Living in one of the world’s most volatile regions, the people of the Balkans have witnessed unrelenting political, economic, and social upheaval. In response, many have looked to building communities, both psychologically and materially, as a means of survival in the wake of crumbling governments and states. The foundational structures of these communities often center on the concept of individual sacrifice for the good of the whole. Many communities, however, are hijacked by restrictive ideologies, turning them into a model of intolerance and exclusion.

In The Sacrificed Body, Tatjana Aleksic examines the widespread use of the sacrificial metaphor in cultural texts and its importance to sustaining communal ideologies in the Balkan region. Aleksic further relates the theme to the sanctioning of ethnic cleansing, rape, and murder in the name of homogeneity and collective identity. Aleksic begins her study with the theme of the immurement of a live female body in the foundation of an important architectural structure, a trope she finds in texts from all over the Balkans. The male builders performing the sacrificial act have been called by a higher power who will ensure the durability of the structure and hence the patriarchal community as a whole.

In numerous examples ranging from literature to film and performance art, Aleksic views the theme of sacrifice and its relation to exclusion based on gender, race, class, sexuality, religion, or politics for the sake of community building. According to Aleksic, the sacrifice narrative becomes most prevalent during times of crisis brought on by wars, weak governments, foreign threats, or even globalizing tendencies. Because crisis justifies the very existence of restrictive communities, communalist ideology thrives on its perpetuation. They exist in a symbiotic relationship. Aleksic also acknowledges the emancipatory potential of a genuine community, after it has shaken off its ideological character.

Aleksic employs cultural theory, sociological analysis, and human rights studies to expose a historical narrative that is predominant regionally, if not globally. As she determines, in an era of both Western and non-Western neoliberalism, elitist hegemony will continue to both threaten and bolster communities along with their segregationist tactics.

In republican Colombia, salt became an important source of revenue not just to individuals, but to the state, which levied taxes on it and in some cases controlled and profited from its production. The salt trade consistently accounted for roughly ten percent of government income.

In the town of la Salina de Chita, in Boyacá province, thermal springs offered vast amounts of salt, and its procurement and distribution was placed under the jurisdiction of the Ministry of Finance. Focusing his study on la Salina, Joshua M. Rosenthal presents a fascinating glimpse into the workings of the early Colombian state, its institutions, and their interactions with local citizens during this formative period. Although historians have cited the state’s weakness, and in many cases, its absence in local affairs, Rosenthal counters these assumptions by documenting the primary role the state held in administering contracts, inspections, land rights, labor, and trade in la Salina, and contends that this was not an isolated incident. He also uncovers the frequent interaction between the state and local residents, who used the state’s liberal rhetoric to gain personal economic advantage.

Seen through the lens of the administration of la Salina’s salt works, Rosenthal provides a firsthand account of the role of local institutions and fiscal management in the larger process of state building. His study offers new perspectives on the complex network of republican Colombia’s political culture, and its involvement in provincial life across the nation.

A collection of original essays dealing with many aspects of the complex problems of arms control, this volume provides an understanding of the political, strategic, technological, and bureaucratic constraints affecting the development of arms control policies by major powers. Among the diverse subjects examined are American and Soviet interests in arms control, and the rationale for arms control in alternative international systems based upon either bipolarity or multipolarity.
 
The volume also includes a discussion of the critical technological factors which have important implications for the Strategic Arms Limitations Talks (SALT), an examination of structural change in the international system, the emergence of additional centers of power, and the implications of SALT for would-be nuclear powers.

Contributors:  Robert R. Bowie, J. I. Coffey, James E. Dougherty, Wynfred Joshua, Geoffrey Kemp, Takeshi Muramatsu, George H. Quester, Robert A. Scalapino, Ian Smart, William R. Van Cleave, Thomas W. Wolfe, and the editors.

"Emotionally direct and visually all alike in column-shaped free verse, the poems in this debut from the Minneapolis-based Kiesselbach open up to show startling verbal skills, intellectual depths, and sensory complications. 'Beach Thanksgiving' wheels from seaside scenes into one, then another, sad memory: 'Fire’s an assortment of sparks down the beach/ beside which your new family cooks./ Asked to bear a ring,/ you pulled and pulled at your hair.' For an elderly mother, once a gardener, 'Joy’s bolted/ in her face to sorrow/ like a pair of shears.' Marital love in the present (Kiesselbach has a particular talent for love poems), what looks like abuse in the past, the cycle of green growing things, the cold of the north, and the warmth of the animal world all inform these investigations of confession and its discontents, of commitments given and withheld, sometimes through stark life story but more often, in a wonderful involution, through symbols contemplated at short remove—in turkeys, for example, whose unlikely dignity rebukes human discontents: 'In fall’s/ ballroom they bow/ and straighten, straighten,/ bow, and finish/ with a salad course.'”
—Publishers Weekly

In this work, the reader experiences the life of Samuel Pepys and his freinds, great and small, in seventeenth-century London. We see great men of war, business and letters, enhanced by Percival Hunt’s comprehensive bibliography.

Immersed in their on-demand, highly consumptive, and disposable lifestyles, most urban Americans take for granted the technologies that provide them with potable water, remove their trash, and process their wastewater. These vital services, however, are the byproduct of many decades of development by engineers, sanitarians, and civic planners. 

In The Sanitary City, Martin V. Melosi assembles a comprehensive, thoroughly researched and referenced history of sanitary services in urban America. He examines the evolution of water supply, sewage systems, and solid waste disposal during three distinct eras: The Age of Miasmas (pre-1880); The Bacteriological Revolution (1880-1945); and The New Ecology (1945 to present-day). 

Originally published in 2000, this abridged edition includes updated text and bibliographic materials. The Sanitary City is an essential resource for those interested in environmental history, environmental engineering, science and technology, urban studies, and public health.

Winner of:
George Perkins Marsh Prize from the American Society for Environmental History Urban History Association Prize for the best book in North American Urban History
Abel Wolman Prize from the Public Works Historical Society
Sidney Edelstein Prize from the Society for the History of Technology

When her “smart” phone keeps asking her to autocorrect her name to Denise Richards, Denise Duhamel begins a journey that takes on celebrity, sex, reproduction, and religion with her characteristic wit and insight. The poems in Scald engage feminism in two ways—committing to and battling with—various principles and beliefs.  Duhamel wrestles with foremothers and visionaries Shulamith Firestone, Andrea Dworkin, and Mary Daly as well as with pop culture figures such as Helen Reddy, Cyndi Lauper, and Bikini Kill.  In dialogue with artists and writers such as Catherine Opie, Susan Faludi, and Eve Ensler, Duhamel tries to understand our cultural moment.  While Duhamel’s Scald can burn, she has more importantly taken on the role of the ancient Scandinavian “Skald,” one who pays tribute to heroic deeds.  In Duhamel’s case, her heroes are also heroines.
 

Peter Meinke is one of the most readable poets.  The surface clarity of his lines and his aptness for metaphor make these poems accessible and mysterious.  They have real subjects - Dessert Storm and acorns, coffee and Tolstoy -  but at the same time give entry to that interior world where all feelings and moralities grow.

School Choice in Chile examines the dramatic educational decentralization and privatization of schools in Chile.  In the early 1980s, the Pinochet regime decentralized schooling, providing vouchers for parental choice of public or private schools.  At the same time, the government supposedly gave the administration of schools to local municipalities.  Although the reform has merit and is defended by some as a major achievement, Varun Gauri shows the many ways in which it has not worked.

In this process of reform, neither the administration of schools nor school content was really decentralized from the Ministry of Education, nor did students gain equality of educationaly opportunity or better schooling outcomes.  These failures of the post-welfare model are due partly to Chile’s political and economic problems of the era, but are also evidence of flaws at its core, at least where education is concerned.

The study presents data for an original survey of 726 households in Greater Santiago that finds more evidence for social and economic stratification among Chilean schools than past analyses have shown.  Gauri finds that information about school quality, a sense of entitlement, and the use of specific search techniques increase the odds that a child attends a school with high achievement scores.  Gauri offers some insights as he supports the criticism that market forces might exacerbate inequalities without necessarily generating clear gains in academic achievement.  In the new system, many parents continued to be ill-informed about differences among schools, nonacademic factors played a major role in school selection, schools appeared to use entrance exams to practice a form of “creaming,” and parental wealth was a strong determinant of whether families were willing and able to take full advantage of choice programs.

These are extremely timely findings, especially in light of the current debate over school choice and vouchers in the United States.  Because the United States has little experience in school choice, School Choice in Chile presents a convincing and necessary report on an almost twenty-year-old experience with information from which all nations can learn.  Parents, policy analysts in education and social welfare, as well as those studying political science, public policy, and education, will find it extremely useful.

