front cover of NAACP Youth and the Fight for Black Freedom, 1936–1965
NAACP Youth and the Fight for Black Freedom, 1936–1965
Thomas Bynum
University of Tennessee Press, 2014

“This book is very important in the wider context of related scholarship in the modern-day civil rights movement because it will be the first on the youth perspective in the NAACP. . . . I believe that it will be widely used by scholars and the general public.”—Linda Reed, author of Simple Decency and Common Sense: The Southern Conference Movement, 1938-1963

“A recent trend in the historiography of the civil rights movement is the increased understanding of the role that young people played in the right for equality. . . . Bynum has filled a gap in the civil rights literature in this short book.” —Choice

Historical studies of black youth activism have until now focused almost exclusively on the activities of the Congress Racial Equality (CORE) and the Student Nonviolent Coordinating Committee (SNCC). However, the NAACP youth councils and college chapters predate both of those organizations. Thomas Bynum carefully examines the activism of the NAACP youth and effectively refutes the perception of the NAACP as working strictly through the courts. His research illuminates the many direct-action activities undertaken by the young people of the NAACP—activities that helped precipitate the breakdown of racial discrimination and segregation in America. He also explores the evolution of the youth councils and college chapters, including their sometime rocky relationship with the national office, and captures the successes, failures, and challenges the NAACP youth groups experiences at the national, state, and local levels.

Thomas Bynum is an assistant professor of history at Middle Tennessee State University.

[more]

front cover of Narrative Life Of David Crockett
Narrative Life Of David Crockett
Of State Of Tennessee
David Crockett
University of Tennessee Press, 1973

front cover of The Narrow House
The Narrow House
Mary E. Papke
University of Tennessee Press, 2021

Evelyn Scott’s first novel, The Narrow House, depicts a family stricken by dysfunctional domesticity. Revolving around troubled members of the Farley family, Scott exposes notions of romantic love, longing, and the image of the Southern belle as damaging, unrealistic constructs, all against the backdrop of a seemingly normal middle-class existence that in previous decades had been idealized in Southern writing. Published to high praise when it appeared in 1921, The Narrow House vaulted Scott to literary celebrity in her day.

In this new critical edition, Mary E. Papke contextualizes Scott’s first and possibly best writing effort with an astute introduction that discusses Scott and her contemporaries, the work’s importance to the genre of the novel, and the small but ongoing reclamation of Scott’s place in literary history. Completely updated and formatted for a modern readership, this critical edition of The Narrow House is sure to find its way into classrooms and onto bookshelves.

[more]

front cover of Nashville
Nashville
The Western Confederacy's Final Gamble
James Lee Mcdonough
University of Tennessee Press, 2004
After Major General William Tecumseh Sherman’s forces ravaged Atlanta in 1864, Ulysses S. Grant urged him to complete the primary mission Grant had given him: to destroy the Confederate Army in Georgia. Attempting to draw the Union army north, General John Bell Hood’s Confederate forces focused their attacks on Sherman’s supply line, the railroad from Chattanooga, and then moved across north Alabama and into Tennessee. As Sherman initially followed Hood’s men to protect the railroad, Hood hoped to lure the Union forces out of the lower South and, perhaps more important, to recapture the long-occupied city of Nashville.

Though Hood managed to cut communication between Sherman and George H. Thomas’s Union forces by placing his troops across the railroads south of the city, Hood’s men were spread over a wide area and much of the Confederate cavalry was in Murfreesboro. Hood’s army was ultimately routed. Union forces pursued the Confederate troops for ten days until they recrossed the Tennessee River. The decimated Army of Tennessee (now numbering only about 15,000) retreated into northern Alabama and eventually Mississippi. Hood requested to be relieved of his command. Less than four months later, the war was over.

Written in a lively and engaging style, Nashville presents new interpretations of the critical issues of the battle. James Lee McDonough sheds light on how the Union army stole past the Confederate forces at Spring Hill and their subsequent clash, which left six Confederate generals dead. He offers insightful analysis of John Bell Hood’s overconfidence in his position and of the leadership and decision-making skills of principal players such as Sherman, George Henry Thomas, John M. Schofield, Hood, and others.

