Before J.D. Salinger became famous for his 1951 novel The Catcher in the Rye and infamous as a literary recluse, he was a soldier in World War II. While serving in the U.S. Army's Counter Intelligence Corps (CIC) in Europe, Salinger wrote more than twenty short stories and returned home with a German war bride. Eberhard Alsen, through meticulous archival research and careful analysis of the literary record, corrects mistaken assumptions about the young writer's war years and their repercussions. Though recent biographies and films claim that Salinger regularly participated in combat, Alsen cites military documents showing that his counterintelligence work was well behind the front lines.

Alsen, a longtime Salinger scholar who witnessed the Nazi regime firsthand as a child in Germany, tracks Salinger's prewar experiences in the army, his work for the CIC during significant military campaigns, and his reactions to three military disasters that killed more than a thousand fellow soldiers in his Fourth Infantry Division. Alsen also identifies the Nazi death camp where Salinger saw mounds of recently burned bodies. Revealing details shed light on Salinger's outspoken disgust for American military leaders, the personality changes that others saw in him after the war, and his avoidance of topics related to the Holocaust.

The Jazz Singer was the first feature length film with spoken dialog as part of the dramatic action. Set in the 1920s, it deals with the elemental conflicts underlying a precise historical moment for the first-generation Jew in America—sacred versus profane, Jew versus Gentile, ascetic versus libertine, deprivation versus economic promise, immobility versus displacement.

Jonathan Ascher, an acclaimed 1960s radical writer and cultural hero, has been dead for thirty years.
            When a would-be biographer approaches Ascher’s widow Martha, she delves for the first time into her husband’s papers and all the secrets that come tumbling out of them. She finds journals that begin as a wisecracking chronicle of life at the fringes of the New York literary scene, then recount Ascher’s sexual adventures in the pre-Stonewall gay underground and the social upheavals that led to his famous book “JD.” As Martha reads on, she finds herself in a long-distance conversation with her dead husband, fighting with him again about their rocky marriage and learning about the unseen tragedy in her own apartment that ended with the destruction of their son, Mickey. Mickey comes to life in the space between Jonathan and Martha’s conflicting portraits of him, while Martha and the biographer tangle over the continued relevance of Jonathan’s politics and his unfulfilled vision of a nation remade. Martha learns about herself, finally, through her confrontation with a man who will not let her go, even in death.
            Mark Merlis’s JD is a brilliant and harrowing view of a half century of the American experiment, acted out on a small stage by three people who cannot find a way—neither sex nor touch nor words—to speak their love for one another.

Best Books of 2015: Fiction, Open Letters Monthly

Finalist, Gay Fiction, Lambda Literary Award

Finalist, Ferro-Grumley Award for LGBT Fiction, Publishing Triangle

Best books for public & secondary school libraries from university presses, American Library Association

“Many years after a ’60s New York writer's death, his widow confronts their tumultuous marriage and private identities through his journals. . . . JD’s most masterful element is its treatment of these two characters, both of whom spent their lives groping for contentment like one trying to find a light switch in a darkened room. A great writer offers not just tight prose but also insight, a series of probing questions that extend from the fictional world into the real one. JD asks who its characters were, and in doing so, forces the reader to confront the intricate and fascinating politics of identity.”—Shelf Awareness for Readers, *starred review
 
“A truly impressive work of literary fiction, JD documents author Mark Merlis as an extraordinary novelist able to deftly craft a complex plot and populate it with a roster of inherently fascinating characters and memorable events. The result is an entertaining and engaging read that will linger in the mind long after the book is finished. Very highly recommended for both community and academic library literary fiction collections.”—Midwest Book Review/Reviewer’s Bookwatch

“The fantastic JD (U. of Wisconsin), by acclaimed gay writer Mark Merlis (American Studies), is the writer's first novel in a dozen years. It's told in two voices. The first is that of the late gay writer Jonathan Ascher, and we hear from him through his journals. The second belongs to his widow Martha, who learns more about Jonathan than she ever imagined while reading the journals after agreeing to help a biographer of her late husband.”—Gregg Shapiro, Bay Area Reporter

Frederick Watkins’ 1953 edition of Rousseau’s Political Writings has long been noted for being fully accurate while representing much of Rousseau’s eloquence and elegance. It contains what is widely regarded as the finest English translation of The Social Contract, Rousseau’s greatest political treatise. In addition, this edition offers the best available translation of the late and important Government of Poland and the only published English translation of the fragment Constitutional Project for Corsica, which, says Watkins, provides the clearest possible demonstration of the practical implications of Rousseau’s political thought.