In choosing Cathy Song’s first book for the Yale Series of Younger Poets, Richard Hugo said that her poems are “bouquets to those moments in life that seemed minor but in retrospect count the most.”

In this, Song’s third book, the poems are like the school figures an ice skater etches onto the ice - the pen moving silently and deliberately across a white expanse of paper and experience, bringing maximum pressure to bear upon the blade of language to unlock “the invisible fire beneath the ice.”

The concept of eccentricity was central to how people in the nineteenth century understood their world. This monograph is the first scholarly history of eccentricity. Carroll explores how discourses of eccentricity were established to make sense of individuals who did not seem to fit within an increasingly organized social and economic order. She focuses on the self-taught natural philosopher William Martin, the fossilist Thomas Hawkins and the taxidermist Charles Waterton.

The nineteenth century saw science move from being the preserve of a small learned elite to a dominant force which influenced society as a whole. Sakurai presents a study of how scientific societies affected the social and political life of a city. As it did not have a university or a centralized government, Frankfurt am Main is an ideal case study of how scientific associations—funded by private patronage for the good of the local populace—became an important centre for natural history.

Could all or part of our taken-as-established scientific conclusions, theories, experimental data, ontological commitments, and so forth have been significantly different? Science as It Could Have Been focuses on a crucial issue that contemporary science studies have often neglected: the issue of contingency within science. It considers a number of case studies, past and present, from a wide range of scientific disciplines—physics, biology, geology, mathematics, and psychology—to explore whether components of human science are inevitable, or if we could have developed an alternative successful science based on essentially different notions, conceptions, and results. Bringing together a group of distinguished contributors in philosophy, sociology, and history of science, this edited volume offers a comprehensive analysis of the contingency/inevitability problem and a lively and up-to-date portrait of current debates in science studies.

To most laypersons and scientists, science and progress appear to go hand in hand, yet philosophers and historians of science have long questioned the inevitability of this pairing. As we take leave of a century acclaimed for scientific advances and progress, Science at Century's End, the eighth volume of the Pittsburgh-Konstanz Series in the Philosophy and History of Science, takes the reader to the heart of this important matter. Subtitled Philosophical Questions on the Progress and Limits of Science, this timely volume contains twenty penetrating essays by prominent philosophers and historians who explore and debate the limits of scientific inquiry and their presumed consequences for science in the 21st century.

On February 20, 1963, a team of nineteen Americans embarked on the first expedition that would combine high-altitude climbing with scientific research. The primary objective of the six scientists on the team—who procured funding by appealing to the military and political applications of their work—was to study how severe stress at high altitudes affected human behavior. The expedition would land the first American on the summit of Mount Everest nearly three years after a successful (though widely disputed) Chinese ascent. At the height of the Cold War, this struggle for the Himalaya turned Everest into both a contested political space and a remote, unpredictable laboratory. The US expedition promised to resurrect American heroism, embodied in a show of physical strength and skill that, when combined with scientific expertise, would dominate international rivals on the frontiers of territorial exploration. It propelled mountaineers, scientists, and their test subjects 29,029 feet above sea level, the highest point of Chinese-occupied Tibet. There they faced hostile conditions that challenged and ultimately compromised standard research protocols, yielding results that were too exceptional to be generalized to other environments. With this book, Philip W. Clements offers a nuanced exploration of the impact of extremity on the production of scientific knowledge and the role of masculinity and nationalism in scientific inquiry.
 

Winner, 2018 CHOICE Awards Outstanding Academic Title

The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it—an institution of expert knowledge built to inform a lay public—was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum’s walls.

Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history.

New attitudes towards history in nineteenth-century Britain saw a rejection of romantic, literary techniques in favour of a professionalized, scientific methodology. The development of history as a scientific discipline was undertaken by several key historians of the Victorian period, influenced by German scientific history and British natural philosophy. This study examines parallels between the professionalization of both history and science at the time, which have previously been overlooked.

Hesketh challenges accepted notions of a single scientific approach to history. Instead, he draws on a variety of sources—monographs, lectures, correspondence—from eminent Victorian historians to uncover numerous competing discourses.

When the Reverend Henry Carmichael opened the Sydney Mechanics’ School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London’s Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century. A Science of Our Own explores the influential work of local botanists, chemists, and geologists—William B. Clarke, Joseph Bosisto, Robert Brough Smyth, and Ferdinand Mueller—who contributed to shaping a distinctive public science in Australia during the nineteenth century. It extends beyond the political underpinnings of the development of public science to consider the rich social and cultural context at its core. For the Australian colonies, as Peter H. Hoffenberg argues, these exhibitions not only offered a path to progress by promoting both the knowledge and authority of local scientists and public policies; they also ultimately redefined the relationship between science and society by representing and appealing to the growing popularity of science at home and abroad.
 

The role of science in policymaking has gained unprecedented stature in the United States, raising questions about the place of science and scientific expertise in the democratic process. Some scientists have been given considerable epistemic authority in shaping policy on issues of great moral and cultural significance, and the politicizing of these issues has become highly contentious.

Since World War II, most philosophers of science have purported the concept that science should be “value-free.” In Science, Policy and the Value-Free Ideal, Heather E. Douglas argues that such an ideal is neither adequate nor desirable for science.  She contends that the moral responsibilities of scientists require the consideration of values even at the heart of science. She lobbies for a new ideal in which values serve an essential function throughout scientific inquiry, but where the role values play is constrained at key points, thus protecting the integrity and objectivity of science. In this vein, Douglas outlines a system for the application of values to guide scientists through points of uncertainty fraught with moral valence.

Following a philosophical analysis of the historical background of science advising and the value-free ideal, Douglas defines how values should-and should not-function in science.  She discusses the distinctive direct and indirect roles for values in reasoning, and outlines seven senses of objectivity, showing how each can be employed to determine the reliability of scientific claims.  Douglas then uses these philosophical insights to clarify the distinction between junk science and sound science to be used in policymaking. In conclusion, she calls for greater openness on the values utilized in policymaking, and more public participation in the policymaking process, by suggesting various models for effective use of both the public and experts in key risk assessments.

This volume marks a unique collaboration by internationally distinguished scholars in the history, rhetoric, philosophy, and sociology of science.  Converging on the central issues of rhetoric of science, the essays focus on figures such as Galileo, Harvey, Darwin, von Neumann; and on issues such as the debate over cold fusion or the continental drift controversy.  Their vitality attests to the burgeoning interest in the rhetoric of science.

The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882)  and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. Unravelling its origins, James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.
 

Was Darwin really inspired by Galápagos finches? Did Einstein’s wife secretly contribute to his theories? Did Franklin fly a kite in a thunderstorm? Did a falling apple lead Newton to universal gravity?  Did Galileo drop objects from the Leaning Tower of Pisa? Did Einstein really believe in God?
       Science Secrets answers these questions and many others. It is a unique study of how myths evolve in the history of science. Some tales are partly true, others are mostly false, yet all illuminate the tension between the need to fairly describe the past and the natural desire to fill in the blanks.
      Energetically narrated, Science Secrets pits famous myths against extensive research from primary sources in order to accurately portray important episodes in the sciences. Alberto A. Martínez analyzes how such myths grow and rescues neglected facts that are more captivating than famous fictions. Moreover, he shows why opinions that were once secret and seemingly impossible are now scientifically compelling. The book includes new findings related to the Copernican revolution, alchemy, Pythagoras, young Einstein, and other events and figures in the history of science.

Advancements in computing, instrumentation, robotics, digital imaging, and simulation modeling have changed science into a technology-driven institution. Government, industry, and society increasingly exert their influence over science, raising questions of values and objectivity. These and other profound changes have led many to speculate that we are in the midst of an epochal break in scientific history.
      This edited volume presents an in-depth examination of these issues from philosophical, historical, social, and cultural perspectives. It offers arguments both for and against the epochal break thesis in light of historical antecedents. Contributors discuss topics such as: science as a continuing epistemological enterprise; the decline of the individual scientist and the rise of communities; the intertwining of scientific and technological needs; links to prior practices and ways of thinking; the alleged divide between mode-1 and mode-2 research methods; the commodification of university science; and the shift from the scientific to a technological enterprise. Additionally, they examine the epochal break thesis using specific examples, including the transition from laboratory to real world experiments; the increased reliance on computer imaging; how analog and digital technologies condition behaviors that shape the object and beholder; the cultural significance of humanoid robots; the erosion of scientific quality in experimentation; and the effect of computers on prediction at the expense of explanation.
      Whether these events represent a historic break in scientific theory, practice, and methodology is disputed. What they do offer is an important occasion for philosophical analysis of the epistemic, institutional and moral questions affecting current and future scientific pursuits.

Few people, if any, still argue that science in all its aspects is a value-free endeavor. At the very least, values affect decisions about the choice of research problems to investigate and the uses to which the results of research are applied. But what about the actual doing of science?

