Written in lucid, vigorous prose, La Follette's Autobiography is the famous Wisconsin senator's own account of his political life and philosophy. Both memoir and a history of the Progressive cause in the United States, it charts La Follette's formative years in politics, his attempts to abolish entrenched, ruthless state and corporate influences, and his embattled efforts to advance Progressive policies as Wisconsin governor and U.S. senator. With a new foreword by Matthew Rothschild, editor of The Progressive—the magazine that La Follette himself founded—the Autobiography remains a powerful reminder of the legacies of Progressivism and reform and the enduring voice of the man who fought for them.

Joan Crawford forged a new and successful screen image in this powerful women's noir film; winning her an Academy Award for best actress.

Albert J. LaValley's through and insightful guide to Mildred Pierce at once tells us much about the making of this complex film, the problems and process of transferring the story to the screen, the specific and important roles of the producer, director, and set designer, and how the film relates to broad trends within the industry. It is without a doubt the most thorough treatment of this important American motion picture.

Professor Jay Ladin made headlines around the world when, after years of teaching literature at Yeshiva University, he returned to the Orthodox Jewish campus as a woman—Joy Ladin. In Through the Door of Life, Joy Ladin takes readers inside her transition as she changed genders and, in the process, created a new self.
    With unsparing honesty and surprising humor, Ladin wrestles with both the practical problems of gender transition and the larger moral, spiritual, and philosophical questions that arise. Ladin recounts her struggle to reconcile the pain of her experience living as the “wrong” gender with the pain of her children in losing the father they love. We eavesdrop on her lifelong conversations with the God whom she sees both as the source of her agony and as her hope for transcending it. We look over her shoulder as she learns to walk and talk as a woman after forty-plus years of walking and talking as a man. We stare with her into the mirror as she asks herself how the new self she is creating will ever become real.
    Ladin’s poignant memoir takes us from the death of living as the man she knew she wasn’t, to the shattering of family and career that accompanied her transition, to the new self, relationships, and love she finds when she opens the door of life.


2012 Finalist for the National Jewish Book Award for Biography, Autobiography, or Memoir

    Suicide is a significant problem for many adolescents in Native American Indian populations. American Indian Life Skills Development Curriculum is a course for high school students and some middle school students that is designed to drastically reduce suicidal thinking and behavior.
     Created in collaboration with students and community members from the Zuni Pueblo and the Cherokee Nation of Oklahoma, this curriculum addresses key issues in Native American Indian adolescents’ lives and teaches such life skills as communication, problem solving, depression and stress management, anger regulation, and goal setting. The course is unique in its skills-based approach. After first increasing awareness and knowledge of suicide, it then teaches students specific methods to help a peer turn away from suicidal thinking and seek help from an appropriate help-giver.
     The skills-based approach of this curriculum follows well-established teaching methods to develop social skills. Teachers and peers inform students of the rationale and components of a particular skill, model and demonstrate the skill for them, and later provide feedback on individual skill performance.

A Mind of Her Own:  Helen Connor Laird and Family 1888–1982 captures the public achievement and private pain of a remarkable Wisconsin woman and her family, whose interests and influence extended well beyond the borders of the state. Spanning almost a century, the history speaks to the way we were and are: a stridently materialistic nation with a deep and persistent spiritual component.

This timely volume embraces and interprets the increasingly broad and deep canon of life narratives by African Americans. The contributors discover and recover neglected lives, texts, and genres, enlarge the wide range of critical methods used by scholars to study these works, and expand the understanding of autobiography to encompass photography, comics, blogs, and other modes of self-expression. This book also examines at length the proliferation of African American autobiography in the twenty-first century, noting the roles of digital genres, remediated lives, celebrity lives, self-help culture, non-Western religious traditions, and the politics of adoption.
            The life narratives studied range from an eighteenth-century criminal narrative, a 1918 autobiography, and the works of Richard Wright to new media, graphic novels, and a celebrity memoir from Pam Grier.

Since the late 1960s, American film and video makers of all genres have been fascinated with themes of self and identity. Though the documentary form is most often used to capture the lives of others, Jim Lane turns his lens on those media makers who document their own lives and identities. He looks at the ways in which autobiographical documentaries—including Roger and Me, Sherman’s March, and Silverlake Life—raise weighty questions about American cultural life. What is the role of women in society? What does it mean to die from AIDS? How do race and class play out in our personal lives? What does it mean to be a member of a family? Examining the history, diversity, and theoretical underpinnings of this increasingly popular documentary form, Lane tracks a fundamental transformation of notions of both autobiography and documentary.

The artistic achievements of Romaine Brooks (1874–1970), both as a major expatriate American painter and as a formative innovator in the decorative arts, have long been overshadowed by her fifty-year relationship with writer Natalie Barney and a reputation as a fiercely independent, aloof heiress who associated with fascists in the 1930s. In Romaine Brooks: A Life, art historian Cassandra Langer provides a richer, deeper portrait of Brooks's aesthetics and experimentation as an artist—and of her entire life, from her chaotic, traumatic childhood to the enigmatic decades after World War II, when she produced very little art. This provocative, lively biography takes aim at many myths about Brooks and her friends, lovers, and the subjects of her portraits, revealing a woman of wit and passion who overcame enormous personal and societal challenges to become an extraordinary artist and create a life on her own terms.

Romaine Brooks: A Life introduces much fresh information from Langer's decades of research on Brooks and establishes this groundbreaking artist's centrality to feminism and contemporary sexual politics as well as to visual culture.

Nick Lantz explores the transformative power of tragic and miraculous experiences, through these poems that illuminate near misses of tragedy and transcendence. His gaze is both roving and microscopic—the Challenger explosion, Bigfoot, a love letter written from inside a missile silo, a mother naming and re-naming a family’s short-lived pets, and a plea for post-9/11 redemption. Lantz never lets his subjects or his readers off the hook, plunging head first into worlds that are both eccentric and familiar, alarming and hopeful.

