front cover of Ahead of Her Time in Yesteryear
Ahead of Her Time in Yesteryear
Geraldyne Pierce Zimmerman Comes of Age in a Southern African American Family
Kibibi V. Mack-Shelton
University of Tennessee Press, 2010

Born into a relatively privileged family, Geraldyne Pierce Zimmerman  earned a reputation as a maverick in her lifelong home of Orangeburg, South Carolina, a semirural community where race and class were very much governed by the Jim Crow laws. Educated at Nashville’s Fisk University, Zimmerman returned to Orangeburg to teach school, serve her community, and champion equal rights for African Americans and women.


Kibibi V. Mack-Shelton offers a vivid portrayal of the kind of black family seldom recognized for its role in the development of the African American community after the Civil War. At a time when “separate but equal” usually meant suffering and injustice for the black community, South Carolina families such as the Tatnalls, Pierces, and Zimmermans achieved a level of financial and social success rivaling that of many white families.

Drawing heavily on the oral accounts of Geraldyne Pierce Zimmerman, Mack-Shelton draws the reader into the lives of the African American elite of the early twentieth century. Her captivating narrative style brings to life many complicated topics: how skin color affected interracial interactions and class distinctions  within the black community itself, the role of education for women and for African Americans in general, and the ways in which cultural ideas about family and community are simultaneously preserved and transformed over the span of
generations.

Refreshing and engaging, Ahead of Her Time in Yesteryear is a fascinating biography for any reader interested in a new perspective on small-town black culture in the Jim Crow South.
 

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Parlor Ladies & Ebony Drudges
African American Women
Kibibi Voloria C. Mack
University of Tennessee Press, 1999
“Parlor Ladies and Ebony Drudges does not simply fill in another piece of the mosaic that women’s historians have been assembling. Raising new questions, it offers a fresh perspective on the history of African American women and invites us to follow new paths of inquiry.”—from the Foreword by Elizabeth Fox-Genovese

Focusing on the community of Orangeburg, South Carolina, from 1880 to 1940, Parlor Ladies and Ebony Drudges explores the often sharp class divisions that developed among African African women in that small, semirural area.
Kibibi Voloria Mack’s research challenges the conventional thesis that all African American women toiled—and toiled hard—throughout their lives. She shows that this was only true if they belonged to certain socioeconomic classes. Mack  finds that, in Orangeburg, a significant minority did not have to work outside the home (unless they chose to do so) and that some even had staffs of domestics to do their housework—a situation paralleling that of the town’s genteel white women. While the factors of gender and race did restrict the lives of all African American women in Jim Crow Orangeburg, Mack argues, there was no real solidarity across class lines. In fact, as she points out, tensions often arose between women of the upper classes and those of the middle and working classes.

Mack offers a rich picture of the work patterns, social lives, home lives, attitudes, and self-images of the women of each class, carefully distinguishing their differences and noting the historical changes and continuities that affected them. The book is not only an important contribution to the study of African American women in the South but also to the research on women’s work more generally: it is a vital corrective to the past emphasis on white women living in northeastern urban areas.

The Author: Kibibi Voloria C. Mack is an assistant professor in the Africana Studies Department at the University of Maryland, Baltimore County. She is a native of Orangeburg, South Carolina, and received her doctorate in history at the State University of New York, Binghamton. The mother of four daughters, she has also written several books for young people on African and African American history.
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In the Shadow of the Enemy
The Civil War Journal of Ida Powell Dulaney
Mary L. Mackall
University of Tennessee Press, 2009

The mistress of a slave-holding estate, Ida Powell Dulany took over control of the extensive family lands once her husband left to fight for the Confederacy. She struggled to manage slaves, maintain contact with her neighbors, and keep up her morale after her region was abandoned by the Confederate government soon after the beginning of hostilities.

More than just an elegantly written account of her own day-to-day experiences in the Civil War, Ida’s journal opens a window into the Southern culture of the time.

Stevan F. Meserve has written extensively for several Civil War publications and is the author of The Civil War in Loudoun County, Virginia: A History of Hard Times.

Anne Mackall Sasscer  grew up on Selby, a family farm near The Plains, Virginia, the home of Ida Powell Dulany’s youngest daughter.

Mary LeJeune Mackall spent her early years at Blenheim, a pre-Revolutionary farm near Charlottesville, which inspired her lifelong interest in Virginia history.

[more]

front cover of A Documentary History of the American Civil War Era
A Documentary History of the American Civil War Era
Judicial Decisions, 1867–1896
Thomas C. Mackey
University of Tennessee Press, 2012
A Documentary History of the American Civil War Era is the first comprehensive collection
of public policy actions, political speeches, and judicial decisions related to the American
Civil War. Collectively, the four volumes in this series give scholars, teachers, and students
easy access to the full texts of the most important, fundamental documents as well as hardto-
find, rarely published primary sources on this critical period in U.S. history.

The first two volumes of the series, Legislative Achievements and Political Arguments,
were released last year. The final installment, Judicial Decisions, is divided into two volumes.
The first volume, spanning the years 1857 to 1866, was released last year. This second
volume of Judicial Decisions covers the years 1867 to 1896. Included here are some of
the classic judicial decisions of this time such as the 1869 decision in Texas v. White and
the first judicial interpretation of the 1868 Fourteenth Amendment, the 1873 Slaughter-
House Cases
. Other decisions are well known to specialists but deserve wider readership
and discussion, such as the 1867 state and 1878 federal cases that upheld the separation of
the races in public accommodations (and thus constituted the common law of common
commerce) long before the more notorious 1896 case of Plessy v. Ferguson (also included).
These judicial voices constitute a lasting and often overlooked aspect of the age of Abraham
Lincoln. Mackey’s headnotes and introductory essays situate cases within their historical
context and trace their lasting significance. In contrast to decisions handed down
during the war, these judicial decisions lasted well past their immediate political and legal
moment and deserve continued scholarship and scrutiny.

This document collection presents the raw “stuff” of the Civil War era so that students,
scholars, and interested readers can measure and gauge how that generation met Lincoln’s
challenge to “think anew, and act anew.” A Documentary History of the American Civil
War Era
is an essential acquisition for academic and public libraries in addition to being a
valuable resource for courses on the Civil War and Reconstruction, legal history, political
history, and nineteenth-century American history.
[more]

front cover of A Documentary History of the American Civil War Era
A Documentary History of the American Civil War Era
Volume 1, Legislative Achievements
Thomas C. Mackey
University of Tennessee Press, 2012
A Documentary History of the American Civil War Era is the first comprehensive collection of public policy actions, political speeches, and judicial decisions related to the American Civil War. This three-volume set gives scholars, teachers, and students easy access to the full texts of the most important, fundamental documents as well as hard-to-find, rarely published primary sources on this critical period in U.S. history.
    The first volume of the series, Legislative Achievements, contains legislation passed in response to the turmoil seizing the country on the brink of, during, and in the wake of the Civil War. Forthcoming are volume 2, Political Arguments, which contains voices of politicians, political party platforms, and administrative speeches, and volume 3, Judicial Decisions, which provides judicial opinions and decisions as the Civil War raged in the courtrooms as well as on the battlefields.
    Organized chronologically, each of the selections is preceded by an introductory headnote that explains the document’s historical significance and traces its lasting impact. These headnotes provide insight into not only law and public policy but also the broad sweep of issues that engaged Civil War–era America.
    Legislative Achievements features some of the most momentous and enduring public policy documents from the time, beginning with the controversial September 15, 1850, Fugitive Slave Act and concluding with the June 18, 1878, Posse Comitatus Act. Both military and nonmilitary legislation constitute this part, including the April 19, 1861, proclamation by President Abraham Lincoln declaring a naval blockade on Southern ports and Confederate President Jefferson Davis’s proclamation authorizing blockade runners to attack Northern shipping, both issued on the same day. Nonmilitary legislation includes statutes affecting the postwar period, such as the 1862 Homestead Act, the Civil Rights Act of 1866, and all four of the Reconstruction Acts. Also in this section are the three constitutional amendments, the Habeas Corpus Acts of 1863 and 1867, the Freedman’s Bureau Acts of 1865 and 1866, and the 1867 Tenure of Office Act together with President Andrew Johnson’s message vetoing the Act. 
    A Documentary History of the American Civil War Era is an essential acquisition for academic and public libraries in addition to being a valuable resource for students of the Civil War and Reconstruction, legal history, public policy, and nineteenth-century American history.

THOMAS C. MACKEY is a professor of history at the University of Louisville and adjunct Professor of Law at Brandeis School of Law. He is the author of Pornography on Trial (2002)  and Pursuing Johns (2005).


[more]

front cover of A Documentary History of the American Civil War Era
A Documentary History of the American Civil War Era
Volume 2, Political Arguments
Thomas C. Mackey
University of Tennessee Press, 2013
     A Documentary History of the American Civil War Era is the first comprehensive collection of public policy actions, political speeches, and judicial decisions related to the American Civil War. This three-volume set gives scholars and students easy access to the full texts of both the most important, fundamental documents as well as hard-to-find, rarely published primary sources on this critical period in U.S. history.
Volume 2 in the series, Political Arguments, presents the words of politicians, political party platforms, and administrative speeches. It is divided into two sections. The first, Voices of the Politicians and Political Parties, comprises the platforms of the major (and some minor) parties from1856 to 1876. Also included are such pieces as Robert E. Lee’s letter of resignation from the U.S. Army, a few key speeches by that rising politician from Illinois, Abraham Lincoln, and a letter on the “American Question” written by a European observer, Karl Marx. Other items include examples of the 1860–1861 state ordinances of secession and addresses on emancipation and Reconstruction by Jefferson Davis and by the Republican leader in the House of Representatives, Thaddeus Stevens. 
     Section two, Voices of the Administrations, contains records from the presidencies of James Buchanan, Abraham Lincoln, Andrew Johnson, Ulysses S. Grant, and Rutherford B. Hayes as well as a message from Confederate President Jefferson Davis telling his congress that the Southern cause was “just and holy.” Classic documents such as Lincoln’s announcement of forthcoming emancipation and the Emancipation Proclamation are here, as are lesser-known but important documents such as Francis Lieber’s 1863 revised law code for war, General Order 100, and Attorney General James Speed’s 1865 opinion supporting the Johnson administration’s decision to try the Lincoln murder conspirators by special military commission and not in the civilian courts.
     Each of the selections in <i>Political Arguments<i> is preceded by editor Thomas Mackey’s introductory headnotes that explain the document’s historical significance and trace its lasting impact. These commentaries provide insight into not just law and public policy but also the broad sweep of issues important to Civil War– era Americans.
     A Documentary History of the American Civil War Era is an essential acquisition for academic and public libraries in addition to being a valuable resource for courses on the War and Reconstruction, legal history, political history, and nineteenth- century American history.


[more]

front cover of A Documentary History of the American Civil War Era
A Documentary History of the American Civil War Era
Volume 3, Judicial Decisions, 1857-1866
Thomas C. Mackey
University of Tennessee Press, 2014
A Documentary History of the American Civil War Era is the first comprehensive collection of public policy actions, political speeches, and judicial decisions related to the American Civil War. Collectively, the four volumes in this series give scholars, teachers, and students easy access to the full texts of the most important, fundamental documents as well as hard-to-find, rarely published primary sources on this critical period in U.S. history.
            The first two volumes of the series, Legislative Achievements and Political Arguments, were released last year. The final installments, Judicial Decisions, is split into two volumes, with this one, volume 3, spanning from 1857 to 1866. It contains some of the classic judicial decisions of the time such as the 1857 decision in Dred Scott and the 1861 Ex parte Merryman decision. Other decisions are well known to specialists but deserve wider readership and discussion, such as the October 1859 Jefferson County, Virginia, indictment of John Brown and the decision in the 1864 case of political and seditious activity in Ex parte Vallandigham. These judicial voices constitute a lasting and often overlooked aspect of the age of Abraham Lincoln. Mackey’s headnotes and introductory essays situate cases within their historical context and trace their lasting significance. In contrast to the war, these judicial decisions lasted well past their immediate political and legal moment and deserve continued scholarship and scrutiny.
            This document collection presents the raw “stuff” of the Civil War era so that students, scholars, and interested readers can measure and gauge how that generation met Lincoln’s challenge to “think anew, and act anew.” A Documentary History of the American Civil War Era is an essential acquisition for academic and public libraries in addition to being a valuable resource for courses on the Civil War and Reconstruction, legal history, political history, and nineteenth-century American history.

Thomas C. Mackey is a professor of history at the University of Louisville and adjunct Professor of Law at Brandeis School of Law. He is the author of Pornography on Trial and Pursuing Johns.

[more]

front cover of Decisions at Fredericksburg
Decisions at Fredericksburg
The Fourteen Critical Decisions That Defined the Battle
Chris Mackowski
University of Tennessee Press, 2021

In the fall of 1862, after a leadership shake-up initiated by Lincoln, Gen. Ambrose Burnside assumed command of the Army of the Potomac and developed an aggressive plan to attack the Confederate capital of Richmond. However, in order to reach Richmond, Burnside had to march through Fredericksburg, where Gen. Robert E. Lee’s Army of Northern Virginia was well entrenched. After crossing the Rappahannock River under enemy fire, Burnside and his troops engaged Lee’s army within the city, then launched a futile frontal assault against a heavily fortified ridge west of Fredericksburg. The end result was a decisive victory for the Confederacy, as the Union army suffered more than double the number of casualties as its foes. Burnside would resign a month later but would resurface as war in the Western Theater grew heated.

Decisions at Fredericksburg explores the critical decisions made by Confederate and Union commanders during the battle and how these decisions shaped its outcome. Rather than offering a history of the battle, Chris Mackowski hones in on a sequence of critical decisions made by commanders on both sides of the contest to provide a blueprint of the Battle of Fredericksburg at its tactical core. Identifying and exploring the critical decisions in this way allows students of the battle to progress from knowledge of what happened to a mature grasp of why events happened.

Complete with maps and a driving tour, Decisions at Fredericksburg is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.

Decisions at Fredericksburg is the eleventh in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.

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To Advance their Opportunities
Policies Toward African American Workers from World War I to the Civil Right Act of 1964
Judson MacLaury
University of Tennessee Press, 2008

front cover of To Advance their Opportunities
To Advance their Opportunities
Policies Toward African American Workers from World War I to the Civil Right Act of 1964
Judson MacLaury
University of Tennessee Press, 2008
To Advance Their Opportunities chronicles the development of federal policies and programs impacting African American workers, examining the fascinating and rarely seen workings of federal bureaucracies as they attempted to rein in racism in the nation's federally funded workplaces. The book traces the hard-won gains made by African American workers and the crucial role of the civil rights movement and its supporters in urging the federal government to action. This scholarly and timely work also brings to light the little known story of the birth of affirmative action.
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front cover of Abducted by Circumstance
Abducted by Circumstance
A Novel
David Madden
University of Tennessee Press, 2015

“Abducted by Circumstance is a thrilling crime story, a dark and complex psychological study, a rich contemplation on contemporary life. It is also a masterful moral drama about the centuries-old conflicts that arise from the juxtaposition of the flesh and spirit.”
—Allen Wier, author of Tehano

“David Madden continues to push the envelope of literary fiction in subtle and profoundly sophisticated ways. Abducted by Circumstance is a quirky, utterly compelling novel in pieces that in its very structure speaks to the work’s twenty-first-century theme: how do we find connection in a fragmented world? In this new book Madden is at the height of his considerable power.”
—Robert Olen Butler


In Abducted by Circumstance, David Madden offers his readers a unique experience simultaneously terrifying and exhilarating.

