Race Patriotism: Protest and Print Culture in the A.M.E. Church examines important nineteenth-century social issues through the lens of the AME Church and its publications. This book explores the ways in which leaders and laity constructed historical narratives around varied locations to sway public opinion of the day. Drawing on the official church newspaper, the Christian Recorder, and other denominational and rare major primary sources, Bailey goes beyond previously published works that focus solely on the founding era of the tradition or the eastern seaboard or post-bellum South to produce a work than breaks new historiographical ground by spanning the entirety of the nineteenth century and exploring new geographical terrain such as the American West.
Through careful analysis of AME print culture, Bailey demonstrates that far from focusing solely on the “politics of uplift” and seeking to instill bourgeois social values in black society as other studies have suggested, black authors, intellectuals, and editors used institutional histories and other writings for activist purposes and reframed protest in new ways in the postbellum period.
Adding significantly to the literature on the history of the book and reading in the nineteenth century, Bailey examines AME print culture as a key to understanding African American social reform recovering the voices of black religious leaders and writers to provide a more comprehensive and nuanced portrayal of the central debates and issues facing African Americans in the nineteenth century such as migration westward, selecting the appropriate referent for the race, Social Darwinism, and the viability of emigration to Africa. Scholars and students of religious studies, African American studies, American studies, history, and journalism will welcome this pioneering new study.
Julius H. Bailey is the author of Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865–1900. He is an associate professor in the Religious Studies Department at the University of Redlands in Redlands, California.
In the 1960s and 1970s, Randy Wood was a forerunner in the vintage instrument industry. Known as the instrument repairman to the stars, the list of Wood’s clients reads like a Hall of Fame roster: Elvis Presley, Eric Clapton, Johnny Cash, Chet Atkins, Emmylou Harris, Billy Gibbons, Bill Monroe, Keith Richards, Roy Acuff, Ricky Skaggs, and Hank Williams Jr. . . . to name a few. In Randy Wood: The Lore of the Luthier, Daniel Wile traces the life and work of a man who quietly influenced a hidden history of bluegrass and country music.
In his twenties, Wood vowed to avoid complacency in his work. What started simply as a quest to find fulfillment turned into a career that has shaped a generation of musicians, professional and amateur alike. Through his incredible gift for lutherie, Wood brought cherished pre-WWII instruments back to life, many of which were considered beyond repair. He crafted his own instruments as well, based on what he learned from vintage instruments, and these instruments found their way into the hands of some of the most renowned musicians, thanks in part to Wood’s strategic location in Nashville during the resurgence of country music in the 1970s. Humble, unassuming, and unfazed by the presence of celebrities, Wood has spent his life devoted to building and repairing stringed instruments.
Wood also built community. After tiring of big-city Nashville, he retreated to the Georgia coast, where his home shop became a hub of bluegrass activity. He eventually opened a new shop near Savannah, where a new generation of friends and strangers can come in, visit, and pick a little. Randy’s stories, complemented with those of his friends and family, create a compelling picture of a modest man with a talent for his craft, a genuine care for people, and the courage to follow his passion.
Large numbers of Civil War veterans remembered and reminisced about their war experiences, but only a relative few dedicated the rest of their lives to the task of commemorating their long-ago deeds. John S. Kountz was one of this latter group. Kountz joined the Thirty-seventh Ohio Infantry in September 1861 as a fifteen-year-old drummer boy and later, under General William T. Sherman, endured the long siege at Vicksburg before helping to win control of the city in July 1863. In 1899 the War Department appointed Kountz as the official historian at the newly designated Vicksburg National Military Park. As part of his duties, he produced two major works, an organizational chronicle of the armies that fought at Vicksburg and an unpublished narrative of the campaign and siege. This welcome volume presents both of these extremely rare documents together for the first time, providing a valuable resource for a new generation of scholars and enthusiasts.
Record of the Organizations Engaged in the Campaign, Siege, and Defense of Vicksburg was published in a limited edition by the Government Printing Office in 1901 and offered visitors and historians a detailed examination of the various commands that fought at Vicksburg. The record has long been an essential but hard-to-find source for historians. Kountz’s impressive 116-page campaign overview is rarer still. Because of turnover at the park and Kountz’s death in 1909, the manuscript never saw publication and has, until now, lain buried in the archives at Vicksburg. Offering an unbiased account of both sides of the battle, it delves into the minds of the commanders, examines their decision-making processes, and articulates several opinions that have sparked debate ever since.
