Narrating Narcos presents a probing examination of the prominent role of narcotics trafficking in contemporary Latin American cultural production. In her study, Gabriela Polit Dueñas juxtaposes two infamous narco regions, Culiacán, Mexico, and Medellín, Colombia, to demonstrate the powerful forces of violence, corruption, and avarice and their influence over locally based cultural texts.

Polit Dueñas provides a theoretical basis for her methods, citing the work of Walter Benjamin, Pierre Bourdieu, and other cultural analysts. She supplements this with extensive ethnographic fieldwork, interviewing artists and writers, their confidants, relatives, and others, and documents their responses to the portrayal of narco culture. Polit Dueñas offers close readings of the characters, language, and milieu of popular works of literature and the visual arts and relates their ethical and thematic undercurrents to real life experiences. In both regions, there are few individuals who have not been personally affected by the narcotics trade. Each region has witnessed corrupt state, police, and paramilitary actors in league with drug capos. Both have a legacy of murder.

Polit Dueñas documents how narco culture developed at different times historically in the two regions. In Mexico, drugs have been cultivated and trafficked for over a century, while in Colombia the cocaine trade is a relatively recent development. In Culiacán, characters in narco narratives are often modeled after the serrano (highlander), a romanticized historic figure and sometime thief who nobly defied a corrupt state and its laws. In Medellín, the oft-portrayed sicario (assassin) is a recent creation, an individual recruited by drug lords from poverty stricken shantytowns who would have little economic opportunity otherwise. As Polit Dueñas shows, each character occupies a different place in the psyche of the local populace.

Narrating Narcos offers a unique melding of archival and ground-level research combined with textual analysis. Here, the relationship of writer, subject, and audience becomes clearly evident, and our understanding of the cultural bonds of Latin American drug trafficking is greatly enhanced. As such, this book will be an important resource for students and scholars of Latin American literature, history, culture, and contemporary issues.

WINNER OF THE 2007 CAVE CANEM POETRY PRIZE
Selected by Claudia Rankine

Prose poems that profile the interrelationship of the two central characters, looking deeply into their psyches and thoughts of race, class, and identity.

In 1853, when he was forty-nine and at the height of his literary career, Nathaniel Hawthorne accepted the post of U.S. consul at Liverpool, England, as a reward for writing the campaign biography of his college friend President Franklin Pierce. Hawthorne’s departure for Europe marked a turning point in his life. While Our Old Home, shrewd essays on his observations in England, The Marble Faun, a romance set in Italy, and the English Notebooks and French and Italian Notebooks were all results of his European residence, he returned to Concord in 1860 frustrated, depressed, and sick. He died in 1864.

The Jewish Communist Workers' Party, the Poale Zion, provides a unique perspective on the question of how Marxism and the early Soviet Union dealt with issues of nationalism. According to Bolshevik ideology, when anti-Semitism disappeared in the new Socialist society, Jews would assimilate. In reality, such assimilation would be a very long, slow process. The Poale Zion supported the socialist struggle against oppression and exploitation of classes and nations, but it called for the formation of an international organization that would recognize the right of Jews to emigrate freely to Palestine and work for the creation of a democratic republic where people could retain their national identities and have both autonomy and representation in the union. Gurevitz analyzes the Soviet Poale Zion as representative of Jewish communism as nationalism in its purest form, and he traces the complex contradictions between Jewish nationalism and the Communist ideal of assimilation in the early years of the Soviet Union.

Nick Megoran explores the process of building independent nation-states in post-Soviet Central Asia through the lens of the disputed border territory between Uzbekistan and Kyrgyzstan. In his rich "biography" of the boundary, he employs a combination of political, cultural, historical, ethnographic, and geographic frames to shed new light on nation-building process in this volatile and geopolitically significant region.
            Megoran draws on twenty years of extensive research in the borderlands via interviews, observations, participation, and newspaper analysis. He considers the problems of nationalist discourse versus local vernacular, elite struggles versus borderland solidarities, boundary delimitation versus everyday experience, border control versus resistance, and mass violence in 2010, all of which have exacerbated territorial anxieties. Megoran also revisits theories of causation, such as the loss of Soviet control, poorly defined boundaries, natural resource disputes, and historic ethnic clashes, to show that while these all contribute to heightened tensions, political actors and their agendas have clearly driven territorial aspirations and are the overriding source of conflict. As this compelling case study shows, the boundaries of the The Ferghana Valley put in succinct focus larger global and moral questions of what defines a good border.

