front cover of “Obeah” and Other Martinican Stories
“Obeah” and Other Martinican Stories
Marie-Magdeleine Carbet
Michigan State University Press, 2017
This volume comprises French versions and English translations of seven short stories written by Marie-Magdeleine Carbet, Martinique’s most prolific woman writer. Four of these stories are previously unpublished, culled from documents obtained from Carbet’s niece. While analyses of the literature of the French Caribbean have tended to portray these people typically as suffering from pathologies of colonial oppression, the situations and reflections presented in these stories offer different perspectives on the lives and concerns of ordinary Martinicans and thus provide insight into some of the missing links of the sociocultural scene. This unique, multifaceted text fills an important pedagogical and scholarly need, and allows the reader to access the daily lives of French Caribbeans in a significantly authentic way.
 
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The Oedipus Casebook
Reading Sophocles' Oedipus the King
Mark R. Anspach
Michigan State University Press, 2019
Who killed Laius? Most readers assume Oedipus did. At the play’s end, he stands convicted of murdering his father, marrying his mother, and triggering a deadly plague. With selections from a stellar assortment of critics including Walter Burkert, Terry Eagleton, Michel Foucault, René Girard, and Jean-Pierre Vernant, this book reopens the Oedipus case and lets readers judge for themselves. The Greek word for tragedy means “goat song.” Is Oedipus the goat? Helene Peet Foley calls him “the kind of leader a democracy would both love and desire to ostracize.” The Oedipus Casebook readings weigh the evidence against Oedipus, place the play in the context of Greek scapegoat rites, and explore the origins of tragedy in the festival of Dionysus. This unique critical edition includes a new translation of the play by distinguished classics scholar Wm. Blake Tyrrell and the authoritative Greek text established by H. Lloyd-Jones and N. G. Wilson.
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Oedipus; or, The Legend of a Conqueror
Marie Delcourt
Michigan State University Press, 2020
Marie Delcourt’s brilliant study of the Oedipus legend, an unjustly neglected monument of twentieth-century classical scholarship published in 1944 and issued here for the first time in English translation, bridges the gap between Carl Robert’s influential Oidipus (1915) and the work of Lowell Edmunds seventy years later. Delcourt studies the legend in its various aspects, six episodes that have equal weight and that stress the same themes: greatness, conquest, domination, the right to rule—all of them bound up with the idea of kingship. Together they form the biography of a Theban hero, the fullest account that has come down to us about the prehistory of sovereign power among the ancient Greeks. Delcourt does not suppose that Oedipus, or indeed any other Greek hero, was a historical figure. The personality familiar to us from the plays of the tragedians of the fifth century—our oldest source, and a very late one—was the result of their extraordinary artistry in linking together themes rooted in very ancient social and religious rites that in the interval had come to describe the feats of Oedipus, then his life, and finally his character. It was in order to explain these rites, whose meaning had ceased to be understood, that myths and legends were invented in the first place. Oedipus, Delcourt argues, is the archetype of all heroes of essentially (if not exclusively) ritual origin, whose acts were prior to their person. This is a very different— and far more complex—Oedipus than the one rather implausibly imagined by Freud. More generally, the origin and transmission of the Oedipus legend tells us a great deal about the strength and persistence of public memories in prehistoric societies.
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Of This River
Noah Davis
Michigan State University Press, 2020
In a stunning and visceral debut, Noah Davis ushers in a new era of poems from the Alleghenyregion of Appalachia. In chronicling the river valley’s human and more-than-human worlds through acts of modern myth making, Davis expands the scope of contemporary American poetry. This soulful meditation on a neglected region of America reveals a legacy of lingering violence to land and animal alike. In striking stories and scenes, Davis portrays the spiritual cost of deep poverty, the necessity to ask for forgiveness, and the joy in praising the beauty still found in the steep hollows. These poems will cling to you like water on the soles of your boots.
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The Offbeat
Collecting Glances
Kristen DeMay
Michigan State University Press, 2005

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices,and to promoting contactand discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non-student alike. The Offbeat’s goal is to provide an alternative literary outlet for all Michigan writers.

