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Nabokov and Indeterminacy
The Case of The Real Life of Sebastian Knight
Priscilla Meyer
Northwestern University Press, 2018

In Nabokov and Indeterminacy, Priscilla Meyer shows how Vladimir Nabokov’s early novel The Real Life of Sebastian Knight illuminates his later work. Meyer first focuses on Sebastian Knight, exploring how Nabokov associates his characters with systems of subtextual references to Russian, British, and American literary and philosophical works. She then turns to Lolita and Pale Fire, applying these insights to show that these later novels clearly differentiate the characters through subtextual references, and that Sebastian Knight’s construction models that of Pale Fire.

Meyer argues that the dialogue Nabokov constructs among subtexts explores his central concern: the continued existence of the spirit beyond bodily death. She suggests that because Nabokov’s art was a quest for an unattainable knowledge of the otherworldly, knowledge which can never be conclusive, Nabokov’s novels are never closed in plot, theme, or resolution—they take as their hidden theme the unfinalizability that Bakhtin says characterizes all novels.

The conclusions of Nabokov's novels demand a rereading, and each rereading yields a different novel. The reader can never get back to the same beginning, never attain a conclusion, and instead becomes an adept of Nabokov’s quest. Meyer emphasizes that, unlike much postmodern fiction, the contradictions created by Nabokov’s multiple paths do not imply that existence is constructed arbitrarily of pre-existing fragments, but rather that these fragments lead to an ever-deepening approach to the unknowable.

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Nabokov Upside Down
Edited by Brian Boyd and Marijeta Bozovic
Northwestern University Press, 2017

Nabokov Upside Down brings together essays that explicitly diverge from conventional topics and points of reference when interpreting a writer whose influence on contemporary literature is unrivaled. Scholars from around the world here read Nabokov in terms of bodies rather than minds, belly-laughs rather than erudite wit, servants rather than master-artists, or Asian rather than Western perspectives. The first part of the volume is dedicated to surveys of Nabokov’s oeuvre that transform some long-held assumptions concerning the nature of and significance of his work.

Often thought of as among the most cerebral of artists, Nabokov comes across in these essays as profoundly aware of the physical world, as evidenced by his masterly representation of physical movement, his bawdy humor, and his attention to gustatory pleasure, among other aspects of his writing. The volume’s second half focuses on individual works or phases in Nabokov’s career, noting connections among them as well as to other fields of inquiry beyond literature. Engaged in conversation with each other and, in his editorial comments, with Brian Boyd, the essays in this volume show Nabokov scholarship continuing to renew itself.

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Nabokov's Canon
From "Onegin" to "Ada"
Marijeta Bozovic
Northwestern University Press, 2016
Nabokov's translation of Pushkin's Eugene Onegin (1964) and its accompanying Commentary, along with Ada, or Ardor (1969), his densely allusive late English language novel, have appeared nearly inscrutable to many interpreters of his work. If not outright failures, they are often considered relatively unsuccessful curiosities. In Bozovic's insightful study, these key texts reveal Nabokov's ambitions to reimagine a canon of nineteenth- and twentieth-century Western masterpieces with Russian literature as a central, rather than marginal, strain. Nabokov's scholarly work, translations, and lectures on literature bear resemblance to New Critical canon reformations; however, Nabokov's canon is pointedly translingual and transnational and serves to legitimize his own literary practice. The new angles and theoretical framework offered by Nabokov's Canon help us to understand why Nabokov's provocative monuments remain powerful source texts for several generations of diverse international writers, as well as richly productive material for visual, cinematic, musical, and other artistic adaptations.
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Nabokov's "Invitation to a Beheading"
A Critical Companion
Julian Connolly
Northwestern University Press, 1997
Julian W. Connolly's companion to Vladimir Nabokov's Invitation to a Beheading includes a general introduction discussing the work in the context of Nabokov's oeuvre as well as its place within the Russian literary tradition. Also included are primary sources and other background materials, as well as discussions of the work by leading scholars and an annotated bibliography. Combining the highest order of scholarship with accessibility, this critical companion illuminates a great work of literature, and will enhance is appreciation by both teachers and students.
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Narratives Unsettled
Digression in Robert Walser, Thomas Bernhard, and Adalbert Stifter
Samuel Frederick
Northwestern University Press, 2012
In Narratives Unsettled, Samuel Frederick proposes a new conception of narrativity that can accommodate unwieldy forms of digression. By way of close readings of three German-language writers from different historical periods, Frederick demonstrates that digression, far from being a non- or anti-narrative interruption, contributes to what makes these writers' works fundamentally narrative. In the process, the author counters several foundational assumptions of classical narratology, including the conviction—rooted in Aristotle—that narrative without plot is logically impossible, and that anything deviating from narrative's teleological imperative is either destructive or insignificant.

Frederick's readings of the narrative experiments, utopian moments, and obsessions with the trivial in works by Walser, Bernhard, and Stifter point to new ways of approaching the ostensibly antinarrative as a productive element of narrativity. As a work that explores the often neglected crossroads of German studies and postclassical narratology, Narratives Unsettled will be of great interest to scholars in both of these fields, as well as to those working on literature and theory in general.
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The Narrows
A Novel
Ann Petry, introduction by Keith Clark
Northwestern University Press, 2017
Link Williams is a handsome and brilliant Dartmouth graduate who tends bar due to the lack of better opportunities for an African American man in a staid mid-century Connecticut town. The routine of Link’s life is interrupted when he intervenes to save a woman from a late-night attack. Drinking in a bar together after the incident, “Camilo” discovers that her rescuer is African American and he learns that she is white. Unbeknownst to him, “Camilo” (actually Camilla Treadway Sheffield) is a wealthy married woman who has crossed the town’s racial divide to relieve the tedium of her life. Thus brought together by chance, Link and Camilla draw each other into furtive encounters that violate the rigid and uncompromising social codes of their own town and times.
 
As The Narrows sweeps ahead to its shattering denouement, Petry shines a harsh yet richly truthful light on the deforming harm that race and class wreak on human lives. In a fascinating introduction to this new edition, Keith Clark discusses the prescience with which Petry chronicled the ways tabloid journalism, smug elitism, and mob mentality distort and demonize African American men.
 
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Nathanael West
An Interpretive Study
James F. Light
Northwestern University Press, 1971
This study of the novels of Nathanael West begins with the important threads of West’s life and their relationship to his works. James F. Light gives a detailed analysis of each of West's novels, investigating in particular the works' treatment of social criticism and manipulation of dream and symbol.
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Nation and World, Church and God
The Legacy of Garry Wills
Edited by Kenneth L. Vaux and Melanie Baffes
Northwestern University Press, 2014

Garry Wills is the polymathic public intellectual bemoaned as missing from American letters. A professor emeritus at Northwestern University, he has built upon his early studies in classics and patristics, while bringing his considerable intellect to bear on American culture, politics, and religion, notably through provocative articles and books on wars, past and present presidents, and the Catholic Church Wills has distinguished himself in the crowded field of Civil War history; fearlessly taken on the legacies of Richard Nixon and Ronald Reagan, among other presidents; and offered a critical voice in many fraught ethical discussions, especially in the areas of war and peace.

Nation and World, Church and God gathers original critical reflections by leading writers and scholars on Garry Wills’s life work. Organized around the themes of “Classics,” “Civil War,” “War and Peace,” and “Theology, Church, and the Arts,” the book reflects the cultural acumen, fine-grained political analysis, ethical candor, and theological wisdom of one of America’s most prolific writers.