Finalist, Foreword Magazine’s Poetry Book of the Year

With macabre humor, You, Beast explores the roots and limits of human empathy. Nick Lantz examines our strange, absurd, and often brutal relationship with other animals, from roaches scuttling across the kitchen floor to pigs whose heart valves can replace our own. In poems ranging from found text to villanelles, and from short plays to fables, this lyric collection tracks the troubled ways we define our humanity through mythology, language, politics, art, and food.

Labeled “Amazons” by the national press, women played a central role in the Huk rebellion, one of the most significant peasant-based revolutions in modern Philippine history. As spies, organizers, nurses, couriers, soldiers, and even military commanders, women worked closely with men to resist first Japanese occupation and later, after WWII, to challenge the new Philippine republic. But in the midst of the uncertainty and violence of rebellion, these women also pursued personal lives, falling in love, becoming pregnant, and raising families, often with their male comrades-in-arms.
    Drawing on interviews with over one hundred veterans of the movement, Vina A. Lanzona explores the Huk rebellion from the intimate and collective experiences of its female participants, demonstrating how their presence, and the complex questions of gender, family, and sexuality they provoked, ultimately shaped the nature of the revolutionary struggle.

 

Winner, Kenneth W. Baldridge Prize for the best history book written by a resident of Hawaii, sponsored by Brigham Young University–Hawaii

First published in 1855 and long out of print, The Antiquities of Wisconsin remains invaluable as a detailed record of Wisconsin’s rich archaeological heritage of mounds and mound groups, many of which were later destroyed by farming and urban growth. Lapham was among the first scientists to produce evidence that the earthworks had been built by the ancestors of modern Native Americans, not some mythical "lost race," as was believed by many white authorities of the time. Modern researchers still use Lapham’s maps and descriptions to locate vestiges of sites that once existed, or to help reconstruct Wisconsin’s ancient cultural landscape. This edition includes a foreword by Wisconsin state archaeologist Robert A. Birmingham and an introduction by Robert P. Nurre, a Lapham scholar.

Swearing, drunkenness, promiscuity, playing loud music, brawling—in the Soviet Union these were not merely bad behavior, they were all forms of the crime of "hooliganism." Defined as "rudely violating public order and expressing clear disrespect for society," hooliganism was one of the most common and confusing crimes in the world's first socialist state. Under its shifting, ambiguous, and elastic terms, millions of Soviet citizens were arrested and incarcerated for periods ranging from three days to five years and for everything from swearing at a wife to stabbing a complete stranger.

Hooligans in Khrushchev's Russia offers the first comprehensive study of how Soviet police, prosecutors, judges, and ordinary citizens during the Khrushchev era (1953–64) understood, fought against, or embraced this catch-all category of criminality. Using a wide range of newly opened archival sources, it portrays the Khrushchev period—usually considered as a time of liberalizing reform and reduced repression—as an era of renewed harassment against a wide range of state-defined undesirables and as a time when policing and persecution were expanded to encompass the mundane aspects of everyday life. In an atmosphere of Cold War competition, foreign cultural penetration, and transatlantic anxiety over "rebels without a cause," hooliganism emerged as a vital tool that post-Stalinist elites used to civilize their uncultured working class, confirm their embattled cultural ideals, and create the right-thinking and right-acting socialist society of their dreams.

In the summer of 1917 three Wisconsin National Guard companies came together to form the 150th Machine Gun Battalion of the now famous 42nd “Rainbow” Division. As true comrades, they relied on one another for support as they fought in every major battle of the American Expeditionary Forces, including the landmark battle of Chateau Thierry, which cost the unit dearly. As one of Wisconsin’s most celebrated units, a soldier coming from the battalion was selected to represent the state at the unveiling of the Tomb of the Unknown Soldier in Washington, D.C., in 1921. Today, the 150th is all but forgotten, in part because their unit history was never written. Through letters, diaries, and other recollections, Larson tells us the story of these Guardsmen’s experiences. He traces the path of their wartime service and considers the impact of war’s trauma and tedium on their lives.

In 1910, when Olaf F. Larson was born to tenant livestock and tobacco farmers in Rock County, Wisconsin, the original barn still stood on the property. It was filled with artifacts of an earlier time—an ox yoke, a grain cradle, a scythe used to cut hay by hand. But Larson came of age in a brave new world of modern inventions—tractors, trucks, combines, airplanes—that would change farming and rural life forever.

The End of Organized Capitalism argues that—despite Marx’s and Weber’s insistence that capitalist societies become increasingly more ordered—we now live in an era of “disorganized capitalism.” The book is devoted to a systematic examination of the shift to disorganized capitalism in five Western nations (Britain, the United States, France, West Germany, and Sweden). Through the analysis of space, class, and culture, Lash and Urry portray the restructuring of capitalist social relations that has resulted from this disorganization. They adduce evidence for the claims that in each of the nations there is a movement toward a deconcentration of capital within nation-states; toward the increased separation of banks, industry and the state; and toward the redistribution of productive relations and class-relevant residential patterns.
    The authors also show that national disparities in contemporary, disorganized capitalism can be understood through close examination of the extent to which, and mode in which, capitalism became historically organized in each of the five countries under consideration.
    The lucid arguments and judicious comparisons in this book will be of great interest to political scientists, sociologists, geographers, economists, and historians.

 

In 1935, in the midst of relentless drought, Aldo Leopold purchased an abandoned farm along the Wisconsin River near Baraboo, Wisconsin. An old chicken coop, later to become famous as the Leopold "Shack," was the property's only intact structure. The Leopold family embraced this spent farm as a new kind of laboratory—a place to experiment on restoring health to an ailing piece of land. Here, Leopold found inspiration for writing A Sand County Almanac, his influential book of essays on conservation and ethics.

