In this interdisciplinary and controversial work, Igal Halfin takes an original and provocative stance on Marxist theory, and attempts to break down the divisions between history, philosophy, and literary theory.

Intimate Enemies is a brilliant study of the transformation of Bolshevik Party ideology, language, and power relations during the crucial period leading up to Stalin's seizure of power. Combining extensive research in recently opened Soviet archives with an insightful rereading of intra-Party struggles, Igal Halfin uncovers this evolution in the language of Bolshevism.  This language defined the methods for judging true party loyalty-in what Halfin describes as an examination of the 'hermeneutics of the soul,' and became the basis for prosecuting the Party's enemies, particularly the “intimate enemies” within the Party itself.  Halfin argues that Bolshevism-which claimed sole access to truth and morality-ultimately demonized its enemies, and became in effect a theology that facilitated a monumental power shift.

During Stalin's Great Terror, accusations of treason struck fear in the hearts of Soviet citizens-and lengthy imprisonment or firing squads often followed. Many of the accused sealed their fates by agreeing to confessions after torture or interrogation by the NKVD. Some, however, gave up without a fight.

In Stalinist Confessions, Igal Halfin investigates the phenomenon of a mass surrender to the will of the state. He deciphers the skillfully rendered discourse through which Stalin defined his cult of personality and consolidated his power by building a grassroots base of support and instilling a collective psyche in every citizen. By rooting out evil (opposition) wherever it hid, good communists could realize purity, morality, and their place in the greatest society in history. Confessing to trumped-up charges, comrades made willing sacrifices to their belief in socialism and the necessity of finding and making examples of its enemies.

Halfin focuses his study on Leningrad Communist University as a microcosm of Soviet society. Here, eager students proved their loyalty to the new socialism by uncovering opposition within the University. Through their meetings and self-reports, students sought to become Stalin's New Man.

Using his exhaustive research in Soviet archives including NKVD records, party materials, student and instructor journals, letters, and newspapers, Halfin examines the transformation in the language of Stalinist socialism. From an initial attitude that dismissed dissent as an error in judgment and redeemable through contrition to a doctrine where members of the opposition became innately wicked and their reform impossible, Stalin's socialism now defined loyalty in strictly black and white terms. Collusion or allegiance (real or contrived, now or in the past) with “enemies of the people” (Trotsky, Zinoviev, Bukharin, Germans, capitalists) was unforgivable. The party now took to the task of purging itself with ever-increasing zeal.

Winner of the 2010 Drue Heinz Literature Prize

The Physics of Imaginary Objects,  in fifteen stories and a novella, offers a very different kind of short fiction, blending story with verse to evoke fantasy, allegory, metaphor, love, body, mind, and nearly every sensory perception. Weaving in and out of the space that connects life and death in mysterious ways, these texts use carefully honed language that suggests a newfound spirituality.

In this book, Van Hall Beck demonstrates that prior to the development of American political parties in the 1790s, political conflicts reflected differences in the values of the entire society.  They were rooted in human circumstances-social, economic, cultural-of all sectors of society, and they displayed an ordered, patterned and persistent quality. To illustrate his assessment, Hall sifts through extensive archival data on 343 towns and plantations in Massachusetts. By comparing rural to urban settings, agricultural to market economies, and differing levels of political and social networking, he effectively ties voting patterns to human circumstances at the town level, and then relates these to the overall social and political order of the Commonwealth.

 Ivan the Terrible is infamous as a sadistic despot responsible for the deaths of thousands of innocent people, particularly during the years of the oprichnina, his state-within-a-state. Ivan was the first ruler in Russian history to use mass terror as a political instrument. However, Ivan’s actions cannot be dismissed by attributing the behavior to insanity. Ivan interacted with Muscovite society as both he and Muscovy changed. This interaction needs to be understood in order properly to analyze his motives, achievements, and failures.
Ivan the Terrible: Free to Reward and Free to Punish provides an up-to-date comprehensive analysis of all aspects of Ivan’s reign. It presents a new interpretation not only of Ivan’s behavior and ideology, but also of Muscovite social and economic history. Charles Halperin shatters the myths surrounding Ivan and reveals a complex ruler who had much in common with his European contemporaries, including Henry the Eighth.

Babel features more of the rhetorical acrobatics that fueled Barbara Hamby's earlier work. These whirlwinds of words and sounds form vistas, images, and scenes that are at once unique and immediately recognizable.

In poems such as “Six, Sex, Say,” she displays a linguistic bravado that moves effortlessly through translations, cognates, and homonyms. This love of words permeates the poems, from the husband wooing his future wife “with a barrage of words so cunningly fluent, / so linguistically adroit” in “Flesh, Bone, and Red,” to the alphabetic sampler woven from memory and love in “Ode on My Mother's Handwriting.”

Hamby's poems drift across histories and continents, from early writing and culture in Mesopotamia through the motion-picture heaven that seems so much like Paris, to odes on such thoroughly American subjects as hardware stores, bubblegum, barbecue, and sharp-tongued cocktail waitresses giving mandatory pre-date quizzes to lawyers and “orangutans in the guise of men.” As Booklist noted in reviewing her previous collection, Hamby's poems “are tsunamis carrying you far out to sea and then back to shore giddy and glad to be alive.”

Travel has always been Barbara Hamby's muse, and in Bird Odyssey she hits the road hard, riding a train across Siberia, taking a car trip from Memphis to New Orleans on Highway 61, and following The Odyssey from Troy to Ithaka. The concatenation of images released include Elvis and Tolstoy cruising through the sky in a pink Cadillac, Homer and Robert Johnson discussing their art in the Underworld, and the women in The Odyssey telling their side of the story, because what's a woman to do in this world of men? She has to strike out on her own, ask the right questions, and tell her own story, translating the world into her own bright lie.

Perhaps Paul Kareem Taylor said it best in his piece called On the Road Again: Barbara Hamby's American Odyssey: "Reading Barbara Hamby's poetry is like going on a road trip, one where the woman behind the wheel lets you ride shotgun as she speeds across the open highways of an America where drive-in movie theaters still show Janet Leigh films on Friday nights, hardware stores have not been driven out of business by soulless corporate titans, and where long poetic lines first introduced by Walt Whitman and resurrected by Ginsberg are pregnant with a thousand reasons to marvel at the world we inhabit."

Foreword by Clyde Barker and Thomas E. Starzl

A History of Organ Transplantation is a comprehensive and ambitious exploration of transplant surgery—which, surprisingly, is one of the longest continuous medical endeavors in history. Moreover, no other medical enterprise has had so many multiple interactions with other fields, including biology, ethics, law, government, and technology. Exploring the medical, scientific, and surgical events that led to modern transplant techniques, Hamilton argues that progress in successful transplantation required a unique combination of multiple methods, bold surgical empiricism, and major immunological insights in order for surgeons to develop an understanding of the body’s most complex and mysterious mechanisms.  Surgical progress was nonlinear, sometimes reverting and sometimes significantly advancing through luck, serendipity, or helpful accidents of nature.
      The first book of its kind, A History of Organ Transplantation examines the evolution of surgical tissue replacement from classical times to the medieval period to the present day. This well-executed volume will be useful to undergraduates, graduate students, scholars, surgeons, and the general public. Both Western and non-Western experiences as well as folk practices are included. 