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Nation-Building in Kenya
John W. Harbeson
Northwestern University Press, 1973

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Natural Shocks
Richard Stern
Northwestern University Press, 2004
Written by one of America's finest contemporary novelists, Natural Shocks is a witty, wonderfully intelligent novel about a successful journalist who suddenly finds himself jolted by the "natural shocks" of his private life. A new foreword by James Schiffer relates the novel to our time and describes the mastery which in 1985 won Stern the Medal of Merit for the Novel given by the American Academy of Arts and Letters.

One reader writes, "I read Natural Shocks as a student, and this novel has stayed with me over the years. I recall the poignant pain-pleasure I experienced in reading of the approaching death of an 18-year old woman from melanoma, and the protagonist's unaccountable love and grief...rereading the novel, I am better able to place this moment within the book's deeper themes about writing, responsibility, accountability, betrayal, and love."
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The Natural World as a Philosophical Problem
Jan Patocka, edited by Ivan Chvatík and Lubica Ucnik, translated by Erika Abrams, foreword by Ludwig Landgrebe
Northwestern University Press, 2016
The first text to critically discuss Edmund Husserl’s concept of the "life-world," The Natural World as a Philosophical Problem reflects Jan Patocka's youthful conversations with the founder of phenomenology and two of his closest disciples, Eugen Fink and Ludwig Landgrebe. Now available in English for the first time, this translation includes an introduction by Landgrebe and two self-critical afterwords added by Patocka in the 1970s. Unique in its extremely broad range of references, the work addresses the views of Russell, Wittgenstein, and Carnap alongside Husserl and Heidegger, in a spirit that considerably broadens the understanding of phenomenology in relation to other twentieth-century trends in philosophy. Even eighty years after first appearing, it is of great value as a general introduction to philosophy, and it is essential reading for students of the history of phenomenology as well as for those desiring a full understanding of Patocka’s contribution to contemporary thought.

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Nature
Course Notes from the College de France
Maurice Merleau-Ponty
Northwestern University Press, 2000
Collected here are the written traces of courses on the concept of nature given by Maurice Merleau-Ponty at the Collège de France in the 1950s-notes that provide a window on the thinking of one of the most influential philosophers of the twentieth century. In two courses distilled by a student and in a third composed of Merleau-Ponty's own notes, the ideas that animated the philosopher's lectures and that informed his later publications emerge in an early, fluid form in the process of being elaborated, negotiated, critiqued, and reconsidered.

Merleau-Ponty's project in these courses is an interrogation of nature, a task at the center of his investigation of perception, truth, and subjectivity. The first course, a survey of the historical elements in our concept of nature, examines first the Cartesian concept of nature and then historical and contemporary responses to Descartes, all with an eye toward developing a vision of nature more consistent with the findings of contemporary science.

In the second course, Merleau-Ponty takes up the problem of the relation of nature to ontology in general. Here, the key question is how the animal finds itself in its world. Because the human body is ultimately "an animal of movements and perceptions," humanity is intertwined with animality.

In the third course, "Nature and Logos: The Human Body," Merleau-Ponty assesses his previous findings and examines the emergence of the human body at the intersection of nature and Logos. This course, contemporaneous with the working notes for <i>The Visible and the Invisible<i>, allows us to observe the evolution of that work as well as to revisit the research he had begun in <i>Primacy of Perception</i>.

In these traces: a new reading of Descartes; a measured appreciation of Schelling; an assessment of recent developments in the sciences (both physical and biological) that leads to the notion of the body as a "system of equivalencies"; and an examination of the phenomenon of life. We have a wealth of material that allows us to reconsider Merleau-Ponty's thinking and to engage his philosophical project anew.

Before his death in 1961, Maurice Merleau-Ponty was chair in philosophy at the Collège de France.

Robert Vallier is completing his doctoral work on Merleau-Ponty and Schelling at DePaul University. He has also taught at the Universite de Paris-X (Nanterre) and at the College Internationale de Philosophie.
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The Nature of Trauma in American Novels
Michelle Balaev
Northwestern University Press, 2012

In The Nature of Trauma in the American Novel, Michelle Balaev undertakes an ambitious rethinking of the foundations, implementations, and new possibilities of literary trauma theory.

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The Nature of Truth
Sergio Troncoso
Northwestern University Press, 2003
This convention-challenging suspense novel represents the next wave of Latino literature, eschewing the stereotypical story of poverty in the barrios or discrimination to explore the differences--and links--between righteousness and evil in the search for moral truth.

Helmut Sanchez is a young researcher in the employ of the renowned scholar Werner Hopfgartner. By chance Sanchez discovers a letter written in the 1950s by Hopfgartner mocking feelings of guilt over the Holocaust. Appalled, he digs into the scholar's life, determined to find the truth and finally uncovering the evidence of Hopfgartner's sordid past. Sure of his conclusions, Helmut decides that only one shocking act is morally correct. When he does, the consequences are immense, and the toll taken on his mind and conscience is amplified when one of his friends is wrongly accused of the crime-and is wrongly left to pay for it.

Intelligent and literate, The Nature of Truth breaks new ground in Latino literature, focusing on how a contemporary man of unique heritage--a Mexican-German who has come to America by way of Germany--navigates a complex moral universe and how his journey reflects the tension between justice and righteousness in American life.

Further information about the author can be found at his web site: <A HREF="http://sergiotroncoso.com">http://sergiotroncoso.com.</A>
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Navel of the Moon
A Novel
Mary Helen Lagasse
Northwestern University Press, 2015

A freelance writer and journalist, Vicenta (“Vicky”) Lumière has moved beyond her upbringing in the diverse Irish Chan­nel neighborhood of New Orleans. But a visit to her childhood friend Lonnie Cavanaugh in the Louisiana Correctional Institute for Women brings back a flood of memories.In Navel of the Moon, the follow-up to her acclaimed debut The Fifth Sun, Mary Helen Lagasse turns to the 1950s and 60s, where a young Vicky learns that the complicated people that we become as adults and the complicated world that adults create are shaped by events in childhood. The adults around her, beginning with her Mexican grandmother, Mimy, the family storyteller—who says she is from the “navel of the moon”—often confound and sometimes trouble Vicky. Yet Vicky’s strength of character is pro­foundly affected by the complexity of life, and in particular that of her troubled childhood friend Lonnie and of Valentina Dreyfus, the Holocaust survivor who becomes Vicky's closest confidante.

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Navigator of the Flood
Mario Brelich
Northwestern University Press, 1991
Mario Brelich, a Hungarian author writing in Italian, was a superb ironist. In his three novels, of which this is the first, he explored central episodes of the Old and New Testaments with unsparing wit and intelligence. In Navigator of the Flood, Brelich's Noah is a man laboring under a burden of responsibility by a Lord who appears from time to time to "correct"--at man's expense--His own foreknowledge and omniscience. If Noah finds God's commands at times cruel or incomprehensible, if he still sees beauty in a life now under threat of extinction, and wonders why he and his family should be chosen to survive while all others are condemned to perish, he remains the dutiful and upright patriarch who submits to the role assigned to him.
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The Necessary Past
Revising History in Contemporary African American Poetry
Annette Debo
Northwestern University Press, 2024
Uncovering how poetry refigures Black history to imagine a more just present and future
 
“Poets are lyric historians,” proclaimed Langston Hughes. Today, historical poetry offers a lyric history necessary to our current moment—poetry with the power to correct the past, realign the present, and create a more hopeful, or even hoped-for, future. The Necessary Past: Revising History in Contemporary African American Poetry focuses on six of today’s most celebrated poets: Elizabeth Alexander, Natasha Trethewey, A. Van Jordan, Kevin Young, Frank X Walker, and Camille T. Dungy. Their works reimagine the interiority of Black historical figures like the so-called Venus Hottentot Sara Baartman and the would-be spelling champion MacNolia Cox, the African American Native Guard who fought in the Civil War and the unknown victims of domestic violence, Jack Johnson and Jean-Michel Basquiat, Medgar Evers and those freed and enslaved in the early nineteenth century. These poets shift the power dynamic in revising our shared history, reconfiguring who speaks and whose stories are told, and writing a past that frees readers to change the present and envision a more just future.
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neckbone
visual verses
avery r. young; foreword by Theaster Gates
Northwestern University Press, 2019
The “blk alter” of Avery R. Young’s poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young’s years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture’s beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young’s neckbone extends tentacles in literature, art, and activism--redefining the collective and the sermon of the “blk” experience.  
 