For a brief period in the early 1950s, Iranian nationalism captured the world's attention as, under the leadership of Mohammad Mossadeq, the Iranian National Movement tried to liberate Iran from British imperialism. Regarding nationalism as a major determinant of the attitudes and loyalties of those who embrace it, Cottam analyzes the complex religious, national, and social values at work within Iran and examines, more generally, the turbulence of nationalism in developing states and its perplexing problems for American foreign policy.

In a new 40-page chapter, added in 1978, Cottam updated his pioneering study by examining the condition of Iran fifteen years after his first analysis-from its rapid economic growth as an oil producer to Shah Mohammad Reza Pahlavi's unsuccessful efforts to rouse nationalistic sentiment in his favor.

Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture.  Moore examines the public debate over “degenerate Africanisms” associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo.  He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.

Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba.  It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.

Native Americans, who are recognized simultaneously as sovereign tribal groups and as American citizens, present American society and its policy-making process with a problem fundamentally different from that posed by other ethnic minorities. In these essays, the contributors discuss the historical background, certain pathologies of Indian-white relations, questions of legal sovereignty and economic development, and efforts to find new ways of successfully resolving recent controversies.

Contributors:  Gary C. Anders; Russel Lawrence Barsh; Guillermo Bartelt; Duane Champagne; Ward Churchill; Michael J. Evans; M. Annette Jaimes; Anne McCullogh; C. Patrick Morris; Nicholas C. Peroff; Kurt Russo; Dave Somers; Richard W. Stoffle; Ronald L. Trosper; Steven Zubalik; and the editors.

Death haunts the pages of Natural Causes, but so does compassion and love. There is little darkness here, and less despair, despite the abundance of cemeteries, loss, and ghosts—both real and imagined.

Mark Cox’s youthful bravado has given way in these poems to an assured sense of understatement. The weight of fatherhood, the loss of a grandmother, the fear of loneliness—these are the details around which Cox plumbs the depths of mortality and memory.

Fully comfortable with the domestic tableau from which he writes, this is a poet never complacent. The penchants for metaphor and the resonant turn of phrase that informed Cox’s earlier work remain as vibrant as ever, indeed are heightened, as he masterfully affirms and celebrates the range of familial complexity and human connectedness.

Winner of the Frank Watson Prize in Scottish History, 2011

The relationship between science and civil society is essential to our understanding of cultural change during the Victorian era. Science was frequently packaged as an appropriate form of civic culture, inculcating virtues necessary for civic progress. In turn, civic culture was presented as an appropriate context for enabling and supporting scientific progress. Finnegan's study looks at the shifting nature of this process during the nineteenth century, using Scotland as the focus for his argument. Considerations of class, religion and gender are explored, illuminating changing social identities as public interest in science was allowed—even encouraged—beyond the environs of universities and elite metropolitan societies.

The six essays in this volume discuss philosophical thought on scientific theory including: a call for a realist, rather than instrumentalist interpretation of science; a critique of one of the core ideas of positivism concerning the relation between observational and theoretical languages; using aerodynamics to discuss the representational aspect of scientific theories and their isomorphic qualities; the relationship between the reliability of common sense and the authenticity of the world view of science; removing long-held ambiguities on the theory of inductive logic; and the relationship between the actuality of conceptual revolutions in the history of science and traditional philosophical pictures of scientific theory-building.

In this groundbreaking book, Katrina Schwartz examines the intersection of environmental politics, globalization, and national identity in a small East European country: modern-day Latvia.  Based on extensive ethnographic research and lively discourse analysis, it explores that country’s post-Soviet responses to European assistance and political pressure in nature management, biodiversity conservation, and rural development.  These responses were shaped by hotly contested notions of national identity articulated as contrasting visions of the “ideal” rural landscape.

The players in this story include Latvian farmers and other traditional rural dwellers, environmental advocates, and professionals with divided attitudes toward new European approaches to sustainable development.  An entrenched set of forestry and land management practices, with roots in the Soviet and pre-Soviet eras, confront growing international pressures on a small country to conform to current (Western) notions of environmental responsibility—notions often perceived by Latvians to be at odds with local interests. While the case is that of Latvia, the dynamics Schwartz explores have wide applicability and speak powerfully to broader theoretical discussions about sustainable development, social constructions of nature, the sources of nationalism, and the impacts of globalization and regional integration on the traditional nation-state.

In Nature and the Iron Curtain, the authors contrast communist and capitalist countries with respect to their environmental politics in the context of the Cold War. Its chapters draw from archives across Europe and the U.S. to present new perspectives on the origins and evolution of modern environmentalism on both sides of the Iron Curtain. The book explores similarities and differences among several nations with different economies and political systems, and highlights connections between environmental movements in Eastern and Western Europe.

