A SCHOLARLY BOOK REPOSITORY61 have author last names that start with C have author last names that start with C
As Cady reveals, this event triggered a succession crisis in the Pratt-family ranks as Jesse’s wife fostered her son Jesse Junior’s rise to power and spurned other heirs presumptive to the Church. Jesse Junior turned out to be a tormented leader who drove his followers to the brink of poverty with an uncompromising demand that they give their all to God—and to him. The church’s fortune squandered and its future under threat, Jesse Junior’s mother was finally forced to have her favored son removed and defrocked. For all its troubling twists and turns, Cady’s chronicle ends with a minor miracle, as Jesse’s younger brother, Charlie T. Pratt III, takes over leadership and manages to expel the oppressive air of authoritarianism from the body of the Church and hold the community together in the process.
DAVID CADY is the author of three novels: The Handler, Fatal Option, and Severed. Before his retirement, he taught high school science at Dalton High School in northwest Georgia.
From 1979 to 2000, the Southern Baptist Convention (SBC) was mired in conflict, with the biblicist and autonomist parties fighting openly for control. This highly polarizing struggle ended in a schism that created major changes within the SBC and also resulted in the formation of several new Baptist groups. Discussions of the schism, academic and otherwise, generally ignore the church’s clergywomen for the roles they played and the contributions they made to the fracturing of the largest Protestant group in the United States. Ordained women are typically treated as a contentious issue between the parties. Only recently are scholars beginning to take seriously these women’s contributions and interpretations as active participants in the struggle.
Anatomy of a Schism is the first book on the Southern Baptist split to place ordained women’s narratives at the center of interpretation. Author Eileen Campbell-Reed brings her unique perspective as a pastoral theologian in conducting qualitative interviews with five Baptist clergywomen and allowing their narratives to focus attention on both psychological and theological issues of the split. The stories she uncovers offer a compelling new structure for understanding the path of Southern Baptists at the close of the twentieth century. The narratives of Anna, Martha, Joanna, Rebecca, and Chloe reframe the story of Southern Baptists and reinterpret the rupture and realignment in broad and significant ways. Together they offer an understanding of the schism from three interdisciplinary perspectives—gendered, psychological, and theological—not previously available together. In conversation with other historical events and documents, the women’s narratives collaborate to provide specific perspectives with universal implications for understanding changes in Baptist life over the last four decades.
The schism’s outcomes held profound consequences for Baptist individuals and communities. Anatomy of Schism is an illuminating ethnographic and qualitative study sure to be indispensable to scholars of theology, history, and women’s studies alike.
The “southern” – as much a Hollywood genre as the “western” – is the subject of The Celluloid South. For decades the film industry, to provide profit-making entertainment, offered the public movies that neither raised difficult issues nor offended a majority of the ticket-buyers. As a result, Hollywood romanticized the south, particularly the antebellum era, in hundreds of films like Uncle Tom’s Cabin, Gone With the Wind, Birth of a Nation, and Jezebel. During the 1920’s and especially the Depression, the “moonlight and magnolia” romances increased to such an extent that Hollywood has been struggling since the late forties to rid films of the traditional images of the “southern.”
In his exploration of the “southern,” Edward D.C. Campbell, Jr. examines the film plots and images – their social, literary, and historical origins, and their impact on the creation of a popular mythology of the south. The unrealistic but seemingly harmless characterizations of a planter society, and agricultural economy, and especially slavery have hindered the region’s self-assessment and warped the nation’s perspective on race.
Campbell looks beyond the productions themselves, however, to advertising techniques and the reactions of the viewers and reviewers in his examination of the “southern,” its popularity and its decline, and its influence of the public’s conception of history, contemporary conditions, and black/white relations.
The Celluloid South is not a study of film per se, but of film as a reflection of society and the ramifications inherent in popular entertainment. Readers interested in southern history, popular culture, or cinema studies, as well as movie fans, will find The Celluloid South a fascinating look at Hollywood’s development of the southern myth. Thirty-one film stills illustrate the text.
This work fills an important gap in the literature of slavery’s demise. Unlike other authors who focus largely on specific time periods or regional areas, Allen Carden presents a thematically structured national synthesis of emancipation. Freedom’s Delay offers a comprehensive and unique overview of the process of manumission commencing in 1776 when slavery was a national institution, not just the southern experience known historically by most Americans. In this volume, the entire country is examined, and major emancipatory efforts—political, literary, legal, moral, and social—made by black and white, free and enslaved individuals are documented over the years from independence through the ratification of the Thirteenth Amendment.
Freedom’s Delay dispels many of the myths about slavery and abolition, including that racial servitude was of little consequence in the North, and, where it did exist, it ended quickly and easily; that abolition was a white man’s cause and blacks were passive recipients of liberty; that the South seceded primarily to protect states’ rights, not slavery; and that the North fought the Civil War primarily to end the subjugation of African Americans. By putting these misunderstandings aside, this book reveals what actually transpired in the fight for human rights during this critical era. Carden’s inclusion of a cogent preface and epilogue assures that Freedom’s Delay will find a significant place in the literature of American slavery and freedom.
With a compelling preface and epilogue, notes, illustrations and tables, and a detailed bibliography, this volume will be of great value not only in courses on American history and African American history but also to the general reading public.
Allen Carden is professor of history at Fresno Pacific University in Fresno, California. He is the author of Puritan Christianity in America: Religion and Life in Seventeenth-Century Massachusetts.
This study represents the first scholarly biography of this self-effacing man so long overshadowed by Lincoln. Drawing on extensive research in the Nicolay Papers, Allen Carden and Thomas Ebert trace Nicolay’s childhood arrival in America to his involvement in journalism and state government in Illinois. Acquainted with Lincoln in Springfield, Nicolay became a trusted assistant selected by Lincoln to be his private secretary. Intensely devoted to the president, he kept the White House running smoothly and allowed Lincoln to focus on the top priorities. After Lincoln’s death, Nicolay’s greatest achievement was his co-authorship, with his White House assistant, John Hay, of the first thoroughly documented account of Lincoln’s life and administration, a work still consulted by historians.
“Nicolay,” Carden and Ebert write, “did not make Lincoln great, but he helped make it possible for Lincoln to achieve greatness.” An essential addition to Lincoln studies, this edifying volume reveals not only how Nicolay served the Great Emancipator during his administration but also how he strove to preserve and shape Lincoln’s legacy for generations to come.
Based on the notion of “founding peoples” rather than “founding fathers,” Making an Atlantic World uses an innovative, interdisciplinary approach to interpret the Colonial South. James Taylor Carson uses historical ethnogeography-a new methodology that brings together the study of history, anthropology, and geography. This method seeks to incorporate concepts of space and landscape with social perspectives to give students and scholars a better understanding of the forces that shaped the development of a synthesized southern culture.
Unlike previous studies, which considered colonization as a contest over land but rarely considered what the land was and how people understood their relationships to it, Making an Atlantic World shows how the founding peoples perceived their world before contact and how they responded to contact and colonization.
The author contends that each of the three groups involved-the first people, the invading people, and the enslaved people-possessed a particular worldview that they had to adapt to each other to face the challenges brought about by contact.
James Taylor Carson is associate professor of history at Queen’s University in Ontario, Canada. He is the author of <i>Searching for the Bright Path: The Mississippi Choctaws from Prehistory to Removal</i>. His articles and reviews have appeared in <i>Ethnohistory, Journal of Mississippi History, Agricultural History, Journal of Military History</i>, and other publications.
Dashing, bold, and fearless in command, Major General Earl Van Dorn was a soldier whose star shone brightly during the early days of the Confederacy. A veteran of the Mexican War and Indian campaigns, he is remembered for suffering devastating defeats while leading armies at Pea Ridge and Corinth and then redeeming himself as a cavalry commander at Holly Springs and Thompson Station. Yet he was perhaps best known for his reputation as a womanizer killed by an irate husband at the height of his career.
