front cover of A Walk in the Night and Other Stories
A Walk in the Night and Other Stories
Alex La Guma
Northwestern University Press, 1967
In the title story, in a Cape Town shantytown called District Six in the 1960s, Michael Adonis has lost his job at a metal sheet factory after an argument with a white supervisor. Illuminating the toxic effects of poverty, police brutality, and violence, the book paints a stark and unforgettable portrait of Adonis's emotional and physical destruction in apartheid South Africa. These works reveal the plight of non-whites in apartheid South Africa, laying bare the lives of the poor and the outcasts who filled the ghettoes and shantytowns.
 
Of French and Malagasy stock, involved in South African politics from an early age, Alex La Guma was arrested for treason with 155 others in 1956 and finally acquitted in 1960. During the State of Emergency following the Sharpeville massacre he was detained for five months. Continuing to write, he endured house arrest and solitary confinement. La Guma left South Africa as a refugee in 1966 and lived in exile in London and Havana. He died in 1986. A Walk in the Night and Other Stories reveals La Guma as one of the most important African writers of his time.
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Balkan Blues
Writing Out of Yugoslavia
Joanna Labon
Northwestern University Press, 1995
This collection first appeared as a special issue of Storm, the British literary journal of new eastern European writing. Joanna Labon has selected excellent, timely essays, stories, drama, and prose by exiled or silenced members of the Yugoslav intelligentsia.

Contributors: Dubravka Ugrešić, Bogdan Bogdanović, Dragan Velikić, Danilo Kiš, Drago Jančar, Mirko Kovač, Goran Stefanovski, Dževad Karahasan, and Slobodan Blagojević.
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The Fifth Sun
Mary Helen Lagasse
Northwestern University Press, 2004

Winner of the 3rd Annual Miguel Mármol Prize from Curbstone Press, Mary Helen Lagasse's The Fifth Sun is an inspiring story of an immigrant who struggles valiantly for a better life for herself and her family. A young Mexican woman, Mercedes, leaves her village to work as a housemaid in New Orleans. This fast-paced novel takes us through her adventures in New Orleans, her marriage, her struggle to raise her children, her deportation, and her attempt to re-cross the river and be reunited with her children.

 
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Navel of the Moon
A Novel
Mary Helen Lagasse
Northwestern University Press, 2015

A freelance writer and journalist, Vicenta (“Vicky”) Lumière has moved beyond her upbringing in the diverse Irish Chan­nel neighborhood of New Orleans. But a visit to her childhood friend Lonnie Cavanaugh in the Louisiana Correctional Institute for Women brings back a flood of memories.In Navel of the Moon, the follow-up to her acclaimed debut The Fifth Sun, Mary Helen Lagasse turns to the 1950s and 60s, where a young Vicky learns that the complicated people that we become as adults and the complicated world that adults create are shaped by events in childhood. The adults around her, beginning with her Mexican grandmother, Mimy, the family storyteller—who says she is from the “navel of the moon”—often confound and sometimes trouble Vicky. Yet Vicky’s strength of character is pro­foundly affected by the complexity of life, and in particular that of her troubled childhood friend Lonnie and of Valentina Dreyfus, the Holocaust survivor who becomes Vicky's closest confidante.

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Imperfect Solidarities
Tagore, Gandhi, Du Bois, and the Global Anglophone
Madhumita Lahiri
Northwestern University Press, 2021

A century ago, activists confronting racism and colonialism—in India, South Africa, and Black America—used print media to connect with one another. Then, as now, the most effective medium for their undertakings was the English language. Imperfect Solidarities: Tagore, Gandhi, Du Bois, and the Global Anglophone tells the story of this interconnected Anglophone world. Through Rabindranath Tagore’s writings on China, Mahatma Gandhi’s recollections of South Africa, and W. E. B. Du Bois’s invocations of India, Madhumita Lahiri theorizes print internationalism. This methodology requires new terms within the worldwide hegemony of the English language (“the global Anglophone”) in order to encourage alternate geographies (such as the Global South) and new collectivities (such as people of color).

The women of print internationalism feature prominently in this account. Sonja Schlesin, born in Moscow, worked with Indians in South Africa. Sister Nivedita, an Irish woman in India, collaborated with a Japanese historian. Jessie Redmon Fauset, an African American, brought the world home to young readers through her work as an author and editor.

Reading across races and regions, genres and genders, Imperfect Solidarities demonstrates the utility of the neologism for postcolonial literary studies.

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The Russian Revival of the Dithyramb
A Modernist Use of Antiquity
Katherine Lahti
Northwestern University Press, 2018
Early twentieth-century Russia witnessed a revival of the dithyramb, a poetic form of verse and dance that ancient Greeks performed to summon Dionysus. The Russian Revival of the Dithyramb offers a fascinating recounting of this resurrection and traces the form’s surprising influence on Russian identity and art in the work of artists, writers, and musicians as varied as Aleksandr Blok, Andrei Bely, Aleksei Remizov, Vladimir Mayakovsky, and Igor Stravinksy.
 
Nietzsche’s The Birth of Tragedy and Viacheslav Ivanov’s treatise in response, “The Hellenic Religion of the Suffering God,” have been considered the foundation of the dithyramb revival, but Katherine Lahti shows Erwin Rohde’s Psyche: The Cult of Souls and the Belief in Immortality among the Greeks also to have played a significant role.
 
Lahti’s wide-ranging and expertly curated survey of art, music, and letters includes the poetry and plays of the Symbolists and Futurists, with special attention to The Fairground Booth and Vladimir Mayakovsky: A Tragedy; the theater of Ozarovsky, Meyerhold, and Evreinov; dancing by Isadora Duncan, Nijinsky, and Fokine; and Matisse’s canvas The Dance.
 
Lahti follows the persistence of the dithyramb’s popularity after 1917, when it enjoyed a special place in Russian culture during the first years after the Bolshevik Revolution. Demonstrating the influence of the dithyramb on the development of Russian avant-garde culture, this book reshapes our understanding of an extraordinarily dynamic period in Russian art and thought.
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Music of Another World
Szymon Laks
Northwestern University Press, 2000
Compassionate yet detached, ironic yet pitilessly honest, Szymon Laks, the kapellmeister of the Auschwitz orchestra, presents a disturbing description of a phenomenon seldom mentioned in the literature of the Holocaust: the presence of music among the crematoria. His story is a testament to the human spirit and to music itself, the beauty of which Laks and others honored even as the lives of so many were destroyed.
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What Water Knows
Poems
Jacqueline Jones LaMon
Northwestern University Press, 2021
Jacqueline Jones LaMon delivers a stunning third collection that shows the elements of life that both unite us and create our greatest distances. What Water Knows transports the reader from drought to drowning, from the transatlantic Middle Passage to the breaking of water, from water wielded as a weapon to used as a reward. LaMon offers a labyrinth to understanding how we are all connected—through vibrant, searing images depicting the core of racism, betrayal, addiction, loss, climate change, and the ever-changing world in which we live.
 
LaMon’s skillful embodiment of character and her signature use of personae invite the reader to experience the unfathomable. Prepare to go over Niagara Falls in a barrel. Prepare to feel the force of a fire hose on your bare legs. Prepare to experience what happens when greed gets in the way of reason. What Water Knows is a canonical poetic achievement that will remind us of what it means to be human in a world that often forgets.
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The Stony Dance
Unity and Gesture in Andrey Bely's Petersburg
Timothy Langen
Northwestern University Press, 2005
Widely considered the greatest Russian modernist novel, Andrei Bely's Petersburg has until now eluded the critical attention that a book of its caliber merits. In The Stony Dance, Timothy Langen offers readers a study of Bely's masterpiece unparalleled in its comprehensiveness, clarity, and inclusion of detail--a critical study that is at the same time a meditation on the nature of literary art.

Thoroughly versed in Russian and European modernism, in Bely's biography and writings, and in twentieth-century literary theory, Langen constructs an original analytic scheme for reading Petersburg. Guided by Bely's fertile but challenging notions of art and philosophy, he analyzes the novel first as an object embodying intentions and essences, then as a pattern of signification and events, and finally as a dance of gestures that coordinate body and meaning, regularity and surprise, self and other, and author, novel, and reader. The terms are derived from Bely's own writings, but they are nuanced with reference to Russian and European contexts and clarified with reference to philosophy and literary theory. Langen shows how Bely invariably challenges his own concepts and patterns, thereby creating an unusually demanding and dynamic text. In finding an approach to these enriching difficulties, this book at long last shows readers a welcoming way into Bely's thought, and his masterwork, and their place in the complex world of early twentieth-century literature.
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Eight Twentieth-Century Russian Plays
Timothy Langen
Northwestern University Press, 2000
Russia produced more notable dramas in the twentieth century than at any other time in its history, yet many of the plays from this period have been only sporadically available in English, and others have never been translated before. For each of these eight works, Timothy Langen and Justin Weir provide an insightful introduction to the literary, cultural, and political contexts in which the plays first appeared, considering the influence that various literary movements had on the development of Russian drama and exploring the effect of the increasingly politicized climate of the new Soviet state.

