The colonisation of Southeast Asia was a long and often violent process where numerous military campaigns were waged by the colonial powers across the region. The notion of racial difference was crucial in many of these wars, as native Southeast Asian societies were often framed in negative terms as 'savage' and 'backward' communities that needed to be subdued and 'civilised'. This collection of critical essays focuses on the colonial construction of race and looks at how the colonial wars in 19th-century Southeast Asia were rationalised via recourse to theories of racial difference, making race a significant factor in the wars of Empire. Looking at the colonial wars in Java, Borneo, Siam, the Philippines, the Malay Peninsula and other parts of Southeast Asia, the essays examine the manner in which the idea of racial difference was weaponised by the colonising powers and how forms of local resistance often worked through such colonial structures of identity politics.

Piracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and made a dent in the buisness of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, as seen in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the Internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the Internet Age.

The diaries and letters of Etty Hillesum (1914—1943) have a special place among the Jewish-Dutch testimonies of the Shoah, somuch so that Etty Hillesum studies has become its own field. This book offers the most important contributions from the pastfifteen years of international research into Hillesum’s work and life, studying her ethical, philosophical, spiritual, and literary existential search.

Johan Huizinga, the Dutch founding father of cultural history, ranks among the most influential thinkers of the twentieth century. Perhaps best known is Huizinga’s revolutionary insight into the formative role of play in human culture, a theory he espoused in the celebrated Homo Ludens, which was published in 1938. For Huizinga, philology was the mother of all interpretive endeavors, reading and writing were part of a collective ritual that channeled human passion into beautiful forms, and passion remained the fundamental fact of human life. In this clear, engaging study, the renowned Dutch scholar Willem Otterspeer paints an original portrait of Huizinga in the context of interwar Europe—and shares his subject’s own hallmark passion for history.

What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces – monuments, museums, post-war urban restoration, filmed and virtual space – in order to show the applicability and efficacy of a semiotic methodology.

Reading Rembrandt: Beyond the Word-Image Opposition explores the potential for an interdisciplinary methodology between visual art and literature. In a series of close analyses of works by “Rembrandt” – works as we see them today, through all the ways of seeing and commenting that precede – and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt’s complex handling of gender and the representation of women in Rembrandt’s painting. The methods used in this study come from both in- and outside the history of art. They demonstrate the author’s sensitivity to the visual aspects of Rembrandt’s work as meaningful. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture also emerges, which ultimately has consequences for our views of gender, the artists, and the act of reading.

A large number of enciphered documents survived from early modern Hungary. This area was a particularly fertile territory where cryptographic methods proliferated, because a large portion of the population was living in the frontier zone, and participated (or was forced to participate) in the network of the information flow. A quantitative analysis of sixteenth-century to seventeenth-century Hungarian ciphers (300 cipher keys and 1,600 partly or entirely enciphered letters) reveals that besides the dominance of diplomatic use of cryptography, there were many examples of ŸprivateŒ applications too. This book reconstructs the main reasons and goals why historical actors chose to use ciphers in a diplomatic letter, a military order, a diary or a private letter, what they decided to encrypt, and how they perceived the dangers threatening their messages.

This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

We are running out of water, robots will take our jobs, we are eating ourselves to an early death, old age pension and health systems are bankrupting governments, and an immigration crisis is unravelling the European integration project. A growing number of nightmares, perfect storms, and global catastrophes create fear of the future. One response is technocratic optimism — we’ll invent our way out of these impending crises. Or we’ll simply ignore them as politically too hot to handle, too uncomfortable for experts — denied until crisis hits. History is littered with late lessons from early warnings. Cynicism is an excuse for inaction. Populism flourishes in the depths of despair. Despite the gloom, there is another way to look at the future. We don’t have to be pessimistic or optimistic — we can find realistic hope.This book is written by an international and influential collection of future shapers. It is aimed at anyone who is interested in learning to refresh the present, forge new common ground, and redesign the future.

This edited collection of papers explores from an interdisciplinary perspective the role of images and objects in early modern knowledge-making practices with an emphasis on mapping methodological approaches against printed pictures and things. The volume brings together work across diverse printed images, objects, and materials produced c. 1500-1700, as well as well as works in the ambit of early modern print culture, to reframe a comparative history of the rise of the ‘epistemic imprint’ as a new visual genre at the onset of the scientific revolution. The book includes contributions from the perspective of international scholars and museum professionals drawing on methodologies from a range of fields.

response to a dire social need, but also served as a key lever for building socialism and liberalism. Zooming into the interplay between ideologies and the production of space, this book shows that ideologies are never simply ‘written’ into space, but that their meaning is made and re-made, negotiated and contested, and sometimes cunningly subverted in and through space. How people live was and continues to be a profoundly political question that involves negotiations of and decisions on norms and ideals of citizenship, freedom, equality, property, democracy, family life, and gender relations – negotiations and decisions comes with legacies.