Arthur B. Carter’s biography of Van Dorn, the first in three decades, draws on previously unpublished sources regarding the general’s affair with Martha Goodbread—which resulted in three children—and his liaison with Jessica Peters, which resulted in his death. This new material, unknown to previous biographers, includes the revelation that the true circumstances of Van Dorn's death were kept secret by friends and comrades in order to protect his family. Carter reveals that the general was probably mortally wounded on the Peters plantation but was carried back to his Spring Hill headquarters. He reconstructs the details of Van Dorn's murder in a brisk narrative that draws on accounts of Van Dorn's confidantes, capturing both the danger and passion of those events.
The Tarnished Cavalier is more than a story of scandal. Carter sheds new light on Confederate conduct of the war in the western theater during 1861 and 1862, revisits the pivotal battles of Pea Ridge and Corinth—both of which are important to understanding the loss of the upper South—and introduces new perspectives on the defense of Vicksburg and the Middle Tennessee operations of early 1863.
Carter’s narrative juxtaposes Van Dorn's flamboyance with his failings as a commander: although he was a soldier with heroic aspirations, he was also impulsive, reckless, and unable to delegate authority. Perhaps more telling, it shows how Van Dorn’s character flaws extended to his personal life, cutting short a promising career.
The Author: Arthur B. Carter, a retired U.S. Army officer and educator, lives in Mobile, Alabama.
For more than half a century, Virginia E. Walker Broughton (1856–1934) worked tirelessly to uplift black communities, and especially black women, throughout Tennessee. Born into an elite African American family in Nashville, she began her professional career as a teacher and later became one of the most prominent domestic missionaries in the National Baptist Convention, U.S.A., as well as an accomplished speaker and writer. This annotated collection is the first scholarly work devoted entirely to Broughton’s life and writings.
The book for which Broughton is best known, Twenty Year’s [sic] Experience of a Missionary, was an autobiography first published in 1907 and reprinted in 1988 as part of a scholarly edition of spiritual narratives by black women. Recently, in the archives of Fisk University, Broughton’s alma mater, Tomeiko Ashford Carter discovered an earlier autobiographical work, A Brief Sketch of the Life and Labors of Mrs. V. W. Broughton, Bible Band Missionary, for Middle and West Tennessee, which was distributed at the famous Atlanta Cotton States and International Exposition of 1895. While both autobiographies portray Broughton as an important religious figure for whom missionary work became a saving grace, Life and Labors is more revealing of key facts about Broughton and her family, and it situates them more clearly among the nation’s black elite. This volume not only brings Life and Labors back into print but also collects various other pieces Broughton produced during her long career.
Among those other writings is a 1904 booklet titled Woman’s Work: As Gleaned from the Women of the Bible, and the Bible Women of Modern Times, which recognizes the prominence of the female in Christian theology and shows how Broughton anticipated the work of present-day feminist and womanist theologians. Several “training course” articles that Broughton wrote for a National Baptist newspaper, covering such topics as the Christian deportment of women and the need for black spiritual literature, are also gathered here, as are a program she devised for systematic Bible study and a brief article, published just a few years before her death, in which she describes some of her missionary field work. Complementing these primary materials are an extensive critical introduction and notes by Carter, a Walker-Broughton family tree, and a chronology of Broughton’s life.
As this collection makes clear, Virginia Broughton was strongly committed to making the work of black religious women an ongoing intellectual enterprise. In these pages, she emerges as both a dedicated missionary and a formidable religious scholar.
Looking at the rich and mountainous land between the Ohio and Tennessee Rivers, The Appalachian Frontier follows the story of the Long Hunters in Kentucky; the struggles of the Regulators in North Carolina; the founding of the Watauga, Transylvania, Franklin, and Cumberland settlements; the siege of Boonesboro; and the patterns and challenges of frontier life. While narrating the gripping stories of such figures as Daniel Boone, George Rogers Clark, and Chief Logan, Caruso combines social, political, and economic history into a comprehensive overview of the early mountain South.
In his new introduction, John C. Inscoe examines how this work exemplified the so-called consensus school of history that arose in the United States during the cold war. Unabashedly celebratory in his analysis of American nation building, Caruso shows how the development of Appalachia fit into the grander scheme of the evolution of the country. While there is much in The Appalachian Frontier that contemporary historians would regard as one-sided and romanticized, Inscoe points out that “those of us immersed so deeply in the study of the region and its people sometimes tend to forget that the white settlement of the mountain south in the eighteenth century was not merely the chronological foundation of the Appalachian experience. As Caruso so vividly demonstrates, it is also represented a vital—even defining—stage in the American progression across the continent.”
The Author: John Anthony Caruso was a professor of history at West Virginia University. He died in 1997.
John C. Inscoe is professor of history at the University of Georgia. He is editor of Appalachians and Race: The Mountain South from Slavery to Segregation and author of Mountain Masters: Slavery and the Sectional Crisis in Western North Carolina.
Born in Bryson City, North Carolina, Jim Casada has had a long career as a teacher, author, and avid outdoorsman. He grew up in a time and place where families depended on the land and their community to survive. Many of the Smoky Mountain customs and practices that Casada reflects on are gradually disappearing or have vanished from our collective memories.
In A Smoky Mountain Boyhood, Casada pairs his gift for storytelling and his training as a historian to produce a highly readable memoir of mountain life in East Tennessee and western North Carolina. His stories evoke a strong sense of place and reflect richly on the traits that make the people of Southern Appalachia a unique American demographic. Casada discusses traditional folkways; hunting, growing, preparing, and eating wide varieties of food available in the mountain region; and the overall fabric of mountain life. Divided into four main sections—High Country Holiday Tales and Traditions; Seasons of the Smokies; Tools, Toys, and Boyhood Treasures; and Precious Memories—each part reflects on a unique and memorable coming-of-age in the Smokies.
Containing a strong sense of adventure, nostalgic tone, and well-paced prose, Casada’s memoir will be appreciated by those who yearn to rediscover the Smokies of their childhoods as well as those who wish to imaginatively climb these mountains for the first time.
—Linda Mizejewski, author of Pretty/Funny: Women Comedians and Body Politics and Ziegfeld Girl
From the 1890s through the 1920s, vaudeville reigned as one of the most popular entertainment forms in urban America. Through drama, humor, and satire, it invited its socially, economically, and ethnically diverse audiences to turn a self-conscious eye upon themselves and their culture, which was being rapidly transformed by such forces as immigration, racial discord, and new conceptions of gender roles. It was no coincidence that acts featuring cross-dressing performers and racial impersonators were among vaudeville’s biggest attractions.
In this lively and enlightening study, Kathleen B. Casey explores the ways in which the gender- and race-bending spectacles of vaudeville dramatized the economic, technological, social, and cultural upheaval that gripped the United States in the early twentieth century. She focuses on four key performers. Eva Tanguay, known as “The I Don’t Care Girl,” was loved for her defiance of Victorian decorum, linking white womanliness to animalistic savagery at a time when racial and gender ideologies were undergoing significant reconstruction. In contrast, Julian Eltinge, the era’s foremost female impersonator, used race to exaggerate notions of manliness
and femininity in a way that reinforced traditional norms more than it undermined them. Lillyn Brown, a biracial woman who portrayed a cosmopolitan black male dandy while singing about an antebellum southern past, offered her audiences, black and white, starkly different visual and aural messages about race and gender. Finally, Sophie Tucker, who often performed in blackface during the early years of her long and heralded career, strategically played with prevailing
ideologies by alternately portraying herself as white, Jewish, black, manly, and womanly, while managing, remarkably, to convince audiences that these identities could coexist within one body.
Analyzing a wide assortment of primary materials—advertisements, recordings, lyrics, sheet music, costumes, photographs, reviews, and press accounts from the era—Casey looks not only at gender and racial impersonation but also at how spectators reacted to these performances.
Kathleen B. Casey is an assistant professor of history at Virginia Wesleyan College.
As Cash demonstrates, O’Connor’s sheltered childhood, extraordinary intellect, spiritual certainty, and unique personality—including a wry sense of humor—combined not only to make her something of an outsider but also to foster her literary genius. As a child, her favorite activities were reading, writing stories, and drawing. Perhaps more unusual was her childhood feat of teaching a rooster to walk backwards. Her passion for exotic fowl later found expression in the peacock symbolism in her fiction.
