The journals of David Golightly Harris are a unique daily record of a fifteen-year span in the life of a Piedmont South Carolina farm family that owned ten slaves and cultivated one hundred acres.  Documents from small slaveholders are few, making these journals an invaluable source of information about the agricultural routines of a small antebellum farm as well as a revealing commentary on regional and national affairs, slavery, education, religion, family relationships, and community life.  
An especially compelling feature of this book is its inclusion of writings by Harris's wife, Emily, who took over the journal when he went to war for the Confederacy in 1862. Recounting the trials of managing the farm and raising seven children in her husband's absence, Emily's words offer poignant insights into the daily struggles of those who tended the home front during the Civil War.
"Piedmont Farmer is one of those rare books that deserves a place alongside The Cotton Kingdom, My Bondage and My Freedom, The Children of Pride, Mary Chesnut's Civil War, and the recent Freedom volumes as an indispensable source for historians of the nineteenth-century South."—David C. Rankin, The Journal of Southern History
"Harris's journals are important because they span the years before, during, and after the Civil War. . . . Philip N. Racine's annotations are extensive and extraordinarily rich in detail and insight. Enhanced with photographs, maps, and a comprehensive index, the Harris journals are not only a major contribution to southern history, but also they are a poignant view of agriculture and an explicit confirmation of slavery's burden."—David E. Schob, Illinois Historical Journal

The Editor: Philip N. Racine is Kenan Professor of History at Wofford College in Spartanburg, South Carolina. He edited "Unspoiled Heart": The Journal of Charles Mattocks of the 17th Maine in the Voices of the Civil War series published by the University of Tennessee Press.

Smoking has played an important role in the cultures of North America since ancient times. Because of the ceremonial and ritual aspects of the practice in Native American societies, smoking pipes are important cultural artifacts. The essays in The Culture of Smoking constitute the first sustained interpretive study of smoking pipes, focusing on the cultural significance of smoking both before and after European contact.

Pipes lend themselves to anthropological as well as archaeological analysis in part because they are more ceremonial than utilitarian. Thus, while their styles and provenance can reveal something about trade relationships, cultural transfer, and aesthetic influences, they also provide important information about the nature of ritual in a particular society. As the contributors demonstrate, pipes offer a window through which to view the symbolic, ideological, and political roles that smoking has played in North American societies from prehistoric times to the nineteenth century.

The eleven essays included range widely over time and region, beginning with a case study of pipes and mortuary practices in the Ohio Valley during the Early Woodland Period. Subsequent chapters examine stone pipes from coastal North Carolina during the Late Woodland Period and the role pipes played in interregional interaction among protohistoric Native American groups in the Midwest and Northeast. Other essays explore the variety of cultural and political uses of pipes during the period of European contact. The final section of the book focuses on smoking in Euro-American contexts of the seventeenth through nineteenth centuries.

The innovative interpretive approaches taken by the contributors and the broad historical perspective will make The Culture of Smoking a model for examining other categories of material culture, and the volume will be welcomed by anthropologists and historians as well as archaeologists.

Sean M. Rafferty is associate professor of anthropology at the University at Albany, State University of New York.

Rob Mann is the southeast regional archaeologist for Louisiana and is based in the Museum of Natural Science at Louisiana State University.