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The Necropolitical Theater
Race and Immigration on the Contemporary Spanish Stage
Jeffrey K. Coleman
Northwestern University Press, 2020
The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color
Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance.
 
Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
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Negative Life
The Cinema of Extinction
Steven Swarbrick and Jean-Thomas Tremblay
Northwestern University Press, 2024

How films help us understand the inevitable death of Earth and humanity

Offering a bracing theoretical corrective to ecocriticism’s emphasis on pedagogies of care and interconnection, Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around a concept inherent to yet critical of life: negative life, a sundering of the connections between human and nonhuman relations. Engaging questions and challenges such as the nothingness of existentialism, the aversive side of sex, and the immanent exception of the drive in psychoanalysis, coauthors Steven Swarbrick and Jean-Thomas Tremblay not only counter ecocritical pieties but cut a new path for theory. They engage a unique corpus of films and philosophies that reject the pastoralism of “entanglement” or “enmeshment,” which have functioned as an ethical and aesthetic alibi for extinction. Negative Life examines films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Matai, and Paul Schrader, which exemplify the existential contradictions that have intensified amid the sixth mass extinction; meanwhile, a set of interludes on ecohorror supplement this focus on negative life and the philosophers and theorists who express it. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the titles that compose the titular cinema of extinction reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.

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The Nether
A Play
Jennifer Haley
Northwestern University Press, 2015

The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an online investigator, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on slippery ethical ground. Sims argues for the freedom to explore even the most deviant corners of our imagination. Morris holds that we cannot flesh out our malign fantasies without consequence. Their clash of wills leads to a consequence neither could have imagined. Suspenseful, ingeniously constructed, and fiercely intelligent, Haley’s play forces us to confront deeply disturbing questions about the boundaries of reality.

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The New Century
Poems
Ewa Lipska, translated from the Polisyh by Robin Davidson and Ewa Nowakowska
Northwestern University Press, 2009

Since the publication of her first book in 1967, Ewa Lipska has been among the most acclaimed of contemporary Polish poets. Yet, to date she has not enjoyed the same popularity in the United States as her fellow Poles Wislawa Szymborska, Czeslaw Milosz, and her contemporary Adam Zagajewski. The New Century: Poems, a selection of her recent work, introduces to an American audience the work of an underappreciated master.

Although Lipska’s work displays an acute awareness of history and politics, she’s nonetheless most concerned with individual experience and the most difficult philosophical questions of evil. Lipska is capable of being awed by beauty despite the deep pessimism that flows through her poems, including the failure of language itself to have any ameliorative effect on human experience.

Surreal, skeptical, and laced with wit, Lipska’s poetry, like that of Milosz and Szymborska, seems to effortlessly achieve a kind of hard-won and gracefully wielded authority that tells us something essential about the legacies of the twentieth century’s horrors.

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New Critical Essays
Roland Barthes
Northwestern University Press, 2009
New Critical gathers Roland Barthes's essays on classic texts of French literature, works by La Rochefoucauld, Chateaubriand, Proust, Flaubert, Fromentin, and Lori. Like an artist sketching, Barthes in these essays is working out the more fascinating details of his larger theories.
 
In the innocuously names "Proust and Names" and "Flaubert and Sentences," Barthes explores the relation of the author to writing that begins his transition to his later thought. In his studies of La Rochefoucauld's maxims and the illustrative plates of the Encyclopedia, Barthes reveals new vistas on common cultural artifacts, while "Where to Begin?" offers a glimpse into his own analytical processes. The concluding essays on Fromentin and Loti show the breadth of Barthes's inquiry. As a whole, the essays demonstrate both the acuity and freshness of Barthes's critical mind and the gracefulness of his own use of language.   
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New Digital Worlds
Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy
Roopika Risam
Northwestern University Press, 2019
The emergence of digital humanities has been heralded for its commitment to openness, access, and the democratizing of knowledge, but it raises a number of questions about omissions with respect to race, gender, sexuality, disability, and nation. Postcolonial digital humanities is one approach to uncovering and remedying inequalities in digital knowledge production, which is implicated in an information-age politics of knowledge. 

New Digital Worlds traces the formation of postcolonial studies and digital humanities as fields, identifying how they can intervene in knowledge production in the digital age. Roopika Risam examines the role of colonial violence in the development of digital archives and the possibilities of postcolonial digital archives for resisting this violence. Offering a reading of the colonialist dimensions of global organizations for digital humanities research, she explores efforts to decenter these institutions by emphasizing the local practices that subtend global formations and pedagogical approaches that support this decentering. Last, Risam attends to human futures in new digital worlds, evaluating both how algorithms and natural language processing software used in digital humanities projects produce universalist notions of the "human" and also how to resist this phenomenon. 
 
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New Essays on Fichte's Later Jena Wissenschaftslehre
Daniel Breazeale and Tom Rockmore
Northwestern University Press, 2002
The philosophical thought of J. G. Fichte, particularly his later work, is at the very center of the paradigm shift under way in the field of German idealism. Crucial to this reassessment is Fichte's Wissenschaftslehre nova methodo of 1796 to 1799, the manuscript at the heart of this essay colleciton and an articulation of the philosopher's Wissenschaftslehre, or overall system of philosophy, which he discussed in lectures at the University of Jena. Coherent, comprehensive, and edited by two of the foremost Fichte scholars in the world, the essays provide a much needed introduction to the major themes of the most important period of Fichte's philosophical thought—and thus to German idealism itself—and make a persuasive case for the originality and continuing significance of the later Jena Wissenschaftslehre.
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New Glory
A Novel
Günter de Bruyn
Northwestern University Press, 2009

At the time New Glory (Neue Herrlichkeit) was published in 1984, most dissident authors had fled the German Democratic Republic, then in its final years. Günter de Bruyn courageously remained to satirize the regime from behind the Iron Curtain. He is a popular writer and cultural commentator in unified Germany.

New Glory tells the story of Viktor Kösling, a privileged young man from the GDR about to embark on a diplomatic career. He retreats to "New Glory," a state-run resort in rural Brandenburg run by a corrupt director, to finish his dissertation on "The Foreign Policy of the Prussian Government During the French Revolution with Particular Emphasis on the Effects of Artisan and Peasant Unrest in the Provinces." While there he falls, against his parents’ wishes, for the lisping chambermaid, Thilde. The complex drama that follows, which pays tribute to Mann’s The Magic Mountain and its ironic view of human nature, exposes the moral weakness of Viktor’s character and the farcical distance between official East German ideals and the opportunistic functionaries who enabled the system.