Carol Seaborg makes a risky visit in zero weather to a lighthouse near her house in The Thousand Islands of New York on the Canadian border. A self-confident, attractive woman of about 55 suddenly appears on the observation deck looking out over frozen Lake Ontario. Carol admires the woman as her ideal.

Suddenly, the woman disappears, apparently abducted by a serial rapist and killer, stimulating in Carol an immediate empathy that, enhanced by the power of her imagination, is so great as to make her unique. Carol projects her own emotions, imagination, and intellect into Glenda’s experience.

To render that empathy and imagination, Madden channels everything that the people around her say and do through Carol’s perceptions so intimately that he shifts frequently and without transition into her thoughts, which focus mostly on the abducted woman, whose name newscasters reveal is Glenda Hamilton.

As Carol imagines Glenda gradually coping with her abductor, she speaks directly, sometimes out loud, to her, encouraging her, advising her, expressing fear for her.

If Carol’s external experiences are passive almost to paralysis, her memories reveal that her life has been full of more venturesome relationships and events (she once rode across Greece alone on a bicycle) than most wives and mothers in their late thirties have. Carol’s emotions and imagination are highly charged and exquisitely presented.

The circumstances and relationships of her past and present predispose Carol to empathize with Glenda. Carol’s own life among a crude, remote second husband, a somewhat estranged adolescent son, a bright five-year-old daughter, a father who is a rather cold philosophy teacher, and the strong spiritual presence of her mother who committed suicide, is simple and routine. The events involving Glenda’s disappearance take place during the week before Carol’s second surgery for breast cancer.

Gradually, as she takes late night drives with her little girl, visits her ex-boyfriend’s father in a nursing home, drives by her ex-lover’s house and business, and visits the campus where her father is a prominent teacher, the reader realizes, some pages before Carol herself does, that she has been abducted by the circumstances of her life.

Although it is grounded in the realistic detail of everyday life, Abducted by Circumstance is unique in conception, style, and characterization. Madden immerses the reader in an extraordinarily rich and unforgettable psychological experience.

Thoroughly absorbing from start to finish, Abducted by Circumstance explores Carol’s troubled psyche with the rare precision and insight that have long distinguished David Madden’s fiction.

Since 1961, each of David Madden’s highly praised novels and two books of short stories has had some quality of uniqueness, among them Cassandra Singing, Sharpshooter: A Novel of the Civil War, Bijou, and The Suicide’s Wife. Twice nominated for the Pulitzer Prize, David Madden received the Robert Penn Warren Award from the Fellowship of Southern Writers.

[more]

front cover of London Bridge in Plague and Fire
London Bridge in Plague and Fire
A Novel
David Madden
University of Tennessee Press, 2012
“Like Dr. Frankenstein’s invented creature, the larger-than-life, flesh-and-blood characters of London Bridge in Plague and Fireare made from pieces of the dead past that are forged in the consciousness of an historian—himself a creation of history and of David Madden’s literary magic.  Struck by the lightning bolt of the co-joined imaginations of Madden and his reader, the fabricated beings rise up and walk on London Bridge, and they have the audacity to speak for themselves in completely convincing and haunting voices.” —Allen Wier, author of Tehano

For more than two thousand years, Old London Bridge evolved through many fragile wooden forms until it became the first bridge built of stone since the Roman invaders. With over two hundred houses and shops built directly upon the bridge, it was a wonder of the world until it was dismantled in 1832.
    In this stunningly original novel, Old London Bridge is as much a living, breathing character as its architect, the priest Peter de Colechurch, who began work on it in 1176, partly to honor Archbishop Thomas à Becket, murdered in Canterbury Cathedral. In 1665, the year of the Great Plague, Peter’s history is unknown, but Daryl Braintree, a young poet living on the bridge, resurrects him through inspired flights of imagination. As Daryl chronicles the history of the bridge and composes poems about it, he reads his work to his witty mistress, who prefers making love.
    Among other key characters is Lucien Redd, who as a boy was sexually brutalized by both Puritans and Cavaliers during the English Civil War before being kidnapped off London Bridge onto a merchant ship. Thus traumatized, he aspires to become Lucifer’s most evil disciple. Twenty years later, young Morgan Wood is forced into seafaring service to pay off his father’s debts; and, compelled by obsessive nostalgia for his early life on the bridge, he keeps a journal. Joining Morgan aboard ship, Lucien “befriends” him—to devastating effect.
    The shops and houses on the bridge survive both the Great Plague and Great Fire, believed to be God’s wrath upon sinful London. Fearing that God may next destroy the bridge and its eight hundred denizens, seven of its merchant leaders revert to a pagan appeasement ritual by selecting one of their virgin daughters for sacrifice. To enact their plan, they hire Lucien, who has returned to the bridge to burn it out of pure meanness. But as Lucien discovers, the chosen victim may be more Lucifer’s favorite than he is.
    Like his creation Daryl Braintree, David Madden employs diverse innovative ways to tell this complex, often shocking, but also lyrical story. The author of ten novels—including The Suicide’s Wife, Bijou, and most recently, Abducted by Circumstance and Sharpshooter—Madden has, with London Bridge in Plague and Fire, given us the most ambitious and imaginative work of his distinguished career.

[more]

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London Bridge in Plague and Fire
A Novel
David Madden
University of Tennessee Press
"I am still living on London Bridge myself. The world of this novel has merged with my life. Under Madden's pen, the web of human connection is woven over water, through space, and beyond time." —Allen Wier, author of Tehano

For more than two thousand years, Old London Bridge evolved through many fragile wooden forms until it became the first bridge built of stone since the Roman invaders. With over two hundred houses and shops built directly upon the bridge, it was a wonder of the world until it was dismantled in 1832.
    In this stunningly original novel, Old London Bridge is as much a living, breathing character as its architect, the priest Peter de Colechurch, who began work on it in 1176, partly to honor Archbishop Thomas à Becket, murdered in Canterbury Cathedral. In 1665, the year of the Great Plague, Peter’s history is unknown, but Daryl Braintree, a young poet living on the bridge, resurrects him through inspired flights of imagination. As Daryl chronicles the history of the bridge and composes poems about it, he reads his work to his witty mistress, who prefers making love.
    Among other key characters is Lucien Redd, who as a boy was sexually brutalized by both Puritans and Cavaliers during the English Civil War before being kidnapped off London Bridge onto a merchant ship. Thus traumatized, he aspires to become Lucifer’s most evil disciple. Twenty years later, young Morgan Wood is forced into seafaring service to pay off his father’s debts; and, compelled by obsessive nostalgia for his early life on the bridge, he keeps a journal. Joining Morgan aboard ship, Lucien “befriends” him—to devastating effect.
    The shops and houses on the bridge survive both the Great Plague and Great Fire, believed to be God’s wrath upon sinful London. Fearing that God may next destroy the bridge and its eight hundred denizens, seven of its merchant leaders revert to a pagan appeasement ritual by selecting one of their virgin daughters for sacrifice. To enact their plan, they hire Lucien, who has returned to the bridge to burn it out of pure meanness. But as Lucien discovers, the chosen victim may be more Lucifer’s favorite than he is.
    Like his creation Daryl Braintree, David Madden employs diverse innovative ways to tell this complex, often shocking, but also lyrical story. The author of ten novels—including The Suicide’s Wife, Bijou, and most recently, Abducted by Circumstance and Sharpshooter—Madden has, with London Bridge in Plague and Fire, given us the most ambitious and imaginative work of his distinguished career.
[more]

front cover of Marble Goddesses and Mortal Flesh
Marble Goddesses and Mortal Flesh
David Madden
University of Tennessee Press, 2017

The Hero and the Witness is a harrowing and comic story of nineteen-year-old Lucius’s ordeal as a merchant seaman caught in the crossfire between an enigmatic scapegoat and a violent crew en route to Chile. In To Play the Con, Lucius, now a teacher and a first-time novelist, cons his little brother’s six small-town victims into accepting restitution for passing bad checks, a scam their older brother taught him and that may send him to the chain gang. Lucius works another con in Nothing Dies, but Something Mourns by persuading an ancient lady in a mountain town to tell him the romantic story of her brief love affair with Jesse James. In the innovative novella Marble Goddesses and Mortal Flesh, Lucius, now middle-aged and a successful novelist, buys the derelict Bijou Theater where he was a very young usher and becomes immersed to the brink of psychosis in memories of the immortal movie goddesses of the 40s and the mortal girls of his youth.

The novella is the perfect medium for this wide-ranging author to explore the power of the imagination and of oral storytelling in the lives of his characters. Madden’s unmatched scope in this collection could draw comparisons to Joseph Conrad, Henry James, Thomas Wolfe, and James M. Cain equally well.

Like Lucius, a native of Knoxville, DAVID MADDEN was an adolescent usher in the
1940s, a Merchant Mariner in the 1950s, and his two brothers were con men in their youth. He became a teacher in 1957, retiring in 2008 as LSU’s Robert Penn Warren Professor of Creative Writing, emeritus. Living now in Black Mountain, North Carolina, he has nearly finished a memoir recounting his youthful experiences in the U.S. Army.

[more]

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Marble Goddesses and Mortal Flesh
David Madden
University of Tennessee Press
The Hero and the Witness is a harrowing and comic story of nineteen-year-old Lucius’s ordeal as a merchant seaman caught in the crossfire between an enigmatic scapegoat and a violent crew en route to Chile. In To Play the Con, Lucius, now a teacher and a first-time novelist, cons his little brother’s six small-town victims into accepting restitution for passing bad checks, a scam their older brother taught him and that may send him to the chain gang. Lucius works another con in Nothing Dies, but Something Mourns by persuading an ancient lady in a mountain town to tell him the romantic story of her brief love affair with Jesse James. In the innovative novella Marble Goddesses and Mortal Flesh, Lucius, now middle-aged and a successful novelist, buys the derelict Bijou Theater where he was a very young usher and becomes immersed to the brink of psychosis in memories of the immortal movie goddesses of the 40s and the mortal girls of his youth.



The novella is the perfect medium for this wide-ranging author to explore the power of the imagination and of oral storytelling in the lives of his characters. Madden’s unmatched scope in this collection could draw comparisons to Joseph Conrad, Henry James, Thomas Wolfe, and James M. Cain equally well.



Like Lucius, a native of Knoxville, DAVID MADDEN was an adolescent usher in the
1940s, a Merchant Mariner in the 1950s, and his two brothers were con men in their youth. He became a teacher in 1957, retiring in 2008 as LSU’s Robert Penn Warren Professor of Creative Writing, emeritus. Living now in Black Mountain, North Carolina, he has nearly finished a memoir recounting his youthful experiences in the U.S. Army.

[more]

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Momma's Lost Piano
A Memoir
David Madden
University of Tennessee Press, 2023
When she is seventeen, Emily Merritt’s beloved father gives her the piano she has always wanted. A few days later, having lost his job, he sells Emily’s piano and moves the family out of its two-story house in Cleveland, Ohio, to his mother’s three-room house in his hometown of Knoxville, Tennessee.

The loss of her piano casts a shadow over Emily’s life in Knoxville, a city she could never love. Throughout the rest of her life, Emily longs to return to Cleveland, where she had an idyllic youth with many boyfriends and girlfriends and was, above all, a good piano student. Her life becomes like that of a nomad, moving from house to house and from job to job.
Her great love of life is expressed by dancing in highway honky-tonks, along with her six beautiful girlfriends. After divorcing her lovable, alcoholic husband, Emily falls deeply in love with troubled married men. She doesn’t enjoy whiskey or smoking, but she’s not a churchgoer. She raises three boys in poverty. A fourth son dies soon after birth. Oldest Dickie becomes a life-long petty conman, but little brother John, known as “Sunshine,” becomes a legendary rescuer of wayward boys and girls. Jerry, the middle brother, becomes a merchant seaman, a soldier, and finally a professor and successful writer.

Rather than a chronological narrative, Madden employs an impressionistic style that enables readers to experience Emily’s memories as he imagines them. In sharply focused scenes, Madden evokes the colorful expressions of the articulate, witty woman he has spent all his life listening to—and this memoir will inspire readers to listen eagerly, too.
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Sharpshooter
A Novel of the Civil War
David Madden
University of Tennessee Press, 1996

A gripping and thought-provoking work that is unlike any Civil War novel previously written, Sharpshooter takes us into the mind of one of the war’s veterans as he attempts, years after the conflict, to reconstruct his experiences and to find some measure of meaning in them.

A child of the divided East Tennessee mountain region, Willis Carr left home at age thirteen to follow his father and brothers on a bridge-burning mission for the Union cause. Imprisoned at Knoxville, he agreed to join the Confederate army to avoid being hanged and became a sharpshooter serving under General Longstreet. He survived several major battles, including Gettysburg, and eventually found himself guarding prisoners at the infamous Andersonville stockade, where a former slave taught him to read.

After the war, haunted by his memories, Carr writes down his story, revisits the battlefields, studies photographs and drawings, listens to other veterans as they tell their stories, and pores over memoirs and other books. Above all, he embues whatever he hears, sees, and reads with his emotions, his imagination, and his intellect. Yet, even as an old man nearing death, he still feels that he has somehow missed the war, that something essential about it has eluded him. Finally, in a searing moment of personal revelation, a particular memory, long suppressed, rises to the surface of Carr’s consciousness and draws his long quest to a poignant close.

A compelling work of fiction from a writer who is both a gifted novelist and a distinguished student of the Civil War, David Madden’s Sharpshooter invites us to see this signal episode in American history in a new way—to grasp its facts, to imagine what facts cannot convey, and to make the war our own.

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front cover of The Last Bizarre Tale
The Last Bizarre Tale
Stories by David Madden
David Madden
University of Tennessee Press, 2014
Though he has authored more than eleven novels including, Cassandra Singing, The Suicide’s
Wife, Abducted by Circumstance
, and the recent London Bridge in Plague and Fire, David
Madden has been publishing short stories for all six decades of his active career. The Last
Bizarre Tale
consists of works that appeared in journals but that have not appeared together
as a collection.

