Teaching Queer looks closely at student writing, transcripts of class discussions, and teaching practices in first-year writing courses to articulate queer theories of literacy and writing instruction, while also considering the embodied actuality of being a queer teacher. Rather than positioning queerness as connected only to queer texts or queer teachers/students (as much work on queer pedagogy has done since the 1990s), this book offers writing and teaching as already queer practices, and contends that the overlap between queer theory and composition presents new possibilities for teaching writing. Teaching Queer argues for and enacts “queer forms”—non-normative and category-resistant forms of writing—those that move between the critical and the creative, the theoretical and the practical, and the queer and the often invisible normative functions of classrooms.

Tasteful Domesticity demonstrates how women marginalized by gender, race, ethnicity, and class used the cookbook as a rhetorical space in which to conduct public discussions of taste and domesticity. Taste discourse engages cultural values as well as physical constraints, and thus serves as a bridge between the contested space of the self and the body, particularly for women in the nineteenth century. Cookbooks represent important contact zones of social philosophies, cultural beliefs, and rhetorical traditions, and through their rhetoric, we witness women’s roles as republican mothers, sentimental evangelists, wartime fundraisers, home economists, and social reformers. Beginning in the early republic and tracing the cookbook through the publishing boom of the nineteenth century, the Civil War and Reconstruction, the Progressive era, and rising racial tensions of the early twentieth century, Sarah W. Walden examines the role of taste as an evolving rhetorical strategy that allowed diverse women to engage in public discourse through published domestic texts.

“Andrew Carnegie is the only American entrepreneur who could have won distinction as an author, even if he had never seen a steel mill,” writes Joseph Frazier Wall. A skillful and prolific writer, Andrew Carnegie published sixty three articles in major magazines of his time, such as The North American Review, and eight books. Although he is best remembered today for the radical philosophy expressed in the title essay of his book The Gospel of Wealth, his other writings are readable and provocative.

The Andrew Carnegie Reader is the first anthology to bring together in a single volume a representative selection of Carnegie’s writings which show him as a shrewd businessman, celebrated philanthropist, champion of democracy, and eternal optimist. Carnegie’s first letter to the editor at the age of seventeen was the beginning of a lifelong attempt to satisfy an insatiable journalistic desire. Always voluble and candid, Carnegie was as active with his pen as with his tongue.

This intriguing collection covers sixty years of the industrial giant’s life, from his letters to his cousin George Lauder, written in 1853, to the final chapter od his autobiography, completed in 1914. In his own simple, abrupt style, colored with fierce optimism, Carnegie captivated his audience.

Although most of the selections were penned for an audience now long gone, today’s reader will be intrigued by the pertinence and timelessness of Carnegie’s hopes for world peace, his views on labor, and his concern for better race relations in America and their continuing applicability to humankind. A brief essay by the editor introduces each selection.

WINNER OF THE 2017 DRUE HEINZ LITERATURE PRIZE
Selected by David Gates
 
William Wall is the first international winner of the Drue Heinz Literature Prize.
 

 
Jeannie, one of the sisters featured in The Islands, comes to this realization at the age of six or seven, as her father leaves their island home yet again to work on his latest book.

In this collection of interconnected stories, the beautiful and ravaging forces of sea and land collide with the forces of human nature, through isolation and family, love and loss, madness and revelation. The stories follow the lives of two sisters and the people who come and go in their lives, much like the tides. Dominated by the tragic loss of a third sister at a young age, their family spirals out of control. We witness three stages of the sisters’ lives, each taking place on an island—in southwest Ireland, southern England, and the Bay of Naples. Beautifully and sparsely written, the stories deeply evoke landscape and character, and are suffused with a keen eye for detail and metaphor.

The Old Priest is a book of transformations. From the cigar-smoke-and-mirrors world of casino life, to the collection’s title character morphing into a goat-man before the narrator’s eyes, to a family drama upended by a miniature dinosaur in the backyard, Anthony Wallace writes about life-changing events. The characters seek to escape their earthly boundaries through artifice and fantasy, and those boundaries can be as elegant and fragile as a martini glass or as hardscrabble as an Indian reservation. In these eight vividly detailed short stories we encounter cheating husbands, neurotic housewives, out-of-control teenagers, desperate gamblers, deluded alcoholics, and a host of others who would like a chance at something more. Some face the consequences of their actions, while others simply begin to see what they’ve been missing all along. Through wry, ironic prose—and what feels like firsthand experience—Wallace describes a comic and often misguided search for self-knowledge in the most unlikely locations—like the Emerald City, a low-rent gambling den where a cocktail waitress dressed as an X-rated Dorothy offers gamblers more than a Scotch on the rocks; or the Bastille Hotel-Casino, where a dealer dressed as an eighteenth century footman deals five-dollar blackjack to a reminiscing Holocaust survivor.  Occasionally a real demon appears, but the collection is mostly about personal demons and the possibility of exorcising them. The stories in The Old Priest have to do with time and memory, and they convincingly open out beyond ordinary daily time to reveal something else—the present moment, perhaps, but a larger, more mysterious conception of it.

Paul A. Wallace gathers the diaries and journals of John Heckewelder to prepare this engrossing account of a man who traveled extensively in the Western frontier in the service of the Moravian Church and the United States government, and recorded a great deal of early American history along the way. Heckewelder also lived among the Indians for nearly sixty years, learning their languages, sharing their activities, and wrote vividly of his life with them. Between 1762 and 1813 he crossed the Allegheny Mountains thirty times and made numerous trips down the Ohio River as far south as Kentucky, and along the Great Lakes to Detroit. Heckewelder tells of the first great migration of whites into the West, and also wrote of the early settlements in many important cities, including Detroit, Louisville, Cincinnati, Pittsburgh, Harrisburg, Schenectady and Albany.

For a Limited TIme Only, Ronald Wallace's eighth collection of poems, is perhaps his darkest and most meditative to date, focusing his experiences with illness, old age, and mortality; his father-in-law's death after a long bout with Alzheimer's; his step-father's death after a  painful struggle with esophageal cancer, his own bout with prostate cancer. These personal experiences form the core of the first three sections of the book, but are mediated by theological and philosophical speculations that find further voice in the character of a “Mr. Grim,” whose angry, self-pitying, gruff, comic, self-depreciating, nostalgic, defeated, and hopeful riffs on the human condition provide a bridge to the affirmative, often comic, close. In the final two sections, in poems in praise of his dentist, his barber, his wife, his grandparents, the morpheme, Mr. Malaprop, Pluto, tattoos, hamburger heaven, sex talk, and poetry itself, Wallace once again proves the resilience of hope and humor in what is, for him, finally a world of wonders.

