Several states already boast volumes showcasing their archeological history, but not New Hampshire—until now. David R. Starbuck's volume fills that void. Going beyond standard state guides that focus primarily on prehistoric sites, Starbuck also devotes equal time to historic, industrial, and nautical sites. This approach reflects the thinking of most contemporary archeologists who conduct research at a diverse range of sites.

A veteran of thirty years of field research throughout the Granite State, Starbuck revisits some of his own sites, including excavations at the New England Glassworks in Temple, two prehistoric sites on the Merrimack River, the Joseph Hazeltine pottery workshop outside Concord, the Governor Wentworth Estate in Wolfeboro, and his own long-term survey and excavation project at Canterbury Shaker Village. At the same time, though, Starbuck includes the work of other contemporary New Hampshire archeologists, representative sites of “old-timers” whose digs preceded his arrival, and the investigations of avocational diggers. 

Starbuck's introduction offers an anecdotal history of archeological research in New Hampshire through the people who shaped it. Part I discusses discoveries that predate white settlement: the Paleo-Indian Period; the Archaic Period; and the Woodland Period. Part II moves from the seventeenth century to the present. Chapters include historical archeology (forts, farms, potters, Shakers); industrial archeology (mills, factories, railroads, dams, and bridges); and nautical archeology (discoveries in the state's lakes and on the seacoast). 

In addition to summarizing some of the more interesting finds, Starbuck includes stories about archeologists and the techniques they have used to glean information from the past. Overall, he provides a lively account of what it is like to practice archeology in a small but dynamic New England state.

Blacks have lived and worked in Maine as early as the seventeenth century, but historically have constituted less than one percent of Maine's population. Probably for this reason, books on Blacks in New England have largely ignored the experience of African American Mainers. Black Bangor is the first major published study of a Black community in Maine.

This tightly woven case study examines the African American community in Bangor during its heyday, 1880–1950, the period that saw an unprecedented migration of Blacks to that city. Blacks migrated to Bangor not just from other New England states, but from the Caribbean and Canadian Maritime Provinces as well, creating a heterogeneous community with roots in two hemispheres. Constituting an “ultraminority” in Bangor (according to the census, Blacks never numbered more than 300 souls during this period), this diverse community nonetheless came together to establish an impressive range of institutions, including local chapters of the NAACP and Odd Fellows, as well as of Mothers and Junior Mothers Clubs. Concentrated in an area known as the Parker Street neighborhood, Black women in Bangor became domestics and cooks, caterers and beauticians, clerks and stenographers. Men worked as loggers, teamsters, porters, chefs, and barbers; a few owned businesses. 

Organized thematically, with sections on migration, labor, daily life, and community, Black Bangor's topics include not just migration patterns, work, and religious and cultural organizations, but also African American homes, furniture, clothing, and foodways. Elgersman Lee also examines race relations and depictions of Blacks in the local media, and draws comparisons between the experiences of Bangor's African American population and those of Blacks in other New England cities. 

This fascinating and exhaustive study will appeal to anyone from Maine, as well as those interested in African American history and the rich texture of the region's cultural life.

Few people think of a rich Black heritage when they think of New England. In the pioneering book Black Portsmouth, Mark J. Sammons and Valerie Cunningham celebrate it, guiding the reader through more than three centuries of New England and Portsmouth social, political, economic, and cultural history as well as scores of personal and site-specific stories. 

Here, we meet such Africans as the likely negro boys and girls from Gambia, who debarked at Portsmouth from a slave ship in 1758, and Prince Whipple, who fought in the American Revolution. We learn about their descendants, including the performer Richard Potter and John Tate of the People's Baptist Church, who overcame the tragedies and challenges of their ancestors' enslavement and subsequent marginalization to build communities and families, found institutions, and contribute to their city, region, state, and nation in many capacities. Individual entries speak to broader issues—the anti-slavery movement, American religion, and foodways, for example. We also learn about the extant historical sites important to Black Portsmouth—including the surprise revelation of an African burial ground in October 2003—as well as the extraordinary efforts being made to preserve remnants of the city's early Black heritage.

The Changing Nature of the Maine Woods is both a fascinating introduction to the forests of Maine and a detailed but accessible narrative of the dynamism of these ecosystems. This is natural history with a long view, starting with an overview of the state's geological history, the reemergence of the forest after glacial retreat, and the surprising changes right up to European arrival. The authors create a vivid picture of Maine forests just before the impact of Euro-Americans and trace the profound transformations since settlement.

Ambitious in its geographic range, this book explores how and why Maine forests differ across the state, from the top of Mount Katahdin to the coast. Through groundbreaking research and engaging narratives, the authors assess key ecological forces such as climate change, insects and disease, nonnative organisms, natural disturbance, and changing land use to create a dramatic portrait of Maine forests—past, present, and future.

