front cover of Furious Flower
Furious Flower
Seeding the Future of African American Poetry
Joanne V. Gabbin
Northwestern University Press, 2020
Furious Flower: Seeding the Future of African American Poetry is an anthology of poems by more than one hundred award-winning poets, including Jericho Brown, Justin Philip Reed, and Tracy K. Smith, with themed essays on poetics from celebrated scholars such as Kwame Dawes, Meta DuEwa Jones, and Evie Shockley. The Furious Flower Poetry Center is the nation’s first academic center for Black poetry. In this eponymous collection, editors Joanne V. Gabbin and Lauren K. Alleyne bring together many of the paramount voices in Black poetry and poetics active today, composing an electrifying mosaic of voices, generations, and aesthetics that reveals the Black narrative in the  work of twentieth- and twenty-first-century writers. Intellectually enlightening and powerfully enlivening, Furious Flower explores and celebrates the idea of the Black poetic voice by posing the question, What’s next for Black poetic expression?
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The Gadamer Reader
A Bouquet of the Later Writings
Hans-Georg Gadamer
Northwestern University Press, 2007
The German volume Gadamer Lesebuch [A Gadamer Reader] (1997), selected and edited by Jean Grondin in consultation with Hans-Georg Gadamer himself, contains a set of essays that present a cross section of writings by one of the twentieth century's greatest philosophers. The volume begins with an autobiographical sketch and culminates in a conversation with Jean Grondin that looks back over a lifetime of productive philosophical work. The essays not already available in English have here been translated by Richard E. Palmer, a respected translator of Gadamer's writings. The sixteen essays contained in the Lesebuch are augmented here by three other essays: Gadamer's last essay on Derrida, "Hermeneutics Tracking the Trace" (1994) and two essays on practical philosophy. The Gadamer Reader: A Bouquet of the Later Writings richly conveys the scope and depth of Gadamer's thought, covering the range of his work in hermeneutics, aesthetics, practical philosophy, and essays on Plato, Hegel, and Heidegger. In addition, Palmer offers introductory remarks before each essay that explain its importance in the context of Gadamer's writings and define its key terms. Throughout, in both his translation and commentary, his aim is to make this critically important philosopher as clear and accessible as possible to an English-speaking audience.
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Eleni, or Nobody
Rhea Galanaki
Northwestern University Press, 2003
Winner of the 1999 Greek State Prize for Best Novel

Rather than consent to spinsterhood at age twenty-seven, Eleni Altamura sets sail with her seafaring father to Italy, where she is to study painting at the famed School of the Nazarenes. Once in Naples, Eleni flees her female identity and, disguised as a young man, walks with her father to Rome. Along the way she falls in love with her would-be husband while learning to navigate life in a man's world--as a man. But when love reveals her femininity, Eleni marries the father of her children, the first of the many tragedies she will have to endure. She continues to question her identity as her life choices spark rumors she may be a powerful, mad magician, or just another crazy old woman.
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Lolas' House
Filipino Women Living with War
M. Evelina Galang
Northwestern University Press, 2017
During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.”

M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture.

Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.
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Genre, Race, and the Production of Subjectivity in German Romanticism
Stephanie Galasso
Northwestern University Press, 2024
Exposes German Romanticism’s entanglements of aesthetic philosophy with racialized models of humanity

Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project.

Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence. 
 
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Loving Repeating
A Musical Adapted from the Writings of Gertrude Stein
Frank Galati
Northwestern University Press, 2009
Frank Galati's dramatic adaptation of Gertrude Stein's texts begins with Stein at age 60 as she is lecturing at the University of Chicago in 1934. She starts to speak about her writing, specifically her use of repetition, and to connect this idea with her own life experiences. A young Gertrude then appears to guide the audience through her memories of her life as a student, falling in love with Alice B. Toklas, their time together in France and Alice's account of Stein's final day. These vignettes, each culminating in a song (music by Stephen Flaherty), adeptly encapsulate the joy and passion of Stein's life and work, and the depth and complexity of a lesbian romance. Galati sheds new light on Stein's views on language, communication, and ideas by emphasizing how her art evolved from her fascination with the repetition of human behavior-as Stein sings to the audience "Loving repeating is one way of being."
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Theaters of the Everyday
Aesthetic Democracy on the American Stage
Jacob Gallagher-Ross
Northwestern University Press, 2018
Theaters of the Everyday: Aesthetic Democracy on the American Stage reveals a vital but little-recognized current in American theatrical history: the dramatic representation of the quotidian and mundane. Jacob Gallagher-Ross shows how twentieth-century American theater became a space for negotiating the demands of innovative form and democratic availability.

Offering both fresh reappraisals of canonical figures and movements and new examinations of theatrical innovators, Theaters of the Everyday reveals surprising affinities between artists often considered poles apart, such as John Cage and Lee Strasberg, and Thornton Wilder and the New York experimentalist Nature Theater of Oklahoma. Gallagher-Ross persuasively shows how these creators eschew conventional definitions of dramatic action and focus attention on smaller but no less profound dramas of perception, consciousness, and day-to-day life.

Gallagher-Ross traces some of the intellectual roots of the theater of the everyday to American transcendentalism, with its pragmatic process philosophy as well as its sense of ordinary experience as the wellspring of aesthetic awareness.
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The Inordinance of Time
Shaun Gallagher
Northwestern University Press, 1998
The Inordinance of Time develops an account of the experience of time at the intersection of three approaches: phenomenology, cognitive science, and post-structuralism. Using insights developed in both the phenomenological and cognitive traditions Gallagher explores the inadequacies of the existing models, the limitations imposed by introspective reflection, concepts of intentionality and embodied existence, and the extra-intentional processes that govern the operations of consciousness and memory.
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An Historical and Analytical Bibliography of the Literature of Cryptology
Joseph S. Galland
Northwestern University Press, 1945
Originally published in 1945, An Historical and Analytical Bibliography of the Literature of Cryptology provides a comprehensive listing of the most important works written up to that time on cryptography, as well as works in related fields in which cryptography appears. It includes a vast range of materials: scientific and technical works dealing with military, diplomatic, and commercial uses of cryptography; popular treatments; cuneiform, runic, and other hieroglyphic writings; literary anagrams and acrostics; the symbolism of colors, gems, emblems, and insignia, and many other manifestations. Entries include descriptive and analytical annotations by the author.
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Information for Foreigners
Three Plays
Griselda Gambaro
Northwestern University Press, 1992
One of Latin America's most important and prolific writers, Griselda Gambaro has focused on the dynamics of repression, complicity, and violence--specifically, the terror of violent regimes and their devastating effects on the moral framework of society. Information for Foreigners is a drama of disappearance, an experimental work dealing with the theme of random and meaningless punishment in which the audience is led through darkened passageways to a series of nightmarish tableaux. The collection also includes The Walls and Antigona Furiosa.
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Deciding What's News
A Study of CBS Evening News, NBC Nightly News, Newsweek, and Time
Herbert J. Gans
Northwestern University Press, 2005
For ten years, Herbert J. Gans spent considerable time in four major television and magazine newsrooms, observing and talking to the journalists who choose the national news stories that inform America about itself. Writing during the golden age of journalism, Gans included such headline events as the War on Poverty, the Vietnam War and the protests against it, urban ghetto disorders, the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, and Watergate. He was interested in the values, professional standards, and the external pressures that shaped journalists' judgments.

Deciding What's News has become a classic. A new preface outlines the major changes that have taken place in the news media since Gans first wrote the book, but it also suggests that the basics of news judgment and the structures of news organizations have changed little. Gans's book is still the most comprehensive sociological account of some of the country's most prominent national news media. The book received the 1979 Theatre Library Association Award and the 1980 Book Award of the National Association of Educational Broadcasters. This is the first work to be published under the Medill School of Journalism's "Visions of the American Press" imprint, a new journalism history series featuring both original volumes and reprints of important classics.
 
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Lessons and Legacies XIII
New Approaches to an Integrated History of the Holocaust: Social History, Representation, Theory
Alexandra Garbarini
Northwestern University Press, 2018
Lessons and Legacies XIII: New Approaches to an Integrated History of the Holocaust is an edited collection of thirteen original essays that reflect current research on the Holocaust in a range of disciplines.
 
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Weary Men
Arne Garborg
Northwestern University Press, 1999
With its angst-ridden, sensualist hero, Anne Garborg's classic, Weary Men, (Trætte Mænd) invites comparison with the classic European decadent novels of the turn of the century—Huysmans's Against the Grain and Wilde's The Picture of Dorian Gray. Unlike the protagonists of those novels, however, the hero of Weary Men is treated with irony. And while it is a brilliant novel of ideas, Weary Men has endured primarily because of the acuity with which Garborg explores the roguish main character's psychological makeup.

Originally published in 1891, Weary Men introduces a bachelor nearly middle age named Gabriel Gram, who suffers an existential crisis, considers suicide, but finally finds solace in a religious conversion of questionnable sincerity. Garborg depicts Gram's Kristiania (present day Oslo) in fascinating detail as Gram divides his time between male friends and "new women," a new generation of Norwegian women embolded to walk freely with men in public but who continue to rebuff Gram's sexual advances.
 
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After the Nation
Postnational Satire in the Works of Carlos Fuentes and Thomas Pynchon
Pedro Garcia-Caro
Northwestern University Press, 2014

After the Nation proposes a series of groundbreaking new approaches to novels, essays, and short stories by Carlos Fuentes and Thomas Pynchon within the framework of a hemispheric American studies. García-Caro offers a pioneering comparativist approach to the contemporary American and Mexican literary canons and their underlying nationalist encodement through the study of a wide range of texts by Pynchon and Fuentes which question and historicize in different ways the processes of national definition and myth-making deployed in the drawing of literary borders. After the Nation looks at these literary narratives as postnational satires that aim to unravel and denounce the combined hegemonic processes of modernity and nationalism while they start to contemplate the ensuing postnational constellations. These are texts that playfully challenge the temporal and spatial designs of national themes while they point to and debase “holy” borders, international borders as well as the internal lines where narratives of nation are embodied and consecrated.

