front cover of Never Better!
Never Better!
The Modern Jewish Picaresque
Miriam Udel
University of Michigan Press, 2016
It was only when Jewish writers gave up on the lofty Enlightenment ideals of progress and improvement that the Yiddish novel could decisively enter modernity. Animating their fictions were a set of unheroic heroes who struck a precarious balance between sanguinity and irony that author Miriam Udel captures through the phrase “never better.” With this rhetorical homage toward the double-voiced utterances of Sholem Aleichem, Udel gestures at these characters’ insouciant proclamation that things had never been better, and their rueful, even despairing admission that things would probably never get better.

The characters defined by this dual consciousness constitute a new kind of protagonist: a distinctively Jewish scapegrace whom Udel denominates the polit or refugee. Cousin to the Golden Age Spanish pícaro, the polit is a socially marginal figure who narrates his own story in discrete episodes, as if stringing beads on a narrative necklace. A deeply unsettled figure, the polit is allergic to sentimentality and even routine domesticity. His sequential misadventures point the way toward the heart of the picaresque, which Jewish authors refashion as a vehicle for modernism—not only in Yiddish, but also in German, Russian, English and Hebrew. Udel draws out the contours of the new Jewish picaresque by contrasting it against the nineteenth-century genre of progress epitomized by the Bildungsroman.

While this book is grounded in modern Jewish literature, its implications stretch toward genre studies in connection with modernist fiction more generally. Udel lays out for a diverse readership concepts in the history and theory of the novel while also explicating the relevant particularities of Jewish literary culture. In addressing the literary stylistics of a “minor” modernism, this study illuminates how the adoption of a picaresque sensibility allowed minority authors to write simultaneously within and against the literary traditions of Europe.

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Cinema Ann Arbor
How Campus Rebels Forged a Singular Film Culture
Frank Uhle
University of Michigan Press, 2023
Ann Arbor, long known for its political and cultural activism, has an equally compelling history of engagement with film and media. In their quest to show art and independent films and in their efforts to raise money in the name of artistic freedom, local and campus societies pushed the boundaries of conformity. Delving into almost one hundred years of rarely glimpsed history, Cinema Ann Arbor melds interviews, deep archival research, and over four hundred images into a vivid history of film in one extraordinary town. These stories, told with urgency and exquisite detail, are firsthand accounts of the unforgettable people who created Ann Arbor’s magnificent twentieth-century film scene.

Featuring interviews with filmmaker Ken Burns, Oscar-nominated editor Jay Cassidy, producer John Sloss, and more, this masterpiece provides insights into how a Midwestern college town developed a robust underground art film community that inspired those across the country. Variety’s Owen Glieberman says, “Frank Uhle has captured the moment when cinema became, for a new generation, a kind of religion, with its own rituals and sacred texts and a spirit of exploratory mystery that has all but vanished from the culture.”

This is a must-have book for cinema and media aficionados, film archivists, and anyone interested in the cultural history of Ann Arbor.


This book was published in collaboration with Fifth Avenue Press at Ann Arbor District Library. Learn more about their publishing program
here. You can also see their collection, including vintage flyers, photos, film schedules, here
 
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The Shadow of an Ass
Philosophical Choice and Aesthetic Experience in Apuleius' Metamorphoses
Jeffrey P. Ulrich
University of Michigan Press, 2024
Jeffrey Ulrich’s The Shadow of an Ass addresses fundamental questions about the reception and aesthetic experience of Apuleius’ Metamorphoses, popularly known as The Golden Ass, by situating the novel in a contemporaneous literary and philosophical discourse emerging in the Second Sophistic. This unique Latin novel follows a man who is accidentally turned into a donkey because of his curiosity, viewing the world through a donkey’s eyes until he is returned to human form by the Egyptian goddess Isis. In the end, he chooses to become a cult initiate and priest instead of a debased and overindulgent ass. On the one hand, the novel encourages readers to take pleasure in the narrator’s experiences, as he relishes food, sex, and forbidden forms of knowledge. Simultaneously, it challenges readers to reconsider their participation in the story by exposing its donkey-narrator as a failed model of heroism and philosophical investigation. Ulrich interprets the Metamorphoses as a locus of philosophical inquiry, positioning the act of reading as a choice of how much to invest in this tale of pleasurable transformation and unanticipated conversion. The Shadow of an Ass further explores how Apuleius, as a North African philosopher translating an originally Greek novel into a Latin idiolect, transforms himself into an intermediary of Platonic philosophy for his Carthaginian audience.