 

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The Offbeat
Eschew Obfuscation
Theresa Mlinarcik
Michigan State University Press, 2003

The Offbeat literary collection series is devoted to publishing a diverse selection of voices and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State University students, with the goal of providing an alternative literary outlet for Michigan writers.  
      This edition features an interview with noted author, W. S. Penn, plus a selection of original fiction, prose, and poetry from a variety of authors, including Daniel Klass, Timothy Carmody, Joshua Moon, Robert Brady, Mark Geralds, Andrew Hungerford, Jeremy Campbell, Gavin Craig, Ashley Honeysett, Andy McGashen, Colleen Farrow, Crystal Passmore, Jogn Garcia, De'Juan McDuell, Gregory Wright, Bailey Follette, and Brandon Connell.  
 

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The Offbeat
Fully Clothed
Kristen DeMay
Michigan State University Press, 2006

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contact and discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non student alike. The Offbeat’s goal is to provide an alternative literary outlet for all Michigan writers.

 

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The Offbeat
I Have Been Sometimes True to Nothing
Theresa Mlinarcik
Michigan State University Press, 2003

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contact and discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non-student alike. The Offbeat' goal is to provide an alternative literary outlet for all Michigan writers. The Offbeat presents, encourages, and explores creative works in fiction, poetry, drama, essay, criticism, image, and that which defies categorization. Its purpose is to call attention to voices both emerging and established, including those that have been previously overlooked.

 

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The Offbeat
Noise from Typewriter Keys
Goldie Currie
Michigan State University Press, 2010

Noise from Typewriter Keys is the tenth volume in the independent literary series, The Offbeat, devoted to publishing a diverse collection of voices, and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State Undergraduates, and is centered in East Lansing. The mission of The Offbeat is to provide an alternative literary outlet for writers from Michigan and beyond, and to call attention to voices both emerging and established.
     The Offbeat: Noise from Typewriter Keys is an ensemble of voices and eruptions heard from the inside and out. This volume includes a wide variety of writers and focuses on the ambition of new creation. This part of the series seeks to capture movement of a writer while exploring the varied sounds that come from imagination.

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The Offbeat
Tell Me Everything
Kristen DeMay
Michigan State University Press, 2007

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contactand discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non-student alike. The Offbeat's goal is to provide an alternative literary outlet for all Michigan writers.

 

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The Offbeat
The Silver Lining
Chelsea Beck
Michigan State University Press, 2013

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The Offbeat
Unvarnished Voices
Kristen DeMay
Michigan State University Press, 2004

The Offbeat is a literary collection series devoted to publishing a diverse selection of voices and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State University students, with the goal of providing an alternative literary outlet for Michigan writers.
     This edition contains work by Steven Rajewski, Erin Ashmore, Neil Kennedy, Victoria Henderson, Mary Helmic, Rebecca Klein, Jamie Miller, Ken Sleight, Laura Tisdel, and many others.

 

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The Offbeat
Wisdom from Exploration
Marla Koenigsknecht
Michigan State University Press, 2014

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The Offbeat
With Abandon
Chris Cobb
Michigan State University Press, 2008

With Abandon is the eighth volume in the independent literary series, The Offbeat, devoted to publishing a diverse collection of voices, and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State Undergraduates, and is centered in East Lansing. The mission of The Offbeat is to provide an alternative literary outlet for writers from Michigan and beyond, and to call attention to voices both emerging and established.
     The Offbeat: With Abandon features a wide array of writing that cuts across genres, highlighting the best work by authors ranging from professional journalists to undergraduate writers. Thrown into the mix are voices from professors of literature, graduate students in creative writing, and even a few of our editorial staff. In this volume, writing is an act of faith, a documentation of the joy and terror of life, and above all, an act of witness.