The family moved to Milledgeville, Georgia, in 1938, and there O’Connor attended high school and college. She left the South in 1945 and entered the graduate writing program at the University of Iowa, where she completed several chapters of her first novel, Wise Blood. She went on to live at the Yaddo writers’ colony in Saratoga Springs, New York, and she might have spent her most creative years in the North if illness had not interfered. However, lupus—the same disease that had killed her father—forced her to return to Milledgeville, where she lived and wrote for the remaining fourteen years of her life under the protective care of her mother.
The latter chapters of Cash’s biography address O’Connor’s adjustment to her debilitating illness and to a more circumscribed existence. As Cash explains, she learned to accommodate her mother’s insular outlook, and in many ways her fiction profited artistically during this period. Her friendships and active correspondence added to the variety and vitality of her life. She also traveled widely on the lecture circuit and reviewed books for a local Catholic publication. Even in her illness and relative isolation in Milledgeville, O’Connor continued to live a richly rewarding and creative life.
The Author: Jean W. Cash is professor of English at James Madison University.
Copyright 1997 Reed Business Information, Inc.
But then again, as Tom Chaffin reveals in this lively tour de force of historiographic sleuthing, like Ruth's alleged "called shot" of 1932, the "four measures" anecdote hangs by the thinnest of evidentiary threads. Indeed, not until the late 1880s, four decades after Polk’s presidency, did the story first appear in print.
In this eye-opening study, Tom Chaffin, author, historian, and, since 2008, editor of the multi-volume series Correspondence of James K. Polk, dispatches the thigh-slap anecdote and other misconceptions associated with Polk. In the process, Chaffin demonstrates how the "four measures" story has skewed our understanding of the 11th U.S. president. As president, Polk enlarged his nation's area by a third—thus rendering it truly a coast-to-coast continental nation-state. Indeed, the anecdote does not record, and effectively obscures complex events, including notable failures—such as Polk's botched effort to purchase Cuba, as well as his inability to shape the terms of California's and the New Mexico territory's admission into the Union. Cuba would never enter the federal Union; and those other tasks would be left for successor presidents. Indeed, debates over the future of slavery in the United States—debates accelerated by Polk's territorial gains—eventually produced perhaps the central irony of his legacy: A president devoted to national unity further sectionalized the nation’s politics, widening geopolitical fractures among the states that soon led to civil war.
Engagingly written and lavishly illustrated, Met His Every Goal?—intended for general readers, students, and specialists—offers a primer on Polk and a revisionist view of much of the scholarship concerning him and his era. Drawing on published scholarship as well as contemporary documents—including heretofore unpublished materials—it presents a fresh portrait of an enigmatic autocrat. And in Chaffin's examination of an oft-repeated anecdote long accepted as fact, readers witness a case study in how historians use primary sources to explore—and in some cases, explode—received conceptions of the past.
While the histories of gold, silver, and copper mining and smelting are well studied, lead has not received much scholarly attention despite a long history of both Native American and European desire for the ore. Over time, native peoples made lead ornaments in molds; French and American settlers used lead to form musket balls; red lead became an important production element for flint and crystal production; and white lead was used in making paint until the mid-twentieth century.
Gray Gold aims to broaden understandings of early colonial and Native American history by turning attention to the ways that mining—and its scientific, technological, economic, cultural, and environmental features—shaped intercultural interactions and developments in the New World. Backed by remarkable original sources such as firsthand mining accounts, letters, and surveys, Mark Chambers’s study demonstrates how early mining techniques affected the culture clash between Native Americans and Europeans all the while tracking the impact increased mining had on the environment of what would become the states of Illinois and Missouri. Chambers traces the evolution of lead mining and smelting technology through pre-contact America, to the amalgamation of aboriginal processes with French colonial development, through Spain’s short occupation to the Louisiana Purchase and ultimately the technology transfer from Europe to an efficient and year-round standard of practice after American assumption. Additionally, while slavery in early American industry has been touched on in iron manufacturing and coal mining scholarship, the lead mining context sheds new light on the history of that grievous institution.
Gray Gold adds significantly to the understanding of lead mining and the economic and industrial history of the United States. Chambers makes important contributions to the fields of United States history, Native American and frontier history, mining and environmental history, and the history of science and technology.
Isaac Royall (1677-1739) was the largest slave owner in Massachusetts in the mid- eighteenth century, and in this book the Royall family and their slaves become the central characters in a compelling cultural-historical narrative. The family's ties to both Massachusetts and Antigua provide a comparative perspective on the transcontinental development of modern ideologies of individualism, colonialism, slavery, and race.
Alexandra A. Chan examines the critical role of material culture in the construction, mediation, and maintenance of social identities and relationships between slaves and masters at the farm. She explores landscapes and artifacts discovered at the site not just as inanimate objects or “cultural leftovers,” but rather as physical embodiments of the assumptions, attitudes, and values of the people who built, shaped, or used them. These material things, she argues, provide a portal into the mind-set of people long gone-not just of the Royall family who controlled much of the material world at the farm, but also of the enslaved, who made up the majority of inhabitants at the site, and who left few other records of their experience.
Using traditional archaeological techniques and analysis, as well as theoretical per- spectives and representational styles of post-processualist schools of thought, Slavery in the Age of Reason is an innovative volume that portrays the Royall family and the people they enslaved “from the inside out.” It should put to rest any lingering myth that the peculiar institution was any less harsh or complex when found in the North.
Alexandra A.Chan currently works in cultural resource management as an archaeolog- ical consultant and principal investigator. As assistant professor of anthropology at Vassar College, 2001-2004, she also developed numerous courses in historical archaeology, archaeological ethics, comparative colonialism, and the archaeology of early African America. She was the project director of the excavations at the Isaac Royall House and Slave Quarters in Medford, Massachusetts, 2000-2001, and continues to serve on the Academic Advisory Council of the museum.
This revision retains the full text and illustrations of the original edition, with its compelling descriptions of ancient ways of life and the archaeological detective work that was done to obtain that knowledge. The new material, contained in a postscript, summarizes the discoveries, research methods, and other developments that have, over the past ten years, further enhanced our knowledge of the Native Americans who occupied the area. Included, for example, are details about some fascinating new techniques for dating human remains, as well as discussions of burial practices, native crops, new archaeological laws, and the "Bat Creek Stone," a controversial artifact that, according to some claims, gives evidence of migrations of Mediterranean peoples to the New World during Roman times.
The Author: Jefferson Chapman is director of the Frank H. McClung Museum at the University of Tennessee, Knoxville, and a research associate professor in the department of anthropology.
This revision retains the full text and illustrations of the original edition, with its compelling descriptions of ancient ways of life and the archaeological detective work that was done to obtain that knowledge. The new material, contained in a postscript, summarizes the discoveries, research methods, and other developments that have, over the past ten years, further enhanced our knowledge of the Native Americans who occupied the area. Included, for example, are details about some fascinating new techniques for dating human remains, as well as discussions of burial practices, native crops, new archaeological laws, and the "Bat Creek Stone," a controversial artifact that, according to some claims, gives evidence of migrations of Mediterranean peoples to the New World during Roman times.
The Author: Jefferson Chapman is director of the Frank H. McClung Museum at the University of Tennessee, Knoxville, and a research associate professor in the department of anthropology.
The team of editors, authors, and contributors not only provide keys for identifying the major groups, families, genera, species, and lesser taxa known to be native or naturalized within the state—with supporting information about distribution, frequency of occurrence, conservation status, and more—but they also offer a plethora of descriptive information about the state’s physical environment and vegetation, along with a summary of its rich botanical history, dating back to the earliest Native American inhabitants.
Other features of the book include a comprehensive glossary of botanical terms and an array of line drawings that illustrate the identifying characteristics of vascular plants, from leaf shape and surface features to floral morphology and fruit types. Finally, the book’s extensive keys are indexed by families, scientific names, and common names. The result is a user-friendly work that researchers, students, environmentalists, foresters, conservationists, and indeed anyone interested in Tennessee and its botanical legacy and resources will value for years to come.
The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class.
As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy.
MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.