Within the pages of Nashville, McDonough’s subjects, both common soldiers and officers, present their unforgettable stories in their own words. Unlike most earlier studies of the battle of Nashville, McDonough’s account examines the contributions of black Union regiments and gives a detailed account of the battle itself as well as its place in the overall military campaign. Filled with new information from important primary sources and fresh insights, Nashville will become the definitive treatment of a crucial battleground of the Civil War.

James Lee McDonough is retired professor of history from Auburn University. He is the author of numerous books on the Civil War, including Shiloh—In Hell Before Night, Chattanooga—Death Grip on the Confederacy, and War in Kentucky: From Shiloh to Perryville.
[more]

front cover of A Nation Forged in War
A Nation Forged in War
How World War II Taught Americans to Get Along
Thomas A. Bruscino
University of Tennessee Press, 2010

World War II shaped the United States in profound ways, and this new book--the first in the Legacies of War series--explores one of the most significant changes it fostered: a dramatic increase in ethnic and religious tolerance. A Nation Forged in War is the first full-length study of how large-scale mobilization during the Second World War helped to dissolve long-standing differences among white soldiers of widely divergent backgrounds.

Never before or since have so many Americans served in the armed forces at one time: more than 15 million donned uniforms in the period from 1941 to 1945. Thomas Bruscino explores how these soldiers' shared experiences--enduring basic training, living far from home, engaging in combat--transformed their views of other ethnic groups and religious traditions. He further examines how specific military policies and practices worked to counteract old prejudices, and he makes a persuasive case that throwing together men of different regions, ethnicities, religions, and classes not only fostered a greater sense of tolerance but also forged a new American identity. When soldiers returned home after the war with these new attitudes, they helped reorder what it meant to be white in America.

Using the presidential campaigns of Al Smith in 1928 and John F. Kennedy in 1960 as bookend events, Bruscino notes a key change in religious bias. Smith's defeat came at the end of a campaign rife with anti-Catholic sentiment; Kennedy's victory some three decades later proved that such religious bigotry was no longer an insurmountable obstacle. Despite such advances, Bruscino notes that the growing broad-mindedness produced by the war had limits: it did not extend to African Americans, whose own struggle for equality would dramatically mark the postwar decades.

Extensively documented, A Nation Forged in War is one of the few books on the social and cultural impact of the World War II years. Scholars and students of military, ethnic, social, and religious history will be fascinated by this groundbreaking new volume.

[more]

front cover of Native American Log Cabins in the Southeast
Native American Log Cabins in the Southeast
Gregory A. Waselkov
University of Tennessee Press, 2019
Southeastern Native American forms of domestic architecture underwent multiple transitions between the mid-eighteenth to early nineteenth centuries. In Native American Log Cabins in the Southeast, Gregory A. Waselkov and ten colleagues track the origins of Native American cabins, structures that incorporated a range of features borrowed from indigenous post-in ground building traditions, Euroamerican horizontal notched-log construction, and elements introduced by Africans and African Americans. Grounded in archaeological investigation, their essays illuminate the distinctive cabin forms developed by various southeastern Native groups, including the Cherokee, Creek, Choctaw, and Catawba peoples.
            In a rapidly changing social, economic, and political landscape at the frontiers of an expansionist United States, the log cabin, a northern European house form, proved equally adaptable to the needs of settlers, slaves, and Native peoples. Each found ways to make log cabins their own. Beneath these deceptively simple hewn facades, indigenous principles of correctness guided southeastern Indians’ uses of interior cabin space, creations of raised clay hearths, and maintenance of pits that gave occupants access to the regenerative properties of the Beneath World. The chapters in this volume make important contributions toward a better understanding of houses and households in the Native Southeast by marshalling new data, methods, and theory to address an important but understudied phenomenon.
[more]

front cover of Native Intoxicants of North America
Native Intoxicants of North America
Sean Rafferty
University of Tennessee Press, 2021

Though scholarship on intoxicants in regions like Asia, Africa, Mesoamerica, and South America is plentiful, Native Intoxicants of North America represents the first foray into a study of prehistoric intoxicants throughout North America specifically. In this study, Sean Rafferty fills significant gaps in existing research with a focus on native cultures of North America and holistic coverage of intoxicants by type. Importantly, Rafferty anchors his investigation in an easily overlooked question: why did early humans use intoxicants in the first place?