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The Offbeat
Words of Past Lives
Marla Koenigsknecht
Michigan State University Press, 2013

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Ogimawkwe Mitigwaki (Queen of the Woods)
Simon Pokagon
Michigan State University Press, 2010

Simon Pokagon, the son of tribal patriarch Leopold Pokagon, was a talented writer, advocate for the Pokagon Potawatomi community, and tireless self-promoter.
     In 1899, shorty after his death, Pokagon's novel Ogimawkwe Mitigwaki (Queen of the Woods)—only the second ever published by an American Indian—appeared. It was intended to be a testimonial to the traditions, stability, and continuity of the Potawatomi in a rapidly changing world. Read today, Queen of the Woods is evidence of the author's desire to mark the cultural, political, and social landscapes with a memorial to the past and a monument to a future that included the Pokagon Potawatomi as distinct and honored people.
     This new edition offers a reprint of the original 1899 novel with the author's introduction to the language and culture of his people. In addition, new accompanying materials add context through a cultural biography, literary historical analysis, and linguistic considerations of the unusual text.

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On the Brink
The Great Lakes in the 21st Century
Dave Dempsey
Michigan State University Press, 2004

As one of the world’s great natural treasures, the Great Lakes have also served in recent decades as an early warning system for many emerging environmental problems. In the early twenty-first century, as the Lakes face unprecedented challenges, we need to revisit both the wonder of the Lakes and the perils plaguing them, and to take action to protect this majestic ecosystem. 
     Dave Dempsey weaves the natural character and phenomena of the Great Lakes and stories of the schemes, calamities, and unusual human residents of the Basin with the history of their environmental exploitation and recovery. Contrasting the incomparable beauty and complexity of the Lakes, and the poetry, folklore, and citizen action they have inspired, with the disasters that short-sighted human folly has inflicted on the ecosystem, Dempsey makes this history both engaging and relevant to today’s debates and decisions.
     Underlying the neglectful treatment of the Lakes are two irreconcilable and faulty human assumptions: that the Lakes are a system so big that human beings cannot do great harm to it, and that the Lakes are a resource that can be bent to the will of humankind. Dempsey finds evidence that, despite great changes in the laws governing the Lakes and public attitudes toward them in the last fifty years, government policy and institutions are still dominated by these dangerous attitudes.
     A central theme of On the Brink is that citizens, who have displayed an increasing sense of commitment to the Lakes and a growing sense of place, must challenge their leaders to reform Great Lakes institutions. While everything from large-scale water exports to global climate change looms in the future of the Lakes, single-purpose solutions do not suffice—no more than a Band- aid would on a gaping wound. Dempsey shows that it is necessary to create a governing system that reflects the realities of life “on the ground” in communities and that taps into the passion and determination of citizens to protect these treasures.

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On the Eve of Conquest
The Chevalier de Raymond's Critique of New France in 1754
Joseph L. Peyser
Michigan State University Press, 1997

In 1754, Charles de Raymond, chevalier of the Royal and Military Order of Saint Louis and a captain in the Troupes de la Marine wrote a bold, candid, and revealing expose; on the French colonial posts and settlements of New France. On the Eve of the Conquest, more than an annotated translation, includes a discussion on the historical background of the start of the French and Indian War, as well as a concise biography of Raymond and Michel Le Courtois de Surlaville, the army colonel at the French court to whom the report was sent. The events surrounding Raymond's controversial year as commandant of the post (now Fort Wayne, Indiana) in 1749-50, his disputed recall by Governor General Jacques-Pierre de Taffanel de La Jonquier, and the subsequent friction between La Jonquiere's successor, Ange de Menneville Duqesne, and Raymond are presented in detail and illustrated by translations of their correspondence.  
 