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front cover of So What, or How to Make Films with Words
So What, or How to Make Films with Words
Alexander García Düttmann
Northwestern University Press, 2023
A series of philosophical meditations on the nature of aesthetics across a wide array of filmmaking styles
 
Images, whether filmic or not, cannot be replaced by words. Yet words can make images. This is the general thesis underlying So What, a collection of essays on canonical filmmakers like Luchino Visconti and Orson Welles; more experimental directors, such as Marguerite Duras and Albert Serra; and visual artists, including Hollis Frampton and Agnes Martin. Alexander García Düttmann aims to make their films as if they did not precede his text, capturing their idea and experience.
 
If the relationship between filmic image and text is a heterogeneous one, then this heterogeneity must leave a trace. This is why the book’s chapters are organized not according to historical periods or on the basis of film theories but rather by single concepts that function like dictionary entries. The chapters adopt different forms, blurring the lines between art and philosophy. So What is a practical exercise in “making films with words,” inviting readers to draw out insights from its conceptual play.
 
So What compiles previously untranslated and hard-to-find essays into a single volume, one that represents the absorbing and singular thought process of a major contemporary philosopher.
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Life and Acting
Techniques for the Actor
Jack Garfein
Northwestern University Press, 2010

Arriving in America as a teenage Holocaust refugee, Jack Garfein would soon rise to the top of his field. Life and Acting is the product of more than sixty years in the world of theater and film, offering the kind of insight only gained by experience as both a teacher and practitioner. In Garfein’s case, his experience is unparalleled—he has worked with a who’s who of twentieth-century acting, especially those associated with the Actors Studio, the West Coast arm of which Garfein cofounded.

In Life and Acting, Garfein distills his experience into a holistic technique for learning and teaching. “The Beginning” functions as a kind of memoir, focusing on Garfein’s own education in the theater. “The Art” describes how Garfein’s exposure to nontheater artists, particularly painters and writers, has contributed to his understanding of acting. “Basic Training” offers thirty-seven detailed lessons for teaching acting. In “Training for Film,” Garfein applies his principles to acting in front of a camera.

Like Uta Hagen’s Respect for Acting and other classics of this genre, Life and Acting will be an invaluable resource for teachers as well as students.


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The Emerging Good in Plato's Philebus
John V. Garner
Northwestern University Press, 2017
Plato’s Philebus presents a fascinating dialogue between the life of the mind and the life of pleasure. While Socrates decisively prioritizes the life of reason, he also shows that certain pleasures contribute to making the good life good. The Emerging Good in Plato’s "Philebus" argues that the Socratic pleasures of learning emphasize, above all, the importance of being open to change.
 
John V. Garner convincingly refines previous interpretations and uncovers a profound thesis in the Philebus: genuine learners find value not only in stable being but also in the process of becoming. Further, since genuine learning arises in pluralistic communities where people form and inform one another, those who are truly open to learning are precisely those who actively shape the betterment of humanity.
 
The Emerging Good in Plato’s "Philebus" thus connects the Philebus’s grand philosophical ideas about the order of values, on the one hand, to its intimate and personal account of the experience of learning, on the other. It shows that this dialogue, while agreeing broadly with themes in more widely studied works by Plato such as the Republic, Gorgias, and Phaedo, also develops a unique way of salvaging the whole of human life, including our ever-changing nature.
 
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Young Lions
How Jewish Authors Reinvented the American War Novel
Leah Garrett
Northwestern University Press, 2015

Finalist, 2015 National Jewish Book Awards in the American Jewish Studies category 
Winner, 2017 AJS Jordan Schnitzer Book Award in the category of Modern Jewish History and Culture: Africa, Americas, Asia, and Oceania


Young Lions: How Jewish Authors Reinvented the American War Novel shows how Jews, traditionally castigated as weak and cowardly, for the first time became the popular literary representatives of what it meant to be a soldier and what it meant to be an American. Revisiting best-selling works ranging from Norman Mailer’s The Naked and the Dead to Joseph Heller’s Catch-22, and uncovering a range of unknown archival material, Leah Garrett shows how Jewish writers used the theme of World War II to reshape the American public’s ideas about war, the Holocaust, and the role of Jews in postwar life. In contrast to most previous war fiction these new “Jewish” war novels were often ironic, funny, and irreverent and sought to teach the reading public broader lessons about liberalism, masculinity, and pluralism.

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How Does Law Matter?
Fundamental Issues in Law And Society
Bryant Garth
Northwestern University Press, 1998
The question of how law matters has long been fundamental to the law and society field. Social science scholarship has repeatedly demonstrated that law matters less, or differently, than those who study only legal doctrine would have us believe. Yet research in this field depends on a belief in the relevance of law, no matter how often gaps are identified.

These essays show how law is relevant in both an "instrumental" and a "constitutive" sense, as a tool to accomplish particular purposes and as an important force in shaping the everyday worlds in which we live. Essays examine these issues by focusing on legal consciousness, the body, discrimination, and colonialism as well as on more traditional legal concerns such as juries and criminal justice.
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Geophilosophy
On Gilles Deleuze and Felix Guattari's What Is Philosophy?
Rodolphe Gasché
Northwestern University Press, 2014
Rodolphe Gasché’s commentary on Deleuze and Guattari’s last book, What Is Philosophy?, homes in on what the two thinkers define as philosophy in distinction from the sciences and the arts and what it is that they understand themselves to have done while doing philosophy. Gasché is concerned with the authors’ claim not only that philosophy is a Greek invention but also that it is, for fundamental reasons, geophilosophical in nature.

Gasché also intimates that, rather than a marginal issue of their conception of philosophy, geocentrism is a central dimension of their thinking. Indeed, Gasché argues, if all the principal traits that constitute philosophy according to What is Philosophy?—autochthony, philia, and doxa—imply in an essential manner a concern with Earth, it follows that what Deleuze and Guattari have been doing while engaging in philosophy has been marked by this concern from the start.
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Speaking in Shakespeare's Voice
A Guide for American Actors
Linda Gates
Northwestern University Press, 2019
Speaking in Shakespeare's Voice: A Guide for American Actors is a book for undergraduate and graduate students of acting as well as for the professional who would like to perform Shakespeare with the skill of a classical actor. It is also valuable for European actors interested in performing Shakespeare in American English and British actors who would like to explore Shakespeare from an American perspective.

This guide focuses on the technical elements of voice and speech, including breathing, resonance, and diction, as well as providing an introduction to verse speaking and scansion and to Shakespeare’s rhetorical devices, such as antithesis, alliteration, onomatopoeia, irony, metaphor, and wordplay. These topics are annotated with examples from Shakespeare’s plays to demonstrate how an actor can apply the lessons to actual performance. The book also explores the history of Shakespearean performance in the United States and provides guidance on current editions of Shakespeare’s text from the Folio to online Open Source Shakespeare. A helpful appendix offers examples of two-person scenes and contextualized monologues.
 
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Traces of My Father
Sigfrid Gauch
Northwestern University Press, 2002
I recall the long solo journeys when I would think about my father: the Oberfeldarzt (Retired), the Reichsamtsleiter in the SS, the adjutant to Heinrich Himmler, the author of New Foundations for Racial Research, the man described by the chief prosecutor in the Eichmann trial as a 'desk murderer,' the man I knew: my father.

In 1979 Sigfrid Gauch published the groundbreaking Vaterspuren, (Traces of My Father), the first of the so-called father books about the relationships of postwar Germans with their parents. It inspired a new genre in German literature. Ever since, such writings have contributed greatly to Germany's ongoing struggle to overcome its own past.

This autobiographical novel is Gauch's attempt to come to terms with his father, Hermann Gauch, a physician who had joined the National Socialists in the 1920s, wrote six books of "race research" as a member of the SS, and to his dying day remained an unrepentant Nazi. The story alternates between the images of the elder Gauch's death and burial and the author's memories of childhood and adolescence.

Unlike many of the father books, however, Traces of My Father is less a political attack than a personal journey. Gauch, though honest about his father's monstrous actions and ideas, does not shirk their shared emotional bond. The result is a poignant attempt by a son to relive his father's notorious life and in doing so free himself from the man's influence.
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Night Roads
A Novel
Gaito Gazdanov
Northwestern University Press, 2009

Drawing together episodes of rich atmosphere, this novel is as deep and brooding as the Paris nights that serve as its backdrop. Russian writer Gaito Gazdanov arrived in Paris, as so many did, between the wars and would go on, with this fourth novel, to give readers a crisp rendering of a living city changing beneath its people’s feet. Night Roads is loosely based on the author’s experiences as a cab driver in those disorienting, often brutal years, and the narrator moves from episode to episode, holding court with many but sharing his mind with only a few. His companions are drawn straight out of the Parisian past: the legendary courtesan Jeanne Raldi, now in her later days, and an alcoholic philosopher who goes by the name of Plato. Along the way, the driver picks up other characters, such as the dull thinker who takes on the question of the meaning of life only to be driven insane. The dark humor of that young man’s failure against the narrator’s authentic, personal explorations of the same subject is captured in this first English translation. With his trademark émigré eye, Gazdanov pairs humor with cruelty, sharpening the bite of both.

