front cover of Rise and Shine
Rise and Shine
The Monica Abbott Story
Monica Abbott
University of Tennessee Press, 2023

When she was in fifth grade, Monica Abbott declared that she would one day become an Olympic athlete. In the decades that would follow, her prediction would prove stunningly true, as she would not only compete in the Games but go on to claim two Silver Medals as pitcher for Team USA softball.

In her twenty-plus years as a professional athlete, Abbott has set a high standard of firsts and achievements—but her talents and tenacity have not only shattered records but have also created new possibilities for female athletes everywhere. In Rise and Shine, Abbott chronicles significant lessons and experiences from her childhood, her University of Tennessee and professional softball years, her time in the Olympics, and beyond. Throughout the book, she shares insights cultivated on her journey, offering them to readers of all ages and skill sets to consider as they endeavor to bring their lives into contact with their dreams.

How do we set goals yet unseen? How do we thrive even while overcoming obstacles? And perhaps most importantly, how do we turn our successes into advantages for others? With a foreword by world-renowned tennis icon Billie Jean King, Rise and Shine is more than a record of medals and firsts; it is the story of making dreams come true and of lifting others with you as you rise.

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Exploring Everyday Landscapes
Vernacular Architecture Vol Vii
Annmarie Adams
University of Tennessee Press, 1997
Bringing together scholarship in diverse fields - including architecture, geography, folklore, anthropology, and urban studies - the seventeen essays in this volume confirm the transformations now occurring in the study of vernacular architecture. Moving away from a single vision of vernacular architecture that consisted only of old, rural, handmade structures built in traditional forms and materials for everyday use, scholars are exploring a wider variety of forms and landscapes - from company towns to grand expositions. Drawn from two conferences of the Vernacular Architecture Forum - one held in Charleston in 1994, the other in Ottawa in 1995 - these essays address a broad range of topics.
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Dixieball
Race and Professional Basketball in the Deep South, 1947–1979
Thomas Aiello
University of Tennessee Press, 2019
In this book Thomas Aiello considers the special cultural function of professional basketball in the Deep South over the half century between 1947 and 1979. Next to their counterparts in baseball and football, basketball fans enjoyed a unique intimacy with their favorite players, who showed more of their bodies and had nothing covering their face and head. For this and other similar reasons, blackness simply mattered more in basketball than it did in other sports. By the time Lyndon Johnson signed the Voting Rights Act, professional basketball was 47.5 percent black and becoming known as a “black sport.” That being the case, the South’s relationship with professional basketball was more fraught, and made the survival of southern teams more tenuous, fan support more fickle, and racial incidents between players and fans more hostile.
 
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White Ice
Race and the Making of Atlanta Hockey
Thomas Aiello
University of Tennessee Press, 2023
Having skyrocketed from six to fourteen teams between 1966 and 1970, leaders of the National Hockey League had planned to wait a few more years before expanding any further. But as its rivalry with the World Hockey Association intensified, competition for markets rose, and the race for continued expansion became too urgent to ignore. Not to be outdone, the NHL introduced two new teams in 1971: one in Long Island, New York, and one in Atlanta, Georgia.

For its own part, Atlanta had been watching as White residents left the city for the suburbs over the course of the 1960s. As the turn of the decade approached, city leadership was searching for ways to mitigate white flight and bring residents of the surrounding suburbs back to the city center. So when a stereotypically White sport came to the Deep South in 1971 in the form of the Atlanta Flames, ownership saw a new opportunity to appeal to White audiences.
But the challenge would be selling a game that was foreign to most of Atlanta’s longtime sports fans.

Filling a significant gap in scholarly literature concerning race and hockey within US history, White Ice: Race and the Making of Atlanta Hockey is a response to two simple questions: How did a cold-climate sport like hockey end up in a majority Black city in the Deep South? And why did it come when it did? Over seven chronological chapters, Thomas Aiello unpacks the history, culture, and context surrounding these questions, teasing out what the story of the Atlanta Flames can teach us about the NHL, Atlanta, race, and the business of professional sports expansion.
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Celluloid Chains
Slavery in the Americas through Film
Rudyard Alcocer
University of Tennessee Press, 2018

Featuring a variety of disciplinary perspectives and analytical approaches, Celluloid Chains is the most comprehensive volume to date on films about slavery. This collection examines works from not only the United States but elsewhere in the Americas, and it attests to slavery’s continuing importance as a source of immense fascination for filmmakers and their audiences.

