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Jacob van Ruisdael’s Ecological Landscapes
Catherine Levesque
Amsterdam University Press

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The Japanese and German Economies in the 20th and 21st Centuries
Business Relations in Historical Perspective
Kudo Akira
Amsterdam University Press, 2018
Supported by a number of high-profile case studies, this volume offers a comprehensive exploration of Japanese-German economic relations through the whole of the twentieth and beginning of the twenty-first centuries. It also offers clarification on the structure and processes of the world economy in the same period. Drawing on both unpublished discussion papers as well as previously published essays, the reader will find much of interest in the wide-ranging scholarship contained in this work, structured as follows: Part I, Japanese-German Business Relations; Part II, Trajectory of Japanese-German Business Relations; Part III, The Japanese and European Business and Economies. A Foreword by YUZAWA Takeshi, Professor Emeritus, Gakushuin University, Tokyo, evaluates the relevance and significance of Professor Kudo’s lifetime research and scholarship in the context of German-Japanese relations.
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Japanese Filmmakers in the Wake of Fukushima
Perspectives on Nuclear Disasters
Mitsuyo Wada-Marciano
Amsterdam University Press, 2023
In the ongoing aftermath of the nuclear accident in 2011, filmmakers have continued to issue warnings about the state of Japanese society and politics, which remain mired in refusal to change. Nearly a decade in the making, Japanese Filmmakers in the Wake of Fukushima is based on in-person interviews with countless filmmakers, as well as continuous dialogue with them and their work. Author Wada-Marciano has expanded these dialogues to include students, audiences at screenings, critics, and researchers, and her observations are based on down-to-earth-exchange of ideas engaged in over a long period of time. Filmmakers and artists are in the vanguard of those who grapple with what should be done regarding the struggle against fear of the invisible blight—radiation exposure. Rather than blindly following the mass media and public opinion, they have chosen to think and act independently. While repeatedly viewing and reviewing the film works from the post-Fukushima period, Wada-Marciano felt the unwavering message that emanates from them: “There must be no more nuclear weapons.” “There must be no more nuclear power generation.” The book is dedicated to convincing readers of the clarity of their message.
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Japanese Reflections on World War II and the American Occupation
Edgar A. Porter and Ran Ying Porter
Amsterdam University Press, 2018
This book presents an unforgettable up-close account of the effects of World War II and the subsequent American occupation on Oita prefecture, through firsthand accounts from more than forty Japanese men and women who lived there. The interviewees include students, housewives, nurses, midwives, teachers, journalists, soldiers, sailors, Kamikaze pilots, and munitions factory workers. Their stories range from early, spirited support for the war through the devastating losses of friends and family members to air raids and into periods of hunger and fear of the American occupiers. The personal accounts are buttressed by archival materials; the result is an unprecedented picture of the war as experienced in a single region of Japan.
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Japanese Studies in Britain
A Survey and History
Hugh Cortazzi
Amsterdam University Press, 2016
This book takes an in-depth look at the study of Japan in contemporary Britain, highlighting the many strengths but also pointing out some weaknesses, while at the same time offering a valuable historical record of the origins and development of Japanese Studies in British universities and other institutions. It comprises essays written by scholars from universities all over Britain – from Edinburgh and Newcastle to Cardiff, SOAS and Oxbridge+, as well as contributions from various supporting foundations and organizations – from the British Association of Japanese Studies (BAJS) to the Sainsbury Institute for the Study of Japanese Arts and Cultures (SISJAC). It opens with an historical overview by Peter Kornicki, followed by chapters on the important role of missionaries in advancing Japanese language studies in pre-war Japan by Hamish Ion and the contribution of the British consular and military officers before 1941 by Jim Hoare. Japanese Studies in Britain gives a snapshot of the present state of Japanese Studies in Britain. It also provides an important new benchmark and point of reference regarding the present options for studying Japan at British universities. It offers in addition a wider perspective on the role, relevance and future direction of Japanese Studies for academia, business and government, students planning their future careers and more generally the world of education, as well as readers interested in the developing relationship between Britain and Japan.
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Japan’s Practice of International Law
Hidehisa Horinouchi
Amsterdam University Press, 2022
Diplomacy is a series of crises, and the navigational beacon for a nation is international law. This book is a collection of articles on six selected international legal issues concerning Japan. It addresses various issues, including self-defence, post-war legal issues, chemical weapons, the law of the sea, consular immunities, and hijacking. It is a legal documentary through which the reader can look into the minds of Japanese officials challenged by one crisis after another. As a coherent whole, this book ably represents “Japan’s Practice of International Law” and remarkably portrays international law in action from a Japanese practitioner’s perspective.
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The Javanese Way of Law
Early Modern Sloka Phenomena
Mason Hoadley
Amsterdam University Press, 2019
The author's investigation of early-modern Javanese law reveals that judicial authority does not come from the contents of legal titles or juridical texts, but from legal maxims and variations thereof. A century and a half ago Simon Keyzer, a recognized scholar of Javanese law, noted that understanding of that law is dependent upon a grasp of such pithy expressions, which provide the key to the whole body of suits. (*Preface*, C.F. Winter, *Javaansche Zamenspraken*, 1858, which examines hundreds of *sloka*, the majority of which are directed to prevailing legal practice).Drawing upon the contents of 18th century Javanese legal texts, the present work builds upon Keyzer's and Winter's references to '*sloka*-phenomena', namely *sloka* proper (maxims) and its derivatives *sinalokan* (that made of *sloka*), *aksara* here meaning legal principles, and *prakara* (matter, case). These are usually conveyed in vignettes illustrating their function and as a group, constitute the essence of traditional Javanese written law.