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Kafka's Ethics of Interpretation
Between Tyranny and Despair
Jennifer L. Geddes
Northwestern University Press, 2016
Kafka's Ethics of Interpretation refutes the oft-repeated claim, made by Kafka's greatest interpreters, including Walter Benjamin and Harold Bloom, that Kafka sought to evade interpretation of his writings. Jennifer L. Geddes shows that this claim about Kafka's deliberate uninterpretability is not only wrong, it also misconstrues a central concern of his work. Kafka was not trying to avoid or prevent interpretation; rather, his works are centrally concerned with it.

Geddes explores the interpretation that takes place within, and in response to, Kafka's writings, and pairs Kafka's works with readings of Sigmund Freud, Pierre Bourdieu, Tzvetan Todorov, Emmanuel Levinas, and others. She argues that Kafka explores interpretation as a mode of power and violence, but also as a mode of engagement with the world and others. Kafka, she argues, challenges us to rethink the ways we read texts, engage others, and navigate the world through our interpretations of them.
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Makeshift Chicago Stages
A Century of Theater and Performance
Megan E. Geigner
Northwestern University Press, 2021
Since Chicago’s founding, theater has blossomed in the city’s makeshift spaces, from taverns to parks, living rooms to storefronts. Makeshift Chicago Stages brings together leading historians to share the history of theater and performance in the Second City. The essays collected here theorize a regional theater history and aesthetic that are inherently improvisational, rough-and-tumble, and marginal, reflecting the realities of a hypersegregated city and its neighborhoods. Space and place have contributed to Chicago’s reputation for gritty, ensemble-led work, part of a makeshift ethos that exposes the policies of the city and the transgressive possibilities of performance.
 
This book examines the rise and proliferation of Chicago’s performance spaces, which have rooted the city’s dynamic, thriving theater community. Chapters cover well‑known, groundbreaking, and understudied theatrical sites, ensembles, and artists, including the 1893 Columbian Exposition Midway Plaisance, the 57th Street Artist Colony, the Fine Arts Building, the Goodman Theatre, the Federal Theatre Project, the Kingston Mines and Body Politic Theaters, ImprovOlympics (later iO), Teatro Vista, Theaster Gates, and the Chicago Home Theater Festival. By putting space at the center of the city’s theater history, the authors in Makeshift Chicago Stages spotlight the roles of neighborhoods, racial dynamics, atypical venues, and borders as integral to understanding the work and aesthetics of Chicago’s artists, ensembles, and repertoires, which have influenced theater practices worldwide. Featuring rich archival work and oral histories, this anthology will prove a valuable resource for theater historians, as well as anyone interested in Chicago’s cultural heritage.
 
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Biological Modernism
The New Human in Weimar Culture
Carl Gelderloos
Northwestern University Press, 2019

Honorable Mention for the DAAD/GSA Book Prize for the Best Book in Germanistik or Cultural Studies

Biological Modernism
identifies an intellectual current in the Weimar Republic that drew on biology, organicism, vitalism, and other discourses associated with living nature in order to redefine the human being for a modern, technological age. Contrary to the assumption that any turn toward the organic indicated a reactionary flight from modernity or a longing for wholeness, Carl Gelderloos shows that biology and other discourses of living nature offered a nuanced way of theorizing modernity rather than fleeing from it. Organic life, instead of representing a stabilizing sense of wholeness, by the 1920s had become a scientific, philosophical, and disciplinary problem. In their work, figures such as Alfred Döblin, Ernst Jünger, Helmuth Plessner, and August Sander interrogated the relationships between technology, nature, and the human and radically reconsidered the relationship between the disciplines as well as the  epistemological and political consequences for defining the human being. Biological Modernism will be of interest to scholars of German literature and culture, literary modernism, photography, philosophical anthropology, twentieth-century intellectual history, the politics of culture, and the history of science.

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Kafka and Noise
The Discovery of Cinematic Sound in Literary Modernism
Kata Gellen
Northwestern University Press, 2019
A series of disruptive, unnerving sounds haunts the fictional writings of Franz Kafka. These include the painful squeak in Gregor Samsa's voice, the indeterminate whistling of Josefine the singer, the relentless noise in "The Burrow," and telephonic disturbances in The Castle. In Kafka and Noise, Kata Gellen applies concepts and vocabulary from film theory to Kafka's works in order to account for these unsettling sounds. Rather than try to decode these noises, Gellen explores the complex role they play in Kafka's larger project.
 
Kafka and Noise offers a method for pursuing intermedial research in the humanities—namely, via the productive "misapplication" of theoretical tools, which exposes the contours, conditions, and expressive possibilities of the media in question. This book will be of interest to scholars of modernism, literature, cinema, and sound, as well as to anyone wishing to explore how artistic and technological media shape our experience of the world and the possibilities for representing it.
 
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The Psychoanalytic Movement
The Cunning of Unreason
Ernest Gellner
Northwestern University Press, 1996
How did psychoanalysis become so accepted by the public? This provocative book reconstructs the system of ideas upon which the theory and practice of psychoanalysis rests, describing a modern culture that has created a psychic or a spiritual void that psychoanalysis seems custom-made to fill. Gellner approaches the question as a sociologist and attains a broad perspective on the ideas of the psychoanalytic movement as a system of cultural beliefs.
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Experiencing and the Creation of Meaning
A Philosophical and Psychological Approach to the Subjective
Eugene Gendlin
Northwestern University Press, 1997
This groundbreaking work speaks from the frontiers of philosophy. In Experiencing and the Creation of Meaning, Eugene Gendlin examines the edge of awareness, where language emerges from nonlanguage. In moving back and forth between what is already verbalized and what is as yet unarticulated, he shows how experiencing functions in the transitions between one formulation and the next. A whole array of more than logical "characteristics" enables us to examine as well as to employ this new kind of thinking, which is not merely conceptual because it begins from the intricacy of felt meaning and returns to it again and again.

Experiencing and the Creation of Meaning addressed the unavoidable variety of conceptual formulations and other questions that have now become central.
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Saying What We Mean
Implicit Precision and the Responsive Order
Eugene Gendlin
Northwestern University Press, 2018

The first collection of Eugene T. Gendlin’s groundbreaking essays in philosophical psychology, Saying What We Mean casts familiar areas of human experience, such as language and feeling, in a radically different light. Instead of the familiar scientific emphasis on what is conceptually explicit, Gendlin shows that the implicit also comprises a structure that can be made available for recognition and analysis.

Developing the traditions of phenomenology, existentialism, and pragmatism, Gendlin forges a new path that synthesizes contemporary evolutionary theory, cognitive psychology, and philosophical linguistics.
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A Process Model
Eugene Gendlin
Northwestern University Press, 2018
Eugene T. Gendlin (1926–2017) is increasingly recognized as one of the seminal thinkers of our era. Carrying forward the projects of American pragmatism and continental philosophy, Gendlin created an original form of philosophical psychology that brings new understandings of human experience and the life-world, including the “hard problem of consciousness.”
A Process Model, Gendlin’s magnum opus, offers no less than a new alternative to the dualism of mind and body. Beginning with living process, the body’s simultaneous interaction and identity with its environment, Gendlin systematically derives nonreductive concepts that offer novel and rigorous ways to think from within lived precision. In this way terms such as body, environment, time, space, behavior, language, culture, situation, and more can be understood with both great force and great subtlety.

Gendlin’s project is relevant to discussions not only in philosophy but in other fields in which life process is central—including biology, environmental management, environmental humanities, and ecopsychology. It provides a genuinely new philosophical approach to complex societal challenges and environmental issues.
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Shayndl and Salomea
From Lemberg to Berlin
Salomea Genin
Northwestern University Press, 1997
At the age of fifty and faced with severe depression, Salomea Genin began to write about her family's history. From stories both told and untold, Genin recreates the lives of the Zwerling family in the Jewish quarter of Lvov: Shulim, her strict and deeply religious grandfather; his patient but tired wife Dvoire; and his beautiful, rebellious daughter Shayndl, who marries a dreamer against her father's wishes and without his blessing, and who will later become Salomea Genin's mother.

Genin's richly detailed portrait shows the effects of a family's struggle—personal, religious, social, and for their very survival—against the shadow of the Nazi rise to power.
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Writing Japonisme
Aesthetic Translation in Nineteenth-Century French Prose
Pamela A. Genova
Northwestern University Press, 2016

Winner of the SCMLA 2017 Book Award

Beginning in the late nineteenth century, French visual artists began incorporating Japanese forms into their work. The style, known as Japonisme, spanned the arts.

Identifying a general critical move from a literal to a more metaphoric understanding and presentation of Japonisme, Pamela A. Genova applies a theory of "aesthetic translation" to a broad response to Japanese aesthetics within French culture. She crosses the borders of genre, field, and form to explore the relationship of Japanese visual art to French prose writing of the mid- to late 1800s. Writing Japonisme focuses on the work of Edmond de Goncourt, Joris-Karl Huysmans, Émile Zola, and Stéphane Mallarmé as they witnessed, incorporated, and participated in an unprecedented cultural exchange between France and Japan, as both creators and critics. Genova’s original research opens new perspectives on a fertile and influential period of intercultural dynamics.

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Maroon
Danielle Legros Georges
Northwestern University Press, 2001

Maroon is the debut collection of Haitian-American poet Danielle Legros Georges, who writes of the pain of exile, the beauty of nature, and the delights of love in highly rhythmic, highly original language. The range of her voice is remarkable— from the comic to the tragic to the lyric. Her poetry is electric with an overpowering zest for life and vitality of language, as she examines the traumatic experiences that brought her parents to America and searches for a more complete understanding of self. 

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The First Lady of Olympic Track
The Life and Times of Betty Robinson
Joe Gergen
Northwestern University Press, 2014

The 1928 Olympic Games in Amsterdam were the first in which women—over the objections of many, including Pope Pius XI and the founder of the modern Olympics, Baron Pierre de Coubertin—were allowed to run in the marquee track events.