The Two-Headed Household is an ethnographic account of gender relations and intrahousehold decisionmaking as well as a policy-oriented study of gender and development in the indigenous Andean community of Chanchalo, Ecuador.   Hamilton’s main argument is that the households in these farming communities are “two-headed.”  Men and women participate equally in agricultural production and management, in household decisionmaking, and share in the reproductive tasks of child care, food preparation, and other chores.
   
Based on qualitative fieldwork and regional household survey data, this book investigates the effect on women's lives of gender bias in agricultural development programs and labor and commodities markets. Despite household economic reliance on these programs and markets, there is extraordinary evidence of social and economic gender equality.  Traditional Andean kinship structures enable women and men to enter marriage as materially equal partners. 
   
As seen in case studies of five women and their families, the author continually encounters joint decisionmaking and shared household and agricultural responsibilities.  In fact, it often seems that women have the final say in many decisions.  There is the belief that a dynamic balance of power between male and female heads provides an impetus toward mutually desired economic and social goals.  Despite the strong influence of the patriarchal power of the hacienda system, Andean gender ideology accords women and men equal measures of physical, mental, and emotional fortitude.  The belief that maintaining traditional forms of economic collaboration helped them survive on the hacienda was reinforced under the economic and political domination of the patriarchal systems of the landed elite, church, and state. 
   
Today, these people are proud of their strong women, strong families, and community solidarity which they believe distinguishes them from  Ecuadorean and American societies.  Hamilton suggests that women in developing countries should not be viewed as simply, or even inevitably, victims of gender-biased structural or cultural institutions.  They may resist male bias, perhaps even with the support of local-level institutions.  The Two-Headed Household demonstrates that analysis of gender relations should focus on forms of cooperation among women and men, as well as on forms of conflict, and will be of interest to scholars and students in anthropology, gender and development, and Latin American Studies.

This book assesses how and to what extent the governments of Cardinal Mazarin and Louis XIV controlled the Parlement of Paris in the two decades after the civil wars known as the Fronde. The history of this prestigious court of law bears directly on the broader issue of the growth of “royal absolutism.” Few historians have examined the resurgence of royal authority after the Fronde from the vantage point of traditional institutions, and no other scholarly work deals extensively with the activities of Parlement during this controversial period. This study reveals the methods, achievements, and limitations of absolutism associated with the Sun King.
    The book investigates the impact of royal policies on the way the judges acquired and transmitted their posts, the sources of their wealth, the social composition of their court, and their judicial and administrative authority. Parlement's political activities and its conflicts with the crown over issues of judicial, financial, and religious importance also receive thorough treatment.
The author's extensive archival research indicates that many widely held assumptions about declining importance of Parlement after the civil war are unwarranted. Although Parlement's political activities gradually declined, this transformation was neither as complete nor as irreversible as historians have asserted. Parlement retained some voice in affairs of state, and most of the administrative machinery it could employ to oppose royal policy remained intact. Moreover, the crown failed to attack the sources of parlementaire wealth, and the judges freely enhanced their court's status as a social corporation.
 

From migrations to pop culture, loss to la dérive, Life in a Country Album is a soundtrack of the global cultural landscape—borders and citizenship, hybrid identities and home, freedom and pleasure. It’s a vast and moving look at the world, at what home means, and the ways we coexist in an increasingly divided world. These poems are about the dialects of the heart—those we are incapable of parting from, and those that are largely forgotten. Life in a Country Album is a vital book for our times. With this beautiful, epic collection, Nathalie Handal affirms herself as one of our most diverse and important contemporary poets.

Frederico García lived in Manhattan from 1929 to 1930, and the poetry he wrote about the city, Poet in New York, was posthumously published in 1940. Eighty years after Lorca’s sojourn to America, Nathalie Handal, a poet from New York, went to Spain to write Poet in Andalucía. Handal recreated Lorca’s journey in reverse.

“The Republics is a massively brilliant new work, a leap in literature we have not seen. It’s gripping, harrowing, and at times horrific while its form paradoxically is fresh, luscious, and original. Bypassing pity and transforming pain into language Handal stars. She has recorded like Alice Walker, Paul Celan, John Hershey, and Carolyn Forché some of the worst civilization has offered humankind and somehow made it art.”—Sapphire

The United States and Cuba share a complex, fractious, interconnected history. Before 1959, the United States was the island nation's largest trading partner. But in swift reaction to Cuba's communist revolution, the United States severed all economic ties between the two nations, initiating the longest trade embargo in modern history, one that continues to the presentday. The Cuban Embargo examines the changing politics of U.S. policy toward Cuba over the more than four decades since the revolution.

While the U.S. embargo policy itself has remained relatively stable since its origins during the heart of the Cold War, the dynamics that produce and govern that policy have changed dramatically. Although originally dominated by the executive branch, the president's tight grip over policy has gradually ceded to the influence of interest groups, members of Congress, and specific electoral campaigns and goals. Haney and Vanderbush track the emergence of the powerful Cuban American National Foundation as an ally of the Reagan administration, and they explore the more recent development of an anti-embargo coalition within both civil society and Congress, even as the Helms-Burton Act and the George W. Bush administration have further tightened the embargo. Ultimately they demonstrate how the battles over Cuba policy, as with much U.S. foreign policy, have as much to do with who controls the policy as with the shape of that policy itself.

This collection spans twenty-five years in the career of this highly regarded poet. It features poems from the books Stars, Calling the Dead,When There Are No Secrets, and Against Dreaming, along with seventeen new poems.

Carved from eight square miles of Bucks County farmland northeast of Philadelphia, Levittown, Pennsylvania, is a symbol of postwar suburbia and the fulfillment of the American dream. Begun in 1952, after the completion of an identically named community on Long Island, the second Levittown soon eclipsed its New York counterpart in scale and ambition, yet it continues to live in the shadow of its better-known sister and has received limited scholarly attention. Second Suburb uncovers the unique story of Levittown, Pennsylvania, and its significance to American social, architectural, environmental, and political history.

The volume offers a fascinating profile of this planned community in two parts. The first examines Levittown from the inside, including oral histories of residents recalling how Levittown shaped their lives. One such reminiscence is by Daisy Myers, whose family were the first African Americans to move to the community, only to become the targets of a race riot that would receive international publicity. The book also includes selections from the syndicated comic strip Zippy the Pinhead, in which Bill Griffith reflects on the angst-ridden trials of growing up in a Levittown, and an extensive photo essay of neighborhood homes, schools, churches, parks, and swimming pools, collected by Dianne Harris.

The second part of the book views Levittown from the outside. Contributors consider the community’s place in planning and architectural history and the Levitts’ strategies for the mass production of housing. Other chapters address the class stratification of neighborhood sections through price structuring; individual attempts to personalize a home’s form and space as a representation of class and identity; the builders’ focus on the kitchen as the centerpiece of the home and its greatest selling point; the community’s environmental and ecological legacy; racist and exclusionary sales policies; resident activism during the gas riots of 1979; and “America’s lost Eden."

Bringing together some of the top scholars in architectural history, American studies, and landscape studies, Second Suburb explores the surprisingly rich interplay of design, technology, and social response that marks the emergence and maturation of an exceptionally potent rendition of the American Dream.

