Press, Platform, Pulpit examines how early black feminism goes public by sheding new light on some of the major figures of early black feminism as well as bringing forward some lesser-known individuals who helped shape various  reform movements. With a perspective unlike many other studies of black feminism, Teresa Zackodnik considers these activists as central, rather than marginal, to the politics of their day, and argues that black feminism reached critical mass well before the club movement’s national federation at the turn into the twentieth century . Throughout, she shifts the way in which  major figures of early black feminism have been understood.   

      The first three chapters trace the varied speaking styles and appeals of black women in the church, abolition, and women’s rights, highlighting audience and location as mediating factors in the public address and politics of figures such as Jarena Lee, Zilpha Elaw, Amanda Berry Smith, Ellen Craft, Sarah Parker Remond and Sojourner Truth. The next chapter focuses on Ida B. Wells’s anti-lynching tours as working within “New Abolition” and influenced by black feminists before her. The final chapter examines feminist black nationalism as it developed in the periodical press by considering Maria Stewart’s social and feminist gospel; Mary Shadd Cary’s linking of abolition, emigration, and woman suffrage; and late-nineteenth-century black feminist journalism addressing black women’s migration and labor.  Early black feminists working in reforms such as abolition and women’s rights opened new public arenas, such as the press, to the voices of black women. The book concludes by focusing on the 1891 National Council of Women, Frances Harper, and Anna Julia Cooper, which together mark a generational shift in black feminism, and by exploring the possibilities of taking black feminism public through forging coalitions among women of color.
    Press, Platform, Pulpit goes far in deepening our understanding of early black feminism, its position in reform, and the varied publics it created for its politics. It not only moves historically from black feminist work in the church early in the nineteenth century to black feminism in the press at its close, but also explores the connections between black feminist politics across the century and specific reforms.

According to the 1860 census, nearly 350,000 native northerners resided in a southern state by the time of the Civil War. Although northern in birth and upbringing, many of these men and women identified with their adopted section once they moved south. In this innovative study, David Ross Zimring examines what motivated these Americans to change sections, support (or not) the Confederate cause, and, in many cases, rise to considerable influence in their new homeland. By analyzing the lives of northern emigrants in the South, Zimring deepens our understanding of the nature of sectional identity as well as the strength of Confederate nationalism.
            Focusing on a representative sample of emigrants, Zimring identifies two subgroups: “adoptive southerners,” individuals born and raised in a state above the Mason-Dixon line but who but did not necessarily join the Confederacy after they moved south, and “Northern Confederates,” emigrants who sided with the Confederacy during the Civil War. After analyzing statistical data on states of origin, age, education, decade of migration, and, most importantly, the reasons why these individuals embarked for the South in the first place, Zimring goes on to explore the prewar lives of adoptive southerners, the adaptations they made with regard to slavery, and the factors that influenced their allegiances during the secession crisis. He also analyzes their contributions to the Confederate military and home front, the emergence of their Confederate identities and nationalism, their experiences as prisoners of war in the North, and the reactions they elicited from native southerners.
            In tracing these journeys from native northerner to Confederate veteran, this book reveals  not only  the complex transformations of adoptive southerners but also  the flexibility of sectional and national identity before the war and the loss of that flexibility in its aftermath. To Live and Die in Dixie is a thought-provoking work that provides a novel perspective on the revolutionary changes the Civil War unleashed on American society.
 
David Ross Zimring is an adjunct professor of history at the University of Maryland, Baltimore County and Montgomery College. He has published in West Virginia History and the Journal of Southern History.

The Victorian era provided few opportunities for women in the professional world.  The American Arts and Crafts movement, which began in the late nineteenth century to promote handcraftsmanship over mass production, was a major factor in changing the status of women as professional workers.  In <i>Professional Pursuits</i>, Catherine Zipf examines the participation of women in this significant design movement and the role they played in revolutionizing the position of women in the professional world.  She also shows how, in turn, the Arts and Crafts movement set the stage for social and political change in future years.

Zipf focuses on five gifted women in various parts of the country. In San Diego, Hazel Wood Waterman parlayed her Arts and Crafts training into a career in architecture. Cincinnati's Mary Louise McLaughlin expanded on her interest in Arts and Crafts pottery by inventing new ceramic technology.

New York's Candace Wheeler established four businesses that used Arts and Crafts production to help other women earn a living.  In Syracuse, both Adelaide Alsop Robineau and Irene Sargent were responsible for disseminating Arts and Crafts-related information through the movement's publications. Each woman's story is different, but each played an important part in the creation of professional opportunities for women in a male-dominated society.

<i>Professional Pursuits</i> will be of interest to scholars and students of material culture and of the Arts and Crafts movement. More importantly, it chronicles a very significant, little-understood aspect of the development of Victorian capitalism: the integration of women into the professional workforce.

Catherine Zipf is an assistant professor in the Department of Cultural and Historic Preservation at Salve Regina University.  She has published articles in <i>Women's Art News</i> and the <i>Journal of the Society of Architectural Historians</i>.