front cover of Black Tennesseans, 1900-1930
Black Tennesseans, 1900-1930
Lester C. Lamon
University of Tennessee Press, 1977
A study of racial relations in Tennessee during years of increasing migration of Blacks from the Deep South and of ideological competition between the followers of Booker T. Washington and W. E. B. Dubois. An important contribution to Black history.
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front cover of Blacks In Tennessee 1791-1970
Blacks In Tennessee 1791-1970
Tennessee Three Star Series
Lester C. Lamon
University of Tennessee Press, 1981

While black men and women have played important roles in Tennessee’s growth and history; slavery, caste, and segregation have forced them to live apart and to create a separate history. In this historical analysis, Lester Lamon offers an understanding of the history of black Tennesseans, recognizing that they have been both a part of and apart from the developments affecting the dominant white population of the state. The different economic priorities, political loyalties, and racial populations evident in the three “Grand Divisions” of the state have created superficial differences in the historical experiences of blacks in the three regions. Intrastate competition has reinforced these sectional differences, but a common factor found in the black experience has been a racial “givenness”—the idea that blacks should not expect equality or free association with whites. Tennessee’s black history is not one of a surrender to racial pressure, but, instead, is a story of courage, sacrifice, frustration, and dreams of freedom, equality, and respect for human dignity.

Blacks in Tennessee provides a necessary and culturally enriching addition to the traditional history of the state.

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front cover of Teaching Olaudah Equiano’s Narrative
Teaching Olaudah Equiano’s Narrative
Pedagogical Strategies and New Perspectives
Eric D. Lamore
University of Tennessee Press, 2012
The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African. Written by Himself (1789) is one of the most frequently and heatedly discussed texts in the canon of eighteenth-century transatlantic literature written in English. Equiano’s Narrative contains an engrossing account of the author’s experiences in Africa, the Americas, and Europe as he sought freedom from bondage and became a leading figure in the abolitionist movement. While scholars have approached this sophisticated work from diverse critical and historical/biographical perspectives, there has been, until now, little written about the ways in which it can be successfully taught in the twenty-first-century classroom.
    In this collection of essays, most of them never before published, sixteen teacher-scholars focus explicitly on the various classroom contexts in which the Narrative can be assigned and various pedagogical strategies that can be used to help students understand the text and its complex cultural, intellectual, literary, and historical implications. The contributors explore topics ranging from the religious dimensions of Equiano’s rhetoric and controversies about his origins, specifically whether he was actually born in Africa and endured the Middle Passage, to considerations of the Narrative’s place in American Literature survey courses and how it can be productively compared to other texts, including captivity narratives and modern works of fiction. They not only suggest an array of innovative teaching models but also offer new readings of the work that have been overlooked in Equiano studies and Slavery studies. With these two dimensions, this volume will help ensure that conversations over Equiano’s eighteenth-century autobiography remain relevant and engaging to today’s students.

ERIC D. LAMORE is an assistant professor of English at the University of Puerto Rico at Mayagüez. A contributor to The Greenwood Encyclopedia of American Poets and Poetry, he is also the coeditor, with John C. Shields, of New Essays on Phillis Wheatley.


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front cover of Removal Aftershock
Removal Aftershock
Seminoles Struggles Survive West
Jane F. Lancaster
University of Tennessee Press, 1994
A chronicle of hardship and persistence, Removal Aftershock centers on the Seminoles and their experiences in the West after the federal government forced them out of their Florida homelands during the early 1800s. Gaining control of Florida in 1819, the United States initiated a series of treaties that compelled the Native-American tribes to ac­cept reduced territory, relocations, and finally removal to west of the Mississippi. Some Seminoles fought to stay in Florida; others, along with their black slaves, were sent west between 1834 and 1859. After enduring the trials of removal, the Western Seminoles faced a new struggle. As a small tribe, they had to fight to maintain their identity and land rather than be absorbed into the much larger Creek Nation, as the treaties seemingly required. 

The struggle for independence from the Creeks was aggravated by other problems, including on the one hand, government neglect, delayed annuities, and corrupt officials; on the other, they were confronted by threatening Plains Indians, measles and smallpox epidemics, alcohol abuse, droughts, and crop failures. Following an 1856 treaty that brought them independence from the Creeks, the Seminoles were next drawn into the Civil War, which riddled the tribe with division and dispersal, property destruction, and death. In 1866, the Semi­noles' cooperation with the Confederates was used to justify reduction of their land from more than 2 million acres to 200,000 acres. In telling the story of the Seminoles after removal, Jane Lancaster highlights a neglect­ed area of Native-American studies and places the tribe in proper historical perspec­tive. Despite their countless hardships and the inhumane policies of the government, the Seminoles have survived to the present day ­an enduring testament to the stubbornness and determination of the early tribal leaders. 
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Decisions at Antietam
The Fourteen Critical Decisions That Defined the Battle
Michael S. Lang
University of Tennessee Press, 2021

The Battle of Antietam has long been known as the bloodiest day in American military history with more than twenty thousand soldiers either dead, wounded, or missing. The Confederacy, emboldened after a conclusive victory at the Battle of Second Manassas, launched the Maryland Campaign and considered a decisive battle on northern soil as a lynchpin to their objectives. As Gen. Robert E. Lee pushed his veteran Army of Northern Virginia deeper into Maryland, Gen. George B. McClellan hastily assembled a refurbished Army of the Potomac. After engagements at South Mountain and Harpers Ferry, Lee concentrated his forces near the small village of Sharpsburg. On September 17, 1862, McClellan attacked at dawn, igniting a battle that raged until sunset. By the end of the following day, Lee’s battered army began its withdrawal. The eventual Confederate retreat provided the Lincoln Administration a much sought after victory. President Lincoln announced the Emancipation Proclamation just four days later, dramatically altering the very nature of the war.