This book both synthesizes the latest scientific discoveries regarding the changing forest and relates the findings to an educated lay and academic audience.

The Country of the Pointed Firs (1896) is Sarah Orne Jewett's most popular book. In its elegantly constructed sketches, a worldly, anonymous writer spends the summer in a tiny Maine fishing village where she hopes to find peace and solitude. As she gains the acceptance and trust of her hosts, the community's power and complexity are slowly revealed. While its episodes portray the difficulty and loneliness of rural life, they also display its dignity and strength, particularly as expressed in the bonds between women: mothers, daughters, and friends.

This centennial edition contains a facsimile of the original text, thereby restoring the novel to Jewett's own version, which had been considerably altered in other published versions, plus four related stories. Further enhancing the importance of this volume is editor Sarah Way Sherman's introduction, which includes a sketch of Jewett's life and professional development, a commentary on textual accuracy, and a discussion of the book's themes and techniques as well as its historical context.

Written from aesthetic, sociopolitical, cultural, and literary perspectives, The Cultured Canvas explores myriad ways in which American visual culture can be evaluated through newly conceived thematic and ideological approaches. This book moves beyond our accepted notion of the oil painting on canvas to consider the term as both a literal and figurative surface upon which artists construct or construe the landscape as an intellectual, cultural, or physical entity. It provides an innovative reevaluation of traditional thought concerning the Hudson River School, Luminism, and artists of the Civil War era.

As interdisciplinary emphases are employed with increasing frequency in arts and humanities courses, the breadth and depth of topics covered in this collection will provide a much-needed text for scholars in American art history, nineteenth-century American studies, and landscape studies, in addition to serving as a complement to courses in American literature and culture.

Hardcover is un-jacketed.

Edith Wharton and the Making of Fashion places the iconic New York figure and her writing in the context of fashion history and shows how dress lies at the very center of her thinking about art and culture. The study traces American patronage of the Paris couture houses from Worth and Doucet through Poiret and Chanel and places Wharton's characters in these establishments and garments to offer fresh readings of her well-known novels. Less known are Wharton's knowledge of and involvement in the craft of garment making in her tales of seamstresses, milliners, and textile workers, as well as in her creation of workshops in Paris during the First World War to employ Belgian and French seamstresses and promote the value of handmade garments in a world given to machine-driven uniformity of design and labor. Pointing the way toward further research and inquiry, Katherine Joslin has produced a truly interdisciplinary work that combines the best of literary criticism with an infectious love and appreciation of material culture.

Throughout the United States, people are increasingly concerned about where their food comes from, how it is produced, and how its production affects individuals and their communities. The answers to these questions reveal a complex web of interactions. While large, distant farms and multinational companies dominate at national and global levels, innovative programs including farmers' markets, farm-to-school initiatives, and agritourism are forging stronger connections between people and food at local and regional levels. At all levels of the food system, energy use, climate change, food safety, and the maintenance of farmland for the future are critical considerations. The need to understand food systems—what they are, who's involved, and how they work (or don't)—has never been greater. 

Food, Farms, and Community: Exploring Food Systems takes an in-depth look at critical issues, successful programs, and challenges for improving food systems spanning a few miles to a few thousand miles. Case studies that delve into the values that drive farmers, food advocates, and food entrepreneurs are interwoven with analysis supported by the latest research. Examples of entrepreneurial farms and organizations working together to build sustainable food systems are relevant to the entire country—and reveal results that are about much more than fresh food.

The Genius of Place examines how, after the War of 1812, concerns about the scale of the nation resulted in a fundamental reorientation of American identity away from the Atlantic or global ties that held sway in the early republic and toward more localized forms of identification. Instead of addressing the sweep of the nation, American authors, artists, geographers, and politicians shifted from the larger reach of the globe to the more manageable scope of the local and sectional. Paradoxically, that local representation became the primary mode through which early Americans construed their emerging national identity. This newfound cultural obsession with locality impacted the literary consolidation and representation of key American imagined places—New England, the plantation, the West—in the decades between 1816 and 1836.

Apap's examination of the intersections between local and national representations and exploration of the myths of space and place that shaped U.S. identity through the nineteenth century will appeal to a broad, interdisciplinary readership.

Most landscape manuals describe a linear sequence of processes: design, plant selection, installation, and ongoing maintenance. Integrated Landscaping is different. It uses natural ecosystems as models, taking a nonlinear, holistic approach that addresses these processes simultaneously. Integrated Landscaping treats each site as a system of plant and animal communities, considering their interrelationships with each other and their environment.

Integrated Landscaping: Following Nature's Lead is a valuable resource for anyone concerned with helping to shape the landscape we all share. When we see ourselves as part of the whole, we can see that what we do in places where we live, work, and play has a ripple effect far beyond the space each of us calls home.

