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Prehistoric Future
Max Ernst and the Return of Painting between the Wars
Ralph Ubl
University of Chicago Press, 2013
One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious—surrealist automatism, Freudian psychoanalysis, the concept of history as trauma—to examine how Ernst’s construction of collage departs from other modern artists.
 
Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged—rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind’s view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernst’s working methods and the reasons that his pieces continue to imprint themselves in viewers’ memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism.
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Nature's Engraver
A Life of Thomas Bewick
Jenny Uglow
University of Chicago Press, 2009

Thomas Bewick’s (1753–1828) History of British Birds was the first field guide for ordinary people, illustrated with woodcuts of astonishing accuracy and beauty. In Nature’s Engraver, Jenny Uglow tells the story of the farmer’s son from Tyneside who became one of Britain’s greatest and most popular engravers. It is a story of violent change, radical politics, lost ways of life, and the beauty of the wild—a journey to the beginning of our lasting obsession with the natural world.

 “A refined and engaging biography, as beautifully wrought, in its way, as Bewick’s woodcuts.”—New York Times

“Uglow’s clear prose sparkles like Bewick’s River Tyne.”—Los Angeles Times

“This is a lovely book, not just in the quality and sympathy of the writing but in the care of its design and illustration. [Uglow] has turned a rich but undramatic life into a vignette as full of interest and details as one of Bewick’s own woodcuts.”—Sunday Telegraph

 

“A splendid biography. But it becomes an endearing one by the scattered presence of so many of Bewick’s woodcuts.”—Washington Post

 

“Another triumph for England’s most innovative biographer, and a marvelous treat for fans of Bewick’s beguiling work.”—Kirkus Reviews

 

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Isaiah Berlin
A Celebration
Edna Ullmann-Margalit
University of Chicago Press, 1991
Isaiah Berlin: A Celebration gathers tributes, reflections, and commentaries on the great thinker and his philosophy, politics, and life-including contributions from Michael Ignatieff, Leon Wieseltier, Ronald Dworkin, Stephen Spender, and many others.

"Some [essays], like Joseph Brodsky's tribute, are touchingly personal. Others, like G. A. Cohen's 'Isaiah's Marx, and Mine,' mingle personal reminiscences with a more theoretical look at Berlin's ideas. . . . The volume is a fitting tribute to a thinker famed for his erudition, eclecticism, and clarity of style."—Merle Rubin, The Christian Science Monitor

"One of the many merits of this rich and rewarding collection is the sense-very imperfectly conveyed here-it transmits of the tone of Berlin's writings and conversation, of the multiplicity of his interests and the variety of his achievements. . . . The essays testify to the character of Berlin's mind as a luminous prism, in which the cultural traditions of Russia, England and Judaism are marvelously refracted."—John Gray, Times Literary Supplement

"[T]he collection testifies to the learning and profundity of Berlin's thought and, by way both of reminiscence and influence, to the charm and gaity of its expression."—Anthony Quinton, The Times of London
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Downtown Ladies
Informal Commercial Importers, a Haitian Anthropologist and Self-Making in Jamaica
Gina A. Ulysse
University of Chicago Press, 2008
The Caribbean “market woman” is ingrained in the popular imagination as the archetype of black womanhood in countries throughout the region. Challenging this stereotype and other outdated images of black women, Downtown Ladies offers a more complex picture by documenting the history of independent international traders—known as informal commercial importers, or ICIs—who travel abroad to import and export a vast array of consumer goods sold in the public markets of Kingston, Jamaica.

Both by-products of and participants in globalization, ICIs operate on multiple levels and, since their emergence in the 1970s, have made significant contributions to the regional, national, and global economies. Gina Ulysse carefully explores how ICIs, determined to be self-employed, struggle with government regulation and other social tensions to negotiate their autonomy. Informing this story of self-fashioning with reflections on her own experience as a young Haitian anthropologist, Ulysse combines the study of political economy with the study of individual and collective identity to reveal the uneven consequences of disrupting traditional class, color, and gender codes in individual societies and around the world.
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Red Man's Religion
Beliefs and Practices of the Indians North of Mexico
Ruth Murray Underhill
University of Chicago Press, 1972
Among the topics considered in this classic study are world origins and supernatural powers, attitudes toward the dead, the medicine man and shaman, hunting and gathering rituals, war and planting ceremonies, and newer religions, such as the Ghost Dance and the Peyote Religion.