Rafferty begins by discussing the origins of intoxicants and their role in rituals, medicine, and recreation. Subsequent chapters turn to specific intoxicants—hallucinogens, stimulants, alcohol, and tobacco—making ample use of illustrations across disciplines, weaving a tapestry of culture, ritual, medicine, botany, artifact, and history. All the while, Rafferty explores the societal significance of narcotics, stimulants, and hallucinogens on prehistoric North American cultures.

While Native Intoxicants of North America focuses specifically on Native cultures, the author’s analysis provides the foundation for a valuable broader discussion: that in a world where few human behaviors are universal, experiencing altered states of consciousness is one that transcends culture and time.

[more]

front cover of Natural Histories
Natural Histories
Stories from the Tennessee Valley
Stephen Lyn Bales
University of Tennessee Press, 2007
In sixteen thoroughly engaging essays, naturalist Stephen Lyn Bales ventures far and wide among the richly diverse flora and fauna of his native Tennessee Valley. Whether describing the nocturnal habits of the elusive whip-poor-will, the pivotal role the hedge plant Osage orange played in a key Civil War battle, or the political firestorm that attended the discovery of a tiny fish dubbed the snail darter, Bales illuminates in surprising ways the complicated and often vexed relationships between humans and their neighbors in the natural world.

Accompanied by the author's striking line drawings, each chapter in Natural Histories showcases a particular animal or plant and each narrative begins or ends in, or passes through the Tennessee Valley. Along the way, historical episodes both familiar and obscure-the de Soto explorations, the saga of the Lost State of Franklin, the devastation of the Trail of Tears, and the planting of a “Moon Tree” at Sycamore Shoals in Elizabethton-are brought vividly to life. Bales also highlights the work of present-day environmentalists and scientists such as the dedicated staffers of the Tennessee-based American Eagle Foundation, whose efforts have helped save the endangered raptors and reintroduce them to the wild.

Arranged according to the seasonal cycles of the valley, Bales's essays reveal the balance that nature has achieved over millions of years, contrasting it with the messier business of human endeavor, especially the desire to turn nature into a commodity, something to be subdued and harvested. Filled with delightful twists and turns, Natural Histories is also a book brimming with important lessons for us all.
[more]

front cover of Natural History Mount Le Conte
Natural History Mount Le Conte
Kenneth Wise
University of Tennessee Press, 1998

Widely regarded as the crown jewel of the Great Smoky Mountains, Mount Le Conte harbors the greatest concentration of notable geological features in all of the Smokies. This unique book tells the history of the mountain, offering visitors a greater appreciation of its scenic splendor. 

Kenneth Wise and Ron Petersen combine their intimate knowledge of Le Conte with a wealth of scientific and historical information. Following introductory coverage of the mountain’s geologic history and human exploration, they follow the six main trails up the mountain—Alum Cave, Bullhead, Rainbow Falls, Trillium Gap, Brushy Mountain, and the Boulevard—and reveal each one to be not merely a path but also a rich source of historical and personal testimony. A final chapter covers the distinguishing features of the summit itself.

Along each route, the authors explain how the trail was developed and provide background for well-known landmarks, from Inspiration Point to Huggins Hell. They offer informative descriptions of the plants and wildlife indigenous to Mount Le Conte as well as observations on the effects of environmental changes on the landscape.

The book is illustrated with dozens of photographs, many of historic interest.

Kenneth Wise is an associate professor at the John C. Hodges Library and the author of Hiking Trails of the Great Smoky Mountains. Ron Petersen is a distinguished professor in the Department of Botany at the University of Tennessee in Knoxville.