Included in this volume:

Sacred Blood, by Zinaida Gippius; The Unknown Woman, by Alexander Blok; Vladimir Mayakovsky, by Vladimir Mayakosky; The Case of the Entry Room, by Victor Ardov; Squaring the Circle, by Valentin Kataev; Elizaveta Bam, by Daniil Kharms; Grain, by Vladimir Kirshon; and The Guests, by Leonid Zorin.
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Visions of Violence
German Avant-Gardes After Fascism
Richard Langston
Northwestern University Press, 2007
Nazi Germany’s book burnings, its campaign against “degenerate art,” and its persecution of experimental artists pushed the avant garde to the brink of extinction.  How the avant-garde came back, finding a new purpose in the wake of the war, is the subject of Visions of Violence. 

An extreme faction of aesthetic modernity intent on bulldozing contemporary life, the avant-garde has regularly employed visions of violence in their push for societal and cultural renewal. But in the shadow of unparalleled war and genocide, such aesthetic violence lost its force. This book explores the reconfiguration of the avant-garde in response to the violent transformation of European reality. Citing the emergence of independent avant-garde practitioners in the place of the previous collective, Richard Langston considers six individual exemplars of Germany’s post-fascist avant-garde—works that span the last six decades: painter, writer, and filmmaker Peter Weiss’s appropriation of French surrealism in the fifties; writer Dieter Wellershoff’s coterie of “new realists”; artist Wolf Vostell’s mediation and conflation of the experiences of the Auschwitz trials and the Vietnam War; poet and novelist Dieter Brinkmann’s collages from the seventies; the multimedia displacements of Alexander Kluge; and the performative engagements of dramatists Christoph Schlingensief and Rene Pollesch.

Taking stock of the evolution of Germany’s post-fascist avant-gardes, Langston’s book shows how the movement from Weiss to Pollesch exhibits the problems that both modernity and postmodernity pose for an aesthetic engagement of Germany’s violent past.
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Beyond the Public Sphere
Film and the Feminist Imaginary
Maria Pia Lara
Northwestern University Press, 2021

In Beyond the Public Sphere: Film and the Feminist Imaginary, the renowned philosopher and critical theorist María Pía Lara challenges the notion that the bourgeois public sphere is the most important informal institution between social and political actors and the state.

Drawing on a wide range of films—including The Milk of Sorrow, Ixcanul, Wadja, The Stone of Patience, Marnie, Streetcar Named Desire, and Talk to Her—Lara dissects cinematic images of women’s struggles and their oppression. She builds on this analysis, developing a concept of the feminist social imaginary as a broader and more complex space that provides a way of thinking through the possibilities for emancipatory social transformation in response to forms of domination perpetuated by patriarchal capitalism.

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Open Gate
An Anthology of Haitian Creole Poetry
Paul Laraque
Northwestern University Press, 2001
Open Gate is the first bilingual volume of Haitian Creole poetry published in English. Seven years in the making, this anthology is the result of the dedication of its editors and translators, Paul Laraque, Jack Hirschman and the Haitian poet Boadiba, as well as Max Manigat, one of the first teachers of Creole on the university level who was an invaluable advisor.

The editors focus on contemporary Creole poetry that reflects the struggle for human rights in Haiti. The book is divided into three sections: Pioneers of Modern Haitian Creole poetry, beginning with the founder of modern Haitian Creole literature, Felix Morisseu-Leroy (19131998); the flowering of Haitian poetry as represented by the literary movement, "Society of Butterflies," some of whose members were jailed or exiled by the bloody Duvalier dictatorship; and the New Generation featuring primarily those poets in the Diaspora whose work has been published in the last 15 years.

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Three Plays
Dark River, Arthur Aronymus and His Ancestors, and I and I
Else Lasker-Schuler
Northwestern University Press, 2005
Avant-garde plays by a gifted and unconventional German Jewish writer, one of the few women among the Expressionists of the Berlin Moderns

Famous for her poetry and infamous for her bohemian lifestyle, as well as her association with political radicals, Else Lasker-Schüler (1869–1945) is only now returning to just renown as one of the few women writers within the Expressionist movement of the early twentieth century. These plays-Dark River, Arthur Aronymus and His Ancestors, and I and I-in Jane Curtis's fluid translation, allow readers of English to experience the radically avant-garde style that put Lasker-Schüler on a par with Brecht in her day, as well as the passionate treatment of questions of gender, ethnicity, and sexuality that placed her well ahead of her time. Lasker-Schüler's plays reflect her unusual life among the Berlin Moderns of the 1910s and 20s. The daughter of a well-to-do Jewish banker and builder, Else Schüler gave up her bourgeois existence as a doctor's wife for the artistic, social, and political uncertainties that would characterize the rest of her life. Many of her finest poems and plays were written amidst the cafe society of Berlin, where she knew some of the great expressionist artists of the period. The death of her beloved son in 1927, which led her to intense introspection and reflection on the Jewish tradition, especially mysticism and the Kabbalah, also marked the beginning of Lasker-Schüler's years of tragedy, loss, and dislocation, culminating in her flight from Nazi Germany to Switzerland and then Jerusalem, where she ended her days as an eccentric pauper.

The plays in this volume mark Lasker-Schüler's movement away from the traditional aesthetic canon, revealing a unique formal development from naturalistic expressionist episodes in the lyrical Dark River to a historicizing politicization of the theater in Arthur Aronymous to the forms of montage and "epic" presentations in I and I. A short preface by Inca Molina Rumold places each play in its historical, biographical, and artistic context.
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Toxic Voices
The Villain from Early Soviet Literature to Socialist Realism
Eric Laursen
Northwestern University Press, 2013
Satire and the fantastic, vital literary genres in the 1920s, are often thought to have fallen victim to the official adoption of socialist realism. Eric Laursen contends that these subversive genres did not just vanish or move underground. Instead, key strategies of each survive to sustain the villain of socialist realism. Laursen argues that the judgment of satire and the hesitation associated with the fantastic produce a narrative obsession with controlling the villain’s influence. In identifying a crucial connection between the questioning, subversive literature of the 1920s and the socialist realists, Laursen produces an insightful revision of Soviet literary history.
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The Coffin Tree
Wendy Law-Yone
Northwestern University Press, 2003
Wendy Law-Yone opens her first novel with the phrase of a survivor, "Living things prefer to go on living." A young woman and her older half-brother are expelled from their home in Burma by a savage political coup. Sent to elusive safety in America, the motherless siblings find themselves engulfed by the indifference, hypocrisy, and cruelty of an American society unable to deal with difference. Her brother's death drives the unnamed narrator into the seclusion of a mental hospital, where memories of her childhood and the strength it ingrained in her are enough to heal her heart and return her to the outside world.
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Irrawaddy Tango
Wendy Law-Yone
Northwestern University Press, 2003
A novel of love, vengeance and political unrest in South East Asia

Irrawaddy Tango, a pepper-tongued, tango-dancing Asian beauty rises from a village girlhood to become the wife of her country's dictator and then a leader of the rebel forces arrayed against him. Tango captures the attention of an ambitious colonel --the self-proclaimed Supremo--while dancing at a talent contest. Once married, she is forced to endure the cruelties of a ruthless and foolish husband, is kidnapped by rebel forces, recaptured and brutally punished by her husband's military clique, and eventually exiled to America. Her return to the fictional Republic of Daya (clearly Burma) brings about the destruction of her husband and his dictatorship. Irrawaddy Tango tells the unsettling tale of powerful men and powerless women. It evokes as well the harshness of exile, revealing the misunderstandings between East and West and by doing so captures the intensity of living between the two.
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The Merleau-Ponty Reader
Leonard Lawlor
Northwestern University Press, 2007
The first reader to offer a comprehensive view of Maurice Merleau-Ponty’s (1908-1961) work, this selection collects in one volume the foundational essays necessary for understanding the core of this critical twentieth-century philosopher’s thought.