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The New Hegemony in Literary Studies
Contradictions in Theory
Tony Hilfer
Northwestern University Press, 2003
In a trenchant critique of the full range of theoretical discourses that have come into favor in literary studies since the 1960s, Tony Hilfer demonstrates that none of the practitioners of these forms of criticism subject their own claims to the kind of suspicious scrutiny that they devote to their own objects of study. Assimilating the critiques that have been made of almost all of the major recent modes of criticism-Marxism, feminism, deconstruction, New Historicism, Foucaultian-Hilfer brings them acutely to bear on his central argument: that these methods systematically fail to live up to their own methodological scruples.

The problem Hilfer identifies is one of logical consistency, but also of moral and psychological implications, and it can be found operating across the whole spectrum of literary Theory. It is, however, as this book makes blindingly clear, not immune from scrutiny. With quiet erudition and consistent incisiveness, Hilfer shows how the various methods, while ostensibly at odds, actually fit together, all sharing the same peculiar structure and logic, and all wearing an identical set of ideological blinders. He offers examples of theorists-and assumptions-hard at work on particular texts, and again and again (often letting these theorists refute themselves) pinpoints the blindspots that have become endemic in the practice of Theory.

Written with great care and a deep commitment to the value and integrity of literary criticism and theory, this tonic work stands as a corrective to the misuse of theory, and a bracing reminder of how a critical approach works when it is well and judiciously applied.
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New Perspectives on the Black Intellectual Tradition
Edited by Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer
Northwestern University Press, 2018
From well-known intellectuals such as Frederick Douglass and Nella Larsen to often-obscured thinkers such as Amina Baraka and Bernardo Ruiz Suárez, black theorists across the globe have engaged in sustained efforts to create insurgent and resilient forms of thought. New Perspectives on the Black Intellectual Tradition is a collection of twelve essays that explores these and other theorists and their contributions to diverse strains of political, social, and cultural thought. 

The book examines four central themes within the black intellectual tradition: black internationalism, religion and spirituality, racial politics and struggles for social justice, and black radicalism. The essays identify the emergence of black thought within multiple communities internationally, analyze how black thinkers shaped and were shaped by the historical moment in which they lived, interrogate the ways in which activists and intellectuals connected their theoretical frameworks across time and space, and assess how these strains of thought bolstered black consciousness and resistance worldwide. 

Defying traditional temporal and geographical boundaries, New Perspectives on the Black Intellectual Tradition illuminates the origins of and conduits for black ideas, redefines the relationship between black thought and social action, and challenges long-held assumptions about black perspectives on religion, race, and radicalism. The intellectuals profiled in the volume reshape and redefine the contours and boundaries of black thought, further illuminating the depth and diversity of the black intellectual tradition.
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New Poems
A Bilingual Edition
Rainer Maria Rilke
Northwestern University Press, 1998
New Poems (1907–1908) represented a departure for Rilke from the traditional German lyric poetry of which he was then considered a master. Apparent in the poems is the influence of Rodin--for whom Rilke had worked—as well as other visual artists, including Hokusai, Cezanne, Van Gogh, and Picasso. Rilke forced language to extremes of subtlety and refinement that only now, in Stephen Cohn's translations, is being captured properly in English.
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New Short Fiction from Cuba
Jacqueline Loss and Esther Whitfield
Northwestern University Press, 2007
With the disintegration of the Soviet bloc, the ongoing uncertainty surrounding Cuba’s political future, the onslaught of tourists, and the economic upheavals in their society, Cubans face an important, perhaps epochal, moment of cultural change.  It is a moment amply and complexly reflected in the fiction collected here, twelve short stories written in Cuba during the past ten years and published in English for the first time with the collaboration of some of today’s finest translators.

An eclectic selection, the stories offer an exhilarating sense of a rich literary diversity and cultural history, an experience of Cuban literature that has rarely been available to an English audience.  They differ widely, even wildly, in style and theme:  from an impromptu encounter with Ernest Hemingway to an imagined romance mapped onto Cuba’s foundational nineteenth-century novel; from a witty, Borgesian satire on bureaucracy and officialist identity to a gothic adventure in homosexual voyeurism and mental illness; from an allegorical travelogue set in repressive China to a semi-surreal celebration of angels in Havana.  These are the voices of Cuban fiction today, reflecting the past, anticipating the future, and composing in their infinite variety the stories of their culture.
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The New Woman
Literary Modernism, Queer Theory, and the Trans Feminine Allegory
Emma Heaney
Northwestern University Press, 2017
The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the use of the trans feminine as an allegorical figure, from the practice's origins in nineteenth-century sexology through writings in the fields of psychoanalysis, Modernist fiction, and contemporary Queer Theory.
 
The book is the first to identify the process by which medical sources simplified the diversity of trans feminine experience into a single diagnostic narrative. It then demonstrates that this medical figure became an archetype for the "sexual anarchy" of the Modernist period in works by  Aldous Huxley, James Joyce, Djuna Barnes, T. S. Eliot, and Jean Genet.
 
Thus illuminating the trans feminine's Modernist provenance, the book examines foundational works of Queer Theory that resuscitated the trans feminine allegory at the end of the twentieth century. Insightful and seminal, The New Woman debunks the pervasive reflex beginning in the 1990s to connect trans experience to a late twentieth-century collapse of sexual differences by revealing the Modernist roots of that very formulation.
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A New Word on The Brothers Karamazov
Robert Louis Jackson
Northwestern University Press, 2004
V. S. Pritchett has written of Dostoevsky that he "is still the master [because] he moves forward with us as the sense of our danger changes." Nearly a century and a quarter have passed since Dostoevsky's last and greatest novel began to appear in installments in The Russian Herald. The essays in A New Word on "The Brothers Karamazov" show us that Dostoevsky does indeed continue to change with us, and that The Brothers Karamazov is very much a novel of our time.

Edited by the nation's most respected senior Dostoevsky scholar, this collection brings together original work by notable writers of varying backgrounds and interests. While drawing on Dostoevsky's other fiction, journalism, and correspondence, the writing of his contemporaries, the state of Russian culture to illuminate the unfolding novel--these essays also make use of new fields of scholarship, such as cognitive psychology, as well as recent theoretical approaches and critical insights. The authors propose readings remarkable for their attentiveness to detail, relatively peripheral characters, and heretofore overlooked incidents, passages, or fragments of dialogue. Some contributors suggest readings so new that they are subvert our usual modes of approaching this novel; all reflect the immediacy of adventuresome, informed encounters with Dostoevsky's final novel. Treating The Brothers Karamazov in terms of a broad range of genres (poetry, narrative, parody, confession, detective fiction) and discourses (medical, scientific, sexual, judicial, philosophical, and theological), these essays embody on a critical and analytic level a search for coherence, meaning, and harmony that continues to animate Dostoevsky's novel in our day.
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New World Maker
Radical Poetics, Black Internationalism, and the Translations of Langston Hughes
Ryan James Kernan, foreword by Robin D. G. Kelley
Northwestern University Press, 2022
In an ambitious reappraisal of Langston Hughes’s work and legacy, Ryan James Kernan reads Hughes’s political poetry in the context of his practice of translation to reveal an important meditation on diaspora. Drawing on heretofore unearthed archival evidence, Kernan shows how Hughes mined his engagements with the poetics of Louis Aragon, Nicolás Guillén, Regino Pedroso, Vladimir Mayakovsky, Federico García Lorca, and Léopold Sédar Senghor, as well as translations of his own poetry, to fashion a radical poetics that engaged Black left internationalist concerns. As he follows Hughes from Harlem to Havana, Moscow, Madrid, and finally to Dakar, Kernan reveals how the writer’s identity and aesthetic were translated within these leftist geographies and metropoles, by others but also collaboratively. As Kernan argues, we cannot know Hughes without knowing him in translation.
 