Winner of the Laurence Wylie Prize in French Cultural Studies

One of the first books on “Gays in the Military” published following the historic repeal of “Don't Ask Don't Tell” in 2011, Napoleonic Friendship examines the history of male intimacy in the French military, from Napoleon to the First World War. Echoing the historical record of gay soldiers in the United States, Napoleonic Friendship is the first book-length study on the origin of queer soldiers in modern France. Based on extensive archival research in France, the book traces the development of affectionate friendships in the French Army from 1789 to 1916. 

Following the French Revolution, radical military reforms created conditions for new physical and emotional intimacy between soldiers, establishing a model of fraternal affection during the Revolutionary and Napoleonic Wars that would persist amid the ravages of the Franco-Prussian War and World War I. Through readings of Napoleonic military memoirs (and other non-fiction archival material) and French military fiction (from Hugo and Balzac to Zola and Proust), Martin examines a broad range of emotional and erotic relationships, from combat buddies to soldier lovers. He argues that the French Revolution's emphasis on military fraternity evolved into an unprecedented sense of camaraderie in the armies of Napoleon. For many soldiers, the hardships of combat led to intimate friendships. For some, the homosociality of military life inspired mutual affection, lifelong commitment, and homoerotic desire.

Although historians predicted the demise of the Penobscot Indians early in the nineteenth century, the tribe is thriving at the opening of the twenty-first century. Having by the early 1800s been rendered all but invisible to the dominant culture, the Penobscots, by selectively adapting to changing circumstances, won back land and visibility. The vital importance of employing elements of cultural resistance as a survival mechanism has, until now, been underestimated. In a larger context, Dance of Resistance demonstrates how an examination of the history of one Indian nation provides a window on the complex interaction of cultural systems in America.

MacDougall demonstrates that Penobscot legend, linguistics, dance, and oral tradition became foundations of resistance against assimilation into the dominant culture. She thoughtfully and accessibly reconstructs from published, archival, and oral sources the tribe's metaphorical and triumphant Dance of Resistance—founded on spiritual power, reverence for homeland, and commitment to self-determination—from colonial times to the present. A decade of political activism culminated in the precedent-setting 1980 Maine Indian Land Claims settlement. Today the Penobscots run small industries, manage their natural resources, and provide health services, K through 8 education, and social services to the poor and elderly of their community.

Written a generation apart and rarely treated together by scholars, Little Women (1868) and The House of Mirth (1905) share a deep concern with materialism, moral development, and self-construction. The heroines in both grapple with conspicuous consumption, an aspect of modernity that challenges older beliefs about ethical behavior and core identity. 

Placing both novels at the historical intersection of modern consumer culture and older religious discourse on materialism and identity, Sarah Way Sherman analyzes how Alcott and Wharton rework traditional Protestant discourse to interpret their heroines' struggle with modern consumerism. Her conclusion reveals how Little Women's optimism, still buoyed by otherworldly justice, providential interventions, and the notion of essential identity, ultimately gives way to the much darker vision of modern materialistic culture in The House of Mirth.

In this, the first in-depth study of the most American of holidays, James Baker sweeps away lingering myths and misconceptions to show how this celebration day was born and grew to be an essential part of our national spirit. Thanksgiving: The Biography of an American Holiday opens with an overview of the popular mythos of the holiday before discussing its possible religious and cultural precedents. This classic Yankee holiday is examined in historical and contemporary detail that embraces everything from proclamations, sermons, and local and regional traditions to family reunions, turkey dinners, and recipes. Thanksgiving's evolving face is illustrated with charming and often revealing period prints that chart our changing attitudes: the influence of Victorian sentiment in Thanksgiving's development, Progressive utilitarianism, intellectual “debunking,” patriotic wartime reclamation, and 1960s-era protest. Thanksgiving remains controversial up to the present day, as Mayflower descendants, Native Americans, and commercial exploiters compete for the American public's opinion of the holiday's contemporary significance and its future status. This is an intelligent and illuminating introduction to a beloved holiday and a fascinating cultural history of America and Americana.

This is the complex story of New Hampshire's White Mountains, from the range's days as the majestic homeland of the Abenaki, first seen by English colonists four centuries ago, to its unassailable standing today as one of America's most beloved national forests, comprising 112,000 acres of protected wilderness.

Christopher Johnson, an avid hiker intimately familiar with the White Mountains, achieves two important objectives in This Grand and Magnificent Place. He lovingly explores their rich ecological, political, economic, and cultural history and, more broadly, opens a panoramic window on the evolution of American attitudes and policies toward wilderness over time.