[more]

front cover of Nature and Command
Nature and Command
On the Metaphysical Foundations of Morality
J. Caleb Clanton
University of Tennessee Press, 2022

Since at least the time of Plato, religious explanations of the metaphysical foundations of morality have typically fallen into one of two camps: natural law theory, according to which morality is fundamentally explained by facts about human nature—facts that God is responsible for—and divine command theory, which holds that moral obligations arise directly from God’s commands or some other prescriptive act of the divine will. J. Caleb Clanton and Kraig Martin offer an accessible analysis of these traditional views, reconstruct the various arguments for and against them, and offer an extended consideration of the historical emergence of the divide between these positions within the Christian tradition. Nature and Command goes on to develop and defend a theory that combines these two views—a metaethical approach that has not yet received the scholarly attention it deserves.

Along the way, the authors make use of underexplored theological resources drawn from the Stone-Campbell movement, a nineteenth-century restoration movement that culminated in one of the largest Protestant groups in America by the dawn of the twentieth century. Nature and Command summons the resources of this particular Christian heritage—its first principles, call for unity, and ecumenism—to solve one of the great dilemmas of moral philosophy and theology dating back to Plato’s Euthyphro.

This historically aware, argumentatively rigorous, and highly readable volume will serve as a valuable resource for moral philosophy and ethics, as well as for mining the Stone-Campbell Restoration tradition for historical and theological insights.

[more]

front cover of Never Been Rich
Never Been Rich
The Life and Work of a Southern Ruralist Writer, Harry Harrison Kroll
Richard Saunders
University of Tennessee Press, 2011

Known for his sometimes-gritty naturalism and use of Appalachian dialect, Harry Harrison Kroll (1888–1967) was a remarkably prolific Tennessee novelist and short-story writer during the middle decades of the twentieth century. His career spanned two of the three major shifts in publishing during the twentieth century: the heyday and decline of the fiction magazine market during the late 1920s, and the rise of nonfiction and solidification of paperback marketing during the 1950s. Never Been Rich explores details of Kroll’s humble, rural youth, his long delayed education and the development of his craft, before discussing his lengthy career and how it reflected changes in both public taste and the American publishing industry.
            Kroll focused on writing not as a high art, but instead on what was popular—what would earn him a living. He preferred to write voluminously rather than exquisitely, and growing up in the rural south provided him with a broad and fertile field of experience to plow for his crop of stories. As a writing instructor, he had a profound influence on his students, particularly the well-known Appalachian triumvirate of James Still, Jesse Stuart, and Don West.
            While Kroll may lack grand literary significance, Richard Saunders maintains that we should explore not merely the linguistic and thematic aspects of a writer’s work but also its broad economic and social contexts, including the idea that literature is both an art form and a marketable product in an extensive industry. His study of Kroll delves deeply into those contexts and shows that, while Kroll did not strive for a place among writers of high literature, he exemplifies the far more widely read popular literature of his times.

[more]

front cover of New Essays on Phillis Wheatley
New Essays on Phillis Wheatley
John C. Shields and Eric D. Lamore
University of Tennessee Press, 2011

The first African American to publish a book on any subject, poet Phillis Wheatley (1753?–1784) has long been denigrated by literary critics who refused to believe that a black woman could produce such dense, intellectual work, let alone influence Romantic-period giants like Samuel Taylor Coleridge. Indeed, Thomas Jefferson once declared that “the compositions published under her name are below dignity of criticism.” In recent decades, however, Wheatley’s work has come under new scrutiny as the literature of the eighteenth century and the impact of African American literature have been reconceived. In these never-before-published essays, fourteen prominent Wheatley scholars consider her work from a variety of angles, affirming her rise into the first rank of American writers.

The pieces in the first section show that perhaps the most substantial measure of Wheatley’s multilayered texts resides in her deft handling of classical materials. The contributors consider Wheatley’s references to Virgil’s Aeneid and Georgics and to the feminine figure Dido as well as her subversive critique of white readers attracted to her adaptation of familiar classics. They also discuss Wheatley’s use of the Homeric Trojan horse and eighteenth-century verse to mask her ambitions for freedom and her treatment of the classics as political tools.

Engaging Wheatley’s multilayered texts with innovative approaches, the essays in the second section recontextualize her rich manuscripts and demonstrate how her late-eighteenth-century works remain both current and timeless. They ponder Wheatley’s verse within the framework of queer theory, the concepts of political theorist Hannah Arendt, rhetoric, African studies, eighteenth-century “salon culture,” and the theoretics of imagination.