Through original research and close readings alert to the foreign prosody underlying Hughes’s work, New World Maker recuperates his political writing, which had been widely maligned by Cold War detractors and adherents of New Criticism, and affirms his place as a progenitor of African diasporic literature and within the pantheon of US modernists. Demonstrating the integral part translation played in Hughes’s creative process, this book challenges a number of common assumptions about this canonical thinker and offers important insights for scholars of African diasporic literature, comparative literature, and American, Caribbean, and translation studies.
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News from Tartary
A Journey from Peking to Kashmir
Peter Fleming
Northwestern University Press, 1999
Originally published in 1936, News from Tartary is the story of a journey from Peking through the mysterious province of Sinkiang, to India. Fleming tells the story in his inimitable manner, dismissing the difficulties with irony and describing events and developments with humor and brilliant color, and his account is a classic of travel writing as well as a brilliant description of a vanished time and way of life.
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Nietzsche and Dostoevsky
Philosophy, Morality, Tragedy
Edited by Jeff Love and Jeffrey Metzger
Northwestern University Press, 2016
After more than a century, the urgency with which the writing of Fyodor Dostoevsky and Friedrich Nietzsche speaks to us is undiminished. Nietzsche explicitly acknowledged Dostoevsky’s relevance to his work, noting its affinities as well as its points of opposition. Both of them are credited with laying much of the foundation for what came to be called existentialist thought. The essays in this volume bring a fresh perspective to a relationship that illuminates a great deal of twentieth-century intellectual history. Among the questions taken up by contributors are the possibility of morality in a godless world, the function of philosophy if reason is not the highest expression of our humanity, the nature of tragedy when performed for a bourgeois audience, and the justification of suffering if it is not divinely sanctioned. Above all, these essays remind us of the supreme value of the questioning itself that pervades the work of Dostoevsky and Nietzsche.
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Nietzsche and the Shadow of God
Didier Franck; Translated from the French by Bettina Bergo and Philippe Farah
Northwestern University Press, 2011
In Nietzsche and the Shadow of God (Nietzsche et l’ombre de Dieu), his study of Nietzsche’s integral philosophical corpus, Franck revisits the fundamental concepts of Nietzsche’s thought, from the death of God and the will to power, to the body as the seat of thinking and valuing, and finally to his conception of a post-Christian justice. The work engages Heidegger’s interpretation of Nietzsche’s destruction of the Platonic-Christian worldview, showing how Heidegger’s hermeneutic overlooked Nietzsche’s powerful confrontation with revelation and justice by working through the Christian body, as set forth in the Epistles of Saint Paul and reread both by Martin Luther and by German Idealism. Franck shows systematically how Nietzsche “transvalued” the metaphysical tenets of the Christian body of believers. In so doing, he provides an unparalleled demonstration of the coherence of Nietzsche’s project and the ways in which the revaluation of values, amor fati, and the trials of eternal recurrence reshape the living self toward a creative existence beyond original sin—indeed, beyond an ethics of “good” versus “evil.” 

Bergo and Farah’s clear translation introduces this work to an English-speaking audience for the first time.
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Night of Denial
Stories and Novellas
Ivan Bunin
Northwestern University Press, 2006
The first Russian to be awarded the Nobel Prize for literature, Ivan Bunin is often considered the last of the great Russian masters. Already renowned in Russia before the revolution, he fled the country in 1920 and lived the remainder of his life in France, where he continued to write for thirty years. Bunin made his name as a short-story writer with such masterpieces as "The Gentleman from San Francisco," the title piece in one of his collections and one of the stories in this volume. His last book of stories, Dark Avenues, was published in the 1940s. Among his longer works were a fictional autobiography, The Life of Arseniev (1930), and its sequel, Youth (1939), which were later collected into one volume, and two memoirs, The Accursed Days (1926), and Memories and Portraits (1950). He also wrote books on Tolstoy and Chekhov, both of whom he knew personally. Bunin, in fact, serves as a link-both personal and literary-between Tolstoy, whom he met as a young man, Chekhov, a close friend, and Vladimir Nabokov, who was influenced by Bunin early in his career and who moved in the same émigré literary circles in the twenties and thirties.

Bunin achieved his greatest mastery in the short story, and much of his finest work appears in this volume-the largest collection of his prose works ever published in English. In Robert Bowie's fine translation, with extensive annotations and a lengthy critical afterword, this work affords readers of English their first opportunity for a sustained encounter with a Russian classic, and one of the great writers of the twentieth century.
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The Night of the Hunter
A Biography of a Film
Jeffrey Couchman
Northwestern University Press, 2009

Reaching simultaneously into the realms of film and literature, this detailed exploration of The Night of the Hunter examines the genesis and the eclectic form of each work and the process of transformation by which the novel became a motion picture. It provides the first major study of the long-lost first-draft screenplay by James Agee and confronts a fifty-year controversy about the authorship of the film. This is a story of artistic convergence on many levels--of novelist and director, director and actor, and cinematic form and tastes. The novel, a 1953 debut from Davis Grubb, was a popular and critical success, remaining on the New York Times best-seller list for four months. Hollywood responded to its atmospheric lyricism, and in the hands of first time director Charles Laughton, the book became a film that is equal parts thriller, allegory, and fever dream, filled with slow, inexorable suspense. On the set, Laughton functioned both as an auteur and a collaborator to create his vision of the book, mixing cinematic flourishes both realistic and abstract in sometimes tense situations. The talents that clashed or came together along the road from book to movie make the final film a product of rich stylistic contradiction and rewarding complexity. Through biography, production history, and critical analysis of the novel and film, author Jeffrey Couchman makes the case that this initially overlooked cinematic gem is a prismatic work that continually reveals new aspects of itself.

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Night Roads
A Novel
Gaito Gazdanov
Northwestern University Press, 2009

Drawing together episodes of rich atmosphere, this novel is as deep and brooding as the Paris nights that serve as its backdrop. Russian writer Gaito Gazdanov arrived in Paris, as so many did, between the wars and would go on, with this fourth novel, to give readers a crisp rendering of a living city changing beneath its people’s feet. Night Roads is loosely based on the author’s experiences as a cab driver in those disorienting, often brutal years, and the narrator moves from episode to episode, holding court with many but sharing his mind with only a few. His companions are drawn straight out of the Parisian past: the legendary courtesan Jeanne Raldi, now in her later days, and an alcoholic philosopher who goes by the name of Plato. Along the way, the driver picks up other characters, such as the dull thinker who takes on the question of the meaning of life only to be driven insane. The dark humor of that young man’s failure against the narrator’s authentic, personal explorations of the same subject is captured in this first English translation. With his trademark émigré eye, Gazdanov pairs humor with cruelty, sharpening the bite of both.

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Night Vision
Poems
Kendel Hippolyte
Northwestern University Press, 2006
Because we see with history,
it is difficult to see through it. And yet we must
or we become it, become nothing else but history.