Living a Land Ethic chronicles the formation of the 1,600-acre reserve surrounding the Shack. When the Leopold Memorial Reserve was founded in 1967, five neighboring families signed an innovative agreement to jointly care for their properties in ways that honored Aldo Leopold's legacy. In the ensuing years, the Reserve's Coleman and Leopold families formed the Sand County Foundation and the Aldo Leopold Foundation. These organizations have been the primary stewards of the Reserve, carrying on a tradition of ecological restoration and cooperative conservation. Author Stephen A. Laubach draws from the archives of both foundations, including articles of incorporation, correspondence, photos, managers' notes, and interviews to share with readers the Reserve's untold history and its important place in the American conservation movement.

The Federal Government in the United States is a government “of the people, by the people, and for the people.” Presidents are elected by popular vote in the nation (filtered through the electoral college), Senators are elected by popular vote in their states, and Representatives are elected by popular vote in their Congressional districts. Cabinet members and agency heads are appointed by the elected president, as are members of the Supreme Court.

But this says nothing about politics. Professor Lauman and Knoke have asked, in this book, how policies were made, in the period 1977-1980, in the areas of energy and health. The question is a very different one from the question of how the positions of president and Congress are filled.

Last seen in the 1880s, cougars (also known as pumas or mountain lions) are making a return to the plains regions of the Midwest. Their comeback, heralded by wildlife enthusiasts, has brought concern and questions to many. Will the people of the region make room for cougars? Can they survive the highly altered landscape of the Midwest? Is there a future for these intrepid pioneers if they head even farther east?
    Using GIS technology, and historical data, among many other methods, Phantoms of the Prairie takes readers on a virtual journey, showing how the cougar might move over the landscape with minimal human contact. Drawing on his years of research on cougars, John W. Laundré offers an overview of what has been, what is, and what might be regarding the return of cougars to their ancestral prairie homeland.

    After the deaths of her father and father-in-law, Laurie Lawlor discovers an unlikely place for healing and transformation in a wetland in southeastern Wisconsin—a landscape of abundant and sometimes inaccessible beauty that has often been ignored, misunderstood, and threatened by human destruction. In her decade-long personal wetland journey, she examines the sky, delves underwater, and peers between sedges in all seasons and all times of day.
    This Tender Place is a celebration of nature, the elements, and humanity. From the wetland’s genesis during the ice age to its survival in the twenty-first century, Lawlor chronicles the universal ties among people, wild places, and healthy wetlands.

    An engaging and deeply intimate record, This Tender Place is at its heart a story of refuge and renewal refracted through the lens of life within the wetlands—one of the most productive, yet most endangered, ecosystems in the world.

As a young man in South Africa, Nelson Mandela aspired to be an interpreter or clerk, noting in his autobiography that “a career as a civil servant was a glittering prize for an African.” Africans in the lower echelons of colonial bureaucracy often held positions of little official authority, but in practice these positions were lynchpins of colonial rule. As the primary intermediaries among European colonial officials, African chiefs, and subject populations, these civil servants could manipulate the intersections of power, authority, and knowledge at the center of colonial society.
            By uncovering the role of such men (and a few women) in the construction, function, and legal apparatus of colonial states, the essays in this volume highlight a new perspective. They offer important insights on hegemony, collaboration, and resistance, structures and changes in colonial rule, the role of language and education, the production of knowledge and expertise in colonial settings, and the impact of colonization in dividing African societies by gender, race, status, and class.

The story of Irvin S. Cobb is a fascinating one for many reasons. His life was not unusual at the time: a Horatio Alger rise from poor boy to world authority through hard work. Associate of celebrities of all kinds for two decades, he died in Hollywood virtually forgotten, having outlived the world he grew up in and which appreciated him.

Approximately fifty historical novels dealing with the American Revolution were published in the United States from 1896 to 1906. Benjamin S. Lawson critically examines the narrative strategies employed in these works and the ways in which fiction is made to serve the purpose of vivifying national history.
    Writing within the conventions of the historical romance, these authors created plots that  reflect the enveloping concerns of the War for Independence, such as the young American woman who often must choose between suitors on opposite sides in the wider conflict.
    Lawson concludes that these works reassured readers of the worth of an Anglo-American heritage. They were escapist fantasies to the degree that they failed to confront contemporary realities of crisis and change: the New Immigration, urbanization and industrialization, labor strife, the plight of the poor, and agitation on behalf of women and ethnic minorities.

Across the United States, the issue of immigration has generated rancorous debate and divided communities. Many states and municipalities have passed restrictive legislation that erodes any sense of community. Against the Tide tells the story of Jupiter, Florida, a coastal town of approximately 50,000 that has taken a different path.
    At the beginning of the twenty-first century, Jupiter was in the throes of immigration debates. A decade earlier, this small town had experienced an influx of migrants from Mexico and Guatemala. Immigrants seeking work gathered daily on one of the city’s main streets, creating an ad-hoc, open-air labor market that generated complaints and health and human safety concerns. What began as a local debate rapidly escalated as Jupiter’s situation was thrust into the media spotlight and attracted the attention of state and national anti-immigrant groups. But then something unexpected happened: immigrants, neighborhood residents, university faculty and students, and town representatives joined together to mediate community tensions and successfully moved the informal labor market to the new El Sol Neighborhood Resource Center.
    Timothy J. Steigenga, who helped found the center, and Lazo de la Vega, who organized students in support of its mission, describe how El Sol engaged the residents of Jupiter in a two-way process of immigrant integration and helped build trust on both sides. By examining one city’s search for a positive public policy solution, Against the Tide offers valuable practical lessons for other communities confronting similar challenges.

Since the fall of General Augusto Pinochet's dictatorship in 1990, Chilean society has shied away from the subject of civilian complicity, preferring to pursue convictions of military perpetrators. But the torture, murders, deportations, and disappearances of tens of thousands of people in Chile were not carried out by the military alone; they required a vast civilian network. Some citizens actively participated in the regime's massive violations of human rights for personal gain or out of a sense of patriotic duty. Others supported Pinochet's neoliberal economic program while turning a blind eye to the crimes of that era.