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On the Frontier of Science
An American Rhetoric of Exploration and Exploitation
Leah Ceccarelli
Michigan State University Press, 2013
“The frontier of science” is a metaphor that has become ubiquitous in American rhetoric, from its first appearance in the public address of early twentieth-century American intellectuals and politicians who aligned a mythic national identity with scientific research, to its more recent use in scientists’ arguments in favor of increased research funding. Here, Leah Ceccarelli explores what is selected and what is deflected when this metaphor is deployed, its effects on those who use it, and what rhetorical moves are made by those who try to counter its appeal. In her research, Ceccarelli discovers that “the frontier of science” evokes a scientist who is typically male, a risk taker, an adventurous loner—someone separated from a public that both envies and distrusts him, with a manifest destiny to penetrate the unknown. It conjures a competitive desire to claim the riches of a new territory before others can do the same. Closely reading the public address of scientists and politicians and the reception of their audiences, this book shows how the frontier of science metaphor constrains American speakers, helping to guide the ends of scientific research in particular ways and sometimes blocking scientists from attaining the very goals they set out to achieve.
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The One by Whom Scandal Comes
René Girard (Translated by M. B. DeBevoise)
Michigan State University Press, 2014
“Why is there so much violence in our midst?” René Girard asks. “No question is more debated today. And none produces more disappointing answers.” In Girard’s mimetic theory it is the imitation of someone else’s desire that gives rise to conflict whenever the desired object cannot be shared. This mimetic rivalry, Girard argues, is responsible for the frequency and escalating intensity of human conflict. For Girard, human conflict comes not from the loss of reciprocity between humans but from the transition, imperceptible at first but then ever more rapid, from good to bad reciprocity. In this landmark text, Girard continues his study of violence in light of geopolitical competition, focusing on the roots and outcomes of violence across societies latent in the process of globalization. The volume concludes in a wide-ranging interview with the Sicilian cultural theorist Maria Stella Barberi, where Girard’s twenty-first century emphases on the continuity of all religions, global conflict, and the necessity of apocalyptic thinking emerge.
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The Origins of Bioethics
Remembering When Medicine Went Wrong
John A. Lynch
Michigan State University Press, 2019
The Origins of Bioethics argues that what we remember from the history of medicine and how we remember it are consequential for the identities of doctors, researchers, and patients in the present day. Remembering when medicine went wrong calls people to account for the injustices inflicted on vulnerable communities across the twentieth century in the name of medicine, but the very groups empowered to create memorials to these events often have a vested interest in minimizing their culpability for them. Sometimes these groups bury this past and forget events when medical research harmed those it was supposed to help. The call to bioethical memory then conflicts with a desire for “minimal remembrance” on the part of institutions and governments. The Origins of Bioethics charts this tension between bioethical memory and minimal remembrance across three cases—the Tuskegee Syphilis Study, the Willowbrook Hepatitis Study, and the Cincinnati Whole Body Radiation Study—that highlight the shift from robust bioethical memory to minimal remembrance to forgetting.
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Ottawa Stories from the Springs
Anishinaabe dibaadjimowinan wodi gaa binjibaamigak wodi mookodjiwong e zhinikaadek
Howard Webkamigad
Michigan State University Press, 2014
Sometimes things come to people out of the blue and seemingly for a reason. The Anishinaabe word for this is nigika. The stories contained in this collection reached Howard Webkamigad nearly eighty years after they were recorded, after first being kept in their original copper wire format by the American Philosophical Society and later being converted onto cassettes and held by Dr. James McClurken of Michigan State University. These rich tales, recorded by Anishinaabe people in the Harbor Springs area of Michigan, draw on the legends, fables, trickster stories, parables, and humor of Anishinaabe culture. Reaching back to the distant past but also delving into more recent events, this book contains a broad swath of the history of the Ojibwe/Chippewa, Ottawa, Pottawatomi, Algonkian, Abenaki, Saulteau, Mashkiigowok/Cree, and other groups that make up the broad range of the Anishinaabe-speaking peoples. Provided here are original stories transcribed from Anishinaabe-language recordings alongside Howard Webkamigad’s English translations. These stories not only provide a textured portrait of a complex people but also will help Anishinaabe-language learners see patterns in the language and get a sense of how it flows. Featuring side-by-side Anishinaabe/English translations.
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Our Land & Land Policy
Speeches Lectures, and Miscellaneous Writings
Kenneth C. Wenzer
Michigan State University Press, 1999

Even before the publication of Progress and Poverty in 1879, San Francisco political economist and publisher Henry George (1839-1897) had written extensively about what he considered to be the causes for worldwide economic inequity—land monopolization and speculation by wealthy entrepreneurs and corrupt politicians. But his attacks on these evils were coupled with a plan for a possible brighter future, for a world in which disparities between people of different classes could be adjusted. By the time he died in 1897, his assessments of liberal 19th-century economic theory were critically acclaimed in Europe and the United States.  
      Michigan State University Press's new edition of Our Land and Land Policy includes the texts of speeches George delivered and essays he published during three decades of political activism. These pieces were chosen originally in 1901 by George's son, Henry George, Jr., to portray the expansiveness and depth of his father's philosophy and the sincerity with which the elder George struggled throughout his life for social justice.  
 