The novel centers on Therese Lafirme, a widow who owns and runs a plantation in post–Civil War Louisiana. She encounters David Hosmer, who buys timber rights to her property to secure raw materials for his newly constructed sawmill. When David remarries, a love triangle develops between David, Fanny (his alcoholic wife), and Therese, who tries to balance her strong moral sensibility against her growing love for David. In depicting these relationships, Chopin acutely dramatizes the conflict between growing industrialism and the agrarian traditions of the Old South—as well as the changes to the land and the society that inevitably resulted from that conflict.
Editors Suzanne Disheroon Green and David J. Caudle provide meticulous annotations to the text of At Fault, facilitating the reader’s understanding of the complex and exotic culture and language of nineteenth-century Louisiana. Also included is a substantial body of supporting materials thatcontextualize the novel, ranging from a summary of critical responses to materials illuminating the economic, social, historical, and religious influences on Chopin’s texts.
The Editors: Suzanne Disheroon Green is an assistant professor of English at Northwestern State University in Natchitoches, Louisiana. She is the co-author, with David J. Caudle, of Kate Chopin: An Annotated Bibliography of Critical Works, and co-editor with Lisa Abney, of the forthcoming Songs of the New South: Writing Contemporary Louisiana
David J. Caudle, who is completing his doctorate at the University of North Texas, has published essays and book chapters dealing with American literature and linguistic approaches to literature.
Emory Upton (1839–1881) was thrust into the Civil War immediately upon graduation from the United States Military Academy at West Point in May of 1861. He was wounded three times during the war. He participated in nearly every major battle in the Eastern Theater including Fredericksburg, Gettysburg, and Spotsylvania, where he led a prominent attack on entrenched Confederate positions—a signal of Upton’s brilliance as an officer and of his military creativity that foreshadowed his later work in revising the Army’s tactics. Upton was mustered out of service in 1866 and later named commandant of cadets at West Point, a position that carved a path for Upton to focus more on Army tactics and reforms.
Until now, the only lenses through which scholars could study Upton were two biographies published nearly a century apart but practically identical in scope and treatment. The two-volume Correspondence of Major General Emory Upton follows Upton through his enrollment at West Point to his extensive Army activities following the Civil War and contains the bulk of his wartime correspondence. Volume one, with Upton’s Civil War correspondence encompasses both larger battle details and day-to-day activities in the life of a soldier. His letters reveal a mercurial individual: a humorous person used to suffering and rejoicing, who could be flawed and brilliant, vain and humble.
These selected letters and reports, expertly annotated and gathered from repositories across the country, present a more complex, human Emory Upton. He is both the “clean, pure, and spotless” individual of biographies and the ambitious, yet flawed Army officer obsessed with his career. These volumes explore his trials and frustrations as well as his triumphs.
Salvatore G. Cilella Jr., now retired, was president of the Atlanta Historical Society. He is the author of Upton’s Regulars: The 121st New York Infantry in the American Civil War and Fund Raising for Small Museums in Good Times and Bad.
Emory Upton (1839–1881) was thrust into the Civil War immediately upon graduation from the United States Military Academy at West Point in May of 1861. He was wounded three times during the war. He participated in nearly ever major battle in the Eastern Theater including Fredericksburg, Gettysburg, and Spotsylvania, where he led a prominent attack on entrenched Confederate positions—a signal of Upton’s brilliance as an officer and of his military creativity that foreshadowed his later work in revising the Army’s tactics. Upton was mustered out of service in 1866 and later named commandant of cadets at West Point, a position that carved a path for Upton to focus more on Army tactics and reforms.
Until now, the only lenses through which scholars could study Upton were two biographies published nearly a century apart but practically identical in scope and treatment of Upton. The two-volume Correspondence of Major General Emory Upton follows Upton through his enrollment at West Point to his extensive Army activities following the Civil War and contains the bulk of Emory Upton’s wartime correspondence. Volume two collects Upton’s foreign correspondence and observations on military tactics and Army reform. At the behest of U.S. Army Commanding General William T. Sherman, Upton was sent on a tour to study the armies of Asia and Europe, and more specifically the German army after conclusion of the Franco-Prussian War. This tour resulted in the publication of his monumental The Armies of Europe and Asia, which warned that the U.S. Army was woefully below the standards of European nations, and between Upton’s death in 1881 and the turn of the twentieth century, military policy was fiercely debated in both the military and popular press. Upton’s ideas on reform were often central to the arguments, and his letters and writings provoked a wide range of discussion over military and, inevitably, civilian issues.
These selected letters and reports, expertly annotated and gathered from repositories across the country, present a more complex, human Emory Upton. He is both the “clean, pure, and spotless” individual of Michie’s biographies and the ambitious, yet flawed Army officer obsessed with his career. These volumes explore his trials and frustrations as well as his triumphs.
Salvatore G. Cilella, now retired, was president of the Atlanta Historical Society. He is the author of Upton’s Regulars: The 121st New York Infantry in the American Civil War and Fund Raising for Small Museums in Good Times and Bad.
In this provocative work, Cheryl Claassen challenges long-standing notions n this provocative work, Cheryl Claassen challenges long-standing notions Iabout hunter-gatherer life in the southern Ohio Valley as it unfolded some Iabout hunter-gatherer life in the southern Ohio Valley as it unfolded some I8,000 to 3,500 years ago. Focusing on freshwater shell mounds scattered 8,000 to 3,500 years ago. Focusing on freshwater shell mounds scattered along the Tennessee, Ohio, Green, and Harpeth rivers, Claassen draws on the latest archaeological research to offer penetrating new insights into the sacred world of Archaic peoples. Some of the most striking ideas are that there were no villages in the southern Ohio Valley during the Archaic period, that all of the trading and killing were for ritual purposes, and that body positioning in graves reflects cause of death primarily.
Mid-twentieth-century assessments of the shell mounds saw them as the products of culturally simple societies that cared little about their dead and were concerned only with food. More recent interpretations, while attributing greater complexity to these peoples, have viewed the sites as mere villages and stressed such factors as population growth and climate change in analyzing the way these societies and their practices evolved. Claassen, however, makes a persuasive case that the sites were actually the settings for sacred rituals of burial and
renewal and that their large shell accumulations are evidence of feasts associated with those ceremonies. She argues that the physical evidence—including the location of the sites, the largely undisturbed nature of the deposits, the high incidence of dog burials, the number of tools per body found at the sites, and the indications of human sacrifice and violent death—not only supports this view but reveals how ritual practices developed over time. The seemingly sudden demise of shellfish consumption, Claassen contends, was not due to overharvesting and environmental change; it ended, rather, because the sacred rituals changed.
Feasting with Shellfish in the Southern Ohio Valley is a work bound to stir controversy and debate among scholars of the Archaic period. Just as surely, it will encourage a new appreciation for the spiritual life of ancient peoples—how they thought about the cosmos and the mysterious forces that surrounded them.
The Philosophy of Religion of Alexander Campbell reintroduces readers to Campbell as a philosopher of religion and explores the philosophical basis for the views underlying his religious movement. It begins with a highly readable discussion of Campbell’s role in antebellum American religion and proceeds to an exploration of his philosophical influences. J. Caleb Clanton then reconstructs, explains, and evaluates Campbell’s philosophy of religion. He critically examines Campbell’s unique, revealed-idea argument for the existence of God—that is, if God did not exist, we could not form the distinct idea of God. Clanton goes on to explore Campbell’s defense of miracles, including the resurrection of Christ, and his responses to the problem of evil and the problem of divine hiddenness. The final and most speculative chapter collects and synthesizes from scattered writings Campbell’s view on morality and religion— namely that there is no morality without God—which has proven difficult to defend on philosophical grounds.
With this book, the author makes a unique and important contribution to the literature of the Stone-Campbell movement. Clanton presents Campbell’s views strictly in philosophical terms and evaluates them from a philosophical perspective without regard to religious apologetics. In doing so, he illuminates previously unexplored dimensions of Campbell and his work, both historically and theologically, and clearly validates Campbell’s inclusion in contemporary discussions of the philosophy of religion.