Most general studies of Tennessee history begin with the arrival of Anglo-American settlers in the 1760s, with only a brief overview of the state’s “prehistory.” This welcome volume rethinks this narrative by placing Tennessee’s origins firmly in the seventeenth century. In ten thoughtful essays, scholars of trans-Appalachian and early American history address a number of issues that have been touched on only fleetingly within Tennessee historiography, including the dynamic balance of Native American concerns and European imperial interests, the complexity of Revolutionary-era struggles, and the associated challenges of jurisdiction, dominion, and identity formation. Collectively, the volume situates Tennessee more firmly within the context of regional, North American, and Atlantic World developments.
            The essays are divided into two parts—the first focusing on the establishment and geopolitical complexities of seventeenth- and early-eighteenth-century life in and around the Tennessee River, and the second exploring the effects of the American Revolution in this geopolitical space. Topics in Part One include Indian life in the late Mississippian era, how contact with Europeans forced a process of migration and change, European understanding of Cherokee strength, and the importance of the Creeks, Cherokees, and Shawnees to early Tennessee history. Part Two offers articles about the confusing milieu into which the region was thrown during the Revolution, the central role of kinship networks for both Indians and whites, and the difficulties of identity formation as Euro-Americans expanded their presence on the Tennessee frontier. The work concludes by addressing the issue of myth and memory and how early Tennessee history was overtaken by nineteenth-century historical narratives that continue to serve as the foundation for understanding the state.
            Taken together, these essays provide a gateway through which to reimagine early Tennessee history—a reimagining that demonstrates the significance of the Volunteer State within broader trends in early modern, southern, trans-Appalachian, and Atlantic World history.
 

Originally published in 1902 by the Government Printing Office (and revised and reprinted in 1909 and 1913), The Battle of Shiloh and the Organizations Engaged was the official park commission history of this important battle and remains a seminal work on the subject. Although the book is the cornerstone of Shiloh historiography and is extensively cited by serious historians, the original edition is not widely available today.  Timothy B. Smith redresses this problem with this new reprint of the 1913 edition for which he has written an introduction that places the important work in historical context.
 
Written by D. W. Reed, a veteran of the battle and the first official historian of the Shiloh National Military Park, The Battle of Shiloh and the Organizations Engaged provides a succinct and authoritative overview of the battle.  In addition to a narrative of the campaign, Reed describes the units engaged and the movements of every brigade.  In addition, he includes numerous tables of strengths and losses for the armies as well as remarkably detailed maps and diagrams showing the action as it unfolded.  These spectacular color maps are accessible in an enclosed CD in a PDF format. The net result is a compact yet detailed view of Shiloh unmatched anywhere else.
 
Even a century after its first publication, this book stands as one of the most dependable, concise, and important works on the Battle of Shiloh. This new edition makes this work accessible once again.
 
D. W. Reed was a veteran of the Battle of Shiloh and the first historian of the Shiloh National Military Park.

Timothy B. Smith is the author of This Great Battlefield of Shiloh: History, Memory, and the Establishment of a Civil War National Military Park and The Untold Story of Shiloh: The Battle and the Battlefield. He was a park ranger at the Shiloh National Military Park before accepting a teaching position at the University of Tennessee at Martin.

Drawing on more than four decades of research, Tennessee Log Buildings examines one of the Volunteer State’s most precious—and fast-disappearing—traditions. From the pioneer era through the mid–twentieth century, folk builders in Tennessee used logs to construct cabins, barns, other outbuildings, schools, and churches. In warm, accessible prose that often makes this deeply researched work read like guidebook, John Rehder explores the varied styles and architectural characteristics of these fascinating structures, including their floor plans, the types of timber used, and the different notches that were cut into the logs to secure the structures.
    Profusely illustrated with over one hundred images, Tennessee Log Houses traces the evolution of log houses from one-room (or single-pen) dwellings to more elaborate homes of various types, such as saddlebags, Cumberland houses, dogtrots, and two-story I-houses. Rehder discusses the historic settlement patterns and building traditions that led to this variety of house types and identifies their particular occurrences throughout the state by drawing on surveys conducted in forty-two counties by teams working for the Tennessee Historical Commission (THC). Similarly, he explores disparate barn and outbuilding types, including the distinctive cantilever barns that are found predominantly in East Tennessee. Sprinkled throughout the book are engaging anecdotes that convey just what it is like to conduct field research in remote rural areas. Rehder also describes in detail a number of the state’s exceptional log places, among them Wynnewood, an enormous structure in Middle Tennessee which dates back to the early nineteenth century and which suffered severe tornado damage in 2008.
    As the author notes, many of the buildings originally identified in the THC investigations have now vanished completely while others are in serious disrepair. Thus, this book not only offers an instructive and delightful look at a key part of Tennessee’s heritage but also makes an eloquent plea for its preservation.