Madden used two stories, “The Singer” and “Second Look Presents: the Rape of an
Indian Brave,” as chapters in his 1980 novel On the Big Wind. “The Headless Girl’s Mother”
was first published as a chapter in a serialized novel entitled Hair of the Dog. Two other stories
developed out of longer versions of Madden’s novels. “A Demon in My View” is part of
a sequel, not yet published, to Bijou.

All of the stories in David Madden’s third collection are distinguished by variety of content
and by shifting styles and often innovative techniques. They are to varying degrees and
in various ways bizarre in their characters and their relationships, in the kinds of internal
and external conflicts, and in locales and themes. The title story, The Last Bizarre Tale, involving
a corpse that has hung on a hook in a funeral home garage for decades, is evocative
of Poe and, in its dark, grotesque humor, Flannery O’Connor and Carson McCullers.
“Process is as important as product to David Madden,” writes editor James Perkins,
“and one can learn as much about the process of writing as about the human condition by a
careful reading of these stories.”
[more]

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Before Harlem
An Anthology of African American Literature from the Long Nineteenth Century
Ajuan Maria Mance
University of Tennessee Press, 2016
Despite important recovery and authentication efforts during the last twenty-five years, the vast majority of nineteenth-century African American writers and their work remain unknown to today’s readers. Moreover, the most widely used anthologies of black writing have established a canon based largely on current interests and priorities. Seeking to establish a broader perspective, this collection brings together a wealth of autobiographical writings, fiction, poetry, speeches, sermons, essays, and journalism that better portrays the intellectual and cultural debates, social and political struggles, and community publications and institutions that nurtured black writers from the early 1800s to the eve of the Harlem Renaissance.
            As editor Ajuan Mance notes, previous collections have focused mainly on writing that found a significant audience among white readers. Consequently, authors whose work appeared in African American–owned publications for a primarily black audience—such as Solomon G. Brown, Henrietta Cordelia Ray, and T. Thomas Fortune—have faded from memory. Even figures as celebrated as Frederick Douglass and Paul Laurence Dunbar are today much better known for their “cross-racial” writings than for the larger bodies of work they produced for a mostly African American readership. There has also been a tendency in modern canon making, especially in the genre of autobiography, to stress antebellum writing rather than writings produced after the Civil War and Reconstruction. Similarly, religious writings—despite the centrality of the church in the everyday lives of black readers and the interconnectedness of black spiritual and intellectual life—have not received the emphasis they deserve.
            Filling those critical gaps with a selection of 143 works by 65 writers, Before Harlem presents as never before an in-depth picture of the literary, aesthetic, and intellectual landscape of nineteenth-century African America and will be a valuable resource for a new generation of readers.
[more]

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Inventing Black Women
African American Women Poets and Self-Representation, 1877–2000
Ajuan Maria Mance
University of Tennessee Press, 2008
Inventing Black Women fills important gaps in our understanding of how African American women poets have resisted those conventional notions of gender and race that limit the visibility of Black female subjects. The first historical and thematic survey of African American women's poetry, this book examines the key developments that have shaped the growing body of poems by and about Black women over the nearly 125 years since the end of slavery and Reconstruction, as it offers incisive readings of individual works by important poets such as Alice B. Neal, Maggie Pogue Johnson, Alice Dunbar Nelson, Sonia Sanchez, Lucille Clifton, Audre Lorde, and many others.

Ajuan Maria Mance establishes that the history of African American women's poetry revolves around the struggle of the Black female poet against two marginalizing forces: the widespread association of womanhood with the figure of the middle-class, white female; and the similar association of Blackness with the figure of the African American male. In so doing, she looks closely at the major trends in Black women's poetry during each of four critical moments in African American literary history: the post- Reconstruction era from 1877 to 1910; the Harlem Renaissance of the 1920s; the Black Arts Movement from 1965 to 1975; and the late twentieth century from 1975 to 2000.

[more]

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Carson-Newman University
From Appalachian Dream to Thriving Educational Community
Melody Marion
University of Tennessee Press, 2023
The history of Carson-Newman University, the development of rural Appalachia in the nineteenth century, and the rise of the Baptist faith in the South are all inextricably linked. The 120-acre university known today for its high-value liberal arts education and Christian-focused student life, originally founded as Mossy Creek Missionary Baptist Seminary in 1851, is situated in Jefferson County, Tennessee, amidst the foothills of the Great Smoky Mountains. Baptist leaders sought to develop the rechristened Mossy Creek Baptist College to cater to the growing population of East Tennessee. In 1880, the college was renamed again for James Harvey Carson who left his estate to the institution that would become Carson College. Newman College, a separate facility for women’s education operating alongside the all-male Carson, would merge with the latter in 1889 creating, under a new moniker, one of the first coeducational institutions in the South: Carson-Newman.

In this expertly told history, Melody Marion and Amanda Ford trace the school’s humble beginnings through two dozen presidents; the turmoil of the American Civil War, Reconstruction, and two world wars; and the contemporary scandals that have plagued the Southern Baptist Convention. Carson-Newman’s history is filled with important players, both courageous and corrupt. Many such players fought tirelessly to grow the campus and maintain a level of excellence at Carson-Newman, but the university’s history is dotted with conflict concerning women’s rights, civil rights, presidents whose questionable actions created firestorms of protest and led to their exits, and modern questions related to its Baptist affiliation.

Additionally, Carson-Newman University owes much to its Appalachian heritage, and in an excellent final chapter the authors unpack Carson-Newman’s regional identity past and present. Education in Appalachia historically has fallen behind national standards, but from its start as a seminary through its gender-segregated college days to the integrated orange-and-blue Eagles we know today, the university, with its presidents and academic body has been an agent of demonstrable gain for its students and the region. Today, as new chapters in Carson-Newman’s history are being opened, this text will serve as a record of tradition, world-class education, and lifelong learning within a Christian setting.
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Reading Faulkner
Introductions to the First Thirteen Novels
Richard Marius
University of Tennessee Press, 2007
Reading Faulkner: Introductions to the First Thirteen Novels is a collection of lectures by Harvard University professor and nationally known novelist and biographer Richard Marius. Marius had been charged with the task of teaching an introductory course on Faulkner to undergraduates in 1996 and 1997. Combining his love of Faulkner's writing with his own experiences as an author and teacher, Marius produced a series of delightful lectures-which stand on their own as sparkling, well-rounded essays-that help beginning students in understanding the sometimes difficult work of this celebrated literary master.
    An expository treatment of Faulkner's major works, Reading Faulkner comprises essays that are arranged in roughly chronological order, corresponding to Faulkner's development as a writer. In a way sure to captivate the imagination of a new reader of Faulkner, Marius explicates themes in Faulkner's work, and he sheds light on the larger social history that marked Faulkner's literary production.
    In addition, Marius is a southerner who grew up a couple of generations after Faulkner and, like Faulkner, turned his own world into the setting for his fiction. This unique perspective, combined with Marius's thorough readings of the novels, grounded in basic Faulkner criticism, provides an engaging and accessible self-guided tour through Faulkner's career.
    Reading Faulkner is perfect for students from high school through the undergraduate level and will be enjoyed by general readers as well.


Richard Marius (1933-1999) taught at the University of Tennessee before heading Harvard's expository writing program from 1978 to 1998. He was the author of Thomas More, Martin Luther: The Christian between God and Death, and four novels about his native East Tennessee.

Nancy Grisham Anderson is an associate professor of English at Auburn University, Montgomery. She is the author of The Writer's Audience: A Reader for Composition and the editor of They Call Me Kay: A Courtship in Letters, and Wrestling with God: The Meditations of Richard Marius. She was a longtime friend of Richard Marius.
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Making Music in Music City
Conversations with Nashville Music Industry Professionals
John Markert
University of Tennessee Press, 2021

At least since the rise of the “Nashville sound” in the 1950s, Tennessee’s capital city has attracted numerous books and articles offering insight into the celebrity machine known as Music City. But behind the artist in the limelight are a host of support personnel and contributors who shape the artist’s music. Of these myriad occupations within the music industry, only two have received significant attention: executives at the major labels and elite songwriters who have forged a path to the top of the charts. In Making Music in Music City, sociologist John Markert compiles and assesses more than one hundred interviews with industry professionals whose roles have been less often examined: producers, publishers, songwriters, management, studio musicians, and more.

The book naturally pivots around the country music industry but also discusses Nashville’s role in other forms of modern music, such as rock, Christian, and rap. Markert’s in-depth interviews with key music professionals provide a fresh perspective on the roles of critical players in Nashville’s music industry. This book sheds light not only on the complexities of the industry and the occupational changes taking place but on the critical role of those who work behind the scenes to shape the music that ultimately reaches the public.

Through firsthand accounts, Making Music in Music City analyzes just what it takes to create, produce, and disseminate the Nashville sound.

[more]

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Portrait of a Racist
Byron De La Beckwith and the Assassination of Medgar Evers
Reed Massengill
University of Tennessee Press, 2023
Originally published in 1994, Portrait of a Racist is an astonishing biography of Byron De La Beckwith (1920–2001), who murdered Black civil rights leader Medgar Evers in June 1963. Written by Beckwith’s nephew by marriage, the book is based on dozens of exclusive personal interviews with Beckwith and people who knew him—as well as letters Beckwith wrote directly to the author. These unique sources provide as definitive a glimpse into the chilling psychological landscape of a man devoted to murderous intolerance as we will likely ever have. Although the slaying of Evers helped to galvanize the civil rights movement in the South, the killer evaded justice for three decades after the crime. Twice tried for murder in the 1960s—both times by all- male, all-White juries—Beckwith was finally convicted in a third trial in 1994.

Accompanied by new illustrations that have never been printed before, this new edition includes an afterword that recounts the author’s participation as a witness and his introduction of new evidence in the third trial. It also chronicles Beckwith’s last years of declining health behind bars, examines the rich scholarship on Evers and civil rights that has arisen since this book’s original appearance, and reflects on the catastrophic persistence of Beckwith’s ideology— Christian nationalism and white supremacy—in our own times.
 
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Well-Nigh Reconstructed
A Political Novel
Brinsley Matthews
University of Tennessee Press, 2010

In 1882, William Simpson Pearson, writing under the pseudonym Brinsley Matthews, published Well-Nigh Reconstructed, a thinly disguised
autobiographical novel excoriating the enormous societal changes that had beset the former Confederacy during Reconstruction. Pearson’s work was especially notable in that the author was a onetime Radical Republican and supporter of Ulysses S. Grant’s bid for the presidency. A product of Pearson’s perception that northern Reconstruction policies had devastated his native North Carolina, the book set in motion a genre of politically motivated novels that would culminate near the turn of the twentieth century with Thomas Nelson Page’s Red Rock and later Thomas Dixon Jr.’s infamous The Clansman.

Though set in Virginia and Alabama, it is clear that Well-Nigh Reconstructed drew heavily on Pearson’s own experiences and that it was conceived as a direct response to A Fool’s Errand, a pro-Reconstruction novel by fellow North Carolinian Albion Tourgée. Echoing Pearson’s own disillusionment with the Radical Republicans, the novel’s protagonist, Archie Moran, comes to see Radical Reconstruction as an attempt to turn the South into a carbon copy of the North, and through a series of encounters involving corrupt carpetbaggers, greedy politicians, and the Klan trials of the late 1870s, Moran grows weary of politics altogether and resigns his Republican Party affiliation. For Pearson and
his doppelganger, Moran, Reconstruction became a vast breeding ground for corruption.


Featuring an extensive introduction by historian Paul D. Yandle, who sets the political and regional scene of Reconstruction North Carolina, this
reissue of Well-Nigh Reconstructed will shed new light on the ways in which sectionalism, regionalism, and the embrace of white supremacy tended to undermine the recently reconstituted Union among Appalachian residents.

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More American than Southern
Kentucky, Slavery, and the War for an American Ideology, 1828-1861
Gary Matthews
University of Tennessee Press, 2014
When Fort Sumter fell to Confederate troops in April 1861, most states quickly declared their allegiances to the North or South. Kentucky, however, assumed an antiwar posture that outlasted Fort Sumter by five months, begrudgingly joining the Union cause only when Confederate troops marched into the state and seized the town of Columbus. With its hesitancy to make an immediate commitment and faced with the conflicting sentiments of its people, Kentucky stood as a microcosm of the nation’s dilemma. In the first comprehensive examination of Kentucky’s secession crisis in nearly ninety years, Gary R. Matthews examines the antebellum social, economic, and political issues that distinguished Kentucky from the rest of the slave and border states, identifying it instead with a national perspective and its own peculiar form of Unionism.
            On the eve of the Civil War, Kentucky’s affinity for the South was based on historical and cultural similarities, including the presence of slavery and a powerful “master class.” However, the planter class that dominated early Kentucky was supplanted in the 1830s by an urban middle class that challenged both the need for slavery and the authority of the master class. Matthews analyzes the dichotomy of these two groups, examines emancipation efforts in Kentucky, and explores the intricacies of Whig politics to show how Kentucky differed from the “southern” model in significant ways. He also explains how geographical components, most importantly the southern Appalachian Mountains and the Ohio-Mississippi River system, helped define Kentucky’s singular role in antebellum America.
            As Matthews shows, Kentuckians desired both Union and slavery, and saw secession as a threat to both. The state’s unique political and economic identities had been established long before the sectional crisis, and its self-interests could be best served in a national as opposed to a sectional environment. By choosing neutrality and then Unionism, the Kentucky of 1861 proved it was more American than southern.
 
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Smokey
The True Stories behind the University of Tennessee’s Beloved Mascot
Thomas J. Mattingly
University of Tennessee Press, 2012
The band blares “Rocky Top” and the crowd roars as the University of Tennessee football team storms out of the tunnel and onto the field through the giant “T,” their beloved mascot Smokey leading the way. The iconic Bluetick Coonhound has been part of the pageantry and tradition at the University of Tennessee since 1953, delighting fans both young and old.
    For this entertaining and enlightening book, UT sports historian Thomas J. Mattingly has teamed up with longtime Smokey owner Earl C. Hudson to tell the stories of the nine hounds that have been top dog on campus for more than half a century. It was the Rev. Bill Brooks, Hudson’s brother-in-law, whose prize-winning dog “Brooks’ Blue Smokey,” became the first mascot by winning a student body-led contest at a home football game in 1953. The Coonhound breed was selected because it was native to the state, and several (no one remembers exactly how many) were brought onto the field at halftime to compete. But Smokey stole the show when he threw back his head and howled. The crowd cheered, and Smokey howled again. The raucous applause and barking built to a frenzy. The enthusiastic hound won the hearts of the Volunteer faithful that day, and he and the dogs that followed have remained among the University of Tennessee’s most popular symbols ever since.
    The authors have interviewed Smokey’s former handlers, university archivists, sports journalists, and local historians as well as legions of longtime fans. Their recollections provide not only the background of the mascot but a history of UT athletics as well. Vol fans will enjoy reading about Smokey’s adventures throughout the years, from his kidnapping in 1955 by mischievous Kentucky students to his confrontation with the Baylor Bear at the 1957 Sugar Bowl to the time he suffered heat exhaustion at the 1991 UCLA game and was listed on the Vols’ injury report until his return later in the season.
    Filled with photographs and memorabilia, including vintage game programs, football schedules, letters, cartoons, and more, this book brings to life the magic of UT football and the endearing canines that have become such an indispensable part of the experience.