Reclaiming the Faravahar is an ethnographic study of the contemporary Zoroastrians in Tehran. It examines many public discursive and ritual performances to show how they utilize national, religious, and ethnic categories to frame the Zoroastrian identity within the longstanding conflict between Iranian Shiˁa and Arab Sunnis, defining and defending Zoroastrians’ identity and values in Shiˁi dominated Iran.

After war defeat in 1945, Japan underwent historic political, economic and social transformations resulting in the country’s rebirth as an economic powerhouse and exemplar of liberal democracy in East Asia. This handbook expands and enriches our understanding of this tumultuous contemporary era in Japan’s modern history. Chapters in the volume ask novel theoretical questions and present fresh empirical perspectives on the era. How, for example, has the postwar era been chronologized to date and how might we rethink or enhance such interpretations? What can we learn by rethinking established moments and phases like the Allied Occupation, the period of high-speed economic growth, the 1970s, the Bubble Economy, and the “lost decades” of Heisei Japan (1989-2019)? What new issues might we introduce to subvert accepted understandings of the postwar era and its various sub-eras? Moreover, how might Japan’s internal postwar be expanded by rethinking the era through novel historical frameworks and regional imaginaries such as East Asian history, Cold War history, environmental history and transnational history? Contributors attempt to transcend temporal, geographical, intellectual and other boundaries inherent in our current understandings of Japan’s postwar experience to provide a compelling compilation of perspectives. Showcasing the work of historians and leading scholars from other disciplines, chapters cover thematic areas including the origins of the postwar era, postwar politics, society and popular culture, transnational and international interactions, and historical memory. The volume’s extensive chronological coverage, combined with the innovative perspectives of the contributors, make it essential reading for both researchers and learners interested in the multifaceted dynamics of Japan’s fascinating contemporary era.

Performative methods are playing an increasingly prominent role in research into historical production processes, materials, bodily knowledge and sensory skills, and in forms of education and public engagement in classrooms and museums. This book offers, for the first time, sustained, interdisciplinary reflections on performative methods, variously known as Reconstruction, Replication and Re-enactment (RRR) practices across the fields of history of science, archaeology, art history, conservation, musicology and anthropology. Each of these fields has distinct histories, approaches, tools and research questions. Researchers in the historical disciplines have used reconstructions to learn about the materials and practices of the past, while anthropologists and ethnographers have more often studied the re-enactments themselves, participating in these performances as engaged observers. In this book, authors bring their experiences of RRR practices within their discipline into conversation with RRR practices in other disciplines, providing a basis for interdisciplinary cross-fertilization.

The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.

The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.

Redefining Eclecticism in Early Modern Bolognese Painting. Ideology, Practice, and Criticism focuses on the unique nature of early modern Bolognese painting that found its expression in stylistic diversity. The flourishing of different stylistic approaches in the Mannerist paintings of the previous generation evolved, at the turn the seventeenth century, in the work of the Bolognese painters into an approach best described as eclecticism, characterized by the combination of two or more styles in a single work of art. Eclectism was a major innovation and major contribution to the history of art. But it then also became a critical term that suffered much negative press. The book therefore also traces the role of ecclecticism as a concept in the evolution of criticism and scholarship about the Bolognese school of painting over 250 years, showing how the dramatically vacillating attitudes towards this concept shaped the historical view of the Bolognese painters, ultimately having a tremendous dampening impact on our understanding of seventeenth-century art.

Our historical understanding of the Reformation in northern Europe has tended to privilege the idea of disruption and innovation over continuity - yet even the most powerful reformation movements drew on and exchanged ideas with earlier cultural and religious practices. This volume attempts to right the balance, bringing together a roster of experts to trace the continuities between the medieval and early modern period in the Nordic realm, while enabling us to see the Reformation and its changes in a new light.

These ground-breaking essays, all based on original archival research, consider the evolving interest in Bolognese art in seventeenth-century Italy, particularly focusing on the period after the death of Guido Reni in 1642. Edited by Bolognese specialists Raffaella Morselli and Babette Bohn, the studies collected here focus on the taste for Bolognese art within Bologna itself and in other parts of the Italian peninsula, including Mantua, Ferrara, Rome, and Florence. Essays examine the roles of gender, class, and the social status of the artist in early modern Bologna; approaches to exhibiting artworks in noble Bolognese collections; the reputations of local women artists; the popularity of Bolognese quadratura painting; and the relative success of both contemporary and earlier Bolognese artists with Italian collectors.

Migration in the 21st century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. Refugees and Migrants in Film, Art and Media consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lesvos as well as virtual reality installations of Alejandro G. Iñárritu and others, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés.

Synthesizing almost thirty years of Dutch archaeological research in central and southern Italy, this book discusses and compares settlement and land use patterns from the late protohistoric period to the late Roman Republic. Considering both social and environmental factors, the authors analyze the long-term progression of indigenous Bronze Age tribal pastoralist societies towards the complexity of urbanized Roman society. Drawing on a decade of collaboration between Dutch and Italian researchers, this exhaustive study will be of great interest to students and scholars of Mediterranean archaeology.   