Michael J. Lazzara boldly argues that today's Chile is a product of both complicity and complacency. Combining historical analysis with deft literary, political, and cultural critique, he scrutinizes the post-Pinochet rationalizations made by politicians, artists, intellectuals, bystanders, former revolutionaries-turned-neoliberals, and common citizens. He looks beyond victims and perpetrators to unveil the ambiguous, ethically vexed realms of memory and experience that authoritarian regimes inevitably generate.

Challenging and considerably broadening popular and scholarly definitions of American folk music, Folksongs of Another America recovers the diverse, multilingual traditions of immigrant, Native American, rural, and working-class performers in America's Upper Midwest during the 1930s and 1940s. The book extensively documents 187 tunes and songs in more than twenty-five languages, with full original lyrics and English translations, and biographical notes on the performers. The companion musical tracks and documentary film will be freely available for listening, viewing, or download through a partnership with the University of Wisconsin Libraries' Digital Collections Center.

Between 1850 and 1900, Milwaukee’s rapid population growth also gave rise to high death rates, infectious diseases, crowded housing, filthy streets, inadequate water supplies, and incredible stench. The Healthiest City shows how a coalition of reform groups brought about community education and municipal action to achieve for Milwaukee the title of “the healthiest city” by the 1930s. This highly praised book reminds us that cutting funds and regulations for preserving public health results in inconvenience, illness, and even death.
    “A major work. . . . Leavitt focuses on three illustrative issues—smallpox, garbage, and milk, representing the larger areas of infectious disease, sanitation, and food control.”—Norman Gevitz, Journal of the American Medical Association
    “Leavitt’s research provides additional evidence . . . that improvements in sanitation, living conditions, and diet contributed more to the overall decline in mortality rates than advances in medical practice. . . . A solid contribution to the history of urban reform politics and public health.”—Jo Ann Carrigan, Journal of American History

In this thoroughly updated second edition, Judith Walzer Leavitt, a leading authority on the history of women's health issues, has collected thirty-five articles representing important scholarship in this once-neglected field. Timely and fascinating, this volume is organized chronologically and then by topic, covering studies of women and health in the colonial and revolutionary periods and the nineteenth century through the Civil War. The remainder of the book concentrates on the late nineteenth and twentieth centuries and addresses such controversial issues as body image and physical fitness, sexuality, fertility, abortion and birth control, childbirth and motherhood, mental illness, women's health care providers (midwives, nurses, physicians), and health reform and public health.

Native America can look to few more inventive or prolific contemporary writers than Gerald Vizenor. He is the author of Bearheart, Griever: An American Monkey King in China, The Trickster of Liberty, The Heirs of Columbus, Dead Voices, and Hotline Healers. Add to these his poetry, stories, plays, anthologies, screenplays, and his autobiography Interior Landscapes, and one has a voice at once full of Native irony and the postmodern turn.
    The seventeen essays gathered in this volume take the measure of Vizenor’s achievement. Among the contributors are leading Native American writers Louis Owens, Arnold Krupat, Elaine A. Jahner, and Barry O’Connell.

Countering notions that Hmong history begins and ends with the “Secret War” in Laos of the 1960s and 1970s, Dreams of the Hmong Kingdom reveals how the Hmong experience of modernity is grounded in their sense of their own ancient past, when this now-stateless people had their own king and kingdom, and illuminates their political choices over the course of a century in a highly contested region of Asia.
            In China, Vietnam, and Laos, the Hmong continuously negotiated with these states and with the French to maintain political autonomy in a world of shifting boundaries, emerging nation-states, and contentious nationalist movements and ideologies. Often divided by clan rivalries, the Hmong placed their hope in finding a leader who could unify them and recover their sovereignty. In a compelling analysis of Hmong society and leadership throughout the French colonial period, Mai Na M. Lee identifies two kinds of leaders—political brokers who allied strategically with Southeast Asian governments and with the French, and messianic resistance leaders who claimed the Mandate of Heaven. The continuous rise and fall of such leaders led to cycles of collaboration and rebellion. After World War II, the powerful Hmong Ly clan and their allies sided with the French and the new monarchy in Laos, but the rival Hmong Lo clan and their supporters allied with Communist coalitions.
            Lee argues that the leadership struggles between Hmong clans destabilized French rule and hastened its demise. Martialing an impressive array of oral interviews conducted in the United States, France, and Southeast Asia, augmented with French archival documents, she demonstrates how, at the margins of empire, minorities such as the Hmong sway the direction of history.

Best books for public & secondary school libraries from university presses, American Library Association
 

Both playful and serious, this audacious riff on ethnic and sexual identity by Hawaiian-Hakka Chinese-American writer Carolyn Lei-lanilau revolves around the persona she calls “Ono Ono Girl,” an icon that interweaves and transcends Lucille Ball, Little Lulu, Tina Turner, and Spottie Dottie. Challenging assumptions about genre and gender, and acting out the notion that language is a function of the body, these essays are transforming soundbytes of Ono Ono Girl inventing herself.

“Just when you thought American literature was canonized and commodified beyond saving, Carolyn Lei-lanilau’s intertextual, irreverent work, Ono Ono Girl’s Hula, brings language and philosophy back to the table. Her book is a miracle delivery: a rebirth of poetry, Third World Spam, and love wrapped around the hybrid vigor of Hawaiian, Hakka, French, Latin, and English. Soulful, powerful, and wise.”—Russell Leong, editor of Amerasia Journal

“A book enjoyable equally for its fun as for its profundity, Carolyn Lei-lanilau’s Ono Ono Girl’s Hula is irresistible must reading for feminists, anthropologists, contemporary culture buffs, and anyone who wants a refreshing take on some of our more vexing current disputes. Down-to-earth and poetic, serious and hilarious at once, her unconventional voice invites the reader to understand the paradoxes of identity—sexual and ethnic—in new ways.”—Robin Lakoff, author of Talking Power

In 2003, after serving five and a half years as a carpenter in a North Dakota National Guard engineer unit, Bronson Lemer was ready to leave the military behind. But six months short of completing his commitment to the army, Lemer was deployed on a yearlong tour of duty to Iraq. Leaving college life behind in the Midwest, he yearns for a lost love and quietly dreams of a future as an openly gay man outside the military. He discovers that his father’s lifelong example of silent strength has taught him much about being a man, and these lessons help him survive in a war zone and to conceal his sexuality, as he is required to do by the U.S. military.