THOMAS J. MATTINGLY is the author of Tennessee Football: The Peyton Manning Years, The University of Tennessee Football Vault: The Story of the Tennessee Volunteers, 1891-2006, The University of Tennessee All-Access Football Vault and The University of Tennessee Trivia Book. He writes about Vol history on his Knoxville News Sentinel blog, “The Vol Historian.”

EARL C. HUDSON’s family have cared for the Smokeys since 1994.

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Thomas Wolfe
When Do the Atrocities Begin?
Joanne Marshall Mauldin
University of Tennessee Press, 2007
In 1937, after years of living alone in New York City, a manic-depressive Thomas Wolfe returned to his family and his native Asheville, North Carolina, a city he had both ridiculed and brought notoriety to through his novel, Look Homeward, Angel, eight years earlier. Concerned about lingering resentment from the community over the literary work and his tenuous relationship with his family members, Wolfe returned to his hometown with caution, but also with the need to both rejuvenate and compile material for his next novel. It is this visit that sparks Wolfe's trademark conclusion, “You can't go home again.” During 1937 and 1938, Thomas Wolfe experienced extreme highs and lows as he labored furiously to produce his next work. Joanne Marshall Mauldin provides an in-depth look at those final two years in the life of the brilliant, yet troubled writer in Thomas Wolfe: When Do the Atrocities Begin?

By adding new information and insight, Mauldin challenges much of the existing biographical material on the writer and offers a fresh view on the final years of his life. Through the utilization of primary and secondary sources including letters, interviews, recordings, and newspaper clippings, Mauldin offers a candid account of the life of Thomas Wolfe from the time of his visit to North Carolina in 1937 until his untimely death in 1938. Mauldin chronicles details of Wolfe's shocking change in publishers and his complex relationships with his editors, family, friends, and his mistress. This examination goes beyond Wolfe's life and extends into the period after his death, revealing details about the reaction of family and friends to the passing of this literary legend, as well as the cavalier publishing practices of his posthumous editors.

Mauldin's narrative is unique from other biographical accounts of Thomas Wolfe in that it focuses solely on the final years in the life of the author. Her unbiased approach enables the reader to draw his or her own conclusions about Wolfe and his actions and state of mind during these last two years of his life.
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Richard Halliburton and the Voyage of the Sea Dragon
Gerald Max
University of Tennessee Press, 2020

Richard Halliburton (1900–1939), considered the world’s first celebrity travel writer, swam the length of the Panama Canal, recreated Ulysses’ voyages in the Mediterranean, crossed the Alps on an elephant, flew around the world in a biplane, and descended into the Mayan Well of Death, all the while chronicling his own adventures. Several books treat his life and travels, yet no book has addressed in detail Halliburton’s most ambitious expedition: an attempt to sail across the Pacific Ocean in a Chinese junk.

Set against the backdrop of a China devastated by invading Japanese armies and the storm clouds of world war gathering in Europe, Halliburton and a crew of fourteen set out to build and sail the Sea Dragon—a junk or ancient sailing ship—from Hong Kong to San Francisco for the Golden Gate International Exposition. After battling through crew conflicts and frequent delays, the Sea Dragon set sail on March 4, 1939. Three weeks after embarking, the ship encountered a typhoon and disappeared without a trace.

Richly enhanced with historic photographs, Richard Halliburton and the Voyage of the Sea Dragon follows the dramatic arc of this ill-fated expedition in fine detail. Gerry Max artfully unpacks the tensions between Halliburton and his captain, John Wenlock Welch (owing much to Welch’s homophobia and Halliburton’s unconcealed homosexuality). And while Max naturally explores the trials and tribulations of preparing, constructing, and finally launching the Sea Dragon, he also punctuates the story with the invasion of China by the Japanese, as Halliburton and his letters home reveal an excellent wartime reporter. Max mines these documents, many of which have only recently come to light, as well as additional letters from Halliburton and his crew to family and friends, photographs, films, and tape recordings, to paint an intricate portrait of Halliburton’s final expedition from inception to tragic end.

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The Collected Works of Jupiter Hammon
Cedrick May
University of Tennessee Press, 2017

Cedrick May’s The Collected Works of Jupiter Hammon offers a complete look at the literary achievements of one of the founders of African American literature. Born into slavery on the Lloyd plantation in 1711, Jupiter Hammon became the first African American writer to be published in the present-day United States at the age of forty-nine. It has been decades since a collection of Hammon’s work has appeared, and May’s intensive research has yielded two additional poems, adding new layers to his works and life that, until now, have gone unexplored.

The most comprehensive volume on Hammon’s works to date, The Collected Works of Jupiter Hammon carefully reconstructs the historical, political, social, and religious contexts that shaped his essays and poems throughout the late eighteenth century. This attentive reconstruction, which takes full account of Hammon’s prose works as well as his more well-known poetry, gives readers a radical re-reading of Hammon as a much more complex and intellectually curious commentator on his historical and political period, while providing ample evidence of his literary importance and artistic integrity. Cedrick May’s fresh presentation and insightful reevaluation of Hammon’s life and writings will change the way Hammon is studied and appreciated among literary scholars and readers alike. This edition will become the definitive one for many years to come.

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The Collected Works of Jupiter Hammon
Cedrick May
University of Tennessee Press

Cedrick May’s The Collected Works of Jupiter Hammon offers a complete look at the literary achievements of one of the founders of African American literature. Born into slavery on the Lloyd plantation in 1711, Jupiter Hammon became the first African American writer to be published in the present-day United States at the age of forty-nine. It has been decades since a collection of Hammon’s work has appeared, and May’s intensive research has yielded two additional poems, adding new layers to his works and life that, until now, have gone unexplored.

The most comprehensive volume on Hammon’s works to date, The Collected Works of Jupiter Hammon carefully reconstructs the historical, political, social, and religious contexts that shaped his essays and poems throughout the late eighteenth century. This attentive reconstruction, which takes full account of Hammon’s prose works as well as his more well-known poetry, gives readers a radical re-reading of Hammon as a much more complex and intellectually curious commentator on his historical and political period, while providing ample evidence of his literary importance and artistic integrity. Cedrick May’s fresh presentation and insightful reevaluation of Hammon’s life and writings will change the way Hammon is studied and appreciated among literary scholars and readers alike. This edition will become the definitive one for many years to come.

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Religion In Film
John R. May
University of Tennessee Press, 1982
This multiauthor book concentrates on themes and images of religion in film. It features analysis of some of the most important directors in the twentieth century, includiing Coppola, Chaplin, Hitchcock, and Truffaut, among others.
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Earthen Walls, Iron Men
Fort DeRussy, Louisiana, and the Defense of Red River
Steven M. Mayeux
University of Tennessee Press, 2007
“This book will be of great use to historians of the western theatre of the Civil War, to the reader of nineteenth-century history, and to students of the undergraduate and graduate levels. -Gary D. Joiner, author of Through the Howling Wilderness: The 1864 Red River Campaign and Union Failure in the West

Earthen Walls, Iron Men tells the story of Fort DeRussy, Louisiana, a major Confederate fortification that defended the lower Red River in 1863-64 during the last stages of the Civil War. Long regarded as little more than a footnote by historians, the fort in fact played a critical role in the defense of the Red River region. The Red River Campaign was one of the Confederacy's last great triumphs of the war, and only the end of the conflict saved the reputations of Union leaders who had recently been so successful at Vicksburg. Fort DeRussy was the linchpin of the Confederates' tactical and strategic victory.

Steven M. Mayeux does more than just tell the story of the fort from the military perspective; it goes deeper to closely examine the lives of the people that served in-and lived around-Fort DeRussy. Through a thorough examination of local documents, Mayeux has uncovered the fascinating stories that reveal for the first time what wartime life was like for those living in central Louisiana.

In this book, the reader will meet soldiers and slaves, plantation owners and Jayhawkers, elderly women and newborn babies, all of whom played important roles in making the history of Fort DeRussy. Mayeux presents an unvarnished portrait of the life at the fort, devoid of any romanticized notions, but more accurately capturing the utter humanity of those who built it, defended it, attacked it, and lived around it.

Earthen Walls, Iron Men intertwines the stories of naval battles and military actions with those human elements such as greed, theft, murder, and courage to create a vibrant, relevant history that will appeal to all who seek to know what real life was like during the Civil War.

Steve Mayeux is a graduate of LSU and a former Marine officer. His work as an agricultural consultant in the central Louisiana area for the past thirty years has given him a great appreciation for the history and geography of the lower Red River.
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Pogiebait's War
A Son's Quest for His Father's Wartime Life
Jack H. McCall
University of Tennessee Press, 2022
Jack H. McCall Sr. was a born storyteller, an inveterate practical joker, and a proud Tennessean whose flaws included a considerable taste for candy, or “pogiebait” in Marine parlance. Like so many other able-bodied young people in on the eve of World War II, he decided to enlist in the wake of the Japanese attack on Pearl Harbor. Much more than a family memoir or nostalgic wartime reminiscence, this painstakingly researched biography presents a rich, engaging study of the U.S. Marine Corps, particularly McCall’s understudied unit, the Ninth Defense Battalion—the “Fighting Ninth.” The author provides a window into the day-to-day service of a Marine during World War II, with important coverage of fighting in the Pacific Theater. McCall also depicts life in wartime Franklin, Tennessee, and offers a poignant and personal tribute to his father.

McCall dramatizes some of the classic themes of the war memoir genre (war is hell, but memories fade!), but he sets riveting descriptions of decisive action against rarely seen views of mundane work and daily life, supported with maps, photographs, and fresh interpretations. Another distinction of this work is its attention to the action on Guam, a very unpleasant late-war “mopping up” that has received relatively little scholarly attention. In his portrait of the bitter island-hopping war in the Pacific, the author shows how both U.S. and Japanese soldiers were often eager innocents drawn to the cauldron of conflict and indoctrinated and trained by their respective governments. Reflecting on the action late in life, Jack (as well as several other Ninth veterans) came to a begrudging respect for the enemy.
 

 
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To Retain Command of the Mississippi
The Civil War Naval Campaign for Memphis
Edward B. McCaul Jr.
University of Tennessee Press, 2014
The Mississippi River was a strategic priority for the Union army from the outset of the American Civil War. By controlling the Mississippi, the North’s military forces could effectively split the Confederacy in two and create economic and logistical havoc for Confederate supply lines that relied on river transportation. A number of battles were fought for control of the Mississippi, and ultimately the combination of Union troops supported by Federal gunboats and armored paddle steamers culminated in the surrender of Port Hudson in July 1863 and Union dominance over the Mississippi waterways.
            The Battle of Memphis was one such fray waged for control of the Mississippi. It was a major victory for the Union, one that was over almost before it began because of luck and lessons the Union fleet learned at a hard-fought battle with the Confederate River Defense Fleet at Plum Point. Perhaps owing to its swift conclusion, the Battle of Memphis has not received the scholarly attention of other battles, such as Vicksburg and Forts Henry and Donelson. In To Retain Command of the Mississippi, Edward B. McCaul Jr. argues that the Battle of Memphis was pivotal in the Union’s efforts to control the Mississippi River. The Union command, by narrowly escaping defeat at Plum Point, learned invaluable lessons about the Confederate River Defense Fleet and masterfully enacted those lessons in decisively defeating the Confederate fleet at Memphis. With the Confederacy’s river forces severely crippled after the Battle of Memphis, the Union fleets pushed onward to eventual victory at Vicksburg.
            McCaul brings this pivotal river battle back into the American Civil War discussion by highlighting the Union gains and Confederate losses that led up to the Battle of Memphis and maintaining that had the battle gone differently, Grant’s plans for taking Vicksburg would have been drastically altered
 
Edward B. McCaul Jr. is Assistant Dean for Curriculum and Assessment in the College of Engineering at The Ohio State University. He is the author of The Mechanical Fuze and the Advance of Artillery in the Civil War, and his articles have appeared in Military History, Vietnam, and Aviation History.
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Mountain Holiness
A Photographic Narrative
Deborah Vansau Mccauley
University of Tennessee Press, 2003
“A remarkable achievement. Mountain Holiness combines Warren Brunner’s poignant and sensitive photographs with a succinct narrative by Deborah McCauley, the preeminent authority on Appalachian mountain religion. This is a landmark study that sheds light on one of the most neglected subjects in American religion.”—Randall Balmer, Ann Whitney Olin Professor of American Religion, Barnard College, Columbia University

Hidden deep in the hills of central Appalachia, tiny churches have quietly carried on their worship practices in an unbroken chain for two centuries. Harking back to the camp-meeting movement of the early nineteenth century, independent Holiness churches are considered by some to represent Appalachia's single largest religious tradition. Yet it is one that remains uncounted in any census of American church life because of the lack of formal institutions or written records. Through vivid images and perceptive words, this book documents this rich history, showing how these independent churches have sustained both faith and followers.
The authors spent five years interviewing and photographing Appalachia's Holiness people and participating in their services. From thousands of photographs, they have selected nearly three hundred fifty images for this large-format volume. Here are small one-room churches—many built to hold no more than a dozen people—scattered in the hills of Tennessee, Kentucky, Virginia, and West Virginia. Yet Warren Brunner's striking images depict not only buildings but also the people and their faith practices: river baptisms and homecomings, serpent handling and tent evangelism, radio preaching and special holiday services.

Deborah McCauley and Laura Porter's text combines descriptions of the pictures with the history of the churches and interviews with members. They create a representative window into the material and oral culture of central Appalachia's independent Holiness heritage. Mountain Holiness is a book that will fascinate anyone who cares about these traditions, as well as anyone concerned with the preservation of America's most vital folkways.

About the Authors: Deborah Vansau McCauley is a leading authority on
religion in Appalachia and is the author of Appalachian Mountain Religion: A History.
Laura E. Porter became familiar with Appalachian religion while pursuing a Master of Divinity degree at Union Theological Seminary; she is presently a computer consultant for religious and relief organizations.