In For Dear Life, with accessibility, wit, and humor, Ronald Wallace evokes a wide variety of subjects that range from the traditional themes of lyric poetry—love, death, sex, the natural world, marriage, birth, childhood, music, religion, art—to the most unexpected and quirky narratives—an ode to excrement, a catalogue of comic one-liners, a celebratory testimonial to his teeth.

Long for This World features the best of Ronald Wallace's work from his previous collections of poetry--Plums, Stones, Kisses & Hooks , Tunes for Bears to Dance To, People and Dog in the Sun, The Makings of Happiness, Time's Fancy and The Uses of Adversity--along with a generous selection of twenty-six new poems. If Wallace's recent poems sometimes seem darker and deeper, more meditative and complex, less sanguine about the tragedies of daily life, they never sacrifice the comic sense, the synthesis of technical skill and strong emotion, and the sensory immediacy that have become his hallmarks.

Wallace’s poems cover the range of human experience: music, religion, sex, art, childhood, adolescence, nuclear war, illness, and death. But it’s in his wit and good humor, against undercurrents of sorrow and grief that best characterize his poetry: part Emily Dickinson, and part Harpo Marx; part Woody Allen, and part Robert Frost.

Winner of the 1995 Banta Book Prize for a Wisconsin Author

Ronald Wallace is best known for his wit and good humor, his synthesis of technical skill and strong emotion, his sensory immediacy, his accessibility, and charm. Now in Time's Fancy, his fifth collection, Wallace explores the tragic aspects of life more fully, fashioning a declarative poetry that is darker and deeper, more meditative and complex.

The Uses of Adversity— titled after the line from As You Like It, “Sweet are the uses of adversity” - is a collection of one hundred sonnets cobining the craftiness of traditional form with the effortlessness of free verse.  The language is often richly textured and musical, often plain spoken and conversational, but always witty and accessible.  The subject matter ranges widely from Rootie Kazootie and Froggy the Gremlin, Howdy Doody and Elvis Presley, to Christopher Columbus, Khrushchev, Kennedy, and Kevorkian; from Donald Duck, Mandrake the Magician, Li’l Abner and the Creature from the Black Lagoon, to Shakespeare, H.P. Lovecraft, Transtromer, Rilke, Wittgenstein, and Nietzsche; from the tradtional themes of lyrics - love (both sacred and profane), death, the changing of the seasons, marriage, birth, divorce, childhood, sex, religion,art, the natural world, illness - to the most unexpected and quirky contemporary narratives.

The title sequence, which explores a father’s illness and death, is both elegiac and celebratory, evoking the conflictual bonds in any father-son relationship.  In these sonnets, by turns hilarious and heartbreaking, Wallace once again proves himself to be one of our most versatile and affirmative poets.

Raymond Walters, Jr. presents the definitive biography of Albert Gallatin (1761-1849), recounting sixty years that the Swiss-born diplomat served his adopted country as a congressional leader, Secretary of the Treasury, financier, and ambassador.  Gallatin was a founder of the House Committee on Finance (later the Ways and Means Committee), a member of the new Democratic-Republican Party, and an active politician who opposed the Federalist Party and its programs, while also helping to bring about the election of Thomas Jefferson.

This book presents a comprehensive comparison of economic aid programs by the United States and the Soviet Union to less developed countries. It examines aid to many of the non-Communist nations of Asia, Africa, the Near East, Latin America. Robert S. Walters views aid programs in terms of their objectives, the size and structure of disbursements, and operational and administrative principles. In addition he examines the delicate balance between trade policy and general foreign policy, and the difficulties and results experienced by the U.S. and Soviet Union in their respective programs.

Recent global security threats, economic instability, and political uncertainty have placed great scrutiny on the requirements for U.S. citizenship. The stipulation of literacy has long been one of these criteria. In Producing Good Citizens, Amy J. Wan examines the historic roots of this phenomenon, looking specifically to the period just before World War I, up until the Great Depression. During this time, the United States witnessed a similar anxiety over the influx of immigrants, economic uncertainty, and global political tensions.

Early on, educators bore the brunt of literacy training, while also being charged with producing the right kind of citizens by imparting civic responsibility and a moral code for the workplace and society. Literacy quickly became the credential to gain legal, economic, and cultural status. In her study, Wan defines three distinct pedagogical spaces for literacy training during the 1910s and 1920s: Americanization and citizenship programs sponsored by the federal government, union-sponsored programs, and first year university writing programs. Wan also demonstrates how each literacy program had its own motivation: the federal government desired productive citizens, unions needed educated members to fight for labor reform, and university educators looked to aid social mobility.

Citing numerous literacy theorists, Wan analyzes the correlation of reading and writing skills to larger currents within American society. She shows how early literacy training coincided with the demand for laborers during the rise of mass manufacturing, while also providing an avenue to economic opportunity for immigrants. This fostered a rhetorical link between citizenship, productivity, and patriotism. Wan supplements her analysis with an examination of citizen training books, labor newspapers, factory manuals, policy documents, public deliberations on citizenship and literacy, and other materials from the period to reveal the goal and rationale behind each program.

Wan relates the enduring bond of literacy and citizenship to current times, by demonstrating the use of literacy to mitigate economic inequality, and its lasting value to a productivity-based society. Today, as in the past, educators continue to serve as an integral part of the literacy training and citizen-making process.

Heralded by Soviet propaganda as the “Path to the Future,” the Baikal-Amur Mainline Railway (BAM) represented the hopes and dreams of Brezhnev and the Communist Party elite of the late Soviet era. Begun in 1974, and spanning approximately 2,000 miles after twenty-nine years of halting construction, the BAM project was intended to showcase the national unity, determination, skill, technology, and industrial might that Soviet socialism claimed to embody.  More pragmatically, the Soviet leadership envisioned the BAM railway as a trade route to the Pacific, where markets for Soviet timber and petroleum would open up, and as an engine for the development of Siberia.

Despite these aspirations and the massive commitment of economic resources on its behalf, BAM proved to be a boondoggle-a symbol of late communism's dysfunctionality-and a cruel joke to many ordinary Soviet citizens. In reality, BAM was woefully bereft of quality materials and construction, and victimized by poor planning and an inferior workforce. Today, the railway is fully complete, but remains a symbol of the profligate spending and inefficiency that characterized the Brezhnev years.