In Ariel and the Police, Frank Lentricchia searches through the totalizing desires for power that have built and help to maintain tangible and intangible structures of confinement and purification within, and sometimes as, the house of modernism. And what he finds, in his lyrical effort to redeem the subject for history, is that someone lives there, slyly, sometimes even playfully defiant.

With this book, published more than a half-century ago, Aldo Leopold created the discipline of wildlife management. Although A Sand Country Almanac is doubtless Leopold’s most popular book, Game Management may well be his most important. In this book he revolutionized the field of conservation.

His name is inextricably linked with a single work, A Sand County Almanac, a classic of natural history literature and the conservationist's bible. This book brings together the best of Leopold's essays.

In sparse, powerful lines, Shara Lessley recalls an expat's displacement, examines her experience as a mother, and offers intimate witness to the unfolding of the Arab Spring. Veering from the strip malls and situation rooms of Washington to the markets and mines of Amman, Lessley confronts the pressures and pleasures of other cultures, exploring our common humanity with all its aggressions, loves, biases, and contradictions.

How are culturally constructed stereotypes about appropriate sex-based behavior formed? If a person who is biologically female behaves in a stereotypically masculine manner, what are the social, political, and cultural forces that may police her behavior? And how will she manage her gendered image in response to that policing? Finally, how do race, ethnicity, or sexuality inform the way that sex-based roles are constructed, policed, or managed?
    The chapters in this book address such questions from social science perspectives and then examine personal stories of reinvention and transformation, including discussions of the lives of dancers Isadora Duncan and Bill T. Jones, playwright Lorraine Hansberry, and surrealist artist Claude Cahun.Writers from fields as diverse as history, art, psychology, law, literature, sociology, and the activist community look at gender nonconformity from conceptual, theoretical, and empirical perspectives. They emphasize that gender nonconformists can be gay, lesbian, bisexual, transgender, or anyone else who does not fit a model of Caucasian heterosexual behavior characterized by binary masculine and feminine roles.

The notorious image of Pandora haunts mythology: a woman created as punishment for the crimes of man, she is the bearer of hope yet also responsible for the Earth’s desolation. She binds together perpetuating dichotomies that underlie the most fundamental aspects of the Western canon:  beauty and evil, body and soul, depth and superficiality, truth and lie. Speaking in multiplicity, Pandora emerges as the first sign of female complexity.
     In this compelling study, Vered Lev Kenaan offers a radical revision of the Greek myth of the first woman. She argues that Pandora leaves a decisive mark on ancient poetics and shows that we can unravel the profound impact of Pandora’s image once we recognize that Pandora embodies the very idea of the ancient literary text. Locating the myth of the first woman right at the heart of feminist interrogation of gender and textuality, Pandora’s Senses moves beyond a feminist critique of masculine hegemony by challenging the reading of Pandora as a one-dimensional embodiment of the misogynist vision of the feminine. Uncovering Pandora as a textual principle operating outside of the feminine, Lev Kenaan shows the centrality of this iconic figure among the poetics of such central genres as the cosmological and didactic epic, the Platonic dialogue, the love elegy, and the ancient novel. Pandora’s Senses innovates our understanding of gender as a critical lens through which to view ancient literature.

This profile of the man and the writer is an introduction to the personality behind The Chapman Report and The Fan Club. Through correspondence, diaries, manuscript annotations, interviews and other private sources, the profile reveals the man who began as a sports stringer for a Wisconsin newspaper and is now one of the world's most popular novelists.

Filled with Curt Leviant's signature blend of humor and drama, these two enchanting and original novellas lure readers into a dazzling storybook world.
    "Ladies and Gentlemen, the Original Music of the Hebrew Alphabet" is set in Budapest during the Communist era. The story focuses on the tenuous seesaw between Dr. Isaac Gantz, a musicologist, and engineer Ferdinand Friedman, a Holocaust survivor who believes that he possesses one of the greatest manuscripts of the ages, a Rosetta Stone of Judaica. Friedman is willing to share it—but there is a "but." In pursuing this prize, Gantz enters a world of strange human relationships filled with doubts and surprises. A vibrant cast of characters adds dimension to this gripping story in which Jewish folklore, music, and history coalesce.
    "Weekend in Mustara" unfolds on the fictional island of Mustara in southern Europe, a mountainous, totalitarian country that tolerates Judaism. Its few Jews cling to their heritage, embodied in their beautiful but sparsely attended synagogue and their museum, where a great memorial book is inscribed with the names of all Mustara Jews martyred during World War II. A scholar of medieval Hebrew manuscripts comes to the island, searching for traces of Yehuda Halevi, the great Hebrew poet of the Spanish Golden Age. He is soon enmeshed among elusive personalities and tangled loyalties, but only when he finds himself displaced in time—in a kind of theater of the absurd—are the purposes of his journey finally realized.

As the Cold War between the United States and the Soviet Union escalated in the 1950s and 1960s, the federal government directed billions of dollars to American universities to promote higher enrollments, studies of foreign languages and cultures, and, especially, scientific research. In Cold War University, Matthew Levin traces the paradox that developed: higher education became increasingly enmeshed in the Cold War struggle even as university campuses became centers of opposition to Cold War policies. The partnerships between the federal government and major research universities sparked a campus backlash that provided the foundation, Levin argues, for much of the student dissent that followed. At the University of Wisconsin in Madison, one of the hubs of student political activism in the 1950s and 1960s, the protests reached their flashpoint with the 1967 demonstrations against campus recruiters from Dow Chemical, the manufacturers of napalm.