It is this challenge, laid down in the powerful title poem of this collection, which Kendel Hippolyte takes up in Night Vision. And the history that Hippolyte penetrates is a history of the change overtaking the island of St. Lucia. As town becomes city and city spreads like a cancer, the poet's searching verse finds among the waste of humanity, nature, and culture a microcosm of the transforming Caribbean-from tradition, community, rooted identity, to social fragmentation, isolation, uncertainty. And yet, in the personal, away from the daytime public glare, Night Vision also finds the possibility of renewal. Engaging society and self, the poet's dialogue is conducted in a range of poetic voices and styles-the traditional forms of sonnet, villanelle, triolet, echo poem, as well as dramatic monologues in Caribbean English idioms and rhythms of speech; poems written to the metrics of blues and rap alongside free verse poems that expand in long-breath incantatory lines and contract in miniaturist forms as concise as graffiti. The joyful linguistic energy of the poems is perhaps what makes them, and us, look beyond the glaring reality they contemplate to a more hopeful, if nighttime, vision.
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The Nigrescent Beyond
Mexico, the United States, and the Psychic Vanishing of Blackness
Ricardo A. Wilson II
Northwestern University Press, 2020
Despite New Spain’s significant participation in the early transatlantic slave trade, the collective imagination of the Mexican nation evolved in the nineteenth and twentieth centuries to understand itself as devoid of a black presence. In The Nigrescent Beyond, Ricardo Wilson proposes a framework for understanding this psychic vanishing of blackness and thinks through how it can be used both to productively unsettle contemporary multicultural and postracial discourses within the United States and to further the interrogations of being and blackness within the larger field of black studies.

Wilson models a practice of reading that honors the disruptive possibilities offered by an ever-present awareness of that which lies, irretrievable, beyond the horizon of vanishing itself. In doing so, he engages with historical accounts detailing maroon activities in early New Spain, contemporary coverage of the push to make legible Afro-Mexican identities, the electronic archives of the Obama presidency, and the work of Carlos de Sigüenza y Góngora, Octavio Paz, Ivan Van Sertima, Miguel Covarrubias, Steven Spielberg, and Colson Whitehead, among others.
 
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Nikola the Outlaw
Ivan Olbracht
Northwestern University Press, 2001
The invulnerable Nikola Suhaj lives a Robin Hood-like existence as he and his band rob travelers and rich Jewish merchants. Nikola seems invulnerable until a new police captain and a generous reward tempt his bandit cohorts into betraying him.

Ivan Olbracht's reputation as one of Czechoslovakia's most important authors stems from his works dealing with Ruthenia and the tensions between the two major ethnic groups of the region: the Ruthenians and the Jews. Weaving myth with realism, Nikola the Outlaw is considered Olbracht's masterpiece.
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Nikolai Klyuev
Time and Text, Place and Poet
Michael Makin
Northwestern University Press, 2010

Nikolai Klyuev is the first book in English to examine the life and work of this enigmatic poet. Klyuev (1884–1937) rose to prominence in the early twentieth century as the first of the so-called "new peasant poets" but later fell victim to Stalinist hostility to both his cultural ideology and his homosexuality. He was arrested and exiled in 1933, then shot in 1937.
 
Klyuev’s work incorporates rich elements of folklore, mysticism, politics, and religion, and he sometimes invokes arcane Russian syntax and vocabulary. Makin’s feat is particularly notable because Klyuev was often elusive in his own accounts of his life, and Makin successfully brings into focus the poet’s deliberate strategies of self-mythologization. Nikolai Klyuev is an indispensable guide to the life and the work of an important poet winning wider recognition outside of Russia.

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Nikolai Zabolotsky
Enigma and Cultural Paradigm
Sarah Pratt
Northwestern University Press, 2000
Sarah Pratt traces interwoven questions in the work of Nikolai Zabolotsky, a figure ranking just behind Pasternak, Mandelstram and Akhmatova in modern Russian poetry and the first major poet to come to light in the Soviet period. 
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Nine Fairy Tales
and One More Thrown in for Good Measure
Karl Capek
Northwestern University Press, 1996
Karel Čapek, author of the acclaimed War with the Newts, is one of the great Czechoslovak writers of the twentieth century. These fairy tales bear Čapek's combination of the fantastic and the satirical, offering fairies, elves, and talking animals alongside references to detectives, secret police agents, luxury automobiles, and Hollywood starlets. Filled with the delight of language, dazzling wordplay, a sense of absurdity about the so-called adult world, and a deeply humane vision, these witty stories will appeal to readers of all ages.
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The Ninth
A Novel
Ferenc Barnas
Northwestern University Press, 2009

Set in a sleepy village north of Budapest in 1968, this touching, unsettling novel paints a richly wrought portrait of mid-twentieth-century Hungary. The narrator is the ninth child of a family distinguished by its size, poverty, faith, and abundance of physical and psychological disabilities. His confusion is exacerbated by the strict, secretive Catholic household his parents keep in the face of a Communist system. These dual oppressions propel him toward an inevitable realization of his guilt and desire that speaks to his struggle with a fateful, seamless beauty.

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No Day without a Line
From Notebooks by Yury Olesha
Yury Olesha
Northwestern University Press, 1998
First published in 1965 and reprinted many times in the U.S.S.R. and Russia, No Day without a Line is a series of thematically assembled journal entries which together form an unusual and engaging personal memoir. Ranging from Olsesha's prerevolutionary childhood, to notable cultural figures, to Russian and Western literature, the entries are a fundamental piece of the legacy of a major Russian writer and an important contribution to the literature of autobiography and memoir.
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"No Legs, No Jokes, No Chance"
A History of the American Musical Theater
Sheldon Patinkin
Northwestern University Press, 2008
Written by one of American theater's most avid and knowledgeable proponents, "No Legs, No Jokes, No Chance" traces the American musical from its rich and varied beginnings in European opera, American minstrel shows, and vaudeville through its many permutations to its current state--from, as Sheldon Patinkin puts it, La Boheme to Rent. Minstrelsy, burlesque, revue, dance, and choreographers, the "texts" of musical theater so often overlooked by its historians, finally receive due consideration in this thorough and thoroughly entertaining book about how American musical theater came to be and developed into what it is today.

Patinkin writes about the infancy of the musical--the revues, operettas, and early musical comedies, as well as the groundbreaking shows like Oklahoma!, and Show Boat that brought the form to its "golden age" during World War II. With insightful references to how history, literature, theater, fashion, popular music, and movies influenced musical theater generally and certain shows in particular, he traces a direct lineage from older forms to contemporary musicals. The result is a broad, clear, and detailed picture of American musicals within both an aesthetic and a historical context. Patinkin conveys the pleasure of the ever-changing forms of musical theater even as he gives readers the analytical tools and terms to understand and better appreciate this uniquely American art. The book features a selection of black and white photographs from historical musical productions, and each chapter includes suggestions for materials to watch and listen to at home or in the classroom.
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No Love Without Poetry
The Memoirs of Marina Tsvetaeva's Daughter
Ariadna Efron
Northwestern University Press, 2009
Winner of the American Association of Teachers of Slavic and East European Languages 2011 Book Prize for Best Scholarly Translation in English

The memoirs of Ariadna Efron provide an intimate and indispensable perspective on the poet Marina Tsvetaeva’s life and work, told from the point of view of her daughter. This wrenching story about the difficulty of living with genius charts Efron’s relationship with her parents as they navigate art and exile.