Gustav Theodor Fechner (1801-1887) was a German physicist, psychologist, and philosopher, best known to historians of science as the founder of psychophysics, the experimental study of the relation between mental and physical processes. Michael Heidelberger's exhaustive exploration of Fechner's writings, in relation to current issues in the field, successfully reestablishes Fechner's place in the history and philosophy of science.

In Nature in the New World (translated 1985),Antonello Gerbiexamines the fascinating reports of the first Europeans to see the Americas. These accounts provided the basis for the images of strange and new flora, fauna, and human creatures that filled European imaginations.

Initial chapters are devoted to the writings of Columbus, Vespucci, Cortés, Verrazzano, and others. The second portion of the book concerns the Historia general y natural de las Indias of Gonzalo Fernández de Oviedo, a work commissioned by Charles V of Spain in 1532 but not published in its entirety until the 1850s. Antonello Gerbi contends that Oviedo, a Spanish administrator who lived in Santo Domingo, has been unjustly neglected as a historian. Gerbi shows that Oviedo was a major authority on the culture, history, and conquest of the New World.

In Nature’s Entrepôt, the contributors view the planning, expansion, and sustainability of the urban environment of Philadelphia from its inception to the present. The chapters explore the history of the city, its natural resources, and the early naturalists who would influence future environmental policy. They then follow Philadelphia’s growing struggles with disease, sanitation, pollution, sewerage, transportation, population growth and decline, and other byproducts of urban expansion. Later chapters examine efforts in the modern era to preserve animal populations, self-sustaining food supplies, functional landscapes and urban planning, and environmental activism.

Philadelphia’s place as an early seat of government and major American metropolis has been well documented by leading historians. Now, Nature’s Entrepôt looks particularly to the human impact on this unique urban environment, examining its long history of industrial and infrastructure development, policy changes, environmental consciousness, and sustainability efforts that would come to influence not just this region but also the nation.

The Südosteuropa-Gesellschaft (Southeast Europe Society or SOEG) was founded in 1940 to formulate wartime policy in Southeast Europe; its organizational life began and ended with the Third Reich.

In his analysis of the creation, growth, and death of the SOEG, Dietrich Orlow focuses on the institutional behavior and power struggles of this microcosm of the Nazi system. Its story is illustrative of the nature of politics in all totalitarian societies and reveals the aims and the failure of Germany's wartime exploitation of the Balkan resources and the long-term economic designs for the Balkans after the Third Reich's expected victory.

Winner of the 2011 Drue Heinz Literature Prize

Shannon Cain’s stories chart the treacherous territory of the illicit. They expose the absurdity of our rituals, our definitions of sexuality, and above all, our expectations of happiness and self-fulfillment.
      Cain’s protagonists are destined to suffer—and sometimes enjoy—the consequences of their own restless discontent.  In the title story, Lisa, a city dweller, is dissatisfied with her life and relationships. Her attempt at self-rejuvenation takes her on a hiking excursion through a foreign land. Lisa discovers a remote village where the ritualized and generous bisexual love of its inhabitants entrances her. She begins to abandon thoughts of home.
      In “Cultivation,” Frances, a divorced mother strapped with massive credit card debt, has become an expert at growing pot. When she packs her three children and twelve pounds of homegrown into the minivan and travels cross-country to sell the stash, their journey becomes one of anguish, revelation, and ultimately transformation. “Cultivation,” like many of the stories in The Necessity of Certain Behaviors, follows a trail of broken relationships and the unfulfilled promises of modern American life.
      Told in precise, evocative prose, these memorable stories illuminate the human condition from a compelling, funny, and entirely original perspective.

A Negotiated Landscape examines the transformation of San Francisco’s iconic waterfront from the eve of its decline in 1950 to the turn of the millennium. What was once a major shipping port is now best known for leisure and entertainment.
            To understand this landscape Jasper Rubin not only explores the built environment but also the major forces that have been at work in its redevelopment. While factors such as new transportation technology and economic restructuring have been essential to the process and character of the waterfront’s transformation, the impact of local, grassroots efforts by planners, activists, and boosters have been equally critical.
            The first edition of A Negotiated Landscape won the 2012 prize for best book in planning history from the International Planning History Society. Much has changed in the five years since that edition was published. For this second edition, Rubin provides a new concluding chapter that updates the progress of planning on San Francisco’s waterfront and examines debates over the newest visions for its development.

This book explains why some countries succeed in installing democracy after authoritarian rule, and why some of these new democracies make progress toward consolidation. Casper and Taylor show that a democratic government can be installed when elite bargaining during the transition process is relatively smooth. They view elite bargaining in twenty-four transitions cases, some where continued authoritarianism was the result, others where a democratic government was the result, and a third outcome where progress towards consolidation was the end product.

