<p>If you've always longed to strike out through the open country of northern Mexico armed with frying pan and bedroll, then this guide to the people, culture, folkways, landscape, and language of rural Mexico is for you. Out of twenty years of travel in backcountry Mexico, authors Bob Burleson and David Riskind have produced perhaps the most practical and accurate guide available for the unconventional tourist&mdash;the man or woman who prefers to get off the beaten path by foot, burro, mule, canoe, raft, or vehicle.</p>
<p>Going well beyond the usual tourist guidebook entries, <cite>Backcountry Mexico</cite> will help you hire a guide and burro, navigate rural roads and trails, and communicate with the friendly and, sometimes, unfriendly folks you are likely to meet in a rural setting.</p>
<p>In addition to English-Spanish and Spanish-English vocabulary lists containing both standard words and numerous terms relating to people, conditions, land, and situations not ordinarily encountered in tourists' lists, the authors have provided literally hundreds of helpful phrases and short conversations in easy-to-use sections arranged according to topics. Experienced unconventional travelers themselves, Burleson and Riskind have become experts in such subjects as "Eating and Staying Well on the Road, " "Camping in Mexico, " "Rural Mexican Village Life," and many more. Their experience, and the resultant wealth of language and cultural information contained in this guide, will help you to enjoy your trip ancd to better understand and appreciate the people and the land you visit.</p>
<p>Throughout the book, the language examples are interwoven with beautifully illustrated anecdotes about culture and lifeways, so that the traveler is equipped with practical knowledge as well as appropriate behavior and speech. Fascinating in its treatment of a culture that is little known and unique in its coverage of rural-style Mexican Spanish, <cite>Backcountry Mexico</cite> will prove invaluable to anyone who ventures forth into northern Mexico.</p>

Women’s transgressive behaviors and perspectives are challenging societal norms in the Arab world, giving rise to anxiety and public debate. Simultaneously, however, other Arab women are unwillingly finding themselves labeled “bad” as authority figures attempt to redirect scrutiny from serious social ills such as patriarchy and economic exploitation, or as they impose new restrictions on women’s behavior in response to uncertainty and change in society. Bad Girls of the Arab World elucidates how both intentional and unintentional transgressions make manifest the social and cultural constructs that define proper and improper behavior, as well as the social and political policing of gender, racial, and class divisions.

The works collected here address the experiences of women from a range of ages, classes, and educational backgrounds who live in the Arab world and beyond. They include short pieces in which the women themselves reflect on their experiences with transgression; academic articles about performance, representation, activism, history, and social conditions; an artistic intervention; and afterwords by the acclaimed novelists Laila al-Atrash and Miral al-Tahawy. The book demonstrates that women’s transgression is both an agent and a symptom of change, a site of both resistance and repression. Showing how transnational forces such as media discourses, mobility and confinement, globalization, and neoliberalism, as well as the legacy of colonialism, shape women’s badness, Bad Girls of the Arab World offers a rich portrait of women’s varied experiences at the boundaries of propriety in the twenty-first century.

Baetica, the present-day region of Andalusia in southern Spain, was the wealthiest province of the Roman Empire. Its society was dynamic and marked by upward social and economic mobility, as the imperial peace allowed the emergence of a substantial middle social and economic stratum. Indeed, so mutually beneficial was the imposition of Roman rule on the local population of Baetica that it demands a new understanding of the relationship between Imperial Rome and its provinces.

Baetica Felix builds a new model of Roman-provincial relations through a socio-economic history of the province from Julius Caesar to the end of the second century A.D. Describing and analyzing the impact of Roman rule on a core province, Evan Haley addresses two broad questions: what effect did Roman rule have on patterns of settlement and production in Baetica, and how did it contribute to wealth generation and social mobility? His findings conclusively demonstrate that meeting the multiple demands of the Roman state created a substantial freeborn and ex-slave "middle stratum" of the population that outnumbered both the super-rich elite and the destitute poor.