"The distinctive contribution of [Red Man's Religion] is the treatment of topics, the insight and the perspective of the author, and her ability to transmit these to the reader. . . . Trais and aspects of religion are not treated as abstract entitites, to be enumerated and summated, assigned a geographic distribution, and then abandoned. No page is a dry recital; each is an illumination. Insight and wisdom are framed in poetic prose. An offering of information in such a medium merits gratitude."—American Anthropologist
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Red Man's America
A History of Indians in the United States
Ruth Murray Underhill
University of Chicago Press, 1971
Red Man's America meets the great need for a comprehensive study of Indian societies from the first Stone Age hunters to the American citizens of today. Beginning with the first migrations of primitive man from Siberia in the Old World to Alaska in the New, probably during the latter part of the Pleistocene glaciations, and his subsequent migration southward and eastward, the author takes up in turn the tribes and cultures of the various regions of North America.

The material Professor Underhill has gathered from the fields of archaeology, ethnology, and history, together with that drawn from her own experience in the United States Indian Service, produces a fascinating narrative. Red Man's America is an important contribution to our heritage of Indian life and lore.

"A work for which both sociologist and historian will be forever grateful. The author has combined a long period of study with actual field work in the service of the Indian to produce a work that gives a brief, but well written and accurate, sketch of the origins, backgrounds, and customs of the various North American tribes. . . . There is no other modern single volume that contains as much information on the subject."—E.R. Vollmar, The Historical Bulletin

"Liveliness in style and illustration, together with perspicacity in content, makes this book a useful introduction to the civilization of the original inhabitants of the land."—Pacific Historical Review
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Distant Horizons
Digital Evidence and Literary Change
Ted Underwood
University of Chicago Press, 2019
Just as a traveler crossing a continent won’t sense the curvature of the earth, one lifetime of reading can’t grasp the largest patterns organizing literary history. This is the guiding premise behind Distant Horizons, which uses the scope of data newly available to us through digital libraries to tackle previously elusive questions about literature. Ted Underwood shows how digital archives and statistical tools, rather than reducing words to numbers (as is often feared), can deepen our understanding of issues that have always been central to humanistic inquiry.  Without denying the usefulness of time-honored approaches like close reading, narratology, or genre studies, Underwood argues that we also need to read the larger arcs of literary change that have remained hidden from us by their sheer scale. Using both close and distant reading to trace the differentiation of genres, transformation of gender roles, and surprising persistence of aesthetic judgment, Underwood shows how digital methods can bring into focus the larger landscape of literary history and add to the beauty and complexity we value in literature.
 
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Instructions for American Servicemen in France during World War II
United States Army
University of Chicago Press, 2008
“You are about to play a personal part in pushing the Germans out of France. Whatever part you take—rifleman, hospital orderly, mechanic, pilot, clerk, gunner, truck driver—you will be an essential factor in a great effort.”
 
As American soldiers fanned out from their beachhead in Normandy in June of 1944 and began the liberation of France, every soldier carried that reminder in his kit. A compact trove of knowledge and reassurance, Instructions for American Servicemen in France during World War II was issued to soldiers just before they embarked for France to help them understand both why they were going and what they’d find when they got there. After lying unseen in Army archives for decades, this remarkable guide is now available in a new facsimile edition that reproduces the full text and illustrations of the original along with a new introduction by Rick Atkinson setting the book in context.       
            Written in a straightforward, personal tone, the pamphlet is equal parts guidebook, cultural snapshot, and propaganda piece. A central aim is to dispel any prejudices American soldiers may have about the French—especially relating to their quick capitulation in 1940. Warning soldiers that the defeat “is a raw spot which the Nazis have been riding” since the occupation began, Instructions is careful to highlight France’s long historical role as a major U.S. ally. Following that is a brief, fascinating sketch of the French character (“The French are mentally quick;” “Rich or poor, they are economical”) and stark reminders of the deprivation the French have endured under occupation. Yet an air of reassuring confidence pervades the final section of the pamphlet, which reads like a straightforward tourists’ guide to Paris and the provinces—like a promise of better days to come once the soldiers complete their mission.
            Written by anonymous War Department staffers to meet the urgent needs of the moment, with no thought of its historical value, Instructionsfor American Servicemen in France during World War II nevertheless brings to vivid life the closing years of World War II—when optimism was growing, but a long, demanding road still lay ahead.
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Instructions for American Servicemen in Iraq during World War II
John A. United States Army
University of Chicago Press, 2007
“American success or failure in Iraq may well depend on whether the Iraqis like American soldiers or not.”
 