Equally remarkable is the story behind the first female gold medal winner in the 100-meter dash, sixteen-year-old American Betty Robinson. A prodigy running in just her fourth organized meet, Robinson stunned the world, earning special praise from the president of the 1928 American Olympic Committee, General Douglas MacArthur. But Robinson’s triumph soon became tragedy when in 1931 she was involved in a life-threatening plane crash. Unable to assume a sprinter’s crouch, she nevertheless joined fellow pioneer Jesse Owens at the infamous 1936 Berlin Olympics, and achieved further glory on the relay team. Journalist Joe Gergen’s The First Lady of Olympic Track rescues an exceptional figure from obscurity.

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A Life of Solitude
Stanislawa Przybyszewska, a Biographical Study with Selected Letters
Daniel Gerould
Northwestern University Press, 1986
A Life of Solitude is a biography of Polish playwright Stanislawa Przybyszewska (1901–35). One of the finest plays about the French Revolution, The Danton Case, was written by this unknown Polish woman living in obscurity in the free city of Danzig. The illegitimate daughter of writer Stanislaw Przybyszewski, she became a writer against long odds and at the cost of her health, her sanity, and eventually her life. A Life of Solitude shows how she chose her vocation, examine her ideas about writing, and reveal her struggle with material existence. Tragically, she came to substitute creativity for life and clung to her sense of calling with a stubbornness that dulled the instinct for self-preservation and led to her death from morphine and malnutrition at age thirty-four.
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Correspondence Across a Room
M. O. Gershenzon
Northwestern University Press, 1984
The twelve letters that constitute this volume were exchanged by two of Russia's leading intellectuals, who, in the summer of 1920, weakened by the privations of the Civil War, were admitted to a municipal rest home outside Moscow. At the Sanatorium for Scientific and Literary Workers, they found themselves installed in opposite corners of the same room.

Day-long conversations having drawn them away from their literary tasks, the two then decided to converse in writing. Correspondence, the result, examines the condition and future of Western culture-whose values, according to the historian Gershenzon, have deteriorated into a deadly burden upon mankind, into mankind's ultimate prison. For the poet Ivanov, it is not the disavowal of a cultural heritage but the struggle to recover man's own unity with God that alone guarantees his true, his spiritual freedom.
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Art in Doubt
Tolstoy, Nabokov, and the Problem of Other Minds
Tatyana Gershkovich
Northwestern University Press, 2021

Leo Tolstoy’s and Vladimir Nabokov’s radically opposed aesthetic worldviews emanate from a shared intuition—that approaching a text skeptically is easy, but trusting it is hard
 
Two figures central to the Russian literary tradition—Tolstoy, the moralist, and Nabokov, the aesthete—seem to have sharply conflicting ideas about the purpose of literature. Tatyana Gershkovich undermines this familiar opposition by identifying a shared fear at the root of their seemingly antithetical aesthetics: that one’s experience of the world might be entirely one’s own, private and impossible to share through art.
 
Art in Doubt: Tolstoy, Nabokov, and the Problem of Other Minds reconceives the pair’s celebrated fiction and contentious theorizing as coherent, lifelong efforts to reckon with the problem of other people’s minds. Gershkovich demonstrates how the authors’ shared yearning for an impossibly intimate knowledge of others formed and deformed their fiction and brought them through parallel logic to their rival late styles: Tolstoy’s rustic simplicity and Nabokov’s baroque complexity. Unlike those authors for whom the skeptical predicament ends in absurdity or despair, Tolstoy and Nabokov both hold out hope that skepticism can be overcome, not by force of will but with the right kind of text, one designed to withstand our impulse to doubt it. Through close readings of key canonical works—Anna Karenina, The Kreutzer Sonata, Hadji Murat, The Gift, Pale Fire—this book brings the twin titans of Russian fiction to bear on contemporary debates about how we read now, and how we ought to.

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A Tempered Wind
An Autobiography
Karen Gershon
Northwestern University Press, 2010

Poet Karen Gershon opens A Tempered Wind, the sequel to volume 1 of her autobiography A Lesser Child, in 1943. It begins tragically with the death of Karen’s sister Anne in England, where they had escaped from Nazi Germany with their third sister Lise via the Kindertransport mission. A Tempered Wind proceeds to chart the difficult period from 1939 to 1943 as Karen adapts to a new culture and undertakes the complicated passage from adolescence to adulthood in the British Isles.

Now orphans—their parents were murdered by the Nazis—the sisters are separated, and Karen is left haunted by feelings of abandonment by her sister as well as her parents who sent her away from them. Such feelings, along with her struggle with her imperiled Jewish identity, make their way into Karen’s writing, which includes stories, essays, and poems. In writing, she starts to find a home in language. Charting the creative growth of an astonishing Jewish author, A Tempered Wind concludes with Karen making her own urgent way as a writer with a mission to tell the world her archetypal German Jewish story.

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Finding the Middle Ground
Krestovskii, Tur, and the Power of Ambivalence in Nineteenth-Century Russian Women's Prose
Jehanne Gheith
Northwestern University Press, 2004
Though among the most prominent writers in Russia in the mid-nineteenth century, Evgeniia Tur (1815-92) and V. Krestovskii (1820-89) are now little known. By looking in depth at these writers, their work, and their historical and aesthetic significance, Jehanne M. Gheith shows how taking women's writings into account transforms traditional understandings of the field of nineteenth-century Russian literature. Gheith's analysis of these writers' biographies, prose, and criticism intervenes in debates about the Russian literary tradition in general, Russian women's writing in particular, and feminist criticism on female authors and authority as it has largely been developed in and for Western contexts.
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Knocking Down Barriers
My Fight for Black America
Truman K. Gibson, Jr.
Northwestern University Press, 2005
Winner, 2006 Illinois State Historical Society Book Award Certificate of Excellence
Recipient, 2007 Hyde Park Historical Society Paul Cornell Award

Knocking Down Barriers is the memoir of a life spent making a difference. In 1940, when Truman Gibson reported for duty at the War Department, Washington was like a southern city in its seemingly unalterable segregation and oppressive summer heat. Gibson had no illusions about the nation’s racism, but as a Chicagoan who’d enjoyed the best of the vibrant Black culture of prewar America, he was shocked to find the worst of the Jim Crow South in the capital. What Gibson accomplished as an advocate for African American soldiers—first as a lawyer working for the secretary of war, then as a member of Harry S. Truman’s “Black cabinet”—fueled the struggle for civil rights in the American military.
 
A University of Chicago Law School graduate, Gibson took his fight for racial justice to the corridors of power, arguing against restrictive real estate covenants before the US Supreme Court, opposing such iconic military figures as Generals Dwight D. Eisenhower and George C. Marshall to demand the integration of the armed forces, and challenging white control of professional sports by creating a boxing empire that made television history. Filled with firsthand details and little-known stories about key advancements in race relations in the worlds of law, the military, sports, and entertainment, Gibson’s memoir is also an engaging recollection of encounters with the likes of Thurgood Marshall, W. E. B. Du Bois, Eleanor Roosevelt, George Patton, Jackie Robinson, and Joe Louis. Winner of the 2006 Illinois State Historical Society Book Award Certificate of Excellence, Knocking Down Barriers illuminates social milestones that continue to shape race in the United States today.
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Italian Art 1400-1500
Sources and Documents
Creighton Gilbert
Northwestern University Press, 1980
Creighton E. Gilbert captures the spirit of the early Renaissance in this remarkable collection of primary texts by and about artists of the fifteenth century. Italian Art makes a valuable contribution not only to the field of art history, but also to social and intellectual history. Almost all aspects of the life of the period—war, fashion, travel, communication—are documented. Revealing significant aspects of the practice of art, the process of patronage, and the way of life and social position of early Renaissance artists, Italian Art brings this fascinating period to life for students and scholars.
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The Life and Work of Fedor Abramov
David Gillespie
Northwestern University Press, 1997
Fedor Aleksandrovich Abramov (1920-83) was one of the leading representatives of the Russian village prose movement of the 1960s and 1970s. In The Life and Work of Fedor Abramov, scholars from the United States and abroad draw on Abramov's works, his diaries, and his private writings as sources for examining his place within the village prose movement and within Anglo-American theories of cultural reception.
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The Crowd You're In With
A Play
Rebecca Gilman
Northwestern University Press, 2009

The Crowd You're in With is the fifth play by award-winning American playwright Rebecca Gilman. In it, a Fourth of July backyard barbecue is the setting for a comic, thought-provoking, ultimately disquieting exploration of the question of whether to have children. Melinda and Jasper, the hosts, are deeply divided by the issue; Tom and Karen, their landlords, decided long ago to remain childless; Windsong and her husband, Dan, are expecting a baby.

As the play progresses, the motivations of these characters reveal themselves as ever more complex. Even as the characters often speak in very practical terms about their decisions, Gilman never loses sight of the mystery underlying a life-shaping decision guided by both rational thought and biological imperative, which ultimately speaks to the even larger question of free will and determinism faced by every person.

The Chicago-based Gilman has won numerous awards including the Evening Standard Award for Most Promising Playwright and the Scott McPherson Award. Her play The Glory of Living was a finalist for the Pulitzer Prize.

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Dollhouse
A Play
Rebecca Gilman
Northwestern University Press, 2010

Nora seems to have it all: a successful husband, three adorable children, and a beautiful home in the tony Lincoln Park neighborhood of Chicago. But what looks like the perfect life is woefully incomplete, propped up by dark secrets and bitter betrayals. While her husband, Terry, singlemindedly climbs the career ladder, Nora’s compulsive shopping and scheming pushes her ever further from freedom and self-fulfillment. As the lies on which their life is built gradually emerge, Nora comes to realize the true cost of what she thinks she has always wanted. From Ibsen’s masterpiece A Doll’s House, award-winning playwright Rebecca Gilman crafts a bold and insightful update. This contemporary adaptation brings Ibsen’s classic into our century with a sharp eye for social satire and moments of dark comedy coupled with powerful human drama.