In this pre-World War II analysis of working-class areas of Tokyo, primarily its Honjo ward, Hastings shows that bureaucrats, particularly in the Home Ministry, were concerned with the needs of their citizens and took significant steps to protect the city's working families and the poor. She also demonstrates that the public participated broadly in politics, through organizations such as reservist groups, national youth leagues, neighborhood organizations, as well as growing suffrage and workplace organizations.

Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. Neoliberalism on the Ground fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s.

Winner of the 2016 Lenore Marshall Poetry Prize from the Academy of American Poets
Emanuel’s version of a “new and selected poems” turns convention on its head. She ignores chronology, placing new poems beside old, mixing middle and early poems with recent work, and liberating all her poems from the restraints of their particular histories, both aesthetic and autobiographical. Whether writing in the comedic drag of the cartoon strip, or investigating the Mobius strip relationship between reader and writer, or exposing the humor and hurt that accompany visitations from Frank O’Hara and Gertrude Stein, The Nerve of It both stings and pleases with its intelligence, wit and vivacity. It breaks through, in ways that are bold, sexy, haunting and wry, the die-hard opposition of new and old, personal narrative and linguistic play, sincerity and irony, misery and hilarity. Open the book. Something new is happening here.

Networking Arguments presents an original study on the use and misuse of global institutional rhetoric and the effects of these practices on women, particularly in developing countries. Using a feminist lens, Rebecca Dingo views the complex networks that rhetoric flows through, globally and nationally, and how it’s often reconfigured to work both for and against women and to maintain existing power structures.

To see how rhetorics travel, Dingo deconstructs the central terminology employed by global institutions—mainstreaming, fitness, and empowerment—and shows how their meanings shift depending on the contexts in which they’re used. She studies programs by the World Bank, the United Nations, and the United States, among others, to view the original policies, then follows the trail of their diffusion and manipulation and the ultimate consequences for individuals.

To analyze transnational rhetorical processes, Dingo builds a theoretical framework by employing concepts of transcoding, ideological traffic, and interarticulation to uncover the intricacies of power relationships at work within networks. She also views transnational capitalism, neoliberal economics, and neocolonial ideologies as primary determinants of policy and arguments over women’s roles in the global economy.

Networking Arguments offers a new method of feminist rhetorical analysis that allows for an increased understanding of global gender policies and encourages strategies to counteract the negative effects they can create.
 

After the collapse of communism in the Soviet Union and eastern Europe, more than a dozen countries undertook aggressive privatization programs. Proponents of economic reform championed such large-scale efforts as the fastest, most reliable way to make the transition from a state-run to a capitalist economy.

The idea was widely embraced, and in the span of a few years, policymakers across the region repeatedly chose an approach that distributed vast amounts of state property to the private sector essentially for free-despite the absence of any historical precedent for such a radical concept. But privatization was not a panacea. It has, instead, become increasingly synonymous with collusion, corruption, and material deprivation.

Why was privatization so popular in the first place, and what went wrong? In answering this question, Hillary Appel breaks with mainstream empirical studies of postcommunist privatization.

By analyzing the design and development of programs in Russia, the Czech Republic, and across eastern Europe, Appel demonstrates how the transformation of property rights in these countries was first and foremost an ideologically driven process. Looking beyond simple economic calculations or pressure from the international community, she argues that privatization was part and parcel of the foundation of the postcommunist state.

A New Capitalist Order reveals that privatization was designed and implemented by pro-market reformers not only to distribute gains and losses to powerful supporters, but also to advance a decidedly Western, liberal vision of the new postcommunist state. Moreover, specific ideologies-such as anticommunism, liberalism, or nationalism, to name but a few-profoundly influenced the legitimacy, the power, and even the material preferences of key economic actors and groups within the privatization process.

Dealing exclusively with developments in modern dance since 1951, this book is for anyone who wishes to understand and experience nonliteral dance: students and teachers, dancers and critics.

In studying the effect of New Deal on urban political machines, Bruce M. Stave challenges the traditional view of declining bossism in America from the 1930s through the 1950s. Using Pittsburgh as his case study, he demonstrates how political power was transferred from a once-invincible Republican machine to the Democratic Party led by David L. Lawrence. Stave traces the consolidation of patronage control and grassroots voting support with a special emphasis on the interplay between politics and federal work relief during the depression decade.