Situating the novel in a long history of philosophical and literary conversations, Ulrich suggests that the Metamorphoses anticipates much of the philosophical burlesque we tend to associate with early modern fiction, from Don Quixote to Lewis Carroll.
 
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Democratizing Communist Militaries
The Cases of the Czech and Russian Armed Forces
Marybeth Peterson Ulrich
University of Michigan Press, 2000
Military support for democratically elected governments in the states emerging from communism in eastern Europe and elsewhere is critically important to the survival of the new democracies. We have seen the military overthrow civilian governments in many states in Latin America and Africa. What can be done to promote support for democratic government in transitional states?
In a groundbreaking study, Marybeth Peterson Ulrich explores the attitudes of the leaders of the armed forces in Russia and the Czech Republic toward the new democratic governments and suggests ways in which we might encourage the development of politically neutral militaries in these states. Building on the work of Samuel Huntington and others on the relationship between the military and the state, the author suggests that norms of military professionalism must change if the armies in countries making a transition from communist rule are to become strong supporters of the democratic state. The Czech Republic and Russia are interesting cases, because they have had very different experiences in the transition; they have different geopolitical goals; and they experienced different military-civilian relationships during the Soviet period. The author also explores American and NATO programs to promote democratization in these militaries and suggests changes in the programs.
Marybeth Peterson Ulrich is Associate Professor of Government, U.S. Army War College.
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The Courts of International Trade
Judicial Specialization, Expertise, and Bureaucratic Policymaking
Isaac Unah
University of Michigan Press, 1998
In the United States cases involving the interpretation of laws dealing with international trade are heard by a specialized court, the Court of International Trade, and on appeal by a specialized appellate court, the Court of Appeals for the Federal Circuit. In a groundbreaking study, Isaac Unah studies these courts to explore the way specialized courts work and how they fit into the federal court system. We know little about why specialized courts are created and how their role in interpreting law might differ from the role played by the courts of general jurisdiction. These courts play an important role in regulating agencies that affect many aspects of our lives, including the Internal Revenue Service, the Patent Office, and agencies that administer trade laws. The author considers the way these courts relate to the work of the agencies whose cases must always come to these courts. And he offers fresh insights into the differences between specialized courts and courts of general jurisdiction.
This book will be of interest to scholars studying the judiciary, bureaucracies, and international trade law and administration.
Isaac Unah is Assistant Professor of Political Science, University of North Carolina.
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Spring 2021 Catalog
University of Michigan Press
University of Michigan Press, 2020