In Brezhnev's Folly, Christopher J. Ward provides a groundbreaking social history of the BAM railway project. He examines the recruitment of hundreds of thousands of workers from the diverse republics of the USSR and other socialist countries, and his extensive archival research and interviews with numerous project workers provide an inside look at the daily life of the BAM workforce.  We see firsthand the disorganization, empty promises, dire living and working conditions, environmental damage, and acts of crime, segregation, and discrimination that constituted daily life during the project's construction.  Thus, perhaps, we also see the final irony of BAM: that the most lasting legacy of this misguided effort to build Soviet socialism is to shed historical light on the profound ills afflicting a society in terminal decline.

Harry M. Ward examines the formative years of the Department of War as a microcosm of the development of a centralized federal government. The Department of War was unique among early government agencies, as the only office that continued under the same administrator from the time of the Confederation to government under the Constitution. After the peace was established with Britain, citizens were suspicious of keeping a standing army, but administrator Benjamin Lincoln's efficient administration did much to dispel their fears. Henry Knox was the second Secretary, and he faced the problem of maintaining peace on the frontier, as his tiny army twice lost battles with Indians. It was only after the Whiskey Rebellion and Shay's Rebellion, that the young nation fully comprehended the importance of a maintaining a national military.

Lagartijas Tiradas al Sol (Lizards Lounging in the Sun) is a Mexican theater company that performs what is known as theater of the real. By taking reality as its subject, this genre claims a special relationship to reality, truth, and authenticity. In A Shared Truth, Julie Ann Ward traces the development of this contemporary and cutting-edge collective’s unique aesthetic. Based on performances, play texts, videos, and interviews, this in-depth look at a single theatrical troupe argues that the company’s work represents a larger trend in which Latin American theater positions itself as a source of and repository for truth in the face of unreliable official narratives. A Shared Truth critically examines the work of an influential company whose collaborative methods and engagement with the real challenge the bounds of theater.
 

Even as the 250th anniversary of its outbreak approaches, the Seven Years' War (otherwise known as the French and Indian War) is still not wholly understood. Most accounts tell the story as a military struggle between British and French forces, with shifting alliances of Indians, culminating in the British conquest of Canada. Scholarly and popular works alike, including James Fennimore Cooper's Last of the Mohicans, focus on the action in the Hudson River Valley and the St. Lawrence Seaway. Matthew C. Ward tells the compelling story of the war from the point of view of the region where it actually began, and whose people felt the devastating effects of war most keenly-the backcountry communities of Virginia and Pennsylvania.  

Previous wars in North America had been fought largely on the New England and New York frontiers. But on May 28, 1754, when a young George Washington commanded the first shot fired in western Pennsylvania, fighting spread for the first time to Virginia and Pennsylvania. Ward's original research reveals that on the eve of the Seven Years' War the communities of these colonies were isolated, economically weak, and culturally diverse. He shows in riveting detail how, despite the British empire's triumph, the war brought social chaos, sickness, hunger, punishment, and violence, to the backcountry, much of it at the hands of Indian warriors.

Ward's fresh analysis reveals that Indian raids were not random skirmishes, but part of an organized strategy that included psychological warfare designed to make settlers flee Indian territories. It was the awesome effectiveness of this “guerilla” warfare, Ward argues, that led to the most enduring legacies of the war: Indian-hating and an armed population of colonial settlers, distrustful of the British empire that couldn't protect them. Understanding the horrors of the Seven Years' War as experienced in the backwoods thus provides unique insights into the origins of the American republic.

By the end of the eighteenth century, Peru had witnessed the decline of its once-thriving silver industry, and it had barely begun to recover from massive population losses due to smallpox and other diseases. At the time, it was widely believed that economic salvation was contingent upon increasing the labor force and maintaining as many healthy workers as possible. In Medicine and Politics in Colonial Peru,Adam Warrenpresents a groundbreaking study of the primacy placed on medical care to generate population growth during this era.

The Bourbon reforms of the eighteenth century shaped many of the political, economic, and social interests of Spain and its colonies. In Peru, local elites saw the reforms as an opportunity to positively transform society and its conceptions of medicine and medical institutions in the name of the Crown. Creole physicians in particular, took advantage of Bourbon reforms to wrest control of medical treatment away from the Catholic Church, establish their own medical expertise, and create a new, secular medical culture. They asserted their new influence by treating smallpox and leprosy, by reforming medical education, and by introducing hygienic routines into local funeral rites, among other practices.

Later, during the early years of independence, government officials began to usurp the power of physicians and shifted control of medical care back to the church. Creole doctors, without the support of the empire, lost much of their influence, and medical reforms ground to a halt.  As Warren’s study reveals, despite falling in and out of political favor, Bourbon reforms and creole physicians were instrumental to the founding of modern medicine in Peru, and their influence can still be felt today.

A scholarly study of Paraguay in the decades dominated by the Colorados, immediately following the Allied occupation of the country after the disastrous War of the Triple Alliance, when half of Paraguay's population died. This period of rebirth saw the formal organization of Paraguay's major political parties, the Colorados and the Liberals, and the dominance of the Colorados until the Liberal revolution of 1904.

period of international leadership was challenged, this book interprets steel from the viewpoints of historical and economic geography. It considers both physical factors, such as resources, and human factors such as market, organization, and governmental policy.

In major discussions of the east coast, Pittsburgh, the Ohio Valley, the Great Lakes, the South and the West, Warren analyzes the location and relocation of steel plants over 120 years. He explains the influence on location of a variety of factors: The accessibility of resources, the cost of transportation, the existence of specialized markets, and the availability of entrepreneurial skills, capital, and labor. He also evaluates the role of management in the development of the industry, through an analysis of individual companies, including Bethlehem, Carnegie, United States Steel, Kaiser, Inland, Jones and Laughlin, and Youngstown Sheet and Tube.

Warren examines the influence exerted on the industry by complex technological changes and weighs their significance against market forces and the supply of natural resources. In the production process alone, the industry changed from pig iron to steel; from charcoal to anthracite; to bituminous coking coal; and from the widespread use of low-grade ore from the eastern United States, to the high quality but localized deposits of the Upper Great Lakes, to imported ores.

Unlike other industrialized nations, the United States has undergone major geographical shifts in steel consumption since the 1850s. As the American population moved south and west into new territory, steel followed. Warren concludes that these radical alterations in the distribution and demand were the decisive force in the location of steel production.