New Natures broadens the dialogue between the disciplines of science and technology studies (STS) and environmental history in hopes of deepening and even transforming understandings of human-nature interactions. The volume presents richly developed historical studies that explicitly engage with key STS theories, offering models for how these theories can help crystallize central lessons from empirical histories, facilitate comparative analysis, and provide a language for complicated historical phenomena. Overall, the collection exemplifies the fruitfulness of cross-disciplinary thinking.

The chapters follow three central themes: ways of knowing, or how knowledge is produced and how this mediates our understanding of the environment; constructions of environmental expertise, showing how expertise is evaluated according to categories, categorization, hierarchies, and the power afforded to expertise; and lastly, an analysis of networks, mobilities, and boundaries, demonstrating how knowledge is both diffused and constrained and what this means for humans and the environment.

Contributors explore these themes by discussing a wide array of topics, including farming, forestry, indigenous land management, ecological science, pollution, trade, energy, and outer space, among others. The epilogue, by the eminent environmental historian Sverker Sörlin, views the deep entanglements of humans and nature in contemporary urbanity and argues we should preserve this relationship in the future. Additionally, the volume looks to extend the valuable conversation between STS and environmental history to wider communities that include policy makers and other stakeholders, as many of the issues raised can inform future courses of action.

Winner, 2020 SRS Book Prize

The sixteenth century saw an unprecedented growth in the number of educated physicians practicing in German cities. Concentrating on Nuremberg, A New Order of Medicine follows the intertwined careers of municipal physicians as they encountered the challenges of the Reformation city for the first time. Although conservative in their professed Galenism, these men were eclectic in their practices, which ranged from book collecting to botany to subversive anatomical experimentations. Their interests and ambitions lead to local controversy. Over a twenty-year campaign, apothecaries were wrested from their place at the forefront of medical practice, no longer able to innovate remedies, while physicians, recent arrivals in the city, established themselves as the leading authorities. Examining archives, manuscript records, printed texts, and material and visual sources, and considering a wide range of diseases, Hannah Murphy offers the first systematic interpretation of the growth of elite medical “practice,” its relationship to Galenic theory, and the emergence of medical order in the contested world of the German city.

New World Postcolonial presents the first full-length study to treat both parts of Inca Garcilaso de la Vega's foundational text Royal Commentaries of the Incas as a seminal work of political thought in the formation of the early Americas and the early-modern period. It is also among a handful of studies to explore the Commentaries as a "mestizo rhetoric," written to subtly address both native Andean readers and Hispano-Europeans. As Fuerst demonstrates, by blending both Andean and European discourses to represent Incan history, Garcilaso further proposed restoring indigenous sovereignty by adopting a new mestizo governing body via the political alliance and intermarriage of encomenderos (estate holders) and Incas.  This policy extended to education, missionary practices, and others, reflecting Garcilaso's hopes of forming a peaceful coexistence among native Andeans, mestizos, and first generation Spaniards.
 

Mass media in the late nineteenth century was full of news from Mars. In the wake of Giovanni Schiaparelli’s 1877 discovery of enigmatic dark, straight lines on the red planet, astronomers and the public at large vigorously debated the possibility that it might be inhabited. As rivalling scientific practitioners looked to marshal allies and sway public opinion—through newspapers, periodicals, popular books, exhibitions, and encyclopaedias—they exposed disagreements over how the discipline of astronomy should be organized and how it should establish acceptable conventions of discourse.

News from Mars provides a new account of this extraordinary episode in the history of astronomy, revealing how major transformations in astronomical practice across Britain and America were inextricably tied up with popular scientific culture and a transatlantic news economy that enabled knowledge to travel. As Joshua Nall argues, astronomers were journalists, too, eliding practice with communication in consequential ways. As writers and editors, they played a pivotal role in the emergence of a “new astronomy” dedicated to the study of the physical constitution and life history of celestial objects, blurring harsh distinctions between those who produced esoteric knowledge and those who disseminated it. 

Newsrooms in Conflict examines the dramatic changes within Mexican society, politics, and journalism that transformed an authoritarian media institution into many conflicting styles of journalism with very different implications for deepening democracy in the country. Using extensive interviews with journalists and content analysis spanning more than two decades, Sallie Hughes identifies the patterns of newsroom transformation that explain how Mexican journalism was changed from a passive and even collusive institution into conflicting clusters of news organizations exhibiting citizen-oriented, market-driven, and adaptive authoritarian tendencies.  Hughes explores the factors that brought about this transformation, including not only the democratic upheaval within Mexico and the role of the market, but also the diffusion of ideas, the transformation of professional identities and, most significantly, the profound changes made within the newsrooms themselves. From the Zapatista rebellion to the political bribery scandals that rocked the nation, Hughes's investigation presents a groundbreaking model of the sociopolitical transformation of a media institution within a new democracy, and the rise and subsequent stagnation of citizen-focused journalism after that democracy was established.