Warren E. Brunner is a renowned photographer of Appalachia who has lived and worked in Berea, Kentucky, for nearly half a century. He has published three collections of photographs of the region. Patricia Parker Brunner, his wife, is an ordained Southern Baptist deacon who holds an M.A. in biblical studies.
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Dishes and Beverages of the Old South
Martha Mcculloch-Williams
University of Tennessee Press, 2017

Until its reissue in 1988 with the help of renowned southern culture scholar John Egerton, Dishes and Beverages of the Old South lingered as a rare text on southern foodways. Now, in its third edition, and with a new foreword by Sheri Castle, this pathfinding cookbook—one of the first to be written in a narrative style—is available to a new generation of southern foodies and amateur chefs. McCulloch-Williams not only provides recipes for the modern cook, but she expounds upon the importance of quality ingredients, muses on memories brought back by a good meal, and deftly recognizes that comfort goes hand in hand with southern eats. Castle navigates the third edition of Dishes and Beverages of the Old South with a clear vision of McCulloch-Williams and her southern opus, and readers and cooks alike will be invigorated by the republication of this classic work.

SHERI CASTLE is a food writer and author of three cookbooks on southern food, including The Southern Living Community Cookbook, which was a finalist for the IACP Cookbook Award.

[more]

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TVA and the Dispossessed
The Resettlement Of Population In The Norris Dam Area
Michael J. Mcdonald
University of Tennessee Press, 1982
This a comprehensive look at the communities that were relocated by TVA in the wake of electrification and flood control after the Depression.
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Knoxville, Tennessee
Continuity Change Appalachian City
Michael J. Mcdonald
University of Tennessee Press, 1983

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Chattanooga
A Death Grip on the Confederacy
James Lee Mcdonough
University of Tennessee Press, 1984
In the wake of the bloodshed at Chickamauga, the struggle for Chattanooga became a decisive engagement of the Civil War. McDonough reconstructs the siege and battles as they appeared to both Rebels and Yankees, giving the reader a front-row seat at one of the major dramas in American history.
[more]

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Nashville
The Western Confederacy's Final Gamble
James Lee Mcdonough
University of Tennessee Press, 2004
After Major General William Tecumseh Sherman’s forces ravaged Atlanta in 1864, Ulysses S. Grant urged him to complete the primary mission Grant had given him: to destroy the Confederate Army in Georgia. Attempting to draw the Union army north, General John Bell Hood’s Confederate forces focused their attacks on Sherman’s supply line, the railroad from Chattanooga, and then moved across north Alabama and into Tennessee. As Sherman initially followed Hood’s men to protect the railroad, Hood hoped to lure the Union forces out of the lower South and, perhaps more important, to recapture the long-occupied city of Nashville.

Though Hood managed to cut communication between Sherman and George H. Thomas’s Union forces by placing his troops across the railroads south of the city, Hood’s men were spread over a wide area and much of the Confederate cavalry was in Murfreesboro. Hood’s army was ultimately routed. Union forces pursued the Confederate troops for ten days until they recrossed the Tennessee River. The decimated Army of Tennessee (now numbering only about 15,000) retreated into northern Alabama and eventually Mississippi. Hood requested to be relieved of his command. Less than four months later, the war was over.

Written in a lively and engaging style, Nashville presents new interpretations of the critical issues of the battle. James Lee McDonough sheds light on how the Union army stole past the Confederate forces at Spring Hill and their subsequent clash, which left six Confederate generals dead. He offers insightful analysis of John Bell Hood’s overconfidence in his position and of the leadership and decision-making skills of principal players such as Sherman, George Henry Thomas, John M. Schofield, Hood, and others.

Within the pages of Nashville, McDonough’s subjects, both common soldiers and officers, present their unforgettable stories in their own words. Unlike most earlier studies of the battle of Nashville, McDonough’s account examines the contributions of black Union regiments and gives a detailed account of the battle itself as well as its place in the overall military campaign. Filled with new information from important primary sources and fresh insights, Nashville will become the definitive treatment of a crucial battleground of the Civil War.

James Lee McDonough is retired professor of history from Auburn University. He is the author of numerous books on the Civil War, including Shiloh—In Hell Before Night, Chattanooga—Death Grip on the Confederacy, and War in Kentucky: From Shiloh to Perryville.
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Shiloh—In Hell Before Night
James Lee Mcdonough
University of Tennessee Press, 1977

Colorful, dramatic, blundering, and tragic – these are some of the adjectives that have been applied to the two-day engagement at Shiloh. This battle, which bears the biblical name meaning “place of peace,” was one of the bloodiest encounters of the Civil War. The Union colonel, whose words give the present book its title, foretold the losses when he told his men: “Fill your canteens Boys! Some of you will be in hell before night….”

Fought in the early spring of 1862 on the west bank of the Mississippi state line, Shiloh was, up to that time, the biggest battle of American history. One hundred thousand men were involved, and major Civil War commanders such as Grant, Sherman, Johnston, Beauregard, Bragg, and Forrest participated. The battle took the life of Johnston and it left a lasting impact on the reputation of other commanders. More-over, it played a significant role in the campaign for control of the Mississippi Valley.

Although hundreds of books have been written about the Civil War and its battle, questions about the disorganized struggle at Shiloh have continued to perplex historians. Why was Grant absent when his army was attacked? Why did Grant and Sherman apparently ignore evidence of a Confederate advance? What happened to Lew Wallace that he never got his division into the fight on the first day of battle? Why did it take the Rebels so long to make their way from Corinth to the battlefield? Did the Rebels really have a distinct opportunity to win the battle, as it seems in retrospect, or were they doomed from the start? Were Johnston and Beauregard working at cross-purposes? Shiloh-In Hell Before Night provides answers or clues to answers of clues to answers for these and other questions arising from this controversial engagement.

The author tells his story by placing Shiloh in the larger context of the war and by exploring the very personal side of the conflict through the words of the Union and Confederate participants, officers and common soldiers alike. Touches of humor and even or romance are revealed in the midst of the carnage, but the overriding element is the specter of death. Among those who survived, the soldiers who had been eager to “see the elephant,” as they commonly referred to combat, could never again feel so eager for a fight.

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Stones River Bloody Winter Tennessee
James Lee Mcdonough
University of Tennessee Press, 1980
On December 31, 1862, some 10,000 Confederate soldiers streamed out of the dim light of early morning to stun the Federals who were still breakfasting in their camp. Nine months earlier the Confederates had charged the Yankees in a similarly devastating attack at dawn, starting the Battle of Shiloh. By the time this new battle ended, it would resemble Shiloh in other ways – it would rival that struggle’s shocking casualty toll of 24,000 and it would become a major defeat for the South. By any Civil War standard, Stones River was a monumental, bloody, and dramatic story. Yet, until now, it has had no modern, documented history. Arguing that the battle was one of the significant engagements in the war, noted Civil War historian James Lee McDonough here devotes to Stones River the attention it ahs long deserved.

Stones River, at Murfreesboro, Tennessee, was the first big battle in the union campaign to seize the Nashville-Chattanooga-Atlanta corridor. Driving eastward and southward to sea, the campaign eventually climaxed in Sherman’s capture of Savannah in December 1864. At Stones River the two armies were struggling desperately for control of Middle Tennessee’s railroads and rich farms. Although they fought to a tactical draw, the Confederates retreated.

The battle’s outcome held significant implications. For the Union, the victory helped offset the disasters suffered at Fredericksburg and Chickasaw Bayou. Furthermore, it may have discouraged Britain and France from intervening on behalf of the Confederacy. For the South, the battle had other crucial effects. Since in convinced many that General Braxton Bragg could not successfully command an army, Stones River left the Southern Army torn by dissension in the high command and demoralized in the ranks.
One of the most perplexing Civil War battles, Stones River has remained shrouded in unresolved questions. After driving the Union right wing for almost three miles, why could the Rebels not complete the triumph? Could the Union’s Major General William S. Rosecrans have launched a counterattack on the first day of the battle? Was personal tension between Bragg and Breckenridge a significant factor in the events of the engagement’s last day?

McDonough uses a variety of sources to illuminate these and other questions. Quotations from diaries, letters, and memoirs of the soldiers involved furnish the reader with a rare, soldier’s-eye view of this tremendously violent campaign. Tactics, strategies, and commanding officers are examined to reveal how personal strengths and weaknesses of the opposing generals, Bragg and Rosecrans, shaped the course of the battle. Vividly recreating the events of the calamitous battle, Stones River – Bloody Winter in Tennessee firmly establishes the importance of this previously neglected landmark in Civil War history.

James Lee McDonough is professor of history at Auburn University, and author of Shiloh – In Hell before Night, Chattanooga – A Death Grip on the Confederacy, and co-author of Five Tragic Hours: The Battle of Franklin.
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War In Kentucky
Shiloh Perryville
James Lee Mcdonough
University of Tennessee Press, 1996
War in Kentucky
From Shiloh to Perryville
James Lee McDonough

A compelling new volume from the author of Shiloh—In Hell before Night and Chattanooga—A Death Grip on the Confederacy, this book explores the strategic importance of Kentucky for both sides in the Civil War and recounts the Confederacy's bold attempt to capture the Bluegrass State.  In a narrative rich with quotations from the diaries, letters, and reminiscences of participants, James Lee McDonough brings to vigorous life an episode whose full significance has previously eluded students of the war.
In February of 1862, the fall of Fort Henry and Fort Donelson near the Tennessee-Kentucky border forced a Confederate retreat into northern Alabama. After the Southern forces failed that spring at Shiloh to throw back the Federal advance, the controversial General Braxton Bragg, newly promoted by Jefferson Davis, launched a countermovement that would sweep eastward to Chattanooga and then northwest through Middle Tennessee. Capturing Kentucky became the ultimate goal, which, if achieved, would lend the war a different complexion indeed.
Giving equal attention to the strategies of both sides, McDonough describes the ill-fated Union effort to capture Chattanooga with an advance through Alabama, the Confederate march across Tennessee, and the subsequent two-pronged invasion of Kentucky.  He vividly recounts the fighting at Richmond, Munfordville, and Perryville, where the Confederate dream of controlling Kentucky finally ended.
The first book-length study of this key campaign in the Western Theater, War in Kentucky not only demonstrates the extent of its importance but supports the case that 1862 should be considered the decisive year of the war.
The author: James Lee McDonough, a native of Tennessee, is professor of history at Auburn University. Among his other books are Stones River—Bloody Winter in Tennessee and Five Tragic Hours: The Battle of Franklin, which he co-wrote with Thomas L. Connelly.

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The Wars of Myron King
A B-17 Pilot Faces WW II and U. S.-Soviet Intrigue
James Lee Mcdonough
University of Tennessee Press, 2009
“McDonough brings such passionate perspective to this amazing and heretofore largely unknown story that it’s nearly impossible to put down.”
—James R. Hansen, prizewinning aerospace historian and bestselling author of First Man: The Life of Neil A. Armstrong



When Myron King of the U.S. Army Air Corps arrived in England in 1944, he fully expected to fly dangerous bombing missions over Nazi Germany. What the twenty-three-year-old lieutenant had no way of predicting, however, was that he would spend his last months in Europe entangled in a bizarre affair born of the mounting tensions between the United States and the Soviet Union. Ultimately, King faced three wars: the monumental conflict between the Allies and the Third Reich, the nascent Cold War, and a personal battle with the military brass to clear his name after enduring a grossly unjust court-martial.

This book presents an engrossing account of King’s early life and wartime service as part of the 401st Bombardment Group, U.S. Eighth Air Force. As a child growing up in New York and Tennessee, he was thoroughly captivated by the young field of aviation and dreamed of becoming a pilot. Attending college when Pearl Harbor was attacked, he realized his boyhood ambition by enlisting as an Air Corps cadet. After completing flight training two years later, King and his crew flew a B-17 bomber across the Atlantic to join their fellow airmen at a base near the English village of Deenethorpe—doing their first battle not with German fighters but with a raging storm during the Greenland-to-Iceland leg of the journey.

Once settled in Great Britain, the King Crew flew twenty missions from November 1944 through February 1945. It was on their last flight to Berlin that enemy fire crippled their plane and forced them to land in Poland amid the Russian forces that were advancing on Germany from the east. There events took a decidedly strange turn as King became embroiled in an incident involving a young stowaway and the increasingly complicated relations between the United States and Stalin’s regime. Scapegoated in the episode, King would leave the Air Corps with his honorable record severely soiled—a wrong that would take years to undo.

The Wars of Myron King is more than just a rattling good true-life adventure story. Based on a wide array of published and primary sources, including trial transcripts and interviews with King, the book offers a unique view of the experience of air combat, the intertwining of politics and military justice, and the complex circumstances that inaugurated the Cold War.
James Lee McDonough is professor emeritus of history at Auburn University. He is the author of ten books, including Shiloh—In Hell Before Night, Stones River—Bloody Winter in Tennessee, Chattanooga—A Death Grip on the Confederacy, War in Kentucky: From Shiloh to Perryville, and Nashville: The Western Confederacy’s Final Gamble. This is his second book on a World War II subject.
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The Western Confederacy's Final Gamble
From Atlanta to Franklin to Nashville
James Lee Mcdonough
University of Tennessee Press, 2013
After Major General William Tecumseh Sherman’s forces ravaged Atlanta in 1864, Ulysses S. Grant urged him to complete the primary mission Grant had given him: to destroy the Confederate Army in Georgia. Attempting to draw the Union army north, General John Bell Hood’s Confederate forces focused their attacks on Sherman’s supply line, the railroad from Chattanooga, and then moved across north Alabama and into Tennessee. As Sherman initially followed Hood’s men to protect the railroad, Hood hoped to lure the Union forces out of the lower South and, perhaps more important, to recapture the long-occupied city of Nashville.

Though Hood managed to cut communication between Sherman and George H. Thomas’s Union forces by placing his troops across the railroads south of the city, Hood’s men were spread over a wide area and much of the Confederate cavalry was in Murfreesboro. Hood’s army was ultimately routed. Union forces pursued the Confederate troops for ten days until they recrossed the Tennessee River. The decimated Army of Tennessee (now numbering only about 15,000) retreated into northern Alabama and eventually Mississippi. Hood requested to be relieved of his command. Less than four months later, the war was over.

Written in a lively and engaging style, The Western Confederacy's Final Gamble presents new interpretations of the critical issues of the battle. James Lee McDonough sheds light on how the Union army stole past the Confederate forces at Spring Hill and their subsequent clash, which left six Confederate generals dead. He offers insightful analysis of John Bell Hood’s overconfidence in his position and of the leadership and decision-making skills of principal players such as Sherman, George Henry Thomas, John M. Schofield, Hood, and others.

McDonough’s subjects, both common soldiers and officers, present their unforgettable stories in their own words. Unlike most earlier studies of the battle of Nashville, McDonough’s account examines the contributions of black Union regiments and gives a detailed account of the battle itself as well as its place in the overall military campaign. Filled with new information from important primary sources and fresh insights, Nashville will become the definitive treatment of a crucial battleground of the Civil War.



[more]

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Five Tragic Hours
The Battle of Franklin
James Lee Mcdonough
University of Tennessee Press, 1984
On a November afternoon in 1864, the weary Gen. John Bell Hood surveyed the army waiting to attack the Federals at Franklin, Tennessee. He gave the signal almost at dusk, and the Confederates rushed forward to utter devastation. This book describes the events and causes of the five-hour battle in gripping detail, particularly focusing on the reasons for such slaughter at a time when the outcome of the war had already been decided.