Decisions at Antietam introduces readers to critical decisions made by Confederate and Union commanders throughout the battle. Michael S. Lang examines the decisions that prefigured the action and shaped the contest as it unfolded. Rather than a linear history of the battle, Lang’s discussion of the critical decisions presents readers with a vivid blueprint of the battle’s developments. Exploring the critical decisions in this way allows the reader to progress from a sense of what happened in these battles to why they happened as they did 

Complete with maps and a guided tour, Decisions at Antietam is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the battle and a deeper understanding of the Civil War itself.

Decisions at Antietam is the ninth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.

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front cover of Appalachian White Oak Basketmaking
Appalachian White Oak Basketmaking
Handing Down Basket
Rachel Nash Law
University of Tennessee Press, 1990

front cover of Seeds of Change
Seeds of Change
Critical Essays on Barbara Kingsolver
Priscilla Leder
University of Tennessee Press, 2010

Barbara Kingsolver's books have sold millions of copies. The Poisonwood Bible was nominated for the Pulitzer Prize, and her work is studied in courses ranging from English-as-a-second-language classes to seminars in doctoral programs. Yet, until now, there has been relatively little scholarly analysis of her writings.

Seeds of Change: Critical Essays on Barbara Kingsolver, edited by Priscilla V. Leder, is the first collection of essays examining the full range of Kingsolver's literary output. The articles in this new volume provide analysis, context, and commentary on all of Kingsolver's novels, her poetry, her two essay collections, and her full-length nonfiction memoir, Animal, Vegetable, Miracle: A Year of Food Life.

Professor Leder begins Seeds of Change with a brief critical biography that traces Kingsolver's development as a writer. Leder also includes an overview of the scholarship on Kingsolver's oeuvre. Organized by subject matter, the 14 essays in the book are divided into three sections tha deal with recurrent themes in Kingsolver's compositions: identity, social justice, and ecology.

The pieces in this ground-breaking volume draw upon contemporary critical approaches—ecocritical, postcolonial, feminist, and disability studies—to extend established lines of inquiry into Kingsolver's writing and to take them in new directions. By comparing Kingsolver with earlier writers such as Joseph Conrad and Henry David Thoreau, the contributors place her canon in literary context and locate her in cultural contexts by revealing how she re-works traditional narratives such as the Western myth. They also address the more controversial aspects of her writings, examining her political advocacy and her relationship to her reader, in addition to exploring her vision of a more just and harmonious world.

Fully indexed with a comprehensive works-cited section, Seeds of Change gives scholars and students important insight and analysis which will deepen and broaden their understanding and experience of Barbara Kingsolver's work.

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Jeff Daniel Marion
Poet on the Holston
Ernest Lee
University of Tennessee Press, 2015
The author of nine volumes of poetry and numerous other writings, the editor of several literary journals, the recipient of copious awards, including the James Still Award from the Fellowship of Southern Writers, and a longtime teacher and mentor, East Tennessee native Jeff Daniel Marion has come to be known as one of the most significant and beloved voices in Appalachian literature over the past four decades. The twenty-one pieces in this illuminating collection range from examinations of Marion’s poetry to considerations of his teaching career and influence on students, writers, and artists throughout the region and beyond.
            Acclaimed poet, novelist, and historian Robert Morgan writes about how Marion affected his development as a writer and the key role Marion has played in bringing Appalachian literature into its own. Scholar Randall Wilhelm’s essay, meanwhile, expands our appreciation for Marion not only as a poet but as a visual artist, tracing the connection between his photography and poetic imagery. Also included are essays by John Lang on the ways in which Marion’s poetry “gives voice to a spiritual vision of nature’s sacramental identity,” Gina Herring on how the poet’s father has served as his muse, and George Ella Lyon on the power of story in Marion’s picture book for children, Hello, Crow. Other features include an autobiographical essay by Marion himself, an interview conducted by coeditor Jesse Graves, and a bibliography and timeline that summarize Marion’s life and career.
            In the book’s introduction, Ernest Lee notes that in the poem “Boundaries,” from his first published collection, the young Marion “dedicated himself to his place, to the land and his heritage . . . welcoming whatever may come with a firm faith that ultimately his life as a poetic laborer will bring him to a true, sharp vision.” The eloquent contributions to this volume reveal just how fully that dedication has paid off.
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front cover of The Tennessee-Virginia Tri-Cities
The Tennessee-Virginia Tri-Cities
Urbanization in Appalachia, 1900–1950
Tom Lee
University of Tennessee Press, 2005
In 1900, the Appalachian region of northeast Tennessee and southwest Virginia began to change. The inhabitants were dependent on the resources of the rural land, but the arrival of railroads spawned industrialization. Over the next several decades, families moved down from the mountains into the valley of East Tennessee as workers took jobs in the developing urban centers. Country stores, two-lane roads, and cornfields would eventually give way to cities, multi-lane highways, and new housing. The Tri-Cities—Kingsport, Johnson City, and Bristol—were starting to form.
    
In this carefully documented book, Tom Lee uses archival material, newspapers, memoirs, and current scholarship in Appalachian studies to examine the economic changes that took place in the Tri-Cities region from 1900 to 1950. With modernization and urbanization, an urban-industrial strategy of economic development evolved. The entry of extractive industry into the mountains established the power of the urban elite to shape rural life. Local businessmen saw the route to financial strength in the recruitment of low-wage industry. Workers left struggling farms for factory jobs. This urban-rural relationship supported the Tri-Cities’ manufacturing economy and gave power to the area’s elite.
    