Efron’s rapport with her mother, already intense, became strained under the hardships imposed by early twentieth century Russian political upheaval. Efron recounts the family’s travels from Moscow to Germany, to Czechoslovakia, and finally to France, where, against her mother’s advice, Efron decided to return to Russia. Diane Nemec Ignashev draws on Efron’s short stories and her mother’s notebooks to supplement the original memoirs. Haunting and poignant, No Love without Poetry completes extant historical records on Tsvetaeva—and showcases Efron as a literary force in her own right.
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No One Will See Me Cry
Cristina Rivera-Garza
Northwestern University Press, 2003

Winner of the Mexico National Novel Prize, Sor Juana Inés de la Cruz Prize, and IMPACT Prize

Joaquín Buitrago, a photographer in the Castaneda Insane Asylum, believes a patient is a prostitute he knew years earlier. His obsession in confirming Matilde's identity leads him to explore the clinics records, and her tragic history. Joaquín and Matilda begin to tell each other fragmented stories about a past they almost shared, and a future in which they do not believe. Set in 1920s Mexico, this novel is at once an overview of one of the most turbulent times in Mexican history, a love story, and a meditation on the ways in which medical and popular language define insanity. No One Will See Me Cry is a lyrical and startling visitation with the so-called losers of an era as they try to plumb the meaning of their lives. 

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Nobody Grew but the Business
On the Life and Work of William Gaddis
Joseph Tabbi
Northwestern University Press, 2015

Finalist, 2016 Society for Midland Authors Award for Biography & Memoir

During his lifetime, William Gaddis (1922–1998) evaded biographical questions, never read from his work publicly, and didn’t allow his photograph to appear on his books. Before his novel J R (1975) won Gaddis the National Book Award and some measure of renown, he had given up the bohemian world of 1950s Greenwich Village for a series of corporate jobs that both paid the bills and provided an inside view of the encroachment of market values into every corner of American culture.

By illustrating the interconnectedness of Gaddis’s life and work, Tabbi, among his foremost interpreters, demystifies the “difficult author” and shows a writer who was as attuned as any to the way Americans talk, and who sensitively chronicled the gradual commodification of artistic endeavor. Illuminating, heartbreaking, and masterful, Tabbi’s book gives us the most subtly drawn portrait to date of one of the twentieth century’s seminal novelists.

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Nocturne and Five Tales of Love and Death
Gabrielle D'Aunnunzio
Northwestern University Press, 1988
Nocturne and Five Tales of Love and Death is a book of prose by Gabrielle D’Annunzio translated from Italian to English by Raymond Rosenthal.
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The Noise of Time
Selected Prose
Osip Mandelstam
Northwestern University Press, 2002
Osip Mandelstam has in recent years come to be seen as a central figure in European modernism. Though known primarily as a poet, Mandelstam worked in many styles: autobiography, short story, travel writing, and polemic. Mandelstam's biographer, Clarence Brown, presents a collection of the poet's prose works that illuminates Mandelstam's far-ranging talent and places him within the canon of European modernism.

This volume includes Mandelstam's "The Noise of Time," a series of autobiographical sketches; "The Egyptian Stamp," a novella; "Fourth Prose;" and the famous travel memoirs "Theodosia" and "Journey to Armenia."
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North of Patagonia
Johnny Payne
Northwestern University Press, 2001
This darkly humorous fourth novel by Johnny Payne takes us from the blues clubs and boxing rings of Chicago to the world of Kentucky harness racing and the hedonism of South Beach. Its characters--among them the black elites of Chicago and the white working stiffs of Hooftown--live by their wits, able to outfox everyone but themselves, and all the time borne up by big hopes and big hearts.
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Northern Lights
Drago Jancar
Northwestern University Press, 2001
Josef Erdman arrives in Maribor, Slovenia, on the eve of World War II. Though he claims to be a salesman, it soon becomes apparent that Josef has no purpose in the town--and that a newcomer can expect nothing but distrust from the townspeople. Against this backdrop he witnesses the fiery shimmer of the aurora borealis and imagines the town set aflame--an omen of the coming war.
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Northwestern University
A History
Jay Pridmore
Northwestern University Press, 2012
Northwestern University: A History is a resplendent guide to the origins and development of this university. Writer and critic Jay Pridmore offers the definitive chronicle of Northwestern’s establishment—from its founders’ struggle to erect a campus in the wilderness on Lake Michigan’s western shore to its contemporary status as “an institution of the highest order” with three thriving campuses, esteemed faculty and students, and a leading endowment.

Accompanied by a wealth of color photographs, ephemera, and archival material, Northwestern University: A History brings to the fore the storied traditions and contributions of the administrators, faculty, and alumni who built Northwestern into the world-class institution it is today. 

Originally penned to commemorate the university’s sesquicentennial, this new edition charts Northwestern’s evolution in the years of Henry Bienen’s presidency (1995–2009) and offers a new foreword by current president Morton O. Schapiro. Northwestern University: A History captures the rich panoply of the institution’s rise to the first ranks of scholastic excellence and will delight students, their families, and alumni alike. 
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Northwestern University
Celebrating 150 Years
Jay Pridmore
Northwestern University Press, 2000
What was the relationship between Frances Willard, the first dean of women, and Henry Fowler, University president?Why did Northwestern's founders build a campus and a whole new town around it instead of locating in Chicago, where those founders first met? The answers to these questions and a host of wonderful stories are part of Northwestern University: Celebrating 150 Years. Published in celebration of the Sesquicentennial and filled with historical and contemporary photos, this full-color book chronicles Northwestern's fascinating history and relates many entertaining stories.
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Nostalgia
Origins and Ends of an Unenlightened Disease
Helmut Illbruck
Northwestern University Press, 2012
Helmut Illbruck traces the concept of nostalgia from the earliest uses of the term in the seventeenth century to today as it evolves with different meanings and intensities in the discourses of medicine, literature, philosophy, and aesthetics. Following nostalgia’s troubled relations to the philosophical project of the Enlightenment, Illbruck’s study builds a cumulative argument about nostalgia’s modern significance that often revises and thoroughly enriches our understanding of cultural, literary, and intellectual history. Illbruck concludes with an attempt at a reinterpretation and defense of nostalgia, which seduces us to read and think with, rather than against, nostalgia’s wistful yearning for the past. Nostalgia: Origins and Ends of an Unenlightened Disease is a comprehensive, insistent, and profound interdisciplinary investigation of the history of an idea. It should appeal to readers interested in the cultural makings of the Enlightenment and modernity or in the histories of medicine, literature, and philosophy.
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Not God
A Play in Verse
Marc J. Straus
Northwestern University Press, 2006
The tread of the nurses leaving the room next door tells the woman her neighbor has died. The language of the hospital is one she has unwillingly, painstakingly learned: the rhythm of machines, the counting of pills, the measuring of words, the shadowy news of an MRI. And in these harrowing, eloquent poems, she opens this world, this language of illness, to us, revealing how deeply these words and rhythms are also the measure of life. The views of her doctor are also evocatively expressed--his anger, struggles, and hopes--as he speaks of the delicate bond he forms with his ill patients. Composed by a distinguished medical oncologist whose literary work has been performed in venues throughout the country, the poems of Not God document one woman's encounter with cancer, a journey through illness whose end, while inevitable, is also unknown. Alternating with the words of her doctor, these poems form a remarkable dialogue of the flesh becoming word, and of the body inventorying--and finally transcending--its limitations.
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Not the Germans Alone
A Son's Search for the Truth of Vichy
Isaac Levendel
Northwestern University Press, 2000
Winner of the Prix Franco-Européen

On the eve of D-Day, Isaac Levendel's mother left her hiding place on a farm in southern France and never returned. After 40 years of silence and torment, he returned to France in 1990 determined to find out what had happened. This is the story of how, with perseverance, luck, and official help, he gained access to secret wartime documents laying bare the details of French collaboration-and the truth about his mother's fate.
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The Note She Left
Poems
Susan Hahn
Northwestern University Press, 2008

Hahn’s new collection wrestles with the elemental and enduring challenges of the human condition: What can we use from our spiritual heritage? How should we find relief? How, after it all, do we live? The poems are presented as a letter to the world from a woman preparing to leave it. In four sections—“The Bells,” “The Crosses,” “Widdershins,” and “Afterwor(l)d”—she contrasts the hope against the dark that is embodied by an amulet or cross with the abased resignation of torture, failed prayers, and witchcraft. Though Hahn’s vision is a dark one, its dramatic emotional depth speaks to a human power that, though damaged, can still engage.

from The Crosses (V)

Cross my fingers, cross my heart,

arms extended, legs together, not apart,

I make of myself a cross.