As Science, Values, and Objectivity reveals, the connections and interactions between values and science are quite complex. The essays in this volume identify the crucial values that play a role in science, distinguish some of the criteria that can be used for value identification, and elaborate the conditions for warranting certain values as necessary or central to the very activity of scientific research.

Recently, social constructivists have taken the presence of values within the scientific model to question the basis of objectivity. However, the contributors to Science, Values, and Objectivity recognize that such acknowledgment of the role of values does not negate the fact that objects exist in the world. Objects have the power to constrain our actions and thoughts, though the norms for these thoughts lie in the public, social world.

Values may be decried or defended, praised or blamed, but in a world that strives for a modicum of reason, values, too, must be reasoned. Critical assessment of the values that play a role in scientific research is as much a part of doing good science as interpreting data.

Science in seventeenth- and eighteenth-century Istanbul, Harun Küçük argues, was without leisure, a phenomenon spurred by the hyperinflation a century earlier when scientific texts all but disappeared from the college curriculum and inflation reduced the wages of professors to one-tenth of what they were in the sixteenth century. It was during this tumultuous period that philosophy and theory, the more leisurely aspects of naturalism—and the pursuit of “knowledge for knowledge’s sake”—vanished altogether from the city. But rather than put an end to science in Istanbul, this economic crisis was transformative, turning science into a practical matter, into something one learned through apprenticeship and provided as a service. In Science without Leisure, Küçük reveals how Ottoman science, when measured against familiar narratives of the Scientific Revolution, was remarkably far less scholastic and philosophical and far more cosmopolitan and practical. His book explains why as practical naturalists deployed natural knowledge to lucrative ends without regard for scientific theories, science in the Ottoman Empire over the long term ultimately became the domain of physicians, bureaucrats, and engineers rather than of scholars and philosophers.
 

Scientists have used models for hundreds of years as a means of describing phenomena and as a basis for further analogy. In Scientific Models in Philosophy of Science, Daniela Bailer-Jones assembles an original and comprehensive philosophical analysis of how models have been used and interpreted in both historical and contemporary contexts.

Bailer-Jones delineates the many forms models can take (ranging from equations to animals; from physical objects to theoretical constructs), and how they are put to use.  She examines early mechanical models employed by nineteenth-century physicists such as Kelvin and Maxwell, describes their roots in the mathematical principles of Newton and others, and compares them to contemporary mechanistic approaches. Bailer-Jones then views the use of analogy in the late nineteenth century as a means of understanding models and to link different branches of science. She reveals how analogies can also be models themselves, or can help to create them.

The first half of the twentieth century saw little mention of models in the literature of logical empiricism. Focusing primarily on theory, logical empiricists believed that models were of temporary importance, flawed, and awaiting correction. The later contesting of logical empiricism, particularly the hypothetico-deductive account of theories, by philosophers such as Mary Hesse, sparked a renewed interest in the importance of models during the 1950s that continues to this day.

Bailer-Jones analyzes subsequent propositions of: models as metaphors; Kuhn's concept of a paradigm; the Semantic View of theories; and the case study approaches of Cartwright and Morrison, among others. She then engages current debates on topics such as phenomena versus data, the distinctions between models and theories, the concepts of representation and realism, and the discerning of falsities in models.

Can we expect our scientific theories to make up a unified structure, or do they form a kind of “patchwork” whose pieces remain independent from each other? Does the proliferation of sometimes-incompatible representations of the same phenomenon compromise the ability of science to deliver reliable knowledge? Is there a single correct way to classify things that science should try to discover, or is taxonomic pluralism here to stay? These questions are at the heart of philosophical debate on the unity or plurality of science, one of the most central issues in philosophy of science today. This book offers a critical overview and a new structure of this debate. It focuses on the methodological, epistemic, and metaphysical commitments of various philosophical attitudes surrounding monism and pluralism, and offers novel perspectives and pluralist theses on scientific methods and objects, reductionism, plurality of representations, natural kinds, and scientific classifications.

To most scientists, and to those interested in the sciences, understanding is the ultimate aim of scientific endeavor. In spite of this, understanding, and how it is achieved, has received little attention in recent philosophy of science. Scientific Understanding seeks to reverse this trend by providing original and in-depth accounts of the concept of understanding and its essential role in the scientific process. To this end, the chapters in this volume explore and develop three key topics: understanding and explanation, understanding and models, and understanding in scientific practice.

Earlier philosophers, such as Carl Hempel, dismissed understanding as subjective and pragmatic. They believed that the essence of science was to be found in scientific theories and explanations. In Scientific Understanding, the contributors maintain that we must also consider the relation between explanations and the scientists who construct and use them. They focus on understanding as the cognitive state that is a goal of explanation and on the understanding of theories and models as a means to this end.

The chapters in this book highlight the multifaceted nature of the process of scientific research. The contributors examine current uses of theory, models, simulations, and experiments to evaluate the degree to which these elements contribute to understanding. Their analyses pay due attention to the roles of intelligibility, tacit knowledge, and feelings of understanding. Furthermore, they investigate how understanding is obtained within diverse scientific disciplines and examine how the acquisition of understanding depends on specific contexts, the objects of study, and the stated aims of research.

Hubertis M. Cummings vividly relates the tale of the sturdy and indomitable Scotch-Irish settlers in Pennsylvania. Hardened from their ancient battles against tyranny and injustice in their native “bonnie Scotland,” they struggled to establish a new home in America along and beyond the Susquehanna River. Their passionate love of freedom and will to survive helped them make a life for themselves in a hostile frontier. Their deep faith and spirit would thrive in this region, as they helped to forge the identity and destiny a young nation.

Seattle, often called the “Emerald City,” did not achieve its green, clean, and sustainable environment easily. This thriving ecotopia is the byproduct of continuing efforts by residents, businesses, and civic leaders alike. In Seattle and the Roots of Urban Sustainability, Jeffrey Craig Sanders examines the rise of environmental activism in Seattle amidst the “urban crisis” of the 1960s and its aftermath.

Like much activism during this period, the environmental movement began at the grassroots level—in local neighborhoods over local issues. Sanders links the rise of local environmentalism to larger movements for economic, racial, and gender equality and to a counterculture that changed the social and political landscape. He examines emblematic battles that erupted over the planned demolition of Pike Place Market, a local landmark, and environmental organizing in the Central District during the War on Poverty. Sanders also relates the story of Fort Lawton, a decommissioned army base, where Audubon Society members and Native American activists feuded over future land use.


The rise and popularity of environmental consciousness among Seattle’s residents came to influence everything from industry to politics, planning, and global environmental movements. Yet, as Sanders reveals, it was in the small, local struggles that urban environmental activism began.

Anne M. Khademian addresses the significance of the SEC for securities policy and uses the agency as a model for the study of bureaucracy and bureaucratic theory. She examines the interaction of bureaucrats, politicians and the White House, and connects early debates in the field of public administration with the contemporary arguments of rational choice scholars concerning independence.

The classic tension within U.S. federal agencies is between the need to hold bureaucrats politically accountable to elected officials and the need to delegate complex decision making to officials with “independent” expertise. In the SEC this tension is especially pronounced because of the agency's dependence on attorneys and economists. Khademian traces the development of a regulatory strategy from the creation of the SEC by FDR in 1934 to the present, examines the roles of SEC experts and their political overseers in Congress as they create policy, and evaluates the stability of that policy. Her study reveals how the tug-of-war between demands for accountability and giving freedom to expertise has affected the agency's evolution and its regulatory activities.

 

Carved from eight square miles of Bucks County farmland northeast of Philadelphia, Levittown, Pennsylvania, is a symbol of postwar suburbia and the fulfillment of the American dream. Begun in 1952, after the completion of an identically named community on Long Island, the second Levittown soon eclipsed its New York counterpart in scale and ambition, yet it continues to live in the shadow of its better-known sister and has received limited scholarly attention. Second Suburb uncovers the unique story of Levittown, Pennsylvania, and its significance to American social, architectural, environmental, and political history.

The volume offers a fascinating profile of this planned community in two parts. The first examines Levittown from the inside, including oral histories of residents recalling how Levittown shaped their lives. One such reminiscence is by Daisy Myers, whose family were the first African Americans to move to the community, only to become the targets of a race riot that would receive international publicity. The book also includes selections from the syndicated comic strip Zippy the Pinhead, in which Bill Griffith reflects on the angst-ridden trials of growing up in a Levittown, and an extensive photo essay of neighborhood homes, schools, churches, parks, and swimming pools, collected by Dianne Harris.