The New Deal and the Second World War broadened this relationship as federal funding sustained the economy. The advantages of urban centers after decades of development left rural communities on the verge of disappearance and dependent on the jobs, opportunities, and economic vision of the cities. By 1950, the power of Appalachia’s elite over the people of the region had extended beyond urban boundaries and brought about the conditions necessary for the creation of the metropolitan Tri-Cities area of today.
    
Readers will gain a better understanding of the complexity of modernization in Appalachia and the rural South from this engaging book.

Tom Lee earned a PhD in history from the University of Tennessee, Knoxville, and is assistant professor of history at Hiwassee College in Madisonville, Tennessee.


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Anthropology
Weaving Our Discipline with Community
Lisa J. Lefler
University of Tennessee Press, 2020

Anthropology: Weaving Our Discipline with Community presents examples of anthropologists working with Native communities to preserve and protect cultural heritage.Ray Fogelson provides a glimpse of his work with the Eastern Band of Cherokee Indians in the late 1950s and early 1960s. Linguist Hartwell Francis shares his work on language preservation in the community today. Jim Sarbaugh and Lisa Lefler focus on traditional knowledge and health among the Cherokee. Trey Adcock explores the reasons that American Indians are strikingly underrepresented among both the student bodies and faculty of institutions of higher education. Brandon Lundy and his colleagues discuss the co-production of knowledge in ethnographic interviews with business, NGO, and government representatives in Guinea-Bissau.These papers were presented at the 2014 annual meeting of the Southern Anthropological Society (SAS) in Cherokee, North Carolina. 

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Southern Foodways and Culture
Local Considerations and Beyond
Lisa J. Lefler
University of Tennessee Press, 2013
Southern Foodways and Culture brings together papers from the 46th Southern Anthropological Society (SAS) meeting in Oxford, Mississippi. This volume represents the work of anthropologists who share interest in the importance of food and in the use of plants and animals.
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front cover of Christianity In Appalachia
Christianity In Appalachia
Profiles Reginal Pluralism
Bill J. Leonard
University of Tennessee Press, 1999
Religion has long been a source of identity for many Southerners, and the Appalachian areas in particular have proven to be a virtual fortress protecting faith and culture. Yet, in a region popularly thought to be religiously homogeneous, congregations reflect a wide range of doctrinal differences over such issues as conversion, ministerial leadership, and the authority on which a church bases its core beliefs.
Profiling the prominent Christian traditions in southern Appalachia, this book brings together contributions by twenty scholars who have long studied the religious practices found in the region’s cities, small towns, and rural communities. These authors provide insights into not only the independent mountain churches that are strongly linked to local customs but also the mainline and other religious bodies that have a significant presence in Appalachia but are not strictly associated with it. The essays explore the nature of ministry within these various churches, show the impact of broader culture on religion in the region, and consider the question of whether previously isolated, tradition-based churches can retain their distinctiveness in a changing world.
One group of chapters focuses on elements of mountain religion as seen in the beliefs and practices of mountain Holiness folk, serpent handlers, and various Baptist traditions. Later chapters review the history and activities of other denominations, including Southern Baptist, Presbyterian, Wesleyan/Holiness, Church of God, and Roman Catholic. Also considered are the economic history of the region, popular religiosity, and the role of church-affiliated colleges. Taken together, these essays offer a richly nuanced understanding of Christianity in Appalachia.
The Editor: Bill J. Leonard is dean of the Divinity School at Wake Forest University. His other books include Out of One, Many: American Religion and American Pluralism and God's Last and Only Hope: The Fragmentation of the Southern Baptist Convention.
The Contributors: Monica Kelly Appleby, Donald N. Bowdle, Mary Lee Daugherty, Melvin E. Dieter, Howard Dorgan, Anthony Dunnavant, Gary Farley, Samuel S. Hill, Loyal Jones, Helen Lewis, Charles H. Lippy, Bill J. Leonard, Deborah Vansau McCauley, Lou F. McNeil, Marcia Clark Myers, Bennett Poage, Ira Read, James Sessions, Barbara Ellen Smith, H. Davis Yeuell.


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front cover of The Art and Craft of Natural Dyeing
The Art and Craft of Natural Dyeing
Traditional Recipes for Modern Use
J.N. Liles
University of Tennessee Press, 1990
"This is the most comprehensive manual written on natural dyes since the early 1800s.  Jim Liles has rescued ancient skills from near-extinction and shared them in a book that will inspire, challenge, and guide the modern dyer."—Rita Buchanan, author of A Weaver's Garden, and editor of the new Brooklyn Botanic Gardens Handbook on Natural Dyes
" . . . a must for every dyer.  The recipes are explicit and detailed as to success and failure."—Mary Frances Davidson

For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies.  The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter.  By 1915 few non-synthetics were used by industry or craftspeople.   The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten.  

In The Art and Craft of Natural Dyeing, J. N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes  and a practical manual for using pre–synthetic era processes on all the natural fibers--cotton, linen, silk, and wool.  A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group.  Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat,  troubleshoot, and achieve specific shades.

The book will appeal not only to beginning and veteran dyers but to students of restorations and reconstruction as well as to craftspeople--spinners, quilters, weavers, knitters, and other textile artists--interested in natural dyes for their beauty and historical authenticity.