The U.S. military could certainly have used that bit of wisdom in 2003, as violence began to eclipse the Iraq War’s early successes. Ironically, had the Army only looked in its own archives, they would have found it—that piece of advice is from a manual the U.S. War Department handed out to American servicemen posted in Iraq back in 1943.

The advice in Instructions for American Servicemen in Iraq during World War II,presented here in a new facsimile edition, retains a surprising, even haunting, relevance in light of today’s muddled efforts to win Iraqi hearts and minds. Designed to help American soldiers understand and cope with what was at the time an utterly unfamiliar culture—the manual explains how to pronounce the word Iraq, for instance—this brief, accessible handbook  mixes do-and-don’t-style tips (“Always respect the Moslem women.” “Talk Arabic if you can to the people. No matter how badly you do it, they will like it.”) with general observations on Iraqi history and society. The book’s overall message still rings true—dramatically so—more than sixty years later: treat an Iraqi and his family with honor and respect, and you will have a strong ally; treat him with disrespect and you will create an unyielding enemy.

With a foreword by Lieutenant Colonel John A. Nagl reflecting on the manual’s continuing applicability—and lamenting that it was unknown at the start of the invasion—this new edition of Instructions for American Servicemen in Iraq will be essential reading for anyone who cares about the future of Iraq and the fate of the American soldiers serving there.
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The U.S. Army/Marine Corps Counterinsurgency Field Manual
John A. United States Army
University of Chicago Press, 2007
When the U.S. military invaded Iraq, it  lacked a common understanding of the problems inherent in counterinsurgency campaigns. It had neither studied them, nor developed doctrine and tactics to deal with them. It is fair to say that in 2003, most Army officers knew more about the U.S. Civil War than they did about counterinsurgency.

The U.S. Army / Marine Corps Counterinsurgency Field Manual was written to fill that void. The result of unprecedented collaboration among top U.S. military experts, scholars, and practitioners in the field, the manual espouses an approach to combat that emphasizes constant adaptation and learning, the importance of decentralized decision-making, the need to understand local politics and customs, and the key role of intelligence in winning the support of the population. The manual also emphasizes the paradoxical and often counterintuitive nature of counterinsurgency operations: sometimes the more you protect your forces, the less secure you are; sometimes the more force you use, the less effective it is; sometimes doing nothing is the best reaction. 

An new introduction by Sarah Sewall, director of the Carr Center for Human Rights Policy at Harvard’s Kennedy School of Government, places the manual in critical and historical perspective, explaining the significance and potential impact of this revolutionary challenge to conventional U.S. military doctrine.

An attempt by our military to redefine itself in the aftermath of 9/11 and the new world of international terrorism, The U.S. Army / Marine Corps Counterinsurgency Field Manual will play a vital role in American military campaigns for years to come.
 
The University of Chicago Press will donate a portion of the proceeds from this book to the Fisher House Foundation, a private-public partnership that supports the families of America’s injured servicemen. To learn more about the Fisher House Foundation, visit www.fisherhouse.org.
 
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The Chicago Manual of Style, 16th Edition
University of Chicago Press Staff
University of Chicago Press, 2010

**The 16th edition of The Chicago Manual of Style has been superseded by the 17th edition.**

While digital technologies have revolutionized the publishing world in the twenty-first century, one thing still remains true: The Chicago Manual of Style is the authoritative, trusted source that writers, editors, and publishers turn to for guidance on style and process. For the sixteenth edition, every aspect of coverage has been reconsidered to reflect how publishing professionals work today. Though processes may change, the Manual continues to offer the clear, well-considered style and usage advice it has for more than a century.

The sixteenth edition offers expanded information on producing electronic publications, including web-based content and e-books. An updated appendix on production and digital technology demystifies the process of electronic workflow and offers a primer on the use of XML markup, and a revised glossary includes a host of terms associated with electronic as well as print publishing. The Chicago system of documentation has been streamlined and adapted for a variety of online and digital sources. Figures and tables are updated throughout the book—including a return to the Manual’s popular hyphenation table and new, comprehensive listings of Unicode numbers for special characters.