Together, these essays reveal the depth of Phillis Wheatley’s literary achievement and present concrete evidence that her extant oeuvre merits still further scrutiny.

John C. Shields is Distinguished Professor of English at Illinois State University. He is the editor of The Collected Works of Phillis Wheatley and author of The American Aeneas: Classical Origins of the American Self, a Choice Outstanding Academic Book; Phillis Wheatley and the Romantics; and Phillis Wheatley’s Poetics of Liberation; and awarded honorable mention in competition for the American Comparative Literature Association’s Harry Levin Prize. As well, Shields serves as director of the Center for Classicism and American Culture and General Editor for the series of monographs on Classicism in American Culture to be published by the University of Tennessee Press.

Eric D. Lamore is an assistant professor of English at the University of Puerto Rico, Mayaguez, and a contributor to The Greenwood Encyclopedia of American Poets and Poetry.

[more]

front cover of New Fields of Adventure
New Fields of Adventure
The Writings of Lyman G. Bennett, Civil War Soldier and Topographical Engineer, 1861–1865
M. Jane Johansson
University of Tennessee Press, 2024
Lyman Gibson Bennett (1832–1904) had a curious mind and a keen sense of humor. He had an engineer’s mentality and a poet’s grasp of language, except for spelling. As a Union soldier, Bennett saw extensive service in the Trans-Mississippi Theater. A writer of considerable energy and intelligence, Bennett’s wartime diaries recount his diverse and wide-ranging military record, stretching geographically from the prairies of Illinois to the Rocky Mountains, while a postwar account details, among other things, his labors to recruit “Mountain Feds” in the Ozarks.

This volume provides the perspective of an individual who was both a topographical engineer—with extensive experience that spanned the country from Arkansas to the Overland Trail—and a common soldier. As a member of the Thirty-Sixth Illinois Infantry, Bennett provided one of the most detailed contemporary accounts of the pivotal Battle of Pea Ridge, March 7–8, 1862. By December 1863, Bennett was promoted to first lieutenant in the newly formed Fourth Arkansas Cavalry (US) and wrote an invaluable first-person account of guerrilla fighting in the Ozark mountains. Readers will delight in Bennett’s witty descriptions of the ankles (and even higher!) of ladies as they gathered their skirts to trek through the mud; his sometimes-cutting words about his fellow hospital patients; and his wry comments on that “exclusively southern institution,” the chigger. New Fields of Adventure will prove useful to scholars of the Ozarks, landscape studies, and the Civil War in the West.
[more]

front cover of The New Harp Of Columbia, Restored Ed
The New Harp Of Columbia, Restored Ed
Ml Swan
University of Tennessee Press, 1978
In the small towns and rural areas of early America, church-sponsored “singing schools” proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch—a method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition.

The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this “restored edition” of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date.

Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymns—a total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: “[The book is] a worthwhile addition to any church musician’s library, especially those interested in the development of American sacred music over the past two centuries.” This publication marks a significant new step in preserving an important musical tradition.
[more]

front cover of New Negroes & Their Music
New Negroes & Their Music
Success Of Harlem Renaissance
Yahya Jongintaba
University of Tennessee Press, 1997

front cover of New South Comes To Wiregrass Georgia
New South Comes To Wiregrass Georgia
1860-1910
Mark V. Wetherington
University of Tennessee Press, 1994

front cover of New South Indians
New South Indians
Tribal Economics and the Eastern Band of Cherokee in the Twentieth Century
Christopher Arris Oakley
University of Tennessee Press, 2018

The Eastern Band’s economic decisions of the 1900s did not occur in a vacuum. In fact, these decisions reflected regional changes and the broader development of the post-Civil War American South. The Eastern Band of Cherokee Indians formally incorporated under North Carolina law in the 1880s, and their economic policies evolved as the country experienced Jim Crow segregation, the Great Depression, World War II, and the civil rights movement. During the twentieth century, members of the Eastern Band embraced an economic strategy partially based on tourism. In the late 1900s, they pursued policies that facilitated the rise of casino gaming.