Until his death in 2011, JOHN B. REHDER was a professor of geography at the University of Tennessee, Knoxville. He first joined the UT faculty in 1967. He was the author of Appalachian Folkways, which won the Pioneer America Society’s Fred B. Kniffen Book Award in 2004, and Delta Sugar: Louisiana’s Vanishing Plantation Landscape, which won the Vernacular Architecture Forum’s 2000 Abbott Lowell Cummings Award.

Inquiry into African American literature in recent decades has neglected to probe the intellectual structure of the tradition’s aesthetics and its underlying ideology. In The Ideological Origins of African American Literature, Phillip M. Richards begins this reconstructive work, illuminating the dialectical backstory of black prose and poetry in America. Richards argues that the social and political forces that influenced white literature were uniquely reacted to, absorbed, and often times rejected by African American literary figures—from the eighteenth-century Puritan notions of a God-centered history to the onset of Romanticism and Modernism in the nineteenth and twentieth centuries.

Building his case for ideological continuity, Richards surveys a profoundly creative period of 125 years launched by an African American reaction against a racist, mid-eighteenth-century American culture. This epoch in African American literature saw a fusion of Puritan-Protestant culture into a religious and secular worldview, drawing in the poetry of Phillis Wheatley, antebellum slave narratives, Richard Allen, and the periodicals of the ambitious African Methodist Episcopalian movement—all of which would form the underlying foundation of a Black Victorian culture. A rising black middle class, Richards argues, would later be secularized by an eroding religious tradition under the pressures of nineteenth-century modernity, the trauma of Jim Crow, and the emerging northern ghetto. Richards further traces the emergence of Romanticism which appeared with white American authors such as Emerson, Thoreau, and Whitman, but would not take shape in African American literature until the likes of W.E.B. Du Bois and Langston Hughes took stock of Anglo-European culture at the end of the nineteenth century. The Ideological Origins of African American Literature illustrates a pattern of black writing that eschews the hegemonic white culture of the day for an evolving black culture that would define an American literary landscape.

An intensely dramatic true story, Forsaking All Others recounts the fascinating case of an interracial couple who attempted, in defiance of
society’s laws and conventions, to formalize their relationship in the post-Reconstruction South. It was an affair with tragic consequences, one that entangled the protagonists in a miscegenation trial and, ultimately, a desperate act of revenge.

From the mid-1870s to the early 1880s, Isaac Bankston was the proud sheriff of Desha County, Arkansas, a man so prominent and popular that he won five consecutive terms in office. Although he was married with two children, around 1881 he entered into a relationship with Missouri Bradford, an African American woman who bore his child. Some two years later, Missouri and Isaac absconded
to Memphis, hoping to begin a new life there together. Although Tennessee lawmakers had made miscegenation a felony, Isaac’s dark complexion enabled the couple to apply successfully for a marriage license and take their vows. Word of the marriage quickly spread, however, and Missouri and Isaac were charged with unlawful cohabitation. An attorney from Desha County, James Coates, came to Memphis to act as special prosecutor in the case. Events then took a surprising turn as Isaac chose to deny his white heritage in order to escape conviction. Despite this victory in court, however, Isaac had been publicly disgraced, and his sense of honor propelled him into a violent confrontation with Coates, the man he considered most responsible for his downfall. Charles F. Robinson uses Missouri and Isaac’s story to examine key aspects of post-Reconstruction society, from the rise of miscegenation laws and the particular burdens they placed on anyone who chose to circumvent them, to the southern codes of honor that governed both social and individual behavior, especially among white men. But most of all, the book offers a compelling personal narrative with important implications for our supposedly more
tolerant times.

Marshall Keeble (1878-1968) stands as one of the Church of Christ's most influential and celebrated African American evangelists.  His impact was felt throughout the South and well beyond as he helped establish over two hundred churches and baptized approximately forty thousand individuals during his nearly seventy years of ministry.  His charismatic and dynamic speaking style earned him a devoted following.

Despite his impact on the religious culture of the South, there has been scant information available about this extraordinary individual-until now.  With the his new book, A Godsend to His People, Edward J. Robinson brings to light over forty years of Keeble's writings.