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Chicago Manual of Style
First Edition (Special Promotional Printing)
University of Chicago Press Staff
University of Chicago Press, 1906

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Indexes
A Chapter from The Chicago Manual of Style, 15th Edition
University of Chicago Press Staff
University of Chicago Press, 2003
For nearly one hundred years, The Chicago Manual of Style has been the authoritative reference for writers, editors, and publishers. Now in its fifteenth edition, the Manual has been thoroughly revised and updated. The chapter on indexing presented here has been reorganized, streamlined, and revised for the electronic age. It provides examples and recommendations on style and method for professionals, authors, and others who prepare indexes for published works.
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Indexes
A Chapter from The Chicago Manual of Style, 16th ed.
University of Chicago Press Staff
University of Chicago Press, 2010
This volume contains all the material from The Chicago Manual of Style, 16th Edition that relates to indexes and the work of indexing. Thoroughly updated to reflect current accepted practices, it is an indispensable guide for anyone preparing an index.
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Thirty Years of Phoenix Poets, 1983 to 2012
An E-Sampler
University of Chicago Press Staff
University of Chicago Press, 2013
For thirty years now the Phoenix Poets series has been publishing the best poets working in English, from young poets publishing their first books to renowned masters at the peak of storied careers. This sample presents some of the best poets and poems from those three decades—it’s sure to whet your appetite and get you coming back for more!
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The Chicago Manual of Style, 15th Edition
University of Chicago Press Staff
University of Chicago Press, 2003
The Fifteenth Edition is available in book form and as a subscription Website.  The same content from The Chicago Manual of Style is in both versions.

In the 1890s, a proofreader at the University of Chicago Press prepared a single sheet of typographic fundamentals intended as a guide for the University community. That sheet grew into a pamphlet, and the pamphlet grew into a book—the first edition of the Manual of Style, published in 1906. Now in its fifteenth edition, The Chicago Manual of Style—the essential reference for authors, editors, proofreaders, indexers, copywriters, designers, and publishers in any field—is more comprehensive and easier to use than ever before.

Those who work with words know how dramatically publishing has changed in the past decade, with technology now informing and influencing every stage of the writing and publishing process. In creating the fifteenth edition of the Manual, Chicago's renowned editorial staff drew on direct experience of these changes, as well as on the recommendations of the Manual's first advisory board, composed of a distinguished group of scholars, authors, and professionals from a wide range of publishing and business environments.

Every aspect of coverage has been examined and brought up to date—from publishing formats to editorial style and method, from documentation of electronic sources to book design and production, and everything in between. In addition to books, the Manual now also treats journals and electronic publications. All chapters are written for the electronic age, with advice on how to prepare and edit manuscripts online, handle copyright and permissions issues raised by technology, use new methods of preparing mathematical copy, and cite electronic and online sources.

A new chapter covers American English grammar and usage, outlining the grammatical structure of English, showing how to put words and phrases together to achieve clarity, and identifying common errors. The two chapters on documentation have been reorganized and updated: the first now describes the two main systems preferred by Chicago, and the second discusses specific elements and subject matter, with examples of both systems. Coverage of design and manufacturing has been streamlined to reflect what writers and editors need to know about current procedures. And, to make it easier to search for information, each numbered paragraph throughout the Manual is now introduced by a descriptive heading.

Clear, concise, and replete with commonsense advice, The Chicago Manual of Style, fifteenth edition, offers the wisdom of a hundred years of editorial practice while including a wealth of new topics and updated perspectives. For anyone who works with words, whether on a page or computer screen, this continues to be the one reference book you simply must have.

What's new in the Fifteenth Edition:

* Updated material throughout to reflect current style, technology, and professional practice

* Scope expanded to include journals and electronic publications

* Comprehensive new chapter on American English grammar and usage by Bryan A. Garner (author of A Dictionary of Modern American Usage)

* Updated and rewritten chapter on preparing mathematical copy

* Reorganized and updated chapters on documentation, including guidance on citing electronic sources

* Streamlined coverage of current design and production processes, with a glossary of key terms

* Descriptive headings on all numbered paragraphs for ease of reference

* New diagrams of the editing and production processes for both books and journals, keyed to chapter discussions

* New, expanded Web site with special tools and features for Manual users at
www.chicagomanualofstyle.org.
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The Author and His Publisher
Lectures Delivered in Mainz and Austin
Siegfried Unseld
University of Chicago Press, 1980
As head of Suhrkamp Verlag, a premier German publishing house, Siegfried Unseld is eminently qualified to write about the relationship between authors and their publishers—and he does so here with engaging partisan enthusiasm. Long familiar with what he terms the Janus-headed nature of the publishing profession, Unseld considers the dual responsibilities of a publisher: in one direction, his responsibility for the material success of his firm; and in the other, his responsibility to the intellectual ideals and spiritual requirements of his authors.