Two competing visions of wilderness historically have coexisted in America: the instrumental, in which the wilderness is seen as a conglomeration of resources to be exploited for the benefit of entrepreneurs and consumers, and the aesthetic, in which the wilderness is appreciated for its natural beauty, the personal growth that it stimulates, the national pride it engenders, and the spiritual truth it offers. Johnson never loses sight of this fundamental dichotomy as he shares marvelous true tales of the first intrepid European settlers who “tamed” the Whites. He discusses Ethan Allen Crawford, the area's first innkeeper, the emergence of tourism, and America's love affair with the “wilderness experience”; and he explores tales of Thomas Cole, Nathaniel Hawthorne, and other renowned artists who immortalized these mountains in their works. He considers the coming of grand resort hotels—and the contemporaneous wilderness revival—in the late nineteenth century and the passing of the landmark 1911 Weeks Act, which was instrumental in preserving American wilderness in the face of development and threats of irreparable environmental damage. Johnson traces the perilous course of the twentieth-century movement toward wilderness preservation, which has successfully conserved the Whites, an extraordinary American treasure, for future generations. Finally, he poses thoughtful and essential questions regarding the destiny of this American wilderness, exploring the balance between maintaining its usefulness while conserving its glorious heritage. 

This skillful and accessible history will rivet general readers, students, and professionals interested in the history, culture, and politics of the White Mountains, as well as those fascinated by environmental history and wilderness protection everywhere.

This unique interdisciplinary essay collection offers a fresh perspective on the active involvement of American women authors in the nineteenth-century transatlantic world. Internationally diverse contributors explore topics ranging from women's social and political mobility to their authorship and activism. While a number of essays focus on such well-known writers as Margaret Fuller, Catharine Maria Sedgwick, Harriet Beecher Stowe, George Eliot, Louisa May Alcott, and Charlotte Perkins Gilman, other, perhaps lesser-known authors are also included, such as E. D. E. N. Southworth, Elizabeth Stuart Phelps, Elizabeth Peabody, Jeannette Hart, and Laura Richards.

These essays show the spectrum of interests and activities in which nineteenth-century women were involved as they moved, geographically and metaphorically, toward gaining their independence and the right to control their lives. Traveling far and wide—to Italy, France, Great Britain, and the Bahamas—these writers came into contact with realities far different from their own. On topics ranging from homeopathy and literary endeavors to politics and revolution, they conversed with others, reaching and inspiring transnational audiences with their words and deeds, and creating a space for self-expression in the rapidly changing transatlantic world.

Two Vermonts establishes a little-known fact about Vermont: that the state's fascination with tourism as a savior for a suffering economy is more than a century old, and that this interest in tourism has always been dogged by controversy. Through this lens, the book is poised to take its place as the standard work on Vermont in the Gilded Age and the Progressive Era. Searls examines the origins of Vermont's contemporary identity and some reasons why that identity ("Who is a Vermonter?") is to this day so hotly contested.

Searls divides nineteenth-century Vermonters into conceptually “uphill,” or rural/parochial, and “downhill,” or urban/cosmopolitan, elements. These two groups, he says, negotiated modernity in distinct and contrary ways. The dissonance between their opposing tactical approaches to progress and change belied the pastoral ideal that contemporary urban Americans had come to associate with the romantic notion of “Vermont.” Downhill Vermonters, espousing a vision of a mutually reinforcing relationship between tradition and progress, unilaterally endeavored to foster the pastoral ideal as a means of stimulating economic development. The hostile uphill resistance to this strategy engendered intense social conflict over issues including education, religion, and prohibition in the late nineteenth and early twentieth centuries. The story of Vermont's vigorous nineteenth-century quest for a unified identity bears witness to the stirring and convoluted forging of today's “Vermont.” 

Searls's engaging exploration of this period of Vermont's history advances our understanding of the political, economic, and cultural transformation of all of rural America as industrial capitalism and modernity revolutionized the United States between 1865 and 1910. By the late Progressive Era, Vermont's reputation was rooted in the national yearning to keep society civil, personal, and meaningful in a world growing more informal, bureaucratic, and difficult to navigate. The fundamental ideological differences among Vermont communities are indicative of how elusive and frustrating efforts to balance progress and tradition were in the context of effectively negotiating capitalist transformation in contemporary America.

With practical guidance, helpful tips, and informative overviews of each location, The Wildlife of New England invites you to discover more than 80 wildlife-viewing areas around New England.

• Where are you most likely to spot a moose, black bear, or otter in the wild? 
• On what hilltop can you see thousands of migrating hawks in a single day? 
• Where might you see a basking shark, seal, or sea star?

Experienced nature writer and photographer John S. Burk answers these questions and more in this unique guidebook. Organized by state, each viewing location is discussed in detail, including its natural habitats and their unique features, characteristic species to watch for and when to see them, and recommended trails, auto roads, and driving directions. The Wildlife of New England also offers informative introductions to 60 of the region's iconic animals organized by their natural habitats and shown in stunning photographs, many in color.