The second part of the book views Levittown from the outside. Contributors consider the community’s place in planning and architectural history and the Levitts’ strategies for the mass production of housing. Other chapters address the class stratification of neighborhood sections through price structuring; individual attempts to personalize a home’s form and space as a representation of class and identity; the builders’ focus on the kitchen as the centerpiece of the home and its greatest selling point; the community’s environmental and ecological legacy; racist and exclusionary sales policies; resident activism during the gas riots of 1979; and “America’s lost Eden."

Bringing together some of the top scholars in architectural history, American studies, and landscape studies, Second Suburb explores the surprisingly rich interplay of design, technology, and social response that marks the emergence and maturation of an exceptionally potent rendition of the American Dream.

Secret Dialogues uncovers an unexpected development in modern Latin American history: the existence of secret talks between generals and Roman Catholic bishops at the height of Brazil's military dictatorship. During the brutal term of Emílio Garrastazú Médici, the Catholic Church became famous for its progressivism. However, new archival sources demonstrate that the church also sought to retain its privileges and influence by exploring a potential alliance with the military. From 1970 to 1974 the secret Bipartite Commission worked to resolve church-state conflict and to define the boundary between social activism and subversion. As the bishops increasingly made defense of human rights their top pastoral and political goal, the Bipartite became an important forum of protest against torture and social injustice. Based on more than 60 interviews and primary sources from three continents, Secret Dialogues is a major addition to the historical narrative of the most violent yet, ironically, the least studied period of the Brazilian military regime. Its story is intertwined with the central themes of the era: revolutionary warfare, repression, censorship, the fight for democracy, and the conflict between Catholic notions of social justice and the anticommunist Doctrine of National Security.

Secret Dialogues is the first book of its kind on the contemporary Catholic Church in any Latin American country, for most work in this field is devoid of primary documentary research. Serbin questions key assumptions about church-state conflict such as the typical conservative-progressive dichotomy and the notion of church-state rupture during harsh authoritarian periods. Secret Dialogues is written for undergraduate and graduate students, professional scholars, and the general reader interested in Brazil, Latin America, military dictatorship, human rights, and the relationship between religion and politics.

“An artist who moonlights as a dentist. A worm who's eternal. A farmer who milks his cow to death.  Not to mention the guy with a belly button for an eye. Russell Edson, self-named Little Mr. Prose Poem, returns with See Jack, a book of fractured fairy tales, whose impeccable logic undermines logic itself, a book that champions what he has called elsewhere 'the dark uncomfortable metaphor.' 'What better way to die,' he writes in the final prose poem, 'than waiting for the fat lady to sing in the make-believe of theater, where nothing's real, not the fat lady, not even death . . . '  See Jack may be Edson's best book yet—proof that his imaginative powers keep growing. What a deliciously scary thought!”

—Peter Johnson

During World War I, fear that a network of German spies was operating on American soil justified the rapid growth of federal intelligence agencies. When that threat proved illusory, these agencies, staffed heavily by corporate managers and anti-union private detectives, targeted antiwar and radical labor groups, particularly the Socialist party and the Industrial Workers of the World.

Seeing Reds, based largely on case files from the Bureau of Investigation, Military Intelligence Division, and Office of Naval Intelligence, describes this formative period of federal domestic spying in the Pittsburgh region.  McCormick traces the activities of  L. M. Wendell, a Bureau of Investigation “special employee” who infiltrated the IWW’s Pittsburgh recruiting branch and the inner circle of anarchist agitator and lawyer Jacob Margolis.  Wendell and other Pittsbugh based agents spied on radical organizations from Erie, Pennsylvania, to Camp Lee, Virginia, intervened in the steel and coal strikes of 1919, and carried out the Palmer raids aimed at mass deportation of members of the Union of Russian Workers and the New Communist Party.

McCormick’s detailed history uses extensive research to add to our understanding of the security state, cold war ideology, labor and immigration history, and the rise of the authoritarian American Left, as well as the career paths of figures as diverse as J. Edgar Hoover and William Z. Foster.

President John F. Kennedy officially dedicated the Pinchot Institute for Conservation Studies on September 24, 1963 to further the legacy and activism of conservationist Gifford Pinchot (1865–1946). Pinchot was the first chief of the United States Forest Service, appointed by Theodore Roosevelt in 1905. During his five-year term, he more than tripled the national forest reserves to 172 million acres. A pioneer in his field, Pinchot is widely regarded as one of the architects of American conservation and an adamant steward of natural resources for future generations.
Author Char Miller highlights many of the important contributions of the Pinchot Institute through its first fifty years of operation. As a union of the United States Forest Service and the Conservation Foundation, a private New York-based think tank, the institute was created to formulate policy and develop conservation education programs. Miller chronicles the institution’s founding, a donation of the Pinchot family, at its Grey Towers estate in Milford, Pennsylvania. He views the contributions of Pinchot family members, from the institute’s initial conception by Pinchot’s son, Gifford Bryce Pinchot, through the family’s ongoing participation in current conservation programming. Miller describes the institute’s unique fusion of policy makers, scientists, politicians, and activists to increase our understanding of and responses to urban and rural forestry, water quality, soil erosion, air pollution, endangered species, land management and planning, and hydraulic franking.
Miller explores such innovative programs as Common Waters, which works to protect the local Delaware River Basin as a drinking water source for millions; EcoMadera, which trains the residents of Cristobal Colón in Ecuador in conservation land management and sustainable wood processing; and the Forest Health-Human Health Initiative, which offers health-care credits to rural American landowners who maintain their carbon-capturing forestlands. Many of these individuals are age sixty-five or older and face daunting medical expenses that may force them to sell their land for timber.
Through these and countless other collaborative endeavors, the Pinchot Institute has continued to advance its namesake’s ambition to protect ecosystems for future generations and provide vital environmental services in an age of a burgeoning population and a disruptive climate.

Edited and with an Afterword by David St. John

When Larry Levis died suddenly in 1996, Philip Levine wrote that he had years earlier recognized Levis as “the most gifted and determined young poet I have ever had the good fortune to have in one of my classes. . . . His early death is a staggering loss for our poetry, but what he left is a major achievement that will enrich our lives.”  Each of his books was published to wide critical acclaim, and David St. John has collected together the best of his work from his first five books: Wrecking Crew (1972), Afterlife (1976), The Dollmaker’s Ghost (1981), Winter Stars (1985) and The Widening Spell of the Leaves (1991).

“It is not an exaggeration to say that the death of Larry Levis in 1996—of a heart attack at 49—sent a shock wave through the ranks of American poetry. Not only was Levis a good friend to many poets (not simply of his own generation but of many poets older and younger as well), his poetry had become a kind of touchstone for many of us, a source of special inspiration and awe. With Larry Levis’ death came the sense that an American original had been lost. . . . It is not at all paradoxical that he saw both the most intimate expressions of poetry and the grandest gestures of art, of language, as constituting individual acts of courage. One can only hope that, like such courage, Larry Levis’s remarkable poems will continue to live far into our literature.”—from the Afterword, by David St. John

Shelton assembles the best of his previous work together with a selection of new poems.

Selectivity and Discord addresses the fundamental question of whether there are grounds for belief in experimental results. Specifically, Allan Franklin is concerned with two problems in the use of experimental results in science: selectivity of data or analysis procedures and the resolution of discordant results.

By means of detailed case studies of episodes from the history of modern physics, Franklin shows how these problems can be—and are—solved in the normal practice of science and, therefore, that experimental results may be legitimately used as a basis for scientific knowledge.

Marjorie L. Hilton presents a captivating history of consumer culture in Russia from the 1880s to the early 1930s. She highlights the critical role of consumerism as a vehicle for shaping class and gender identities, modernity, urbanism, and as a mechanism of state power in the transition from tsarist autocracy to Soviet socialism.
      Beginning in the late nineteenth century, Russia witnessed a rise in mass production, consumer goods, advertising, and new retail venues such as arcades and department stores. These mirrored similar developments in other European countries and reflected a growing quest for leisure activities, luxuries, and a modern lifestyle. As Hilton reveals, retail commerce played a major role in developing Russian public culture—it affected celebrations of religious holidays, engaged diverse groups of individuals, defined behaviors and rituals of city life, inspired new interpretations of masculinity and femininity, and became a visible symbol of state influence and provision.
      Through monarchies, revolution, civil war, and monumental changes in the political sphere, Russia’s distinctive culture of consumption was contested and recreated. Leaders of all stripes continued to look to the “commerce of exchange” as a key element in appealing to the masses, garnering political support, and promoting a modern nation.
      Hilton follows the evolution of retailing and retailers alike, from crude outdoor stalls to elite establishments; through the competition of private versus state-run stores during the NEP; and finally to a system of total state control, indifferent workers, rationing, and shortages under a consolidating Stalinist state.