Arranged chronologically, the essays are grouped in three sections corresponding to the major periods of Merleau-Ponty’s work: First, the years prior to his appointment to the Sorbonne in 1949, the early, existentialist period during which he wrote important works on the phenomenology of perception and the primacy of perception; second, the years of his work as professor of child psychology and pedagogy at the Sorbonne, a period especially concerned with language; and finally, his years as chair of modern philosophy at the Collège de France, a time devoted to the articulation of a new ontology and philosophy of nature. The editors, who provide an interpretive introduction, also include previously unpublished working notes found in Merleau-Ponty’s papers after his death. Translations of all selections have been updated and several appear here in English for the first time.

By contextualizing Merleau-Ponty’s writings on the philosophy of art and politics within the overall development of his thought, this volume allows readers to see both the breadth of his contribution to twentieth-century philosophy and the convergence of the various strands of his reflection.
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Socrates among Strangers
Joseph P Lawrence
Northwestern University Press, 2015

In Socrates among Strangers, Joseph P. Lawrence reclaims the enigmatic sage from those who have seen him either as a prophet of science, seeking the security of knowledge, or as a wily actor who shed light on the dangerous world of politics while maintaining a prudent distance from it. The Socrates Lawrence seeks is the imprudent one, the man who knew how to die.

The institutionalization of philosophy in the modern world has come at the cost of its most vital concern: the achievement of life wisdom. Those who have ceased to grow (those who think they know) close their ears to the wisdom of strangers—and Socrates, who stood face to face with death, is the archetypal stranger. His avowal of ignorance, Lawrence suggests, is more needed than ever in an age defined by technical mastery and expert knowledge.

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Motive and Intention
An Essay in the Appreciation of Action
Roy Lawrence
Northwestern University Press, 1972
Motive and Intention is a critique of certain conceptual foundations of the description and judgment of human action. Drawing on sources such as narrative history, Roy Lawrence analyzes examples of such assessments and provides and independent base for appraising familiar and tenacious theoretical presumptions. In so doing he illuminates many persistent issues of common interest in the social science
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Opposing Poetries
Part One: Issues and Institutions
Hank Lazer
Northwestern University Press, 1996
Opposing Poetries presents a selection of Hank Lazer's writing on a range of issues in contemporary American poetry. Through a series of recurring cultural, material, and institutional perspectives, Lazer investigates the assumptions and habits that govern conflicting conceptions of contemporary American poetry, while refining, reconsidering, and questioning his own and modern theorists' assertions and claims relating to experimental poetry.

Volume One examines the shift in the governing assumptions of contemporary poetic practice. Lazer inspects the key critical works addressing poetries in the 1980s and 1990s, as well as the political and aesthetic impact of modern critics, poetry reading programs, and of the publishing industry and libraries on contemporary poetic practice.
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Opposing Poetries
Part Two: Readings
Hank Lazer
Northwestern University Press, 1996
Opposing Poetries presents a selection of Hank Lazer's writing on a range of issues in contemporary American poetry. Through a series of recurring cultural, material, and institutional perspectives, Lazer investigates the assumptions and habits that govern conflicting conceptions of contemporary American poetry, while refining, reconsidering, and questioning his own and modern theorists' assertions and claims relating to experimental poetry.

In Volume Two, Lazer presents a series of sustained readings of important experimental texts. Included are the poets Susan Howe, Lyn Hejinian, Bruce Andrews, and James Sherry. Lazer places these poets in the context of contemporary literary theory, and inspects both the successes and failures of said theory to interpret these works.
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Wandering Star
J.M.G. Le Clézio
Northwestern University Press, 2009
“This is Nobel-quality writing, an international author with a mature style telling a story to the peak of his capacity. The English language needs more of it.” —The Telegraph

From the winner of the 2008 Nobel Prize for Literature, Wandering Star is the story of two young women, one uprooted by the Holocaust and the other by the founding of the state of Israel.  Bearing witness to the boundless strength of the spirit, and based on his own experience as a child in World War II, J.M.G. Le Clézio chronicles the saga of a young girl, Esther, who, in a small mountain village north of Nice occupied by Italian forces, learns what it means to be Jewish in wartime Europe. A quiet young teenager, she suffers the loss of her beloved father and, with her mother, is forced to flee advancing German troops.

At war’s end, Esther and her mother make an arduous journey to Jerusalem, where their path crosses with a group of displaced refugees, including Nejma, a Palestinian girl whose story of life in the camps balances Esther’s own tale of suffering and survival. Esther and Nejma never meet again, but in their respective exiles, they are forever haunted by the memory of one another. Wandering Star is a powerful coming-of-age story and, as Le Figaro notes, truly “a luminous lesson in humanity.”

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The Cemetery of Chua Village and Other Stories
Doan Le
Northwestern University Press, 2005

This seventh volume in the "Voices from Vietnam" series introduces U. S. readers to another major figure in modern Vietnamese letters: Doan Le. Noted for her versatility of style and her originality, she writes tales that are intensely human and universal, exploring such subjects as greed, marriage, divorce, aging and human rights. For the scholar, these stories give insight into Vietnamese culture after the "renovation". For the general reader, these are stories that explore all the subtle enigmas of the human heart. 

As Wayne Karlin notes in his introduction, "[She] is a master of allegory and gently complex satire...her stories can often be fantastical—Sholom Aleichem's village of Helm channeled by Kafka through Our Town—or they can be deeply personal and realistic. In both cases they grow unabashedly from the real vicissitudes of her life."

 
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The Life of Kingsley Amis
Zachary Leader
Northwestern University Press, 2011
Kingsley Amis was not only the finest comic novelist of his generation, but also a dominant figure in post–World War II British writing as a novelist, poet, critic, and polemicist. Zachary Leader’s definitive, authorized biography conjures in vivid detail the life of one of the most controversial figures of twentieth-century literature, renowned for his blistering intelligence, savage wit, and belligerent fierceness of opinion. 

In The Life of Kingsley Amis, Leader, the acclaimed editor of The Letters of Kingsley Amis, draws not only on published and unpublished works and correspondence, but also on interviews with a wide range of Amis’s friends, relatives, fellow writers, students, and colleagues, many of whom have never spoken publicly before. The result is a compulsively readable account of Amis’s childhood, school days, and life as a student at Oxford, teacher, critic, political and cultural commentator, professional author, husband, father, and lover. Neither evading nor sensationalizing the more salacious aspects of Amis’s life, Leader explores the writer’s phobias, self-doubts, and ambitions; the controversies in which he was embroiled; and the role that drink played in a life bedeviled by erotic entanglements, domestic turbulence, and personal disaster. 

Here is the biography that its subject deserves. Like Amis himself, it is incisive and unsentimental, deeply appreciative of aesthetic achievement, and a great source of amusing anecdotes. Dazzling for its thoroughness, psychological acuity, and elegant style, The Life of Kingsley Amis is exemplary: literary biography at its very best.
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A Luis Leal Reader
Luis Leal
Northwestern University Press, 2007
Since his first publication in 1942, Luis Leal has likely done more than any other writer or scholar to foster a critical appreciation of Mexican, Chicano, and Latin American literature and culture. This volume, bringing together a representative selection of Leal’s writings from the past sixty years, is at once a wide-ranging introduction to the most influential scholar of Latino literature and a critical history of the field as it emerged and developed through the twentieth century.

Instrumental in establishing Mexican literary studies in the United States, Leal’s writings on the topic are especially instructive, ranging from essays on the significance of symbolism, culture, and history in early Chicano literature to studies of the more recent use of magical realism and of individual New Mexican, Tejano, and Mexican authors such as Juan Rulfo, Carlos Fuentes, José Montoya, and Mariano Azuela. Clearly and cogently written, these writings bring to bear an encyclopedic knowledge, a deep understanding of history and politics, and an unparalleled command of the aesthetics of storytelling, from folklore to theory. This collection affords readers the opportunity to consider—or reconsider—Latino literature under the deft guidance of its greatest reader.
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A Devil's Vaudeville
The Demonic in Dostoevsky's Major Fiction
William J. Leatherbarrow
Northwestern University Press, 2005
"Real" demons do rear their heads in Dostoevsky's writing; but what of the demonic more broadly interpreted such as the unclean forces—so diffuse, ugly, and ubiquitous—found throughout Russian folklore, in Christian demonology, and in the demon-figure of European Romanticism? These are the "demonic markers" that William J. Leatherbarrow traces through Dostoevsky's fiction, with a view to discovering the cultural genealogy, nature, and significance of these inscriptions. Whether found in the voices of particular characters or those of the narrator and implied author, these demonic markers contaminate much of the narrative terrain of Dostoevsky's major fiction. They also, as Dostoevsky scholar Leatherbarrow clearly demonstrates, function as a coherent semiotic system and serve as a rhetoric through which that fiction mediates its most pressing ideological and artistic concerns.