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An Italian Journey
Jean Giono
Northwestern University Press, 1998
In An Italian Journey, Jean Giono describes his journey to the land of his father's people. A reluctant traveler (he rarely left Provence), Giono discovers a strange beauty not only in the palazzi and canals of Venice but also in wistful waiters, suspicious hairdressers, pugnacious men of God, recalcitrant coffeemakers, umbrellas, and field machinery. In Giono's world a stamp collectors' market can appear to verge on revolution and inept municipal musicians suddenly offer Mozartian joys.
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Teeth
Aracelis Girmay
Northwestern University Press, 2007
Winner, 2015 Whiting Award for Poetry 

Stunning, highly original poems that celebrate the richness of the author's multicultural tradition, Teeth explores loves, wars, wild hope, defiance, and the spirit of creativity in a daring use of language and syntax. Behind this language one senses a powerful, inventive woman who is not afraid to tackle any subject, including rape, genocide, and love, always sustained by an optimistic voice, assuring us that in the end justice will triumph and love will persevere.

LOVE,
you be the reason why
we swagger & jive,

lift the guitar, & pick up the axe.
when it is i tilt my hat to the side,
wearing colors & perfumes, it's cause, love,
you did it to me. oh,
you do sure turn my tongue to fiddle,
& make the salt taste sweet. man,
i don't need a rooster, or peacock even,
to help me spend my time, nope,
just you, love, right & solid as
a line.

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Prodigal Son
Vasilii Shuksin in Soviet Russian Culture
John Givens
Northwestern University Press, 2000
A wildly prolific director, actor, and writer, Vasilii Shukshin (1929-74) reached more Soviets in more media than perhaps any other artist in the post-Stalinist USSR. This first English-language study of Shukshin and his work is thus a portrait of the culture of Soviet Russia after Stalin. John Givens begins with Shukshin's position between cultural realms and social strata: his abandoned peasant heritage in Siberia as the son of a purged kulak on the one hand and his life as a successful artist in Moscow on the other. Givens shows how this clash of cultures and identities was both a burden and the driving force of Shukshin's art-and how it represents a central dichotomy between rural and urban culture in Soviet Russia.This work provides new terms for rereading the culture of Shukshin's time- terms that take up notions of demographic displacement, class difference, and blurred boundaries among genres, audiences, and arts.
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Cement
Fyodor Vasilievich Gladkov
Northwestern University Press, 1994
A classic of socialist realism, Cement became a model for Soviet fiction in the decades following its publication in the early 1920s. Gleb, a soldier hero, returns from the revolution to a world in transition, as demonstrated by the reorganization of the local cement factory for the massive national effort. His wife, Dasha, is now a leader of the Women's Section of the Communist Pary, an activist in a society where women are suddenly men's equals. Gleb finds that he cannot easily pick up the threads of their old relationship or adjust to this new social order.
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Monkey Secret
Diane Glancy
Northwestern University Press, 1995
Monkey Secret collects three short stories and a powerful novella by the Cherokee-German-English poet and prose writer Diane Glancy. Her tales of Native American life explore that essential American territory, the border-between: between past and present, between native and immigrant cultures, between self and society.
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Jews and Ukrainians in Russia's Literary Borderlands
From the Shtetl Fair to the Petersburg Bookshop
Amelia M. Glaser
Northwestern University Press, 2012

Studies of Eastern European literature have largely confined themselves to a single language, culture, or nationality. In this highly original book, Glaser shows how writers working in Russian, Ukrainian, and Yiddish during much of the nineteenth century and the early part of the twentieth century were in intense conversation with one another. The marketplace was both the literal locale at which members of these different societies and cultures interacted with one another and a rich subject for representation in their art. It is commonplace to note the influence of Gogol on Russian literature, but Glaser shows him to have been a profound influence on Ukrainian and Yiddish literature as well. And she shows how Gogol must be understood not only within the context of his adopted city of St. Petersburg but also that of his native Ukraine. As Ukrainian and Yiddish literatures developed over this period, they were shaped by their geographical and cultural position on the margins of the Russian Empire. As distinctive as these writers may seem from one another, they are further illuminated by an appreciation of their common relationship to Russia. Glaser’s book paints a far more complicated portrait than scholars have traditionally allowed of Jewish (particularly Yiddish) literature in the context of Eastern European and Russian culture.

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Trap with a Green Fence
Survival in Treblinka
Richard Glazar
Northwestern University Press, 1995
Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.
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This Africa
Novels by West Africans in English and French
Judith Illsley Gleason
Northwestern University Press, 1965
This Africa  is both a literary history and a survey of the West African novel. Gleason explores seventeen novels in French and eight in English, developing a framework of literary criticism that includes the conqueror, the hero, city life, village life, and personal identity. Authors whose works are studied include Chinua Achebe, Cyprian Ekwensi, Mongo Beti, and Camara Layer.
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Freud or Jung
Edward Glover
Northwestern University Press, 1950
One of the great dramatic events in the history of twentieth-century thought was the break of Carl Jung—the crown prince of the psychoanalytic movement—with his mentor and collaborator Sigmund Freud. After the "gladiatorial phase" of the debate between the Freudians and Jungians had passed, British psychoanalyst Edward Glover began serious consideration of the ideas of Jung. Glover's study was immediately recognized as the major Freudian statement on Jung's psychology and was even cited by later Jungians for its trenchant criticisms. This new edition of the unsurpassed classic will make it available for another generation of students, practitioners, and intellectual historians.
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Hunting Cockroaches and Other Plays
Janusz Glowacki
Northwestern University Press, 1990
Janusz Glowacki's highly theatrical and often hilarious works concern the immigrant experience of the Eastern European in America, the struggles of the individual in a repressive state, and the manipulations of political and social power. The girls' reform school of Cinders, the Lower East Side tenement of Hunting Cockroaches, and the Norwegian court littered with bodies in Fortinbras Gets Drunk serve as backdrops for Glowacki's tragicomic explorations of the play within the play of contemporary existence.
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The Black Seasons
Michal Glowinski
Northwestern University Press, 2005
A mosaic of memories from a childhood in the Warsaw Ghetto and a life in hiding on the other side of the wall

When six-year-old Michal Glowinski first heard the adults around him speak of the ghetto, he understood only that the word was connected with moving-and conjured up a fantastical image of a many-storied carriage pulled through the streets by some umpteen horses. He was soon to learn that the ghetto was something else entirely. A half-century later, Glowinski, now an eminent Polish literary scholar, leads us haltingly into Nazi-occupied Poland. Scrupulously attentive to the distance between a child's experience and an adult's reflection, Glowinski revisits the images and episodes of his childhood: the emaciated violinist playing a Mendelssohn concerto on the ghetto streets; his game of chess with a Polish blackmailer threatening to deliver him to the Gestapo; and his eventual rescue by Catholic nuns in an impoverished, distant convent. In language at once spare and eloquent, Glowinski explores the horror of those years, the fragility of existence, and the fragmented nature of memory itself.

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The Goodman Theatre's Festival Latino
Six Plays
Henry D. Godinez
Northwestern University Press, 2013
Drawn from the first ten years of the Goodman Theatre’s renowned biennial festival of Latino plays, the works in this collection expand the definition of Latino theater, resisting the confines of a particular language, locale, or assumed audience. Instead of focusing on similarities that outline the boundaries of Latino identity, these plays look outward, representing the multiplicity of actual Latino experience. The plays were written and performed sometimes in English and sometimes in Spanish; their stories are set in heterogeneous milieus; they’re directed at both Latino and non-Latino audiences; and they incorporate cultural or theatrical elements from vastly different traditions. As a group, these plays indicate the extraordinary range of the festival’s offerings and show how it has contributed to a more complex notion of what Latino theater is and can be.
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Selected Poems
John Goethe, Johann
Northwestern University Press, 1998
One of world literature's towering figures, Goethe dominated two centuries of European writing and thought. The Enlightenment's most wayward genius, and Romanticism's most remarkable, he led two great artistic movements without fully subscribing to either. While his stature in the English-speaking world is often acknowledged, his poems are little regarded, for the simple reason that they have proven untranslatable. But thanks to John Whaley's outstanding translation, Goethe's poetry can at last be appreciated in English, with all its grace, music, and humanity intact.
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Good-Bye Samizdat
Twenty Years of Czechoslovak Underground Writing
Marketa Goetz-Stankiewicz
Northwestern University Press, 1992
Good-bye, Samizdat offers the first collection of the best of Czechoslovakia's samizdat, underground texts from the era 1948 through 1990. Divided into three sections, the volume includes fiction, cultural and political works, and philosophical essays. The writings reflect the thought of some of Czechoslovakia's best-known minds--Klima, Vaculik, and Havel--as well as others yet unknown in the West. Taken together, they capture the artistic and intellectual mood of a country situated at a focal point between East and West at a fascinating point in history.
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Gogol
Plays and Selected Writings
Nikolai Gogol
Northwestern University Press, 1994
The theatrical genius of Gogol has gone largely unappreciated by English-speaking audiences because literal translations have left his plays virtually impossible to perform. These fresh translations restore the vitality of Gogol's language and humor, allowing his dramatic art to speak to readers, directors, actors, and theater-goers.
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Wayward Threads
Robert Goldmann
Northwestern University Press, 1998
Wayward Threads is the story of Robert Goldmann's youth in Reinheim, a small German village; his experience in the early Nazi years in Frankfurt; his forced emigration in 1939; and his subsequent career in the United States, including service with the Voice of America, brushes with McCarthyism, and a brief tenure as head of the European bureau of the Anti-Defamation League. Goldmann also discusses his later experiences and encounters with his native Germany. Full of arresting vignettes, Wayward Threads stands out among other Holocaust memoirs for its strong American dimension.
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A Room in California
Laurence Goldstein
Northwestern University Press, 2005
Southern California is one of two significant places in Laurence Goldstein's fourth collection of poems. A native of Los Angeles, the author re-encounters the vivid ghosts of an exotic personal landscape: Criswell the TV prophet, Madame Nhu at the Beverly Wilshire Hotel, Mickey Cohen in a downtown deli, Bob Hope in a photo shoot with the poet's family. From the Pacific boardwalk to Death Valley, these poems enliven their borderlands with pungent language and dramatic incident. Goldstein then takes the reader to Ethiopia, the setting of a long dramatic monologue narrated by a young American woman seeking the reincarnation of the medieval Christian potentate Prester John, for help in the apocalyptic wars of the twenty-first century.