Sites Unseen challenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context.  While other fields, such as art history and geography, have engaged poststructuralist theory to consider vision and representation, the application of such inquiry to the natural or built environment has lagged behind.  This book, by treating landscape as a spatial, psychological, and sensory encounter, aims to bridge this gap, opening a new dialogue for discussing the landscape outside the boundaries of current art criticism and theory. 

As the contributors reveal, the landscape is a widely adaptable medium that can be employed literally or metaphorically to convey personal or institutional ideologies. Walls, gates, churchyards, and arches become framing devices for a staged aesthetic experience or to suit a sociopolitical agenda. The optic stimulation of signs, symbols, bodies, and objects combines with physical acts of climbing and walking and sensory acts of touching, smelling, and hearing to evoke an overall “vision” of landscape.

Sites Unseen considers a variety of different perspectives, including ancient Roman visions of landscape, the framing techniques of a Moghul palace, and a contemporary case study of Christo's The Gates, as examples of human attempts to shape our sensory, cognitive, and emotional experiences in the landscape.

This anthology celebrates more than twenty-five years of the Negro  Ensemble Company’s significant contribution to American theater.  Collected here are ten plays most representative of the eclectic nature of the Negro Ensemble Company repertoire.

The Negro Ensemble Company (NEC) was formed in New York City in 1967 with support from the Ford Foundation to aid in the establishment of an independent African-American theater institution.  Under the artistic directorship of Douglas Turner Ward, the NEC offered a nurturing environment to black playwrights and actors who could work autonomously, guaranteeing authenticity of voice, full freedom of expression, and exploration of thematic views specific to the African-American experience.

Since its inception, the NEC has introduced audiences to more than 150 theatrical works.  <I>Classic Plays from the Negro Ensemble Company</I> allows scholars to review a diversity of styles which share common philosophical, mythic, and social ideals that can be traced to an African worldview.  A foreword by Douglas Turner Ward and an afterword by Paul Carter Harrison and Gus Edwards assess the literary and/or stylistic significance of the plays and place each work in its historical or chronological context.

Joseph Hartman focuses on the public works campaign of Cuban president, and later dictator, Gerardo Machado. Political histories often condemn Machado as a US-puppet dictator, overthrown in a labor revolt and popular revolution in 1933. Architectural histories tend to catalogue his regime’s public works as derivatives of US and European models. Dictator’s Dreamscape reassesses the regime’s public works program as a highly nuanced visual project embedded in centuries-old representations of Cuba alongside wider debates on the nature of art and architecture in general, especially in regards to globalization and the spread of US-style consumerism. The cultural production overseen by Machado gives a fresh and greatly broadened perspective on his regime’s accomplishments, failures, and crimes. The book addresses the regime’s architectural program as a visual and architectonic response to debates over Cuban national identity, US imperialism, and Machado’s own cult of personality.

Hartwig views the Columbian Ministry of Public Works, applying a theoretical model of rationality and responsibility to view how policy failures were caused by faulty definitions of problems and mistaken approaches in building Andean Highways from 1922-1974. This book will interest those involved in policy administration, organization theory, and policy planning in both developed and developing countries.

Asylum presents the kind of journey John Clare might have taken in 1841 if, when he escaped the madhouse, he'd been traveling in his head rather than on his feet. Lola Haskins starts out with as little sense of direction as Clare had, and yet, after wandering all over the map, she too finally reaches her destination. The four sections in this book are where she rests for the night. The first looks tenderly at the cycle of human life. The second renders the world around her as if she were painting it. By the third, having lost her way, she turns to the supernatural and in the process is sometimes laugh-out-loud funny. The book ends as she finds it again and arrives in her dear north-west England, having learned from John Clare that she “can be homeless at home and half-gratified to find I can be happy anywhere.”

In this pre-World War II analysis of working-class areas of Tokyo, primarily its Honjo ward, Hastings shows that bureaucrats, particularly in the Home Ministry, were concerned with the needs of their citizens and took significant steps to protect the city's working families and the poor. She also demonstrates that the public participated broadly in politics, through organizations such as reservist groups, national youth leagues, neighborhood organizations, as well as growing suffrage and workplace organizations.

A groundbreaking English-language study of the transformation in education in mid-twentieth century Brazil, and the social and economic forces that shaped it. It also looks at how, in turn, education is shaping the rapid transformation of Brazilian society.

A Counter-History of Composition contests the foundational disciplinary assumption that vitalism and contemporary rhetoric represent opposing, disconnected poles in the writing tradition. Vitalism has been historically linked to expressivism and concurrently dismissed as innate, intuitive, and unteachable, whereas rhetoric is seen as a rational, teachable method for producing argumentative texts. Counter to this, Byron Hawk identifies vitalism as the ground for producing rhetorical texts-the product of complex material relations rather than the product of chance. Through insightful historical analysis ranging from classical Greek rhetoric to contemporary complexity theory, Hawk defines three forms of vitalism (oppositional, investigative, and complex) and argues for their application in the environments where students write and think today.

Hawk proposes that complex vitalism will prove a useful tool in formulating post-dialectical pedagogies, most notably in the context of emerging digital media. He relates two specific examples of applying complex vitalism in the classroom and calls for the reexamination and reinvention of current self-limiting pedagogies to incorporate vitalism and complexity theory.

Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric.

Contributors:  Barry Boyer; Colin S. Diver; Daniel J. Gifford; Keith Hawkins; Peter K. Manning; Errol Meidinger; Robert L. Rabin; Paul Rock; and John M. Thomas.

Few scholars have applied modern behavioral and organization theory to study U.S. regulatory agencies, and fewer still have integrated this approach with frameworks drawn from administrative law and analysis. This multidisciplinary collection combines detailed case studies with theoretical discussions drawing upon legal concepts, organizational analysis, and behavioral theory.

Despite the undeniable importance of Japan in world affairs, both politically and economically, the office of the Japanese prime minister has recieved far less attention from scholars than have the top political offices in other advanced industrialized democracies.  This book is the first major systemic analysis of the Japanese prime minister’s role and influence in the policy process.

Kenji Hayao argues that the Japanese prime minister can play a major if not critical role in bringing about a change in policy.  In Japan the prime minister’s style is different from what is considered usual for parliamentary leaders: rather than being strong and assertive, he tends to be reactive.  How did the role develop in this way?  If he is not a major initiator of policy change, how and under what conditions can the prime minister make his impact felt?  Finally, what are the consequences of this rather weak leadership?

In answering these questions, Professor Hayao presents two case studies (educational reform and reform of the tax system) involving Nakasone Yasuhiro to see how he be became involved in the policy issues and how he affected the process.  Hayao then examines a number of broad forces that seem important in explaining the prime minister’s role in the policy process: how a leader is chosen; his relationships with other important actors in the political system - the  political parties and the subgovernments; and the structure of his “inner” staff and advisors.

The year 2005 marked the centennial of the founding of the United States Forest Service (USFS). Samuel P. Hays uses this occasion to present a cogent history of the role of American society in shaping the policies and actions of this agency.