In Restoration and Philosophy, editor J. Caleb Clanton and a team of philosophers engage with the Stone-Campbell Restoration tradition to address issues related to epistemology, philosophy of science, philosophy of religion, moral philosophy, aesthetics, environmentalism, and race. Along the way, the authors help to contextualize the Stone- Campbell Restoration tradition within American religious history—and within Christian philosophy more generally—and they show its continuing relevance today.
Scholars and students of philosophy and religious studies, as as well as ministers and those interested in this uniquely American Christian tradition, will benefit from this carefully edited, thoroughly researched, and highly readable collection of essays by eminent philosophers and religious scholars.
J. CALEB CLANTON is University Research Professor and professor of philosophy at Lipscomb University in Nashville. His previous books include Philosophy of Religion in the Classical American Tradition and The Philosophy of Religion of Alexander Campbell.
Since at least the time of Plato, religious explanations of the metaphysical foundations of morality have typically fallen into one of two camps: natural law theory, according to which morality is fundamentally explained by facts about human nature—facts that God is responsible for—and divine command theory, which holds that moral obligations arise directly from God’s commands or some other prescriptive act of the divine will. J. Caleb Clanton and Kraig Martin offer an accessible analysis of these traditional views, reconstruct the various arguments for and against them, and offer an extended consideration of the historical emergence of the divide between these positions within the Christian tradition. Nature and Command goes on to develop and defend a theory that combines these two views—a metaethical approach that has not yet received the scholarly attention it deserves.
Along the way, the authors make use of underexplored theological resources drawn from the Stone-Campbell movement, a nineteenth-century restoration movement that culminated in one of the largest Protestant groups in America by the dawn of the twentieth century. Nature and Command summons the resources of this particular Christian heritage—its first principles, call for unity, and ecumenism—to solve one of the great dilemmas of moral philosophy and theology dating back to Plato’s Euthyphro.
This historically aware, argumentatively rigorous, and highly readable volume will serve as a valuable resource for moral philosophy and ethics, as well as for mining the Stone-Campbell Restoration tradition for historical and theological insights.
Captain Clark was a twenty-seven-year-old Knoxville businessman when the first shots of the Civil War were fired in 1861. Like many southern gentlemen, Clark was opposed to secession but could not desert his family and friends. Enlisting as a first lieutenant in the Confederacy’s Third Tennessee Infantry Regiment, he spent his first night as a soldier on the bloody battlefield of Manasses. Clark’s recollections of Manasses and the battles and skirmishes that followed pinpoint his regiment’s activities in previously undocumented areas while providing valuable analyses of battles from a participant’s point of view and discussing the irony many soldiers felt when battle pitted them against men they had known before the war in business, politics, and society.
Captured after the battle of Morristown in the fall of 1864, Clark was jailed in Knoxville, then under Federal control. His account of the eight months he spent as a prisoner—his harsh treatment, a near-fatal illness, the false accusations of traitorous activities—offer a detailed description of the physical and legal battles of a Confederate prisoner of war fighting to obtain his freedom. Clark’s post war experiences relate his struggles as a former Rebel living in a conquered state, reflecting the deeply divided loyalties of East Tennessee that continued for years after the war’s end.
This first book in the Voices of the Civil War series shares the story of a man who remained sensible of his kinship with those he was forced to call his enemies. Written a quarter-century after the war began, Clark's memories vividly bring to life the tragedy that was the Civil War.
Willene B. Clark, a granddaughter of Captain Clark, is a professor of art history at Marlboro College, Marlboro, Vermont.
Best known for Our Southern Highlanders (1913) and Camping and Woodcraft (1916), Horace Kephart’s keen interest in exploring and documenting the great outdoors would lead him not only to settle in Bryson City, North Carolina, but also to become the most significant writer about the Great Smoky Mountains in the early twentieth century.
Edited by Mae Miller Claxton and George Frizzell, Horace Kephart: Writings extends past Kephart’s two well-read works of the early 1900s and dives into his correspondence with friends across the globe, articles and columns in national magazines, unpublished manuscripts, journal entries, and fiction in order to shed some deserved light on Kephart’s classic image as a storyteller and practical guide to the Smokies. The book is divided into thematic subsections that call attention to the variety in Kephart’s writings, its nine chapters featuring Kephart’s works on camping and woodcraft, guns, southern Appalachian culture, fiction, the Cherokee, scouting, and the park and Appalachian trail. Each chapter is accompanied by an introductory essay by a notable Appalachian scholar providing context and background to the included works.
Written for scholars interested in Appalachian culture and history, followers of the modern outdoor movement, students enamored of the Great Smoky Mountains, and general readers alike, Horace Kephart: Writings gathers a plethora of little-known and rarely seen material that illustrates the diversity and richness found in Kephart’s work.
“This memoir illuminates key aspects of the war experience: the enthusiasm for fighting, tensions with officers, tedium with regard to noncombatant work, the variety of trench experiences, the sharp learning curve that the army underwent on the ground, and the confusing nature of combat for ground troops. As the centennial of the war approaches this well-annotated memoir that connects Patterson’s individual experiences to the larger U.S. experience of the war will appeal to general readers and specialists alike.” —Jennifer D. Keene, author of World War I: The American Soldier Experience
A journalist once called Under Secretary of War Robert P. Patterson “the toughest man in Washington” for his fervid efforts in managing U.S. mobilization in World War II. The World War I Memoirs of Robert P. Patterson: A Captain in the Great War recounts Patterson’s own formative military experiences in the First World War.
Written in the years following the conflict, this is a remarkable rendering of what it was like to be an infantry line officer during the so-called Great War. Patterson started his military career as a twenty-seven-year-old, barely-trained captain in the American Expeditionary Forces (A.E.F.). He was part of the 306th Infantry Regiment of New York’s famous 77th “Statue of Liberty” Division from July to November 1918. In this detailed account, Patterson describes in understated yet vivid prose just how raw and unprepared American soldiers were for the titanic battles on the Western Front. Patterson downplays his near-death experience in a fierce firefight that earned him and several of his men from Company F the Distinguished Service Cross. His depiction of the brutal Meuse-Argonne battle is haunting—the drenching cold rains, the omnipresent barbed wire, deep fog-filled ravines, the sweet stench of mustard gas, chattering German machine-guns, crashing artillery shells, and even a rare hot meal to be savored.
Dealing with more than just combat, Patterson writes of the friendships and camaraderie among the officers and soldiers of different ethnic and class backgrounds who made up the “melting pot division” of the 77th. He betrays little of the postwar disillusionment that afflicted some members of the “Lost Generation.”Editor J. Garry Clifford’s introduction places Patterson and his actions in historical context and illuminates how Patterson applied lessons learned from the GreatWar to his later service as assistant secretary, under secretary, and secretary of war from 1940 to 1947.
A one-of-a-kind reference book, Tennessee Tragedies examines a wide variety of disasters that have occurred in the Volunteer State over the past several centuries. Intended for both general readers and emergency management professionals, it covers natural disasters such as floods, tornadoes, and earthquakes; technological events such as explosions, transportation wrecks, and structure fires; and societal incidents including labor strikes, political violence, lynchings, and other hate crimes.
At the center of the book are descriptive accounts of 150 of the state’s most severe events. These range from smallpox epidemics in the eighteenth century to the epic floods of 1936–37, from the Sultana riverboat disaster of 1865 (the worst inland marine accident in U.S. history) to the 1968 assassination of Dr. Martin Luther King Jr. Included as well are stories of plane crashes, train wrecks, droughts, economic panics, and race riots. An extensive chronology provides further details on more than 900 incidents, the most complete listing ever compiled for a single state. The book’s introduction examines topics that include our fascination with such tragedies; major causes of death, injury, and destruction; and the daunting problems of producing accurate accountings of a disaster’s effects, whether in numbers of dead and injured or of economic impact. Among the other features are a comprehensive glossary that defines various technical terms and concepts and tables illustrating earthquake, drought, disease, and tornado intensity scales.
A work of great historical interest that brings together for the first time an impressive array of information,Tennessee Tragedies will prove exceptionally useful for those who must respond to inevitable future disasters.