Through close examination of four writers, Unseld shows how the author's personality can affect the publisher's dilemma. Hermann Hesse, by virtue of his loyalty and his desire for financial independence, enjoyed an exemplary relationship with his publishers. With Bertolt Brecht it was all confusion; with Rainer Maria Rilke, a one-author-one-publisher lifetime alliance; with Swiss poet Robert Walser, a mire of difficulties ("Each book printed," he once said, was "a grave for its author").
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Goethe and His Publishers
Siegfried Unseld
University of Chicago Press, 1996
Goethe's ranging literary genius, nimble yet luminous, resists simple classification. Poet and natural philosopher, critic and raconteur, Goethe was the most commanding literary presence of his time.

Goethe and His Publishers organizes for the first time the myriad details of Goethe's career in print. Director of the German publishing company Suhrkamp Verlag, Siegfried Unseld brings a singular perspective to this biography, focusing our attention on an essential component of Goethe's literary endeavors: his relationship to his publishers. Carefully examining each work, Unseld covers the range of Goethe's oeuvre, from first anonymous publications to eventual monumental editions brought out by Johann Friedrich Cotta, the most renowned publisher of his day.

Unseld sifts through the rich correspondence between Goethe and his publishers, as well as letters to and from friends, colleagues, and contemporaries. Analyzing publishing contracts, draft contracts, and historical documents, Unseld reveals the tremendous energy Goethe exerted on behalf of his manuscripts. During negotiations he was sometimes circumspect and reserved, other times demanding and assertive. These exchanges not only shed new light on Goethe's complex character but also show how he changed the author's role in the publishing process. Thus, this work offers a penetrating study on the intricate and many-tiered relations between author and publisher, then and today.

Goethe and His Publishers celebrates Goethe's works, his life, and his times, from the viewpoint of a publisher today. Written by an individual who has devoted much of his life to the study of the poet whom he reveres, such a personal approach not only forms an excellent introduction to Goethe's work but helps restore Goethe to his rightful place in the world of letters.

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Goethe and the Ginkgo
A Tree and a Poem
Siegfried Unseld
University of Chicago Press, 2003
In 1815, Goethe gave symbolic expression to his intense relationship with Marianne Willemer, a recently married woman thirty-five years his junior. He gave her a leaf from the ginkgo tree, explaining that, like its deeply cleft yet still whole leaf, he was "single yet twofold." Although it is not known if their relationship was ever consummated, they did exchange love poetry, and Goethe published several of Marianne's poems in his West-East Divan without crediting her authorship.

In this beautiful little book, renowned Goethe scholar Siegfried Unseld considers what this episode means to our estimation of a writer many consider nearly godlike in stature. Unseld begins by exploring the botanical and medical lore of the ginkgo, including the use of its nut as an aphrodisiac and anti-aging serum. He then delves into Goethe's writings for the light they shed on his relationship with Marianne. Unseld reveals Goethe as a great yet human being, subject, as any other man, to the vagaries of passion.
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Information Now
A Graphic Guide to Student Research
Matt Upson
University of Chicago Press, 2015
Every day researchers face an onslaught of irrelevant, inaccurate, and sometimes insidious information. While new technologies provide powerful tools for accessing knowledge, not all information is created equal. Valuable information may be tucked away on a shelf, buried on the hundredth page of search results, or hidden behind digital barriers. With so many obstacles to effective research, it is vital that higher education students master the art of inquiry.

Information Now is an innovative approach to information literacy that will reinvent the way college students think about research. Instead of the typical textbook format, it uses illustrations, humor, and reflective exercises to teach students how to become savvy researchers. Students will learn how to evaluate information, to incorporate it into their existing knowledge base, to wield it effectively, and to understand the ethical issues surrounding its use. Written by two library professionals, it incorporates concepts and skills drawn from the Association of College and Research Libraries’ Information Literacy Competency Standards for Higher Education and their Framework for Information Literacy for Higher Education. Thoroughly researched and highly engaging, Information Now offers the tools that students need to become powerful consumers and creators of information.