Each of the book’s fifteen original essays focuses on a particular film that directly treats the enslavement of Africans and their descendants in the New World. Beginning with an essay on the Cuban film El otro Francisco (1975), Sergio Giral’s reworking of a nineteenth-century abolitionist novel, the book proceeds to examine such works as the landmark miniseries Roots (1977), which sparked intense controversy over its authenticity; Werner Herzog’s Cobra Verde (1987), which raises questions about what constitutes a slavery film; Guy Deslauriers’s Passage du milieu (1999), a documentary-style reconstruction of what Africans experienced during the Middle Passage; and Steve McQueen’s Oscar-winning 12 Years a Slave (2013), which embodies the tensions between faithfully adapting a nineteenth-century slave narrative and bending it for modern purposes.

Films about slavery have shown a special power to portray the worst and best of humanity, and Celluloid Chains is an essential guide to this important genre.

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Panic Now?
Tools for Humanizing
Ira Allen
University of Tennessee Press, 2024
When was the best time to panic about the varying crises facing humanity? Twenty years ago. But the next best time? Now?

In line with other considerations of what we have come to call the Anthropocene, in Panic Now? Tools for Humanizing, Ira J. Allen takes the reader on a journey through difficult feelings about the various crises facing humanity, and from there, to new ways of facing impending dread with a sense of empowerment. The interrelated threats of climate collapse, an artificial intelligence revolution, a sixth mass extinction, a novel chemical crisis, and more are all brought to us by what Allen describes as “CaCaCo,” the carbon-capitalism-colonialism assemblage. After suggesting that it is absolutely time to panic, he asks: how do we manage to panic productively?

Admitting there is no one script for everyone to follow, the author traces how we might adopt attitudes and practices that allow us to move through this liminal space between fear and action collectively. This book is a master class in how to create better, more humanizing outcomes by confronting the panic that goes along with the realization that the world as we know it is ending. Rather than remaining mentally, emotionally, imaginatively, and practically stuck in this historical condition, Allen invites us to a very particular, action-oriented mode of panic, which can indeed incite our imaginations to move from panic to empowerment.
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A Hot-Bed Of Musicians
Traditional Music In The Upper New River Valley-Whiteto
Paula Hathaway Anderson-Green
University of Tennessee Press, 2002
In the Blue Ridge Mountains along the Virginia–North Carolina border, an extraordinarily rich musical heritage survives and flourishes. Even before the legendary Bill Monroe coined the term “bluegrass” in the mid-1950s, the traditional music of this area was coming into its own as a distinctive style. Early performers from the 1920s through the 1950s, many of whom migrated northward during the Great Depression, popularized the music they had grown up hearing, thereby preserving and celebrating the cultural legacy of their home region.

In A Hot-Bed of Musicians, Paula Anderson-Green tells the stories of several of these legendary performers and instrument makers from the Upper New River Valley–Whitetop Mountain region, including Ola Belle Campbell Reed, Albert Hash, and Dave Sturgill. These men and women began to bring the music of Appalachia to a wider audience well before Nashville became the center of country music. Making extensive use of interviews, the book reveals the fascinating experiences and enduring values behind the practice of old-time music. This musical heritage remains an indispensable component of Appalachian culture, and Anderson-Green traces the traditions down to the present generation of musicians there.

Written for anyone with an interest in mountain music, this book focuses on performers from Alleghany and Ashe Counties in North Carolina and Carroll County and Grayson County in Virginia. It includes a comprehensive appendix of place names and music venues as well as annotated lists of musicians and the songs they have performed.