His most ambitious book to date, the subjects in this collection range from the aging pear tree and the domestic living room, to Nordic witches and Nazi demons. Some poems are in fixed forms including the villanelle "Rock Star," the sonnet translation from Verlaine, "Langueur," and the rhymed quatrains of a narrative poem adapted from a short story by Arthur Miller. Other poems employ organic style to explore the poet's situation, or predicament, in the culture he has outlived and the culture he has inherited.
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Journalism and Truth
Strange Bedfellows
Tom Goldstein
Northwestern University Press, 2007
The complaint is all too common: I know something about that, and the news got it wrong.  Why this should be, and what it says about the relationship between journalism and truth, is exactly the question that is at the core of Tom Goldstein’s very timely book. 

Other disciplines, Goldstein tells us, have clear protocols for gathering evidence and searching for truth.  Journalism, however, has some curious conventions that may actually work against such a goal.  Looking at how journalism has changed over time--and with it, notions about accuracy and truth in reporting—Goldstein explores how these long-standing and ultimately untrustworthy conventions developed.  He also examines why reliable standards of objectivity and accuracy are critical not just to a free press but to the democratic society it informs and serves.  From a historical overview to a reconsideration of a misunderstood book about journalism (The Journalist and the Murderer) to a reflection on the coverage of the war in Iraq, his book offers a remarkably wide-ranging and thought-provoking account of how journalism and truth work—or fail to work—together, and why it matters.
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Wide Awake in the Windy City
Celebrating a Century of Excellence at Northwestern University's Kellogg School of Management
Matt Golosinski
Northwestern University Press, 2008

In Wide Awake in the Windy City, Matt Golosinski traces the century-long ascent of the Kellogg School of Management, detailing its influence on marketing and its evolution as a globally renowned general management force. The story contextualizes the school's strategic decisions and brings to life some of its most important catalysts — deans, professors, students, and business practitioners.

The school historically turned disadvantage to opportunity, finding innovative ways to remain in the vanguard of management education. At every turn, this journey involved the vision of extraordinary people who, against the odds, created an enduring example of educational excellence.

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Lermontov's Narratives of Heroism
Vladimir Golstein
Northwestern University Press, 2012
This is the first study of Russian writer Mikhail Lermontov (1814-41) that attempts to integrate the in-depth interpretations of all his major texts--including his famous A Hero of Our Time, the novel that laid the foundation for the Russian psychological novel.

Lermontov's explorations of the virtues and limitations of heroic, self-reliant conduct have subsequently become obscured or misread. This new book focuses upon the peculiar, disturbing, and arguably most central feature of Russian culture: its suspicion of and hostility toward individual achievement and self-assertion. The analysis and interpretation of Lermontov's texts enables Golstein to address broader cultural issues by exploring the reasons behind the persistent misreading of Lermontov's major works and by investigating the cultural attitudes that shaped Russia's reaction to the challenges of modernity.
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The Baroque Night
Spencer Golub
Northwestern University Press, 2018
In The Baroque Night, authorial idiosyncrasy hybridizes the concepts of "baroque" and "noir" across the fields of film, theater, literature, and philosophy, arguing for mental function as form, as an impossible object, a container in which the container itself is the thing contained. The book is an experiment in thinking difference and thinking differently, an ethics of otherness and the abstract. Spencer Golub inverts the unreality of the real and the reality of fiction, exposing the tropes of memory, identity, and authenticity as a scenic route through life that ultimately blocks the view.

The Baroque Night draws upon materials that have not previously been included in studies of either the baroque or film noir, while offering new perspectives on other, more familiar sources. Leibniz's concepts of the monad and compossibility provide organizing thought models, and death, fear, and mental illness cast their anamorphic images across surfaces that are deeper and closer than they at first appear. Key characters and situations in the book derive from the works of Alfred Hitchcock, Henri-Georges Clozot, Jean-Pierre Melville, Oscar Wilde, Georges Perec, Patricia Highsmith, William Shakespeare, Jean Racine, Pierre Corneille, and Arthur Conan Doyle, among many others.

This is virtuality and reality for the phobic, making it a fascinating and viable document of and episteme for the anxious age in which we (always) find ourselves living, though not yet fully alive. This performance of suspect evidence speaks to and in the ways we are organically inauthentic, the cause of our own causality and our own worst eyewitnesses to all that appears and disappears in space and time.

 
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Incapacity
Wittgenstein, Anxiety, and Performance Behavior
Spencer Golub
Northwestern University Press, 2014

In this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyze the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language’s representational capacity. For Golub, it is these limits that give Wittgenstein’s thought a further, very personal significance—its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers.

Underlying what Golub calls “performance behavior” is Wittgenstein’s notion of “pain behavior”—that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theater and philosophy, and even for scholarly criticism itself.

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Diary Volume 2
Witold Gombrowicz
Northwestern University Press, 1989
This is the first English translation of Witold Gombrowicz's Diary, the most Polish and the most universal of his works. Volume Two explores a more personal and intimate side of Gombrowicz in his adopted country of Argentina. Gombrowicz takes the readers into salons, homes, encounters in restaurants and theaters, dramatizing and self-dramatizing, turning the Diary into a work blending techniques of fiction and theater.
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Diary Volume 1
Witold Gombrowicz
Northwestern University Press, 1988
This is the first English translation of Witold Gombrowicz's Diary, the most Polish and the most universal of his works. Gombrowicz (1904-1969), who left Poland at age thirty-five and never returned, whose writings were banned in his own country, has had an impact on Polish literature unlike any of his contemporaries. But he changed more than the image of Polish letters. If literature cannot influence national character, it can at least influence the national image, its understanding and evaluation of itself. That is what Gombrowicz changed: the image and stereotype of the Pole.
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Diary Volume 3
Witold Gombrowicz
Northwestern University Press, 1993
This is the first English translation of Witold Gombrowicz's <i>Diary,</i> the most Polish and the most universal of his works. Volume Three records Gombrowicz's departure from Argentina for Europe, where he spends a year in Berlin and settles on the French Riviera. It details his friendship with Bruno Schulz, his reflections on Dante's "monstrous work," and his responses to the work of contemporaries, and in so doing reveals the core of a great writer's sensibility.
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Mouth Filled with Night
Poems
Rodney Gomez
Northwestern University Press, 2014

The winner of the Drinking Gourd Chapbook Poetry Prize, Rodney Gomez’s collection Mouth Filled with Night employs familiar emblems of Mexican American identity to repeatedly subvert expectations while intensifying the dilemmas of affiliation. The poems run beyond more conventional ideas of agency, identity, and experience, creating a newly invigorated imaginative space. As a collection, Mouth Filled with Night gains particular momentum—a pitched anxiety that slowly grows throughout the volume—to create a poetic experience unique to the chapbook form.

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Dialectic and Dialogue
Plato's Practice of Philosophical Inquiry
Francisco Gonzalez
Northwestern University Press, 1998
Dialectic and Dialogue seeks to define the method and the aims of Plato's dialectic in both the "inconclusive" dialogues and the dialogues that describe and practice a method of hypothesis. Departing from most treatments of Plato, Gonzalez argues that the philosophical knowledge at which dialectic aims is nonpropositional, practical, and reflexive. The result is a reassessment of how Plato understood the nature of philosophy.
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Mirrors Beneath the Earth
Short Fiction by Chicano Writers
Ray González
Northwestern University Press, 1992
Mirrors Beneath the Earth is an historic and unique collection of contemporary Chicano fiction: 31 stories depicting the richly varied experiences of Mexican-Americans in the U.S. Some, like Sandra Cisneros, Rudolfo Anaya, Ana Castillo, are already celebrated writers. The special strength of this anthology is that it introduces others who have never before been published in book form, like Ana Baca, Patricia Blanca, Rafael Jesus Gonzalez, and Natalia Trevino. These writers open our eyes and enrich our understanding.
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How Do I Know Thee?
Theatrical and Narrative Cognition in Seventeenth-Century France
Richard E. Goodkin
Northwestern University Press, 2015

The classical period in France presents a particularly lively battleground for the transition between oral-visual culture, on the one hand, and print culture on the other. The former depended on learning from sources of knowledge directly, in their presence, in a manner analogous to theatrical experience. The latter became characterized by the distance and abstraction of reading. How Do I Know Thee? explores the ways in which literature, philosophy, and psychology approach social cognition, or how we come to know others. Richard E. Goodkin describes a central opposition between what he calls “theatrical cognition” and “narrative cognition,” drawing both on scholarship on literary genre and mode, and also on the work of a number of philosophers and psychologists, in particular Descartes’s theory of cognition, Freudian psychoanalysis, mid‑twentieth‑century behaviorism, and the field of cognitive science. The result is a study that will be of interest not only to students of the classical period but also to those in the corresponding disciplines.
 

