Despite the controversial reputation of Hizbullah in the West, and the significant role this powerful Islamist organization plays in Lebanese politics, there are few reliable, published English translations of the party’s primary documents. With this extensive work, Joseph Alagha seeks to remedy this problem and rectify the distortions and misrepresentations that have resulted from inaccurate translations.
Through privileged access to the party, Alagha was able to compile and meticulously translate a host of original primary documents, from the party’s 1985 Open Letter; through its eight clandestine conclaves from 1989 to 2009; to all of its election programs from 1992 to 2010, as well as all of the agreements, understandings, and pacts the party has ratified over the years; ending with the 2009 Political Manifesto. This firsthand portrait of Hizbullah’s metamorphosis, especially in the past decade, is complete with thorough footnotes, commentary, background information, chronology, and a detailed introductory chapter that maps the party’s transformation by analytically comparing the Open Letter with the 2009 Manifesto. This volume will be an invaluable companion for both scholars and policy makers.
As the dominant political force in Lebanon and one of the most powerful post-Islamist organizations in the world, Hizbullah is a source of great controversy and uncertainty in the West. Despite the significant attention paid to this group by the media, the details of Hizbullah’s evolution have frequently confounded politicians—and even scholars. In this important study, Joseph Alagha, a scholar with unprecedented access to the organization, exhaustively and objectively analyzes Hizbullah’s historical evolution and offers a revolutionary new perspective on the political phenomenon of the organization.
In this book, a group of leading scholars analyzes the functioning of modern democracies by focusing on two basic principles: political representation and policy congruence. Drawing on recent survey data from a variety of national and international research projects, they demonstrate how political representation works and mostly leads to a fair degree of policy congruence between citizens and their representatives. They also present new insights on the sources of satisfaction with democracy and the impact of the economy on elections and political trust.
This book is published on the occasion of the retirement of Jacques Thomassen as distinguished professor of political science at the University of Twente. The contributors include Russell Dalton, Hans‐Dieter Klingemann, Pippa Norris, Ola Listhaug, Hanne Marthe Narud, Jan van Deth, Peter Mair, Cees van der Eijk, Hermann Schmitt, Sören Holmberg and Rudy Andeweg.
Martin Rosema, Bas Denters and Kees Aarts are affiliated with the Centre for the Study of Democracy (CSD) and the Institute for Innovation and Governance Studies (IGS) at the University of Twente.
While numerous studies over the years have focused on the ways in which art functions in our society, How to Study Art Worlds is the first to examine it in light of the organizational aspects of the art world. Van Maanen delves into the works of such sociologists as Howard S. Becker, Pierre Bourdieu, George Dickie, and Niklas Luhmann, among others, to examine the philosophical debates surrounding aesthetic experience—and then traces the consequences that each of these approaches has had and continues to have on organizations in the art world.
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