News is “one of the few things that connects us as a nation” observes the protagonist in the title story of Newsworld, a new collection by Todd James Pierce that explores America’s obsession with news and entertainment culture. The characters in “Newsworld” seek to design realistic theme park attractions, such “OJ’s Bronco: The Ride” and “Seige at Waco,” that allow park guests to experience the complexities of contemporary news events for themselves. In the story “Columbine: The Musical,” high school students stage a musical written as a means of discussing school violence, while their vice principal wrangles a 10 percent discount on a school security system in exchange for corporate sponsorship of the play. In “Wrestling Al Gore,” a national wrestling federation uses costumed wrestlers to cast the Gore/Bush election recount into the ring. In an ironic twist, fans become sympathetic to the underdog Gore, champion his cause, and ultimately reflect on the fate of the real politician. In “The Yoshi Compound: A Story of Post-Waco Texas,” the followers of the Dalai Yoshi amass weapons and riot gear in hopes of attracting media attention in order to spread their message of love and world peace.

The characters in Newsworld, like many Americans, are engulfed in a life-imitating-art phenomenon caused by the hyperreality presented in the media, and they struggle with this overwhelming influence trying to understand whether their own lives fall within or outside its domain.

From the 1905 opening of the wildly popular, eponymous Nickelodeon in the city's downtown to the subsequent outgrowth of nickel theaters in nearly all of its neighborhoods, Pittsburgh proved to be perfect for the movies. Its urban industrial environment was a melting pot of ethnic, economic, and cultural forces—a “wellspring” for the development of movie culture—and nickelodeons offered citizens an inexpensive respite and handy escape from the harsh realities of the industrial world.
Nickelodeon City provides a detailed view inside the city's early film trade, with insights into the politics and business dealings of the burgeoning industry. Drawing from the pages of the Pittsburgh Moving Picture Bulletin, the first known regional trade journal for the movie business, Michael Aronson profiles the major promoters in Pittsburgh, as well as many lesser-known ordinary theater owners, suppliers, and patrons. He examines early film promotion, distribution, and exhibition, and reveals the earliest forms of state censorship and the ensuing political lobbying and manipulation attempted by members of the movie trade. Aronson also explores the emergence of local exhibitor-based cinema, in which the exhibitor assumed control of the content and production of film, blurring the lines between production, consumption, and local and mass media.
Nickelodeon City offers a fascinating and intimate view of a city and the socioeconomic factors that allowed an infant film industry to blossom, as well as the unique cultural fabric and neighborhood ties that kept nickelodeons prospering even after Hollywood took the industry by storm.

The poems in Night Mowing find their influence in the natural and the erotic; the biblical and the classical; the aesthetic and the spiritual. The landscape exists as both an ecstatic source of inspiration and as an endangered garden, and the narrator of these poems moves through that landscape in admiration and anguish: trying to preserve his joyful innocence while fully aware of the transience of all that he sees. Each poem in its specifics, whether focusing on a lover, a mountain, a dog, or a critic, wrestles with the universal and sacred, revealing the instinct of the poems to move toward purity and deep feeling even in dark times.

Although The Night Train and the Golden Bird is Peter Meinke’s first poetry collection, it is a seasoned performance—the result of careful deliberation and mature judgment—yet impetuous and exciting. It’s full of wit and humor tempered with the sadness of approaching middle-age, anguish over political and social injustice, and of the very failings of everyday people and their lives.

Night Watch on the Chesapeake is Peter Meinke’s third collection of poetry. The poems traverse a wide landscape of topics from playing baseball, the death of a friend, divorce, and even poetry itself.

Nightmares of the Lettered City presents an original study of the popular theme of banditry in works of literature, essays, poetry, and drama, and banditry's pivotal role during the conceptualization and formation of the Latin American nation-state.

Juan Pablo Dabove examines writings over a broad time period, from the early nineteenth century to the 1920s, and while Nightmares of the Lettered City focuses on four crucial countries (Argentina, Mexico, Brazil, and Venezuela), it is the first book to address the depiction of banditry in Latin America as a whole. The work offers close reading of Facundo, Doña Bárbara, Os Sertões, and Martín Fierro, among other works, illuminating the ever-changing and often contradictory political agendas of the literary elite in their portrayals of the forms of peasant insurgency labeled “banditry.”