From its establishment in 1905 under the auspices of the Department of Agriculture, timber and grazing management dominated the agency's agenda. Due to high consumer demand for wood products and meat from livestock, the USFS built a formidable system of forest managers, training procedures, and tree science programs to specifically address these needs. This strong internal organization bolstered the agency during the tumultuous years in the final one-third of the century—when citizens and scientists were openly critical of USFS policies—yet it restricted the agency's vision and adaptability on environmental issues. A dearth of ecological capabilities tormented the USFS in 1960 when the Multiple-Use and Sustained-Yield Act set new statutes for the preservation of wildlife, recreation, watershed, and aesthetic resources. This was followed by the National Forest Management Act of 1976, which established standards for the oversight of forest ecosystems. The USFS was ill equipped to handle the myriad administrative and technological complexities that these mandates required. 

In The American People and the National Forests, Hays chronicles three distinct periods in USFS history, provides a summarizing “legacy” for each, and outlines the public and private interests, administrators, and laws that guided the agency's course and set its priorities. He demonstrates how these legacies affected successive eras, how they continue to influence USFS policy in the twenty-first century, and why USFS policies should matter to all of us.
 

An overview of scholarly research, both published and previously unpublished, on the history of a city that has often served as a case study for measuring social change. It synthesizes the literature and assesses how that knowledge relates to our broader understanding of the processes of urbanization and urbanism.

This book is especially useful for undergraduate and graduate courses on environmental politics and policy making, or as a supplement for courses on public policy making generally.

The relevance and importance of Samuel P. Hay's book, Conservation and the Gospel of Efficiency, has only increased over time. Written almost half a century ago, it offers an invaluable history of the conservation movement's origins, and provides an excellent context for understanding contemporary enviromental problems and possible solutions. Against a background of rivers, forests, ranges, and public lands, this book defines two conflicting political processes: the demand for an integrated, controlled development guided by an elite group of scientists and technicians and the demand for a looser system allowing grassroots impulses to have a voice through elected government representatives.

An overview of contemporary environmental affairs, from 1940s to the present—with an emphasis on nature in an urbanized society, land developments, environmental technology, the structure of environmental politics, environmental opposition, and the results of environmental policy.

Wars in the Woods examines the conflicts that have developed over the preservation of forests in America, and how government agencies and advocacy groups have influenced the management of forests and their resources for more than a century. Samuel Hays provides an astute analysis of manipulations of conservation law that have touched off a battle between what he terms “ecological forestry” and “commodity forestry.” Hays also reveals the pervading influence of the wood products industry, and the training of U.S. Forest Service to value tree species marketable as wood products, as the primary forces behind forestry policy since the Forest Management Act of 1897. 

Wars in the Woods gives a comprehensive account of the many grassroots and scientific organizations that have emerged since then to combat the lumber industry and other special interest groups and work to promote legislation to protect forests, parks, and wildlife habitats. It also offers a review of current forestry practices, citing the recent Federal easing of protections as a challenge to the progress made in the last third of the twentieth century.

Hays describes an increased focus on ecological forestry in areas such as biodiversity, wildlife habitat, structural diversity, soil conservation, watershed management, native forests, and old growth. He provides a valuable framework for the critical assessment of forest management policies and the future study and protection of forest resources.

Explorations in Environmental History represents four decades of writing from one of the most distinguished scholars in the field of environmental history.  Samuel Hays’s dedication and research is apparent in every one of these essays, four of which are published here for the first time.

Despite its popular association today with magic, astrology was once a complex and sophisticated practice, grounded in technical training provided by a university education. The Crown and the Cosmos examines the complex ways that political practice and astrological discourse interacted at the Habsburg court, a key center of political and cultural power in early modern Europe. Like other monarchs, Maximilian I used astrology to help guide political actions, turning to astrologers and their predictions to find the most propitious times to sign treaties or arrange marriage contracts. Perhaps more significantly, the emperor employed astrology as a political tool to gain support for his reforms and to reinforce his own legitimacy as well as that of the Habsburg dynasty. Darin Hayton analyzes the various rhetorical tools astrologers used to argue for the nobility, antiquity, and utility of their discipline, and how they strove to justify their “science” on the grounds that through its rigorous interpretation of the natural world, astrology could offer more reliable predictions. This book draws on extensive printed and manuscript sources from archives across northern and central Europe, including Poland, Germany, France, and England.

“State weakness” is seen to be a widespread problem throughout Central Asia and other parts of postsocialist space, and more broadly in areas of the developing world. Challenging the widespread assumption that these “weak states” inevitably slide toward failure, Paradox of Power takes careful stock of the varied experiences of Eurasian states to reveal a wide array of surprising outcomes. The case studies show how states teeter but do not collapse, provide public goods against all odds, interact with societies in creative ways, utilize coercion effectively against internal opponents, and establish practices that are far more durable than the language of “weakness” would allow. While deepening our understanding of the phenomenon in Eurasia in particular, the essays also contribute to more general theories of state weakness.

Winner, 2016 ALA-Choice Outstanding Academic Title

In Chica Lit: Popular Latina Fiction and Americanization in the Twenty-First Century, Tace Hedrick illuminates how discourses of Americanization, ethnicity, gender, class, and commodification shape the genre of “chica lit,” popular fiction written by Latina authors with Latina characters. She argues that chica lit is produced and marketed in the same ways as contemporary romance and chick lit fiction, and aimed at an audience of twenty- to thirty-something upwardly mobile Latina readers. Its stories about young women’s ethnic class mobility and gendered romantic success tend to celebrate twenty-first century neoliberal narratives about Americanization, hard work, and individual success. However, Hedrick emphasizes, its focus on Latina characters necessarily inflects this celebratory mode: the elusiveness of meaning in its use of the very term “Latina” empties out the differences among and between Latina/o and Chicano/a groups in the United States. Of necessity, chica lit also struggles with questions about the actual social and economic “place” of Latinas and Chicanas in this same neoliberal landscape; these questions unsettle its reliance on the tried-and-true formulas of chick lit and romance writing. Looking at chica lit’s market-driven representations of difference, poverty, and Americanization, Hedrick shows how this writing functions within the larger arena of struggles over popular representation of Latinas and Chicanas.

Gustav Theodor Fechner (1801-1887) was a German physicist, psychologist, and philosopher, best known to historians of science as the founder of psychophysics, the experimental study of the relation between mental and physical processes. Michael Heidelberger's exhaustive exploration of Fechner's writings, in relation to current issues in the field, successfully reestablishes Fechner's place in the history and philosophy of science.

This pioneering study of the dynamics of city politics in one of Puerto Rico's largest townships examines the fascinating career to Benjamin Cole. A quasi-legendary figure in island politics, Cole served as mayor of Mayagüez from 1968 to 1992. His spectacular success often ran counter to the broader political trends in Puerto Rico and offers insights in the currents of change that swept the island from the 1960s through the 1990s.

Based on years of intensive research, including unusually candid interviews with members of Puerto Rico's political elite, The Last Cacique offers the first in-depth study of local politics in Puerto Rico and one of the very few available for the Caribbean region.

Twelve essays address the political and cultural features of the Grenada experience, in light of the 1979 uprising that toppled Prime Minister Eric Gairy, and the subsequent U.S. invasion of 1983. The contributors discuss theoretical issues that go to the heart of dilemmas faced by many small, developing societies.