This collection shows the human side of Keeble, revealing his concern for the souls of his faithful followers and the pragmatic way in which he ran his ministry.  The sermons and other writings give great insight into the struggles of a prominent African American trying to navigate his way through the challenges of conducting his ministry in the segregated world of the Jim Crow South.

Robinson draws on a variety of sources in which Keeble was published, including the Gospel Advocate and the Christian Echo, as well as lectures Keeble gave to students at Abilene Christian College.    Through these pages, the reader will learn more about this articulate, passionate, and intelligent man.

A Godsend to His People is the first scholarly treatment of this evangelist and will appeal to those interested in the history of the Church of Christ and religious studies.

Edward J. Robinson is assistant professor of history and biblical studies at Abilene Christian University. He is the editor of To Lift Up My Race: The Essential Writings of Samuel Robert Cassius and author of To Save My Race from Abuse: The Life of Samuel Robert Cassius.

Originally published in 1985, Fred T. Robinson’s classic study asserts that the
appositive style of Beowulf helps the poet communicate his Christian vision of pagan
life. By alerting the audience to both the older and the newer meanings of words, the
poet was able to resolve the fundamental tension which pervades his narration of
ancient heroic deeds.

Robinson describes Beowulf ’s major themes and the grammatical and stylistic
aspects of its appositive strategies. He then considers the poet’s use of the semantically
stratified vocabulary of Old English poetry to accommodate a party Christian and
partly pre-Christian perspective on the events being narrated. The analysis draws
attention to the ways in which modern editors and lexicographers have obscured stylistic
aspects of the poem by imposing upon it various modern conventions.

Appositional techniques, Robinson shows, serve not only the poet’s major themes
but also his narrative purposes. A grasp of the fundamental role played by the appositive
style in Beowulf gives the reader new ways of understanding some of the epic’s familiar
passages. The new foreword addresses the reception this book has had and examines
recent scholarship in the ongoing interest in this amazing poem.

This new, expanded edition brings the story of the Interstates into the twenty-first century.  It includes an account of the destruction of homes, businesses, and communities as the urban expressways of the highway network destroyed large portions of the nation’s central cities.  Mohl and Rose analyze the subsequent urban freeway revolts, when citizen protest groups battled highway builders in San Francisco, Baltimore, Memphis, New Orleans, Washington, DC, and other cities.  Their detailed research in the archival records of the Bureau of Public Roads, the Federal Highway Administration, and the U.S. Department of Transportation brings to light significant evidence of federal action to tame the spreading freeway revolts, curb the authority of state highway engineers, and promote the devolution of transportation decision making to the state and regional level.  They analyze the passage of congressional legislation in the 1990s, especially the Intermodal Surface Transportation Efficiency Act (ISTEA), that initiated a major shift of Highway Trust Fund dollars to mass transit and light rail, as well as to hiking trails and bike lanes.  Mohl and Rose conclude with the surprising popularity of the recent freeway teardown movement, an effort to replace deteriorating, environmentally damaging, and sometimes dangerous elevated expressway segments through the inner cities.  Sometimes led by former anti-highway activists of the 1960s and 1970s, teardown movements aim to restore the urban street grid, provide space for new streetcar lines, and promote urban revitalization efforts.  This revised edition continues to be marked by accessible writing and solid research by two well-known scholars.

Oriole Park at Camden Yards in Baltimore opened in 1992 as an intentional antidote to the modern multiuse athletic stadium. Home to only one sport and featuring accents of classic parks of previous generations. Oriole Park attempted to reconstitute Baltimore’s past while serving as a cornerstone of downtown redevelopment. Since the gates opened at Camden yards, more than a dozen other American cities have constructed “new old” major league parks – Cleveland, Detroit, Seattle, Pittsburgh, Milwaukee, Atlanta, Denver, Phoenix, San Francisco, Cincinnati, Houston, Arlington, Texas, and San Diego. In Retro Ball Parks, Daniel Rosenweig explores the cultural and economic role of retro baseball parks and traces the cultural implications of re-creating the old in new urban spaces.