The Jewish Radical Right is the first comprehensive analysis of Zionist Revisionist thought in the 1920s and 1930s, and of its ideological legacy in modern-day Israel. The Revisionists, under the leadership of Ze'ev Jabotinsky, offered a radical view of Jewish history and a revolutionary vision for its future. Using new archival material, Eran Kaplan examines the intellectual and cultural origins of the Zionist and Israeli Right, when Revisionism evolved into one of the most important movements in the Zionist camp. He presents revisionism as a form of integral nationalism, rooted in an ontological monism and intellectually related to the radical right-wing ideologies that flourished in the early twentieth century. Kaplan provocatively suggests that revisionism's legacies can be found both in the right-wing policies of Likud and in the heart of Post Zionism and its critique of mainstream (Labor) Zionism.

Published with support from the Koret Jewish Studies Program

    German Jews were fully assimilated and secularized in the nineteenth century—or so it is commonly assumed. In Jewish Scholarship and Culture in the Nineteenth Century, Nils Roemer challenges this assumption, finding that religious sentiments, concepts, and rhetoric found expression through a newly emerging theological historicism at the center of modern German Jewish culture.
    Modern German Jewish identity developed during the struggle for emancipation, debates about religious and cultural renewal, and battles against anti-Semitism. A key component of this identity was historical memory, which Jewish scholars had begun to infuse with theological perspectives beginning in the 1850s. After German reunification in the early 1870s, Jewish intellectuals reevaluated their enthusiastic embrace of liberalism and secularism. Without abandoning the ideal of tolerance, they asserted a right to cultural religious difference for themselves--an ideal they held to even more tightly in the face of growing anti-Semitism. This newly re-theologized Jewish history, Roemer argues, helped German Jews fend off anti-Semitic attacks by strengthening their own sense of their culture and tradition.

    When he learned he had ALS and roughly two years to live, literary critic Mark Krupnick returned to the writers who had been his lifelong conversation partners and asked with renewed intensity: how do you live as a Jew, when, mostly, you live in your head? The evocative and sinuous essays collected here are the products of this inquiry. In his search for durable principles, Krupnick follows Lionel Trilling, Cynthia Ozick, Geoffrey Hartman, Philip Roth, Saul Bellow, and others into the elemental matters of life and death, sex and gender, power and vulnerability.

    The editors—Krupnick’s wife, Jean K. Carney, and literary critic Mark Shechner—have also included earlier essays and introductions that link Krupnick’s work with the “deep places” of his own imagination.

Jews and Other Germans is the first social and cultural history to probe the parameters of Jewish integration in the half century between the founding of the German Empire in 1871 and the early Weimar Republic. Questioning received wisdom about German-Jewish assimilation and the pervasiveness of anti-Semitism in Imperial Germany, van Rahden’s prize-winning book restores some of the complexity and openness of relations between Protestants, Catholics, and Jews before World War I.

            Closely analyzing the political, social, and cultural life in a major German city, van Rahden shows that Jews were a part of a broad urban community that encompassed diversity within unity, at once offering them a large measure of equality while permitting them to remain meaningfully Jewish. Jews and Other Germans also substantially revises the chronology of anti-Semitism in Germany, showing that Jews only began to experience exclusion from Breslau’s social world during World War I.

            Yet van Rahden not only illuminates Breslau’s multicultural fabric; he also tells the story of this remarkable city as one of cultural and religious conflict and coexistence. Recounting the experiences of Jews, Protestants, and Catholics within a single narrative, he offers a critical intervention into scholarship on liberalism and civil society in nineteenth- and early twentieth-century Europe.

      Often overshadowed by the persecution of Jews in Germany, the treatment of Jews in fascist Italy comes into sharp focus in this volume by Italian historian Michele Sarfatti. Using thorough and careful statistical evidence to document how the Italian social climate changed from relatively just to irredeemably prejudicial, Sarfatti begins with a history of Italian Jews in the decades before fascism—when Jews were fully integrated into Italian national life—and provides a deft and comprehensive history from fascism’s rise in 1922 to its defeat in 1945. 