With a new introduction by noted historian Timothy B. Smith, this significant work makes widely available an important history by a participant in the action and opens a fascinating window into the history of Civil War scholarship.
Each year nearly a quarter million visitors come to Reelfoot Lake, also known as “The Earthquake Lake,” to enjoy its natural splendor. With its twenty-five thousand acres of shimmering water, haunting cypress swamps, and two-hundred-year-old lily marshes, the lake is rich in natural beauty and natural history. Yet, despite being one of the most unique lakes in the country—this natural body of water formed during the New Madrid earthquakes in the early nineteenth century—it is relatively understudied. Biologist and environmentalist Jim W. Johnson grew up on the lake and experienced its natural and cultural history firsthand. As a wildlife biologist, he spent much of his career managing Reelfoot and its surrounding area. Reelfoot Lake: Oasis on the Mississippi is part personal remembrance, part guidebook, and part cautionary tale on river and wetland ecology, conservation, and land management, written by an author intimately knowledgeable about the lake and life on it. By exploring Reelfoot’s ancient and recent history, Johnson illuminates the lives of generations of people who lived and thrived in the floodplain. For those looking to navigate the waters of the lake, this book will make travel through the bayous and canals much easier and more pleasurable. And its discussions about the lake’s ecology will bolster voices calling for the protection and preservation of Reelfoot and other wetlands like it.
Accompanied by stunning photography, Johnson’s book is sure to become a useful outdoor guide to Reelfoot Lake and will increase readers’ appreciation for wetlands.
In the expansive canon of Civil War memoirs, relatively few accounts from women exist. Among the most engaging and informative of these rare female perspectives is Constance Cary Harrison’s Recollections Grave and Gay, a lively, first-person account of the collapse of the Confederacy by the wife of President Jefferson Davis’s private secretary. Although equal in literary merit to the well-known and widely available diaries of Mary Boykin Chesnut and Eliza Frances Andrews, Harrison’s memoir failed to remain in print after its original publication in 1916 and, as a result, has been lost to all but the most diligent researcher. In Refugitta of Richmond, Nathaniel Cheairs Hughes Jr. and S. Kittrell Rushing resurrect Harrison’s work, reintroducing an especially insightful perspective on the Southern high command, the home front, and the Confederate elite.
Born into an old, aristocratic Virginia family in 1843, Constance Cary fled with her family from their estate near Alexandria, Virginia, to Richmond in 1862. There, the nineteen-year-old met Burton Norvell Harrison, a young math professor from the University of Mississippi who had come to the Confederate capital to work for Davis. The pair soon became engaged and joined the inner circle of military, political, and social leaders at the Confederate White House. Under the pen name “Refugitta,” Constance also wrote newspaper columns about the war and became a respected member of Richmond’s literary community.
Fifty years later, Constance used her wartime diaries and letters to pen her recollections of her years in Richmond and of the confusing months immediately after the war. She offers lucid, insightful, and detailed observations of the Confederate home front even as she reflects on the racial and class biases characteristic of her time and station. With an informative introduction and thorough annotations by Hughes and Rushing, Refugitta of Richmond provides a highly readable, often amusing, occasionally troubling insider’s look at the Confederate nerve center and its ultimate demise.
Nathaniel Cheairs Hughes Jr. is the author or editor of twenty books relating to the American Civil War, including The Life and Wars of Gideon J. Pillow; Brigadier General Tyree H. Bell, C.S.A.: Forrest’s Fighting Lieutenant; and Yale’s Confederates.
S. Kittrell Rushing, Frank McDonald Professor of History at the University of Tennessee at Chattanooga, is the editor of Eliza Frances Andrews’s A Family Secret and Journal of a Georgia Woman, 1870–1872. Rushing also edited and annotated Judge Garnett Andrews’s Reminiscences of an Old Georgia Lawyer.
A growing number of cultural anthropologists and others in allied disciplines are doing ethnographic fieldwork in the communities where they live and work. Essays in Reinventing and Reinvesting in the Local for Our Common Good describe an engaged local anthropology that contributes to the common good by informing social change and public policy.