In the late nineteenth century, the Brazilian army staged several campaigns against the settlement of Canudos in northeastern Brazil. The colony’s residents, primarily disenfranchised former slaves, mestizos, landless farmers, and uprooted Indians, followed a man known as Antonio Conselheiro (“The Counselor”), who promoted a communal existence, free of taxes and oppression. To the fledgling republic of Brazil, the settlement represented a threat to their system of government, which had only recently been freed from monarchy. Estimates of the death toll at Canudos range from fifteen thousand to thirty thousand.

Sentencing Canudos offers an original perspective on the hegemonic intellectual discourse surrounding this monumental event in Brazilian history. In her study, Adriana Michele Campos Johnson offers a close examination of nation building and the silencing of “other” voices through the reinvisioning of history. Looking primarily to Euclides da Cunha’s Os Sertões, which has become the defining—and nearly exclusive—account of the conflict, she maintains that the events and people of Canudos have been “sentenced” to history by this work. Johnson investigates other accounts of Canudos such as local oral histories, letters, newspaper articles, and the writings of Cunha’s contemporaries, Afonso Arinos and Manoel Benício, in order to strip away political agendas. She also seeks to place the inhabitants and events of Canudos within the realm of “everydayness” by recalling aspects of daily life that have been left out of official histories.

Johnson analyzes the role of intellectuals in the process of culture and state formation and the ensuing sublimation of subaltern histories and populations. She echoes recent scholarship that posits subalternity as the product of discourse that must be disputed in order to recover cultural identities and offers a view of Canudos and postcolonial Latin America as a place to think from, not about.

Internationally renowned essayist and cultural commentator Ilan Stavans spent five years traveling from across a dozen countries in Latin America, in search of what defines the Jewish communities in the region, whose roots date back to Christopher Columbus’s arrival. In the tradition of V.S. Naipaul’s explorations of India, the Caribbean, and the Arab World, he came back with an extraordinarily vivid travelogue. Stavans talks to families of the desaparecidos in Buenos Aires, to “Indian Jews,” and to people affiliated with neo-Nazi groups in Patagonia. He also visits Spain to understand the long-term effects of the Inquisition, the American Southwest habitat of “secret Jews,” and Israel, where immigrants from Latin America have reshaped the Jewish state. Along the way, he looks for the proverbial “seventh heaven,” which, according to the Talmud, out of proximity with the divine, the meaning of life in general, and Jewish life in particular, becomes clearer. The Seventh Heaven is a masterful work in Stavans’s ongoing quest to find a convergence between the personal and the historical.

Gregory Carleton offers a comprehensive literary and cultural history of sex and society in the Soviet Union during the 1920s. The Bolshevik Revolution promised a total transformation of Russian society, down to its most intimate details. But in the years immediately following 1917, it was by no means clear how this would come about. Sex and sexuality became a crucial battleground for debates about the Soviet future, and literature emerged as a primary domain through which sex could be imagined and discussed.

Despite optimistic claims that bolshevism would overcome bourgeois depravity, the writings of the 1920s in all genres were awash in sexual adventure, promiscuity, various chauvinisms, date and gang rape, unwanted pregnancy, and sexually transmitted diseases, as well as sex-related alcohol abuse, depression, and suicide. In discussions about sex, party officials contradicted themselves, sociologists grappled with difficult social problems, and writers experimented in fictional form with modern identities and relationships.

Drawing on an uncommonly varied body of sources, including novels, journals, diaries, sociological research, public health brochures, surveys, and party documents-many examined here for the first time in English-Carleton reveals the dramatic, bizarre, and intriguing ways the sexual revolution was discussed and represented. Amidst this chaos, he discerns a historical process of codification and reaction, leading ultimately to the quelling of debate in the 1930s through the harsh dictates of Stalinism.

Sexual Revolution in Bolshevik Russia challenges Western writers who portray revolutionary Russia as either prudish or hedonistic by reconstructing a fuller picture of what circulated in Bolshevik culture and why. Carleton brings a complex human dimension to the subject, demonstrating that this controversy should not be viewed as a sideshow curiosity, but rather as a central aspect of the dramatic debates on early Soviet literature and culture.

Sulh is a centuries-old Arab-Islamic peacemaking process. In Shades of Sulh, Rasha Diab explores the possibilities of the rhetoric of sulh, as it is used to resolve intrapersonal, interpersonal, communal, national, and international conflicts, and provides cases that illustrate each of these domains. Diab demonstrates the adaptability and range of sulh as a ritual and practice that travels across spheres of activity (juridical, extra-juridical, political, diplomatic), through time (medieval, modern, contemporary), and over geopolitical borders (Cairo, Galilee, and Medina). Together, the cases prove the flexibility of sulh in the discourse of peacemaking—and that sulh has remarkable rhetorical longevity, versatility, and richness. Shades of Sulh sheds new light on rhetorics of reconciliation, human rights discourse, and Arab-Islamic rhetorics.

An accessible new and selected collection of poems for poetry insiders and general readers. Powerful, passionate, humorous, and often complex, yet fun to read. They go down easy, but pack a whallop.

The profound disruption of family relationships caused by industrialization found its most dramatic expression in the steel mills of Pittsburgh in the 1880s.  The work day was twelve hours, and the work week was seven days - with every other Sunday for rest.

In this major work, S. J. Kleinberg focuses on the private side of industrialization, on how the mills structured the everyday existence of the women, men, and children who lived in their shadows.  What did industrialization and urbanization really mean to the people who lived through the these processes?  What solutions did they find to the problems of low wages, poor housing, inadequate sanitation, and high mortality rates?

Through imaginative use of census data, the records of municipal, charitable, and fraternal organizations, and the voices of workers themselves in local newspapers, Kleinberg builds a detailed picture of the working-class life cycle: marital relationships, the interaction between parents and children, the education and employment prospects of the young, and the lives if the elderly.

Novelist and essayist Hilary Masters recreates a moment in 1940s Pittsburgh when circumstances, ideology, and a passion for the arts collided to produce a masterpiece in another part of the world.

E. J. Kaufmann, the so-called "merchant prince" who commissioned Frank Lloyd Wright's Fallingwater, was a man whose hunger for beauty included women as well as architecture.

He had transformed his family's department store into an art deco showcase with murals by Boardman Robinson and now sought to beautify the walls of the YM&WHA of which he was the president. Through his son E. J. Kaufmann, jr (the son preferred the lowercase usage), he met Juan O'Gorman, a rising star in the Mexican pantheon of muralists dominated by Diego Rivera, O'Gorman's friend and mentor.

O'Gorman and his American wife spent nearly six months in Pittsburgh at Kaufmann's invitation while the artist researched the city's history and made elaborate cartoons for the dozen panels of the proposed mural. Like Rivera, O'Gorman was an ardent Marxist whose views of society were radically different from those of his host, not to mention the giants of Pittsburgh's industrial empire-Carnegie, Frick, and Mellon. The murals were never painted, but why did Kaufmann commission O'Gorman in the first place? Was it only a misunderstanding?

In the discursive manner for which his fiction and essays are noted, Masters pulls together the skeins of world events, the politics of art patronage, and the eccentric personalities and cruel histories of the period into a pattern that also includes the figures of O'Gorman and his wife Helen, and Kaufmann, his wife Liliane, and their son. Masters traces the story through its many twists and turns to its surprising ending: E. J. Kaufmann's failure to put beautiful pictures on the walls of the Y in Pittsburgh resulted in Juan O'Gorman's creation of a twentieth-century masterpiece on a wall in the town of Pátzcuaro, Mexico.

The US shale boom and efforts by other countries to exploit their shale resources could reshape energy and environmental landscapes across the world. But how might those landscapes change? Will countries with significant physical reserves try to exploit them? Will they protect or harm local communities and the global climate? Will the benefits be shared or retained by powerful interests? And how will these decisions be made?
            The Shale Dilemma brings together experts working at the forefront of shale gas issues on four continents to explain how countries reach their decisions on shale development. Using a common analytical framework, the authors identify both local factors and transnational patterns in the decision-making process. Eight case studies reveal the trade-offs each country makes as it decides whether to pursue, delay, or block development. Those outcomes in turn reflect the nature of a country’s political process and the power of interest groups on both sides of the issue. The contributors also ask whether the economic arguments made by the shale industry and its government supporters have overshadowed the concerns of local communities for information on the effects of shale operations, and for tax policies and regulations to ensure broad-based economic development and environmental protection.
            As an informative and even-handed account, The Shale Dilemma recommends practical steps to help countries reach better, more transparent, and more far-sighted decisions.

Nine noted literary critics examine the spiritual and religious elements in the fiction of such diverse writers as James Baldwin, J. F. Powers, Graham Greene, Par Lagerkvist, and Flannery O’Connor.