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Our People, Our Journey
The Little River Band of Ottawa Indians
James M. McClurken
Michigan State University Press, 2009

Our People, Our Journey is a landmark history of the Little River Band of Ottawa Indians, a Michigan tribe that has survived to the present day despite the expansionist and assimilationist policies that nearly robbed it of an identity in the late nineteenth century.
     In his thoroughly researched chronicle, McClurken documents in words and images every major lineage and family of the Little River Ottawas. He describes the Band's struggles to find land to call its own over several centuries, including the hardships that began with European exploration of what is now the upper Midwest. Although the Little River Ottawas were successful at integrating their economic and cultural practices with those of Europeans, they were forced to cede land in the face of American settlements.
     McClurken explains how the Little River Band was forced, in 1858, onto a reservation on the Pere Marquette and Manistee Rivers where they settled with a number of other Ottawa bands. However, the very treaty intended to provide the Grand River Ottawas with a permanent reservation "homeland" eventually allowed non-Indians to acquire title to nearly two-thirds of the land within the reservation by 1880.

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Our Precious Corn
Yukwanénste
Rebecca M. Webster
Michigan State University Press, 2023
For the Oneida people, yukwanénste has two meanings: our corn and our precious. Corn has walked alongside the Oneida and other Haudenosaunee people since creation, playing an integral role in their daily and ceremonial lives throughout their often turbulent history. The relationship between corn and the Oneida has changed over time, but the spirit of this important resource has remained by their side, helping them heal along the way. In Our Precious Corn: Yukwanénste, author Rebecca M. Webster (Kanyʌʔtake·lu), an Oneida woman and Indigenous corn grower, weaves together the words of explorers, military officers, and anthropologists, as well as historic and other contemporary Haudenosaunee people, to tell a story about their relationships with corn. Interviews with over fifty Oneida community members describe how the corn has made positive impacts on their lives, as well as hopeful visions for its future. As an added bonus, the book includes an appendix of different cooking and preparation methods for corn, including traditional and modern recipes.
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Our Purpose in Speaking
William Orem
Michigan State University Press, 2018
In this debut poetry collection by an award-winning fiction writer, the longing for God and the poignancy of family life echo each other’s music. The traditional forms of sonnet, sestina, and villanelle punctuate more modern verse forms, this combination being only one of the strands binding past and present. Many of these poems may be read as confessions—of joy, of hurtfulness given or received, of awe at the inescapable reality of love. This volume comprises spiritual writing that remains firmly of this world, part apostasy, part song, reaching out for meaning from both the shifting landscape of Maryland’s Chesapeake Bay and the interior places of the heart.
 
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Out
John Smolens
Michigan State University Press, 2019
Out, the sequel to John Smolens’s internationally acclaimed novel Cold, finds the former constable Del Maki recovering from surgery and haunted by the recent loss of his wife. His house, set deep in the woods of Michigan’s Upper Peninsula, becomes a haven for refugees during a fierce blizzard. First his pregnant physical therapist’s car won’t start. Then her two lovers come for her—and after each other. After her current boyfriend saves an enigmatic Finnish woman from freezing to death in the storm, they are followed by her former boyfriend, a petty thief who is armed and seeks revenge. As the weather worsens, leading to a power outage, damage from a fallen tree, and a fire, tensions rise. Forced to abandon the house, their flight through the snowbound forest leads to a bad deal with a deadly result. John Smolens’s novel Cold was lauded for its “stunning brutality and uncommon tenderness.” In the sequel, Out, nature and human nature again collide, illuminating the difference between being rescued and being saved.
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