Divided into five chapters, Christopher Arris Oakley’s New South Indians traces the economic development of the Eastern Band throughout the twentieth century to better contextualize the Cherokee Tribal Council’s 1990s decision to incorporate gaming into the nation’s economic strategy. In building his contextual framework, Oakley discusses the interdependent relationships forged by Cherokee Tribal Council members with various public and private entities in order to protect their land, manage their resources, and advance the well-being of their nation’s economy and community.

New South Indians also situates the story within the history of the American South. Thus, the saga of the Eastern Band’s struggle for economic autonomy and financial stability throughout the stormy twentieth century can be seen as an integral part of the historical account of western North Carolina.

A multifaceted glimpse into a vital aspect of contemporary southern history, New South Indians is sure to appeal to a wide variety of readers, from those captivated by Native American culture and the history of the modern South to those interested in economic history.

CHRISTOPHER ARRIS OAKLEY is an associate professor in the Department of History at East Carolina University. He is the author of Keeping the Circle: American Indian Identity in Eastern North Carolina, 1885–2004, and he is coauthor, with Theda Perdue, of Native Carolinians: The Indians of North Carolina. 

[more]

front cover of New Worlds of Violence
New Worlds of Violence
Cultures and Conquests in the Early American Southeast
Matthew Jennings
University of Tennessee Press, 2011

From the early 1500s to the mid-1700s, the American Southeast was the scene of continuous
tumult as European powers vied for dominance in the region while waging war on Native American communities. Yet even before Hernando de Soto landed his expeditionary
force on the Gulf shores of Florida, Native Americans had created their own “cultures of violence”: sets of ideas about when it was appropriate to use violence and what sorts of violence were appropriate to a given situation.

In New Worlds of Violence, Matthew Jennings offers a persuasive new framework for understanding the European–Native American contact period and the conflicts among indigenous peoples that preceded it. This pioneering approach posits that every group present in the Southeast had its own ideas about the use of violence and that these ideas changed over time as they collided with one another. The book starts with the Mississippian era and continues through the successive Spanish and English invasions of the Native South. Jennings argues that the English conquered the Southeast because they were able to force everyone else to adapt to their culture of violence, which, of course, changed over time as well. By 1740, a peculiarly Anglo-American culture of violence was in place that would profoundly influence the expansion of England’s colonies and the eventual southern United States. While Native and African violence were present in this world, they moved in circles defined by the English.

New Worlds of Violence concludes by pointing out that long-lasting violence bears long-lasting consequences. An important contribution to the growing body of work on the early Southeast, this book will significantly broaden readers’ understanding of America’s violent past.

Matthew Jennings is an assistant professor of history at Macon State College in Macon, Georgia. He is the author of “Violence in a Shattered World” in Mapping the Shatter Zone: The European Invasion and the Transformation of the Mississippian World, edited by Robbie Ethridge and Sheri Shuck-Hall. His work has also appeared in The Uniting States, The South Carolina Encyclopedia, A Multicultural History of the United States, and The Encyclopedia of Native American History.

[more]

front cover of Nickelodeons and Black Vaudeville
Nickelodeons and Black Vaudeville
The Forgotten Story of Amanda Thorp
Kathi Clark Wong
University of Tennessee Press, 2023
In an era of online streaming, it may be difficult to recognize the importance of a woman who in 1908 established the first silent movie theater in Richmond, Virginia: the Dixie nickelodeon. But Amanda Thorp, an independent, self-made woman, was on the ground floor of a popular culture that would grow to be enormously influential in our modern era. In Nickelodeons and Black Vaudeville: The Forgotten Story of Amanda Thorp, Kathi Clark Wong’s extensive archival research uncovers Thorp’s impressive contributions not only to moviegoing and its growth in America, but also perhaps even more surprisingly, Thorp’s support of early Black vaudeville in the Jim Crow South.

Movie theater entrepreneurs like Thorp, who got her start at her Wonderland Theater in Bucyrus, Ohio, helped create our culture’s insatiable appetite for film. But it was after she established the Dixie in Richmond, that Thorp—a White woman—also saw a market for providing Black-centric entertainment. She converted the Dixie to all-Black patronage and began to bring in scores of Black vaudeville acts. Later, she built the Hippodrome Theater, in the heart of Richmond’s now-historic Jackson Ward, expressly for Black entertainment. Though she eventually left the field of Black entertainment behind, Thorp developed other movie venues in Richmond that brought in tens of thousands of (White) moviegoers over the years and which were widely admired for their elaborate trappings.