In fresh, often surprising readings of Dostoevsky's individual works, Leatherbarrow shows how such a "language" articulates a series of concerns linked to views expressed elsewhere—in Dostoevsky's journalism and letters—on the question of Russia's relationship to Western Europe. His study also explores the narrative and generic implications of the way Dostoevsky inscribes the demonic in his fictional works—implications that point to a new understanding of familiar concepts in the work of this Russian master. Highly original, deftly argued and written, Leatherbarrow's work offers Dostoevsky specialists and general readers alike an opportunity to rediscover and reassess the rich complexities of some of the world's greatest literature.
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Dostoevsky's "The Devils"
A Critical Companion
William J. Leatherbarrow
Northwestern University Press, 1999
The Devils is one of Dostoevsky's four major novels--and the most openly political of his works. Known by several names, including The Demons and The Possessed, this novel often anchors courses of Dostoevsky's works. This critical companion contains essays that shed light on both the tricky literary structure of the novel and its social and political components. In addition, editor W.J. Leatherbarrow provides a detailed introduction, extracts from Dostoevsky's correspondence about The Devils, and an annotated bibliography.
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The Healing Body
Creative Responses to Illness, Aging, and Affliction
Drew Leder
Northwestern University Press, 2024
A philosophically and medically informed response to the physical vulnerabilities of our existence

As we grapple with the impacts of an aging population, the millions who struggle with chronic pain and illness, and the unknown number of COVID survivors dealing with long-term impairment, our individual and collective trust in our bodies is shaken. How to adapt? And how to live well, even when medical cure is unavailable? In The Healing Body: Creative Responses to Illness, Aging, and Affliction, philosopher and medical doctor Drew Leder shows how the phenomenology of lived embodiment makes available a variety of existential healing responses to bodily breakdown. Leder also turns to socially marginalized groups—people who have been incarcerated and those deemed “elderly”—to explore how individuals creatively cope with societal as well as physical challenges.

This book forwards current phenomenological research on the body, pain and suffering, disability, and aging. It deeply engages with the legacies of continental philosophy while also drawing insights from the traditions of Hinduism, Buddhism, and Taoism. The Healing Body is a uniquely creative and refreshingly innovative contribution to contemporary philosophy, demonstrating the importance of the philosophical method to the wider culture.
 
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Power, Money, and Media
Communication Patterns and Bureaucratic Control in Cultural China
Chin-Chuan Lee
Northwestern University Press, 2000
This book addresses, as few books in English have, a broad range of topics pertaining to China's expanding media and telecommunications systems. American and Chinese experts in journalism, communication, government, and political science use fieldwork, including participant observations, surveys, and in-depth interviews conducted within media organizations, to provide richly detailed analyses of the issues and of the changing face of media in China.
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The Two-Soul'd Animal
Early Modern Literatures of the Classical and Christian Souls
James Jaehoon Lee
Northwestern University Press, 2019
The Two-Soul’d Animal illuminates an early modern debate that recognized the troubling extent to which Christian thought had defined the human in terms of two incompatible models of soul. As the sixteenth century progressed, Christian and humanist thinkers began to realize that these two souls fundamentally contradicted each other. On the one hand, Christian theology had a great debt to Aristotle’s tripartite model of the soul based on three organic faculties: intellection, sensation, and nutrition. On the other, the Christian soul was defined by its immortal, immaterial, and transcendental substance. The sixteenth-century acknowledgement of the two souls provoked a great deal of anxiety, leading Christian thinkers to ask: How can we, as God’s perfect design, have two redundant and yet contradictory souls? And how could the core of the religious subject possibly be defined by a psychological paradox? As a result, the “soul” was an intrinsically unstable term being renegotiated in Renaissance culture. 

The English writers studied in The Two-Soul’d Animal place two prevailing interpretations of the soul’s faculties—one rhetorical on the plane of aesthetics, the other theological on the plane of ethics—into contact as a way to construct a new mode of Christian agency.
 
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All Things Tending towards the Eternal
A Novel
Kathleen Lee
Northwestern University Press, 2015

Traveling through China in 1989, not long after the Tiananmen Square massacre, Fanny hopes to make sense of her brother Bruno’s death in a motorcycle accident by finding a woman with whom he had exchanged letters. On her journey Fanny’s fate becomes entwined with a handsome British rogue, an American of Russian-Cuban descent returning to Tashkent, and two Chinese men—one who loves Charles Dickens, the other a budding, entrepreneurial con man—struggling to find their way in a country undergoing tumultuous transformation. Kathleen Lee’s debut novel explores the tension between the allure of the unfamiliar that draws us to distant lands and its unbidden tendency to reveal us to ourselves. With its rollicking sense of humor and slyly lyrical voice, as well as an extraordinary deftness in the rendering of place, All Things Tending towards the Eternal is an unforgettable ride.

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The Backwards Hand
A Memoir
Matt Lee
Northwestern University Press, 2024
Fear. Disgust. Pity. The cripple evokes our basest human emotions—as does the monster.

Told in lyric fragments, The Backwards Hand traces Matt Lee’s experience living in the United States for more than thirty years with a rare congenital defect. Weaving in historical research and pop culture references, Lee dissects how the disabled body has been conflated with impurity, worthlessness, and evil. His voice swirls amid those of artists, criminals, activists, and philosophers. With a particular focus on horror films, Lee juxtaposes portrayals of fictitious monsters with the real-life atrocities of the Nazi regime and the American eugenics movement. Through examining his struggles with physical and mental health, Lee confronts his own beliefs about monstrosity and searches for atonement as he awaits the birth of his son.

The Backwards Hand interrogates what it means to be a cripple in a predominantly ableist society, deconstructing how perceptions of disability are—and are not—reflected in art and media.
[more]

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Machiavelli in the Making
Claude Lefort
Northwestern University Press, 2011

Machiavelli in the Making is both a novel interpretation of the Florentine’s work and a critical document for understanding influential French scholar and public intellectual Claude Lefort’s later writings on democracy and totalitarianism. Lefort extricates Machiavelli’s thought from the dominant interpretations of him as the founder of “objective” political science, which, having liberated itself from the religious and moralizing tendencies of medieval political reflection, attempts to arrive at a realistic discourse on the operations of raw power. Lefort ultimately finds that Machiavelli’s discourse opens the “place of the political” which had previously been occupied by theology and morality.

 
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The Chain of Chance
Stanislaw Lem
Northwestern University Press, 2000
Written in the style of a detective novel, The Chain of Chance is classic Lem: a combination of action, hard science, and philosophical investigation. An ex-astronaut is hired to look into the death of several wealthy businessmen. The authorities suspect a pattern, but neither the police nor a supercomputer enlisted for the investigation can crack the case.

On a trail leading across Europe, the ex-astronaut barely escapes numerous attempts on his life. Having set himself up as a potential victim, he realizes that he may now be the target of a conspiracy--and that the conspiracy is not the work of a criminal mind, but a manifestation of the laws of nature. Certain patterns have begun to emerge from the chaos of modern society. Some of those patterns can be fatal. . .
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His Master's Voice
Stanislaw Lem
Northwestern University Press, 1999
Twenty-five hundred scientists have been herded into an isolated site in the Nevada desert. A neutrino message of extraterrestrial origin has been received and the scientists, under the surveillance of the Pentagon, labor on His Master's Voice, the secret program set up to decipher the transmission. Among them is Peter Hogarth, an eminent mathematician. When the project reaches a stalemate, Hogarth pursues clandestine research into the classified TX Effect--another secret breakthrough. But when he discovers, to his horror, that the TX Effect could lead to the construction of a fission bomb, Hogarth decides such knowledge must not be allowed to fall into the hands of the military.
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A Perfect Vacuum
Stanislaw Lem
Northwestern University Press, 1999
In A Perfect Vacuum, Stanislaw Lem presents a collection of book reviews of nonexistent works of literature--works that, in many cases, could not possibly be written. Embracing postmodernism's "games for games' sake" ethos, Lem joins the contest with hilarious and grotesque results, lampooning the movement's self-indulgence and exploiting its mannerisms.