According to Rosenweig, the new urban landscape around these retro stadiums often presents a more homogenous culture than the one the new park replaced. Indeed, whole sections of cities have razed in order to build stadiums that cater to clientele eager to enjoy a nostalgic urban experience. This mandate to draw suburban residents and tourists to the heart of downtown, combined with the accompanying gentrification of these newly redeveloped areas, has fundamentally altered historic urban centers.
Focusing on Cleveland’s Jacobs Field as a case study, Rosenweig explores the political economy surrounding the construction of downtown ball parks, which have emerged as key components of urban entertainment-based development. Blending economic and cultural analysis, he considers the intersection of race and class in these new venues. For example, he shows that African American consumers in the commercial district around Jacobs Field have largely been replaced by symbolic representations of African American culture, such as piped-in rap music and Jackie Robinson replica jerseys. He concludes that the question of authenticity, the question of what it means to simultaneously commemorate and commodify the past in retro ball parks, mirrors larger cultural issues regarding the nature and implications of urban redevelopment and gentrification.

Daniel Rosensweig is a professor in the Bachelor of Interdisciplinary Studies Program at the University of Virginia

Founded in eastern Arkansas during the Great Depression, the Southern Tenant Farmers Union (STFU) has long fascinated historians, who have emphasized its biracial membership and the socialist convictions of its leaders, while attributing its demise to external factors, such as the mechanization of agriculture, the repression of wealthy planters, and the indifference of New Dealers. However, as James Ross notes in this compelling revisionist history, such accounts have largely ignored the perspective of the actual sharecroppers and other tenant farmers who made up the union’s rank and file.

Drawing on a rich trove of letters that STFU members wrote to union leaders, government officials, and others, Ross shows that internal divisions were just as significant—if not more so—as outside causes in the union’s ultimate failure. Most important, the STFU’s fatal flaw was the yawning gap between the worldviews of its leadership and those of its members. Ross describes how, early on, STFU secretary H. L. Mitchell promoted the union as one involving many voices—sometimes in harmony, sometimes in discord—but later pushed a more simplified narrative of a few people doing most of the union’s work. Struck by this significant change, Ross explores what the actual goals of the rank and file were and what union membership meant to them. “While the white leaders may have expressed a commitment to racial justice, white members often did not,” he writes. “While the union’s socialist and communist leaders may have hoped for cooperative land ownership, the members often did not.” Above all, the poor farmers who made up the membership wanted their immediate needs for food and shelter met, and they wanted to own their own land and thus determine their own futures. Moreover, while the leadership often took its inspiration from Marx, the membership’s worldview was shaped by fundamentalist, Pentecostal Christianity.

In portraying such tensions and how they factored into the union’s implosion, Ross not only offers a more nuanced view of the STFU, he also makes a powerful new contribution to our understanding of the Depression-era South.

The old judge enjoyed swapping tales and sharing company with other lawyers, politicians, and family members. A true aristocrat of the Old South, Garnett Andrews (1798–1873) so enjoyed hearing and telling good yarns that he decided late in his life to preserve them for posterity. The judge wrote down a collection of his stories, including tales of men with whom he had worked—and some whom he had worked against—and in 1870, about three years before he died, he had his booklet printed and circulated among friends. He titled it Reminiscences of an Old Georgia Lawyer.

This new volume reprises Andrews’s work, and features a new introduction by S. Kittrell Rushing. In recounting a lawyer’s life from the frontier period through the Civil War and into the Reconstruction era, Andrews’s recollections provide rare and fascinating details, particularly about pre–Civil War Georgia, the state of the judiciary in the early national period—about which little has been written—and the larger political and social milieu of antebellum and postbellum America. This is an eclectic mixture of tall tales, humorous anecdotes, and keen observations about southern society and the practice of law.