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Jean Desmet and the Early Dutch Film Trade
Ivo Blom
Amsterdam University Press, 2003
The Netherlands Film Museum's Desmet Collection contains the estate of Dutch cinema owner and film distributor Jean Desmet (1875-1956): almost nine hundred European and American films of all genres, a collection of publicity material, and a massive business archive. These three sources form the basis of this book, the first comprehensive reconstruction of Desmet's career. From his nomadic beginnings as a traveling showman to his successful switch to permanent cinema operation and film distribution, Blom shows how Desmet's fortunes encapsulated a series of structural changes within the new culture of the cinema.
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Jean Epstein
Critical Essays and New Translations
Edited by Sarah Keller and Jason N. Paul
Amsterdam University Press, 2012
Although early film buffs may be familiar with Jean Epstein’s films, including an adaptation of Edgar Allan Poe’s The Fall of the House of Usher, not many Anglophones are acquainted with his poetic and provocative prose. Gathered in this wide-ranging collection are new translations into English of every major theoretical work on film theory Epstein ever published, as well a series of essays by other film makers and scholars of art history, French studies, and film, which provide incisive commentary and essential context for Epstein as both a director and a theoretician. As a result, Jean Epstein: Critical Essays and New Translations provides an expansive account of the artist and the man, from his beginnings as a student of biology and aspiring poet to his late film projects and posthumously published writings. By both connecting Epstein to his era and offering contemporary criticism of his films, the essays in this book demonstrate his ongoing importance in film history and theory. This collection is a timely reexamination of a filmmaker and author who has much to offer modern audiences and readers.
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Jews in the Netherlands
A Short History
Tirtsah Levie Bernfeld
Amsterdam University Press, 2023
Most people know little more than fragments of Dutch Jewish history: the Portuguese Jews of Amsterdam; Jewish socialism; the devastating years of the Second World War. So where is the storyline? What happened to the Jews in the Netherlands from the moment they first settled there permanently? This book answers that question. It presents the central points of 700 years of Jewish history in the Netherlands briefly and succinctly. One hundred elements of the story have been chosen that taken as a whole create a balanced and representative picture. Each relates to a central event, place, person or object that helps to illuminate one important aspect of the history of the Jews in the Netherlands, and each is linked to a striking, iconic image. They are grouped by century around unifying themes that make them part of an ongoing story.
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Johann Wier
Debating the Devil and Witches in Early Modern Europe
Michaela Valente
Amsterdam University Press, 2022
This book deals with a fascinating and original claim in 16th-century Europe. Witches should be cured, not executed. It was the physician and scholar Johann Wier (1515-1588) who challenged the dominant idea. For his defense of witches, more than three centuries later, Sigmund Freud chose to put Wier’s work among the ten books to be read. According to Wier, Satan seduced witches, thus they did not deserve to be executed, but they must be cured for their melancholy. When the witch hunt was rising, Wier was the first to use some of the arguments adopted in the emerging debate on religious tolerance in defence of witches. This is the first overall study of Wier which offers an innovative view of his thought by highlighting Wier’s sources and his attempts to involve theologians, physicians, and philosophers in his fight against cruel witch hunts. Johann Wier: Debating the Devil and Witches situates and explains his claim as a result of a moral and religious path as well as the outcome of his medical experience. The book aims to provide an insightful examination of Wier’s works to read his pleas emphasizing the duty of every good Christian to not abandon anyone who strays from the flock of Christ. For these reasons, Wier was overwhelmed by bitter confutations, such as those of Jean Bodin, but he was also celebrated for his outstanding and prolific heritage for debating religious tolerance.
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Jolted Images
Unbound Analytic
Pavle Levi
Amsterdam University Press, 2017
Jolted Images brings together a large cast of mainstream and avant-garde cineastes, artists, photographers, comics creators, poets, and more, to reflect on a wide range of phenomena from the realms of cinema and visual culture in the Yugoslav region, broader Europe, and North America. Far from a staid monograph, the book takes a cue from filmmaker Dušan Makavejev, who once wrote that there are times when it is necessary "to jolt art, no matter what the outcome"; to that end, the book infuses its analysis with playful, creative transfiguration of the material at hand.
 
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A Journal of Three Months’ Walk in Persia in 1884 by Captain John Compton Pyne
Marjan Afsharian
Amsterdam University Press, 2017
In 1884 an obscure British soldier, having finished his tour of duty in India, decided to make a detour on his trip home in order to spend three months crossing Persia unaccompanied except for the local muleteers. Among his accoutrements he packed a small leather-bound sketchbook in which he not only wrote a journal but in which he also added accomplished and charming water-colour illustrations. The authors’ introduction contextualises this trip made in 1884 against the background of Persianate influence in British culture, and the general cultural background of late Victorian Britain is presented as the subliminal driver behind a young man’s desire to explore, and illustrate, an already discovered country – Persia.
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