The volume includes examples of citizen or student involvement in ethnographic research: Residents of a rural community were both subjects and collaborators on a study of cultural attachment to land. A group of American university students on an international travel course and their South African peer mentors explored racism and cultural differences in an immersive fieldwork experience.
One essay traces the discipline’s evolving understanding of the ethnographer’s relationship to the community being studied—from dispassionate observer to critically self-conscious participant-observer. Another heralds the success of an unconventional local initiative: a popular radio drama shows great promise for raising HIV awareness among young women in Botswana. A final essay makes a plea for broad public engagement in improving the lives of people with Autism Spectrum Disorder.
These papers were presented at the April 2016 annual meeting of the Southern Anthropological Society (SAS) in Huntington, West Virginia.
BRIAN A. HOEY is associate dean of the Honors College and a professor of anthropology at Marshall University.
The use of cars and trucks over the past century has remade American geography—pushing big cities ever outward toward suburbanization, spurring the growth of some small towns while hastening the decline of others, and spawning a new kind of commercial landscape marked by gas stations, drive-in restaurants, motels, tourist attractions, and countless other retail entities that express our national love affair with the open road. By its very nature, this landscape is ever changing, indeed ephemeral. What is new quickly becomes old and is soon forgotten.
In this absorbing book, John Jakle and Keith Sculle ponder how “Roadside America” might be remembered, especially since so little physical evidence of its earliest years survives. In straightforward and lively prose, supplemented by copious illustrations—historic and modern photographs, advertising postcards, cartoons, roadmaps—they survey the ways in which automobility has transformed life in the United States. Asking how we might best commemorate and preserve this part of our past—which has been so vital economically and politically, so significant to the cultural aspirations of ordinary Americans, yet so often ignored by scholars who dismiss it as kitsch—they propose the development of an actual outdoor museum that would treat seriously the themes of our roadside history.
Certainly, museums have been created for frontier pioneering, the rise of commercial agriculture, and the coming of water- and steam-powered industrialization and transportation, especially the railroad. Is now not the time, the authors ask, for a museum forcefully exploring the automobile’s emergence and the changes it has brought to place and landscape? Such a museum need not deny the nostalgic appeal of roadsides past, but if done properly, it could also tell us much about what the authors describe as “the most important kind of place yet devised in the American experience.”
John A. Jakle is Emeritus Professor of Geography at the University of Illinois, Urbana-Champaign. Keith A. Sculle is the former head of research and education at the Illinois Historic Preservation Agency. They have coauthored such books as America’s Main Street Hotels: Transiency and Community in the Early Automobile Age; Motoring: The Highway Experience in America; Fast Food: Roadside Restaurants in the Automobile Age; and The Gas Station in America.
The old judge enjoyed swapping tales and sharing company with other lawyers, politicians, and family members. A true aristocrat of the Old South, Garnett Andrews (1798–1873) so enjoyed hearing and telling good yarns that he decided late in his life to preserve them for posterity. The judge wrote down a collection of his stories, including tales of men with whom he had worked—and some whom he had worked against—and in 1870, about three years before he died, he had his booklet printed and circulated among friends. He titled it Reminiscences of an Old Georgia Lawyer.
This new volume reprises Andrews’s work, and features a new introduction by S. Kittrell Rushing. In recounting a lawyer’s life from the frontier period through the Civil War and into the Reconstruction era, Andrews’s recollections provide rare and fascinating details, particularly about pre–Civil War Georgia, the state of the judiciary in the early national period—about which little has been written—and the larger political and social milieu of antebellum and postbellum America. This is an eclectic mixture of tall tales, humorous anecdotes, and keen observations about southern society and the practice of law.
In his introduction, Rushing places Andrews’s writings in a broad context. He addresses Andrews’s racial views head on, confronting and probing the racism, sexism, and classism of Andrews and his times. In addition, Rushing provides biographical and genealogical information about the judge and his family, including his daughter, the noted diarist and novelist Eliza Frances Andrews. This volume also includes other pieces by Andrews, among them letters, speeches, and his acceptance of the 1855 gubernatorial nomination.