Beginning with a review of his own book, Lem moves on to tackles (or create pastiches of) the French new novel, James Joyce, pornography, authorless writing, and Dostoevsky, while at the same time ranging across scientific topics, from cosmology to the pervasiveness of computers. The result is a metafictional tour de force by one of the world's most popular writers.
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A Hero of Our Time
Mikhail Lermontov
Northwestern University Press, 2016

Translated from the Russian by Elizabeth Cheresh Allen

Mikhail Lermontov’s A Hero of Our Time was the first modern Russian novel. Published in 1840, it set a model of penetrating observation and psychological depth that would come to typify Russian literature. Its "hero," Grigorii Pechorin, also established a character type that became known in Russian fiction as "the superfluous man"—widely familiar from Dostoevsky’s Notes from Underground. At once driven by pride and wracked by self-doubt, both shockingly self-revealing and blindly self-deceived, he flounders to affirm himself in a social world he despises yet yearns to dominate. Pechorin is a troubling and unforgettable character. And A Hero of Our Time, which has provoked much controversy, is a novel not only central to Russian literature but fundamental to the Western literary tradition of the antihero.

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Bug
A Play
Tracy Letts
Northwestern University Press, 2006
This dark comedy takes place in a seedy motel room outside Oklahoma City, where Agnes, a drug-addled cocktail waitress, is hiding from her ex-con ex-husband. Her lesbian biker friend R.C. introduces her to Peter, a handsome drifter who might be an AWOL Gulf War veteran. They soon begin a relationship that takes place almost entirely within the increasingly claustrophobic confines of her motel room. Peter begins to rant about the war in Iraq, UFOs, the Oklahoma City bombings, cult suicides, and then secret government experiment on soldiers, of which he believes he is a victim. His delusions infect Agnes and the tension mounts as mysterious strangers appear at their door, past events haunt them at every turn and they are attacked by real bugs. Tracy Letts's tale of love, paranoia, and government conspiracy is a thought-provoking psycho-thriller that mixes terror and laughter at a fever pitch.
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Man from Nebraska
A Play
Tracy Letts
Northwestern University Press, 2006
A luxury sedan, a church pew, a cafeteria table, a favorite TV show, and visits to a nursing home form the comfortable cycles of the dull daily life of middle-aged insurance salesman Ken Carpenter. Then one night, he awakens to find that he no longer believes in God. To the surprise of his very understanding (to a point) wife and his two grown daughters who think he has lost his mind, Ken decides to find himself and his faith by flying to London, where he was stationed while in the Air Force. He navigates through the new and somewhat dangerous realm of British counter-culture and ultimately finds his way back home. Tracy Letts's moving, funny, and spiritually complex play dares to ask the big questions, and by doing so, reveals the hidden yearning and emotion that spur the eccentric behavior of seemingly ordinary people.
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Not the Germans Alone
A Son's Search for the Truth of Vichy
Isaac Levendel
Northwestern University Press, 2000
Winner of the Prix Franco-Européen

On the eve of D-Day, Isaac Levendel's mother left her hiding place on a farm in southern France and never returned. After 40 years of silence and torment, he returned to France in 1990 determined to find out what had happened. This is the story of how, with perseverance, luck, and official help, he gained access to secret wartime documents laying bare the details of French collaboration-and the truth about his mother's fate.
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Discovering Existence with Husserl
Emmanuel Levinas
Northwestern University Press, 1997
Contemporary philosophers are increasingly turning to the work of Emmanuel Levinas to bring a consideration of ethics into their own thinking. As an exponent of the phenomenological tradition, Levinas ranks with Heidegger and Sartre; as a disciple of Husserl, he was one of the most independent and original interpreters, testifying to the fruitfulness of Husserl's phenomenology.

In collecting almost all of Levinas's articles on Husserlian phenomenology, this volume gathers together a wealth of thoughtful exposition and interpretation by one of the most important European philosophers of the twentieth century. Levinas's thought is relevant to a broad variety of disciplines and concerns. This volume serves as a reliable introduction for the beginning student, as well as satisfying the expert's more demanding and critical desire for insight into the complexities of Levinas's thought.
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front cover of Theory of Intuition in Husserl's Phenomenology
Theory of Intuition in Husserl's Phenomenology
Second Edition
Emmanuel Levinas
Northwestern University Press, 1995
In this landmark study, Emmanuel Levinas discusses the aspects and function of intuition in Husserl's thought and its meaning for philosophical self-reflection. An essential, and illuminating explication of central issues in Husserl's phenomenology, it is also important as a formative work of one of this century's most distinguished philosophers.
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Flames from the Earth
A Novel from the Lódz Ghetto
Julian Levinson
Northwestern University Press, 2023
An emotionally powerful, poetic Yiddish novel, available in English for the first time, that expands our understanding of Holocaust literature and testimony

Flames from the Earth: A Novel from the Łódź Ghetto is an autobiographical novel written by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust. Originally published in Israel in 1966, the novel brings together material that Spiegel wrote while imprisoned in the Łódź Ghetto, which he recovered from a cellar when he returned from Auschwitz after the war. The only works by Spiegel previously available to English readers have been short stories.

In this, his first novel, Spiegel explores a complex web of characters in and around the Łódź Ghetto: Vigdor and Gitele, lovers who are involved in the ghetto resistance movement; Nicodem, a Polish priest, who hides a member of the Jewish underground; Stefan Kaczmarek, a Polish tavern keeper who betrays Nicodem to preserve his own smuggling business; Franz Jessike, a Nazi guard who blackmails local Poles for personal gain; and Chaim Vidaver, the heroic leader of the ghetto resistance. Based largely on historical events, the novel’s lyrical style echoes its emotional intensity.

Gripping and atmospheric, Flames from the Earth honors daring acts of heroism and human connections forged amid unthinkable conditions. Spiegel’s novel represents an important contribution to the archive of literary depictions of historical trauma.
 
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Interpreting Law and Literature
A Hermeneutic Reader
Sanford Levinson
Northwestern University Press, 1988
From the Preface:

"Contemporary theory has usefully analyzed how alternative modes of interpretation produce different meanings, how reading itself is constituted by the variable perspectives of readers, and how these perspectives are in turn defined by prejudices, ideologies, interests, and so forth. Some theorists gave argued persuasively that textual meaning, in literature and in literary interpretation, is structured by repression and forgetting, by what the literary or critical text does not say as much as by what it does. All these claims are directly relevant to legal hermeneutics, and thus it is no surprise that legal theorists have recently been turning to literary theory for potential insight into the interpretation of law. This collection of essays is designed to represent the especially rich interactive that has taken place between legal and literary hermeneutics during the past ten years."
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Private Correspondences
Trudy Lewis
Northwestern University Press, 1996
Libby is a politician's daughter maturing amidst barely sublimated violence, sexuality, and corruption. Her tangled emotions about her father and the roil of sexual and social politics surrounding her are brought into relief when she receives a shocking anonymous letter. Horrified but fascinated, Libby works to discover the identity and the motivation of the sender while struggling to interpret the layers of deceit and manipulation enveloping her.
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front cover of The Second City Almanac of Improvisation
The Second City Almanac of Improvisation
Anne Libera
Northwestern University Press, 2004
It all began in a converted Chinese laundry on Chicago's north side on a cold December night in 1959. No one could have known that by the next century, The Second City would have established itself as the premier comedy institution in the world. Taking its act north, The Second City would build a second permanent home in Toronto where it would create the Emmy-Award winning television series "SCTV." Pioneering the use of improvisation in developing talent and creating satiric revue comedy, The Second City has become - in the words of the New York Times - "A Comedy Empire."

The Second City Almanac of Improvisation - like the theatre itself - is a collection of diverse ideas, viewpoints, and memories, written by a vast array of teachers, actors, and directors who all got their start at the legendary comedy theatre. Fred Willard recalls his introduction to The Second City style in the mid-Sixties; Tim Kazurinsky gives a hilarious visual demonstration on the art of object work; "Saturday Night Live" star Tina Fey talks about re-improvising material as a mode of writing revue comedy; noted director Mick Napier takes on the thorny debate between long-form improvisation and short-form improvisation. Anne Libera guides the reader through each essay by providing a road map for understanding how The Second City method of improv-based comedy has become the industry standard.