Following the largest peasant revolution in history, Russia's urban-based Bolshevik regime was faced with a monumental task: to peacefully “modernize” and eventually “socialize” the peasants in the countryside surrounding Russia's cities. To accomplish this, the Bolshevik leadership created the People's Commissariat of Agriculture (Narkomzem), which would eventually employ 70,000 workers. This commissariat was particularly important, both because of massive famine and because peasants composed the majority of Russia's population; it was also regarded as one of the most moderate state agencies because of its nonviolent approach to rural transformation.

Working from recently opened historical archives, James Heinzen presents a balanced, thorough examination of the political, social, and cultural dilemmas present in the Bolsheviks' strategy for modernizing of the peasantry. He especially focuses on  the state employees charged with no less than a complete transformation of an entire class of people. Heinzen ultimately shows how disputes among those involved in this plan-from the government, to Communist leaders, to the peasants themselves-led to the shuttering of the Commissariat of Agriculture and to Stalin's cataclysmic 1929 collectivization of agriculture.

A central concern of nearly every environmental ethic is its desire to extend the scope of direct moral concern beyond human beings to plants, nonhuman animals, and the systems of which they are a part. Although nearly all environmental philosophies have long since rejected modernity’s conception of individuals as isolated and independent substances, few have replaced this worldview with an alternative that is adequate to the organic, processive world in which we find ourselves.  In this context, Brian G. Henning argues that the often overlooked work of Alfred North Whitehead has the potential to make a significant contribution to environmental ethics. Additionally inspired by classical American philosophers such as William James, John Dewey and Charles Sanders Pierce and environmental philosophers such as Aldo Leopold, Peter Singer, Albert Schweitzer, and Arne Naess, Henning develops an ethical theory of which the seminal insight is called “The Ethics of Creativity.”

By systematically examining and developing a conception of individuality that is equally at home with the microscopic world of subatomic events and the macroscopic world of ecosystems, The Ethics of Creativity correctly emphasizes the well-being of wholes, while not losing sight of the importance of the unique centers of value that constitute these wholes.  In this way, The Ethics of Creativity has the potential to be a unique voice in contemporary moral philosophy.

David Hernandez’s Dear, Sincerely is his most intimate and dynamic collection to date, bringing the reader into poems that are simultaneously personal and universal, and sometimes political.  With his characteristic dreamlike imagery, inventive rhythms, and biting wit, Hernandez’s voice reaches toward us with an accessible profundity.  Dear, Sincerely is an imaginative book that explores the Self, the collective We, the cosmos, and the murky division that separates one from the other.

Those concerned with investigating the political functions of the family far too often identify only one: the production of “good democratic citizens.” As a result, public discussion of family law and policy has been confined to a narrow continuum that ignores the family's other, often subversive, political functions.

In The Public Family David Herring's goal is to create a new rhetoric that moves beyond the stalemate that often results from the war between advocates of parental rights and those of children's rights. This “rhetoric of associational respect” allows him to constructively address the role of rights and the limits of individualism in political and legal theory.

While acknowledging the family's importance in facilitating state functioning and power in a large, pluralistic democracy (the aforementioned production of good citizens), Herring fully explores the ways in which the family produces diversity and promotes tolerance. Unlike other works on the subject, which view the differences between individuals as constituting the central challenge for American society, Herring focuses on the importance of such differences. In doing so, he enriches and enlivens the often divisive public discussion of family law and policy.

This book discerns Soviet leaders' views of the United States and sees them in relation to foreign policy statements and actions. Hermann first examines the subtle problem of analyzing perceptions and interpreting motives from the words and deeds of national leaders. He then turns to cases, measuring the dominant U.S. hypotheses about the USSR against Soviet behavior in Central Europe, the Middle East, Africa, and Asia, as well as Soviet participation in the arms race. Finally, he weighs his conclusions against a thematic study of speeches and publications by members of the Politburo.

Critical Masses and Critical Choices examines American attitudes on issues of national and international security. Based on over 13,000 in-depth interviews conducted over a ten-year period, Kerry Herron and Hank Jenkins-Smith have created a unique and rich set of data providing insights into public opinion on nuclear deterrence, terrorism, and other security issues from the end of the Cold War to the present day.  Their goal is to shed light not only on changes in public opinion about a range of security-related policy issues, but also to gauge the depth of the public’s actual understanding of these matters. Prior to this study, the predominant view held that the American people were incapable of articulate and consistent thought on complex political subjects.  This book overturns that notion and demonstrates the sometimes surprisingly cogent positions held by ordinary members of the public on intricate national issues.

The book’s solid data, based on long-term studies, combined with crisp writing and often startling conclusions, will appeal to a wide range of readers: scholars, journalists, and policy makers. Critical Masses and Critical Choices is the definitive account of the change in public perceptions on security threats and reactive strategies from the early 1990s to the post 9/11 period. This broad and highly original study will prove an indispensable tool for policy makers and scholars alike.

New attitudes towards history in nineteenth-century Britain saw a rejection of romantic, literary techniques in favour of a professionalized, scientific methodology. The development of history as a scientific discipline was undertaken by several key historians of the Victorian period, influenced by German scientific history and British natural philosophy. This study examines parallels between the professionalization of both history and science at the time, which have previously been overlooked.

Hesketh challenges accepted notions of a single scientific approach to history. Instead, he draws on a variety of sources—monographs, lectures, correspondence—from eminent Victorian historians to uncover numerous competing discourses.

Business genius and hedonist, Charles Schwab entered the steel industry as an unskilled laborer and within twenty years advanced to the presidency of Carnegie Steel. He later became the first president of U.S. Steel and then founder of Bethlehem Steel. His was one of the most spectacular and curious success stories in an era of great industrial giants.

How did Schwab progress from day laborer to titan of industry? Why did Andrew Carnegie and J.P. Morgan select him to manage their multmillion-dollar enterprises? And how did he forfeit their confidence and lose the preseidency of U.S. Steel? Drawing upon previously undiscovered sources, Robert Hessen answers these questions in the first biography of Schwab.

Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule.

Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War.

Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims.

Hicks examines correspondence, scripts, reviews, and compares edited with unedited film to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

“The most potent ingredient in virtually every one of Bob Hicok’s compact, well-turned poems is a laughter as old as humanity itself, a sweet waggery that suggests there’s almost no problem that can’t be solved by this poet’s gentle humor.”
—New York Times Book Review

Winner of the 2008 Bobbit National Poetry Prize.
“Few others in contemporary poetry are so brilliantly able to combine wit and weight, to charge the language so it virtually glows in the dark. Hicok's poems just plain rock. They rock because they are gorgeous. They rock because they are sad and turn on the radio. They dance our 'clumsy living' with our shadows and our isolations to a music that always, always remembers the original delight in which 'the feel of things, if [we] cherish, helps [us] live / more like a minute than a clock.'”--Beckian Fritz Goldberg

Higgitt examines Isaac Newton's changing legacy during the nineteenth century. She focuses on 1820–1870, a period that saw the creation of the specialized and secularized role of the "scientist." At the same time, researchers gained better access to Newton's archives. These were used both by those who wished to undermine the traditional, idealised depiction of scientific genius and those who felt obliged to defend Newtonian hagiography. Higgitt shows how debates about Newton's character stimulated historical scholarship and led to the development of a new expertise in the history of science.