Highly readable and lively, Reminiscence of an Old Georgia Lawyer will enlighten and entertain both scholars and general readers interested in the history of Georgia, the Old South, and American legal history.
This paperback facsimile edition restores to print Howard Kester’s Revolt among the Sharecroppers, a lost classic of southern radicalism. First published in 1936, Kester’s brief, stirring book provides a dramatic eyewitness account of the origins of the Southern Tenant Farmers’ Union (STFU), the Arkansas Delta sharecroppers’ organization whose cause was championed by religious radicals and socialists during the 1930s. Accompanying Kester’s original text is a substantial new introductory essay by historian Alex Lichtenstein.
This edition will introduce general readers, scholars, and students to a social movement with significant historical implications. In its commitment to interracialism, the STFU challenged long-standing southern traditions. In its hostility to the agricultural recovery programs of the 1930s (which tended to benefit landowners at the expense of tenant farmers), the union offered an early critique of New Deal liberalism. And, finally, in its insistence that the dispossessed could assume control of their own destiny, the STFU foreshadowed the progressive social movements of the 1960s. Thus, Revolt among the Sharecroppers is an important primary document that makes a signal contribution to our understanding of labor history, African American history, and the history of Depression-era America.
Kester’s text recounts the early history of the STFU and its criticisms of the New Deal in compelling, accessible prose. Lichtenstein’s introduction offers biographical background on Kester, explores the religious and socialist beliefs that led him to work with the STFU, describes the racial and social climate that shaped the union’s emergence, places the union’s rise and decline within the context of 1930s politics, and outlines the legacy of this remarkable organization.
Richard Halliburton (1900–1939), considered the world’s first celebrity travel writer, swam the length of the Panama Canal, recreated Ulysses’ voyages in the Mediterranean, crossed the Alps on an elephant, flew around the world in a biplane, and descended into the Mayan Well of Death, all the while chronicling his own adventures. Several books treat his life and travels, yet no book has addressed in detail Halliburton’s most ambitious expedition: an attempt to sail across the Pacific Ocean in a Chinese junk.
Set against the backdrop of a China devastated by invading Japanese armies and the storm clouds of world war gathering in Europe, Halliburton and a crew of fourteen set out to build and sail the Sea Dragon—a junk or ancient sailing ship—from Hong Kong to San Francisco for the Golden Gate International Exposition. After battling through crew conflicts and frequent delays, the Sea Dragon set sail on March 4, 1939. Three weeks after embarking, the ship encountered a typhoon and disappeared without a trace.
Richly enhanced with historic photographs, Richard Halliburton and the Voyage of the Sea Dragon follows the dramatic arc of this ill-fated expedition in fine detail. Gerry Max artfully unpacks the tensions between Halliburton and his captain, John Wenlock Welch (owing much to Welch’s homophobia and Halliburton’s unconcealed homosexuality). And while Max naturally explores the trials and tribulations of preparing, constructing, and finally launching the Sea Dragon, he also punctuates the story with the invasion of China by the Japanese, as Halliburton and his letters home reveal an excellent wartime reporter. Max mines these documents, many of which have only recently come to light, as well as additional letters from Halliburton and his crew to family and friends, photographs, films, and tape recordings, to paint an intricate portrait of Halliburton’s final expedition from inception to tragic end.
Founded in eastern Arkansas during the Great Depression, the Southern Tenant Farmers Union (STFU) has long fascinated historians, who have emphasized its biracial membership and the socialist convictions of its leaders, while attributing its demise to external factors, such as the mechanization of agriculture, the repression of wealthy planters, and the indifference of New Dealers. However, as James Ross notes in this compelling revisionist history, such accounts have largely ignored the perspective of the actual sharecroppers and other tenant farmers who made up the union’s rank and file.