Mike Nichols, Elaine May, Alan Arkin, Joan Rivers, Robert Klein, Peter Boyle, Harold Ramis, John Belushi, Dan Aykroyd, Bill Murray, John Candy, Martin Short, Gilda Radner, George Wendt, Jim Belushi, Bonnie Hunt, Mike Myers, Ryan Stiles, Rachel Dratch, Nia Vardalos - no other theatre can boast an alumni list of this magnitude. The Second City Almanac of Improvisation provides practical instruction, personal details, and inspiration to both improvisers and their fans.
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Nathanael West
An Interpretive Study
James F. Light
Northwestern University Press, 1971
This study of the novels of Nathanael West begins with the important threads of West’s life and their relationship to his works. James F. Light gives a detailed analysis of each of West's novels, investigating in particular the works' treatment of social criticism and manipulation of dream and symbol.
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Instructions for Folding
Poems
Willie Lin
Northwestern University Press, 2015

In one of the poems in Instructions for Folding, Willie Lin writes, “it seemed you were away but not beyond language.” And accordingly, the voice in these poems is sometimes fervid, sometimes wry, moved to speech by the specific desire to speak to someone. The poems often progress associatively, following a kind of lyric logic of involution, disruption, and juxtaposition. They rehearse the work of learning the heft and shape of memories. They revel in failures and take pleasure in mourning. They bristle with narrative suggestiveness, weaving an austere music against a scrim of love, loneliness, secrets, and elation.

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Becoming French
Mapping the Geographies of French Identity, 1871-1914
Dana Kristofor Lindaman
Northwestern University Press, 2016
Becoming French explores the geographical shift that occurs in French society during the first four decades of France's Third Republic government. Dana Kristofor Lindaman provides the historical context that led to the explosion of geographic interest at the end of the nineteenth century, exploring the ways that the work of the geographers Paul Vidal de la Blache and Élisée Reclus served as a conceptual basis for abstract notions of the nation such as la Patrie. Lindaman then uses Reclus's formulation of the earth as "une organisme terrestre" (terrestrial organism) to read Jules Verne's Voyage au centre de la terre (Journey to the Center of the Earth) as a journey to the center of the individual self. Finally, he traces the geographic narrative of G. Bruno's Tour de la France par deux enfants, in particular the way that Bruno's work incorporates the geographic thought of Vidal de la Blache, to discover the organic ties that bind readers through the shared experience of reading the text.
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Karl Kraus and the Discourse of Modernity
Ari Linden
Northwestern University Press, 2020
Ari Linden’s Karl Kraus and the Discourse of Modernity reconsiders the literary works of the Viennese satirist, journalist, and playwright Karl Kraus (1874–1936). Combining close readings with intellectual history, Linden shows how Kraus’s two major literary achievements (The Last Days of Mankind and The Third Walpurgis Night) and his adaptation of The Birds by Aristophanes (Cloudcuckooland) address the political catastrophes of the first third of Europe’s twentieth century—from World War I to the rise of fascism.

Kraus’s central insight, Linden argues, is that the medial representations of such events have produced less an informed audience than one increasingly unmoved by mass violence. In the second part of the book, Linden explores this insight as he sees it inflected in the writings of Søren Kierkegaard, Walter Benjamin, and Theodor Adorno. This hidden dialogue, Linden claims, offers us a richer understanding of the often-neglected relationship between satire and critical theory writ large.
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The First Person Singular
Alphonso Lingis
Northwestern University Press, 2007
Alphonso Lingis’s singular works of philosophy are not so much written as performed, and in The First Person Singular the performance is characteristically brilliant, a consummate act of philosophical reckoning. Lingis’s subject here, aptly enough, is the subject itself, understood not as consciousness but as embodied, impassioned, active being. His book is, at the same time, an elegant cultural analysis of how subjectivity is differently and collectively understood, invested, and situated.

The subject Lingis elaborates in detail is the passionate subject of fantasy, of obsessive commitment, of noble actions, the subject enacting itself through an engagement with others, including animals and natural forces. This is not the linguistic or literary subject posited by structuralism and post-structuralism, nor the rational consciousness posited by post-Enlightenment philosophy. It is rather a being embodied in both a passionate, intensifying activity and a cultural collective made up of embodied others as well as the social rituals and practices that comprise this first person singular.
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Violence and Splendor
Alphonso Lingis
Northwestern University Press, 2011
In subject and method, Alphonso Lingis’s work has always defied easy categorization, largely owing to the interplay of theory and praxis inherent in his research. Violence and Splendor is a series of reflections grouped into five areas of inquiry: “Spaces Within Spaces,” “Snares for the Eyes,” “The Sacred,” “Violence,” and “Splendor.” “Spaces Within Spaces” explores multiple spaces of our lives—the space of nomads, historical space, geological space, the cosmic space of religious ritual, and the metaphysical habitats of inmates of insane asylums. “Snares for the Eyes” analyzes the inner space of our bodies and the inner spaces of things.
 
“The Sacred” studies the ways death—the death of others and our own death—fascinates and energizes us. It exhibits the glory in violence and sacrilege. The book culminates in “Splendor,” a study of collective performances that create splendor. Concerning itself most immediately with philosophy, psychology, aesthetics, anthropology, and the theory of religion, Violence and Splendor bridges the discourses of continental philosophy and cross-cultural studies. Further drawing insights from both Western and non-Western traditions, it brings such diverse fields as psychology, art and aesthetics, botany, politics, history, zoology, and religious theory into a new and significant dialogue about the nature of humanity.
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The New Century
Poems
Ewa Lipska
Northwestern University Press, 2009

Since the publication of her first book in 1967, Ewa Lipska has been among the most acclaimed of contemporary Polish poets. Yet, to date she has not enjoyed the same popularity in the United States as her fellow Poles Wislawa Szymborska, Czeslaw Milosz, and her contemporary Adam Zagajewski. The New Century: Poems, a selection of her recent work, introduces to an American audience the work of an underappreciated master.

Although Lipska’s work displays an acute awareness of history and politics, she’s nonetheless most concerned with individual experience and the most difficult philosophical questions of evil. Lipska is capable of being awed by beauty despite the deep pessimism that flows through her poems, including the failure of language itself to have any ameliorative effect on human experience.

Surreal, skeptical, and laced with wit, Lipska’s poetry, like that of Milosz and Szymborska, seems to effortlessly achieve a kind of hard-won and gracefully wielded authority that tells us something essential about the legacies of the twentieth century’s horrors.

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The Logic of Being
Realism, Truth, and Time
Paul Livingston
Northwestern University Press, 2017
In The Logic of Being, Paul Livingston examines the relationship of truth and time from a perspective that draws on Martin Heidegger’s thought and twentieth-century analytic philosophy. In his influential earlier work The Politics of Logic, Livingston elaborated an innovative “formal” or “metaformal" realism. Here he extends this concept into a “temporal realism” that accounts for the reality of temporal change and becoming while also preserving realism about logic and truth.

Livingston's formal and phenomenological analysis articulates and defends a realist position about being, time, and their relationship that understands that all of these are structured and constituted in a way that does not depend on the human mind, consciousness, or subjectivity. This approach provides a basis for new logically and phenomenologically based accounts of the structure of linguistic truth in relation to the appearance of objects and of the formal structure of time as given. 

Livingston draws on philosophers from Plato and Aristotle to Davidson and Heidegger in this exploration. In it, readers and scholars will discover innovative connections between continental and analytic philosophy.
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Assault on Paradise
Tatiana Lobo
Northwestern University Press, 1998
Assault on Paradise vividly depicts the Conquistadores and the Church invading Central America, impoverishing one world to enrich another. In a fast-paced, bawdy, swashbuckling adventure in Central America of the early 1700s, Costa Rican novelist Tatiana Lobo lays bare the dark legacy of the Conquistadores and the Church. Through the central picaresque story of Pedro Albaran, Lobo dramatizes the intrigues of politicians and the Inquisition and the bloody battles between the native people and the invaders, while simultaneously presenting a reverent poetic recreation of indigenous cosmogony and mystical values which the natives seek to use to drive out the invaders.
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Kellogg on Biotechnology
Thriving through Integration
Alicia Loffler
Northwestern University Press, 2005
Biotechnology is the new capital. The stakeholders in this revolution are many: the scientists who generate the knowledge in fields where the pace is maddeningly fast; the technologists who make ideas a reality; the managers who struggle to deal with an industry where the old rules of thinking do not always apply; the venture capitalists who provide funds based on market moods rather than science; the health care, agricultural, chemical, and pharmaceutical industries whose once cozy enclaves have been revolutionized and are now barely recognizable; the law professionals and ethicists who have to grapple with issues unimaginable just a few years ago; the public policy makers who struggle with the complex issues and have to make decisions quickly, or risk being left behind; and, finally, the society and individuals who are in the midst of all that is taking place. This book addresses this diverse constituency and offers an integrated view of exciting new biotechnologies, both from a science and business perspective.