This collection arose out of a 2019 conference to commemorate the completion of the fourteen- volume Correspondence of James K. Polk. Its scholarship—which pays tribute to the Polk Project itself, as well as to the controversial nature of the Polk legacy—will result in a significant reinterpretation of the eleventh US president.
Contributors include John F. Polk, who examines the ways history has mischaracterized almost the entire Polk family tree, and Kelly Houston Jones, who investigates the family’s investments in slave-based agriculture. The fascinating life of Elias Polk, a man enslaved by the president, is compellingly related by Zacharie W. Kinslow. Asaf Almog analyzes the persistence of labels: Polk and fellow Democrats labeled their Whig opponents “Federalists,” he argues, with both rhetorical and substantive aims. Michael Gunther analyzes Polk’s authorization of the Smithsonian Institution and the Department of the Interior, seemingly at odds with his devotion to small government.
Taken together, the twelve essays unveil a more complex James K. Polk than the narrowly focused Jackson protégé and proponent of Manifest Destiny we often hear about. He was politically partisan but inspired by history and grounded in principle. His family’s long reliance on nonwhite Americans’ losses of freedom and land informed his policies on slavery and Indian removal, and the nature of the legislation at hand determined when he promoted a larger or a smaller federal government. James K. Polk and His Timehelps us to unde
In this riveting memoir, Cohen takes the reader from the union hall and factory gates to the bargaining table and courtroom, and ultimately to the picket line. We see him winning the trust of disillusioned union members, negotiating with a hostile employer and its high-powered legal counsel, and hitting the pavement with leaflets and union cards in hand. We get to know the millworkers with whom he formed close bonds, including a stormy romance with a young woman at the plant. His up-close account of the struggle brims with telling descriptions of the negotiating process, the grinding work at the textile mill, the lives of its employees outside the workplace, and the grim realities of union busting in America. When the organizer’s four-year-old daughter accompanies him to the field, a unique an unexpected dimension is added to the chronicle.
A compelling, dramatic story that alternated between major triumphs and frustrating setbacks, The Jackson Project provides a rare look at the labor movement in the American South from an insider’s perspective.
There are many books on the cult phenomenon that bloomed in the wake of the social upheaval of the 1960s, and many discuss the abuses of cult leaders; the physical, mental, and emotional challenges of breaking free; and the lived experiences of those who manage to leave and begin to heal. With Mama Said: A Daughter’s Escape from the Alamo Christian Foundation, we get a unique angle—what the daughter of a cult leader could see from the inside.
Christhiaon Coie grew up “Little Susie,” the daughter of Susan Alamo and stepdaughter of Tony Alamo, founders of the Alamo Christian Foundation. Coie continued to embrace the faith as she got older, but she was not a little girl anymore and began to realize that people don’t go to church and leave with the offering. She did not embrace the “faith” her mother was peddling, and she saw the financial grift that exploited the vulnerable followers. This is a story about the complex, unremitting relationship between a daughter and her abusive mother. Coie shares insight into Susan Alamo before her foundation days and reveals what it was like to grow up as her daughter between the 1950s and early 1970s. Across thirty-six chapters, she chronicles life within the Alamo cult and the twisted mother-daughter dynamic that persisted through it all. As Coie’s story unfolds, we see Little Susie transform into Christhiaon, navigating a manipulative mother and the distorted biblical teachings enlisted to her cause.
With a foreword from noted Alamo cult historian Debby Schriver, Coie’s gritty memoir is a true survivor story. What she survived, however, was not the cult only but the cruel double bind of what “mama said.”
In many ways, John H. Black typified the thousands of volunteers who fought for the Union during the Civil War. Born in 1834 and raised on his family’s farm near Allegheny Township, Pennsylvania, Black taught school until he, like many Pennsylvanians, rushed to defend the Union after the attack on Fort Sumter in April 1861. He served with the Twelfth Pennsylvania Cavalry, one of the Union’s most unruly, maligned, and criticized units.Consistently outperformed early in the conflict, the Twelfth finally managed to salvage much of its reputation by the end of the war. Throughout his service, Black penned frequent and descriptive letters to his fiancée and later wife, Jennie Leighty Black. This welcome volume presents this complete correspondence for the first time, offering a surprisingly full record of the cavalryman’s service from 1862 to 1865 and an intimate portrait of a wartime romance.
In his letters, Black reveals his impassioned devotion to the cause, frequently expressing his disgust toward those who would not enlist and his frustration with friends who were not appropriately patriotic. Despite the Twelfth Pennsylvania’s somewhat checkered history, Black consistently praises both the regiment’s men and their service and demonstrates a strong camaraderie with his fellow soldiers. He offers detailed descriptions of the regiment’s vital operations in protecting Unionists and tracking down and combating guerrillas, in particular John Singleton Mosby and his partisan rangers, providing a rare first-person account of Union counterinsurgency tactics in the Lower Shenandoah Valley. In the midst of portraying heated and chaotic military operations, Black makes Jennie a prominent character in his war, illustrating the various ways in which the conflict altered or nurtured romantic relationships.
One of the few compilations of letters by a long-term Yankee cavalry member and the only such collection by a member of the Twelfth Pennsylvania, A Yankee Horseman in the Shenandoah Valley provides new insights into the brutal, confused guerrilla fighting that occurred in northwestern Virginia. Moreover, these letters make a significant contribution toward an emerging consensus that Yankee cavalry—often maligned and contrasted with their celebrated Confederate foes—became a superior fighting force as the war progressed.
David J. Coles, professor of history at Longwood University, is the associate editor of the Encyclopedia of Civil War, coauthor of Sons of Garibaldi in Blue and Gray, and coeditor of the Encyclopedia of the American Civil War.
Stephen D. Engle, professor of history at Florida Atlantic University, is the author of Yankee Dutchman: The Life of Franz Sigel, Don Carlos Buell: Most Promising of All, and Struggle for the Heartland: The Campaigns from Fort Henry to Corinth.
This volume is the first comprehensive overview of North Carolina Presbyterians to appear in more than a hundred years. Drawing on congregational and administrative histories, personal memoirs, and recent scholarship—while paying close attention to the relevant social, political, and religious contexts of the state and region—Walter Conser and Robert Cain go beyond older approaches to denominational history by focusing on the identity and meaning of the Presbyterian experience in the Old North State from the seventeenth through the twentieth centuries.
Conser and Cain explore issues as diverse as institutional development and worship experience; the patterns and influence of race, ethnicity, and gender; and involvement in education and social justice campaigns. In part 1 of the book, “Beginnings,” they trace the entrance of Presbyterians—who were legally considered dissenters throughout the colonial period—into the eastern, central, and western sections of the state. The authors show how the Piedmont became the nexus of Presbyterian organizational development and examine the ways in which political movements, including campaigns for American independence, deeply engaged Presbyterians, as did the incandescence of revivalism and agitation for reform, which extended into the antebellum period.
The book’s second section, “Conflict, Renewal, and Reunion,” investigates the denominational tensions provoked by the slavery debate and the havoc of the Civil War, the soul searching that accompanied Confederate defeat, and the rebuilding efforts that came during the New South era. Such important factors as the changing roles of women in the church and the decline of Jim Crow helped pave the way for the eventual reunion of the northern and southern branches of mainline Presbyterianism. By the arrival of the new millennium, Presbyterians in North Carolina were prepared to meet future challenges with renewed confidence.
A model for modern denominational history, this book is an astute and sensitive portrayal of a prominent Protestant denomination in a southern context.
Walter H. Conser Jr. is professor of religion and professor of history at the University of North Carolina, Wilmington. His books include A Coat of Many Colors: Religion and Society along the Cape Fear River of North Carolina and God and the Natural World: Religion and Science in the Natural World.
Before his retirement after thirty-two years of service, Robert J. Cain was head of the Colonial Records Branch at the North Carolina State Archives. He is the editor of The Colonial Records of North Carolina, second series.
Drawing in part on interviews with elderly African-American banjo players from the Piedmont—among the last American representatives of an African banjo-playing tradition that spans several centuries—Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America.
By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows.
By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre—the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands.
The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.