            Levin documents the development of student political organizations in Madison in the 1950s and the emergence of a mass movement in the decade that followed, adding texture to the history of national youth protests of the time. He shows how the University of Wisconsin tolerated political dissent even at the height of McCarthyism, an era named for Wisconsin's own virulently anti-Communist senator, and charts the emergence of an intellectual community of students and professors that encouraged new directions in radical politics. Some of the events in Madison—especially the 1966 draft protests, the 1967 sit-in against Dow Chemical, and the 1970 Sterling Hall bombing—have become part of the fabric of "The Sixties," touchstones in an era that continues to resonate in contemporary culture and politics.

     In Dolor y Alegría (Sorrow and Joy), fifteen mothers, grandmothers, and great grandmothers in the Mexican city of Cuernavaca speak about the dramatic effects that urbanization and rapid social change have had on their lives.  Sarah LeVine deftly combines these autobiographical vignettes with ethnographic material, survey findings, and her own observations.  The result is a vivid picture of contrast and continuity.
     While many earlier publications have focused on the poor of Latin America who live at the margins of urban life, Dolor y Alegría explores the experiences of ordinary working and lower-middle class women, most of them transplants from villages and small towns to a densely populated city neighborhood.  In their early years, many experienced family disruption, emotional deprivation, and economic hardship; but steadily increasing educational opportunities, improved health care, and easily available contraception have significantly altered how the younger women relate to their families and the larger society.
     Today’s Mexican schoolgirl, LeVine shows, is encouraged to apply herself to her studies for her own benefit, and the longer she remains in school, the greater the self-confidence she will carry with her into the world of work and later into marriage and motherhood.  Hard economic times have forced many married women into the workplace where their sense of personal efficacy is enhanced; at the same time, in the domestic sphere, their earnings allow them greater negotiating power with husbands and male relatives.  Changes are not confined to the younger generation.  Older women are enjoying better health and living longer; but with adult children either less able or willing to accept responsibility for aged parents than they were in the past, anxiety runs high and family relations are often strained.
     Dolor y Alegría takes a close look at the efforts of three generations of Mexican women to redefine themselves in both family and workplace; it shows that today’s young woman has very different expectations of herself and others from those that her grandmother or even her mother had.

From the country that has added to our vocabulary such colorful terms as "purges," "pogroms," and "gulag," this collection investigates the conspicuous marks of violence in Russian history and culture. 
     Russians and non-Russians alike have long debated the reasons for this endemic violence. Some have cited Russia's huge size, unforgiving climate, and exposed geographical position as formative in its national character, making invasion easy and order difficult. Others have fixed the blame on cultural and religious traditions that spurred internecine violence or on despotic rulers or unfortunate episodes in the nation's history, such as the Mongol invasion, the rule of Ivan the Terrible, or the "Red Terror" of the revolution. Even in contemporary Russia, the specter of violence continues, from widespread mistreatment of women to racial antagonism, the product of a frustrated nationalism that manifests itself in such phenomena as the wars in Chechnya. 
     Times of Trouble is the first in English to explore the problem of violence in Russia. From a variety of perspectives, essays investigate Russian history as well as depictions of violence in the visual arts and in literature, including the works of Fyodor Dostoevsky, Isaac Babel, Mikhail Lermontov, and Nina Sadur. From the Mongol invasion to the present day, topics include the gulag, genocide, violence against women, anti-Semitism, and terrorism as a tool of revolution.

This collection of essays examines modern country music in America, from its roots to today’s music. Contributors look at aspects of the music as diverse as the creation of country culture in the honky tonk; the development of the Nashville music industry; and why country music singers are similar to the English romantic poets. Historians, sociologists, musicologists, folklorists, anthropologists, ethnographers, communication specialists, and journalists are all represented.

     A distinguished physician and professor of medicine at Edinburgh University, and a forensic expert for the British Crown, Joseph Bell was well known for his remarkable powers of observation and deduction. In what would become true Sherlockian fashion, he had the ability to deduce facts about his patients from otherwise unremarkable details. In one instance recounted by Arthur Conan Doyle himself—and similar to Sherlock Holmes's own observations in "The Greek Interpreter"—Bell took little time to determine that one of his patients had recently served in the army, a non-commissioned officer discharged from his Highland regiment stationed in Barbados:

“The man was a respectful man, but did not remove his hat. They do not in the army, but he would have learned civilian ways had he been long discharged. He has an air of authority and he is obviously Scottish. As to Barbados, his complaint is elephantitis, which is West Indian and not British.”

     Based on extensive research into the life of Bell and including tantalizing accounts of the connections between Bell and Conan Doyle, this biography is required reading for anyone interested in Victorian medicine, in the history of detective fiction, and in Sherlock Holmes and Dr. Watson.

What’s in a name? As Osumaka Likaka argues in this illuminating study, the names that Congolese villagers gave to European colonizers reveal much about how Africans experienced and reacted to colonialism. The arrival of explorers, missionaries, administrators, and company agents allowed Africans to observe Westerners’ physical appearances, behavior, and cultural practices at close range—often resulting in subtle yet trenchant critiques. By naming Europeans, Africans turned a universal practice into a local mnemonic system, recording and preserving the village’s understanding of colonialism in the form of pithy verbal expressions that were easy to remember and transmit across localities, regions, and generations.
    Methodologically innovative, Naming Colonialism advances a new approach that shows how a cultural process—the naming of Europeans—can provide a point of entry into economic and social histories. Drawing on archival documents and oral interviews, Likaka encounters and analyzes a welter of coded fragments. The vivid epithets Congolese gave to rubber company agents—“the home burner,” “Leopard,” “Beat, beat,” “The hippopotamus-hide whip”—clearly conveyed the violence that underpinned colonial extractive economies. Other names were subtler, hinting at derogatory meaning by way of riddles, metaphors, or symbols to which the Europeans were oblivious. Africans thus emerge from this study as autonomous actors whose capacity to observe, categorize, and evaluate reverses our usual optic, providing a critical window on Central African colonialism in its local and regional dimensions.