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Faithful Translators
Authorship, Gender, and Religion in Early Modern England
Jaime Goodrich
Northwestern University Press, 2014
With Faithful Translators Jaime Goodrich offers the first in-depth examination of women’s devotional translations and of religious translations in general within early modern England. Placing female translators such as Queen Elizabeth I and Mary Sidney Herbert, Countess of Pembroke, alongside their male counterparts, such as Sir Thomas More and Sir Philip Sidney, Goodrich argues that both male and female translators constructed authorial poses that allowed their works to serve four distinct cultural functions: creating privacy, spreading propaganda, providing counsel, and representing religious groups. Ultimately, Faithful Translators calls for a reconsideration of the apparent simplicity of "faithful" translations and aims to reconfigure perceptions of early modern authorship, translation, and women writers.
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The Unwritten Enlightenment
Literature between Ideology and the Unconscious
Nathan Gorelick
Northwestern University Press, 2024
Unveiling the fantasies that drove the Enlightenment and created modern literature

Nathan Gorelick’s The Unwritten Enlightenment: Literature between Ideology and the Unconscious traces the relations between literary criticism and psychoanalysis to their shared origins in the Enlightenment era’s novels and novelistic discourse, where the period’s efforts to invent new notions of subjectivity and individualism are most apparent. Gorelick shows how modern concepts of literature and the unconscious were generated in response to these efforts and by an ethical concern for what the language of the Enlightenment excludes, represses, or struggles to erase. Troubling the idea of the Enlightenment on its own terms, subverting its supposed authority from within, Gorelick thus reveals the workings of unconscious fantasy at the foundations of our contemporary political realities. The Unwritten Enlightenment makes clear that to criticize the Enlightenment’s deficiencies, ambiguities, and legacies of violence without regard for the unconscious fantasies that drive them risks reproducing the very patterns of thought, action, and imagination that the Enlightenment novel already unsettles.
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And Other Stories
Georgi Gospodinov
Northwestern University Press, 2007
Wildly imaginative and endlessly entertaining, Georgi Gospodinov's short stories provide a hint of the narrative complexity of Borges and a whiff of the gritty realism of pre- and post-Communist life in Eastern Europe. These stories within stories and contemporary fables—whether a tongue-in-cheek crime story or the Christmas tale of a pig, a language game leading to an unexpected epiphany or to an inward-looking tale built on the complexity of a puzzle box—come together in unique and surprising ways, offering readers a kaleidoscopic experience from one of Bulgaria's most critically acclaimed authors.
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The Literary Animal
Evolution and the Nature of Narrative
Jonathan Gottschall
Northwestern University Press, 2005
In recent years, articles in major periodicals from the New York Times Magazine to the Times Literary Supplement have heralded the arrival of a new school of literary studies that promises-or threatens-to profoundly shift the current paradigm. This revolutionary approach, known as Darwinian literary studies, is based on a few simple premises: evolution has produced a universal landscape of the human mind that can be scientifically mapped; these universal tendencies are reflected in the composition, reception, and interpretation of literary works; and an understanding of the evolutionary foundations of human behavior, psychology, and culture will enable literary scholars to gain powerful new perspectives on the elements, form, and nature of storytelling.

The goal of this book is to overcome some of the widespread misunderstandings about the meaning of a Darwinian approach to the human mind generally, and literature specifically. The volume brings together scholars from the forefront of the new field of evolutionary literary analysis-both literary analysts who have made evolution their explanatory framework and evolutionist scientists who have taken a serious interest in literature-to show how the human propensity for literature and art can be properly framed as a true evolutionary problem. Their work is an important step toward the long-prophesied synthesis of the humanities and what Steven Pinker calls "the new sciences of human nature."
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Public Relations and the Press
The Troubled Embrace
Karla Gower
Northwestern University Press, 2007
We are living in what one author describes as “highly promotional times.”  Governments and corporations, nonprofits and special interest groups, all have spin doctors trying to turn the news to their advantage.  This increasingly incestuous connection between the practitioners of public relations and journalism has resulted in a troubling shift in power. Public Relations and the Press examines how this shift came to be and explores the questions it raises about the role of media in a democratic society and the future of journalism.
            A democracy works when individuals have access to reliable information upon which to base decisions—information that in our day comes from the mass media.  But what if journalists do not have the wherewithal to question their sources and evaluate the information they provide?  This, Karla K. Gower explains, is precisely what happens when economic and competitive pressures shift power from the journalist to the source—and the source, not the journalist, controls the flow of information to the public.  Gowers describes a situation in which people, “informed” by practitioners of public relations, do not have sufficient information to make valid decisions.  At stake is the core credibility of the press itself, and therefore the essential claim of journalism to a privileged role in a democratic social order.
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Arcadio
William Goyen
Northwestern University Press, 1994
Completed while he was dying, William Goyen's Arcadio is one of the most affecting and imaginative farewells to life ever written. Arcadio is a half man, half woman raised in a whorehouse and for years the veteran exhibitionist in an itinerant circus sideshow. After he escapes he searches for his lost family, and during the journey tells the fantastic story of his life.
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The House of Breath
William Goyen
Northwestern University Press, 1999
Readers can now rediscover one of William Goyen's most important works in this restoration of the original text. The House of Breath eschews traditional conventions of plot and character presentation. The book is written as an ethereal address to the people and places the narrator remembers from his childhood in a small Texas town. More than a story, it is a meditation on the nature of identity, origins, and memory.
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Journey toward the Cradle of Mankind
Guido Gozzano
Northwestern University Press, 1996
The distinguished Italian poet Guido Gozzano (1883-1916) embarked for India in February 1912, ostensibly to treat his tuberculosis. His trip lasted three months and, all told, he spent six weeks on the subcontinent. His dispatches home for a newspaper are collected and published here in English for the first time.

The extent of Gozzano's travels--to Ceylon, Goa, Agra, Jaipur--makes one wonder how the writer could visit all or even most of the places he so vividly describes. "I did not honestly think I would find so much of it intact," the spellbound Gozzano repeats to himself, before what he must shortly recognize as prodigious evidence of decay.
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Sifrut al Ketzeh Halashon
Intermediate Hebrew Textbook
Edna Grad
Northwestern University Press, 1992
This text is directly dedicated to the intermediate Hebrew student. Organized by topics from everyday life and Jewish heritage and culture, it provides a familiar framework for the development of skills in both written and spoken Hebrew. The guide is unique in its inclusion of many literary selections representative of modern Hebrew literature, each introduced by introductory essays placing the works in historical and social context. Immediate and cumulative review sections reinforce a rich vocabulary and, unlike most texts at this level, the selections expose the student to colloquial, formal, Biblical, and rabbinic Hebrew.
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Sifrut al Ketzeh Halashon
Intermediate Hebrew Workbook
Edna Grad
Northwestern University Press, 1992
This text is directly dedicated to the intermediate Hebrew student. Organized by topics from everyday life and Jewish heritage and culture, it provides a familiar framework for the development of skills in both written and spoken Hebrew. The guide is unique in its inclusion of many literary selections representative of modern Hebrew literature, each introduced by introductory essays placing the works in historical and social context. Immediate and cumulative review sections reinforce a rich vocabulary and, unlike most texts at this level, the selections expose the student to colloquial, formal, Biblical, and rabbinic Hebrew.
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Figurative Inquisitions
Conversion, Torture, and Truth in the Luso-Hispanic Atlantic
Erin Graff Zivin
Northwestern University Press, 2014

Winner, 2015 LAJSA Best Book in Latin American Jewish Studies

The practices of interrogation, torture, and confession have resurfaced in public debates since the early 2000s following human rights abuses around the globe. Yet discussion of torture has remained restricted to three principal fields: the legal, the pragmatic, and the moral, eclipsing the less immediate but vital question of what torture does.Figurative Inquisitions seeks to correct this lacuna by approaching the question of torture from a literary vantage point.

This book investigates the uncanny presence of the Inquisition and marranismo (crypto-Judaism) in modern literature, theater, and film from Mexico, Brazil, and Portugal. Through a critique of fictional scenes of interrogation, it underscores the vital role of the literary in deconstructing the relation between torture and truth. Figurative Inquisitions traces the contours of a relationship among aesthetics, ethics, and politics in an account of the "Inquisitional logic" that continues to haunt contemporary political forms. In so doing, the book offers a unique humanistic perspective on current torture debates.

 
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Resonant Dissonance
The Russian Joke in Cultural Context
Seth Graham
Northwestern University Press, 2009
In his original new study, Seth Graham analyzes a rich and forgotten vein of humor in an otherwise bleak environment. The late Soviet period (1961–1986) hardly seems fertile ground for humor, but Russian jokes (anekdoty) about life in the Soviet Union were ubiquitous. The cultural and political relaxation in the decade following Stalin’s death produced considerable optimism among Soviet citizens. The anekdot exploited and exposed what Graham calls "Soviet diglossia" (official Sovietese vs. Russian everyday language) and emphasized the distance between official myths and quotidian reality. Jokes engaged a range of official and popular culture genres and also worked meta-textually, referring to the political consequences of jokes. While the dissidents of this period, who stressed the heroic and opposed everything Soviet, have been much written about, Graham’s work on the anekdoty—written in the third person, ironic, and engaged with everything Soviet—fills a hole that has been overlooked in cultural history.
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Kant, Ontology, and the A Priori
Moltke S. Gram
Northwestern University Press, 1968
Kant, Ontology, and the A Priori  is a close study of Kant’s conception of metaphysical propositions. In it Moltke Gram aims  to show in what sense Kant is offering a theory of metaphysical propositions about objects in general. Gram presents a criticism of the tendency to focus on Kant’s theory of dialectic as the source of paradigm cases of metaphysical propositions.
 