Whether used by a high school student tackling a big paper, an undergrad facing the newness of a university library, or a writer wanting to go beyond Google, Information Now is a powerful tool for any researcher’s arsenal.
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Information Now, Second Edition
A Graphic Guide to Student Research and Web Literacy
Matt Upson
University of Chicago Press, 2021
Today’s information environments are complex, and learning how to find relevant and reliable information online, as well as how to fact-check and evaluate that information, is essential. Enter Information Now, a graphic guide that uses humor and sequential art to teach students about information, research, and the web. 

This second edition of the popular guide incorporates critical analysis of information systems, asking students to think about the biases and problems in how databases and search engines are designed and used. It also addresses how different populations of people are disproportionately affected by the algorithmic biases built into information systems. And it includes revised critical thinking exercises in every chapter.

Written and revised by library professionals, Information Now is a fun and insightful tool for high school and college students, writers, and anyone wanting to improve their research skills.
 
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The Path of Desire
Living Tantra in Northeast India
Hugh B. Urban
University of Chicago Press, 2024
A provocative study of contemporary Tantra as a dynamic living tradition.
 
Tantra, one of the most important religious currents in South Asia, is often misrepresented as little more than ritualized sex. Through a mixture of ethnography and history, Hugh B. Urban reveals a dynamic living tradition behind the sensationalist stories. Urban shows that Tantric desire goes beyond the erotic, encompassing such quotidian experiences as childbearing and healing. He traces these holistic desires through a series of unique practices: institutional Tantra centered on gurus and esoteric rituals; public Tantra marked by performance and festival; folk Tantra focused on magic and personal well-being; and popular Tantra imagined in fiction, film, and digital media. The result is a provocative new description of Hindu Tantra that challenges us to approach religion as something always entwined with politics and culture, thoroughly entangled with ordinary needs and desires.
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Secrecy
Silence, Power, and Religion
Hugh B. Urban
University of Chicago Press, 2021
The powers of political secrecy and social spectacle have been taken to surreal extremes recently. Witness the twin terrors of a president who refuses to disclose dealings with foreign powers while the private data of ordinary citizens is stolen and marketed in order to manipulate consumer preferences and voting outcomes. We have become accustomed to thinking about secrecy in political terms and personal privacy terms. In this bracing, new work, Hugh Urban wants us to focus these same powers of observation on the role of secrecy in religion.

With Secrecy, Urban investigates several revealing instances of the power of secrecy in religion, including nineteenth-century Scottish Rite Freemasonry, the sexual magic of a Russian-born Parisian mystic; the white supremacist BrüderSchweigen or “Silent Brotherhood” movement of the 1980s, the Five Percenters, and the Church of Scientology. An electrifying read, Secrecy is the culmination of decades of Urban’s reflections on a vexed, ever-present subject.
 
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Aesthetics of Renewal
Martin Buber's Early Representation of Hasidism as Kulturkritik
Martina Urban
University of Chicago Press, 2008
Martin Buber’s embrace of Hasidism at the start of the twentieth century was instrumental to the revival of this popular form of Jewish mysticism. Hoping to instigate a Jewish cultural and spiritual renaissance, he published a series of anthologies of Hasidic teachings written in German to introduce the tradition to a wide audience. In Aesthetics of Renewal, Martina Urban closely analyzes Buber’s writings and sources to explore his interpretation of Hasidic spirituality as a form of cultural criticism.
 
For Buber, Hasidic legends and teachings were not a static, canonical body of knowledge, but were dynamic and open to continuous reinterpretation. Urban argues that this representation of Hasidism was essential to the Zionist effort to restore a sense of unity across the Jewish diaspora as purely religious traditions weakened—and that Buber’s anthologies in turn played a vital part in the broad movement to use cultural memory as a means to reconstruct a collective identity for Jews. As Urban unravels the rich layers of Buber’s vision of Hasidism in this insightful book, he emerges as one of the preeminent thinkers on the place of religion in modern culture.
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Mill on Democracy
From the Athenian Polis to Representative Government
Nadia Urbinati
University of Chicago Press, 2002
Despite John Stuart Mill's widely respected contributions to philosophy and political economy, his work on political philosophy has received a much more mixed response. Some critics have even charged that Mill's liberalism was part of a political project to restrain, rather than foster, democracy.