In his introduction, Rushing places Andrews’s writings in a broad context. He addresses Andrews’s racial views head on, confronting and probing the racism, sexism, and classism of Andrews and his times. In addition, Rushing provides biographical and genealogical information about the judge and his family, including his daughter, the noted diarist and novelist Eliza Frances Andrews. This volume also includes other pieces by Andrews, among them letters, speeches, and his acceptance of the 1855 gubernatorial nomination.

Highly readable and lively, Reminiscence of an Old Georgia Lawyer will enlighten and entertain both scholars and general readers interested in the history of Georgia, the Old South, and American legal history.

William Strickland (1788–1854) was, in his day, among the most notable architects in the United States. An erstwhile student of Benjamin Henry Latrobe and a contemporary of Robert Mills, Strickland first entered the world of architecture at a young age in Philadelphia. But given that many of Strickland’s buildings have not survived, and considering the sparse and dispersed collection of primary sources Strickland left upon his death, little contemporary scholarship has appeared concerning Strickland’s significant contributions to the built environment of the early nineteenth century.

In William Strickland and the Creation of an American Architecture, Robert Russell does much to rectify this underrepresentation of Strickland’s notable architectural contributions in contemporary scholarship. In this first monograph detailing Strickland’s life and works since 1950 Russell examines the architectural production of Strickland during the first half of the nineteenth century.

Russell begins with the well-known Second Bank of the United States (Philadelphia)—the project that launched Strickland onto the national stage—eventually bringing his analysis to the south with an examination of the Tennessee State Capitol Building (Nashville). These two monuments bookended the American Greek Revival of the nineteenth century. Russell’s careful descriptions and insightful analyses of William Strickland’s work highlight the architect’s artistic skills and contributions to American material culture over the course of fifty years.

Ornamenting his examination with more than one hundred illustrations, Russell takes readers on a comprehensive journey through Strickland’s architecture. Part biography, part architectural history, William Strickland and the Creation of an American Architecture is an invaluable resource for scholars and artists alike, illustrating Strickland’s critical role in American architectural history and celebrating the icon behind buildings in Pennsylvania, Tennessee, and beyond that are still admired and appreciated today.

Samuel Stouffer, a little-known sociologist from Sac City, Iowa, is likely not a name World War II historians associate with other stalwart men of the war, such as Eisenhower, Patton, or MacArthur. Yet Stouffer, in his role as head of the Army Information and Education Division’s Research Branch, spearheaded an effort to understand the citizen-soldier, his reasons for fighting, and his overall Army experience. Using empirical methods of inquiry to transform general assumptions about leadership and soldiering into a sociological understanding of a draftee Army, Stouffer perhaps did more for the everyday soldier than any general officer could have hoped to accomplish.
    Stouffer and his colleagues surveyed more than a half-million American GIs during World War II, asking questions about everything from promotions and rations to combat motivation and beliefs about the enemy. Soldiers’ answers often demonstrated that their opinions differed greatly from what their senior leaders thought soldier opinions were, or should be. Stouffer and his team of sociologists published monthly reports entitled “What the Soldier Thinks,” and after the war compiled the Research Branch’s exhaustive data into an indispensible study popularly referred to as The American Soldier. General George C. Marshall was one of the first to recognize the value of Stouffer’s work, referring to The American Soldier as “the first quantitative studies of the . . . mental and emotional life of the soldier.” Marshall also recognized the considerable value of The American Soldier beyond the military. Stouffer’s wartime work influenced multiple facets of policy, including demobilization and the GI Bill. Post-war, Stouffer’s techniques in survey research set the state of the art in the civilian world as well.
    Both a biography of Samuel Stouffer and a study of the Research Branch, Samuel Stouffer and the GI Survey illuminates the role that sociology played in understanding the American draftee Army of the Second World War. Joseph W. Ryan tracks Stouffer’s career as he guided the Army leadership toward a more accurate knowledge of their citizen soldiers, while simultaneously establishing the parameters of modern survey research. David R. Segal’s introduction places Stouffer among the elite sociologists of his day and discusses his lasting impact on the field. Stouffer and his team changed how Americans think about war and how citizen-soldiers were treated during wartime. Samuel Stouffer and the GI Survey brings a contemporary perspective to these significant contributions.