In the late 19th century, rails from Bethlehem Steel helped build the United States into the world's foremost economy. During the 1890s, Bethlehem became America's leading supplier of heavy armaments, and by 1914, it had pioneered new methods of structural steel manufacture that transformed urban skylines. Demand for its war materials during World War I provided the finance for Bethlehem to become the world's second-largest steel maker. As late as 1974, the company achieved record earnings of $342 million. But in the 1980s and 1990s, through wildly fluctuating times, losses outweighed gains, and Bethlehem struggled to downsize and reinvest in newer technologies. By 2001, in financial collapse, it reluctantly filed for Chapter 11 bankruptcy protection. Two years later, International Steel Group acquired the company for $1.5 billion.

In Bethlehem Steel, Kenneth Warren presents an original and compelling history of a leading American company, examining the numerous factors contributing to the growth of this titan and those that eventually felled it—along with many of its competitors in the U.S. steel industry.
Warren considers the investment failures, indecision and slowness to abandon or restructure outdated “integrated” plants plaguing what had become an insular, inward-looking management group. Meanwhile competition increased from more economical “mini mills” at home and from new, technologically superior plants overseas, which drove world prices down, causing huge flows of imported steel into the United States.

Bethlehem Steel provides a fascinating case study in the transformation of a major industry from one of American dominance to one where America struggled to survive.

At its formation in 1901, the United States Steel Corporation was the earth’s biggest industrial corporation, a wonder of the manufacturing world. Immediately it produced two thirds of America’s raw steel and thirty percent of the steel made worldwide. The behemoth company would go on to support the manufacturing superstructure of practically every other industry in America. It would create and sustain the economies of many industrial communities, especially Pittsburgh, employing more than a million people over the course of the century.

A hundred years later, the U.S. Steel Group of USX makes scarcely ten percent of the steel in the United States and just over one and a half percent of global output. Far from the biggest, the company is now considered the most efficient steel producer in the world. What happened between then and now, and why, is the subject of Big Steel, the first comprehensive history of the company at the center of America’s twentieth-century industrial life.

Granted privileged and unprecedented access to the U.S. Steel archives, Kenneth Warren has sifted through a long, complex business history to tell a compelling story. Its preeminent size was supposed to confer many advantages to U.S. Steel—economies of scale, monopolies of talent, etc. Yet in practice, many of those advantages proved illusory. Warren shows how, even in its early years, the company was out-maneuvered by smaller competitors and how, over the century, U.S. Steel’s share of the industry, by every measure, steadily declined.

Warren’s subtle analysis of years of internal decision making reveals that the company’s size and clumsy hierarchical structure made it uniquely difficult to direct and manage. He profiles the chairmen who grappled with this “lumbering giant,” paying particular attention to those who long ago created its enduring corporate culture—Charles M. Schwab, Elbert H. Gary, and Myron C. Taylor.

Warren points to the way U.S. Steel’s dominating size exposed it to public scrutiny and government oversight—a cautionary force. He analyzes the ways that labor relations affected company management and strategy. And he demonstrates how U.S. Steel suffered gradually, steadily, from its paradoxical ability to make high profits while failing to keep pace with the best practices. Only after the drastic pruning late in the century—when U.S. Steel reduced its capacity by two-thirds—did the company become a world leader in steel-making efficiency, rather than merely in size.

These lessons, drawn from the history of an extraordinary company, will enrich the scholarship of industry and inform the practice of business in the twenty-first century.

Charles Schwab was known to his employees, business associates, and competitors as a congenial and charismatic person-a 'born salesman.' Yet Schwab was much more than a salesman-he was a captain of industry, a man who streamlined and economized the production of steel and ran the largest steelmaking conglomerate in the world. A self-made man, he became one of the wealthiest Americans during the Gilded Age, only to die penniless in 1939.

Schwab began his career as a stake driver at Andrew Carnegie's Edgar Thomson steel works in Pittsburgh at the age of seventeen. By thirty-five, he was president of Carnegie Steel. In 1901, he helped form the U.S. Steel Corporation, a company that produced well over half the nation's iron and steel. In 1904, Schwab left U.S. Steel to head Bethlehem Steel, which after twelve years under his leadership, became the second-largest steel producer in America. President Woodrow Wilson called on Schwab to head the Emergency Fleet Corporation to produce merchant ships for the transport of troops and materials abroad during World War I.

Kenneth Warren presents a compelling biography that chronicles the startling success of Schwab's business career, his leadership abilities, and his drive to advance steel-making technology and operations. Through extensive research and use of previously unpublished archival documentation, Warren offers a new perspective on the life of a monumental figure--a true visionary--in the industrial history of America.

A detailed, carefully wrought business biography of Henry Clay Frick, one of the leading entrepreneurs in American heavy industry during the late nineteenth and early twentieth centuries.  Kenneth Warren has provided not only insight into the life of Henry Clay Frick, but a major contribution to our understanding of the history of the basic industries, the shaping of society, locality, and region - and thereby of laying the foundations for the value systems and landscapes of present-day America.

After a successful career as a law professor and government regulator, William O. Douglas was appointed to the Supreme Court by Franklin D. Roosevelt in 1939. During his thirty-six years on the court, he became known as one of its most outspoken and controversial members. In this volume, which was originally published for the William O. Douglas Institute, distinguished scholars examine four major aspects of Justice Douglas's work: his relations with his colleagues; his views on civil liberties, which primarily led to his reputation as a liberal; his stance as an environmentalist; and his views as an internationalist.

The bureaucracy in the United States has a hand in almost all aspects of our lives, from the water we drink to the parts in our cars. For a force so influential and pervasive, however, this body of all nonelective government officials remains an enigmatic, impersonal entity.

The literature of bureaucratic theory is rife with contradictions and mysteries. Bureaucrats, Politics, and the Environment attempts to clarify some of these problems.

The authors surveyed the workers at two agencies: enforcement personnel from the U.S. Environmental Protection Agency, and employees of the New Mexico Environment Department. By examining what they think about politics, the environment, their budgets, and the other institutions and agencies with which they interact, this work puts a face on the bureaucracy and provides an explanation for its actions.

In the richly musical and boldly imaginative poems of The Dean of Discipline, Michael Waters explores the confluences of the sensual and the spiritual, and renders their mysteries with precision and clarity. The title evokes the rigorous consciousness that prods the artist to deepen into his craft. Line by line, Waters delivers the passionate eloquence and intensity that distinguish his poems.

Winner of the 2015 Phillis Wheatley Book Award (poetry category)

This is the final book in the Plum Flower Trilogy by Afaa Michael Weaver, published by the University of Pittsburgh Press. The two earlier books, The Plum Flower Dance: Poems 1985 to 2005 and The Government of Nature, reveal similar themes that address the author’s personal experience with childhood abuse through the context of Daoist renderings of nature as a metaphor for the human body, with an eye to recovery and forgiveness in a very eclectic spiritual life. City of Eternal Spring chronicles Weaver’s travels abroad in Taiwan and China, as well as showing the limits of cultural influence.