Regulating Political Parties provides a novel and valuable contribution to the existing literature on political parties by discussing the various dimensions of party law and regulation, in Europe and other regions of the world. To what extent are political parties legitimate objects of state regulation? What are the dilemmas of regulating political finance? To what extent are parties accorded a formal constitutional status? What are the consequences of legal bans on political parties? How do legal arrangements affect parties representing ethnic minorities? These and related questions are discussed and examined from both theoretical and empirical perspectives. By bringing together international experts from the disciplines of law and political science, this volume thus addresses from an interdisciplinary and comparative point of view what has long been a notable lacuna in the study of political parties.

Despite its necessary centrality within the genre, the concept of the victim has not received much direct attention within the field of horror studies. Arguably, their presence is so ubiquitous as to become invisible—the threat of horror implies the need for a victim, whose function never alters, often becoming a blank slate for audiences to project their desires and fears onto. This volume seeks to make explicit the concept of the victim within horror media and to examine their position in more detail, demonstrating that the necessity of their appearance within the genre does not equate to a simplicity of definition. The chapters within this volume cover a number of topics and approaches, examining sources from literature, film, TV, and games (both analogue and digital) to show the pervasiveness of horror’s victims, as well as the variety of their guises.

This book examines the social and political mobilisation of religious communities towards forced displacement in relation to tolerance and transitory environments. How do religious actors and state bodies engage with refugees and migrants? What are the mechanisms of religious support towards forcibly displaced communities? Religion and Forced Displacement in Eastern Europe, the Caucasus, and Central Asia argues that when states do not act as providers of human security, religious communities, as representatives of civil society and often closer to the grass roots level, can be well placed to serve populations in need. The book brings together scholars from across the region and provides a comprehensive overview of the ways in which religious communities tackle humanitarian crises in contemporary Armenia, Bulgaria, Greece, Georgia, Kazakhstan, Kyrgyzstan, Moldova, Poland, Russia, Serbia, Ukraine and Uzbekistan.

This book explores the interaction between religion and nationalism in the Chinese societies of mainland China, Taiwan, and Hong Kong. Cheng-tian Kuo analyses the dominant religions, including Chinese Buddhism, Tibetan Buddhism, Daoism, Christianity, Islam, and folk religions, but he also goes beyond that, showing how in recent decades the Chinese state has tightened its control over religion to an unprecedented degree. Indeed, it could almost be said to have constructed a wholly new religion, Chinese Patriotism. The same period, however, has seen the growth of democratic civil religions, which could challenge the state.

This volume of interdisciplinary essays examines the intersection of religion and literature in medieval China, focusing on the impact of Buddhism and Daoism on a wide range of elite and popular literary texts and religious practices in the 3rd-11th centuries CE. Drawing on the work of the interdisciplinary scholar Stephen Bokenkamp, the essays weave together the many cross-currents of religious, intellectual, and literary traditions in medieval China to provide vivid pictures of medieval Chinese religion and culture as it was lived and practiced. The contributors to the volume are all highly regarded experts in the fields of Chinese poetry, Daoism, Buddhism, popular religion, and literature. Their research papers cut across imagined disciplinary boundaries to show that the culture of medieval China can only be understood by close reading of texts from multiple genres, traditions, and approaches.

This book examines how the Netherlands managed to create and maintain one of the world’s most generous and inclusive welfare systems despite having been dominated by Christian-democratic or ŸconservativeŒ, rather than socialist dominated governments, for most of the post-war period. It emphasizes that such systems have strong consequences for the distribution of income and risk among different segments of society and argues that they could consequently only emerge in countries where middle class groups were unable to utilize their key electoral and strong labor market position to mobilize against the adverse consequences of redistribution for them. By illustrating their key role in the coming about of solidaristic welfare reform in the Netherlands, the book also offers a novel view of the roles of Christian-democracy and the labor union movement in the development of modern welfare states. By highlighting how welfare reform contributed to the employment miracle of the 1990s, the book sheds new light on how countries are able to combine high levels of welfare generosity and solidarity with successful macro-economic performance.

leaders use digital media to engage with their congregations who now are not confined to single locations and physical structures. The faithful are part of online communities which allow them a space to worship and to find fellowship. Migrant and mobile subjects thus are able to be connected to their faith -- whether home grown or emerging -- wherever they may be, providing them with an anchor in unfamiliar physical and cultural surroundings. As Asia rises, mobilities associated with Asian populations have escalated. The notion of ‘Global Asia’ is a reflection of this increased mobility, where Asia includes not only Asian countries as sites of political independence, but also the transnational networks of Asian trans/migrants, and the diasporic settlements of Asian peoples all over the world. This collection features cutting edge research by scholars across disciplines seeking to understand the role and significance of religion among transnational mobile subjects in this age of digital media, and in particular, as experienced in Global Asia.