The Author: J. N. Liles is professor of zoology at the University of Tennessee, Knoxville.  He has taught at Arrowmont School and other regional craft schools and has exhibited his work at the Arrowmont School, the Southern Highland Handicraft Guild Folk Art Center, and the Carol Reece Museum.
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front cover of The Springfield Gas Machine
The Springfield Gas Machine
Illuminating Industry and Leisure, 1860s–1920s
Donald W. Linebaugh
University of Tennessee Press, 2011

    Developed just after the close of the Civil War, the Springfield Gas Machine was a unique commercial and domestic gas lighting system marketed for use in homes and businesses outside of a city’s gas works. The self-contained unit was perfectly suited to accommodate an expanding rural and suburban U.S. landscape as middle- and upper-class American families were looking to find simplicity in the countryside without losing any modern comforts of the city. Industries, too, were looking for a means to operate more efficiently and implement longer work hours for various production operations. Perhaps more important, owners of the Springfield system could retain control of their light production during a time when corporations were reaping large benefits from their monopolistic hold over municipal gas works.  
   In addition to detailing preserved Springfield systems across the country, Donald W. Linebaugh uses newspapers and magazine articles, advertisements, patents, and even mail-order catalogs to tell the story of this one-of-a-kind unit. The Gilbert and Barker Manufacturing Company's innovative business plan established them as a leader in the manufacture of gas lighting devices. By taking gasoline from an oft-discarded byproduct of refining crude oil to a viable fuel source, the company paved the way for other gas-powered appliances to improve household management strategies and industrial production. In capturing the pre-automobile market for gasoline, Gilbert and Barker attracted the attention of the Standard Oil Trust, presaging the oil-industry dominance over gasoline production that continues today.
    The story of the Springfield gas machine ends in the early twentieth century as the advent of electricity proved more available to the masses with considerably less expense. However, gas lighting was, for its time, a major innovation in domestic and commercial lighting, and it changed daily life and social behaviors in the late nineteenth century as the comforts of home became a reality for suburban and rural Americans.

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Irish Fever
An Archaeology of Illness, Injury, and Healing in New York City, 1845–1875
Meredith Linn
University of Tennessee Press, 2024
During the Potato Famine of the nineteenth century, about one million Irish people perished from starvation and disease, while more than two million fled the country in fear and desperation, with some 850,000 landing in New York City. After a difficult journey, many found themselves impoverished, taking dangerous jobs, and battling miserable living conditions in an unfamiliar urban landscape. These circumstances resulted in high rates of illness, injury, and death compared with other immigrant groups and native-born Americans.

In this profound study, Meredith B. Linn explores three kinds of afflictions—typhus fever, tuberculosis, and work-related injuries—that disproportionately affected Irish immigrants, tracing how existing medical ideas and technologies intersected with American prejudices to further conspire against this once culturally distinct group. Linn makes a compelling case for how Americans’ interpretations of the visible bodily changes wrought by typhus fever and injuries contributed to essentializing and dehumanizing biases against these new immigrants, while tuberculosis—with its symptoms of fatigue, pallor, and emaciation—enabled Americans to see individuals beyond stereotypes and to recognize the equal humanity of the Irish.

Drawing upon extensive archaeological records, folkloric sources, and historical documents, Linn presents what she terms a “visceral historical archaeology”—a perspective rooted in historical archaeology and medical anthropology—to illuminate the experiences of these immigrants. She investigates their health-related ideas and practices and reveals their efforts to heal themselves using popular remedies from Ireland and several new American commodities. Laden with heartrending stories from real working-class Irish and their American doctors, this richly illustrated book provides new perspectives about urban experience in the context of the Irish diaspora and invites contemplation about how illness, injury, and healing have affected the lives and reception of newcomers to the US.
 
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Agee at 100
Centennial Essays on the Works of James Agee
Michael A. Lofaro
University of Tennessee Press, 2012

Drawn mainly from the centennial anniversary symposium on James Agee held at the University of Tennessee in the fall of 2009, the essays of Agee at 100 are as diverse in topic and purpose as is Agee’s work itself. Often devalued during his life by those who thought his breadth a hindrance to greatness, Agee’s achievements as a poet, novelist, journalist, essayist, critic, documentarian, and screenwriter are now more fully recognized. With its use of previously unknown and recently recovered materials as well as established works, this groundbreaking new collection is a timely contribution to the resurgence of interest in Agee’s significance.
    The essays in this collection range from the scholarly to the personal, and all offer insight into Agee’s writing, his cultural influence, and ultimately Agee himself. Dwight Garner opens with his reflective essay on “Why Agee Matters.” Several essays present almost entirely new material on Agee. Paul Ashdown writes on Agee’s book reviews, which, unlike Agee’s film criticism, have received scant attention. With evidence from two largely unstudied manuscripts, Jeffrey Couchman sets the record straight on Agee’s contribution to the screenplay for The African Queen and delves as well into his television “miniseries” screenplay Mr. Lincoln. John Wranovics treats Agee’s lesser-known films--the documentaries In the Street and The Quiet One and the Filipino epic Genghis Khan.  Jeffrey J. Folks wrestles with Agee’s “culture of repudiation” while James A. Crank investigates his perplexing treatment of race in his prose. Jesse Graves and Andrew Crooke provide new analyses of Let Us Now Praise Famous Men, and Michael A. Lofaro and Philip Stogdon both discuss Lofaro’s recently restored text of A Death in the Family. David Madden closes the collection with his short story “Seeing Agee in Lincoln,” an imagined letter from Agee to his longtime confidante Father Flye.
    The contributors to Agee at 100 utilize materials new and old to reveal the true importance of Agee's range of cultural sensibility and literary ability. Film scholars will also find this collection particularly engrossing, as will anyone fascinated by the work of the author rightly deemed the “sovereign prince of the English language.”

Michael A. Lofaro is Lindsay Young Professor of American Literature and American and Cultural Studies at the University of Tennessee. Most recently, he restored James Agee’s A Death in the Family and is the general editor of the projected eleven-volume The Works of James Agee.