Contributors:  Robert Boyle, S.J.; Robert McAfee Brown; A. A. Devitis; Herbert Howarth; Maralee Frampton; Nathan A. Scott, Jr.; Albert Sonnenfeld; Winston Weathers; and the editors

The American metropolis has been transformed over the past quarter century.  Cities have turned inside out, with rapidly growing suburbs evolving into edge cities and technoburbs.  But not all suburbs are alike.  In Shaping Suburbia, Paul Lewis argues that a fundamental political logic underlies the patterns of suburban growth and states that the key to understanding suburbia is to understand the local governments that control it - their number, functions, and power.  Using innovative models and data analyses, Lewis shows that the relative political fragmentation of a metropolitan area plays a key part in shaping its suburbs.

Lagartijas Tiradas al Sol (Lizards Lounging in the Sun) is a Mexican theater company that performs what is known as theater of the real. By taking reality as its subject, this genre claims a special relationship to reality, truth, and authenticity. In A Shared Truth, Julie Ann Ward traces the development of this contemporary and cutting-edge collective’s unique aesthetic. Based on performances, play texts, videos, and interviews, this in-depth look at a single theatrical troupe argues that the company’s work represents a larger trend in which Latin American theater positions itself as a source of and repository for truth in the face of unreliable official narratives. A Shared Truth critically examines the work of an influential company whose collaborative methods and engagement with the real challenge the bounds of theater.
 

In Shifting Standards, Allan Franklin provides an overview of notable experiments in particle physics. Using papers published in Physical Review, the journal of the American Physical Society, as his basis, Franklin details the experiments themselves, their data collection, the events witnessed, and the interpretation of results. From these papers, he distills the dramatic changes to particle physics experimentation from 1894 through 2009.

Franklin develops a framework for his analysis, viewing each example according to exclusion and selection of data; possible experimenter bias; details of the experimental apparatus; size of the data set, apparatus, and number of authors; rates of data taking along with analysis and reduction; distinction between ideal and actual experiments; historical accounts of previous experiments; and personal comments and style.

From Millikan’s tabletop oil-drop experiment to the Compact Muon Solenoid apparatus measuring approximately 4,000 cubic meters (not including accelerators) and employing over 2,000 authors, Franklin’s study follows the decade-by-decade evolution of scale and standards in particle physics experimentation. As he shows, where once there were only one or two collaborators, now it literally takes a village. Similar changes are seen in data collection: in 1909 Millikan’s data set took 175 oil drops, of which he used 23 to determine the value of e, the charge of the electron; in contrast, the 1988–1992 E791 experiment using the Collider Detector at Fermilab, investigating the hadroproduction of charm quarks, recorded 20 billion events. As we also see, data collection took a quantum leap in the 1950s with the use of computers. Events are now recorded at rates as of a few hundred per second, and analysis rates have progressed similarly.

Employing his epistemology of experimentation, Franklin deconstructs each example to view the arguments offered and the correctness of the results. Overall, he finds that despite the metamorphosis of the process, the role of experimentation has remained remarkably consistent through the years: to test theories and provide factual basis for scientific knowledge, to encourage new theories, and to reveal new phenomenon.

One of the most interesting figures to emerge at the turn of the twentieth century was Ambrose Bierce, whose acerbic columns in the San Francisco Examiner spread his fame as America’s most bitter cynic and misanthrope, and whose disappearance into Mexico surrounded his name with an aura of mystery.


    Although best known during his lifetime for his journalism and always critical of his own writing—“the magnificent intention mocked by the actual achievement”—Bierce’s fiction endures, especially his short stories about the Civil War.  Originally published in the 1890s and rediscovered in the 1920s, the Civil War stories are filled with unsparing descriptions of death and suffering, disillusionment and fatalism. They also show a concern for form and craftsmanship, a controlled irony, and an economy of detail that are distinctly modern.


    In this pioneering study of Bierce’s stories, Stuart Woodruff examines the best and worst of Bierce’s fiction with clarity and excellent critical sense, and he traces the causes of Bierce’s success and failure as a writer, analyzing his inability to reconcile the extremes of temperament and belief that marked his life and give his stories their characteristic form.


    Among the pieces discussed:  “An Occurrence at Owl Creek Bridge,” “The Mocking-bird,” “One of the Missing,” “Chickamauga,”  “Haïta the Shepherd,” “What I Saw at Shiloh,” and excerpts from The Devil’s Dictionary and Tales of Soldiers and Civilians.

The poems in Showtime at the Ministry of Lost Causes are survival songs, the tunes you whistle while walking through the Valley of Shadows, to keep your fears at bay and your spirit awake. The shadows here are many—cancer, poverty, a lost love, famine, suicide, war, an ever-encroaching existential angst. But so are the saving graces—a drag queen waitress whose “painted-on eyebrows arched like a bridge / toward starlight,” “strawberries / grown fat around dimpled gold seeds,” Pink Floyd’s “‘On the Turning Away’ sent through my car / radio like the ghost voice of a beloved long dead,” black phoebes rattling “winter / thistles, swollen throats percussing: / this is this is this is . . . ” Showtime at the Ministry of Lost Causes reminds us that where there is shadow there must, necessarily, also be light.

With eleven full-length books and a spate of major prizes, Charles Harper Webb—once a well-kept secret in the poetry underground—has gained national recognition as a writer of poems that are complex yet reader-friendly. Sidebend World shows clearly why Webb has been called one of the most inventive, incisive, and psychologically astute poets writing in the U.S.A. today, as well as one of the most entertaining.    

Webb is celebrated for his use of humor; yet even his funniest poems rise, as the best humor must, from serious concerns. Powered by an uncompromising but compassionate intelligence and an abiding wonder at the beautiful strangeness of the world, Sidebend World explores with clarity and vividness a wide range of emotions—love to hate, tenderness to brutality; yet, above all, Webb is a poet of praise. Metaphors of startling aptness and originality, a distinctive voice at once provocative and endearing, high musicality, propulsive energy, wild imaginative leaps, as well as mastery of diction from lyricism to street-speak, create a reading experience of the first order. These poems go down easy, but pack a wallop. As Robert Frost said poetry should do, Sidebend World "begins in delight and ends in wisdom."

Sin puertas visibles is a fully bilingual anthology that features emerging women poets whose work provides a taste of the adventurous new spirit infusing Mexican literature. All eleven poets represented have had at least one book published in Mexico, yet none of their work has been translated into English until now.

Featuring the work of: Cristina Rivera-Garza, Carla Faesler, Angélica Tornero, Ana Belén López, Silvia Eugenia Castillero, Mónica Nepote, Dana Gelinas, María Rivera, Ofelia Pérez Sepúlveda, Dorantes, and Laura Solózano.

Mexico poesses one of Latin America's most important poetic traditions, but its depth and range are virtually unknown to readers north of the border. Reflecting the diversity and complexity f contemporary mexican poetry, the poems presented here are by turns meditative and explosive, sensuous and inventive, ironic and tender--in short, they are subversive, provocative, and bold.

Singing the City  is an eloquent tribute to a way of life largely disappearing in America, using Pittsburgh as a lens. Graham is not blind to the damage industry has done—both to people and to the environment, but she shows us that there is also a rich human story that has gone largely untold, one that reveals, in all its ambiguities, the place of the industrial landscape in the heart.

Singing the City is a celebration of a landscape that through most of its history has been unabashedly industrial. Convinced that industrial landscapes are too little understood and appreciated, Graham set out to investigate the city’s landscape, past and present, and to learn the lessons she sensed were there about living a good life. The result, told in both her voice and the distinctive voices of the people she meets, is a powerful contribution to the literature of place.

Graham begins by showing the city as an outgrowth of its geography and its geology—the factors that led to its becoming an industrial place. She describes the human investment in the area: the floods of immigrants who came to work in the mills in the late nineteenth and early  twentieth centuries, their struggles within the domains of Andrew Carnegie and Henry Clay Frick. She evokes the superhuman aura of making steel by taking the reader to still functioning mills and uncovers for us a richness of tradition in ethnic neighborhoods that survives to this day.

Gerald Jacob views the history of public policy regarding nuclear waste, culminating in the 1982 Nuclear Waste Policy act and its aftermath. The 1982 act promised a solution, but Jacob believes it deferred to the interests of the nuclear utilities and the U.S. Department of Energy. He describes how the nuclear establishment used science and geography to protect its interests and dominate nuclear waste policy making. He examines the federal promotion of nuclear power, and asserts that federal policies strong-armed public opposition, and locked the country into a single, but flawed waste disposal solution.

Sites Unseen challenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context.  While other fields, such as art history and geography, have engaged poststructuralist theory to consider vision and representation, the application of such inquiry to the natural or built environment has lagged behind.  This book, by treating landscape as a spatial, psychological, and sensory encounter, aims to bridge this gap, opening a new dialogue for discussing the landscape outside the boundaries of current art criticism and theory. 