Redirecting attention to Mill as a political thinker, Nadia Urbinati argues that this claim misrepresents Mill's thinking. Although he did not elaborate a theory of democracy, Mill did devise new avenues of democratic participation in government that could absorb the transformation of politics engendered by the institution of representation. More generally, Urbinati assesses Mill's contribution to modern democratic theory by critiquing the dominant "two liberties" narrative that has shaped Mill scholarship over the last several decades. As Urbinati shows, neither Isaiah Berlin's theory of negative and positive freedom nor Quentin Skinner's theory of liberty as freedom from domination adequately captures Mill's notion of political theory.

Drawing on Mill's often overlooked writings on ancient Greece, Urbinati shows that Mill saw the ideal representative government as a "polis of the moderns," a metamorphosis of the unique features of the Athenian polis: the deliberative character of its institutions and politics; the Socratic ethos; and the cooperative implications of political agonism and dissent. The ancient Greeks, Urbinati shows, and Athenians in particular, are the key to understanding Mill's contribution to modern democratic theory and the theory of political liberty.

Urbinati concludes by demonstrating the importance of Mill's deliberative model of politics to the contemporary debate on liberal and republican views of liberty. Her fresh and persuasive approach not only clarifies Mill's political ideas but also illustrates how they can help enrich our contemporary understanding of democracy.
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Representative Democracy
Principles and Genealogy
Nadia Urbinati
University of Chicago Press, 2006
It is usually held that representative government is not strictly democratic, since it does not allow the people themselves to directly make decisions. But here, taking as her guide Thomas Paine’s subversive view that “Athens, by representation, would have surpassed her own democracy,” Nadia Urbinati challenges this accepted wisdom, arguing that political representation deserves to be regarded as a fully legitimate mode of democratic decision making—and not just a pragmatic second choice when direct democracy is not possible.
As Urbinati shows, the idea that representation is incompatible with democracy stems from our modern concept of sovereignty, which identifies politics with a decision maker’s direct physical presence and the immediate act of the will. She goes on to contend that a democratic theory of representation can and should go beyond these identifications. Political representation, she demonstrates, is ultimately grounded in a continuum of influence and power created by political judgment, as well as the way presence through ideas and speech links society with representative institutions. Deftly integrating the ideas of such thinkers as Rousseau, Kant, Emmanuel Joseph Sieyès, Paine, and the Marquis de Condorcet with her own, Urbinati constructs a thought-provoking alternative vision of democracy.
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Between the Black Box and the White Cube
Expanded Cinema and Postwar Art
Andrew V. Uroskie
University of Chicago Press, 2014
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.
 
Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.
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front cover of The Measurement of Capital
The Measurement of Capital
Dan Usher
University of Chicago Press, 1980
How is real capital measured by government statistical agencies? How could this measure be improved to correspond more closely to an economist's ideal measure of capital in economic analysis and prediction? It is possible to construct a single, reliable time series for all capital goods, regardless of differences in vintage, technological complexity, and rates of depreciation? These questions represent the common themes of this collection of papers, originally presented at a 1976 meeting of the Conference on Income and Wealth.
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front cover of Pure Intelligence
Pure Intelligence
The Life of William Hyde Wollaston
Melvyn C. Usselman
University of Chicago Press, 2015
William Hyde Wollaston made an astonishing number of discoveries in an astonishingly varied number of fields: platinum metallurgy, the existence of ultraviolet radiation, the chemical elements palladium and rhodium, the amino acid cystine, and the physiology of binocular vision, among others. Along with his colleagues Humphry Davy and Thomas Young, he was widely recognized during his life as one of Britain’s leading scientific practitioners in the first part of the nineteenth century, and the  deaths of all three within a six-month span, between 1828 and 1829, were seen by many as the end of a glorious period of British scientific supremacy. Unlike Davy and Young, however, Wollaston was not the subject of a contemporary biography, and his many impressive achievements have fallen into obscurity as a result.

Pure Intelligence is the first book-length study of Wollaston, his science, and the environment in which he thrived. Drawing on previously-unstudied laboratory records as well as historical reconstructions of chemical experiments and discoveries, and written in a highly accessible style, Pure Intelligence will help to reinstate Wollaston in the history of science, and the pantheon of its great innovators.
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