In my pockets bright blue beads,

small clay gods, scarabs,

four-leaf clovers, bejewelled mezuzahs.

In my hat cockleshells

to exorcize the demons,

to keep hidden the seventh chakra,

the tonsure, the bald compulsion.

Cross my fingers, cross my heart,

arms extended, legs together, not apart.

In my ears little bells of confusion,

to frighten away eyes of the evil.

On my breast a foul sachet

to repel the lick of the Devil.

Cross my fingers, cross my heart.

In my window a glass witch ball

to guard against the shatter

from intruders.

Cross my fingers.

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Notes of a Provincial Wildfowler
Sergei Aksakov
Northwestern University Press, 2012
One of nineteenth-century Russia's finest prose writers, Sergei Timofeevich Aksakov's Notes of a Provincial Wildfowler is companion to his popular Notes on Fishing and a classic of nature writing.

Notes of a Provincial Wildfowler is filled with precise descriptions of bird behavior, observations of their life cycles, and lyrical discourses on the habitats of the Russian steppe. Aksakov's nostalgic fondness for his homeland permeates his Notes, and his passion for the habits of his subjects provides a stark contrast with his enthusiasm for the shooting--and eating--of his quarry.
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Notes on Fishing
Sergei Aksakov
Northwestern University Press, 1997
Notes on Fishing was Sergei Aksakov's first book and Russia's first angling treatise. It presents a Russian gentleman's observations on the fishing tackle, angling techniques, and fish species he came to know during five decades of adventure-filled fishing in the vast Russian steppe and the environs of Moscow. But it is goes beyond a mere discourse on angling, offering philosophical, literary, linguistic, ethnographic, biological, and conservationist observations. Aksakov has imbued his notes with a deep fondness for the land and an expertly conveyed atmosphere of personal and national nostalgia.
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The Notion of the A Priori
Mikel Dufrenne
Northwestern University Press, 2009

Originally published in 1966, this pivotal work of Mikel Dufrenne revises Kant’s notion of a priori, a concept previously given insufficient attention by philosophers, to realize a rich understanding that finally does justice to one of Kant’s most troubling cruxes. Following the Husserlian analytics of phenomenology, Dufrenne postulates a dualistic conception of the a priori as a structure that expresses itself outside the human subject, but also as a virtual knowledge that points to a philosophy of immediate apprehension or feeling. A friend of Paul Ricoeur, with whom he was detained as a prisoner of war during World War II, Dufrenne’s work until now has been sorely overlooked by American philosophers.

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Novas
Selected Writings
Haroldo de Campos
Northwestern University Press, 2007
The first full-scale English translation of one of Brazil's-and the world's-most influential avant-garde literary voices

A generous introduction to one of the key literary figures to emerge from Brazil in the second half of the twentieth century, this book offers English-speaking readers an ample selection of this prodigious writer's celebrated poetry and widely influential critical work. As a poet and as a cofounder of the renowned group Noigandres, Haroldo de Campos has made a unique and substantial contribution to the theory and practice of experimental writing, particularly the form known as concrete poetry, and to the Latin American avant-garde as a whole. These contributions, acclaimed worldwide by figures such as Umberto Eco, Jacques Derrida, Octavio Paz, and Guillermo Cabrera Infante, can be observed unfolding here, first in poetry selections ranging from de Campos' early work before concretism through his most recent production; then in theoretical texts that trace his evolution as a critic from an early interest in baroque and modernist writers to his development of an innovative model for reading, translating, and writing. This second, critical section of the book includes de Campos' encounters with the tasks of translating and reading some of the most important texts of Eastern and Western culture-from Ecclesiastes to the No play Hagoromo, from Dante to Paz-thus charting a genealogy of modern literature.

Together, these poems and critical writings afford English-speaking readers their first sustained exposure to a unique personality within the international avant-garde, a writer described by Brazilian poet João Cabral de Melo Neto as "that wonderful thing: / a poet and a translator who came to literature armed with an enviable / knowledge of the literary phenomenon."

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The Novel in the Age of Disintegration
Dostoevsky and the Problem of Genre in the 1870s
Kate Holland
Northwestern University Press, 2013
Scholars have long been fascinated by the creative struggles with genre manifested throughout Dostoevsky’s career. In The Novel in the Age of Disintegration, Kate Holland shows that Dostoevsky aimed to use the form of the novel as a means of depicting the disintegration caused by various crises in Russian society in the 1860s. This required him to reinvent the genre. At the same time, he sought to infuse his novels with the capacity to inspire belief in social and spiritual reintegration, and to this end he returned to old forms and structures that were already becoming outmoded.

In thoughtful readings of Demons, The Adolescent, A Writer’s Diary, and The Brothers Karamazov, Holland delineates Dostoevsky’s struggle to adapt a genre to the reality of the present, with all its upheavals, while maintaining a utopian vision of Russia’s future mission.
 
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The Novel Map
Space and Subjectivity in Nineteenth-Century French Fiction
Patrick M. Bray
Northwestern University Press, 2013

Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.

With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory.

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Novel with Cocaine
M. Ageyev
Northwestern University Press, 1991
A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.
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Nowhere to Arrive
Poems
Jenny Xie, foreword by Chris Abani
Northwestern University Press, 2017
Nowhere to Arrive takes as its subjects the whiplash of travel, the shuttling between disparate places and climes, and an unremitting sense of dislocation. These poems court the tension between the familiar and the foreign, between the self as distinct and the self as illusory. They look plainly at the startling strangeness of varied landscapes and mindscapes, and interrogate a state of unrootedness—one thrown into relief by the speaker's years abroad in Southeast Asia.
 
At the chapbook's center are two long poems, titled "Phnom Penh Diptych: Wet Season" and "Phnom Penh Diptych: Dry Season," that examine the escapist narratives that draw tourists and expatriates to Cambodia, and the speaker’s own privileged positioning.
 
On a formal level, the poems in Nowhere to Arrive make room for the unsaid and that which cannot be articulated. Here, we have a vocabulary of silence alongside stark imagistic juxtapositions, poems that celebrate compression and the force of paratactic constructions. Attentiveness and concentration emerge as virtues, as the speaker surveys the vast territory of the present with a wakeful gaze.
 
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Number and Time
Reflections Leading Toward a Unification of Depth Psychology and Physics
Marie-Louise von Franz
Northwestern University Press, 1974
C. G. Jung's work in his later years suggested that the seemingly divergent sciences of psychology and modern physics might, in fact, be approaching a unified world model in which the dualism of matter and psyche would be resolved. Jung believed that the natural integers are the archetypal patterns that regulate the unitary realm of psyche and matter, and that number serves as a special instrument for man's becoming conscious of this unity.

Writen in a clear style and replete with illustrations which help make the mathematical ideas visible, Number and Time is a piece of original scholarship which introduces a view of how "mind" connects with "matter" at the most fundamental level.
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