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front cover of Davy Crockett
Davy Crockett
Man, Legend, Legacy, 1786-1986
Michael A. Lofaro
University of Tennessee Press, 1985

front cover of James Agee in Context
James Agee in Context
New Literary, Visual, Cultural, and Historical Essays
Michael A. Lofaro
University of Tennessee Press, 2022

It’s difficult to overestimate the impact of the many new works by James Agee uncovered and published in the last twenty years. These previously unknown primary works have, in turn, encouraged a parallel explosion of critical evaluation and reevaluation by scholars, to which James Agee in Context is the latest contribution.

This superb collection from well-known James Agee scholars features myriad approaches and contexts for understanding the author’s fiction, poetry, journalism, and screenwriting. The essays bring the reader from the streets of James Agee’s New York to travel with the author from Alabama to Hollywood to Havana. Contributors explore overlapping and sometimes unique subjects, themes, and accomplishments (or lack thereof) in Agee’s uncovered works and highlight the diversity of interest that Agee’s complete body of work inspires. The insightful scholarship on influence examines connections between Agee and Wright Morris, Helen Levitt, John Dos Passos, Ernest Hemingway, and Stephen Crane. Such juxtapositions serve to illustrate how Agee drew on literary influences as a young man, how he used his work as a journalist to craft fiction as he was about to turn thirty, and his influence upon others. The volume concludes with three poems and a short story by Agee, all previously unknown.

It seems astonishing that so much remains to be discovered about this protean author, his materials, and his circle. Yet, the recovery and analysis of neglected texts and information mined from newspapers and magazines proves the extent to which Agee kept his mind and his work, as he himself put it, “patiently concentrated upon the essential quietudes of the human soul.”

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James Agee
Reconsiderations
Michael A. Lofaro
University of Tennessee Press, 1995
The essayists in this volume argue that far more recognition is due to James Agee than is usually granted. Although the significance of his accomplishments is often overshadowed by his short, turbulent, life, any reevaluation of his work must still begin with the man himself. Agee's complex and driven life seems to crystallize the debate over the relationship between art and reality in the modern age.

Continually exploring new fields, Agee achieved success as a poet, journalist, and essayist, as well as a writer of screenplays and fiction. Agee's sense of place, ingrained in him during his boyhood in Knoxville, Tennessee, provided the ground upon which he tested the temper of his creative process and his beliefs and attempted to reconcile the Romantic and Modern viewpoints into what he termed a "whole of consciousness."

But the price of attempting transcendence was high. At times Agee ravaged his own life in a quest to dissolve the barrier between reality and art; at other times, his gusto and vitality were converted into unique and innovative works like the audacious and uncategorizable Let Us Now Praise Famous Men and the highly charged autobiographical novel A Death in the Family. The essays in this volume, drawn in part from the 1989 "Agee Legacy" symposium, focus upon these two major works and upon Agee's explorations of narrative technique. The authors demonstrate that the measure of Agee's success is in large part the direct result of his supposed flaws: his variety of subject and form, and his life of often reckless abandon.
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front cover of The Life and Adventures of Colonel David Crockett of West Tennessee
The Life and Adventures of Colonel David Crockett of West Tennessee
Michael A. Lofaro
University of Tennessee Press, 2020
The legendary Davy Crockett arose simultaneously with the emergence of the historical Crockett as a public figure, and once established, the man and the myth were forevermore entangled. The present work, his Life and Adventures (1833), ushered in a series of biographical and autobiographical books that thrust Crockett fully onto the national and international scene. This work, quickly retitled Sketches and Eccentricities, was the most outlandish. Its purported author, J. S. French, mixed two nineteenth-century genres of storytelling—the Humor of the Old Southwest and the sketch—all presented within a historical framework to create an early version of the King of the Wild Frontier. The Crockett encountered here is the marksman who can shoot an elk from 140 yards with his beloved rifle, Betsy, grin the bark off a tree knot, and choose bows and arrows as weapons when challenged to a duel by a fellow congressman. Within a year, Crockett disavowed this book, preferring his autobiography—Narrative of the Life of David Crockett, of the State of Tennessee—but this rollicking story, often bouncing along from tall tale, hunting anecdote, faux moral tale, to humorous pratfall, became a major source for the later biographical writings and a later cultural industry that swept up newspapers, books, political propaganda, plays, and films—and almost every way in which a frontier figure could appear in popular culture. And, while Crockett’s image was a source of entertainment and humor, it also pointed toward something far more serious: after his death at the Alamo it presented Americans with a fictional Frontier hero who progressively embodied their views on topics as varied as manliness, manifest destiny, and even white supremacy. However, the Crockett of Sketches—canny, adaptable, intelligent but not educated, hilarious—was above all a perfect reflection of the aspirations, interests, and beliefs of Jacksonian-era Americans 
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front cover of Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk
Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk
An Autobiography
Michael A. Lofaro
University of Tennessee Press, 2021

Originally published in 1833, the autobiography of the Sauk war chief Black Hawk was the first memoir written by a Native American who was actively resisting US Indian removal policy. Donald Jackson edited the first scholarly version of this work—Black Hawk: An Autobiography—in 1955. Since then, the Life has become a classic and seminal text in the fields of Native American literature and studies, American history, literature, autobiography, and cultural studies.

This edition of Black Hawk’s 1833 autobiography includes explanatory, historical, and textual notes that significantly enrich the understanding of Black Hawk’s memoir, his life, and the Black Hawk War of 1832. The notes and a chronology make this key Native American text available to scholars in several new ways. Likewise, in its preface and critical essay, this edition moves beyond Jackson’s historical work to incorporate insights from numerous other disciplines that have since engaged the text. These investigations reflect the new developments in scholarship since 1955, suggest future possibilities for the crosscultural study of Black Hawk’s Life, and examine the continuity of his autobiography within Native American and other life-story traditions. This volume also includes the biographical continuation of Black Hawk’s Life—recounting subsequent events in his life until his death in 1838—written by J. B. Patterson for his 1882 reissued and expanded edition of the original autobiography.