The name of the title poem—“Brother Salvage: a genizah,” provides a skeleton key to unlock the powerful forces that bind Rick Hilles’s collection. A genizah is a depository, or hiding place, for sacred texts. It performs a double function: to keep hallowed objects safe and to prevent more destructive forces from circulating and causing further harm. Brother Salvage serves exactly this purpose. The poems are heartrending and incisive, preserving stories and lives that should not be forgotten. Yet, through the poet’s eloquent craft, painful histories and images are beautifully and luminously contained. Like scholars sifting through ancient genizahs in search of spiritual and historical insights, readers immersed in Brother Salvage will find, at the heart of the book, the most sacred entity: hope.

The poems that make up A Map of the Lost World range from tightly-wrought shorter lyrics to longer autobiographical narratives to patterns of homage (in several forms) of poets that Hilles admires and emulates (including Richard Hugo, James Wright, James Merrill and Larry Levis) to extended voice-driven meditations, one in the voice of a German Jewish woman, a prisoner who would escape a French concentration camp and go on to fight in the French resistance, to other efforts to confront history and not be devoured by history, and to locate, even resuscitate, friends lost to death, if only provisionally; though each poem in A Map of the Lost World is highly crafted and diversely rendered, in this collection, each poem finds its unifying impulse in it’s maker’s desire to span vast distances to reach loved ones, beloved others, the various families of friends, fueled by an almost gymnastic imagination that vaults itself into almost any space—going to almost any length—sustained by the various forms of love, which, after all, may be as close as any of us has come (in this or any life) to knowing and warming ourselves, if not also at times being scalded by, the immortal fires of the Infinite.

Marjorie L. Hilton presents a captivating history of consumer culture in Russia from the 1880s to the early 1930s. She highlights the critical role of consumerism as a vehicle for shaping class and gender identities, modernity, urbanism, and as a mechanism of state power in the transition from tsarist autocracy to Soviet socialism.
      Beginning in the late nineteenth century, Russia witnessed a rise in mass production, consumer goods, advertising, and new retail venues such as arcades and department stores. These mirrored similar developments in other European countries and reflected a growing quest for leisure activities, luxuries, and a modern lifestyle. As Hilton reveals, retail commerce played a major role in developing Russian public culture—it affected celebrations of religious holidays, engaged diverse groups of individuals, defined behaviors and rituals of city life, inspired new interpretations of masculinity and femininity, and became a visible symbol of state influence and provision.
      Through monarchies, revolution, civil war, and monumental changes in the political sphere, Russia’s distinctive culture of consumption was contested and recreated. Leaders of all stripes continued to look to the “commerce of exchange” as a key element in appealing to the masses, garnering political support, and promoting a modern nation.
      Hilton follows the evolution of retailing and retailers alike, from crude outdoor stalls to elite establishments; through the competition of private versus state-run stores during the NEP; and finally to a system of total state control, indifferent workers, rationing, and shortages under a consolidating Stalinist state.

Building on Sol Tax's pioneering work of the economic organization of Panajachel in the 1930s, Hinshaw describes this Guatemalan village and analyzes the differences among Indians in other villages responding to environmental, social, and economic changes in the next quarter century. This book offers a unique examination of belief patterns and social relations, and the continuity and change in the society's worldview.

Writing against Racial Injury recalls the story of Asian American student rhetoric at the site of language and literacy education in post-1960s California.  What emerged in the Asian American movement was a recurrent theme in U.S. history: conflicts over language and literacy difference masked wider racial tensions.  Bringing together language and literacy studies, Asian American history and rhetoric, and critical race theory, Hoang uses historiography and ethnography to explore the politics of Asian American language and literacy education: the growth of Asian American student organizations and self-sponsored writing; the ways language served as thinly veiled trope for race in the influential Lau v. Nichols; the inheritance of a rhetoric of injury on college campuses; and activist rhetorical strategies that rearticulate Asian American racial identity.  These fragments depict a troubling yet hopeful account of the ways language and literacy education alternately racialized Asian Americans while also enabling rearticulations of Asian American identity, culture, and history.  This project, more broadly, seeks to offer educators a new perspective on racial accountability in language and literacy education.

Evangelical churches sing hymns written between 1870 and 1920 so often that many children learn them by rote before they are able to read religious texts. A cherished part of communal Christian life and an important and effective way to teach doctrine today, these hymns served an additional social purpose in the late nineteenth and early twentieth centuries: they gave evangelical women a voice in their churches.
 
When the sacred music business expanded after the Civil War, writing hymn texts gave publishing opportunities to women who were forbidden to preach, teach, or pray aloud in mixed groups. Authorized by oral expression, gospel hymns allowed women to articulate alternative spiritual models within churches that highly valued orality.

These feminized hymns are the focus of "I Sing for I Cannot Be Silent." Drawing upon her own experience as a Baptist, June Hadden Hobbs argues that the evangelical tradition is an oral tradition--it is not anti-intellectual but antiprint. Evangelicals rely on memory and spontaneous oral improvisation; hymns serve to aid memory and permit interaction between oral and written language. 

By comparing male and female hymnists' use of rhetorical forms, Hobbs shows how women utilized the only oral communication allowed to them in public worship. Gospel hymns permitted women to use a complex system of images already associated with women and domesticity.  This feminized hymnody challenged the androcentric value system of evangelical Christianity by making visible the contrasting masculine and feminine versions of Christianity. When these hymns were sung in church, women's voices and opinions moved out of the private sphere and into public religion. The hymns are so powerful that they are suppressed by some contemporary fundamentalists today.

In "I Sing for I Cannot Be Silent" June Hadden Hobbs employs an interdisciplinary mix of feminist literary analysis, social history, rhetoric and composition theory, hymnology, autobiography, and theology to examine hymns central to worship in most evangelical churches today.

Winner of the 2005 Donald Hall Prize in Poetry.

Grace is John Hodgen’s third book of poetry. He is a poet of extreme contrasts, offering us the dregs of despair, yet instantly recalling hope in the beauty of nature or in a moment in time when all is right, when we realize grace. In “For the Leapers” the narrator relates, “We will fall past the angels, / we will fall from such height, / our tears will lift up from our eyes. / We will fall straight through hell. / And then we will rise.” Hodgen’s poems roam through history, religion, man-made disasters, baseball, pop culture, and Wal-Marts, on paths that come full circle with remarkable completeness, maturity, and dexterity.

“Heaven & Earth Holding Company contains a plentitude of delights. Like little stories told in the night, these poems are clear narratives crossed by mysterious shadows. And Hodgen’s tone occupies a singular place at the intersection of funky wit and true feeling.”
—Billy Collins

• Choice 1988 Outstanding Academic Book
• Named one of the Best Business Books of 1988 by USA Today

A veteran reporter of American labor analyzes the spectacular and tragic collapse of the steel industry in the 1980s.  John Hoerr’s account of these events stretches from the industrywide barganing failures of 1982 to the crippling work stoppage at USX (U.S. Steel) in 1986-87.  He interviewed scores of steelworkers, company managers at all levels, and union officials, and was present at many of the crucial events he describes.  Using historical flashbacks to the origins of the steel industry, particularly in the Monongahela Valley of southwestern Pennsylvania, he shows how an obsolete and adversarial relationship between management and labor made it impossible for the industry to adapt to shattering changes in the global economy.