This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, Islamic and Buddhist practices from a range of fields, including history, art history, museum curatorship and social anthropology. The result is an unprecedented account of the wealth and diversity of devotional objects and environments, with a strong emphasis on cultural encounters, connections and exchanges.

Is it possible to be religiously exclusive and socially inclusive? How do we deal with those outside of our own religious community who have completely different and sometimes conflicting views on what should be considered true and right behaviour? What if a religious tradition orders the expulsion or killing of those who leave the faith community and adopt another worldview? This book focuses on biblical texts concerning exclusivity and apostasy, studying different interpretations of such texts. It starts with the Jewish and Christian tradition of the Hebrew Bible, continues with texts from the New Testament, and explores diverse social studies to find ways of understanding the relationship between exclusion and inclusion today. Part of this exploration is the interaction with Jewish and Islamic voices. The collection ends with a systematic and missiological reflection on the issues Christian churches and other religious communities must address today.

This multidisciplinary collective volume advances the scholarly discussion on the origins of Islam. It simultaneously focuses on three domains: texts, social contexts, and ideological developments relevant for the study of Islam’s beginnings -- taking the latter expression in its broadest possible sense. The intersections of these domains need to be examined afresh in order to obtain a clear picture of the concurrent phenomena that collectively enabled both the gradual emergence of a new religious identity and the progressive delimitation of its initially fuzzy boundaries.

This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry."Skilfully chosen and edited by Stephanie Dickey, these papers were presented at the highly successful conferences on Rembrandt and his pupils held at Herstmonceaux Castle in recent years. This is cutting-edge Rembrandt scholarship full of valuable insights and new discoveries." -- Christopher Brown, Professor of Netherlandish Art, University of Oxford"[This book] contains a wealth of fresh and lucidly argued insights, not only into Rembrandt's art, thinking and practice: notably, a significant place is reserved for such artists as Jan Lievens, Ferdinand Bol, Gerrit Dou, Johannes van Vliet and, unexpectedly, Frans Hals. In these thoughtful reflections on the artist and his milieu, the reader will find many generally accepted notions critically revised." - Eric Jan Sluijter, emeritus professor of Art History at the University of Amsterdam

Rembrandt’s extraordinary paintings of female nudes—Andromeda,Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict.

            In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.  

The earliest painting by Rembrandt whose owner is documented depicts the prophet Balaam, on his way to blessing Israel. The man who bought it was a Sephardi Jew in the service of Cardinal Richelieu of France. The first known buyer of an etching plate by Rembrandt, depicting Abraham Dismissing Hagar and Ishmael, was a Sephardi Jew of Amsterdam. Seen through their eyes, Rembrandt was the creator of images with a special meaning to Jews. They have been followed through the centuries by Jewish collectors, Jewish art historians, Jewish artists who saw their own deepest concerns modelled in his art and life, and even prominent rabbis, one of whom said that Rembrandt was a Tzadik, a holy man blessed by God. This book is the first study in depth of the potent bond between Rembrandt and Jews, from his time to ours, a bond that has penetrated the image of the artist and the people alike.

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.

Although Rembrandt's study of the Bible has long been recognized as intense, his interest in secular literature has been relatively neglected. Yet Philips Angel (1641) praised Rembrandt for "diligently seeking out the knowledge of histories from old musty books." Amy Golahny elaborates on this observation, reconstructing Rembrandt's library on the evidence of the 1656 inventory and discerning anew how Rembrandt's reading of histories contributed to his creative process. Golahny places Rembrandt in the learned vernacular culture of seventeenth-century Holland and shows the painter to have been a pragmatic reader whose attention to historical texts strengthened his early rivalry with Rubens for visual drama and narrative erudition.

While current scholarly interest has assured McLuhan's foundational status as media theorist, it has by no means exhausted the import of his writings, which take on additional layers in the current digital moment. This collection of essays argues that it was McLuhan's confrontation of the bios that was the distinguishing feature of his media theory and the source of its most consistent problematic. Holding that media were extensions of the human, McLuhan also posited that the human was a product of technology. Remediating McLuhan ranges over media theory, art history, bio-technology and deep history in addressing this problematic, and discusses McLuhan in the context of Flusser and Turing, Carl Woese and Daniel Lord Smail.

Federico and Ferrante Gonzaga came of age during a time of intense change in sixteenth-century Italy: The Italian Wars (1494–1559). The first and third-born sons of Isabella d’Este and Francesco Gonzaga spent their formative years at the courts of Francis I of France and Charles V of Spain, where, as effectively diplomatic hostages, they learned valuable lessons about the transnational social codes and rituals central to sixteenth-century political life. As adults, they applied these lessons in their political and martial collaborations with Charles V: supporting his dominions in Italy, facilitating his attempted colonisation of northern Africa, and praising his attacks on Muslim pirates in the Italian Mediterranean. This book uses epistolary, literary, and material sources to argue that the boyhood and adult experiences of Federico and Ferrante Gonzaga are illustrative of wider strategies adopted by elite Italians to respond to conflict and crisis in a global age.

Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan—and at times a specifically Dutch—identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the “Dutch cultural archive,” or the Dutch “reservoir” of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day.

In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.

This work of historical sociology revisits and analyses the earlier part of the Third Republic (1870-1914), when France granted citizenship rights to Indians in Pondicherry. It explores the nature of this colonial citizenship and enables comparisons with British India, especially the Madras Presidency, as well as the rest of the French empire, as a means of demonstrating how unique the practice of granting such rights was. The difficulties of implementing a new political culture based on the language of rights and participatory political institutions were not so much rooted in a lack of assimilation into the French culture on the part of the Indian population; rather, they were the result of political infighting and long-term conflicts over status, both in relation to caste and class, and between inclusive and exclusive visions of French citizenship.

During his lifetime and the four centuries following his death, King Edward II (1307-1327) acquired a reputation for having engaged in sexual and romantic relationships with his male favourites, and having been murdered by penetration with a red-hot spit. This book provides the first account of how this reputation developed, providing new insights into the processes and priorities that shaped narratives of sexual transgression in medieval and early modern England. In doing so, it analyses the changing vocabulary of sexual transgression in English, Latin and French; the conditions that created space for sympathetic depictions of same-sex love; and the use of medieval history in early modern political polemic. It also focuses, in particular, on the cultural impact of Christopher Marlowe’s Edward II (c.1591-92). Through such close readings of poetry and drama, alongside chronicle accounts and political pamphlets, it demonstrates that Edward’s medieval and early modern afterlife was significantly shaped by the influence of literary texts and techniques. A ‘literary transformation’ of historiographical methodology is, it argues, an apposite response to the factors that shaped medieval and early modern narratives of the past.

*Rereading Huizinga: Autumn of the Middle Ages, a Century Later* explores the legacy and historiographical impact of Johan Huizinga’s 1919 masterwork a century after its publication. Often considered one of the most successful books in medieval European history, its reception has varied over the last hundred years, popular with non-academic readers, and appraised more critically by fellow historians and those more generally in the field of medieval studies. There is broad consensus, however, about the work’s absolute centrality, and the authors of this volume assess the *Autumn of the Middle Ages* reception, afterlife, and continued vitality.

In the 21st century, governments around the globe are faced with the question on how to tackle new migratory mobilities. Governments increasingly become aware of irregular immigration and are forced to re-negotiate the dilemma of open but secure borders. Rethinking Authority in China’s Border Regime: Regulating the Irregular investigates the Chinese government’s response to this phenomenon. Hence, this book presents a comprehensive analysis of the Chinese border regime. It explores the regulatory framework of border mobility in China by analysing laws, institutions, and discourses as part of an ethnographic border regime analysis. It argues that the Chinese state deliberately creates ‘zones of exception’ along its border. In these zones, local governments function as ‘scalar managers’ that establish cross-border relations to facilitate cross-border mobility and create local migration systems that build on their own notion of legality by issuing locally valid border documents. The book presents an empirically rich story of how border politics are implemented and theoretically contributes to debates on territoriality and sovereignty as well as to the question of how authority is exerted through border management. Empirically, the analysis builds on two case studies at the Sino-Myanmar and Sino-North Korean borders to illustrate how local practices are embedded in multiscalar mobility regulation including regional organizations such as the Greater Mekong Subregion and the Greater Tumen Initiative.

By the early ninth century, the responsibility for a series of social, religious and political transformations had become an integral part of running the Carolingian empire. This became especially clear when, in 813/4, Louis the Pious and his court seized the momentum generated by their predecessors and broadened the scope of these reforms ever further. These reformers knew they represented a movement greater than the sum of its parts; the interdependence between those wielding imperial authority and those bearing responsibility for ecclesiastical reforms was driven by comprehensive, yet still surprisingly diverse expectations.Taking this diversity as a starting point, this book takes a fresh look at the optimistic first decades of the ninth century. Extrapolating from a series of detailed case studies rather than presenting a new grand narrative, it offers new interpretations of contemporary theories of personal improvement and institutional correctio, and shows the self-awareness of its main instigators as they pondered what it meant to be a good Christian in a good Christian empire.

This book illustrates the results of ethnographical research designed to shed light on the notion of civil society in a context characterized by the transformation of power relations. Such transformation is given by shifting resources, renewed local and international opportunities, and a general reframing of goals and objectives. The academic literature has usually relied on a substantialist understanding of the notion of civil society – referring to the latter as something that exists a priori or does something. This volume relies, instead, on a relational approach – where civil society becomes the name we give to a host of complex interactions in which local associations are involved in a time of reconfiguration of power relations. Building on this approach, this volume analyses the relational dynamics affecting Tunisian associations after the fall of the authoritarian regime in 2011 and their implications for the changing political order. Findings show two main interrelated trends: the nationwide professionalization of local associations and the localized networking strategies of various socio-political categories crossing the associational sector. The book shows how their members understand the standardization of local associations as a strategy to have guaranteed access to the public sphere and, therefore, to influence the changing political order.