Scholars of Native American literature and history and settler colonialism will find much to engage them in this remarkable new edition.

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front cover of Southern Manuscript Sermons before 1800
Southern Manuscript Sermons before 1800
A Bibliography
Michael A. Lofaro
University of Tennessee Press, 2010

Southern Manuscript Sermons before 1800 is the first guide to the study of the manuscript sermon literature of the Southern colonies/states of Maryland, Virginia, North Carolina, South Carolina, and Georgia. The bibliography contains entries for over 1,600 sermons by over a hundred ministers affiliated with eight denominations. The compilation provides a previously unavailable major tool for research into the early South.

Richard Beale Davis began the bibliography in 1946 as part of his research for Intellectual Life in the Colonial South, 1585-1763, which won the National Book Award in history. Michael A. Lofaro took over the project in 1976, expanded the colonial entries (pre-1764), and added the period of 1764-1799. George M. Barringer contributed entries for Jesuit sermons. Sandra G. Hancock contributed those for Thomas Cradock.

The bibliography is also available online (dlc.lib.utk.edu/sermons). This database contains the same in-depth descriptions of these sermons, over 90 percent of which are unknown. It provides multiple avenues of access. Searches can be constructed and limited by single or combined criteria of author, repository, book of the Bible, date, state, denomination, keyword, and short title.

Scholars can employ both versions of this tool to construct a more complete picture of the southern mind before 1800 and to reveal how that mind contributes to a national ethos. The bibliography will aid many disciplines—religion, cultural and American studies, history, literature, political science, sociology, psychology, and more—and all those who wish to interpret the past and its effect upon the present. It will lead to a more balanced appraisal of American intellectual history by encouraging access to a large body of southern sermons to place alongside those of the northern and middle states for critical assessment.

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front cover of Tall Tales Davy Crockett
Tall Tales Davy Crockett
Second Nashville Series Crockett Almanacs, 1839-1841
Michael A. Lofaro
University of Tennessee Press, 1987

These never before collected or reprinted tales, were part of the original primary force that created the tall tale Davy Crockett.

The Nashville almanacs significantly contributed to the development of the Davy Crockett myths. Two-thirds of the tales found in this edition have never before been collected or reprinted in any readily accessible form.

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Spiritual Merchants
Religion Magic & Commerce
Carolyn Morrow Long
University of Tennessee Press, 2001
They can be found along the side streets of many American cities: herb or candle shops catering to practitioners of Voodoo, hoodoo, Santería, and similar beliefs. Here one can purchase ritual items and raw materials for the fabrication of traditional charms, plus a variety of soaps, powders, and aromatic goods known in the trade as “spiritual products.” For those seeking health or success, love or protection, these potions offer the power of the saints and the authority of the African gods.
In Spiritual Merchants, Carolyn Morrow Long provides an inside look at the followers of African-based belief systems and the retailers and manufacturers who supply them. Traveling from New Orleans to New York, from Charleston to Los Angeles, she takes readers on a tour of these shops, examines the origins of the products, and profiles the merchants who sell them.
Long describes the principles by which charms are thought to operate, how ingredients are chosen, and the uses to which they are put. She then explores the commodification of traditional charms and the evolution of the spiritual products industry—from small-scale mail order "doctors" and hoodoo drugstores to major manufacturers who market their products worldwide. She also offers an eye-opening look at how merchants who are not members of the culture entered the business through the manufacture of other goods such as toiletries, incense, and pharmaceuticals. Her narrative includes previously unpublished information on legendary Voodoo queens and hoodoo workers, as well as a case study of John the Conqueror root and its metamorphosis from spirit-embodying charm to commercial spiritual product.
No other book deals in such detail with both the history and current practices of African-based belief systems in the United States and the evolution of the spiritual products industry. For students of folklore or anyone intrigued by the world of charms and candle shops, Spiritual Merchants examines the confluence of African and European religion in the Americas and provides a colorful introduction to a vibrant aspect of contemporary culture.
The Author: Carolyn Morrow Long is a preservation specialist and conservator at the the Smithsonian Institution’s National Museum of American History.


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front cover of Happy In Service Of Lord
Happy In Service Of Lord
African-American Sacred Vocal Harmony
Kip Lornell
University of Tennessee Press, 1995
"Happy in the Service of the Lord" provides an in-depth look at the development of the African-American gospel quartet. Focusing argely on Memphis - long famous for its blues, jazz, and soul music - Kip Lornell reveals the special contributions that quartet members have made to the cultural and musical identity of the city.
The author traces the evolution of such groups as the I. C. Glee Club Quartet, the Spirit of Memphis, the Sunset Travelers, and the Southern Wonders from the early 1920s to the late 1980s. Drawing on extensive interviews and field research, Lornell describes a unique world of radio personalities, quartet unions, fans, promoters, and singing teachers. What emerges is a fascinating picture of the complex, multilayered relationships within these communities, enhanced by a probing analysis of the gospel quartets' place within the larger contexts of popular culture and African-American history.
"Happy in the Service of the Lord" was first published in 1988. For this second edition, Lornell has added a new chapter on the role of gospel composers and the importance of spirituality in quartet performances. The first chapter, a survey of the history of quartet singing across the United States from Reconstruction to the present, has been completely rewritten to reflect the most recent scholarship. Lornell has also updated and expanded the book's audiography and bibliography.
 