 

 

Outstanding Academic Title, Choice Magazine
    

This is a book for historians, journalists—and for all of us who need to remember this turbulent time on our nation's past, and its lessons for today.

In the Progressive Era of American history, the state of Wisconsin gained national attention for its innovative economic and political reforms. Amidst this ferment, the "Wisconsin Idea" was popularized—the idea that a public university should improve the lives of people beyond the borders of its campus.

During his term as governor (1901–1906), Robert La Follette routinely consulted with University of Wisconsin researchers to devise groundbreaking programs and legislation. Although the Wisconsin Idea is often attributed to a 1904 speech by Charles Van Hise, then president of the University of Wisconsin, David Hoeveler argues that it originated decades earlier, in the creative and fertile mind of John Bascom.

A philosopher, theologian, and sociologist, Bascom (1827–1922) deeply influenced a generation of students at the University of Wisconsin, including La Follette and Van Hise. Hoeveler documents how Bascom drew concepts from German idealism, liberal Protestantism, and evolutionary theory, transforming them into advocacy for social and political reform. He was a champion of temperance, women's rights, and labor, all of which brought him controversy as president of the university from 1874 to 1887. In a way unmatched by any of his peers at other institutions, Bascom outlined a social gospel that called for an expanded role for state governments and universities as agencies of moral improvement.

Hoeveler traces the intellectual history of the Wisconsin Idea from the nineteenth century to such influential Progressive Era thinkers as Richard T. Ely and John R. Commons, who believed university researchers should be a vital source of expertise for government and citizens.

Stephen D. Watrous provides a complete volume of pertinent information by and about John Ledyard, one of the most amazing explorers of all time. Including Ledyard’s own journal, letters between him and others, particularly Thomas Jefferson, and biographical information on eighteenth-century Siberia, Watrous offers an exceptional look at history, geography, and travel.

"This is a collection of articles written by the pioneering naturalist for the San Francisco Evening Bulletin in 1874 and 1875.  .  .  .  In the course of his wanderings we hear Muir grow from a student of the wilderness to its professor and protector."—Sierra Magazine

John Muir, America’s pioneer conservationist and father of the national park system, was a man of considerable literary talent. As he explored the wilderness of the western part of the United States for decades, he carried notebooks with him, narrating his wanderings, describing what he saw, and recording his scientific researches. This reprint of his journals, edited by Linnie Marsh Wolfe in 1938 and long out of print, offers an intimate picture of Muir and his activities during a long and productive period of his life.
    The sixty extant journals and numerous notes in this volume were written from 1867 to 1911. They start seven years after the time covered in The Story of My Boyhood and Youth, Muir’s uncompleted autobiography. The earlier journals capture the essence of the Sierra Nevada and Alaska landscapes. The changing appearance of the Sierras from Sequoia north and beyond the Yosemites enthralled Muir, and the first four years of the journals reveal his dominating concern with glacial action. The later notebooks reflect his changes over the years, showing a mellowing of spirit and a deep concern for human rights.
    Like all his writings, the journals concentrate on his observations in the wilderness. His devotion to his family, his many warm friendships, and his many-sided public life are hardly mentioned. Very little is said about the quarter-century battle for national parks and forest reserves. The notebooks record, in language fuller and freer than his more formal writings, the depth of his love and transcendental feeling for the wilderness. The rich heritage of his native Scotland and the unconscious music of the poetry of Burns, Milton, and the King James Bible permeate the language of his poetic fancy.
    In his later life, Muir attempted to sort out these journals and, at the request of friends, published a few extracts. A year after his death in 1914, his literary executor and biographer, William Frederick Badè, also published episodes from the journals. Linnie Marsh Wolfe set out to salvage the best of his writings still left unpublished in 1938 and has thus added to our understanding of the life and thought of a complex and fascinating American figure.