What is Europe? This question is ever more pressing, as present day Europe wallows in crisis - its deepest since the process of European integration took off in the 1950s. The current state of affairs sets the stage for this book. It brings together leading international thinkers and scholars of different generations in a feverish quest to better understand Europe's present state.In their essays these authors engage in the paradoxes and puzzles of European identity and culture. They present new answers to the eternal question regarding 'the essence of Europe'.An anthology of influential texts from the making of present-day Europe completes the book as a very European exercise in thinking and re-thinking Europa, its culture, history and present.

The present volume consists of the peer-reviewed papers presented at the CAA2011 conference held in Beijing, China between April 12 and 16, 2011. The theme of this conference was -Revive the Past , which means retrieving our history and using it to help create a new civilization. It was a great honour to organize the conference where over 130 researchers made presentations; ten keynote speeches were given; and sixteen sessions covered a wide variety of topics: data acquisition and recording, conceptual modelling, data analysis, data management, digging with words, 3D models, visualizing heritage sites, digital spaces for archaeology, geophysics, GIS, graphics in archaeology, visualisation in archaeology, semantic technologies, spatial prediction, visualization and exhibition, and 3D object reconstruction. In addition, student papers and posters were presented.

Abel Gance's silent masterpiece, Napoleon, was given a limited run on its debut in 1927, but soon afterwards distributors in France and America, unwilling to deal with its nine-hour running time, subjected it to savage cuts - with devastating results for the movie and for film history. The struggle across ensuing decades to restore and reintegrate Gance's film has formed a backdrop to an array of formal, contextual, and ideological battles. In this book, Paul Cuff takes account of those battles and challenges received opinion on Gance's view of both his film and its subject.

Revolutionary Worlds looks at the Indonesian revolution (1945-1949) from a local and regional perspective. With seventeen contributions, Indonesian and Dutch researchers bring to life the revolutionary world from widely differing perspectives. The authors explain how Indonesian, Chinese, Indian and Eurasian civilians, fighters, farmers and officials experienced and shaped the often volatile period between 1945 and 1950. The book focuses on different ideas of independence, survival strategies, mobilization, minorities, contestation of authority and the use of force against the backdrop of Indonesian and Dutch authorities’ efforts to gain or maintain control.

Bringing together two national historiographical traditions which have long remained largely separate, Revolutionary Worlds is the result of a collaboration between the Indonesian research project Proklamasi Kemerdekaan, Revolusi dan Perang di Indonesia ('Proclamation of Independence, Revolution and War in Indonesia', Universitas Gadjah Mada, Yogyakarta) and the Dutch research group of the Regional Studies project, under the umbrella of the research programme Independence, Decolonization, Violence and War in Indonesia, 1945-1950.

The authors of this book – Taufik Ahmad, Galuh Ambar Sasi, Maarten van der Bent, Martijn Eickhoff, Farabi Fakih, Roel Frakking, Apriani Harahap, Anne-Lot Hoek, Sarkawi B. Husain, Julianto Ibrahim, Gerry van Klinken, Erniwati, Mawardi Umar, Anne van der Veer, Abdul Wahid, Tri Wahyuning M. Irsyam, and Muhammad Yuanda Zara – work with various universities and research institutes in Indonesia and the Netherlands.

This book represents the first study of the art of rhetoric in medieval Ireland, a culture often neglected by medieval rhetorical studies. In a series of three case studies, Brian Stone traces the textual transmission of rhetorical theories and practices from the late Roman period to those early Irish monastic communities who would not only preserve and pass on the light of learning, but adapt an ancient tradition to their own cultural needs, contributing to the history of rhetoric in important ways. The manuscript tradition of early Ireland, which gave us the largest body of vernacular literature in the medieval period and is already appreciated for its literary contributions, is also a site of rhetorical innovation and creative practice.

Sorge’s activities between 1930 and 1942 have tended to be lauded as those of a superlative human intelligence operator and the Soviet Union’s GRU (Soviet military intelligence unit) as the optimum of spy-masters. Although it was unusual for a great deal of inside knowledge to be obtained from the Japanese side, most attention has always been paid on the German side to the roles played by representatives of the German Army in Japan. This book, supported by extensive notes and a bibliography, by contrast, highlights the friendly relations between Sorge and Paul Wenneker, German naval attaché in Japan from 1932 to 1937 and 1940–45. Wenneker, from extensive and expanding contacts inside the Japanese Navy (and also concealed contacts with the Japanese Army) supplied Sorge with key information on the depth of rivalry between the Japanese armed services.

Sorge’s activities between 1930 and 1942 have tended to be lauded as those of a superlative human intelligence operator and the Soviet Union’s GRU (Soviet military intelligence unit) as the optimum of spy-masters. Although it was unusual for a great deal of inside knowledge to be obtained from the Japanese side, most attention has always been paid on the German side to the roles played by representatives of the German Army in Japan. This book, supported by extensive notes and a bibliography, by contrast, highlights the friendly relations between Sorge and Paul Wenneker, German naval attaché in Japan from 1932 to 1937 and 1940–45. Wenneker, from extensive and expanding contacts inside the Japanese Navy (and also concealed contacts with the Japanese Army) supplied Sorge with key information on the depth of rivalry between the Japanese armed services.