The genesis of the senseless tragedy, according to McDonough and Connelly, lay in the appointment of Hood to command the Army of Tennessee. It was his decision to throw a total force of some 20,000 men into an ill-advised frontal assault against the Union troops. The Confederates made their approach, without substantial artillery support, on a level of some two miles. Why did Hood select such a catastrophic strategy? The authors analyze his reasoning in full. Their vivid and moving narrative, with statements from eyewitnesses to the battle, make compelling reading for all Civil War buffs and historians.
[more]

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Into the Classroom
A Practical Guide for Starting Student Teaching
Rosalyn McKeown
University of Tennessee Press, 2011

Student teaching can be an endeavor fraught with anxiety. Those entering the classroom for the first time face the daunting challenge of translating coursework on the theory of teaching into real-world experience. Common questions for anxious student teachers include: Will I be a good teacher? Will I ever get control of my classroom? How can I do all of this grading and plan for next week at the same time? This helpful guide by teacher educator Rosalyn McKeown offers practical suggestions for student teachers, interns, and teacher candidates just starting out in a secondary school classroom.  This easy-to-read text enables new educators to rapidly advance their teaching skills early in their pre-service experiences.
    After exploring the pitfalls of inexperience and providing helpful guidance on maintaining order in the classroom, McKeown focuses on teaching skills. She advises readers on writing objectives and lesson plans, creating interesting ways to start and end class, introducing variety into the classroom, lecturing, asking meaningful questions, and using visual aids. Among the other topics discussed are setting up a classroom, recognizing differences in learning styles, and developing an individual teaching style. Sidebars scattered throughout the text offer useful advice on everything from how to deal with stage fright and distracting noises from outside, to planning for block scheduling and avoiding the attributes of a boring teacher.
    With McKeown’s own list of expectations for her classes, templates for hall passes and lesson plans, and scores of tips garnered from years of experience, Into the Classroom provides information a first-time teacher needs to enter the secondary classroom with confidence.

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Appalachian Images
Folk Popular Culture
W.K. Mcneil
University of Tennessee Press, 1995

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Race, Rape, and Injustice
Documenting and Challenging Death Penalty Cases in the Civil Rights Era
Michael Meltsner
University of Tennessee Press, 2012
This book tells the dramatic story of twenty-eight law students—one of whom was the author—who went south at the height of the civil rights era and helped change death penalty jurisprudence forever.
    The 1965 project was organized by the NAACP Legal Defense and Educational Fund, which sought to prove statistically whether capital punishment in southern rape cases had been applied discriminatorily over the previous twenty years. If the research showed that a disproportionate number of African Americans convicted of raping white women had received the death penalty regardless of nonracial variables (such as the degree of violence used), then capital punishment in the South could be abolished as a clear violation of the Fourteenth Amendment’s Equal Protection Clause.
    Targeting eleven states, the students cautiously made their way past suspicious court clerks, lawyers, and judges to secure the necessary data from dusty courthouse records. Trying to attract as little attention as possible, they managed—amazingly—to complete their task without suffering serious harm at the hands of white supremacists. Their findings then went to University of Pennsylvania criminologist Marvin Wolfgang, who compiled and analyzed the data for use in court challenges to death penalty convictions. The result was powerful evidence that thousands of jurors had voted on racial grounds in rape cases.
    This book not only tells Barrett Foerster’s and his teammates story but also examines how the findings were used before a U.S. Supreme Court resistant to numbers-based arguments and reluctant to admit that the justice system had executed hundreds of men because of their skin color. Most important, it illuminates the role the project played in the landmark Furman v. Georgia case, which led to a four-year cessation of capital punishment and a more limited set of death laws aimed at constraining racial discrimination.

A Virginia native who studied law at UCLA, BARRETT J. FOERSTER (1942–2010) was a judge in the Superior Court in Imperial County, California.

MICHAEL MELTSNER is the George J. and Kathleen Waters Matthews Distinguished Professor of Law at Northeastern University. During the 1960s, he was first assistant counsel to the NAACP Legal Defense Fund. His books include The Making of a Civil Rights Lawyer and Cruel and Unusual: The Supreme Court and Capital Punishment.


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Elevating The Race
Theophilu G. Steward, Black Theology And Making Of An
Albert G. Miller
University of Tennessee Press, 2003
As a minister in the African Methodist Episcopal Church, an army chaplain, a college professor, and a prolific writer, Theophilus Gould Steward was one of America’s leading black intellectuals during the half-century following Emancipation. He was not only a theologian
deeply committed to challenging his church’s outlook, he also epitomized postbellum efforts to create an African American civil society through religious, educational, and social institutions integral to citizenship.

Steward actively constructed a theological discourse that challenged both black and white religious and secular institutions, yet his tenacious pursuit of high standards often led him into conflict with the very community he served. A. G. Miller takes a new look at this
key figure in African American history to establish Steward’s place among the most influential thinkers and activists of the late nineteenth century. Augmenting what is already known about Steward’s life with a thoughtful combination of intellectual and social history,
Miller presents Steward’s ideas within the context of the social, political, economic, and religious trends of his day.

Miller examines Steward’s accomplishments and writings—including his unpublished manuscripts and his overlooked Victorian novel—to assess  the ideas that he left to posterity and to consider how  they shaped his times. The book devotes individual chapters to the
key themes that dominated Steward’s life: African American education,  reconciling theology with modern science, the intersection of rational  theology and moral virtues, the contradictions of race, the role of  women in African American civil society, and Steward’s views on the  military and imperialism.

With great insight and clarity, Miller discloses in a new and original way the rich life and thought of this extraordinary man. His study is both a groundbreaking analysis of Steward’s legacy and an important contribution to the history of American religious thought.

The Author: A. G. Miller is assistant professor of religion and Nord Faculty Fellow at Oberlin College and an ordained minister in the Pentecostal Church.
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John Bell Hood and the Fight for Civil War Memory
Brian Craig Miller
University of Tennessee Press, 2010

“Previous biographers have poorly understood Hood within the culture of his times, but Miller’s study is a refreshing look at this important theme. Relying on the perspective of memory studies and the experience of amputees, he adds new dimensions to our understanding of Hood and the Civil War.”
—Earl J. Hess, author of In the Trenches at Petersburg: Field Fortifications and Confederate Defeat

“Miller is particularly strong on the cultivation of Hood’s legend as part of the Lost Cause narrative. . . . He has done nice work in areas previously neglected, offering the first new research on Hood to emerge in years.”
—David Coffey, author of John Bell Hood and the Struggle for Atlanta


Some Southern generals, like Lee and Jackson, have stood the test of time, celebrated in their place in history. And then there are generals like John Bell Hood, reviled and ridiculed by generations of Civil War historians as one of the inglorious architects of the Confederate disgrace in the Western Theater. The time has come to rethink this long-held notion, argues Brian Miller, in his comprehensive new biography, John Bell Hood and the Fight for Civil War Memory, and to reassess John Bell Hood as a man, a myth, and a memory.

In this first biography of the general in more than twenty years, Miller offers a new, original perspective, directly challenging those historians who have pointed to Hood’s perceived personality flaws, his alleged abuse of painkillers, and other unsubstantiated claims as proof of his incompetence as a military leader. This book takes into account Hood’s entire life—as a student at West Point, his meteoric rise and fall as a soldier and Civil War commander, and his career as a successful postwar businessman. In many ways, Hood represents a typical southern man, consumed by personal and societal definitions of manhood that were threatened by amputation and preserved and reconstructed by Civil War memory. Miller consults an extensive variety of sources, explaining not only what Hood did but also the environment in which he lived and how it affected him.

What emerges is a more nuanced, balanced portrait, unfettered by the one-sided perceptions of previous historical narratives. It gives Hood the fair treatment he has been denied for far too long. By looking at Hood’s formative years, his wartime experiences, and his postwar struggles to preserve his good name, this book opens up a provocative new perspective on the life of this controversial figure.

Brian Craig Miller is an assistant professor of history at Emporia State University. He is the author of The American Memory: Americans and Their History in 1877.

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High Priests Of American Politics
The Role Of Lawyers In American Political Institutions
Mark C. Miller
University of Tennessee Press, 1995
Using a multidisciplinary approach, Mark C. Miller draws in large part on interviews he conducted with members of the U.S. House of Representatives, the Ohio legislature, and the Massachusetts legislature. From this rich data, he shows how American lawyers are socialized into a common legal ideology, which in turn shapes the behavior of individual lawyer-politicians, legislative committees dominated by lawyers, and the entire legislative institutions of government.
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Hippies American Values
Timothy Miller
University of Tennessee Press, 1991
"The sixties' political agenda may have been ground down to ambiguity at best, but moral and spiritual America will never again be quite what it was before the coming of the hippies, and Miller has shown how and why."—Robert S. Ellwood, University of Southern California
The hippies of the late 1960s were cultural dissenters who, among other things, advocated drastic rethinking of certain traditional American values and standards.  In this lucid, lively survey, Timothy Miller traces the movement's ethical innovations and analyzes the impact of its ideas on subsequent American culture.

Dedicated to such tenets as the primacy of love, trust in intuition and direct experience, the rejection of meaningless work, and a disdain for money and materialism, the hippies advocated dropping out of the dominant culture, and proposed new and more permissive ethics in several areas.  They argued that, while some drugs were indeed harmful, others provided useful insights and experiences and therefore should be freely available and widely used.  They endorsed a liberal ethics of sex, in which no sexual act between or among consenting adults would be banned.  They developed an ethics of rock-and-roll music, arguing that rock was the language of a generation and that it helped promote new ways of thinking and living.  They also revived the venerable American tradition of communal living.
In contrast to most available literature on the 1960s, this book deals with the cultural revolutionaries and not the political radicals of the New Left.  And instead of relying on later interviews with persons who were active in the 1960s, Miller draws mainly on underground newspapers of the day, the most important literary creation of the hippies themselves.  The result is a historical encounter of rare immediacy.

Timothy Miller is assistant professor of religious studies at the University of Kansas.
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Following in His Steps
A Biography of Charles M. Sheldon
Timothy A. Miller
University of Tennessee Press, 1987
In the first comprehensive biography of this religious writer, social crusader, and pastor of the Central Congregational Church in Topeka, Kansas, Timothy Miller focuses on Sheldon's life and ideas as a social reformer as well as the circumstances surrounding publication of In His Steps: What Would Jesus Do?
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The Hippies and American Values
Timothy A. Miller
University of Tennessee Press, 2011

“Turn on, tune in, drop out,” Timothy Leary advised young people in the 1960s. And many did, creating a counterculture built on drugs, rock music, sexual liberation, and communal living. The hippies preached free love, promoted flower power, and cautioned against trusting anyone over thirty. Eschewing money, materialism, and politics, they repudiated the mainstream values of the times. Along the way, these counterculturists created a lasting legacy and inspired long-lasting social changes.
    The Hippies and American Values uses an innovative approach to exploring the tenets of the counterculture movement. Rather than relying on interviews conducted years after the fact, Timothy Miller uses “underground” newspapers published at the time to provide a full and in-depth exploration. This reliance on primary sources brings an immediacy and vibrancy rarely seen in other studies of the period.
    Miller focuses primarily on the cultural revolutionaries rather than on the political radicals of the New Left. It examines the hippies’ ethics of dope, sex, rock, community, and cultural opposition and surveys their effects on current American values. Filled with illustrations from alternative publications, along with posters, cartoons, and photographs, The Hippies and American Values provides a graphic look at America in the 1960s.
    This second edition features a new introduction and a thoroughly updated, well-documented text. Highly readable and engaging, this volume brings deep insight to the counterculture movement and the ways it changed America. The first edition became a widely used course-adoption favorite, and scholars and students of the 1960s will welcome the second edition of this thought-provoking book.

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Robert Penn Warren, Shadowy Autobiography, and Other Makers of American Literature
Joseph R. Millichap
University of Tennessee Press, 2021

Toward the end of his career, Robert Penn Warren wrote, “It may be said that our lives are our own supreme fiction.” Although lauded for his writing in multiple genres, Warren never wrote an autobiography. Instead, he created his own “shadowy autobiography” in his poetry and prose, as well as his fiction and nonfiction. As one of the most thoughtful scholars on Robert Penn Warren and the literature of the South, Joseph Millichap builds on the accepted idea that Warren’s poetry and fiction became more autobiographical in his later years by demonstrating that that same progression is replicated in Warren’s literary criticism. This meticulously researched study reexamines in particular Warren’s later nonfiction in which autobiographical concerns come into play—that is, in those fraught with psychological crisis such as Democracy and Poetry.

Millichap reveals the interrelated literary genres of autobiography, criticism, and poetry as psychological modes encompassing the interplay of Warren’s life and work in his later nonfiction. He also shows how Warren’s critical engagement with major American authors often centered on the ways their creative work intersected with their lives, thus generating both autobiographical criticism and the working out of Warren’s own autobiography under these influences. Millichap’s latest book focuses on Warren’s critical responses to William Faulkner, John Crowe Ransom, Herman Melville, Nathaniel Hawthorne, John Greenleaf Whittier, and Theodore Dreiser. In addition, the author carefully considers the black and female writers Warren assessed more briefly in American Literature: The Makers and the Making.

Robert Penn Warren, Shadowy Autobiography, and Other Makers of American Literature presents the breadth of Millichap’s scholarship, the depth of his insight, and the maturity of his judgment, by giving us to understand that in his writing, Robert Penn Warren came to know his own vocation as a poet and critic—and as an American.

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Monuments to the Lost Cause
Women, Art, And The Landscapes Of Southern Memory
Cynthia Mills
University of Tennessee Press, 2003
This richly illustrated collection of essays, reissued in paperback with a new foreword by Karen L. Cox, examines Confederate memorials from Monument Avenue to Stone Mountain and explores how each monument, with its associated public rituals, testifies to the romanticized narrative of the American Civil War known as the Lost Cause. Several of the fourteen essays highlight the creative leading role played by women’s groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The contributors – who include Karen L. Cox, Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen – trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public – and often emotionally charged – debate about how the South’s past should be remembered.
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Signs, Cures, and Witchery
German Appalachian Folklore
Gerald C. Milnes
University of Tennessee Press, 2007

The persecution of Old World German Protestants and Anabaptists in the seventeenth century-following debilitating wars, the Reformation, and the Inquisition-brought about significant immigration to America. Many of the immigrants, and their progeny, settled in the Appalachian frontier. Here they established a particularly old set of religious beliefs and traditions based on a strong sense of folk spirituality. They practiced astrology, numerology, and other aspects of esoteric thinking and left a legacy that may still be found in Appalachian folklore today.