Banditry has haunted the Latin American literary imagination. As a cultural trope, banditry has always been an uneasy compromise between desire and anxiety (a “nightmare”), and Dabove isolates three main representational strategies.  He analyzes the bandit as radical other, a figure through which the elites depicted the threats posed to them by various sectors outside the lettered city.  Further, he considers the bandit as a trope used in elite internecine struggles. In this case, rural insurgency was a means to legitimize or refute an opposing sector or faction within the lettered city. Finally, Dabove shows how, in certain cases, the bandit was used as an image of the nonstate violence that the nation state has to suppress as a historical force and simultaneously exalt as a memory in order to achieve cultural coherence and actual sovereignty.

As Dabove convincingly demonstrates, the elite's construction of the bandit is essential to our understanding of the development of the Latin American nation in the nineteenth and early twentieth centuries.

Kate Daniels’s central myth is that of Niobe, the mother in Greek mythology whose children were killed by the gods because of her great pride in them.  She taps the lasting power of the ancient story in poems about personal loss and political insanity.  Though the subjects are frequently grim, the final effect of the book is not, since Daniels’s central theme is endurance, the discovery of what we need to survive.

In No Easy Answers, Allan Franklin offers an accurate picture of science to both a general reader and to scholars in the humanities and social sciences who may not have any background in physics. Through the examination of nontechnical case studies, he illustrates the various roles that experiment plays in science. He uses examples of unquestioned success, such as the discoveries of the electron and of three types of neutrino, as well as studies that were dead ends, wrong turns, or just plain mistakes, such as the “fifth force,” a proposed modification of Newton's law of gravity. Franklin argues that science is a reasonable enterprise that provides us with knowledge of the natural world based on valid experimental evidence and reasoned and critical discussion, and he makes clear that it behooves all of us to understand how it works.

No End in Sight offers a critical analysis of Polish cinema and literature during the transformative late Socialist period of the 1970s and 1980s. Anna Krakus details how conceptions of time, permanence, and endings shaped major Polish artistic works. She further demonstrates how film and literature played a major role in shaping political consciousness during this highly-charged era. Despite being controlled by an authoritarian state and the doctrine of socialism, artists were able to portray the unsettled nature of the political and psychological climate of the period, and an undetermined future.

In analyzing films by Andrzej Wajda, Krzysztof Kieslowsi, Krzysztof Zanussi, Wojciech Has, and Tadeusz Konwicki alongside Konwicki’s literary production, Anna Krakus identifies their shared penchant to defer or completely eschew narrative closure, whether in plot, theme, or style. Krakus calls this artistic tendency "aesthetic unfinalizability." As she reveals, aesthetic unfinalizability was far more than an occasional artistic preference or a passing trend; it was a radical counterpolitical act. The obsession with historical teleology saturated Polish public life during socialism to such a degree that instances of nonclosure or ambivalent endings emerged as polemical responses to official ideology.

Alicia Suskin Ostriker's voice has long been acknowledged as a major force in American poetry. In No Heaven, her eleventh collection, she takes a hint from John Lennon's "Imagine" to wrestle with the world as it is: "no hell below us, / above us only sky."

It is a world of cities, including New York, London, Jerusalem, and Berlin, where the poet can celebrate pickup basketball, peace marches, and the energy of graffiti. It is also a world of families, generations coming and going, of love, love affairs, and friendship. Then it is a world full of art and music, of Rembrandt and Bonnard, Mozart and Brahms. Finally, it is a world haunted by violence and war. <I>No Heaven</I> rises to a climax with elegies for Yitzhak Rabin, assassinated by an Israeli zealot, and for the poet's mother, whose death is experienced in the context of a post-9/11 impulse to destroy that seems to seduce whole nations.

Yet Ostriker's ultimate stance is to "Try to praise the mutilated world," as the poet Adam Zagajewski has counseled. At times lyric, at times satiric, Ostriker steadfastly pursuesin No Heaven her poetics of ardor, a passion for the here and now that has chastened and consoled her many devoted readers.

In Codrescu’s own words: “I wrote my first book of poems, License to Carry a Gun (Big Table, 1970), when I first lived in New York City, 1967–1970. Those were troubled times and I was 21 years-old. Decades later the city has changed and the times are still troubled. These poems, 2016–2018, try to find out just how changed my dear city and how troubled my days.”
 