Drawing on a rich trove of letters that STFU members wrote to union leaders, government officials, and others, Ross shows that internal divisions were just as significant—if not more so—as outside causes in the union’s ultimate failure. Most important, the STFU’s fatal flaw was the yawning gap between the worldviews of its leadership and those of its members. Ross describes how, early on, STFU secretary H. L. Mitchell promoted the union as one involving many voices—sometimes in harmony, sometimes in discord—but later pushed a more simplified narrative of a few people doing most of the union’s work. Struck by this significant change, Ross explores what the actual goals of the rank and file were and what union membership meant to them. “While the white leaders may have expressed a commitment to racial justice, white members often did not,” he writes. “While the union’s socialist and communist leaders may have hoped for cooperative land ownership, the members often did not.” Above all, the poor farmers who made up the membership wanted their immediate needs for food and shelter met, and they wanted to own their own land and thus determine their own futures. Moreover, while the leadership often took its inspiration from Marx, the membership’s worldview was shaped by fundamentalist, Pentecostal Christianity.
In portraying such tensions and how they factored into the union’s implosion, Ross not only offers a more nuanced view of the STFU, he also makes a powerful new contribution to our understanding of the Depression-era South.
When she was in fifth grade, Monica Abbott declared that she would one day become an Olympic athlete. In the decades that would follow, her prediction would prove stunningly true, as she would not only compete in the Games but go on to claim two Silver Medals as pitcher for Team USA softball.
In her twenty-plus years as a professional athlete, Abbott has set a high standard of firsts and achievements—but her talents and tenacity have not only shattered records but have also created new possibilities for female athletes everywhere. In Rise and Shine, Abbott chronicles significant lessons and experiences from her childhood, her University of Tennessee and professional softball years, her time in the Olympics, and beyond. Throughout the book, she shares insights cultivated on her journey, offering them to readers of all ages and skill sets to consider as they endeavor to bring their lives into contact with their dreams.
How do we set goals yet unseen? How do we thrive even while overcoming obstacles? And perhaps most importantly, how do we turn our successes into advantages for others? With a foreword by world-renowned tennis icon Billie Jean King, Rise and Shine is more than a record of medals and firsts; it is the story of making dreams come true and of lifting others with you as you rise.
This catalog documents a 2022 exhibition of original editorial illustrations commissioned by the University of Tennessee Libraries to complement the Chimney Tops 2 Wildfires Oral History Project. The four illustrators showcased here have strong ties to East Tennessee. Paige Braddock, author of the Eisner-nominated comic strip Jane’s World and Chief Creative Officer at Charles M. Schulz Creative Associates, is an ’85 UT alumna; Charlie Daniel, beloved Knoxville News Sentinel editorial illustrator, has been a Knoxville resident since 1958; Marshall Ramsey, syndicated editorial illustrator and Pulitzer nominee, is a ’91 UT alumnus; and professional illustrator Danny Wilson has been a visible part of Knoxville’s graphic landscape since graduating from UT in 1984. The artists were given access to the project’s digital archive of oral interviews—to date, 139 have been recorded—and were asked to respond creatively to what they heard and read.
The result is Rising from the Ashes, a candid and deeply felt collection of illustrations encapsulating accounts of the merciless firestorm that enveloped Sevier County in November 2016. The flexible medium of the editorial illustration shows itself capable of extended narrative, disquieting detail, and poignant synthesis, as well as moments of beauty, hope, horror, and even humor as it ushers viewers into the recollections of wrestling and sorrow that animate the project’s still expanding archive. Bales writes, “Ultimately, the multiple fires destroyed or damaged 2,500 homes and buildings, killed 14 trapped people, injured another 200 or more, and burned over 17,000 acres of mostly woodlands that were a powder keg of dried leaves, all in a matter of three hours.” Years later, the ramifications of this event are still being felt in the community and region. Rising from the Ashes is a tribute to a people who suffered, lost, banded together, and rebuilt; and no less important, it is an expression of solidarity, recognizing how much remains to be done.
Toward the end of his career, Robert Penn Warren wrote, “It may be said that our lives are our own supreme fiction.” Although lauded for his writing in multiple genres, Warren never wrote an autobiography. Instead, he created his own “shadowy autobiography” in his poetry and prose, as well as his fiction and nonfiction. As one of the most thoughtful scholars on Robert Penn Warren and the literature of the South, Joseph Millichap builds on the accepted idea that Warren’s poetry and fiction became more autobiographical in his later years by demonstrating that that same progression is replicated in Warren’s literary criticism. This meticulously researched study reexamines in particular Warren’s later nonfiction in which autobiographical concerns come into play—that is, in those fraught with psychological crisis such as Democracy and Poetry.