John Hoerr tells the story of three men—his uncle, Congressman Harry Davenport, union leader Tom Quinn, and Father Charles Owen Rice—whose lives became intertwined during the anti-Communist witch hunts of the McCarthy Era. The story helps illuminate one of the more repressive periods in American history, when thousands of Americans guilty only of enlisting in leftist causes were caught up in dragnets cast by overzealous Communist hunters on behalf of the House Un-American Activities Committee and other bodies. Much has been written about well-known cultural figures (the Hollywood Ten), and prominent writers (Arthur Miller and Lillian Hellman) who contended with HUAC. Hoerr tells of mostly ordinary Americans who were largely unknown at the time, but whose stories are nonetheless remarkable.

Writing from personal experience with the title characters, as well as archival research, Hoerr recreates the events of the 1949 HUAC hearings, where rigged testimony by a few workers cast suspicion on their union brothers.  The results would echo through the years, causing people to lose jobs, marriages, and self-respect. Hoerr traces the paths followed by Harry, Tom, and Father Rice and relates their individual experiences to the great conflict between anti-Communist and Communist forces in the American labor movement, leading to the eventual demise of the CIO (Congress of Industrial Organizations).

Sin puertas visibles is a fully bilingual anthology that features emerging women poets whose work provides a taste of the adventurous new spirit infusing Mexican literature. All eleven poets represented have had at least one book published in Mexico, yet none of their work has been translated into English until now.

Featuring the work of: Cristina Rivera-Garza, Carla Faesler, Angélica Tornero, Ana Belén López, Silvia Eugenia Castillero, Mónica Nepote, Dana Gelinas, María Rivera, Ofelia Pérez Sepúlveda, Dorantes, and Laura Solózano.

Mexico poesses one of Latin America's most important poetic traditions, but its depth and range are virtually unknown to readers north of the border. Reflecting the diversity and complexity f contemporary mexican poetry, the poems presented here are by turns meditative and explosive, sensuous and inventive, ironic and tender--in short, they are subversive, provocative, and bold.

When the Reverend Henry Carmichael opened the Sydney Mechanics’ School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London’s Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century. A Science of Our Own explores the influential work of local botanists, chemists, and geologists—William B. Clarke, Joseph Bosisto, Robert Brough Smyth, and Ferdinand Mueller—who contributed to shaping a distinctive public science in Australia during the nineteenth century. It extends beyond the political underpinnings of the development of public science to consider the rich social and cultural context at its core. For the Australian colonies, as Peter H. Hoffenberg argues, these exhibitions not only offered a path to progress by promoting both the knowledge and authority of local scientists and public policies; they also ultimately redefined the relationship between science and society by representing and appealing to the growing popularity of science at home and abroad.
 

Joyce Cary (1888-1957) read law at Oxford University, worked with the Red Cross the Balkan Wars, and served in Nigeria and Cameroon during World War I. In 1920, Cary moved to Oxford, where he began writing short stories and novels. His first four novels, set in Africa, drew heavily from his experiences in Nigeria. Mister Johnson, published in 1939, is generally regarded as his greatest novel. Charley Is My Darling (1940), about displaced young people at the start of World War II, found a wide readership, and A House of Children (1941) won the James Tait Black Memorial Prize for best novel. Cary also wrote a trilogy about an artist named Gulley Jimson; Herself Surprised (1941), To Be a Pilgrim (1942) and The Horse’s Mouth (1944), and, in the 1950s, a second trilogy: Prisoner of Grace, Except the Lord, and Not Honour More.

• Choice 1997 Outstanding Academic Book • Winner of the National Conference of Black Political Scientists 1997 Outstanding Book Award

Through thoughtful essays linking historical concepts, current issues, and areas for future research, Matthew Holden, Jr., argues that the study of public administration is indispensable to understanding politics. Essentially, public administration consists of making decisions about information, money, and force-three crucial sources of power: politics and administration cannot be separated, and no political system can be sustained when its administrative core collapses.

Holden explores issues in administration as reflected in political theory and discusses the specifics of organization, bureaucratic, and management theory. He considers such concepts as executive leadership and the emergence of administrative law and turns an unblinking eye on the practice of public administration today, buffeted by changes in communications technology and by ethnic diversity.

A different kind of history, Stalin’s School brings a unique human dimension to the Soviet Union of the 1930s and a new understanding of Stalinism as a cultural and psychological phenomenon.

From 1931 to 1937, School No. 25 was the most famous and most lavishly appointed school in the Soviet Union—instructing the children of such prominent parents as Joseph Stalin, head of the Communist Party, Viacheslav Molotov, head of the Soviet State, and Paul Robeson, American actor and singer. Relying on published records, materials in eleven archives, accounts left by visiting foreigners—including the prominent American educator George Counts—and thirty six interviews with surviving pupils from the 1930s, Holmes brings the school to life. The school's administrators, teachers, pupils, friends, and foes become companions as well as objects of this study as we walk the schools halls, enter its classrooms, eavesdrop on feuding officials who debate its fate, and learn something of what the school and the period meant for its youth. Photographs of the school's teachers and students, and reproductions of the students' notebooks, drawings, and watercolors add personality to this compelling story.

Holmes uses the experience of School No. 25 as a microcosm and mirror of Stalinism, illuminating the interplay of state and society in decision making, and providing an opportunity to examine Stalinism from ideological, cultural, and psychological perspectives. While placing the school's history in the context of the coercion, corruption and repression of the 1930s, Holmes challenges the prevailing view that state and public spectacle on the one hand, and society and private life, on the other, were contrasting entities. School No. 25 molded these elements into an organic whole. In the intimate setting of Stalin's School, the degree of acceptance of Stalinism transcends historians' customary reference to the fear or privilege a Soviet citizen experienced. In a mutually reinforcing way, forced compliance and voluntary choice moved individual teachers and pupils to accept a structured environment both at school and in society as the means to a powerful, prosperous, and just Soviet Union.

In this ground-breaking book, Beth Holmgren examines how—in turn-of-the-century Russia and its subject, the Kingdom of Poland—capitalism affected the elitist culture of literature, publishing, book markets, and readership. Rewriting Capitalism considers how both “serious” writers and producers of consumer culture coped with the drastic power shift from “serious” literature to market-driven literature.

In the early nineteenth century, Vuk Karadzic, a Serb scholar and linguist, collected and eventually published transcriptions of the traditional oral poetry of the South Slavs.  It was a monumental and unprecedented undertaking.  Karadzic gathered and heard performances of the rich songs of Balkan peasants, outlaws, and professional singers and their rebel heroes.  His four volumes constitute the classic anthology of Balkan oral poetry, treasured for nearly two centuries by readers of all literatures, and influential to such literary giants as Goethe, Merimee, Pushkin, Mickiewicz, and Sir Walter Scott.