As the contributors reveal, the landscape is a widely adaptable medium that can be employed literally or metaphorically to convey personal or institutional ideologies. Walls, gates, churchyards, and arches become framing devices for a staged aesthetic experience or to suit a sociopolitical agenda. The optic stimulation of signs, symbols, bodies, and objects combines with physical acts of climbing and walking and sensory acts of touching, smelling, and hearing to evoke an overall “vision” of landscape.

Sites Unseen considers a variety of different perspectives, including ancient Roman visions of landscape, the framing techniques of a Moghul palace, and a contemporary case study of Christo's The Gates, as examples of human attempts to shape our sensory, cognitive, and emotional experiences in the landscape.

The speaker in Irene McKinney’s poems is most often alone, sitting at the side of a stream, or standing at her own chosen gravesite in the Appalachian mountains, and the meditations spoken out of this essential solitude are powerfully clear, witty, and wide-ranging in content and tone. The center sequence of poems in the Emily Dickinson persona explores and magnifies that great and enigmatic figure.
The poems are firmly grounded in concern for the ways in which the elemental powers are at work in the earth and in us: on the surface of our lives, and deeper in the underworld of the coalmines. In McKinney’s poems, the human world is never seen as separate from the natural one.

In the late twenties, actors and directors of the Group Theatre, who were pioneering the use of Stanislavski's teachings, saw the value of teaching ballet and the emerging modern dance. Actors now routinely learn dance, but dancers rarely study acting. In The Six Questions, Nagrin maintains that a command of acting techniques allows the dancer to couple the passion of a body in motion with the heart and mind of the dancer.

In five parts, the book first examines the personal essentials demanded by dance. The second part looks at the pitfalls inherent in the act of performing from vanity to self-hatred. The third part, the core of the book, poses six questions: Who? is doing what? to whom? where and when? and why? and against what obstacle? In the fourth part, Nagrin looks at the tools for working on the role, and the fifth part enters into the very act of performing. All of the work is handled in terms of movement alone: no dialogue or scenes from plays are used.

The Six Questions is a companion piece to Nagrin's other works, How To Dance Forever, and Dance and the Specific Image: Improvisation. Together they present an invaluable teaching and learning tool for anyone in love with dance.

 

Dean Young is one of the premier surrealist poets writing today. In Skid, his fifth book of poems, social outrage vies with comic excess. He embraces the autobiographical urge with fury and musically lush exclamations. Whether through the dark facts of mortality or the celebratory surprises of the imagination, these poems proclaim vitality and alertness, wasting nothing. From Wile E. Coyote and the Roadrunner’s "Meep! Meep!" to remembrances of lost loves and laments about the future, Young’s poems reveal his faith in the genius of calamity and the redemptive power of fun.

Winner, 2018 AHA Bolton Prize (best book on Latin American History)
Winner, 2018 AHA/CLAH Dean Prize (best book on Brazilian History)

Celso Thomas Castilho offers original perspectives on the political upheaval surrounding the process of slave emancipation in postcolonial Brazil. He shows how the abolition debates in Pernambuco transformed the practices of political citizenship and marked the first instance of a mass national political mobilization. In addition, he presents new findings on the scope and scale of the opposing abolitionist and sugar planters’ mobilizations in the Brazilian northeast. The book highlights the extensive interactions between enslaved and free people in the construction of abolitionism, and reveals how Brazil’s first social movement reinvented discourses about race and nation, leading to the passage of the abolition law in 1888. It also documents the previously ignored counter-mobilizations led by the landed elite, who saw the rise of abolitionism as a political contestation and threat to their livelihood.
            Overall, this study illuminates how disputes over control of emancipation also entailed disputes over the boundaries of the political arena and connects the history of abolition to the history of Brazilian democracy. It offers fresh perspectives on Brazilian political history and on Brazil’s place within comparative discussions on slavery and emancipation.

Slave Emancipation in Cuba is the classic study of the end of slavery in Cuba. Rebecca J. Scott explores the dynamics of Cuban emancipation, arguing that slavery was not simply abolished by the metropolitan power of Spain or abandoned because of economic contradictions. Rather, slave emancipation was a prolonged, gradual and conflictive process unfolding through a series of social, legal, and economic transformations.

Scott demonstrates that slaves themselves helped to accelerate the elimination of slavery. Through flight, participation in nationalist insurgency, legal action, and self-purchase, slaves were able to force the issue, helping to dismantle slavery piece by piece. With emancipation, former slaves faced transformed, but still very limited, economic options. By the end of the nineteenth-century, some chose to join a new and ultimately successful rebellion against Spanish power.
  
In a new afterword, prepared for this edition, the author reflects on the complexities of postemancipation society, and on recent developments in historical methodology that make it possible to address these questions in new ways.

Winner of the 1991 Agnes Lynch Starrett Poetry Prize.

The poems in this book deal with life in a Pennsylvania Mennonite community and the tensions and conflicts that exist for the speaker as she tries to be true to two worlds, the other being New York City.

In January 1969, the blowout on an offshore oil platform off the coast of Santa Barbara, California, and the resulting oil spill proved to be a transformative event in pollution control and the nascent environmental activism movement. It accelerated the advancement of federal government policies and would change the way the federal government managed environmental pollution. Over the next three years, Congress worked to pass laws such as the National Environmental Policy Act and the Clean Water Act, and revolutionized the way that the United States dealt with environmental pollution. At the same time, scientists developed methods to detect chemical pollution that had been discharged into rivers and streams by industrial facilities.

Slick Policy presents an original and in-depth history of the 1969 Santa Barbara spill. Teresa Sabol Spezio provides a background of water pollution control, government oversight of federally-funded projects, and chemical detection methods in place prior to the spill. She then shows how scientists and politicians used public outrage over the spill to implement wide-ranging changes to federal environmental and science policy, and demonstrates the advancements to offshore oil drilling, pollution technology, and water protection law that resulted from these actions.

In the deciding game of the 1992 National League Championship Series against the Atlanta Braves, the Pittsburgh Pirates suffered the most dramatic and devastating loss in team history when former Pirate Sid Bream slid home with the winning run. Bream’s infamous slide ended the last game played by Barry Bonds in a Pirates uniform and sent the franchise reeling into a record twenty-season losing streak. The Slide tells the story of the myriad events, beginning with the aftermath of the 1979 World Series, which led to the fated 1992 championship game and beyond. It describes the city’s near loss of the team in 1985 and the major influence of Syd Thrift and Jim Leyland in developing a dysfunctional team into a division champion. The book gives detailed accounts of the 1990, 1991, and 1992 division championship seasons, the critical role played by Kevin McClatchy in saving the franchise in 1996, and summarizes the twenty losing seasons before the Pirates finally broke the curse of “the slide” in 2013, with their first playoff appearance since 1992.

Social Change in Contemporary China offers a wide-ranging examination of Chinese institutional change in areas of education, religion, health care, economics, labor, family, and local communities in the post-Mao era. Based on the pioneering work of sociologist C. K. Yang (1911–1999), and his institutional diffusion theory, the essays analyze and develop the theory as it applies to both public and private institutions.  The interrelationship of these institutions composes what Yang termed the Chinese “system,” and affects nearly every aspect of life. Yang examined the influence of external factors on each institution, such as the influence of Westernization and Communism on family, and the impact of industrialization on rural markets. He also analyzed the impact of public opinion and past culture on institutions, therein revealing the circular nature of diffusion. Perhaps most significant are Yang’s insights on the role of religion in Chinese society. Despite the common perception that China had no religion, he uncovers the influence of classical Confucianism as the basis for many ethical value systems, and follows its diffusion into state and kinship systems, as well as Taoism and Buddhism.

Writing in the early years of Communism, Yang had little hard data with which to test his theories. The contributors to this volume expand upon Yang’s groundbreaking approach and apply the model of diffusion to a rapidly evolving contemporary China, providing a window into an increasingly modern Chinese society and its institutions.

The British created a system wherein the social identity of civil servants clearly influenced their position on official matters. This privileged class set the tone for major policy decisions affecting all members of society.  Savage addresses this social construction of power by analyzing the social origins and career patterns of higher-level civil servants as a backdrop for investigating the way four different social service ministries formulated policies between the two World Wars: the Board of Education, the Ministry of Agriculture, the Ministry of Labour, and the Ministry of Health.

The Swedish Social Democratic Party, the SAP, is the most successful social democratic party in the world.  It has led the government for most of the last six decades, participating either alone or as the dominant force in coalition government.  The SAP has also worked closely with trade unions that have organized nearly 85 percent of the labor force, the highest rate among the advanced industrial democracies.  Rarely has a political party been so dominant or so closely linked to labor movement.  Yet Sweden remains very much a capitolist society with economic and social power firmly in the hands of big capitol.