What is literature? Can we measure ‘literariness’ in texts themselves? The innovative Computational Humanities project The Riddle of Literary Quality asked thousands of Dutch readers for their opinion about contemporary Dutch and translated novels. The public shared which novels they had read, what they really thought of them, and how they judged their quality. Their judgments of the same novels were compared with the results of computational analysis of the books. Using evidence from almost 14,000 readers and building on more textual data than ever before, Van Dalen-Oskam and her team uncovered unconscious biases that shed new light on prejudices many people assumed no longer existed. This monograph explains in an accessible way how the project unfolded, which methods were used, and how the results may change the future of Literary Studies.

In Ripples of Hope, Robert M. Press tells the stories of mothers, students, teachers, journalists, attorneys, and manyothers who courageously stood up for freedom and human rights against repressive rulers “ and who helped bring about change through primarily nonviolent means. Global in application and focusing on Kenya, Liberia and Sierra Leone, this tribute to the strength of the human spirit also breaks new ground in social movement theories, showing how people on their own or in small groups can make a difference.

onsidered a doyen of Meiji studies, particularly in the field of the newspaper press in Japan, former journalist Jim Huffman and H. Orth Hirt Professor of History [Emeritus] at Wittenberg University, was recently honoured (2017) with the Distinguished Service Award by the Association of Asian Studies (AAS), marking his outstanding scholarship and service in the field of Asian Studies. Huffman is the author of eight acclaimed books, including Creating a Public: People and Press in Meiji Japan, A Yankee in Meiji Japan : The Crusading Journalist Edward H. House, Japan: A History in Documents and most recently Down and Out in Late Meiji Japan. Supported by an introductory mini memoir, this collection of Huffman’s writings comprises thirty journal papers and scholarly essays, thematically structured under (1) Media, (2) Society, Culture and Environment, and (3) Democracy, Government and Nationalism. Part 4 offers a selection from his portfolio of book reviews. The Rise and Evolution of Meiji Japan provides a valuable one-stop access to the scholarship of Jim Huffman that both complements and enhances his existing published works.

Risk Quantification and Allocation Methods for Practitioners offers a practical approach to risk management in the financial industry. This in-depth study provides quantitative tools to better describe qualitative issues, as well as clear explanations of how to transform recent theoretical developments into computational practice, and key tools for dealing with the issues of risk measurement and capital allocation.

This book is about migration as a form of risk-taking. Based on Ukrainian women’s experiences in the Polish domestic work sector, it presents a new approach to analyse movements of female migrants responding to the demand for household labour around the world. Risks involved in migration and in migrant domestic work are accounted for in detail alongside an analysis of the migration decision-making processes. This study shows how social ties and migrant institutions effectively reduce the otherwise radical asymmetry of power between an individual migrant, the state and an employer. A Risky Business? brings to light the complex risk structures of migrants’ activities and their sophisticated responses to them. With their innovative strategies, migrants challenge government-imposed constraints and thus reduce the risks of migration.

This book explores the conditions that encourage non-violent civic engagement in emerging civil societies. Gürbüz examines the radical transformations over the past decade in the politics of Turkey's Kurdish minority. On the eve of the new millennium, the Turkish state was still openly denying the existence of Kurds, calling them "mountain Turks," and Kurdish populated cities were ruled under martial law. Kurdish politics in Turkey was dominated by a revolutionary movement, the PKK, which engaged in violent clashes with the state. Less than a decade later, the PKK's rebellion had all but ended, and Kurdish political and civic movements of numerous stripes had emerged. The Turkish state even introduced an official Kurdish-language TV channel. How did this rapid change occur? Gürbüz proposes that contending social movements has transformed the politics of the region, ushering in an era of post-conflict political and cultural competition.

River Cities in Asia uncovers the intimate relationship between rivers and cities in Asia from a multi-disciplinary perspective in the humanities and the social sciences. As rivers have shaped human settlement patterns, economies, culture and rituals, so too have humans impacted the flow and health of rivers. In Asia, the sheer scale of urbanization increases the urgency of addressing challenges facing urban rivers, leading to the importance of historically, socially, and culturally relevant solutions. However, cities are also uneven landscapes of power, affecting chances to achieve holistic ecological approaches. The central premise of River Cities in Asia is that a “river city” is one where proximity between a river and a city exists across time and space, natural and social dimensions. Recognition of these deep connections can help to better contextualize policy solutions aimed at rivers and their ecologies, including human life.