Based in part on the author's extensive collection of oral histories from the remote highlands of West Virginia, Signs, Cures, and Witchery: German Appalachian Folklore
describes these various occult practices, symbols, and beliefs; how they evolved within New World religious contexts; how they arrived on the Appalachian frontier; and the prospects of those beliefs continuing in the contemporary world.

By concentrating on these inheritances, Gerald C. Milnes draws a larger picture of the German influence on Appalachia. Much has been written about the Anglo-Celtic, Scots-Irish, and English folkways of the Appalachian people, but few studies have addressed their German cultural attributes and sensibilities. Signs, Cures, and Witchery sheds startling light on folk influences from Germany, making it a volume of tremendous value to Appalachian scholars, folklorists, and readers with an interest in Appalachian folklife and German American studies.

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Paintbrush for Hire
The Travels of James and Emma Cameron, 1840–1900
Frederick C. Moffatt
University of Tennessee Press, 2018

Throughout the nineteenth-century, itinerant painters traveled the length and breadth of Europe and American in search of patronage. In the company of the his crupulous wife, Emma S. Cameron (1825–1907), the Scots-born James Cameron (1816–1882) sought to fulfill his ambitious dream of becoming an artist.

Working primarily as a landscapist and portraitist—he was also an inventor, a missionary, an ordained minister, a land agent, farmer, clothing merchant, and Sunday school teacher—Cameron produced a small collection of paintings during the ten-year period the couple resided in East Tennessee and the American South. Driven by the wife’s lively journals, correspondence, and Civil War diary, Moffatt’s narrative details the couple’s marriage, their extended honeymoon in revolutionary Italy and, following a brief excursion in the Adirondacks, their subsequent residencies in Knoxville, Chattanooga, Memphis, Nashville, Augusta, central Mississippi, and New Orleans, between 1856 and 1868. While in Chattanooga, they settled near Col. James A. Whiteside’s fashionable summer resort, Lookout Mountain Hotel, where James reigned as resident artist and Emma, reluctantly, served as the house nurse and social entertainer. In the late 1860s they lived in Maine and, after 1874, in California, where they founded separate Presbyterian churches.

The book emphasizes Cameron’s painting career, the patrons who supported it, and discusses his best-known works, all of which are reproduced here. The study demonstrated how persisted while working under a cultural cloud that often devalued artistic achievement Emma’s journals reveal her to be a perceptive observer of Protestant middle class “life-on-the-run” and yields insight into historic events in the making, including the Italian Risorgimento, the American Civil War, and the settlement of America’s Western frontier. Moffatt’s detailed joint biography provides a valuable contribution to women’s studies, art history, nineteenth-century frontier expansionism, and social history.

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Backpacking Tennessee
Overnight Trail Adventures from the Mississippi River to the Appalachian Mountains
Johnny Molloy
University of Tennessee Press, 2022

“The reason I travel and explore the outdoors is simple,” writes Johnny Molloy, “the world is a beautiful place!” And Molloy would know: he has backpacked more than 2,500 nights in forty states. It is this experience—much of it garnered in his home state of Tennessee—combined with his extensive production of guidebooks spanning activities from hiking and camping to paddling and bicycling, that enabled him to produce Backpacking Tennessee: Overnight Trail Adventures from the Mississippi River to the Appalachian Mountains.

Complete with directions, distances, descriptions, and maps, Backpacking Tennessee is divided into four sections that together outline forty overnight hikes across West Tennessee, Middle Tennessee, the Cumberland Plateau, and East Tennessee and the Appalachian Mountains. The trails Molloy has chosen to highlight are a mix of well-known hikes and lesser-known areas, ranging in distance and difficulty for both novice hikers and experienced backpackers. Woven throughout the trail descriptions are comments on scenery, notes about safety, and historical information that help readers get a true feel for each hike. To round out his comprehensive guide, Molloy also includes ratings, 1–5, on the family- and dog-friendliness of each trail—an especially helpful feature for readers bringing loved ones along.

From the Great Smoky Mountains National Park and Cherokee National Forest to Big South Fork and Land Between the Lakes, Tennessee offers thousands of miles of trails for adventurers looking to explore. For budding outdoor enthusiasts and experienced backpackers alike, Backpacking Tennessee answers the timeless question: where do we go next?

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Day Hiking the Daniel Boone National Forest
Johnny Molloy
University of Tennessee Press, 2019
Kentucky’s Daniel Boone National Forest is one of the crown jewels of the Bluegrass State’s outdoor attractions. Yet until now, there has been no detailed guidebook on this beautiful area. Johnny Molloy, a veteran guidebook writer, has compiled a detailed resource for enjoyable adventures in the Daniel Boone National Forest (DBNF).
 
In this guide, Molloy leads readers through forty hikes within the natural wonders of DBNF, including Natural Bridge and Cumberland Falls. Descriptions of each hike are straightforward and accurate, so readers can focus on enjoying natural features, scenic overlooks, interesting geological formations, and landmarks along the trails. Hikers will see the best of the Cumberland Plateau, from exquisite arches to bluffs that offer extensive vistas to waterfalls that descend into sandstone cathedrals. The paths tread through deep forests in gorges cut by creeks and rivers and atop the Cumberland Plateau, where oak and pine forests range long distances. Rockhouses, caves, and other geological features stand out in these rich woodlands. Hikers may also encounter protected plants and animals along these trails, including the red-cockaded woodpecker, Virginia big-eared bat, freshwater mussels, white-haired goldenrod, and the black bear.
 
Detailed, easy-to-follow directions for each trail will allow hikers to progress on their chosen course without frustrating detours. The hikes range in distance, difficulty, and destination, offering the full breadth of hiking experiences to be had within the DBNF. The shortest hike is under a mile, and the longest is ten, with most somewhere in the middle. Hikers can use the chart at beginning of the book to select the perfect trail for their experience level and desires. Also included are detailed trail maps and photos.
 
For the new hiker as well as the experienced outdoor adventurer, Day Hiking Kentucky’s Daniel Boone National Forest is sure to become an indispensable guide to one of Kentucky’s national treasures.
 
Johnny Molloy has published more than sixty books about hiking and other forms of outdoor adventure, including Trial by Trail: Backpacking in the Smoky Mountains, second edition, and Mount Rogers National Recreation Area Guidebook: A Complete Resource for Outdoor Enthusiasts, third edition.
 
 
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Trial By Trail
Backpacking In Smokey Mountains
Johnny Molloy
University of Tennessee Press, 1996

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Trial By Trail
Backpacking in the Smoky Mountains
Johnny Molloy
University of Tennessee Press, 1996
 
Now updated with a new preface that examines dramatic changes in his favorite hiking and camping area, the Great Smoky Mountains National Park, this classic adventure chronicle, which first appeared in 1996, launched the outdoor writing career of Johnny Molloy. The author of over sixty invaluable hiking, camping, and paddling guides to natural destinations all over the country, Molloy has turned irresistible enthusiasm for the great outdoors, evident in this book, into a profound career, dedicated to honoring and celebrating our greatest wild places—and helping others enjoy them as much as he has.

In fourteen lively personal essays, Johnny Molloy describes the adventures by which he came of age as a backpacker. Born a “flatlander” in Memphis, he first visited the Smokies while attending the University of Tennessee-Knoxville in the 1980s. Initially, he treated the park as a personal playground—a place to cut loose, break rules, and act irresponsibly. After many hiking excursions, however, he gained a more profound appreciation of the mountains, becoming an avid park volunteer intent on the protection and improvement of the area. He grew, as he puts it, both as an outdoor adventurer and as a human being.

Interwoven throughout these pieces is a wealth of Smoky Mountains lore and history along with dozens of tips for novice backpackers. Molloy’s stories encompass backpacking during all four seasons as well as accounts of solo hiking, off-trail hiking, and whitewater canoeing. Whether describing the hazards of crossing a stream in winter or what to do—and not to do—when one encounters a bear or a rattlesnake, Molloy writes with an infectious enthusiasm that will delight any lover of the outdoors.
 


 
 
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Don't Go Up Kettle Creek
Verbal Legacy Upper Cumberland
William Lynwood Montell
University of Tennessee Press, 2000
Don’t Go Up Kettle Creek is a historical portrayal of a river and the people who made their living along its banks and tributaries. Drawing upon the personal recollections and oral traditions of longtime residents, William Lynwood Montell describes a century and a half of life in the Upper Cumberland.
  Montell organized his material according to the topics that dominated his tape-recorded conversations with residents of the area-farming, logging and rafting, steamboating, the Civil War-topics that the people themselves saw as important in their history. In reconstructing the past, the author also illuminates the relationship between geographic and economic factors in the region; the prolonged affects of a cataclysmic event, the Civil War, on the isolated area; and the impact of modernization, in the form of “hard” roads and cheap, TVA-supplied electricity, on the traditional ways of people.
  First published in 1983, this book is now available in paperback for the first time. Included with this edition is a new foreword in which Montell and Mary Robbins, executive director of the Tennessee Upper Cumberland Tourism Association, describe changes in the area that have occured since the book’s initial appearance.

The Author: William Lynwood Montell, now retired, was coordinator of programs in folk and interculturual studies at Western Kentucky University. His numerous books include Ghosts along the Cumberland and The Saga of Coe Ridge.
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Ghosts Along Cumberland
Deathlore Kentucky Foothills
William Lynwood Montell
University of Tennessee Press, 1975

A fascinating collection of ghost stories, tales of the supernatural, death beliefs and death sayings that remain as a vestige of the part in south central Kentucky's "Pennyrile" region.

"This unique and extremely valuable book adds considerably to the area of folklore studies in the United States.  The material which Montell obtained in his field work is superb."
--Don Yoder.

"This book is to be recommended to both folklorists and those non-folklorists who read folklore for enjoyment alone.  It makes an important contribution to the study of deathlore and, it is to be hoped, will draw added attention to this multi-generic subject area."
--David J. Hufford, Tennessee Folklore Society Bulletin.  

"Professor Montell's book can well be viewed as a standard of excellence: a direct, articulate and cataloged approach for future study and implementation in the fields of folklore and oral history."
--Joan Perkal, Oral History Association Newsletter.  

"The book gives fascinating accounts of death beliefs, death omens, folk beliefs associated with the dead, and in the major section, ghosts narratives.  A fine combination of scholarship and chilling narration to be relished by firelight in an old deserted house in the hills."
--Book Forum.  

"Professor Montell has arranged beliefs and experiences about death of a particular group of people in such a way that a whole new aspect of the people's lives comes to focus."
--Loyal Jones, The Filson Club HIstory Quarterly.  


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front cover of Saga Coe Ridge
Saga Coe Ridge
Study Oral History
William Lynwood Montell
University of Tennessee Press, 1970
Few black groups in the United States carry with them the romance, the gripping history, the pathos, the indestructible spirit of the Coe Ridge colony during the ninety years of its existence.

". . . a new and long needed departure in American historiography. . . . This is in every way an impressive book.  It contains detailed accounts of the informants, tables of folklore motifs, genealogical charts, a prologue and epilogue explaining authoritatively the hypotheses of oral traditional history, and handsome photographs of the Coe Ridge area."
--Richard M. Dorson, Journal of American History.  

"Lynwood Montell has written an invaluable book for all those interested in the use of oral tradition as a tool in the reconstruction of history. . . . This is a book worthy of being on any folklorist's shelf."
--Richaed A. Reuss, Journal of American Folklore.

[more]

front cover of The Fiction of Gloria Naylor
The Fiction of Gloria Naylor
Houses and Spaces of Resistance
Maxine Lavon Montgomery
University of Tennessee Press, 2010

The Fiction of Gloria Naylor is one of the very first critical studies of this acclaimed writer. Including an insightful interview with Naylor
and focusing on her first four novels, the book situates various acts of insurgency throughout her work within a larger framework of African American opposition to hegemonic authority. But what truly distinguishes this volume is its engagement with African American vernacular forms and twentieth-century political movements.

In her provocative analysis, Maxine Lavon Montgomery argues that Naylor constantly attempts to reconfigure the home and homespace to be more conducive to black self-actualization, thus providing a stark contrast to a dominant white patriarchy evident in a broader public sphere. Employing a postcolonial and feminist theoretical framework to analyze Naylor’s evolving body of work, Montgomery pays particular attention to black slave historiography, tales of conjure, trickster lore, and oral devices involving masking, word play, and code-switching—the vernacular strategies that have catapulted Naylor to the vanguard of contemporary African American letters.

Montgomery argues for the existence of home as a place that is not exclusively architectural or geographic in nature. She posits that in Naylor’s writings, home exists as an intermediate space embedded in cultural memory and encoded in the vernacular. Home closely resembles a highly symbolic, signifying system bound with vexed issues of racial sovereignty as well as literary authority. Through a reinscription of the subversive, frequently clandestine acts of resistance on the part of the border subject—those outside the dominant
culture—Naylor recasts space in such a way as to undermine reader expectation and destabilize established models of dominance, influence, and control.

Thoroughly researched and sophisticated in its approach, The Fiction of Gloria Naylor will be essential reading for scholars and students of African American, American, and Africana Literary and Cultural studies.

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The Bone Hunters
The Discovery Of Miocene Fossils In Gray, Tennessee
Harry L. Moore
University of Tennessee Press, 2004
In the spring and summer of 2000, geologists working for the Tennessee Department of Transportation made an extraordinary find as they examined soil at a routine road construction project: the digging at Gray, Tennessee, had uncovered a fossil site containing bones that would turn out to be at least five million years old. Harry Moore and his colleagues, along with researchers from the state and the University of Tennessee, were stunned as they unearthed the fossilized remains of tapirs, elephants, rhinoceroses, alligators, and other long-dead animals. What was at first thought to be an Ice Age site ten to twenty thousand years old proved to be much, much older.
The Bone Hunters recounts the fascinating details of a remarkable chance discovery. In his engaging firsthand account, Moore writes of the people behind the excavation of the site and how their efforts helped save valuable artifacts for ongoing study. Numerous photographs capture the excellent condition of fossils at Gray. Moore also describes the contours of what the ancient landscape may have looked like and details the governmental action that ultimately preserved this Tennessee treasure.

Harry Moore manages the Tennessee Department of Transportation’s Geotechnial Engineering office in Knoxville. His previous books are A Roadside Guide to the Geology of the Great Smoky Mountains National Park, A Geologic Trip Across Tennessee by Interstate 40, and Discovering October Roads: Fall Colors and Geology in Rural East Tennessee (co-written with Fred Brown).