“One marvels at the force of seeing in Schwartz’s No Way Out But Through and cannot help but feel a particular gratitude for her abundant humor. Go all in with these poems; you'll reap unknown rewards. She possesses a quick-witted imagination that sanctifies memories and makes room for the wondrous nature of our cosmopolitan lights.”
—Major Jackson

“I have long believed that Lynn Emanuel is one of the most innovative and subversive poets now writing in America. Her aesthetic and artistic choices consistently invoke a complex hybrid poetics that radically reimagines the shape of our poetic discourse. The brilliant, shattering, and disturbing poems of Noose and Hook are not only wry critiques of recent poetic and cultural activity in this country but also compelling signposts to what yet might be possible in our future. This is Lynn Emanuel's most exquisite and powerful book yet.”—David St. John

Nostalgic Design presents a rhetorical analysis of twenty-first century nostalgia and a method for designers to create more inclusive technologies. Nostalgia is a form of resistant commemoration that can tell designers what users value about past designs, why they might feel excluded from the present, and what they wish to recover in the future. By examining the nostalgic hacks of several contemporary technical cultures, from female software programmers who knit on the job to anti-vaccination parents, Kurlinkus argues that innovation without tradition will always lead to technical alienation, whereas carefully examining and layering conflicting nostalgic traditions can lead to technological revolution.
 

The German social democratic movement was the first mass, working-class party in world history, and a prototype for one of the major features of twentieth-century politics. Gary P. Steenson presents an introduction to the origins and development of German social democracy up to the First World War, by drawing upon protocols of the German Social Democratic Party, the party press, correspondence of leading figures, and scholarly research. Steenson also offers biographical sketches of prominent party officials, and translations of party programs and bylaws in the appendix.

In Now, Now, Jennifer Maier's second poetry collection, time is of the essence.

Moving with quantum ease through the porous membranes of the past, present, and future, the speaker wonders: What is each moment but the swirling confluence (or shy first meeting) of past and future—of what happened, and what-has-not-yet-happened but will?

Such phenomenological questions are sparked by ordinary events: a friend's passion for jigsaw puzzles; an imagined conversation with a neighbor's dog; a meditation on the uses of modern poetry. Here, in language at once elegant and agile, intimate and universal, the author probes beneath the surface of happenstance, moving with depth, humor, and compassion into the heart of our shared predicament: that of loving what we cannot keep.

But if time in these poems is relative, it bends toward grace—even, as the title suggests, towards consolation. Taken together, the poems invite us to raise a glass to the way we're each "held light and golden in Time's mouth," and to savor something of the eternal—distilled, sparkling, already lost—inside every now.

The Now describes the unique, and sometimes baffling, moment in which we live, a time defined by an immediate future of online wonderments, fake news, multiple personalities, data economy, gene modification, and the rest of the exciting-and-yet-ominous "technology culture," even as it's a time when the urge to memorialize the past—to sing elegiacally—seems more important than ever.
Between poems that consider the disappearance of language in an age of digital/binary communication, and poems that mourn the disappearance of fellow poets and artists, this collection attempts to stand on a nano-second that looks both backward and forward in time: the ever-shifting "now."
 

In 1949 construction of the planned town of Nowa Huta began on the outskirts of Kraków, Poland. Its centerpiece, the Lenin Steelworks, promised a secure future for workers and their families. By the 1980s, however, the rise of the Solidarity movement and the ensuing shock therapy program of the early 1990s rapidly transitioned the country from socialism to a market-based economy, and Nowa Huta fell on hard times.

Kinga Pozniak shows how the remarkable political, economic, and social upheavals since the end of the Second World War have profoundly shaped the historical memory of these events in the minds of the people who lived through them. Through extensive interviews, she finds three distinct, generationally based framings of the past. Those who built the town recall the might of local industry and plentiful jobs. The following generation experienced the uprisings of the 1980s and remembers the repression and dysfunction of the socialist system and their resistance to it. Today’s generation has no direct experience with either socialism or Solidarity, yet as residents of Nowa Huta they suffer the stigma of lower-class stereotyping and marginalization from other Poles.

Pozniak examines the factors that lead to the rewriting of history and the formation of memory, and the use of history to sustain current political and economic agendas. She finds that despite attempts to create a single, hegemonic vision of the past and a path for the future, these discourses are always contested—a dynamic that, for the residents of Nowa Huta, allows them to adapt as their personal experience tells them.

As a collection of politically engaged poetry for the 21st century,  Nude Descending and Empire develops the lyrical voice of a citizen-poet speaking to the urgency of our contemporary moment, especially its ecological crisis. This is a book that brings all the supposed sensitivity of poetry into contact with the world we actually live in—with all its crises, madness, and modernity—and insists that we feel it all. A reader will recognize many of the urgent political issues of our time, yet will find them re-inhabited and transformed here by the imaginative power of poetry. Our great ecological crisis is cast as the fulfillment of a long history of violence, domination, lies, and alienation—in one word, empire—and the book suggests that a livable future requires that we wholly inhabit our body-heart-mind and discover a new paradigm.