The Author: Paula Hathaway Anderson-Green is an adjunct professor of English at Kennesaw State University and does research in Appalachian studies.
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Spectrality in the Novels of Toni Morrison
Melanie R. Anderson
University of Tennessee Press, 2013
     At first glance, Beloved would appear to be the only “ghost story” among Toni Morrison’s nine novels, but as this provocative new study shows, spectral presences and places abound in the celebrated author’s fiction. Melanie R. Anderson explores how Morrison uses specters to bring the traumas of African American life to the forefront, highlighting histories and experiences, both cultural and personal, that society at large too frequently ignores.
     Working against the background of magical realism, while simultaneously expanding notions of the supernatural within American and African American writing, Morrison peoples her novels with what Anderson identifies as two distinctive types of ghosts: spectral figures and social ghosts. Deconstructing Western binaries, Morrison uses the spectral to indicate power through its transcendence of corporality, temporality, and explication, and she employs the ghostly as a metaphor of erasure for living characters who are marginalized and haunt the edges of their communities. The interaction of these social ghosts with the spectral presences functions as a transformative healing process that draws the marginalized figure out of the shadows and creates links across ruptures between generations and between past and present, life and death. This book examines how these relationships become increasingly more prominent in the novelist’s canon—from their beginnings in The Bluest Eye and Sula, to their flowering in the trilogy that comprises Beloved, Jazz, and Paradise, and onward into A Mercy.
     An important contribution to the understanding of one of America’s premier fiction writers, Spectrality in the Novels of Toni Morrison demonstrates how the Nobel laureate’s powerful and challenging works give presence to the invisible, voice to the previously
silenced, and agency to the oppressed outsiders who are refused a space in which to narrate their stories.

Melanie R. Anderson is an Instructional Assistant Professor of American Literature at the University of Mississippi.
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front cover of Journal Of A Georgia Woman, 1870-1872
Journal Of A Georgia Woman, 1870-1872
Eliza Frances Andrews
University of Tennessee Press, 2011
Eliza Frances “Fanny” Andrews (1840–1931) was born into south-ern aristocracy in Washington, Georgia. The acclaimed author of Journal of a Georgia Girl: 1864–1865, she was an exceptional woman who went on to become a journalist, writer, teacher, and world-renowned botanist.  In 1870, as Andrews was working on her first novel, she embarked on a visit to wealthy “Yankee kin” in Newark, New Jersey. The trip had a profound effect on her life, as she was astonished by the contrasts between North and South. This previously unpublished segment of Andrews’s writings begins with her New Jersey sojourn and ends with her mother’s death in 1872. It is remarkable for the light it sheds on the social and economic transformations of the Reconstruction era, particularly as they were perceived and experienced by a southern woman.

Andrews was an intelligent, sharp-witted, and skilled observer, and these qualities shine through her engaging memoir. She records her reactions to Newark society and the economic base on which it stood, comparing southern gentility and agriculture to northern brusqueness and industry. Moreover, while the diary reveals clearly the social and cultural attitudes of aristocratic southerners of the period, it also foreshadows the beginning of change as, for example, a visit to a factory opens Andrews’s eyes to the advantages of the new economy. She also recounts her frustrations with the role of southern women, exalted on the one hand but severely restricted on the other. These stark contrasts and Andrews’s own mixed feelings give the diary much of its power.

Also included in this volume are six of Andrews’s magazine and newspaper articles that appeared in the national press around the time she was keeping this journal. Taken together, her private and public writings from this period show a maturing nineteenth-century woman confronting a culture turned upside down in the new world of the Reconstruction-era South.

Andrews’s memoir, with accompanying introduction and commentary by Kit Rushing, will appeal to general readers with an interest in the nineteenth-century South as well as to historians of women, the Civil War era, and nineteenth-century America.

The Editor: S. Kittrell Rushing is head of the Department of Journalism and Mass Communication at the University of Tennessee, Chattanooga.
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Best Overnight Hikes
Great Smoky Mountains
James Andrews
University of Tennessee Press, 1997
Located astride the Tennessee–North Carolina border, the Great Smoky Mountains National Park contains more than one hundred trails that trace eight hundred miles of rugged terrain. This fact is certain to bewilder any newcomer who might be eager to explore the Park’s backcountry but is unsure where to start. This book, intended as a beginner’s guide to hiking the Smokies, offers lively, informative descriptions of twenty-two trails that can be completed in a day or less.