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Geologic Trip Across Tennessee
Interstate 40
Harry L. Moore
University of Tennessee Press, 1994
Spanning Tennessee from the Great Smoky Mountains to the Mississippi River, Interstate 40 is more than just a convenient roadway. It afford travelers the opportunity to observe the state's geologic and physiographic features in all their variety. In this accessible and profusely illustrated book, Harry Moore offers a fascinating guided tour of that roadside geology.
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front cover of Roadside Guide Geology Great Smoky
Roadside Guide Geology Great Smoky
Mountains National Park
Harry L. Moore
University of Tennessee Press, 1988
A Roadside Guide to the Geology of the Great Smoky Mountains National Park
Harry L. Moore

"In this informative, readable, altogether useful guide, Harry Moore adds another dimension to our understanding and appreciation of the Great Smoky Mountains.  He acquaints us skillfully with the geologist's terminology and shows us how to read for ourselves the ancient language of the rocks."
—Wilma Dykeman

"Everybody loves the plants, trees, birds, mammals, and even the reptiles, amphibians, and insects of the Great Smokies.  But rocks are not less fascinating, alive in their own way, the foundation of all the rest of life.  So I think it's great to have this guide as a companion on the trail."
—Michael Frome

Guiding the reader on five popular driving tours and five key hiking trails, this nontechnical guidebook indicates not-to-be-missed points of interest and describes the geological evolution associated with them.  Tour maps are complemented by annotated road log commentaries and copious drawings and photographs to aid in identifying geological phenomena even when these are obscured by the mountains' lush vegetation.
A helpful introduction, focusing on the geologic history of the Smokies, illuminates basic terms and concepts, while a glossary, list of suggested readings, and detailed index further enhance the book's utility.  Unique in providing a crisp, comprehensive summary of the Smoky Mountains' geology, A Roadside Guide will serve as a basic planning guide for scenic road trips and hiking trips in the Smokies.

Harry L. Moore holds a master's degree in geology from the University of Tennessee, Knoxville.  Since 1972 he has been a geologist at the Tennessee Department of Transportation.


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Masonic Temples
Freemasonry, Ritual Architecture, and Masculine Archetypes
William D. Moore
University of Tennessee Press, 2006
In Masonic Temples, William D. Moore introduces readers to the structures American Freemasons erected over the sixty-year period from 1870 to 1930, when these temples became a ubiquitous feature of the American landscape. As representations of King Solomon’s temple in ancient Jerusalem erected in almost every American town and city, Masonic temples provided specially designed spaces for the enactment of this influential fraternity’s secret rituals. Using New York State as a case study, Moore not only analyzes the design and construction of Masonic structures and provides their historical context, but he also links the temples to American concepts of masculinity during this period of profound economic and social transformation. By examining edifices previously overlooked by architectural and social historians, Moore decodes the design and social function of Masonic architecture and offers compelling new insights into the construction of American masculinity. Four distinct sets of Masonic ritual spaces—the Masonic lodge room, the armory and drill room of the Knights Templar, the Scottish Rite Cathedral, and the Shriners’ mosque – form the central focus of this volume. Moore argues that these spaces and their accompanying ceremonies communicated four alternative masculine archetypes to American Freemasons—the heroic artisan, the holy warrior, the adept or wise man, and the frivolous jester or fool. Although not a Freemason, Moore draws from his experience as director of the Chancellor Robert R Livingston Masonic Library in New York City, where heutilized sources previously inaccessible to scholars. His work should prove valuable to readers with interests in vernacular architecture, material culture, American studies, architectural and social history, Freemasonry, and voluntary associations.
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Investigating Our Experience in the World
A Primer on Qualitative Inquiry
April Morgan
University of Tennessee Press, 2011

At once accessible and sophisticated, this primer introduces a set of specific principles and procedures designed to promote a deeper understanding of the nuances of human experience and reflection.

The empirical, qualitative approach outlined in this book, which has been refined over the past thirty years at the University of Tennessee, uses disciplined forms of dialogue as the primary means of gathering and assessing information about human experience. Properly known as existential-hermeneutic-phenomenology (or simply phenomenology in everyday usage), this style of scholarly investigation has been applied to illuminate a wide range of research questions in fields such as psychology, child and family studies, marketing, nursing, communications, political science, and more. This book seeks to make this transdisciplinary tradition of research more accessible to a wider audience.

Investigating Our Experience in the World begins with an overview of basic concepts. April L. Morgan provides clear definitions of key terms and succinctly describes how phenomenological research procedures evolved from philosophical explorations of consciousness. Although phenomenological methods are rife with philosophical underpinnings, the author remains focused on describing specific research applications. Each subsequent chapter describes a major stage of a research study. For example, Morgan leads readers through framing the project and undertaking the initial bracketing interview to conducting phenomenological interviews with participants, interpreting texts, thematizing, and developing thematic structure.

Rounding out discussion of the research procedures is a full chapter devoted to writing the research report. The book concludes with a section answering common questions about this style of phenomenological research. Appendices provide a glossary, sample forms, and references for further study.

Aspects of real-world research projects are continually highlighted, illuminating key methodological points. Morgan recognizes the primary investigators and research teams behind such studies for contributing significantly to the development of contemporary phenomenological research methods.

While a member of the political science faculty at the University of Tennessee, Knoxville,
April L. Morgan participated in phenomenology labs housed in the university’s Department of Psychology and in the College of Nursing. Morgan coedited The Art of College Teaching: Twenty-eight Takes, with Marilyn Kallet, and Ethics and Global Politics: The Active Learning Sourcebook, with Lucinda Joy Peach and Colette Mazzucelli.

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The Legacy of American Copper Smelting
Industrial Heritage versus Environmental Policy
Bode J. Morin
University of Tennessee Press, 2013
     Throughout world history, copper has been a significant metal for a vast number of cultures, from the oldest civilizations on record to the Bronze Age and Greek and Roman antiquity. Though replaced by iron as the primary metal for tools and weapons in ancient civilizations, copper found new resurgence in the nineteenth century when it was discovered to have particularly high thermal and electrical conductivity. Copper mining quickly escalated into a large-scale industry, and because of its vast reserves and innovative mining techniques, the United States seized the reins of global production with the opening of significant copper mines in Tennessee and Michigan in the 1840s and Montana in the 1870s.
     Copper-mining prosperity and America’s dominance of the industry came with a heavy environmental price, however. As rich copper deposits declined with increased mining efforts, large deposits of leaner ores—oftentimes less than one percent pure—had to be mined to keep pace with America’s technological thirst for copper. Processing such ore left an inordinate amount of industrial waste, such as tailings and slag deposits from the refining process and toxic materials from the ores themselves, and copper mining regions around the United States began to see firsthand the landscape degradation wrought by the industry.
     In The Legacy of American Copper Smelting, Bode J. Morin examines America’s three premier copper sites: Michigan’s Keweenaw Peninsula, Tennessee’s Copper Basin, and Butte- Anaconda, Montana. Morin focuses on what the copper industry meant to the townspeople working in and around these three major sites while also exploring the smelters’ environmental effects. Each site dealt with pollution management differently, and each site had to balance an EPA-mandated cleanup effort alongside the preservation of a once-proud industry.
     Morin’s work sheds new light on the EPA’s efforts to utilize Superfund dollars and/or protocols to erase the environmental consequences of copper-smelting while locals and preservationists tried to keep memories of the copper industry alive in what were dying or declining post-industrial towns. This book will appeal to anyone interested in the American history of copper or heritage preservation studies, as well as historians of modern America, industrial technology, and the environment.

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Ice ’n’ Go
Score in Sports and Life
Jenny Moshak
University of Tennessee Press, 2013
The 1972 passage of Title IX, the federal law that prohibits sex discrimination in education, was a gamechanger for women and girls in athletics. in the forty years since the law was enacted, participation in sports—especially of girls and women—has grown dramatically. With that growth have come challenges. in Ice-n-Go: A Perspective on Sports and Life, Jenny Moshak, celebrated trainer of the legendary lady Vols basketball team and associate athletic director for sports medicine at the university of tennessee, Knoxville, reflects on the role of sports in society and addresses the high stakes and costs of winning in sports today.
 
Ice-n-Go is a culmination of the breadth of knowledge and unique insight from Moshak’s more than twenty-five years of work in major college sports. in this highly readable new book, she covers social issues, medical concerns, motiva- tional techniques, gender roles and expectations, the impact of sports on our children, and how the body works, heals, and recovers. though she writes on serious subjects in a serious way, Moshak’s tone is always upbeat and positive with surprisingly simple strategies for improving the athletic experience for all, especially kids.
 
An outstanding athlete herself, she shares lessons learned on her own demanding coast-to-coast bicycle ride across the united states. in sharing her stories, sound advice and fresh ideas, Moshak seeks to do for us what she has always done for the players in her care: to help protect, nurture, and grow the athlete who is in each one of us.
 
 
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front cover of Sport & American Mentality 1880-1910
Sport & American Mentality 1880-1910
Donald J. Mrozek
University of Tennessee Press, 1983
Today's interest in sports in America has its roots in the period from 1880–1940. As Mrozek shows, famous and forgotten figures and athletes helped shaped the modern craze.  A national interest in sports could only be sustained after the upper classes ceased opposing organized sports.
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The Grizzlies Migrate to Memphis
From Vancouver Failure to Southern Success
Lukasz Muniowski
University of Tennessee Press, 2023
Following the 1992 Olympics in Barcelona and the success and celebrity of the Dream Team, the NBA became a global sensation. Around the same time, and despite ardent warnings from his parents, Arthur Griffiths purchased an NBA team that would become the expansion Vancouver Grizzlies. Who better to restore the Dream City, he thought, than the NBA?

Expansion franchises went to Vancouver and Toronto—the Canadian cities of choice as the NBA grew its international brand. But while Toronto thrived under the rising star of Vince Carter, Vancouver floundered under serial mismanagement. Six seasons wasted, the Grizzlies relocated to Memphis, where they clawed their way to victories both on the court and in the hearts of the city’s eager fanbase. More than two decades later, the Memphis Grizzlies continue to win, claiming NBA records for defeating, as an eight-seed club, the one-seed San Antonio Spurs in the 2011 playoffs (only the fourth franchise to have done so) and for defeating, in 2021, the Oklahoma City Thunder 152–73, the largest margin of victory in NBA history.

So why did the NBA fail in Vancouver but thrive in Memphis? This is the question Łukasz Muniowski seeks to answer in The Grizzlies Migrate to Memphis: From Vancouver Failure to Southern Success. In his pursuit, he explores how the Vancouver Grizzlies came to be, the team’s evolution and eventual relocation to Memphis, the success the Grizzlies found there, and the differences between the two phases of this NBA franchise.

Rooted strongly in media coverage of the Grizzlies franchise in both Vancouver and Memphis, The Grizzlies Migrate to Memphis offers a thoughtful blend of storytelling and analysis that will interest scholars and NBA enthusiasts alike.
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On a Great Battlefield
The Making, Management, and Memory of Gettysburg National Military Park, 1933–2013
Jennifer M. Murray
University of Tennessee Press, 2023
Of the more than seventy sites associated with the Civil War era that the National Park
Service manages, none hold more national appeal and recognition than Gettysburg National
Military Park. Welcoming more than one million visitors annually from across the
nation and around the world, the National Park Service at Gettysburg holds the enormous
responsibility of preserving the war’s “hallowed ground” and educating the public, not
only on the battle, but also about the Civil War as the nation’s defining moment. Although
historians and enthusiasts continually add to the shelves of Gettysburg scholarship, they
have paid only minimal attention to the battlefield itself and the process of preserving,
interpreting, and remembering the bloodiest battle of the Civil War. In On a Great Battlefield,
Jennifer M. Murray provides a critical perspective to Gettysburg historiography by
offering an in-depth exploration of the national military park and how the Gettysburg
battlefield has evolved since the National Park Service acquired the site in August 1933.

As Murray reveals, the history of the Gettysburg battlefield underscores the complexity
of preserving and interpreting a historic landscape. After a short overview of early
efforts to preserve the battlefield by the Gettysburg Battlefield Memorial Association
(1864–1895) and the United States War Department (1895–1933), Murray chronicles the
administration of the National Park Service and the multitude of external factors—including
the Great Depression, the New Deal, World War II, the Civil War Centennial, and
recent sesquicentennial celebrations—that influenced operations and molded Americans’
understanding of the battle and its history. Haphazard landscape practices, promotion of
tourism, encouragement of recreational pursuits, ill-defined policies of preserving cultural
resources, and the inevitable turnover of administrators guided by very different
preservation values regularly influenced the direction of the park and the presentation
of the Civil War’s popular memory. By highlighting the complicated nexus between preservation,
tourism, popular culture, interpretation, and memory, On a Great Battlefield
provides a unique perspective on the Mecca of Civil War landscapes.

Jennifer M. Murray, assistant professor of history at the University of Virginia’s College
at Wise, is the author of The Civil War Begins. Her articles have appeared in Civil War
History, Civil War Times
, and Civil War Times Illustrated.
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front cover of On a Great Battlefield
On a Great Battlefield
The Making, Management, and Memory of Gettysburg National Military Park, 1933–2013
Jennifer M. Murray
University of Tennessee Press, 2014
Of the more than seventy sites associated with the Civil War era that the National Park
Service manages, none hold more national appeal and recognition than Gettysburg National
Military Park. Welcoming more than one million visitors annually from across the
nation and around the world, the National Park Service at Gettysburg holds the enormous
responsibility of preserving the war’s “hallowed ground” and educating the public, not
only on the battle, but also about the Civil War as the nation’s defining moment. Although
historians and enthusiasts continually add to the shelves of Gettysburg scholarship, they
have paid only minimal attention to the battlefield itself and the process of preserving,
interpreting, and remembering the bloodiest battle of the Civil War. In On a Great Battlefield,
Jennifer M. Murray provides a critical perspective to Gettysburg historiography by
offering an in-depth exploration of the national military park and how the Gettysburg
battlefield has evolved since the National Park Service acquired the site in August 1933.

As Murray reveals, the history of the Gettysburg battlefield underscores the complexity
of preserving and interpreting a historic landscape. After a short overview of early
efforts to preserve the battlefield by the Gettysburg Battlefield Memorial Association
(1864–1895) and the United States War Department (1895–1933), Murray chronicles the
administration of the National Park Service and the multitude of external factors—including
the Great Depression, the New Deal, World War II, the Civil War Centennial, and
recent sesquicentennial celebrations—that influenced operations and molded Americans’
understanding of the battle and its history. Haphazard landscape practices, promotion of
tourism, encouragement of recreational pursuits, ill-defined policies of preserving cultural
resources, and the inevitable turnover of administrators guided by very different
preservation values regularly influenced the direction of the park and the presentation
of the Civil War’s popular memory. By highlighting the complicated nexus between preservation,
tourism, popular culture, interpretation, and memory, On a Great Battlefield
provides a unique perspective on the Mecca of Civil War landscapes.

Jennifer M. Murray, assistant professor of history at the University of Virginia’s College
at Wise, is the author of The Civil War Begins. Her articles have appeared in Civil War
History, Civil War Times
, and Civil War Times Illustrated.
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Pauli Murray
Autobiography Black Activist Feminist Lawyer
Pauli Murray
University of Tennessee Press, 1989


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