John Williams is one of the most renowned film composers in history. He has penned unforgettable scores for Star Wars, the Indiana Jones series, E.T. the Extra-Terrestrial, Jaws, Superman, and countless other films. Fans flock to his many concerts, and with forty-nine Academy Award nominations as of 2014, he is the second-most Oscar-nominated person after Walt Disney. Yet despite such critical acclaim and prestige, this is the first book in English on Williams’s work and career.
            Combining accessible writing with thorough scholarship, and rigorous historical accounts with insightful readings, John Williams’s Film Music explores why Williams is so important to the history of film music. Beginning with an overview of music from Hollywood’s Golden Age (1933–58), Emilio Audissino traces the turning points of Williams’s career and articulates how he revived the classical Hollywood musical style. This book charts each landmark of this musical restoration, with special attention to the scores for Jaws and Star Wars, Williams’s work as conductor of the Boston Pops Orchestra, and a full film/music analysis of Raiders of the Lost Ark. The result is a precise, enlightening definition of Williams’s “neoclassicism” and a grounded demonstration of his lasting importance, for both his compositions and his historical role in restoring part of the Hollywood tradition.

Best Special Interest Books, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers

One of the most famous American journals is that of seventeenth-century Puritan leader John Winthrop. As the first governor of the Massachusetts Bay Colony, an office he held with few interruptions for two decades, he worked to establish a society in which he thought true Christianity could flourish, beyond the reach of the unfaithful Church of England. Winthrop recorded the daily events of his life—the political infighting and religious disputes among Puritans, as well as their relations with other colonists, Indians, and England. His journal is a window into a world that, while unfamiliar, continues to influence our sense of the meaning of America.
    In the first in-depth study of Winthrop since 1958, James G. Moseley provides a fascinating new look at this extraordinary man, paying careful attention to the connections between Winthrop’s political activity and his writing. Moseley first examines Winthrop as a writer, using the journal to analyze Winthrop as a man resolving challenges based as much on his acutely pragmatic intelligence as on his deeply felt religious convictions. Second, Moseley traces how historians have responded to Winthrop—how his famous journal has been read and misread by those who have filtered the man and his cultural context through many lenses.
    By examining Winthrop’s ancestors and early life in England, especially the religious changes he experienced, Moseley removes the blinders of modernism, portraying Winthrop as never before. He shows how Winthrop’s successful struggle to accept the deaths of his first two wives led him away from moralistic views of Christianity, himself, and his world to more magnanimous views.
    Arguing that writing was the medium through which Winthrop developed his capacity for leadership, Moseley shows how the journal enabled Winthrop to reflect objectively on his situation and to adjust his behavior. Winthrop was, Moseley suggests, not only a politician but a historian, and his interpretations of foundational events in American history in his journal are an invaluable resource for understanding the nature of leadership and the meaning of liberty in Puritan America.
    Winthrop’s World is a very graceful, well-written, and engaging narrative that provides new insight into the Puritan way of life and into the man who provided a window between our world and his.

Joinings and Disjoinings illustrates the importance of marriage or singleness in short stories and novels and suggests the diverse perspectives the topic can provide on specific works and on analysis of the cultural importance of marriage and marital status. Essays discuss  canonical and lesser-known works, providing social, historical, and literary context.

Journeys beyond the Pale is the first book to examine how Yiddish writers, from Mendele Moycher Sforim to Der Nister to the famed Sholem Aleichem, used motifs of travel to express their complicated relationship with modernization.  The story of the Jews of the Pale of settlement encompasses current-day Russia, the Ukraine, Belarus, and Poland. 

Four early American women tell their own stories:  Mary Rowlandson on her capture by Indians in 1676, Boston businesswoman Sarah Kemble Knight on her travels in New England, Elizabeth Ashbridge on her personal odyssey from indentured servant to Quaker preacher, and Elizabeth House Trist, correspondent of Thomas Jefferson, on her travels from Philadelphia to Natchez.  Accompanied by introductions and extensive notes.

"The writings of four hearty women who braved considerable privation and suffering in a wild, uncultivated 17th- and 18th-century America.  Although confined by Old World patriarchy, these women, through their narratives, have endowed the frontier experience with a feminine identity that is generally absent from early American literature."—Publishers Weekly

“Joyce’s Book of the Dark gives us such a blend of exciting intelligence and impressive erudition that it will surely become established as one of the most fascinating and readable Finnegans Wake studies now available.”—Margot Norris, James Joyce Literary Supplement

The eastern half of the Roman Empire, economically the stronger, did not "fall" but continued almost intact, safe in the new capital of Constantinople. This empire is the subject of John Barker Jr.'s book and the central focus of his examination of questions of continuity and change.