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front cover of Tennessee's Forgotten Warriors
Tennessee's Forgotten Warriors
Frank Cheatham His Confederate Division
Christopher Losson
University of Tennessee Press, 1990
This is the best book about Cheatham's brigade, nearly forgotten soldiers in the ill-fated Confederate Army of the Tennessee.
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front cover of Change and Conflict in the U.S. Army Chaplain Corps since 1945
Change and Conflict in the U.S. Army Chaplain Corps since 1945
Anne Loveland
University of Tennessee Press, 2014
Army chaplains have long played an integral part in America’s armed forces. In addition
to conducting chapel activities on military installations and providing moral and spiritual
support on the battlefield, they conduct memorial services for fallen soldiers, minister
to survivors, offer counsel on everything from troubled marriages to military bureaucracy,
and serve as families’ points of contact for wounded or deceased soldiers—all while
risking the dangers of combat alongside their troops. In this thoughtful study, Anne C.
Loveland examines the role of the army chaplain since World War II, revealing how the
corps has evolved in the wake of cultural and religious upheaval in American society and
momentous changes in U.S. strategic relations, warfare, and weaponry.

From 1945 to the present, Loveland shows, army chaplains faced several crises that
reshaped their roles over time. She chronicles the chaplains’ initiation of the Character
Guidance program as a remedy for the soaring rate of venereal disease among soldiers in
occupied Europe and Japan after World War II, as well as chaplains’ response to the challenge
of increasing secularism and religious pluralism during the “culture wars” of the
Vietnam Era.“Religious accommodation,” evangelism and proselytizing, public prayer,
and “spiritual fitness”provoked heated controversy among chaplains as well as civilians in
the ensuing decades. Then, early in the twenty-first century, chaplains themselves experienced
two crisis situations: one the result of the Vietnam-era antichaplain critique, the
other a consequence of increasing religious pluralism, secularization, and sectarianism
within the Chaplain Corps, as well as in the army and the civilian religious community.

By focusing on army chaplains’ evolving, sometimes conflict-ridden relations with
military leaders and soldiers on the one hand and the civilian religious community on the
other, Loveland reveals how religious trends over the past six decades have impacted the
corps and, in turn, helped shape American military culture.
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The Civil Rights Movement in Tennessee
A Narrative History
Bobby L. Lovett
University of Tennessee Press, 2005
From legal battles to sit-ins to freedom rides to marches, activists in the United States rose up against racial discrimination in the civil rights movement. While many books have focused on the national campaign and prominent leaders such as Dr. Martin Luther King and Malcolm X, this is the first book to examine the civil rights movement in the state of Tennessee.Bobby L. Lovett proposes that African Americans have always had a civil rights movement in Tennessee, even during slavery. He identifies three phases of the movement in the state—1864 to 1880, 1881 to 1934, and 1935 to the present—and focuses on the last period. Lovett explores early Jim Crow Tennessee, public school desegregation since Brown v. Board of Education in 1954, sit-in and public desegregation activities, politics and civil rights, and the desegregation of higher education. This well-researched book draws on special collections from libraries across the state, personal papers, manuscript collections, conversations, observations, books, scholarly articles, and newspapers. Lovett covers the entire state, but concentrates on the four major cities: Chattanooga, Knoxville, Memphis, and Nashville. There are short descriptions of local interest to bring the movement alive, as well as sketches of main players, federal judges, and more than three dozen court cases that have affected race and civil rights in Tennessee.African American and white leaders in the fight for equality in Tennessee are revealed, and Lovett relates the movement with African Americans’ pursuit of inclusion in society nationally. Tennesseans who engaged in the struggle included prominent African American figures such as civil rights attorney Avon Williams of Nashville and NAACP activist Maxine Smith of Memphis. This book fills a gap in the historical record of the civil rights movement and is an important addition to studies of the movement both in Tennessee and in the nation.Bobby L. Lovett is a professor of history at Tennessee State University. He is the author of The African-American History of Nashville, Tennessee, 1780–1930: Elites and Dilemmas and a contributor to The Southern Elite and Social Change: Essays in Honor of Willard B. Gatewood, Jr.
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front cover of Religion Public Life & American Polity
Religion Public Life & American Polity
Luis F. Lugo
University of Tennessee Press, 1994

front cover of Rampant Women
Rampant Women
Suffragists Right Assembly
Linda J. Lumsden
University of Tennessee Press, 1997
Dr. Linda J. Lumsden analyzes the First Amendment components of the women's suffrage movement, in particular their right to assembly as they organized pageants, parades, open air meetings and public demonstrations. The book opens with a woman-centered essay on the freedom of expression before the 20th century. The first chapter describes the heroism it took for women in the 19th century to gather in mass meetings, delegations and conventions. Chapter 2 explores Open-Air campaigns; Chapter 3 on petitioning as a political tool. Chapter 4 is on parades, starting with the first suffrage parades in 1908 (New York City; Boone, Iowa; and Oakland, California) and ending with the last one in 1917. Pageants are featured in chapter 5, and the chapter 6 is on picketing. The concluding chapter develops her position that suffrage assemblies provided the leverage for later protestors who sought a public arena to decry their political dissent. Four appendices then follow: a list of suffrage organizations; prominent suffragists in the 1910s; a chronology of major events in the U.S. suffrage movement; and, finally a list of when and where women won the vote. There is a brief mention of the 1913 suffrage paraders in Louisville, but generally the book focuses on states other than Kentucky.
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front cover of The Art of Anthropology / The Anthropology of Art
The Art of Anthropology / The Anthropology of Art
Brandon Lundy
University of Tennessee Press, 2013
The Art of Anthropology/The Anthropology of Art brings together thirteen essays, all of which were presented at the March 2011 annual meeting of the Southern Anthropological Society (SAS) in Richmond, Virginia.

Collectively, the essays in this volume explore not only art through the lens of anthropology but also anthropology through the lens of art. Given that art is a social phenomenon, the contributors to this volume interpret the complex relationships between art and anthropology as a means of fashioning novelty, continuity, and expression in everyday life. They further explore this connection by reifying customs and traditions through texts, textures, and events, thereby shaping the very artistic skills acquired by experience, study, and observation into something culturally meaningful.