Millichap reveals the interrelated literary genres of autobiography, criticism, and poetry as psychological modes encompassing the interplay of Warren’s life and work in his later nonfiction. He also shows how Warren’s critical engagement with major American authors often centered on the ways their creative work intersected with their lives, thus generating both autobiographical criticism and the working out of Warren’s own autobiography under these influences. Millichap’s latest book focuses on Warren’s critical responses to William Faulkner, John Crowe Ransom, Herman Melville, Nathaniel Hawthorne, John Greenleaf Whittier, and Theodore Dreiser. In addition, the author carefully considers the black and female writers Warren assessed more briefly in American Literature: The Makers and the Making.
Robert Penn Warren, Shadowy Autobiography, and Other Makers of American Literature presents the breadth of Millichap’s scholarship, the depth of his insight, and the maturity of his judgment, by giving us to understand that in his writing, Robert Penn Warren came to know his own vocation as a poet and critic—and as an American.
Joe Wilson served for twenty-eight years as executive director of the National Folk Festival and National Council for Traditional Arts. Throughout his impressive career, Wilson wrote extensively and colorfully about many facets of vernacular music in North America, including works on major folk instruments, as well as on characteristic musical styles, especially old-time, bluegrass, modern country, blues, cowboy, a cappella gospel, and others. This volume, a companion to Lucky Joe’s Namesake: The Extraordinary Life and Observations of Joe Wilson, compiles Wilson’s best writings on musical topics, including some previously unpublished works.
With wry humor, Wilson covers the origins of roots music in eighteenth-century America and its subsequent dispersion through races, classes, ethnic groups, and newly settled regions. Wilson knew, worked with, and wrote about many iconic artists of the twentieth century, including Willie Nelson, Doc Watson, Clarence Ashley, the Stanley Brothers, Kenny Baker, Cephas & Wiggins, John Jackson, and members of the Hill Billies—the band whose name came to signify an entire genre of the earliest recorded roots music. This carefully curated volume is comprised of works previously scattered in liner notes, small-circulation magazines, tour booklets, and unpublished manuscripts, all collected here and organized by theme.
The writings of this legendary, internationally recognized figure will be indispensable to roots music fans and will delight readers and students interested in the traditional arts and dedicated to preserving historic folkways.
Fred Bartenstein teaches country and bluegrass music history at the University of Dayton. He is the editor of Bluegrass Bluesman: Josh Graves, a Memoir and coauthor and editor of The Bluegrass Hall of Fame: Inductee Biographies, 1991–2014
One of the most gifted of America’s writers, James Rufus Agee (1909–1955), spent a third of his short life in Tennessee, yet no biographical treatment until this one has so fully explored his roots in the state. In Rufus, Paul F. Brown draws deeply on a trove of journals, letters, interviews, and contemporaneous newspaper accounts, to produce a captivating portrait of Agee’s boyhood.
Brown meticulously delineates Agee’s family history, his earliest years as a sensitive child growing up in Knoxville’s Fort Sanders neighborhood, and the traumatic event that marked his sixth year: his father’s death in an automobile accident. Young Rufus—as his family always called him—revered his father and would use his memories of the tragedy to create his most enduring work of fiction, the Pulitzer Prize–winning A Death in the Family. Just a few years after his father was killed, Agee’s mother placed him in the St. Andrew’s School for Mountain Boys near Sewanee, Tennessee, where he would meet his mentor and lifelong friend, Father James Flye; these experiences would inspire Agee’s poignant novella, The Morning Watch. Another year in Knoxville followed, and then his mother, newly remarried, whisked him away to New England, where he would complete his education at Phillips Exeter Academy and Harvard.
Brown’s account deftly reconstructs various settings the young Agee encountered—including not only turn-of-the-century Knoxville and St. Andrew’s but also the mountain hamlet of LaFollette, his father’s hometown—and the complex family relationships that swirled around the young writer-to-be. Brown also explores Knoxville’s belated discovery of its famous son, initiated when Hollywood came to town in 1962 to film All the Way Home, an adaptation of A Death in the Family. Notable commemorations—including academic seminars, a public park, and a street named in Agee’s honor—would come later as the writer’s posthumous reputation bloomed. And now, with Rufus, we have the definitive account of how it all began.
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