     This masterful social and economic history of rural Zaire examines the complex and lasting effects of forced cotton cultivation in central Africa from 1917 to 1960. Osumaka Likaka recreates daily life inside the colonial cotton regime. He shows that, to ensure widespread cotton production and to overcome continued peasant resistance, the colonial state and the cotton companies found it necessary to augment their use of threats and force with efforts to win the cooperation of the peasant farmers, through structural reforms, economic incentives, and propaganda exploiting African popular culture.
     As local plots of food crops grown by individual households gave way to commercial fields of cotton, a whole host of social, economic, and environmental changes followed. Likaka reveals how food shortages and competition for labor were endemic, forests were cleared, social stratification increased, married women lost their traditional control of agricultural production, and communities became impoverished while local chiefs enlarged their power and prosperity.
     Likaka documents how the cotton regime promoted its cause through agricultural exhibits, cotton festivals, films, and plays, as well as by raising producer prices and decreasing tax rates. He also shows how the peasant laborers in turn resisted regimented agricultural production by migrating, fleeing the farms for the bush, or sabotaging plantings by surreptitiously boiling cotton seeds. Small farmers who had received appallingly low prices from the cotton companies resisted by stealing back their cotton by night from the warehouses, to resell it in the morning. Likaka draws on interviews with more than fifty informants in Zaire and Belgium and reviews an impressive array of archival materials, from court records to comic books. In uncovering the tumultuous economic and social consequences of the cotton regime and by emphasizing its effects on social institutions, Likaka enriches historical understanding of African agriculture and development.

As the U.S. Latino population grows rapidly, and as the LGBTQ Latino community becomes more visible and a more crucial part of our literary and artistic heritage, there is an increasing demand for literature that successfully highlights these diverse lives. Edited by Lázaro Lima and Felice Picano, Ambientes is a revolutionary collection of fiction featuring stories by established authors as well as emerging voices that present a collective portrait of gay, lesbian, bisexual, and transgender experience in America today. With a preface by Picano and an introduction by Lima that sets the stage for understanding Latino literary and cultural history, this is the first anthology to cross cultural and regional borders by offering a wide variety of urban, rural, East Coast, West Coast, and midwestern perspectives on Latina and Latino queers from different walks of life. Stories range from sensual pieces to comical romances and from inner-city dramas fueled by street language to portraits of gay domesticity, making this a much-needed collection for many different kinds of readers. The stories in this collection reflect a vibrant and creative community and redefine received notions of “gay” and “lesbian.”

Finalist, Over the Rainbow selection, American Library Association

Finalist, LGBT Anthology, Lambda Literary Awards

Best Special Interest Books, selected by the American Association of School Librarians

Best Special Interest Books, selected by the Public Library Reviewers

Combining shrewd applications of  current cultural theory  with compelling autobiography and elegant prose, José E. Limón  works at the intersection of anthropology, folklore, popular culture, history, and literary criticism.  A native of South Texas,  he renders a historical and ethnographic account of  its rich Mexican-American folk culture.  This folk culture, he shows—whether expressed through male joking rituals, ballroom polka dances, folk healing, or eating and drinking traditions—metaphorically dances with the devil, both resisting  and accommodating  the dominant culture of Texas.
    Critiquing the work of his precursors— John Gregory Bourke, J. Frank Dobie, Jovita Gonzalez, and Americo Paredes—Limón deftly demonstrates that their accounts of Mexican-Americans in South Texas contain race, class, and gender contradictions, revealed most clearly in their accounts of the folkloric figure of the devil.  Limón's own field-based ethnography follows, and again the devil appears as a recurrent motif,  signaling the ideological contradictions of folk practices in a South Texas on the verge of postmodernity.
 

In the nineteenth and early twentieth centuries African and pseudo-African performers were displayed as curiosities throughout Europe and America. Appearing in circuses, ethnographic exhibitions, and traveling shows, these individuals and troupes drew large crowds. As Bernth Lindfors shows, the showmen, impresarios, and even scientists who brought supposedly representative inhabitants of the "Dark Continent" to a gaping public often selected the performers for their sensational impact. Spotlighting and exaggerating physical, mental, or cultural differences, the resulting displays reinforced pernicious racial stereotypes and left a disturbing legacy.
            Using period illustrations and texts, Early African Entertainments Abroad illuminates the mindset of the era's largely white audiences as they viewed wax models of Africans with tails and watched athletic competitions showcasing hungry cannibals. White spectators were thus assured of their racial superiority. And blacks were made to appear less than fully human precisely at the time when abolitionists were fighting to end slavery and establish equality.

This anthology highlights central values and traditions in Native American societies, exploring the ongoing struggles and survival power of Native American people today. The essays and stories by well-known writers provide an excellent introduction for general readers as well as high school and college students. The stories and historical events are drawn especially from the tribes of the Great Lakes region, such as the Ojibwa (Chippewa) of Wisconsin, and are part of a continuing, sustaining storytelling tradition.
    Starting with the opening selection, “The Circle of Stories,” which reaffirms the relationship of humans to all living things, the anthology emphasizes themes of connectedness and survival in essays on the environment, identity, community allegiance and treaty rights, marginalization and assimilation in American society, and conflict within the educational system. Several selections about Trickster tales introduce traditions of humor, irony, and imagination that have come to embody native survival, liberation, and continuance.
    The authors included in Buried Roots and Indestructible Seeds are Kim Blaeser, Joseph Bruchac, George Cornell, Fred Hoxie, James Oberly, Denise Sweet, Tom Vennum, and Gerald Vizenor.

I am the magician, even,
some nights alone,
finding inside the darkness
a small, trembling thing
I won’t acknowledge as my own. 
This is someone else’s rabbit, 
I say, and the silence nods back. 
—Excerpt from “Rabbit”

            Ganesh Sitaraman, who has provided a foreword for this centennial edition, suggests that Lippmann’s classic still has much to say to twenty-first-century progressives. The underlying solutions for our time, he believes, are similar to those of Lippman’s era. Sitaraman contends that American society can regain mastery over drift by reforming finance and reducing inequality, by rethinking the relationship between corporations and workers, and by embracing changes in social life.