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Socrates of Constantinople
Historian of Church and State
Theresa Evelynne Urbainczyk
University of Michigan Press, 1997
The fourth century c.e. saw the death of the ancient world and the birth of the medieval. Pagan temples crumbled through disuse, while Christian churches sprang up around the fledgling Holy Roman Empire. The emperor Constantine's conversion to Christianity changed history: pagans blamed the decline and fall of the Roman Empire on Christianity, but Christians explained events differently.
The church history written by Socrates of Constantinople is one of the most important sources, Eastern or Western, pagan or Christian, for these complex centuries. Socrates of Constantinople: Historian of Church and State is the first detailed study of Socrates' history--it describes the historical situation in which he wrote his work, and it pulls together all the personal information available about the author. The volume then examines Socrates' own work: how it was composed, which sources were used and how, and it looks at the relationship between Socrates' work and other church histories. It goes on to consider Socrates' attitudes towards bishops, emperors, and their enemies.
Socrates is sometimes dismissed by modern scholars for being a poor ecclesiastical historiographer. However, Theresa Urbainczyk carefully demonstrates Socrates' theory of causation, which affected the way he wrote his history, and she argues that he introduced secular material deliberately. In his view arguments and division in the church caused trouble in the state. In other words, when church leaders quibbled over theology, they endangered the state. It was therefore their duty, for the sake of church and state, to unite--under the emperor. This study not only calls on scholars to reexamine Socrates of Constantinople but makes the wider arguments that the ancients were far less concerned with genre than are modern scholars, and that ecclesiastical history is a continuation of, not a deviation from, political history.
Socrates of Constantinople: Historian of Church and State will be of interest to students and scholars interested in late Roman and early Christian history, theology, and historiography. Anyone studying late antiquity will find an examination of Socrates' attitudes essential.
Theresa Urbainczyk is College Lecturer in the Department of Classics, University College, Dublin.
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Theodoret of Cyrrhus
The Bishop and the Holy Man
Theresa Evelynne Urbainczyk
University of Michigan Press, 2002
The writing of a saint's life can be as political as it is pious. In this, her second book, Theresa Urbainczyk demonstrates how one collection of saints' lives--the Religious History of Theodoret, bishop of Cyrrhus--both prescribes and describes the relationship between ascetics and the early Church.
With the conversion of Constantine and his subsequent championing of the Christian cause, the Church rapidly began to increase its wealth and status. As coins filled the coffers of God, some Christians came to feel that their religion had become corrupted. They fled to the desert wastes, seeking a purer, holier life. These recluses and ascetics are the subjects of Theodoret's Religious History. The Syrian bishop had known many of them, some for all his life.
Urbainczyk argues that Theodoret's work was not merely written as an act of piety, but was in fact a very political treatise, addressing the theological disputes of his day. The main tensions of the early fifth century lay between the sees of Syrian Antioch and Egyptian Alexandria. One of Theodoret's aims was to show that Syria had produced individuals as pious as those of Egypt, about whom much had already been written. Urbainczyk studies the social background of these Syrian ascetics, describes the relationship between Theodoret's heroes and the Church community, and investigates how Theodoret presents his own personal relationship with the holy men.
This book is the first to examine Theodoret's role in his own work. Urbainczyk argues that the intimate details of Theodoret's life were not let slip accidentally but were inserted deliberately to buttress his own threatened position and to show how these independent men of God deferred to no one but himself.
Theodoret of Cyrrhus is an invaluable study for students of late antiquity, scholars of early Church history, early medieval historiographers and hagiographers.
Theresa Urbainczyk is College Lecturer in Classics, University College, Dublin.
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Poems of the Five Mountains
An Introduction to the Literature of the Zen Monasteries
Marian Ury
University of Michigan Press, 1992
This second, revised edition of a pioneering volume, long out of print, presents translations of Japanese Zen poems on sorrow, old age, homesickness, the seasons, the ravages of time, solitude, the scenic beauty of the landscape of Japan, and monastic life. Composed by Japanese Zen monks who lived from the last quarter of the thirteenth century to the middle of the fifteenth century, these poems represent a portion of the best of the writing called in Japanese gozan bungaku, “literature of the five mountains.”
“Five mountains” or “five monasteries” refers to the system by which the Zen monasteries were hierarchically ordered and governed. For the monks in the monasteries, poetry functioned as a means not only of expressing religious convictions and personal feelings but also of communicating with others in a civilized and courteous fashion. Effacing barriers of time and space, the practice of Chinese poetry also made it possible for Japanese authors to feel at one with their Chinese counterparts and the great poets of antiquity. This was a time when Zen as an institution was being established and contact with the Chinese mainland becoming increasingly frequent—ten of the sixteen poets represented here visited China.
Marian Ury has provided a short but substantial introduction to the Chinese poetry of Japanese gozan monasteries, and her translations of the poetry are masterful. Poems of the Five Mountains is an important work for anyone interested in Japanese literature, Chinese literature, East Asian Religion, and Zen Buddhism.
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Tales of Times Now Past
Sixty-Two Stories from a Medieval Japanese Collection
Marian Ury
University of Michigan Press, 1993
Tales of Times Now Past is a translation of 62 outstanding tales freshly selected from Konjaku monogatari shu, a Japanese anthology dating from the early twelfth century. The original work, unique in world literature, contains more than one thousand systematically arranged tales from India, China, and Japan. It is the most important example of a genre of collections of brief tales which, because of their informality and unpretentious style, were neglected by Japanese critics until recent years but which are now acknowledged to be among the most significant prose literature of premodern Japan. “Konjaku” in particular has aroused the enthusiasm of such leading 20th-century writers as Akutagawa Ryunosuke and Tanizaki Jun’ichiro.
The stories, with sources in both traditional lore and contemporary gossip, cover an astonishing range—homiletic, sentimental, terrifying, practical-minded, humorous, ribald. Their topics include the life of the Buddha, descriptions of Heaven and Hell, feats of warriors, craftsmen, and musicians, unsuspected vice, virtue, and ingenuity, and the ways and wiles of bandits, ogres, and proverbially greedy provincial governors, to name just a few. Composed perhaps a century after the refined, allusive, aristocratic Tale of Genji, Konjaku represents a masculine outlook and comparatively plebeian social orientation, standing in piquant contrast to the earlier masterpiece. The unknown compiler was interested less in exploring psychological subtleties than in presenting vivid portraits of human foibles and eccentricities. The stories in the present selection have been chosen to provide an idea of the scope and structure of the book as a whole, and also for their appeal to the modern reader. And the translation is based on the premise that the most faithful rendering is also the liveliest.
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Making News at The New York Times
Nikki Usher
University of Michigan Press, 2014
Making News at The New York Times is the first in-depth portrait of the nation’s, if not the world's, premier newspaper in the digital age. It presents a lively chronicle of months spent in the newsroom observing daily conversations, meetings, and journalists at work. We see Page One meetings, articles developed for online and print from start to finish, the creation of ambitious multimedia projects, and the ethical dilemmas posed by social media in the newsroom. Here, the reality of creating news in a 24/7 instant information environment clashes with the storied history of print journalism, and the tensions present a dramatic portrait of news in the online world.

