniel—have all received varying levels of attention in the scholarship, this is the first analysis of how biblical analogy functioned as a religio-political tool for Elizabeth across her reign. Taking both a chronological and thematic approach, this book addresses this gap by analyzing Elizabeth and her supporters’ use of the Old Testament to provide justification for decisions (or the lack thereof), to offer counsel to the Queen, and to vindicate both female kingship and the royal supremacy. It argues that biblical analogies were a vital component of Elizabethan royal iconography, and that their widespread use demonstrates their potency as a tool for legitimizing and sustaining her power.

Renaissance humanists believed that the origins of peoples could reveal crucial facts about their modern political character. Margaret Meserve explores what happened when European historians turned to study the political history of a faith other than their own.

Meserve investigates the methods and illuminates the motives of scholars negotiating shifting boundaries—between scholarly research and political propaganda, between a commitment to critical historical inquiry and the pressure of centuries of classical and Christian prejudice, between the academic ideals of humanism and the everyday demands of political patronage. Drawing on political oratory, diplomatic correspondence, crusade propaganda, and historical treatises, Meserve shows how research into the origins of Islamic empires sprang from—and contributed to—contemporary debates over the threat of Islamic expansion in the Mediterranean. Humanist histories of the Turks were sharply polemical, portraying the Ottomans as a rogue power. But writings on other Muslim polities include some of the first positive appraisals of Muslim statecraft in the European tradition.

This groundbreaking book offers new insights into Renaissance humanist scholarship and the longstanding European debates over the relationship between Christianity and Islam.

From humble beginnings, Bartolomeo Scala (1430–1497) trained in the law and rose to prominence as a leading citizen of Florence, serving as secretary and treasurer to the Medicis and chancellor of the Guelf party before becoming first chancellor of Florence, a post he held for fifteen years. His palace in Borgo Pinti, modeled on classical designs, was emblematic of his achievements as a humanist as well as a public official. Along with his professional writings as chancellor, Scala’s personal treatises, fables, and dialogues—widely read and admired by his contemporaries—were deeply indebted to classical sources. This volume collects works from throughout his career that show his acquaintance with recently rediscovered ancient writers, whose works he had access to through the Medici libraries, and the influence of fellow humanists such as Marsilio Ficino, Aeneas Silvius Piccolomini (Pope Pius II), and Giovanni Pico della Mirandola. Perhaps the most significant is the Defense against the Detractors of Florence, a key document in the development of modern republicanism.

This volume presents fresh translations by Renée Neu Watkins of five of the texts based on Latin editions by Alison Brown, who also contributes an introduction to Scala’s life and works.

Japan’s transition from medieval to early modern occurred at the time of an emerging global Europe. In the 1540s European traders and missionaries began a century of dynamic cultural and economic interaction with the Japanese Islands. In the midst of civil war, over 300,000 Japanese converted to Christianity and Japan became an influential location in the Counter-Reformation’s reinvention of Christianity as the first global religion. At the beginning of the seventeenth century, however, unification of Japan by the Tokugawa shoguns led to persecutions and strict limits on European presence in the country. Examining a range of topics, including the relationship between Christianity and folk religion, the introduction of firearms, new crops and cuisines, and treponemal disease, this book re-evaluates Japan’s transformation from medieval to early modern in a global context.

Within the shifting political landscapes of Eastern Europe during the late Middle Ages, the principality of Moldavia (extending over today's northeastern third of Romania and the Republic of Moldova) emerged as an eastern Christian frontier—indeed, a bastion, a “gate of Christianity”—in the face of the advancing Ottoman armies and Tatar forces. Moldavia’s leaders—among them Peter I Mușat, Alexander I, and Stephen III—established political, military, and economic contacts in efforts to strengthen and protect their domain, and, by extension, the rest of Europe. After the fall of Constantinople in 1453, Moldavia under Stephen III also refashioned Byzantine traditions in a new context, thereby preserving and transforming the legacies of the former Byzantine Empire to the north of the Danube River. This book argues for Moldavia’s central role in the political, military, economic, and cultural spheres of Eastern Europe from the second half of the fourteenth century to the turn of the sixteenth century.

The world of wealth and patronage that we associate with sixteenth- and early seventeenth-century Italy can make the Renaissance seem the exclusive domain of artists and aristocrats. Revealing a Renaissance beyond Michelangelo and the Medici, Sarah Gwyneth Ross recovers the experiences of everyday men and women who were inspired to pursue literature and learning.

Ross draws on a trove of original unpublished sources—wills, diaries, household inventories, account books, and other miscellany—to reconstruct the lives of over one hundred artisans, merchants, and others on the middle rung of Venetian society who embraced the ennobling virtues of a humanistic education. These men and women sought out the latest knowledge, amassed personal libraries, and passed both their books and their hard-earned wisdom on to their families and heirs.

Physicians were often the most avid—and the most anxious—of professionals seeking cultural legitimacy. Ross examines the lives of three doctors: Nicolò Massa (1485–1569), Francesco Longo (1506–1576), and Alberto Rini (d. 1599). Though they had received university training, these self-made men of letters were not patricians but members of a social group that still yearned for credibility. Unlike priests or lawyers, physicians had not yet rid themselves of the taint of artisanal labor, and they were thus indicative of a middle class that sought to earn the respect of their peers and betters, protect and advance their families, and secure honorable remembrance after death.