Andrei Bely's 1913 masterwork Petersburg is widely regarded as the most important Russian novel of the twentieth century. Vladimir Nabokov ranked it with James Joyce's Ulysses, Franz Kafka's Metamorphosis, and Marcel Proust's In Search of Lost Time. Few artistic works created before the First World War encapsulate and articulate the sensibility, ideas, phobias, and aspirations of Russian and transnational modernism as comprehensively.

Bely expected his audience to participate in unraveling the work's many meanings, narrative strains, and patterns of details. In their essays, the contributors clarify these complexities, summarize the intellectual and artistic contexts that informed Petersburg's creation and reception, and review the interpretive possibilities contained in the novel. This volume will aid a broad audience of Anglophone readers in understanding and appreciating Petersburg.

When Spanish Peru, 1532–1560 was published in 1968, it was acclaimed as an innovative study of the early Spanish presence in Peru.  It has since become a classic of the literature in Spanish American social history, important in helping to introduce career-pattern history to the field and notable for its broad yet intimate picture of the functioning of an entire society.  In this second edition, James Lockhart provides a new conclusion and preface, updated terminology, and additional footnotes.

This beloved American memoir is about a farm and its people, recollections of a boyhood in Wisconsin's Driftless region. Ben Logan grew up on Seldom Seen Farm with his three brothers, father, mother, and hired hand Lyle. The boys discussed and argued and joked over the events around their farm, marked the seasons by the demands of the land, and tested each other and themselves.

Conference on Latin American History series

This anthology deals with such diverse conventions as the treatment of food, the iconography of weapons, the paraphernalia of baseball, the uses of clothing, tools, and technologies, and the representation of art and print media within the world of film. The essays within this collection help to reveal how the objects in American movies reflect both the fixed and changeable cultural assumptions of film makers and film audiences.

In this volume of the Beyond the Stars series, the subject of the various individual essays are discrete conventions of movie locales, but the subject of the volume as a whole—as with the other books in the series—is the viability of film convention studies as a tool for the study of film and American culture.

As the role and influence of professional sports has increased in American life, so has the relationship between the U.S. Congress and the professional sports world. Since WW II, Congress has held dozens of investigations and debated hundreds of bills on subjects such as organized baseball’s antitrust exemption, the NFL’s television blackout policy, the role of organized crime in professional boxing, the league mergers in professional football and basketball, and franchise relocations.
    Lowe provides concise, interpretive narrative of Congress’s involvement in professional sports. Testimony is included from such colorful figures as Jackie Robinson, Casey Stengel, Pete Rozelle, Muhammad Ali, Sonny Liston, and Don King. Leading congressmen and senators are also included.

Having a baby to save a marriage—it’s the oldest of clichés. But what if the marriage at risk is a gay one, and having a baby involves a surrogate mother?
    Pat Faunce is a faltering romantic, a former poetry major who now writes textbooks. A decade into his relationship with Stu, an airline pilot from a fraught Jewish family, he fears he’s losing Stu to other men—and losing himself in their “no rules” arrangement. Yearning for a baby and a deeper commitment, he pressures Stu to move from Manhattan to Cape Cod, to the cottage where Pat spent boyhood summers.
    As they struggle to adjust to their new life, they enlist a surrogate: Debora, a charismatic Brazilian immigrant, married to Danny, an American carpenter. Gradually, Pat and Debora bond, drawn together by the logistics of getting pregnant and away from their spouses. Pat gets caught between loyalties—to Stu and his family, to Debora, to his own potent desires—and wonders: is he fit to be a father?
    In one of the first novels to explore the experience of gay men seeking a child through surrogacy, Michael Lowenthal writes passionately about marriages and mistakes, loyalty and betrayal, and about how our drive to create families can complicate the ones we already have. The Paternity Test is a provocative look at the new “family values.”

Cry Rape dramatically exposes the criminal justice system’s capacity for error as it recounts one woman’s courageous battle in the face of adversity. In September 1997, a visually impaired woman named Patty was raped by an intruder in her home in Madison, Wisconsin. The rookie detective assigned to her case came to doubt Patty’s account and focused the investigation on her. Under pressure, he got her to recant, then had her charged with falsely reporting a crime. The charges were eventually dropped, but Patty continued to demand justice, filing complaints and a federal lawsuit against the police. All were rebuffed. But later, as the result of her perseverance, a startling discovery was made. Even then, Patty’s ordeal was far from over.
     Other books have dealt with how police and prosecutors bend and break the law in their zeal to prevail. This one focuses instead on how the gravest injustice can be committed with the best of intentions, and how one woman’s bravery and persistence finally triumphed.

 

Courage Award Winner, Wisconsin Coalition against Sexual Assault

Even in Hollywood’s world of blockbusters and special effects, there continues to be interest in “quieter” adaptations based on the works of writers of other eras, especially the classic novels of nineteenth-century women. Those novels emphasize strong female protagonists, fine language, and sensitivity to social nuances.
    This volume’s twelve essays offer critical insights not only into the visions of the novelist and the filmmaker but also into contemporary cultural concerns. The adaptations of novels by eight popular writers are analyzied: Mary Shelley, Jane Austen, Charlotte Brontë, Emily Brontë, Harriet Beecher Stowe, Louisa May Alcott, Ouida, and George Eliot.

From Edwin S. Porter to Mike Nichols, from D. W. Griffith to Steven Spielberg, American filmmakers have looked to the novel for story ideas.
    Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie’s Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate.

The essays in Vision/Re-Vision analyze in detail ten popular and important films adapted from contemporary American fiction by women, addressing the ways in which the writers' latent or overt feminist messages are reinterpreted by the filmmakers who bring them to the screen, demonstrating that there is much to praise as well as much to fault in the adaptations and that the process of adaptation itself is instructive rather than destructive, since it enriches understanding about both media.