This edition of the songs offers the most complete and authoritative translations ever assembled in English.  Holton and Mihailovich, leading scholars of Slavic literature, have preserved here the unique meter and rhythm at the heart of Serbian oral poetry, as well as the idiom of the original singers.  Extensive notes and comments aid the reader in understanding the poems, the history they record and the oral tradition that lies beneath them, the singers and their audience.

The songs contain seven cycles, identified here in sections titled: Songs Before History, Before Kosovo, the Battle of Kosovo, Marko Karadzic, Under the Turks, Songs of the Outlaws, and Songs of the Serbian Insurrection.  The editors have selected the best known and most representative songs from each of the cycles.  A complete biography is also provided.

Transparency in Global Change examines the quest for information exchange in an increasingly international, open society.  Recent transformations in governments and cultures have brought about a surge in the pursuit of knowledge in areas of law, trade, professions, investment, education, and medical practice—among others.  Technological advancements in communications, led by the United States, and public access to information fuel the phenomenon of transparency.  This rise in transparency parallels a diminution of secrecy—though, as Burkart and Leslie Holzner point out, secrecy continues to exist on many levels.  Based on current events and historical references in literature and the social sciences, <I>Transparency in Global Change</I> focuses on the turning points of information cultures, such as scandals, that lead to pressure for transparency.  Moreover, the Holzners illuminate byproducts of transparency—debate, insight, and impetus for change, as transparency exposes the moral corruptions of dictatorship, empire, and inequity.

Political participation rates have declined steadily in Mexico since the 1990s. The decline has been most severe among the poor, producing a stratified pattern that more and more mirrors Mexico’s severe socioeconomic inequalities. Poverty of Democracy examines the political marginalization of Mexico’s poor despite their key role in the struggle for democracy.
Claudio A. Holzner uses case study evidence drawn from eight years of fieldwork in Oaxaca, and from national surveys to show how the institutionalization of a free-market democracy created a political system that discourages the political participation of Mexico’s poor by limiting their access to politicians at the local and national level. Though clean elections bolster political activity, Holzner shows that at the local level, and particularly in Mexico’s poorest regions, deeply rooted enclaves of authoritarianism and clientelism still constrict people’s political opportunities.

To explain this phenomenon, Holzner develops an institutional theory in which party systems, state-society linkages, and public policies are the key determinants of citizen political activity. These institutions shape patterns of political participation by conferring and distributing resources, motivating or discouraging an interest in politics, and by affecting the incentives citizens from different income groups have for targeting the state with political activity.

Holzner’s study sheds light on a disturbing trend in Latin America (and globally), in which neoliberal systems exacerbate political and economic disparities and create institutions that translate economic inequalities into political ones.

Where does consciousness exist? In the mind? In the external world? On Consciousness features the most up-to-date considerations of the subject by the internationally renowned philosopher Ted Honderich. In this series of meditations, he systematically contemplates the very nature of consciousness as well as the separate question of how consciousness is related to the brain.

His careful, if not conventional, argument begins with Anomalous Monism, a doctrine that holds that mind and brain are one thing with two kinds of properties not lawfully connected. Honderich goes on to consider the thinking of neuroscientists and functionalists who suppose conscious events are caught for us by their causes and effects. He reconsiders humble truths about the mind as well as his own Union Theory, and the anti-individualism that disconnects the mind from the brain.

Honderich examines each of these beliefs in terms of whether they satisfy agreed criteria for acceptable accounts of consciousness. Because each is found wanting, he puts forth a radically new theory of consciousness as experience. Rather than explaining consciousness in terms of awareness, he develops a new kind of materialism, which transcends the traditional labels given to it by philosophers.

On Consciousness respects the most resilient proposition in the history of the philosophy of mind-that consciousness is not just cellular. Honderich's concept of perceptual consciousness consists in a world that is not merely mental, for it is spatial and contains physical objects. This shift to a near-physicalism asserts that all of consciousness is open to science. Proceeding logically through his arguments, Honderich offers a clearly written, refreshing dose of persuasive realism.

These nine stories are teeming with people on the margins, where destitute New Yorkers and determined immigrants are as much at the mercy of social services, media attention, opportunistic politicians, and "quality-of-life" campaigns as they are prey to grinding poverty, dangerous streets, and their own haunting memories. Delving into Lucy Honig's fiction, one is willingly drawn into an intimacy with these resilient, but flawed characters—among them, a woman who cleans a beauty salon, a high school kid who’s lost a parent, a runaway Cambodian bride, an actress, and a homeless woman. Crossing paths, these difficult characters often misunderstand and sometimes demean each other, yet they also redeem and rescue one other in odd and unexpected ways. In The Truly Needy, Lucy Honig has created a heartbreaking, imaginative world that is the American urban landscape.

Thomas Kuhn is viewed as one of the most influential (and controversial) philosophers of science, and this re-release of a classic examination of one of his seminal works reflects his continuing importance. In World Changes, the contributors examine the work of Kuhn from a broad philosophical perspective, comparing earlier logical empiricism and logical positivism with the new philosophy of science inspired by Kuhn in the early 1960s.  The nine chapters offer interpretations of his major work The Structure of Scientific Revolutions and subsequent writings. The introduction outlines the significant concepts of Kuhn's work that are examined and is followed by a brief appraisal of Kuhn by Carl Hempel. The chapters discuss topics that include: a systematic comparison of Kuhn and Carnap viewing similarities and differences; the disputation of absolute truth; rational theory evaluation and comparison; applying theory to observation and the relation of models in a new conceptualization of theory content; and interpreting Kuhn's plurality-of-worlds thesis. The volume also presents four historical papers that speak to Kuhn's views on lexical structures and concept-formation and their antecedents. The afterward, by Kuhn himself, reviews his own philosophical development, his thoughts on the dynamics of scientific growth, and his response to issues raised by the contributors and other interpreters of his work.

The weekly magazine Garden and Forest existed for only nine years (1888–1897). Yet, in that brief span, it brought to light many of the issues that would influence the future of American environmentalism. In The City Natural, Shen Hou presents the first “biography” of this important but largely overlooked vehicle for individuals with the common goal of preserving nature in American civilization. 

As Hou’s study reveals, Garden and Forest was instrumental in redefining the fields of botany and horticulture, while also helping to shape the fledgling professions of landscape architecture and forestry. The publication actively called for reform in government policy, urban design, and future planning for the preservation and inclusion of nature in cities. It also attempted to shape public opinion on these issues through a democratic ideal that every citizen had the right (and need) to access nature. These notions would anticipate the conservation and “city beautiful” movements that followed in the early twentieth century.

Hou explains the social and environmental conditions that led to the rise of reform efforts, organizations, and publications such as Garden and Forest. She reveals the intellectual core and vision of the magazine as a proponent of the city natural movement that sought to relate nature and civilization through the arts and sciences. Garden and Forest was a staunch advocate of urban living made better through careful planning and design. As Hou shows, the publication also promoted forest management and preservation, not only as a natural resource but as an economic one. She also profiles the editors and contributors who set the magazine’s tone and follows their efforts to expand America’s environmental expertise.

Through the pages of Garden and Forest, the early period of environmentalism was especially fruitful and optimistic; many individuals joined forces for the benefit of humankind and helped lay the foundation for a coherent national movement. Shen Hou’s study gives Garden and Forest its due and adds an important new chapter to the early history of American environmentalism.