Thanks to Wong’s research, contemporary readers can now benefit from the story of Amanda Thorp, a woman who amidst severe gender role constraints not only claimed social capacity on the crest of a rapidly growing industry but also, almost inadvertently, contributed to the success of early Black vaudeville, a subject which thus far has not received the scholarly attention it deserves.
[more]

front cover of Ninety-Eight Days
Ninety-Eight Days
Geographers View Vicksburg Campaign
Warren E. Grabau
University of Tennessee Press, 2000
Grant's campaign against Vicksburg has been studied from a number of perspectives—but always with the outcome in the foreground. This documented history of the final phases of the Vicksburg Campaign, from March 29 through July 4, 1863, examines the actions of Union and Confederate commanders as they unfolded, reconstructing their decisions based only on what they knew at any given time.
    In meticulous detail, Warren E. Grabau describes the logistical situation at key junctures during the campaign and explains how and why those situations constrained the choices available to Grant and Confederate commander John C. Pemberton. Alternating between Confederate and Federal perspectives, he allows the reader to see the situation as the commanders did and then describes how the available information led to their decisions.
    Grabau examines not only topographic and hydrographic features but also strategic, political, economic, and demographic factors that influenced the commanders’ thinking. He analyzes the effectiveness of the intelligence-gathering capabilities of each side, shows how the decisions of both commanders were affected by the presence of the Union Navy, and describes the impact of political philosophies and command structures on the conduct of the campaign. Through his detailed analysis, Grabau even suggests that Grant had no actual campaign plan but was instead a master opportunist, able to exploit every situation.
    Remarkably detailed maps reconstruct the terrain as it was at the time and show how incomplete data often resulted in poor military decisions. Other supportive material includes Command Structures of the Federal and Confederate Forces in diagrammatic form as they stood at the beginning of the ninety-eight days.
    Ninety-eight Days is a monumental work masterfully executed, a reconstruction of military reasoning that is more analytical than any previous study of Vicksburg. It contributes substantially to our understanding of those military operations and demonstrates how crucial geography is to the conduct of war.
The Author: Warren E. Grabau is a retired geologist with a long interest in the Civil War. He is he coauthor of two earlier books: Evolution of Geomorphology; A Nation-by-Nation Summary of Development (with H. J. Walker) and The Battle of Jackson, May 14, 1863 (with Edwin C. Bearss).
[more]

front cover of North American Zooarchaeology
North American Zooarchaeology
Reflections on History and Continuity
Meagan Elizabeth Dennison
University of Tennessee Press, 2023

Walter E. Klippel came to the University of Tennessee in 1977 as an assistant professor of anthropology. In the forty years that followed, he supervised and mentored countless students in archaeology and biological anthropology, published more than fifty journal articles and book chapters, and assembled a zooarchaeological comparative collection of national significance. During his tenure, Klippel’s important contributions to the field of zooarchaeology would impact not only his students and colleagues but the development of zooarchaeological research as a whole. Even after his retirement in 2017, Klippel’s influence is readily apparent in the studies of his contemporaries. North American Zooarchaeology: Reflections on History and Continuity is their tribute to his work.

Developed by friends, students, and colleagues of Walter Klippel, North American Zooarchaeology presents a wide-ranging collection of essays through the lens of his remarkable career. Each chapter of the volume represents a prevailing theme notable in Klippel’s research, including geological and landscape contexts, taphonomy, and the incorporation of actualistic methodologies and new technologies into zooarchaeological analyses. The diversity of topics represented across the ten chapters showcase just how extensive Klippel’s research interests are and suggest how much contemporary zooarchaeology owes to his vision. The authors take up this broad palette to explore the various ways in which the framework of zooarchaeology can be used and applied in nontraditional settings.