This is the second volume of a trilogy (the first was The Plum Flower Dance) in which Weaver analyzes his life, striving to become the ideal poet. In The Government of Nature, Afaa Michael Weaver explores the trauma of his childhood—including sexual abuse—using a "cartography and thematic structure drawn from Chinese spiritualism." Weaver is a practitioner of Daoism, and this collection deals directly with the abuse in the context of Daoist renderings of nature as metaphor for the human body.

"Weaver's life studies and lyrics are imbued with a vivid sense of language, a vivid sense of the world, a vivid sense of their inseparability. And his tonal range—from unabashed passion to the subtlest velleity—is impressive indeed. This is a singular talent."—Henry Louis Gates, Jr.

Winner of the 2008 Paterson Award for Literary Excellence

"Weaver has crafted a virtual planet in this book with plenty of alternate geographies for readers of all flavors and stripes. Marvelous. Huge. Prodigious.”

—North American Review

In Spirit Boxing, Weaver revisits his working class core. The veteran of fifteen years as a factory worker in his native Baltimore, he mines his own experience to build a wellspring of craft in poems that extend from his life to the lives that inhabit the whole landscape of the American working class. He writes with an intimacy that is unique in American poetry, and echoes previous comparisons of his oeuvre to that of Walt Whitman. The singularity of his voice resonates here through the prism of his realization of self through a lifelong project of the integration of American and Chinese culture. The work is Daoist in influence and structure as it echoes both a harmonic realization of context and the intuitive and transcendent dance of body, mind, and spirit.

"Weaver's life studies and lyrics are imbued with a vivid sense of language, a vivid sense of the world, a vivid sense of their inseparability. And his tonal range—from unabashed passion to the subtlest velleity—is impressive indeed. This is a singular talent."—Henry Louis Gates, Jr.

Powered by a fierce, compassionate intelligence, Brain Camp explores with clarity and vividness a wide spectrum of emotions—love to hate, tenderness to brutality—all from a perspective both universal yet distinctly Webb's. Metaphors of startling aptness and originality, a voice at once endearing and provocative, high musicality, propulsive energy, wild imaginative leaps, as well as a mastery of diction from lyricism to street-speak, create a reading experience of the first order. These poems go down easy, but pack a wallop. As Robert Frost said poetry should do, Brain Camp "begins in delight and ends in wisdom."

An accessible new and selected collection of poems for poetry insiders and general readers. Powerful, passionate, humorous, and often complex, yet fun to read. They go down easy, but pack a whallop.

With eleven full-length books and a spate of major prizes, Charles Harper Webb—once a well-kept secret in the poetry underground—has gained national recognition as a writer of poems that are complex yet reader-friendly. Sidebend World shows clearly why Webb has been called one of the most inventive, incisive, and psychologically astute poets writing in the U.S.A. today, as well as one of the most entertaining.    

Webb is celebrated for his use of humor; yet even his funniest poems rise, as the best humor must, from serious concerns. Powered by an uncompromising but compassionate intelligence and an abiding wonder at the beautiful strangeness of the world, Sidebend World explores with clarity and vividness a wide range of emotions—love to hate, tenderness to brutality; yet, above all, Webb is a poet of praise. Metaphors of startling aptness and originality, a distinctive voice at once provocative and endearing, high musicality, propulsive energy, wild imaginative leaps, as well as mastery of diction from lyricism to street-speak, create a reading experience of the first order. These poems go down easy, but pack a wallop. As Robert Frost said poetry should do, Sidebend World "begins in delight and ends in wisdom."

Charles Harper Webb is celebrated for his use of humor; yet even his funniest poems rise, as the best comedy must, out of deep human drives, sorrows, and needs. Powerful immersions in what it means to be human, these poems explore the spectrum of emotions from love to hate, tenderness to brutality. They can be withering and vulnerable in the same breath. Models of clarity and vividness, they are mysterious when they need to be, ranging from lyric to narrative, from realism to wild surreal flights, powered by a fierce, compassionate intelligence. Metaphors of startling aptness and originality, a voice at once endearing and provocative, high musicality, propulsive energy, wild imaginative leaps, as well as mastery of diction from lyricism to street-speak, create a reading experience of the first order. Uniformly fun to read, these poems go down easy, but pack a wallop. As Robert Frost said poetry should do, What Things Are Made Of "begins in delight and ends in wisdom."

The first biography of David L. Lawrence, the best of the city bosses, who became mayor of Pittsburgh, modern municipal manager, governor of Pennsylvania, and a power in national politics.

A comprehensive, original, and innovative analysis of the social, economic, and political factors affecting contemporary Russian reform, the book is organized around the central question of the role of the state and its effect on the course of Russian agrarian reform.  In the wake of the collapse of the USSR, contemporary conventional wisdom holds the the Russian state is “weak.”  Stephen Wegren feels that the traditional approach to the weak/strong state suffers from measurement and circular logic problems, believing that the Russian state, thought weaker than in its Soviet past, is still relatively stronger than other actors.  The state’s strength allows it to intervene in the rural sector in ways that other power contender cannot.

Specifically, as a measure of state intervention, Wegren analyzes how the state has influenced urban-rural relations, rural-rural relations, and the nonstate (private) agricultural sector.  Several dilemmas arose that have complicated successful agrarian reform as a result of the nature of state interventions, how reform policies were defined, and the incentives rhar arose from state-sponsored policies.  During contemporary Russian agrarian reform, urban-rural differences have widened, marked by a deterioration in rural standards of living and increased alienation of rural political groups from urban alliances.  At the same time, within the rural sector, reform failed to reverse rural egalitarianism.  In addition, the nature of state interventions has undermined attempts to create a vibrant, productive private rural sector based on private farming.

Wegren’s research is based upon extensive field work, interviews, archival documents, and published and unpublished source material conducted over a six-year period, and he demonstrates the link between agrarian reform and the success of overall reform in Russia.  This learned and often controversial volume will interest political scientists, policy makers, and scholars and students of contemporary Russia.

There is a proverb in China, hu kou ba ya, literally “pulling teeth from a tiger's mouth,” used to describe any extremely difficult task. When Shao Wei first arrived in the United States at age thirty-one, her desire to write poems in English seemed almost impossible. Pulling a Dragon's Teeth, a first stop on the successful journey toward that goal, is filled with the rhythms and visions of this exciting young poet.