If one wants to know if politics, and most especially if reformist politics, matters - if, that is, political mobilization can change democratic capitolists societies - then Sweden under the Social Democrats is clearly one of the best empirical cases to study.

Bo Rothstein uses the Swedish experience to analyze the limits a social democratic government labors under and the possibilities it enjoys in using the state to implement large-scale social change.  He examines closely two SAP programs, one a success and the other a failure, that attempted to change social processes deeply embedded in capitolist society.  He ties the outcomes of these programs to the structure of the state and hypothesizes that the outcome depends, to a considerable extent, on how administrative apparatuses responsible for implementing each policy are organized.  Rothstein concludes that no matter how wisely a reformist policy is designed nor how strong the political party behind it, if the administrative arrangements are faulty, it will fail at the stage of implementation.

Rothstein convincingly demonstrates that the democratic capitolist countries of the world have important lessons to learn from the Swedish experience regarding the possibilities for political reform.  Political scientists and political reformers alike can learn much from Rothstein’s deep knowledge of Swedish government and his innovative model for analyzing political reform in social democratic societies.

A comprehensive and sophisticated study of the relationship between social security policy and inequality in Latin America. Individual case studies of Chile, Uruguay, Peru, Argentina, and Mexico are presented, that provide a historical analysis of each country's social security policy, the pressure groups involved, the present structure of the systems, and a statistical examination of the inequality among these pressure groups.

Roy Lubove provides an analysis of three landmark documents in British social history: Edwin C. Chadwick's 1842 report he Sanitary Condition of the Labouring Population of England; the 1834 Report of the Royal Poor Law Commission; and the majority and minority Reports of the Royal Poor Law Commission of 1909. Chadwick's work was instrumental to developing modern public health and sanitary controls. The 1834 report shaped attitudes toward poverty and poor law institutions for nearly a century. The 1909 reports suggested major revisions to the 1834 document, particularly in transferring responsibility to local government, away from private institutions. Taken together, the three documents illustrate changing perceptions of poverty, the organization of welfare institutions, and the role of the state.

Most narratives depict Soviet Cold War cultural activities and youth groups as drab and dreary, militant and politicized. In this study Gleb Tsipursky challenges these stereotypes in a revealing portrayal of Soviet youth and state-sponsored popular culture.
            The primary local venues for Soviet culture were the tens of thousands of klubs where young people found entertainment, leisure, social life, and romance. Here sports, dance, film, theater, music, lectures, and political meetings became vehicles to disseminate a socialist version of modernity. The Soviet way of life was dutifully presented and perceived as the most progressive and advanced, in an attempt to stave off Western influences. In effect, socialist fun became very serious business. As Tsipursky shows, however, Western culture did infiltrate these activities, particularly at local levels, where participants and organizers deceptively cloaked their offerings to appeal to their own audiences. Thus, Soviet modernity evolved as a complex and multivalent ideological device.
            Tsipursky provides a fresh and original examination of the Kremlin’s paramount effort to shape young lives, consumption, popular culture, and to build an emotional community—all against the backdrop of Cold War struggles to win hearts and minds both at home and abroad.

One of the massive transformations that took place in the nineteenth and early twentieth centuries was the movement of millions of people from the status of slaves to that of legally free men, women, and children. Societies after Slavery provides thousands of entries and rich scholarly annotations, making it the definitive resource for scholars and students engaged in research on postemancipation societies in the Americas and Africa.

A groundbreaking English-language study of the transformation in education in mid-twentieth century Brazil, and the social and economic forces that shaped it. It also looks at how, in turn, education is shaping the rapid transformation of Brazilian society.

In this journal, the author describes his year-long walking adventures at the Soldiers Delight Natural Environment Area, a rare prairie remnant just seven miles northwest of Baltimore, Maryland. In his quest to make this wild place his “natural home” throughout the course of four distinct seasons, Wennerstrom examines and contemplates rocks and minerals, plants, animals, prairies, floodplains, woodlands, lakes, ponds, pastures, mines and mills, Indian artifacts, as well as local legends and folklore.

Solid state physics, the study of the physical properties of solid matter, was the most populous subfield of Cold War American physics. Despite prolific contributions to consumer and medical technology, such as the transistor and magnetic resonance imaging, it garnered less professional prestige and public attention than nuclear and particle physics.

Solid State Insurrection argues that solid state physics was essential to securing the vast social, political, and financial capital Cold War physics enjoyed in the twentieth century. Solid state’s technological bent, and its challenge to the “pure science” ideal many physicists cherished, helped physics as a whole respond more readily to Cold War social, political, and economic pressures. Its research kept physics economically and technologically relevant, sustaining its cultural standing and policy influence long after the sheen of the Manhattan Project had faded. With this book, Joseph D. Martin brings a new perspective to some of the most enduring questions about the role of physics in American history.

The philosophy of Solomon Maimon (1753–1800) is usually considered an important link between Kant’s transcendental philosophy and German idealism. Highly praised during his lifetime, over the past two centuries Maimon’s genius has been poorly understood and often ignored. Meir Buzaglo offers a reconstruction of Maimon’s philosophy, revealing that its true nature becomes apparent only when viewed in light of his philosophy of mathematics.

This provides the key to understanding Maimon’s solution to Kant’s quid juris question concerning the connection between intuition and concept in mathematics. Maimon’s original approach avoids dispensing with intuition (as in some versions of logicism and formalism) while reducing the reliance on intuition in its Kantian sense. As Buzaglo demonstrates, this led Maimon to question Kant’s ultimate rejection of the possibility of metaphysics and, simultaneously, to suggest a unique type of skepticism.

This first collection of poems enacts the struggle of a young black gay man in his search for identity.  Many voices haunt these poems: black and white, male and female, the oppressor’s voice as well as the oppressed.  The poet’s aim, finally, is to rescue some portion of the drowned and the drowning.

Longlist, 2019 Julie Suk Prize for best poetry book published by a literary press

Some Glad Morning, Barbara Crooker’s ninth book of poetry, teeters between joy and despair, faith and doubt, the disconnect between lived experience and the written word. Primarily a lyric poet, Crooker is in love with the beauty and mystery of the natural world, even as she recognizes its fragility. But she is also a poet unafraid to write about the consequences of our politics, the great divide. She writes as well about art, with ekphrastic poems on paintings by Hopper, O’Keeffe, Renoir, Matisse, Cézanne, and others. Many of the poems are elegaic in tone, an older writer tallying up her losses. Her work embodies Bruce Springsteen’s dictum, “it ain’t no sin to be glad we’re alive,” as she celebrates the explosion of spring peonies, chocolate mousse, a good martini, hummingbirds’ flashy metallics, the pewter light of September, Darryl Dawkins (late NBA star), saltine crackers.  While she recognizes it might all be about to slip away, “Remember that nothing is ever lost,” she writes, and somehow, we do.

The Soviets are often viewed as insatiable industrialists who saw nature as a force to be tamed and exploited. Song of the Forest counters this assumption, uncovering significant evidence of Soviet conservation efforts in forestry, particularly under Josef Stalin. In his compelling study, Stephen Brain profiles the leading Soviet-era conservationists, agencies, and administrators, and their efforts to formulate forest policy despite powerful ideological differences.
      By the time of the revolution of 1905, modern Russian forestry science had developed an influential romantic strand, especially prevalent in the work of Georgii Morozov, whose theory of “stand types” asked forest managers to consider native species and local conditions when devising plans for regenerating forests. After their rise to power, the Bolsheviks turned their backs on this tradition and adopted German methods, then considered the most advanced in the world, for clear-cutting and replanting of marketable tree types in “artificial forests.” Later, when Stalin’s Five Year Plan required vast amounts of timber for industrialization, forest radicals proposed “flying management,” an exaggerated version of German forestry where large tracts of virgin forest would be clear-cut. Opponents who still upheld Morozov’s vision favored a conservative regenerating approach, and ultimately triumphed by establishing the world’s largest forest preserve.
      Another radical turn came with the Great Stalin Plan for the Transformation of Nature, implemented in 1948. Narrow “belts” of new forest planted on the vast Russian steppe would block drying winds, provide cool temperatures, trap moisture, and increase crop production. Unfortunately, planters were ordered to follow the misguided methods of the notorious Trofim Lysenko, and the resulting yields were abysmal. But despite Lysenko, agency infighting, and an indifferent peasant workforce, Stalin’s forestry bureaus eventually succeeded in winning many environmental concessions from industrial interests. In addition, the visionary teachings of Morozov found new life, ensuring that the forest’s song did not fall upon deaf ears.

Song of Thieves delves into issues of racial identity and politics, the immigrant experience, and the search for "home" and family histories. In this follow-up to her award-winning debut collection, The Water Between Us, Shara McCallum artfully draws from the language and imagery of her Caribbean background to play a haunting and soulful tune.