For anyone who has yet to discover the beauty of the Smokies, the highest North American mountains east of the Mississippi, the trails described here offer a splendid introduction. Scenic overlooks at Mount Le Conte, Clingmans Dome, Gregory Bald, and other peaks are included along these pathways, as are some of the well-known waterfalls of the Park, such as Laurel Falls, Rainbow Falls, and Ramsay Cascades. In addition to vital data about the length of the trail, its elevation gain, and “how to get there,” each trail description is packed with interesting facts and Smoky Mountain lore. Detailed maps are also included. In their introduction, the authors provide a brief overview of the park’s history as well as useful tips for novice hikers.

The Authors: Kenneth Wise, an administrator at the University of Tennessee Library, Knoxville, has hiked in the Great Smoky Mountains National Park for more than twenty years. He is the author of <i>Hiking Trails of the Great Smoky Mountains: A Comprehensive Guide</i>.

James Andrews,a partner in the firm of Andrews, Hudson & Wall, P.C., has hiked the Park trails for more than a decade. He is the coauthor, with Wise, of <i>The Best Overnight Hikes in the Great Smoky Mountains</i>.
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Bishop Henry Mcneal Turner And African-
Stephen W. Angell
University of Tennessee Press, 1992
Henry McNeal Turner was an "epoch-making man, " as his colleague Reverdy Ransom called him. A bishop in the African Methodist Episcopal Church from 1880 to 1915, Turner was also a politician and Georgia legislator during Reconstruction, U.S. Army chaplain, newspaper editor, prohibition advocate, civil rights and back-to-Africa activist, African missionary, and early proponent of black theology. This richly detailed book, the first full-length critical biography of Turner, firmly places him alongside DuBois and Washington as a preeminent visionary of the postbellum African-American experience. The strength and vitality of today's black church tradition owes much to the herculean labors of pioneers such as Turner, one of the most skillful denominational builders in American history. When emancipation created the prerequisites for a strong national religious organization, Turner, with his boldness, charisma, political wisdom, eloquence, and energy, took full advantage of the opportunity. Combining evangelicalism with forthright agitation for racial freedom, he instigated the most momentous transformation in A.M.E. Church history--the mission to the South. Stephen Angell views Turner's advocacy of ordination for women and his missionary work in Africa as a further outgrowth of the bishop's deep evangelical commitment. The book's epilogue offers the first serious analysis of Turner's theology and his replies to racist distortions of the Christian message.
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front cover of Parties Politics Sectional Conflict
Parties Politics Sectional Conflict
Tennessee 1832-1861
Jonathan M. Atkins
University of Tennessee Press, 1997

In this thought-provoking study, Jonathan M. Atkins provides a fresh look at the partisan ideological battles that marked the political culture of antebellum Tennessee. He argues that the legacy of party politics was a key factor in shaping Tennessee's hesitant course during the crisis of Union in 1860–61.

Between the Jacksonian era and the outbreak of the Civil War, Atkins demonstrates, the competition between Democrats and Whigs in Tennessee was as heated as any in the country. The conflict centered largely on differing conceptions of republican liberty and each party's contention that the other posed a serious threat to that liberty. As the slavery question pushed to the forefront of national politics, Tennessee's parties absorbed the issue into the partisan tumult that already existed. Both parties pledged to defend southern interests while preserving the integrity of the Union. Appeals for the defense of liberty and Union interests proved effective with voters and profoundly influenced the state's actions during the secession crisis. The belief that a new national Union party could preserve the Union while checking the Lincoln administration encouraged voters initially to reject secession. With the outbreak of war, however, West and Middle Tennesseans chose to accept disunion to avoid what they saw as coercion and military despotism by the North. East Tennesseans, meanwhile, preferred loyalty to the Union over membership in a Southern confederacy dominated by a slaveholding aristocracy.

No previous book has so clearly detailed the role of party politics and ideology in Tennessee's early history. As Atkins shows, the ideological debate helps to explain not only the character and survival of Tennessee's party system but also the peristent strength of unionism in a state that ultimately joined the Southern cause.

The Author: Jonathan M. Atkins is assistant professor of history at Berry College in Mt. Berry, Georgia.
 

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