Shuttling between her childhood in a small mountain city on the shores of the Yangtze River (soon to be flooded by the Three Gorges Dam Project) and adulthood in Manhattan, Shao Weicaptures the pains and joys of tradition and displacement familiar to any immigrant. Blending fairy tales, New York images, family stories, and the universal rites of passage associated with growing up, she paints a vibrant canvas of passion and imagination.

Models of Nature studies the early and turbulent years of the Soviet conservation movement from the October Revolution to the mid-1930s—Lenin’s rule to the rise of Stalin. This new edition includes an afterword by the author that reflects upon the study's impact and discusses advances in the field since the book was first published.

Since Mexico’s defeat in the Mexican-American War of the 1840s, the United States has continued to dominate Mexico economically, militarily, and politically. This long history of asymmetry has created a Mexican distaste for “American arrogance,” and an American vision of Mexico as its “backyard.” The imbalance has damaged political negotiations, trade pacts, and capital flows, as suspicions and protectionism have undermined diplomacy. Despite these events, the two nations remain joined at the hip: more than 80 percent of Mexico’s exports are to the United States, and the majority of foreign investment in Mexico comes from America.

In Unequal Partners, Sidney Weintraubexamines the current relationship of Mexico and the United States as one of sustained dependence and dominance. The chapters examine the consequences of this imbalance in six major policy areas: trade; investment and finance; narcotics; energy; migration; and the border.  The book begins in 1954 when the Mexican “growth miracle” was at its apex, and proceeds to the present. Special attention is paid to the post-1982 debt crisis era, when Mexico began a more outward-looking trade policy.

As this study reveals, Mexico has often been its own worst enemy in foreign relations. Over the past thirty years, the country has been plagued by debt, currency fluctuations, tax collection problems, political corruption, and state-controlled business monopolies that block foreign investment and importation. These factors have created an environment of instability, damaged outside perceptions, and weakened Mexico’s bargaining position.

Weintraub considers future policy changes that would help Mexico to level the playing field. Improving the education system, he argues, will benefit nearly every other activity and institution, and opening the oil market to private investment and technology will help develop deep-water drilling and revitalize this significant export commodity. In foreign relations, Mexico must be assertive—as it has been in easing U.S. restrictions on goods traded through NAFTA, and demanding U.S. aid to fight drug cartels—not passive, as it currently is on U.S. anti-immigration policy and the proposed border wall. Perhaps most importantly, the study points to the deeper development of policies that are proactive and outward looking.

Violence against women is one of the most insidious social ills facing the world today. Yet governmental response is inconsistent, ranging from dismissal to aggressive implementation of policies and programs to combat the problem. In her comparative study of thirty-six democratic governments, Laurel Weldon examines the root causes and consequences of the differences in public policy from Northern Europe to Latin America.

She reveals that factors that often influence the development of social policies do not determine policies on violence against women. Neither economic level, religion, region, nor the number of women in government determine governmental responsiveness to this problem. Weldon demonstrates, for example, that Nordic governments take no more action to combat violence against women than Latin American governments, even though the Swedish welfare state is often considered a leader in social policy, particularly with regard to women’s issues.

Instead, the presence of independently organized, active women’s movements plays a greater role in placing violence against women on the public agenda. The breadth and scope of governmental response is greatly enhanced by the presence of an office dedicated to promoting women’s status.

Weldon closes with practical lessons and insights to improve government action on violence against women and other important issues of social justice and democracy.

In this journal, the author describes his year-long walking adventures at the Soldiers Delight Natural Environment Area, a rare prairie remnant just seven miles northwest of Baltimore, Maryland. In his quest to make this wild place his “natural home” throughout the course of four distinct seasons, Wennerstrom examines and contemplates rocks and minerals, plants, animals, prairies, floodplains, woodlands, lakes, ponds, pastures, mines and mills, Indian artifacts, as well as local legends and folklore.

Economic policymaking has perpetually been one of the central dilemmas facing Congress, leading to huge budget deficits and disagreements among legislators about spending priorities and tax policies.

This book examines congressional decision making on economic policy during the Reagan administration. It looks at legislative actions on Reaganomics, tax reform, and the politics of deficit reduction, and shows the importance of looking not just at the consequences of these decisions but also at the legislative processes that led to them.

Using an “activist-based” approach and previously unexamined data, Darrell West shows that district activists, often more conservative than the public at large, exerted a disproportionate and misleading effect on congressional voting. When this support eventually proved unstable, a more skeptical Congress began to eventually back away from the president's policies. This move had serious consequences for deficit reduction and policy initiation, and also influenced the final shape of the tax reform package adopted in 1986.
 

This book is characterized by narrative vitality and emotional range.  In Wetherell’s stories a suburban retiree’s assumptions about the ethos of Long Island life are challenged and dismissed by a younger generation, a young English woman achieves miracles by dancing with wounded soldiers during World War II, a tennis-mad bachelor plays an interior game as real to him as an actual match, and a black drifter converts an Asian couple to his bleak vision of American life and finds strange kinship with them.

In Democracy without Equity, Weyland investigates the crucial political issue for many Latin American countries: the possibility for redistributing wealth and power through the democratic process.  He focuses on Brazil’s redistributive initiatives in tax policy, social security, and health care.  Weyland’s work is based on some 260 interviews with interest group representatives, politicians, and bureaucrats, the publications of interest groups, speeches of policy makers, newspaper accounts, legislative bills, congressional committee reports, and more.  He concludes that, in countries whose society and political parties are fragmented, the prospects for effective redistributive policies are poor.

The assumptions that literary criticism and philosophy are closely linked—and that both disciplines can learn much from each other—lead David White to examine key passages in James Joyce’s novels both as a philosopher and as literary critic.  In so doing, he develops a thesis that Joyce’s attempt to capture the mysterious process whereby perception and consciousness are translated into language entails a fundamental challenge to everyday notions of reality. Joyce’s stylistic brilliance and virtuosity, his destruction of normal syntax and meaning, “shock one into a new reality.” In the book’s final section, White examines the subtle relation between literary language and human consciousness and traces parallels between Joyce’s stylistic experimentation and Wittgenstein’s and Husserl’s ideas about language.

Drawing on a mix of political, economic, literary, and filmic texts, Crisis Cultures challenges current cultural histories of the neoliberal period by arguing that financialization, and not just neoliberalism, has been at the center of the dramatic transformations in Latin American societies in the last thirty years. Starting from political economic figures such as crisis, hyperinflation, credit, and circulation and exemplary cultural texts, Whitener traces the interactions between culture, finance, surplus populations, and racialized state violence after 1982 in Mexico and Brazil. Crisis Cultures makes sense of the emergence of new forms of exploitation and terrifying police and militarized violence by tracking the cultural and discursive forms, including real abstraction and the favela and immaterial cadavers and voided collectivities, that have emerged in the complicated aftermath of the long downturn and global turn to finance.