With a foreword by Bonnie Styles and Bruce McMillan, longtime friends and colleagues of Walter Klippel, this volume reflects on the history and continuity of zooarchaeology in North America and honors one of its most notable contemporary contributors. With its multifaceted approach, this volume is sure to appeal to a broad array of practitioners in the field of zooarchaeology.

[more]

front cover of North Carolina English, 1861-1865
North Carolina English, 1861-1865
A Guide and Glossary
Michael E. Ellis
University of Tennessee Press, 2013
In North Carolina English, 1861–1865, Michael E. Ellis offers an Oxford English Dictionary–like take on regional language based on more than two thousand letters and diaries composed by North Carolinians during the Civil War. These documents are part of a larger project, the Corpus of American Civil War Letters (CACWL), aimed at locating, photographing, and transcribing letters written during the period from all parts of the country. With little formal education, the correspondents were men and women who wrote “by ear,” often reproducing their spoken language through unconventional spellings and grammatical forms, as well as regional or archaic words and usages.
    The core of the book is an alphabetically arranged glossary of words and expressions characteristic of mid–nineteenth century North Carolina, each containing excerpts from the letters themselves to illustrate meaning and usage. While the majority of the writers were Confederate soldiers and their family members, the collection also includes letters from slaves, former slaves, and African Americans from North Carolina serving in the Union Army. The soldiers’ letters rarely contain details about battles, except to list the names of relatives or neighbors among the killed or wounded. After a battle, a soldier might simply write, “the Like of ded men an horses I never saw before” or “we hav lost a heep of men and kild a heep of yankeys.” As Joel Howard of Lincoln County wrote home in June 1863, “I have bin in the ware and Saw the ware and heard tell of the ware till I have got tired of it. if I Could get clear of this ware I neve[r] want to Read of A nother.”
    Food is perhaps the most common topic, followed by illness. Numerous terms relate to farming, clothing, religion, and the effects of the war itself, as well as entries for expressions that have long since disappeared from American English: in the gants, on the goose, and up the spout.
    In addition to the glossary, Ellis offers an extensive overview of North Carolina English of the period, delves into the social background of the letter writers, and provides invaluable guidance to the ways in which Civil War letters should be read. A unique window into a largely neglected corner of our extraordinarily rich and regionally distinct language, this volume will prove an indispensable reference for scholars and students seeking to reconstruct the world of the common Civil War soldier.
[more]

front cover of Notes of the Mexican War, 1846–1848
Notes of the Mexican War, 1846–1848
J. Jacob Oswandel
University of Tennessee Press, 2010

In December 1846, John Jacob Oswandel—or Jake as he was often called—enlisted in the Monroe Guards, which later became Company C of the First Pennsylvania Volunteer Regiment. Thus began a twenty-month journey that led Oswandel from rural Pennsylvania through the American South, onward to the siege of Veracruz, and finally deep into the heart of Mexico. Waging war with Mexico ultimately realized President James K. Polk’s long-term goal of westward expansion all the way to the Pacific Ocean. For General Winfield Scott, the victorious Mexico City campaign would prove his crowning achievement in a fifty-three-year military career, but for Oswandel the “grand adventure of our lives” was about patriotism and honor in a war that turned this twenty-something bowsman into a soldier.

Notes of the Mexican War, 1846–1848, is the quintessential primary source on the Mexican War. From Oswandel’s time of enlistment in Pennsylvania to his discharge in July of 1848, he kept a daily record of events, often with the perception and intuition worthy of a highly ranked officer. In addition to Oswandel’s engaging narrative, Timothy D. Johnson and Nathaniel Cheairs Hughes, Jr. provide an introduction that places Oswandel’s memoir within present-day scholarship. They illuminate the mindset of Oswandel and his comrades, who viewed the war with Mexico in terms of Manifest Destiny and they give insight into Oswandel’s historically common belief in Anglo-Saxon superiority—views that would bring about far worse consequences at the outbreak of the American Civil War a dozen years later.

As historians continue to highlight the controversial actions of the Polk administration and the expansionist impulse that led to the conflict, Notes of the Mexican War, 1846–1848, opens a window into the past when typical young men rallied to a cause they believed was just and ordained. Oswandel provides an eyewitness account of an important chapter in America’s history.

[more]


Send via email Share on Facebook Share on Twitter