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Traversing the Imaginary
Richard Kearney and the Postmodern Challenge
Peter Gratton
Northwestern University Press, 2007
In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated—and long overdue—study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy.

The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries explored in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time—Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum—as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher,
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Voices in a Mask
Stories
Geoffrey Green
Northwestern University Press, 2008
Based on images of disguise in literature, theater, and opera, this short-story cycle explores themes of identity and subterfuge in a fictional fugue that ranges from comic to poignant. Into the librettos of Don Giovanni, Tosca, Rigoletto, and other operas, Green weaves the authentic biographies of their singers and composers, modern-day settings, and his own imaginative twists. Throughout Voices in a Mask, characters obscure and reveal themselves as art mimics life and life, art. Ultimately the very acts of masking and projecting reveal a truth about the power of art and its inherent deceptions.
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The Ship of Widows
I. Grekova
Northwestern University Press, 1994
"My husband was killed at the front right at the beginning of the war." Thus opens The Ship of Widows, the story of five women brought together in a large communal apartment by the vagaries of war in the year 1943. It spotlights the female experience of World War II: the fate of those not at the front, but still forced to fight as desperately to survive starvation, cold, and exhaustion, and to maintain homes and a country to which the soldiers can return. The Ship of Widows reveals an seldom-seen period of Russia's history and an understudied segment of its population—its women.
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The Archetypal Process
Self and Divine and Whitehead, Jung, and Hillman
David Griffin
Northwestern University Press, 1989
Archetypal Process is a pioneering study linking the ideas of process philosophy, as developed by Alfred North Whitehead and Charles Hartshorne, with the archetypal psychology of C. G. Jung and James Hillman. This is the first work to examine the interconnections of these two modes of thought.

Archetypal Process examines the importance of cosmological thinking and the need to ground archetypal psychology in a metaphysical, philosophical framework. It treats the necessity for symbol and myth, the nature of the spirit, and language as a metaphorical vehicle of thought, and finally, it adds a much-needed feminist perspective to the debate.
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Trophy
A Novel
Michael Griffith
Northwestern University Press, 2011
Vada Prickett is a 29-year-old Hose Associate at a car wash in South Carolina, and Darla, the woman he loves, is about to marry his friend, rival, and life-long neighbor, Wyatt Yancey. Vada has “spent his life waiting for the thing to get a proper start.” But it will never get that start, for Vada, as this wildly original novel opens, is being crushed to death by Wyatt’s latest animal trophy, a stuffed grizzly bear Vada has been helping him to smuggle—against Darla’s wishes—into Wyatt’s house. 

It turns out that the cliché is true—at the moment of death, your life does flash before your eyes. Trophy, the account of a man’s final, fleeting instant on earth, joins Vada as he attempts to make that flash last as long as possible. As he lies dying, too soon and too absurdly, Vada tries to unravel the mysteries of his life. He first bargains with God, then rages against the dying of the light. Exhausted, Vada proceeds to prolong, in every way available to a man in his dire circumstances, the time he has remaining. 

Just beneath Griffith’s dark humor and witty take on our present-day culture lies a meditation on memory and identity and the power of language over both.
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America’s Lawyer-Presidents
From Law Office to Oval Office
Norman Gross
Northwestern University Press, 2009

The historic election of Barack Obama was rife with references to Abraham Lincoln, perhaps the greatest lawyer-president, whose legal career spanned 25 years and 5,100 cases. President Obama’s ties to Lincoln are part of a great tradition begun by John Adams, the first lawyer-president, who combined a twenty-year law practice with major contributions to our nation’s founding charters. His son, John Quincy Adams, argued landmark U.S. Supreme Court cases both before and after his presidency, one of eight lawyer-presidents to appear as counsel before the highest court in the land. And Rutherford B. Hayes and Benjamin Harrison were among those lawyer-presidents who handled notable high-profile cases, including sensational murder trials.

These are but a few of the fascinating—yet still largely unknown—stories about America’s lawyer-presidents. Now available in an updated, expanded paperback edition, America’s Lawyer-Presidents sheds light on the legal backgrounds of each of these chief executives and how their experiences as lawyers impacted and shaped their presidencies. Written by historians and presidential scholars and featuring an engaging and image-rich presentation, America’s Lawyer-Presidents provides unique insights into our national leaders and their lives and times, from colonial days to the present.

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Radiant Daughter
A Novel
Patricia Grossman
Northwestern University Press, 2010

In Radiant Daughter, award-winning novelist Patricia Grossman follows

a Czech-American family for twenty-seven years, beginning in suburban

Chicago in 1969 and ending in Brooklyn, in seaside “Little Odessa,”

in 1996. Though the novel begins as a traditional assimilation story—

immigrant parents, “native” children, and the conflicts one might expect—

it evolves into a highly particular and harrowing tale surrounding

the descent of Elise Blazek, the family’s brightest star. Radiant Daughter

is also a story of translation—between generations, from the Czech of

Irena and Stepan, to the “American” of the children, and finally to the

Russian that is Elise’s academic specialty.

Radiant Daughter explores all that is human, from the most self-

destructive behavior to the highest forms of commitment and self-

sacrifice. Even at her lowest moments, Irena never loses her fierce

love for the daughter who has traveled so utterly beyond her reach.

For Elise, the future will always be complicated: a precarious balance

between periods of insight, bursts of accomplishment, and the abyss

of her illness.

Reminiscent, on the one hand, of the meticulously constructed

mother-daughter dynamic in Carol Shields’s Unless and, on the other,

of the anarchic real-life experience of Big and Little Edie Beale in Grey

Gardens, Grossman’s moving narrative breaks new ground in exploring

a dangerous turn in the complex bond between a mother and her adult

child.

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Reflections on Frege's Philosophy
Reinhardt Grossmann
Northwestern University Press, 1969
In Reflections on Frege’s Philosophy, Reinhardt Grossmann investigates the most important themes in the philosophy of Friedrich Ludwig Gottlob Frege (1848-1925): his distinction between objects and functions, his characterization of numbers as nonmental classes, his theory of sense and reference, and his ontology of truth-values. Grossmann examines Frege’s solutions to basic philosophical problems, and where he finds them inadequate provides what he considers to be more viable alternatives. Grossmann argues that an ontology should contain states of affairs rather than Fregean senses, and that the sense-reference distinction, Frege’s most original and famous metaphysical innovation, must ultimately be rejected. This study is both an exposition of Frege’s philosophy and an original contribution to the philosophical enterprise.
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Bogotá
A Novel
Alan Grostephan
Northwestern University Press, 2013

In Bogotá, a taut, moving novel set in present-day Colombia, Wilfredo decides to uproot his family from their small town, where his ferry service on the river subjects him to the gruesome errands demanded by the local paramilitary. Moving in with relatives in a slum in Bogotá, the family tries desperately to achieve the smallest measure of comfort and hope in a world of almost total ruin, wracked by deprivation, fear, and ceaseless violence. 

Alan Grostephan depicts with startling immediacy an urban landscape of extreme harshness and oppressive instability. The tension between the desperate conditions surrounding his characters and their efforts to hold on to their humanity gives Bogotá a ferocious energy. As Wilfredo and his family fight to stay alive and stay together, their plight emerges as equally enraging and uplifting, constituting a portrait of a society always on the verge of disintegration.

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The Jewish War and The Victory
Henryk Grynberg
Northwestern University Press, 2001
This epic tells the story of a Polish Jewish family struggling against nearly insurmountable odds. In The Jewish War, the family of a young Jewish boy hides throughout the countryside until the father is murdered. To escape, the mother and boy use forged papers and adopt a false life as the Catholic family of an officer captured by the Germans. The Victory picks up the story as the Red Army advances and the boy fights to reclaim his Jewishness amidst the horrors of the past and the choices of an agonizing present.
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Children of Zion
Henryk Grynberg
Northwestern University Press, 1997
In Children of Zion, Henryk Grynberg takes an extraordinary collection of interviews conducted by representatives of the Polish government-in-exile in Palestine in 1943 and arranges them in such a way that their voices become unforgettable. The interviewees--all Polish children--tell of their wartime experiences. Rather than using traditional form, Grynberg has turned their voices into a large "choral" group. The children recall their lives before the war (most were well off), their memories of the war's outbreak and the arrival of the Germans and Russians, and their experiences after leaving work camps and the ways many coped with their lives as orphans.
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I'm Speaking
Selected Poems
Rafael Guillen
Northwestern University Press, 2001
Rafael Guillén's poems paint vivid portraits of the land and people of his native Andalusia. In sharp-edged words tinged with a certain tender grief, Guillén presents the harshness and beauty of his country-the calm seashore and the violent revolutions, the wheat fields and the famine, the children and the laborers toiling under the oppressive Spanish sun. Behind the imagery and language a quiet force builds as Guillén reflects on coming of age during the Spanish Civil War and on love, life, death, and faith in modern-day Granada, Paris, and the United States.
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The Disinterested Witness
A Fragment of Advaita Vedanta Phenomenology
Bina Gupta
Northwestern University Press, 1998
The Disinterested Witness is a detailed, contextual, and interpretive study of the concept of saksin (or that which directly or immediately perceives) in Advaita Vedanta, and a fascinating and significant comparison of the philosophies of the East and West. Addressing a wide range of epistemological dilemmas, as well as perceived commonalities and differences between Eastern and Western philosophy, it is a major contribution to comparative philosophy and forms a vantage point for cross-cultural comparison.
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