The Drue Heinz Literature Prize was established in 1980 to encourage and support the writing and reading of short fiction. Over the past twenty years judges such as Robert Penn Warren, Raymond Carver, Joyce Carol Oates, Margaret Atwood, Russell Banks, Alice McDermott, and Frank Conroy have selected the best collections from the hundreds submitted annually by up-and-coming writers.

20 represents the best of the best—one story from each of the prize-winning volumes. Chosen by acclaimed author John Edgar Wideman, the selections cover a broad range of inventive and original characters, settings, and emotions, charting the evolution of the short story over the past two decades. One of the most prestigious awards of its kind, the Drue Heinz Literature Prize has helped launch the careers of a score of previously "undiscovered" writers, many of whom have gone on to great critical success.

Past Winners of the Drue Heinz Literature Prize: David Bosworth, Robley Wilson, Jonathan Penner, Randall Silvis, W. D. Wetherell, Rick DeMarinis, Ellen Hunnicutt, Reginald McKnight, Maya Sonenberg, Rick Hillis, Elizabeth Graver, Jane McCafferty, Stewart O’Nan, Jennifer Cornell, Geoffrey Becker, Edith Pearlman, Katherine Vaz, Barbara Croft, Lucy Honig, Adria Bernardi.

Through a rigorous integration of policy and science, Robert Wilder suggests a much-improved second-generation governance of the oceans and coasts and proposes new ideas for resolving the environmental policy stalemate found within the U.S. government.

Unlike most recent studies of the Catholic Church in Latin America, Philip J. Williams analyzes the Church in two very dissimilar political contexts-Nicaragua and Costa Rica. Despite the obvious differences, Williams argues that in both cases the Church has responded to social change in remarkably similar fashion. The efforts of progressive clergy to promote change in both countries have been largely blocked by Church hierarchy, fearful that such change will threaten the Church's influence in society.

With the resignation of General Renee Emilio Ponce in March 1993, the Salvadorian army’s sixty-year domination of El Salvador came to an end.  The country’s January 1992 peace accords stripped the military of the power it once enjoyed, placing many areas under civilian rule.  Establishing civilian control during the transition to democracy was no easy task, especially for a country that had never experienced even a brief period of democracy in its history.

Phillip J. Williams and Knut Walter argue that prolonged military rule produced powerful obstacles that limited the possibilities for demilitarization in the wake of the peace accords.  The failure of the accords to address several key aspects of the military’s political power had important implications for the democratic transition and for future civil-military relations.

Drawing on an impressive array of primary source materials and interviews, this book will be valuable to students, scholars, and policy makers concerned with civil-military relations, democratic transitions, and the peace process in Central America.

The essays in this volume discuss racism and sexism as they affect mental health. In particular, they focus on training, diagnosis, treatment, and research, emphasizing the power relationships between individuals and groups that cause unequal access to mental health care. They offer perspectives on issues and their distinct effects on mental health: interracial adoptions, teenage motherhood, gender bias in mental health diagnosis and therapy, prisons used as substitutes for hospitals, homeless families, and increasing violence- in the home, on college campuses, and in the streets.

Winner of the British Society for Literature and Science Annual Prize, 2011

Winner of the Cultural Studies in English Prize, 2012

This book explores the role of vision and the culture of observation in Victorian and modernist ways of seeing. Willis charts the characterization of vision through four organizing principles—small, large, past and future—to survey Victorian conceptions of what vision was. He then explores how this Victorian vision influenced twentieth-century ways of seeing, when anxieties over visual "truth" became entwined with modernist rejections of objectivity.

 

Famous as an actor with the King’s Company in London during the Restoration, Cardell Goodman epitomized one of the most colorful ages in English history. 

Goodman was admitted to St. John’s College, Cambridge at age 13, and, upon graduation, became an actor in the King’s Company.  To supplement his meager acting income, he took up highway robbery and was captured then pardoned by King Charles.  About 1684, he became the lover of Barbara, Duchess of Cleveland, former mistress of King Charles, and spent the next ten years living in luxury as her Master of the Horse, occasionally accepting acting roles.  In 1696 he became entangled in the Jacobite conspiracy and fled to France.  He returned to a remote part of England after the Peace of Ryswick in 1697, and spent the last years of his turbulent, exciting, dangerous life in genteel poverty.

John Harold Wilson tells Goodman’s remarkable life story with documentation, grace, and wit, using it to illustrate the violence, intrigue, lawlessness, moral laxity, and brilliance of the era’s revolt against Puritan sobriety and dullness. 
 

WINNER OF THE 2007 CAVE CANEM POETRY PRIZE
Selected by Claudia Rankine

Prose poems that profile the interrelationship of the two central characters, looking deeply into their psyches and thoughts of race, class, and identity.

Sound of the Ax brings together for the first time over four hundred aphorisms and twenty-six aphoristic poems by one of America’s most essential poets of the twentieth century. Many readers are familiar with the trenchant nature of William Stafford’s poems, with lines such as “Justice will take us millions of intricate moves” and “Your job is to find what the world is trying to be,” but have never had the opportunity to read a sustained selection from the thousands of wise, witty, and penetrating statements he created in over forty years of daily writing in his journal. In keeping with Stafford’s varied interests, the aphorisms in Sound of the Ax explore many topics—war and peace, involvement, aging, appearances, fear, egotism, writing, nature, animals, suffering, faith, living an ethical life, and so on—with his incisive view. The poems are either made up entirely or primarily aphorisms, and range from the well-known “Things I Learned Last Week” to some never before collected. Readers will find much to enjoy and to think about here, and will return over and over to Sound of the Ax for inspiration, pleasure, and wisdom from an author noted for his integrity and mindful living.

The Standard Oil Company emerged out of obscurity in the 1860s to capture 90 percent of the petroleum refining industry in the United States during the Gilded Age. John D. Rockefeller, the company’s founder, organized the company around an almost religious dedication to principles of efficiency. Economic success masked the dark side of efficiency as Standard Oil dumped oil waste into public waterways, filled the urban atmosphere with acrid smoke, and created a consumer safety crisis by selling kerosene below congressional standards.

Local governments, guided by a desire to favor the interests of business, deployed elaborate engineering solutions to tackle petroleum pollution at taxpayer expense rather than heed public calls to abate waste streams at their source. Only when refinery pollutants threatened the health of the Great Lakes in the twentieth century did the federal government respond to a nascent environmental movement. Organized around the four classical elements at the core of Standard Oil’s success (earth, air, fire, and water), Refining Nature provides an ecological context for the rise of one of the most important corporations in American history.