Early Medieval Britain is more Roman than we think. The Roman Empire left vast infrastructural resources on the island. These resources lay buried not only in dirt and soil, but also in texts, laws, chronicles - even charters, churches, and landscapes. This book uncovers them and shows how they shaped Early Medieval Britain. Infrastructure, material and symbolic, can work in ways that are not immediately obvious and exert an influence long after the builders have gone. Infrastructure can also rest dormant and be reactivated with a changed function, role and appearance. This is not a simple story of continuity and discontinuity: it is a story of transformation, of how the Roman infrastructural past was used and re-used, and also how it influenced the later societies of Britain.

This book examines the environment and society of North Africa during the late Roman period (fourth and fifth centuries CE) through the writings of Helvius Vindicianus, Theodorus Priscianus, Caelius Aurelianus, and Cassius Felix.These four medical writers, whose translation into Latin of precious Greek texts has been hailed as ‘the achievement of the millennium’ by one modern scholar, provide a unique opportunity to understand North Africa, the most prosperous region of the Roman World during Late Antiquity. Although focusing on medical knowledge and hygiene, their writings provide fresh insights on the environment, economy, population, language, and health facilities of the region.Roman North Africa: Environment, Society and Medical Contribution includes the first full discussion of the exceptional career of the physician Helvius Vindicianus, as well as a valuable reassessment of other writers whose works were read throughout the Middle Ages. It will therefore prove invaluable not only for scholars of Late Antiquity and North Africa, but also for those working on later periods.

Archaeologists working in northwest Europe have long remarked on the sheer quantity and standardisation of objects unearthed from the Roman period, especially compared with earlier eras. What was the historical significance of this boom in standardised objects? With a wide and ever-changing spectrum of innovative objects and styles to choose from, to what extent did the choices made by people in the past really matter? To answer these questions, this book sheds new light on the make-up of late Iron Age and early Roman ‘objectscapes’, through an examination of the circulation and selections of thousands of standardised pots, brooches, and other objects, with emphasis on funerary repertoires, c. 100 bc-ad 100. Breaking with the national frameworks that inform artefact research in much ‘provincial’ Roman archaeology, the book tests the idea that marked increases in the movement of people and objects fostered pan-regional culture(s) and transformed societies. Using a rich database of cemeteries and settlements spanning a swathe of northwest Europe, including southern Britannia, Gallia Belgica, and Germania Inferior, the study extensively applies multivariate statistics (such as Correspondence Analysis) to examine the roles of objects in an ever-changing and richly complex cultural milieu.

The subject of this study is a relatively rare category of artefacts, bronze and terracotta statuettes that represent deities, human figures and animals. They were introduced in the northwestern provinces by Roman troops from the end of the 1st century BCE onwards. The statuettes have been recovered from military and non-military settlements, the surrounding landscape and, to a far lesser extent, from sanctuaries and graves. Until now, their meaning and function have seldom been analysed in relation to their find-spots. Contrary to traditional studies, they have been examined as one separate category of artefacts, which offers new insights into the distribution pattern and iconographic representation of deities. When studying a group of artefacts, a large research area or a large dataset is required, as well as dateable artefacts and find-contexts. These conditions do not apply to the Netherlands and to the majority of statuettes that are central to this study. Moreover, although the changing appearance of statuettes suggest a transformation of cults, the identities of the owners of these statuettes remain invisible to us. Therefore, the issue of Romanization is not put central here. Instead, the focus is on a specific aspect of religion, known as lived religion, within the wider subject of its transformation in the Roman period: how people used statuettes in everyday life, in the context of their houses and settlements.

This volume interrogates the assumption that Visigothic practices and institutions were mere imitations of the Byzantine empire. Contributors rethink these practices not as uncritical and derivative adoptions of Byzantine customs, but as dynamic processes in dialogue with not only the Byzantine empire but also with the contemporary Iberian context, as well as the Roman past. The goal of the volume is to approach Visigothic customs not as an uncritical adoption and imitatio of contemporary Roman models (an "acculturation" model), but as unique interpretations of a common pool of symbols, practices, and institutions that formed the legacy of Rome. The contributors argue that it is necessary to reconsider the idea of imitatio imperii as a process that involved specific actors taking strategic decisions in historically contingent circumstances.

How do rural Chinese households deal with the conflicting pressures of migrating into cities to work as well as staying at home to preserve their fields? This is particularly challenging for rice farmers, because paddy fields have to be cultivated continuously to retain their soil quality and value. Drawing on ethnographic fieldwork and written sources, Rural-Urban Migration and Agro-Technological Change in Post-Reform China describes farming households' strategic solutions to this predicament. It shows how, in light of rural-urban migration and agro-technological change, they manage to sustain both migration and farming. It innovatively conceives rural households as part of a larger farming community of practice that spans both staying and migrating household members and their material world. Focusing on one exemplary resource - paddy fields - it argues that socio-technical resources are key factors in understanding migration flows and migrant-home relations. Overall, this book provides rare insights into the rural side of migration and farmers' knowledge and agency.

This important study analyzes the challenges faced by second-generation Russians in post-Soviet Estonia, and, in doing so, explores the interrelationships between ethnicity and social equality. It will be of great value to scholars of immigration, cultural assimilation, ethnicity, and nationalism.