While many associate the concept commonly referred to as the “military-industrial complex” with President Dwight D. Eisenhower’s 1961 farewell address, the roots of it existed two hundred years earlier. This concept, as Benjamin Franklin Cooling writes, was “part of historical lore” as a burgeoning American nation discovered the inextricable relationship between arms and the State. In Arming America through the Centuries, Cooling examines the origins and development of the military-industrial complex (MIC) over the course of American history. He argues that the evolution of America’s military-industrial-business-political experience is the basis for a contemporary American Sparta. Cooling explores the influence of industry on security, the increasing prevalence of outsourcing, ever-present economic and political influence, and the evolving nature of modern warfare. He connects the budding military-industrial relations of the colonial era and Industrial Revolution to their formal interdependence during the Cold War down to the present-day resurrection of Great Power competition. Across eight chronological chapters, Cooling weaves together threads of industry, finance, privatization, appropriations, and technology to create a rich historical tapestry of US national defense in one comprehensive volume.
Integrating information from both recent works as well as canonical, older sources, Cooling’s ambitious single-volume synthesis is a uniquely accessible and illuminating survey not only for scholars and policymakers but for students and general readers as well.
Cooling compellingly describes a struggle that was marked not only by the movement of armies and the strategies of generals but also by the rise of guerrilla bands and civil resistance. It was, in part, a war fought for geography—for rivers and railroads and for strategic cities such as Nashville, Louisville, and Chattanooga. But it was also a war for the hearts and minds of the populace. "Stubborn civilian opposition to Union invaders," Cooling writes, "prompted oppressive military occupation, subversion of civil liberties, and confiscation of personal property in the name of allegiance to the United States—or to the Confederacy, for that matter, since some Unionist southerners resented Confederate intrusion fully as much as their secessionist neighbors opposed Yankee government."
In exploring the complex terrain of "total war" that steadily engulfed Tennessee and Kentucky, Cooling draws on a huge array of sources, including official military records and countless diaries and memoirs. He makes considerable use of the words of participants to capture the attitudes and concerns of those on both sides. The result is a masterful addition to Civil War literature that integrates the military, social, political, and economic aspects of the conflict into a large and endlessly fascinating picture.
“Benjamin Franklin Cooling has produced a triumphant third volume to his definitive study of Tennessee and Kentucky in the Civil War. Like his first two volumes, this one perfectly integrates the home front and battlefield, demonstrating that civilians were continually embroiled in the war in intense ways comparable to and often surpassing the violence experienced by soldiers on the battlefield. The impacts of armies, guerrillas, and other military forces on civilians was continual, terrifying, and brutal in nearly all parts of the Confederacy’s Heartland.” —T. Michael Parrish, Linden G. Bowers Professor of American History, Baylor University
“Cooling’s scholarship is indeed sound and based on extensive research in a variety of original sources that range from manuscript collections to newspapers, with an exhaustive list of secondary sources. His work represents the first new interpretations of this important part of the war in decades.” —Archie P. McDonald, Regent’s Professor and Community Liaison, Stephen F. Austin State University
In two preceding volumes, Forts Henry and Donelson and Fort Donelson’s Legacy, Benjamin Franklin Cooling offered a sweeping portrayal of war and society in the upper southern heartland of Kentucky and Tennessee during the first two and a half years of the Civil War. This book continues that saga as Cooling probes the profound turmoil—on the battlefield, on the home front, within the shadow areas where lawlessness reigned—that defined the war in the region as it ground to its close.
By 1864 neither the Union’s survival nor the South’s independence was any more apparent than at the beginning of the war. The grand strategies of both sides were still evolving, and Tennessee and Kentucky were often at the cusp of that work. With his customary command of myriad sources, Cooling examines the heartland conflict in all its aspects: the Confederate cavalry raids and Union counteroffensives; the harsh and punitive Reconstruction policies that were met with banditry and brutal guerrilla actions; the disparate political, economic, and sociocultural upheavals; the ever-growing war weariness of the divided populations; and the climactic battles of Franklin and Nashville that ended the Confederacy’s hopes in the Western Theater. Especially notable in this volume is Cooling’s use of the latest concepts of “hybrid” or “compound war” that national security experts have applied to the twenty-first-century wars in Iraq and Afghanistan—a mode of analysis that explores how catastrophic terrorism and disruptive lawlessness mix with traditional combat and irregular operations to form a new kind of warfare. Not only are such concepts relevant to the historical study of the Civil War in the heartland, Cooling suggests, but by the same token, their illumination of historical events can only enrich the ways in which policymakers view present-day conflicts.
In chronicling Tennessee and Kentucky’s final rite of passage from war to peace, To the Battles of Franklin and Nashville and Beyond is in every way a major contribution to Civil War literature by a masterful historian.
Himler’s autobiography tells in Himler’s own words his life story as it evolves into the American dream, wherein hard work results in success. Himler captivates readers from his earliest memories of his childhood in Hungary to his experiences with the OSS.
Following Himler’s death, the manuscript of the autobiography was passed down among Himler family members and then donated to the Martin County Historical and Genealogical Society, Inez, Kentucky, in 2007. Editor Cathy Cassady Corbin’s annotations enhance Himler’s words, while the introduction by scholar Doug Cantrell provides historical context for Himler’s migration to Appalachia. Finally, Charles Fenyvesi’s foreword analyzes Himler’s courageous OSS work.
Since the beginning of her career as Lady Vol head coach at twenty-two years old, Pat Head Summitt effectively established the University of Tennessee Lady Vols as the top women’s athletics program in the nation. The winningest coach in the history of NCAA basketball, Summitt overcame one obstacle after another on the road to every victory, but it is the lives she has impacted along the way that tell the story of her true legacy. Forever a role model for young women, expecting nothing but the best from her players and from those around her, her legacy has never faltered—not even during her final season as head coach, when she faced her fiercest adversary yet: the diagnosis of early-onset Alzheimer’s disease.
In The Final Season: The Perseverance of Pat Summitt, Maria M. Cornelius tells the story of her final coaching season through the eyes of those who know her best, from players to support staff to Summitt’s closest friends and advisors. Beginning with the diagnosis that shook the Tennessee community in the summer of 2011 and continuing through to the final game of the 2011–12 season, The Final Season presents readers with a behind-the-scenes look at the conclusion of Summitt’s coaching career, detailing from the perspective of a sports writer how her diagnosis impacted her players and her staff as well as her fans.
With forewords by former Lady Vol Candace Parker and Swish Appeal editor Mike Robinson, The Final Season reveals how Summitt’s remarkable story of perseverance not only united a team of young women but also brought an entire sports following together, revealing an incredible support system that spanned far beyond Summitt’s Tennessee community. The coach’s determined spirit, selfless love, and sense of humor shine through the pages of Cornelius’s book, painting for readers the picture of a beloved leader and detailing the personal moments of defeat and triumph that make Summitt a true champion.
Praise for the hardcover edition:
"A momentous book which I feel is destined to become a classic in the category of scholarly narcotic books."
—Claude Brown, author of the bestseller, Manchild in the Promised Land.
"The drug literature is filled with the stereotyped opinions of non-addicted, middle-class pundits who have had little direct contact with addicts. These stories are reality. Narcotic addicts of the inner cities are both tough and gentle, deceptive when necessary and yet often generous--above all, shrewd judges of character. While judging them, the clinician is also being judged."
—Vincent P. Dole, M.D., The Rockefeller Institute.
"What was it like to be a narcotic addict during the Anslinger era? No book will probably ever appear that gives a better picture than this one. . . . a singularly readable and informative work on a subject ordinarily buried in clichés and stereotypes."
—Donald W. Goodwin, Journal of the American Medical Association
" . . . an important contribution to the growing body of literature that attempts to more clearly define the nature of drug addiction. . . . [This book] will appeal to a diverse audience. Academicians, politicians, and the general reader will find this approach to drug addiction extremely beneficial, insightful, and instructive. . . . Without qualification anyone wishing to acquire a better understanding of drug addicts and addiction will benefit from reading this book."
—John C. McWilliams, Pennsylvania Magazine of History and Biography
"This study has much to say to a general audience, as well as those involved in drug control."
—Publishers Weekly
"The authors' comments are perceptive and the interviews make interesting reading."