The Falling Hour is the fifth collection of poetry by David Wojahn, one of the most highly regarded poets of his generation. It is a fiercly elegiac and even apocalyptic book, culminating in a series of blistering elegies written after the sudden death of Wojahn’s wife, the poet Linda Hull. In these poems, the process of mourning and lamentation is examined in all of its intricacy, rage, and sorrowful ambivalence.

For the Scribe, the ninth collection by award-winning poet David Wojahn, continues his explorations of the interstices between the public and the private, the historical and the personal. Poems of recollection and elegy commingle and conjoin with poems which address larger matters of historical and ecological import. The subjects of extinction and apocalypse figure prominently and obsessively in these pages, both in short lyrics and in several lengthy sequences. The poems also evidence the mastery of technique for which Wojahn is renowned, whether he is writing in fixed forms or in free verse. For the Scribe is the most ambitious and searching collection thus far from a poet who has been a named finalist for the Pulitzer Prize in poetry, winner of the Lenore Marshall Prize from the Academy of American Poets, the O. B. Hardison Award from the Folger Shakespeare Library, and the William Carlos Williams Book Award.

Interrogation Palace is a career-spanning selection of work from an important American poet, drawing upon each of David Wojahn’s six previous collections and a substantial gathering of new work. Moving fluently from personal history to public history, and from high culture to popular culture, Wojahn’s searching and restless poetry has been considerably acclaimed, both for the candor of its testimony and the authority of its formal invention. He is above all an elegiac poet, tender and ferocious by turns, whether mourning the loss of family and loved ones or the hopes and aspirations of the baby-boomer era. <I>Interrogation Palace</I> confirms David Wojahn’s status as one of the most inventive, passionate, and ambitious figures of his generation.

Late Empire, David Wojahn’s most wide-ranging collection of poetry, affirms his status as one of the most compelling and original voices of his generation.  In these poems, private history and public history mingle and merge in a way that is by turns deeply personal and elegiac.  Centered around tow masterful elegies for the writers parents, the poems also treat an array of subjects familiar to us from news events but rarely examined by contemporary poetry.

David Wojahn deftly mixes personal history and recollections with a wide range of character studies and monologues, but the center of this book is a sequence of thirty-five poems, mainly sonnets, in which rock and roll music is a strange, kaleidoscopic mirror of recent American history.  Combining rhapsodic homage, grim humor, human folly, and tragedy, these poems are like nothing else in contemporary poetry.

Spirit Cabinet is an ambitious work, seamlessly mixing autobiography with subjects ranging from pop music to ancient Egypt, from Stalin’s reading habits to Shackleton’s ill-fated Antarctic expedition. Formally inventive, elegiac and redemptive, aesthetically and emotionally risky, this is Wojahn’s most ingenious and compelling collection.

World Tree is in many respects, David Wojahn’s most ambitious collection to date; especially notable is a 25-poem sequence of ekphrastic poems, “Ochre,” which is accompanied by a haunting series of drawings and photographs of Neolithic Art and anonymous turn of the last century snapshots.

Wojahn continues to explore the themes and approaches which he is known for, among them the junctures between the personal and political, a giddy mixing of high and pop culture references, and a deep emotional engagement with whatever material he is writing about.

Winner of the 2012 Lenore Marshall Poetry Prize from the Academy of American Poets

Radiation Evangelists explores X-ray and radium therapy in the United States and Great Britain during a crucial period of its development, from 1896 to 1925. It focuses on the pioneering work of early advocates in the field, the “radiation evangelists” who, motivated by their faith in a new technology, trust in new energy sources, and hope for future breakthroughs, turned a blind eye to the dangers of radiation exposure. Although ionizing radiation effectively treated diseases like skin infections and cancers, radiation therapists—who did not need a medical education to develop or administer procedures or sell tonics containing radium—operated in a space of uncertainty about exactly how radiation worked or would affect human bodies. And yet radium, once a specialized medical treatment, would eventually become a consumer health product associated with the antibacterial properties of sunlight.

This book raises important questions about medical experimentation and the so-called Golden Rule of medical ethics, issues of safety and professional identity, and the temptation of a powerful therapeutic tool that also posed significant risks in its formative years. In this cautionary tale of technological medical progress, Jeffrey Womack reveals how practitioners and their patients accepted uncertainty as a condition of their therapy in an attempt to alleviate human suffering.

One of the most interesting figures to emerge at the turn of the twentieth century was Ambrose Bierce, whose acerbic columns in the San Francisco Examiner spread his fame as America’s most bitter cynic and misanthrope, and whose disappearance into Mexico surrounded his name with an aura of mystery.


    Although best known during his lifetime for his journalism and always critical of his own writing—“the magnificent intention mocked by the actual achievement”—Bierce’s fiction endures, especially his short stories about the Civil War.  Originally published in the 1890s and rediscovered in the 1920s, the Civil War stories are filled with unsparing descriptions of death and suffering, disillusionment and fatalism. They also show a concern for form and craftsmanship, a controlled irony, and an economy of detail that are distinctly modern.


    In this pioneering study of Bierce’s stories, Stuart Woodruff examines the best and worst of Bierce’s fiction with clarity and excellent critical sense, and he traces the causes of Bierce’s success and failure as a writer, analyzing his inability to reconcile the extremes of temperament and belief that marked his life and give his stories their characteristic form.


    Among the pieces discussed:  “An Occurrence at Owl Creek Bridge,” “The Mocking-bird,” “One of the Missing,” “Chickamauga,”  “Haïta the Shepherd,” “What I Saw at Shiloh,” and excerpts from The Devil’s Dictionary and Tales of Soldiers and Civilians.

A fascinating look at life during pioneer times in western Pennsylvania. Describes the hardship, danger and drudgery of day-to-day life on the frontier. Topics include cabin raising, crop harvests, tanning, weaving, disease, religion,  and superstition. Also follows the progression from pioneer life to industrial society.

Pioneer Life in Western Pennsylvania was one of the original books sponsored by the University of Pittsburgh, the Historical Society of Western Pennsylvania, and the Buhl Foundation to mark the founding of the University of Pittsburgh Press.  Authors Wright and Corbett describe the country the first settlers discovered, the homes and towns they built, the farm implements and household goods they used, the crops they grew and how their small, isolated communities laid the foundations for the cities and industries we know today

A new collection of poetry from a founding member of the Pittsburgh Poetry Exchange.