The book walks the reader through the "what"--what are some of the newest biotechnologies that will revolutionize the way we think about health?; the "how"--how to transform those technologies into profitable products and companies; and the "who"--who will benefit from these technologies?

Kellogg on Biotech is the outgrowth of a collaborative student-faculty effort called TechVentures at the Kellogg School of Management. Their research forms the raw material for Kellogg on Biotech.
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Islamic Reform and Political Change in Northern Nigeria
Roman Loimeier
Northwestern University Press, 1997
The 1970s and 1980s were times of political and religious turmoil in Nigeria, characterized by governmental upheaval, and aggressive confrontations between the Sufi brotherhoods and the Izala movement. In Islamic Reform and Political Change in Northern Nigeria, Roman Loimeier explores the intermeshing of religion in the struggle for political influence and preservation of the interests of Nigerian Muslims.

Loimeier's careful scholarship combines astute readings of the work of previous scholars--both published and unpublished--with archival material and the findings of his own fieldwork in Nigeria. His work fills a substantial gap in contemporary Nigerian studies. This book provides invaluable and essential reading for serious students of Nigerian politics and of Islamic movements in Africa.
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The Humanities in the Age of Information and Post-Truth
Ignacio Lopez-Calvo
Northwestern University Press, 2019
The essays in The Humanities in the Age of Information and Post-Truth represent a defense of the social function of the humanities in today's society. Edited by Ignacio López-Calvo and Christina Lux, the volume explains different ways in which the humanities and the arts, beyond their intrinsic and nonfunctional value, may be a valuable tool in our search for social justice, human empathy, freedom, and peace, all the while helping us answer many of the twenty-first century's big questions. Some essays explore the ways in which the humanities may help us imagine a different, more just world, and articulate politically effective mechanisms to achieve such goals. Others address the place of the humanities and the arts amid the ontological and epistemological uncertainties constantly produced in a fast-changing world. 

While the reader may suspect that these types of lucubration are a desperate reaction to decreased public funding for the humanities worldwide, a decreased enrollment of students, or anxiety over the future of our profession, there is in this volume a coherent argument for the continued need, perhaps more now than ever, to invest in humanities education if we are to have informed and socially conscious citizens rather than just willing consumers and obedient workers. Furthermore, the essays prove that the humanities and the arts are, after all, not a luxury but an integral part of a complete scholarly education.
 
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New Short Fiction from Cuba
Jacqueline Loss
Northwestern University Press, 2007
With the disintegration of the Soviet bloc, the ongoing uncertainty surrounding Cuba’s political future, the onslaught of tourists, and the economic upheavals in their society, Cubans face an important, perhaps epochal, moment of cultural change.  It is a moment amply and complexly reflected in the fiction collected here, twelve short stories written in Cuba during the past ten years and published in English for the first time with the collaboration of some of today’s finest translators.

An eclectic selection, the stories offer an exhilarating sense of a rich literary diversity and cultural history, an experience of Cuban literature that has rarely been available to an English audience.  They differ widely, even wildly, in style and theme:  from an impromptu encounter with Ernest Hemingway to an imagined romance mapped onto Cuba’s foundational nineteenth-century novel; from a witty, Borgesian satire on bureaucracy and officialist identity to a gothic adventure in homosexual voyeurism and mental illness; from an allegorical travelogue set in repressive China to a semi-surreal celebration of angels in Havana.  These are the voices of Cuban fiction today, reflecting the past, anticipating the future, and composing in their infinite variety the stories of their culture.
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front cover of Bone & Juice
Bone & Juice
Adrian Louis
Northwestern University Press, 2001
Adrian C. Louis's largely autobiographical verse is characterized by a bluntness born of self-irony and self-criticism. He attacks his subjects with an emotional engagement that is both tender and honest. Within the context of fallen ideals and lost spirituality among Native Americans, he composes elegies for his mentally disabled wife and describes scenes from "Cowturdville", his name for the town near a reservation where he lived. Mesmerizing the reader with the rhythm of his lively lines, Louis demonstrates a stylistic strength that is both accessible and demanding. His candid portrayals of Native American life and his social and moral critique of American consumerism and conformity are darkly hilarious odes to the cultural boundaries between Americans and Native Americans.
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Logorrhea
Poems
Adrian Louis
Northwestern University Press, 2006
Finalist, 2007 Los Angeles Times Book Prize in Poetry

In a torrent of rage, love, and irony, Adrian C. Louis explodes all the myths and hypocrisy of Middle America in the twenty-first century. This is how Walt Whitman or Allen Ginsburg might have written about our post-9/11 world--where the realities of poverty on Indian reservations and the plight of Hurricane Katrina victims come in second place to the vagaries of Homeland Security. For Louis, both he and our nation face an uncertain future. Like many of us he is trapped in a surreal void of the present, where he is faced with middle age and isolation, the death of loved ones, an unsatisfying job, and the battle against loneliness and self-destruction. He writes as if he has nothing left to lose but then fills the page with bittersweet sorrow for everything that has been lost. Armed with unforgettable images, relentless rhythms, and a dark and scathing humor, Louis takes aim at this American life.
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front cover of Vortex of Indian Fevers
Vortex of Indian Fevers
Adrian Louis
Northwestern University Press, 1995
"Writing with the rage of a conscience that is simultaneously historical and urgent, Louis stands as one of those rare voices we must carry with us into the future."  —David St. John
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Nietzsche and Dostoevsky
Philosophy, Morality, Tragedy
Jeff Love
Northwestern University Press, 2016
After more than a century, the urgency with which the writing of Fyodor Dostoevsky and Friedrich Nietzsche speaks to us is undiminished. Nietzsche explicitly acknowledged Dostoevsky’s relevance to his work, noting its affinities as well as its points of opposition. Both of them are credited with laying much of the foundation for what came to be called existentialist thought. The essays in this volume bring a fresh perspective to a relationship that illuminates a great deal of twentieth-century intellectual history. Among the questions taken up by contributors are the possibility of morality in a godless world, the function of philosophy if reason is not the highest expression of our humanity, the nature of tragedy when performed for a bourgeois audience, and the justification of suffering if it is not divinely sanctioned. Above all, these essays remind us of the supreme value of the questioning itself that pervades the work of Dostoevsky and Nietzsche.
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Merleau-Ponty's Last Vision
A Proposal for the Completion of "The Visible and the Invisible"
Douglas Low
Northwestern University Press, 2000
Few writers' unfinished works are considered among their most important, but such is the case with Merleau-Ponty's The Visible and the Invisible. What exists of it is a mere beginning, yet it bridged modernism and postmodernism in philosophy. Low uses material from some of Merleau-Ponty's later works as the basis for completion. Working from this material and the philosopher's own outline, Low presents how this important work would have looked had Merleau-Ponty lived to complete it.
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front cover of Three Nigerian Emirates
Three Nigerian Emirates
A Study in Oral History
Victor N. Low
Northwestern University Press, 1972
Three Nigerian Emirates: A Study in Oral History is a widely held study on a scarcely examined region of Nigeria. Victor N. Low presents a detailed account of the leaders, people, and culture of the Hadejia, Katagum, and Gombe regions documented in a transcribed oral history. This work presents a valuable portrait of societies where the tradition of memory and oral history are the only means of remembering the past.
 
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Lessons and Legacies XII
New Directions in Holocaust Research and Education
Wendy Lower
Northwestern University Press, 2017
Lessons and Legacies XII explores new directions in research and teaching in the field of Holocaust studies. The essays in this volume present the most cutting-edge methods and topics shaping Holocaust studies today, from a variety of disciplines: forensics, environmental history, cultural studies, religious studies, labor history, film studies, history of medicine, sociology, pedagogy, and public history. This rich compendium reveals how far Holocaust studies have reached into cultural studies, perpetrator history, and comparative genocide history. Scholars, laypersons, teachers, and the myriad organizations devoted to Holocaust memorialization and education will find these essays useful and illuminating.
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The Sovereigns
A Jewish Family in the German Countryside
Eric Lucas
Northwestern University Press, 2001
This memoir is a moving testament to the power of family. The Lucas clan was a close-knit, successful family of rural German Jews—butchers and meat dealers—whose strength and pride was challenged by the rise of Nazism. As the family grew, so did its prosperity and power, and the sons, daughter, and their relatives became known as the Sovereigns.