—John Duffy, Journal of American History
"This book adds a vital and often compelling human dimension to the story of drug use and law enforcement. The material will be of great value to other specialists, such as those interested in the history of organized crime and of outsiders in general."
—H. Wayne Morgan, Journal of Southern History
"This book represents a significant and valuable addition to the contemporary substance abuse literature. . . . this book presents findings from a novel and remarkably imaginative research approach in a cogent and exceptionally informative manner."
—William M. Harvey, Journal of Psychoactive Drugs
"This is a good and important book filled with new information containing provocative elements usually brought forth through the touching details of personal experience. . . . There isn't a recollection which isn't of intrinsic value and many point to issues hardly ever broached in more conventional studies."
—Alan Block, Journal of Social History
These essays demonstrate how various combinations of research strategies, conceptual frameworks, and data can afford a new look at a geographical area and its settlement. The contributors offer views on the evolution of backcountry communities by addressing such topics as migration, kinship, public institutions, transportation and communications networks, land markets and real estate claims, and the role of agricultural development in the emergence of a regional economy. In their discussions of individuals in the backcountry, they also explore the multiracial and multiethnic character of southern frontier society.
Yielding new insights unlikely to emerge under a single disciplinary analysis, The Southern Colonial Backcountry is a unique volume that highlights the need for interdisciplinary approaches to the backcountry while identifying common research problems in the field.
The Editors: David Colin Crass is the archaeological services unit manager at the Historic Preservation Division, Georgia Department of Natural Resources.
Steven D. Smith is the head of the Cultural Resources Consulting Division of the South Carolina Institute of Archaeology and Antrhopology.
Martha A. Zierden is curator of historical archaeology at The Charleston Museum.
Richard D. Brooks is the administrative manager of the Savannah River Archeological Research Program, South Carolina Institute of Archaeology and Antrhopology.
The Contributors: Monica L. Beck, Edward Cashin, Charles H. Faulkner, Elizabeth Arnett Fields, Warren R. Hofstra, David C. Hsiung, Kenneth E. Lewis, Donald W. Linebaugh, Turk McCleskey, Robert D. Mitchell, Michael J. Puglisi, Daniel B. Thorp.
A well-illustrated, holistic overview of how American domestic spaces have changed over four hundred years, Experiencing American Houses encourages readers to think creatively about houses in terms of their function as opposed to their appearance. This captivating volume helps the reader step into the lived experience of the evolving American house: understanding, for example, why a nineteenth-century dining room might include a bed or why the kitchen as we know it did not evolve until the turn of the twentieth century. By carrying her study from the colonial period to the present, Elizabeth Collins Cromley makes the domestic spaces of the past feel like vital precursors to today’s experience.
Beginning with cooking spaces, Cromley examines how multi-use areas consolidated into dedicated rooms for cooking, from fires on an earthen floor to sleek modern spaces with twenty first-century appliances. Next, the author looks at ways social class, income, and local custom framed which kinds of spaces became suitable for socializing and entertaining, and what they should be called: sitting room, drawing room, hall, living room, family room, or parlor. Distinct from cooking spaces, Cromley discusses eating spaces, which morphed from multi-use areas to separate dining rooms and back again. The author covers spaces for sleeping, health, and privacy, as well as circulation—the ways that we move through a house—analyzing the functions of such little-studied features as hallways, back doors, and staircases. Finally, Cromley takes on the evolution of storage, which began mainly because of the need to store and preserve food. Clothing closets grew from oddly shaped afterthoughts to generous walk-ins, while increases in material wealth led to the need for storage outbuildings.
This accessible volume, informed by up-to-date scholarship in vernacular architecture and disciplines far beyond it, provides students and readers necessary context to understand the development of the historic and contemporary houses they encounter.
Cronan’s lighthearted stories and succinct business tips will draw you in until you feel like you are present for every victory she describes on the court and in the workplace. Cronan’s business acumen and passionate approach to positive change will arm you with the outlook and the tools you need to revolutionize the professional and personal spheres in your life.
Marking the fortieth anniversary of Charles Reagan Wilson’s classic Baptized in Blood: The Religion of the Lost Cause, 1865–1920, this volume collects essays by such scholars as Carolyn Reneé Dupont, Sandy Dwayne Martin, Keith Harper, and Wilson himself to show how various aspects of the Lost Cause ideology persist into the present. The Enduring Lost Cause examines the lasting legacy of a belief system that sought to vindicate the antebellum South and the Confederate fight to preserve it. Contributors treat such topics as symbolism, the perpetuation of the Lost Cause in education, and the effects of the Lost Cause on gender and religion, as well as examining ways the ideology has changed over time.
The twelve essays gathered here help the reader understand the development of a cultural phenomenon that affected generations of southerners and northerners alike, arising out of the efforts of former Confederates to make sense of their defeat, even at the expense of often mythologizing it. From fresh looks at towering figures of the Lost Cause (to reexamining the role of African Americans in disseminating the ideology (in the form of a religious explanation for suffering), the essayists carefully analyze the tensions between the past and the present, true belief and commercialization, continuity and change. Ultimately the narrative of the Lost Cause persists worldwide, merging with American exceptionalism to become a pillar of the conservative wing of US politics, as well as a lasting cultural legacy. The Enduring Lost Cause provides a window into this world, helping us to understand the present in the context of the past.
Among the finer soldier-diarists of the Civil War, John Edward Dooley first came to the attention of readers when an edition of his wartime journal, edited by Joseph Durkin, was published in 1945. That book, John Dooley, Confederate Soldier, became a widely used resource for historians, who frequently tapped Dooley’s vivid accounts of Second Bull Run, Antietam, and Gettysburg, where he was wounded during Pickett’s Charge and subsequently captured.
As it happens, the 1945 edition is actually a much-truncated version of Dooley’s original journal that fails to capture the full scope of his wartime experience—the oscillating rhythm of life on the campaign trail, in camp, in Union prisons, and on parole. Nor does it recognize how Dooley, the son of a successful Irish-born Richmond businessman, used his reminiscences as a testament to the Lost Cause. John Dooley’s Civil War gives us, for the first time, a comprehensive version of Dooley’s “war notes,” which editor Robert Emmett Curran has reassembled from seven different manuscripts and meticulously annotated. The notes were created as diaries that recorded Dooley’s service as an officer in the famed First Virginia Regiment along with his twenty months as a prisoner of war. After the war, they were expanded and recast years later as Dooley, then studying for the Catholic priesthood, reflected on the war and its aftermath. As Curran points out, Dooley’s reworking of his writings was shaped in large part by his ethnic heritage and the connections he drew between the aspirations of the Irish and those of the white South.
In addition to the war notes, the book includes a prewar essay that Dooley wrote in defense of secession and an extended poem he penned in 1870 on what he perceived as the evils of Reconstruction. The result is a remarkable picture not only of how one articulate southerner endured the hardships of war and imprisonment, but also of how he positioned his own experience within the tragic myth of valor, sacrifice, and crushed dreams of independence that former Confederates fashioned in the postwar era.
Though he initially felt Americans would see “the folly and the madness” of going to war, Orlando enlisted as a private in what would become Company H of the First (later Fifteenth) Arkansas Infantry, informing his sister that he had volunteered “not for position, not for a name, but from patriotic motivation.” However, he was ambitious enough to secure an appointment as Maj. Gen. William Joseph Hardee’s personal secretary; he then rose to become his regiment’s sergeant major, his company’s first lieutenant, and later captain and brigade adjutant. Soldier letters typically report only what can be observed at the company level, but Palmer’s high-ranking position offers a unique view of strategic rather than tactical operations.
Palmer’s letters are not all related to his military experience, though, and the narrative is enhanced by his nuanced reflections on courtship customs and personal relationships. For instance, Palmer frequently attempts to entertain Missie with witticisms and tales of his active romantic life: “We have so much to do,” he quips, “that we have no time to do anything save to visit the women. I am in love with several dozen of them and am having
a huge time generally.”
The Folly and the Madness adds depth to the genre of Civil War correspondence and provides a window into the lives of ordinary southerners at an extraordinary time.
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