This news ethnography brings to bear the overarching value clashes at play in a digital news world. The book argues that emergent news values are reordering the fundamental processes of news production. Immediacy, interactivity, and participation now play a role unlike any time before, creating clashes between old and new. These values emerge from the social practices, pressures, and norms at play inside the newsroom as journalists attempt to negotiate the new demands of their work. Immediacy forces journalists to work in a constant deadline environment, an ASAP world, but one where the vaunted traditions of yesterday's news still appear in the next day's print paper. Interactivity, inspired by the new user-computer directed capacities online and the immersive Web environment, brings new kinds of specialists into the newsroom, but exacts new demands upon the already taxed workflow of traditional journalists. And at time where social media presents the opportunity for new kinds of engagement between the audience and media, business executives hope for branding opportunities while journalists fail to truly interact with their readers.

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The Decline of Comity in Congress
Eric M. Uslaner
University of Michigan Press, 1996
Why do members of Congress resort to name-calling? In this provocative book, Eric M. Uslaner proposes that Congress is mirroring the increased incivility of American society. He points to five core values—American exceptionalism, enlightened individualism, egalitarianism, science as social engineering, and religion—that have been eroded since the 1960s. The author argues that a lack of trust permeates members of Congress to the point that they would rather seek control than compromise. This, Uslaner contends, is the real cause of gridlock in Washington. The Decline in Comity in Congress demonstrates why institutional reform will not correct this problem and why Americans need to change before their government can.
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