But anti-Semites, under the protection of the Nazi regime, began to settle old scores, and targeted the economically successful rural Jews. New laws stripped Jewish meat dealers of their rights, and Aryan competitors eagerly forced them aside. That was only the beginning. In the Holocaust that followed, some members of the family escaped. Others did not.
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Tarell Alvin McCraney
Theater, Performance, and Collaboration
Sharrell D. Luckett
Northwestern University Press, 2020
This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney, one of the most significant writers and theater-makers of the twenty-first century. Featuring essays, interviews, and commentaries by scholars and artists who span generations, geographies, and areas of interest, the volume examines McCraney’s theatrical imagination, his singular writerly voice, his incisive cultural critiques, his stylistic and formal creativity, and his distinct personal and professional trajectories.
 
Contributors consider McCraney’s innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses. In so doing, they expand and enrich the conversations on his much-celebrated and deeply resonant body of work, which includes the plays Choir Boy, Head of Passes, Ms. Blakk for President, The Breach, Wig Out!, and the critically acclaimed trilogy The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size, and Marcus; Or the Secret of Sweet, as well as the Oscar Award–winning film Moonlight, which was based on his play In Moonlight Black Boys Look Blue.
 
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Subjectivity and Lifeworld in Transcendental Phenomenology
Sebastian Luft
Northwestern University Press, 2011
Subjectivity and Lifeworld in Transcendental Phenomenology contributes to discussions about Edmund Husserl’s phenomenology in light of the ongoing publication of his manuscripts. It accounts for the historical origins and influence of the phenomenological project by articulating Husserl's relationship to authors who came before and after him. Finally, it argues for the viability of the phenomenological project as conceived by Husserl in his later years, showing that Husserlian phenomenology is not exhausted in its early, Cartesian perspective, which is indeed its weakest and most vulnerable perspective. Rather, Sebastian Luft convincingly argues, Husserlian phenomenology is a robust and philosophically necessary approach when considered from its late, hermeneutic perspective.

The key point Luft brings into focus is that Husserl's hermeneutic phenomenology is distinct from other hermeneutic philosophers', namely Ernst Cassirer, Martin Heidegger, and Hans-Georg Gadamer. Unlike them, Husserl's focus centers on the work subjects must do in order to uncover the prejudices that guide their unreflective relationship to the world. Luft also demonstrates that there is a deep consistency within Husserl's own writings—from early to late—around the guiding themes of the natural attitude, the need and function of the epoché, and the split between egos, where the transcendental self (distinct from the natural self) is seen as the fundamental ability we all have to inquire into the genesis of our tradition-laden attitudes toward the world.
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Know It by Heart
Karl Luntta
Northwestern University Press, 2003

When a racially mixed family moves into an all-white neighborhood in East Hartford, Connecticut, in 1961, lives are altered forever. Karl Luntta's Know It by Heart follows the adventures of young Dub Teed, his sister Susan and neighbor Doug Hammer, who befriend newly arrived Ricky Dubois, the daughter of an African-American woman and her white husband. When a burning cross flares in the night—and worse—the young adolescents set out to find justice and discover themselves in the process.

Despite the book's serious anti-racist theme, Know It by Heart is filled with humor reminiscent of Mark Twain. In this suspenseful novel, Karl Luntta brilliantly captures the world of the young adolescent in his characters and dialogue and in the innate comedy and awkwardness of that age. This is a book that will appeal to parents and teenagers alike.

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The Bitter Smell of Almonds
Arnost Lustig
Northwestern University Press, 2001
For the first time, Arnošt Lustig's short story collections Street of Lost Brothers and Indecent Dreams and his novel Dita Saxova are brought together in an omnibus edition. As with all of Lustig's works, these tales reverberate with themes of loss and contradiction, with the torments of suffering and survival. In The Bitter Smell of Almonds, Lustig asks questions as old and as universal as humankind's search for the meaning of existence; and his characters, often juxtaposed against people or situations they cannot comprehend, attempt to come to terms with the unthinkable and with life itself.
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Dita Saxova
Arnost Lustig
Northwestern University Press, 1993
Dita Saxova is an eighteen-year-old concentration camp survivor trying to start a new life in postwar Prague. Living in a special hostel for orphans from the camps, too old to be cared for parentally, too young to be fully adult, too soaked in reality to harbor many illusions, Dita struggles to reconcile struggles to reconcile her unfathomable past with her enigmatic future. First published in Czech in 1962, then in English in 1979, Dita Saxova confirms Arnost Lustig's place as one of the masterful storytellers of the Holocaust period.
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The Unloved
From the Diary of Perla S.
Arnost Lustig
Northwestern University Press, 1996
Winner of the National Jewish Book Award for Fiction

Perla S. is a beautiful seventeen-year-old girl who, while interred in the Theresienstadt concentration camp, becomes a prostitute. Capturing Perla's voice through a series of diary entries, Arnost Lustig shows how she maintains her integrity, honesty, and hope amidst lies and horror. This first paperback edition has been extensively revised and expanded by the author.
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Fire on Water
Porgess and The Abyss
Arnost Lustig
Northwestern University Press, 2005
Contemplations of survival by one of the leading Czech writers of the twentieth century

It occurred to me why I was able to forgive the Italians, but never the Germans. Was it because the Italians never slept on mattresses stuffed with the hair of Luster Leibling or Weltfeind Flusser?

In this pair of short novels, Arnošt Lustig continues his lifelong project of creating a universe-at once concrete and dreamlike-to examine the horrors of the Holocaust and the impossible burden of living as a survivor.
The Abyss is the fragmented memories of David Wiesenthal, aged twenty, tortured by what he has witnessed and by the knowledge that luck-not skill, not courage, certainly not goodness-separated the survivors from the doomed. He seeks solace remembering the women he's loved or desired, even the one who represents his death.
In Porgess, the narrator recounts the life of the title character, "the most handsome boy in Jewish Prague" who was paralyzed on the last day of World War II. The two discuss their mutual fascinations-women, jazz, the significance of numbers-in sometimes bitter, sometimes sardonic voices, but always with the specters of the dead and the guilt of survival close at hand.
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The House of Returned Echoes
Arnost Lustig
Northwestern University Press, 2001
Arnošt Lustig's fiction has always been too close to the facts for comfort. In The House of Returned Echoes, he pays tribute to the life of his father, who died in Auschwitz in 1944. In Prague in the difficult time between the wars, a man fights to keep his family and his business alive despite anti-Semitism and economic hardship. Emil Ludvig has always relied on the simple rules of his family and the basic laws of civilization to counteract his misfortunes, and being a decent man himself, he refuses to believe that the Nazi threats will be carried out. Yet, he also becomes a victim of the camps, and his story resonates with both Lustig's personal experiences and the shared memories of the Holocaust.
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Children of the Holocaust
Arnost Lustig
Northwestern University Press, 1995
Children of the Holocaust is a landmark of Holocaust literature and among the finest works produced since World War II. These profoundly moving stories transcend the gruesome realities of the camps; their strength is that of the human spirit, the individual's ability to achieve moral triumph through action. This volume contains sixteen short stories and the novel Darkness Casts No Shadow.
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Tragedy and the Return of the Dead
John D Lyons
Northwestern University Press, 2018

Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements.

Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.”

Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.

 
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Call Me Henri
Lorraine López
Northwestern University Press, 2006
Enrique, a young boy at the heart of Lorraine López's novel, faces abuse at home and danger on the barrio streets. Yet he is driven to succeed by the desire to join that "other America" he sees on TV and in the movies, and is aided in his quest by compassionate teachers. His ambition finds expression in his determination to drop his ESL class in favor of taking French, and his story begins, Call me Henri.

Lorraine López (author of Soy la Avon Lady and Other Stories) has created a vivid picture of barrio life, filled with honesty, insight, and humor for young adults. She paints a balanced and detailed landscape of Enrique's world. Although Enrique is confused and angered by his mother's refusal to stand up for him against the abuse of his stepfather, he also draws strength from the supportive and loving family of his friend Francisco. While some of his teachers are uncaring or inept, others provide help and encouragement at critical moments in his life.

When Enrique witnesses his friend Horacio gunned down in a drive-by shooting and is seen by the assailants, gang members set out to kill him. As the novel reaches its climax, Enrique must make some agonizing decisions.

Although specifically about barrio life, this novel is universal in its themes—the drive for success, the desire for love and family support, and the need for true friendship. López's fully delineated characters provide a rich and credible mural of our human comedy.

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