In this book, the contributors revisit older debates within the discipline about the relationship between anthropology’s messages and the rhetoric that conveys those messages in new ways. They ask how and why anthropology is persuasive and how artful forms of anthropology in the media and the classroom shape and shift public understandings of the human world.

The papers in this volume are organized into four groups: Textual Art, Art Valuation, Critical Art, and Art and Anthropology in Our Classroom and Colleges.

Brandon D. Lundy is an assistant professor of anthropology at Kennesaw State University.
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front cover of Iris Murdoch Connected
Iris Murdoch Connected
Critical Essays on Her Fiction and Philosophy
Mark Luprecht
University of Tennessee Press, 2014
This volume compiles twelve essays that reflect the surging interest in the Irish-born author Iris Murdoch as both a writer and philosopher. Beyond her impressive body of philosophical works, Murdoch produced twenty-six novels, several plays, and numerous poems, short stories, and essays during her multifaceted career. The prolific novelist-philosopher has drawn attention from scholars in multiple disciplines, which reflects her range of interests as well as the accessibility of her work from varied perspectives.
            The first part of the collection focuses on Murdoch’s literary works and approach to art. Frances White’s opening essay examines the influence of Virginia Woolf on Murdoch, while Elaine Morley deals with attention and “unselfing” in the writer’s works. Much can be learned from Murdoch’s letters, as Miles Leeson and Anne Rowe demonstrate in their respective contributions. David James explores Murdoch’s influence on fellow Irish writer John Banville. Finally, Pamela Osborn and Rivka Isaacson offer vastly different perspectives on Murdoch’s fourth novel, The Bell, in the two essays that round out the literature-centric half of the collection.
            Part two highlights concepts in and approaches to Murdoch’s philosophical thought. Tony Milligan writes of the meanings of puritanism and truthfulness in Murdoch’s philosophical writings and essays and in her novel A Fairly Honourable Defeat. Julián Jiménez Heffernan’s contribution centers on Murdoch’s confrontation with the notion of contingency. Using the philosophical lens of metaxu, Kate Larson suggests a new approach to Murdoch’s thought by looking at it in relation to that of Simone Weil. Paul Martens locates the similarities of structure in Murdoch’s The Black Prince and Søren Kierkegaard’s Fear and Trembling. Lastly, Matthew Martinuk delves into the affinity of thought between Charles Taylor and Murdoch.
            By examining both Murdoch’s influences and those she has influenced, Iris Murdoch Connected constructs complex new understandings of this formidable writer’s vast contributions to literature and philosophy.
 
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front cover of Government And Politics In Tennessee
Government And Politics In Tennessee
William Lyons
University of Tennessee Press, 2001
Most Americans are more aware of the workings of the federal government than of their own state government. But these “laboratories of democracy” constitute perhaps the most creative and successful component of the American political experiment. Like each of the states, Tennessee state government has a distinct history and a political culture that reflects that history.

This book places Tennessee’s modern political institutions in the context of the history and personalities that formed them. They pay special attention to the period after 1978, when three governors left a lasting impression on the direction and culture of the state government. Separate chapters examine the legislative, executive, and judicial branches, explaining how and why Tennessee’s political culture differs from other states. The book also explores the ways in which education, health care, corrections, and economic development define much of the government agenda. Additional chapters on the media, political campaigns, and local government provide a backdrop that elucidates more fully how the state government functions.

The authors profile many of the personalities who have shaped the state’s political agenda. Among these are longtime Senate Democratic Speaker John Wilder; his close ally, Senate Republican Leader Ben Atchley; House Speaker Jimmy Naifeh, son of a Lebanese immigrant; and Bill Snodgrass, who served as State Comptroller for forty-seven years. The book explains how each of these individuals related to three Tennessee governors, Republicans Lamar Alexander and Don Sundquist and Democrat Ned McWherter, whose administrations presided over the state’s greatest period of growth and prosperity.

Illustrated with photographs and tables, and featuring anecdotal sidebars that illuminate key issues, this book will become the standard text on Tennessee state government and politics for years to come.

The Authors: William Lyons is a professor of political science at the University of Tennessee and coauthor of such books as American Government: Politics and Political Culture.

John M. Scheb II is a professor of political science and director of the Social Science Research Institute at the University of Tennessee and coauthor of American Constitutional Law, among other books. In partnership with Dr. Lyons, he provides campaign consulting for political candidates and applied survey research for businesses and organizations.

Billy Stair is director of communication and community outreach at Oak Ridge National Laboratory.  He served for eighteen years in the legislative and executive branches of state government, including eight years as senior policy advisor to the Governor.


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front cover of Government and Politics in Tennessee
Government and Politics in Tennessee
William Lyons
University of Tennessee Press, 2018

Most Americans are more aware of the workings of the federal government than of their own state governments. But these “laboratories of democracy” constitute perhaps the most creative components of the American political experiment.

This book serves as a guide for students of government and provides a historical context for understanding the forces at work in the state’s political system. Among the states, Tennessee’s unique blend of legislative and executive powers is, in some respects, far more a product of personality than political ideology. This second edition describes these often colorful leaders and the issues they grappled with, including education, health care, corrections, economic development, and other key factors. A full analysis of government institutions embodied in the legislative, executive, and judicial branches is supplemented by added attention to county government and public administration.

Fully up to date, this edition also provides key chapters on the media, political campaigns, and the rising dominance of the Republican Party in recent decades. In addition, it focuses on how a new generation of politicians—among them, Governor Bill Haslam, House Speaker Beth Harwell, and Knoxville Mayor Madeline Rogero—have emerged to carry on the legacy of state leadership.

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