front cover of Wallace Stevens and the Limits of Reading and Writing
Wallace Stevens and the Limits of Reading and Writing
Bart Eeckhout
University of Missouri Press, 2002
Often considered America’s greatest twentieth-century poet, Wallace Stevens is without a doubt the Anglo-modernist poet whose work has been most scrutinized from a philosophical perspective. Wallace Stevens and the Limits of Reading and Writing both synthesizes and extends the critical understanding of Stevens’s poetry in this respect. Arguing that a concern with the establishment and transgression of limits goes to the heart of this poet’s work, Bart Eeckhout traces both the limits of Stevens’s poetry and the limits of writing as they are explored by that poetry.
            Stevens’s work has been interpreted so variously and contradictorily that critics must first address the question of limits to the poetry’s signifying potential before they can attempt to deepen our appreciation of it. In the first half of this book, the limits of appropriating and contextualizing Stevens’s “The Snow Man,” in particular, are investigated. Eeckhout does not undertake this reading with the negative purpose of disputing earlier interpretations but with the more positive intention of identifying the intrinsic qualities of the poetry that have been responsible for the remarkable amount of critical attention it has received.
            Having identified the major sources of Stevens’s polysemy and of the seeming free-for-all of his critical afterlife, Eeckhout then deals with ten of the poet’s shorter works, including “The Idea of Order at Key West,” and proceeds to analyze some of the important limits of writing explored by the poetry. These limits all revolve around the nexus of perception, thought, and language that constitutes the core dynamic out of which Stevens’s poetry is generated and to which it continually returns.
            Stevens’s work presents one of the most poignant opportunities for letting the reader feel the ever-problematic relationship between specificity and generality that is at the heart of all literary writing. By negotiating between the particularity of poetic detail and the universality of philosophical ideas, Wallace Stevens and the Limits of Reading and Writing seeks to contribute both to the study of Stevens and to the fields of literary theory and philosophy.
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front cover of A Watershed Moment
A Watershed Moment
The American West in the Age of Limits
Edited by Robert Frodeman, Evelyn Brister, and Luther Propst
University of Utah Press, 2024
The American West is often portrayed as a place of rugged, unending landscapes presenting us with boundless opportunities. But the land is more fragile and resources more finite than popular perceptions acknowledge. This collection of essays, A Watershed Moment, reveals tensions between a culture of economic growth and personal freedom and the ecological, economic, and social constraints set by community values and the land itself. As Westerners and their communities come up against these limits, the volume editors highlight issues of sustainability endemic to the region and to the nation as a whole.

The volume presents practical approaches to land use, land management, and community planning that are motivated by philosophical views on justice, quality of life, and sustainability in the American West. The contributors are policymakers, government employees, land and water managers, urban planners, biologists, tribal members, writers, and academics from a variety of backgrounds and perspectives. The result is a compelling vision of place-based, policy-oriented sustainability across the West.
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