As counsel for Pennzoil's successful effort to recover billions of dollars in damages from Texaco over the acquisition of Getty Oil Company, the Baker & Botts law firm of Houston, Texas, achieved wide public recognition in the 1980s. But among its peers in the legal and corporate worlds, Baker & Botts has for more than a century held a preeminent position, handling the legal affairs of such blue-chip clients as the Southern Pacific Railroad, Houston Lighting & Power Company, Rice University, Texas Commerce Bank, and Tenneco. In this study, Kenneth J. Lipartito and Joseph A. Pratt chronicle the history of Baker & Botts, placing particular emphasis on the firm's role in Houston's economic development.

Founded in 1840, Baker & Botts literally grew up with Houston. The authors chart its evolution from a nineteenth-century regional firm that represented eastern-based corporations moving into Texas to a twentieth-century national firm with clients throughout the world. They honestly discuss the criticisms that Baker & Botts has faced as an advocate of big business. But they also identify the important impact that corporate law firms of this type have on business reorganization and government regulation. As the authors demonstrate in this case study, law firms throughout the twentieth century have helped to shape public policy in these critical areas.

Always prominent in the community, and with prominent connections (former Secretary of State James A. Baker III is the great-grandson of the original Baker), the Baker & Botts law firm belongs in any history of the development of Houston and the Southwest.

Whether it's a slice of warm bread and butter, a Thanksgiving pumpkin pie, or a piece of cake, baked goods have been among America's favorite comfort foods ever since the Pilgrims arrived. From the days of hand mixing and baking on the hearth to today's use of food processors and electric ranges, American cooks have created an amazing variety of breads and baked goods that are as distinctive as the cultures from which we came.

Spanning colonial times to the present and every region of the United States, this book is a comprehensive guide to baking in America. Certified master baker Arthur L. Meyer brings together some 700 kitchen-tested recipes for America's favorite breads, pies, cakes, and cookies. Compiled from almost 300 regional cookbooks dating from the 1890s to the 1980s, these are the authentic recipes for the traditional baked goods of every part of our country. In these pages, you'll find regional specialties such as Appalachian Buttermilk Cracklin' Bread and Hawaiian Pineapple-Macadamia Bread, as well as old family recipes.

In addition to the recipes, Meyer offers a fascinating overview of the history of baking in America, complete with descriptions of early breads, pies, cakes, and cookies. Whether you're a home or professional baker, a food historian, or someone who just enjoys reading cookbooks, you're sure to find lots of tasty treats here. Let Baking across America become your basic source for all the baked goodies Americans love to eat.

Compiled in 1582, Ballads of the Lords of New Spain is one of the two principal sources of Nahuatl song, as well as a poetical window into the mindset of the Aztec people some sixty years after the conquest of Mexico. Presented as a cancionero, or anthology, in the mode of New Spain, the ballads show a reordering—but not an abandonment—of classic Aztec values. In the careful reading of John Bierhorst, the ballads reveal in no uncertain terms the pre-conquest Aztec belief in the warrior's paradise and in the virtue of sacrifice.

This volume contains an exact transcription of the thirty-six Nahuatl song texts, accompanied by authoritative English translations. Bierhorst includes all the numerals (which give interpretive clues) in the Nahuatl texts and also differentiates the text from scribal glosses. His translations are thoroughly annotated to help readers understand the imagery and allusions in the texts. The volume also includes a helpful introduction and a larger essay, "On the Translation of Aztec Poetry," that discusses many relevant historical and literary issues.

In Bierhorst's expert translation and interpretation, Ballads of the Lords of New Spain emerges as a song of resistance by a conquered people and the recollection of a glorious past.

Bananas, the most frequently consumed fresh fruit in the United States, have been linked to Miss Chiquita and Carmen Miranda, "banana republics," and Banana Republic clothing stores—everything from exotic kitsch, to Third World dictatorships, to middle-class fashion. But how did the rise in banana consumption in the United States affect the banana-growing regions of Central America? In this lively, interdisciplinary study, John Soluri integrates agroecology, anthropology, political economy, and history to trace the symbiotic growth of the export banana industry in Honduras and the consumer mass market in the United States.

Beginning in the 1870s, when bananas first appeared in the U.S. marketplace, Soluri examines the tensions between the small-scale growers, who dominated the trade in the early years, and the shippers. He then shows how rising demand led to changes in production that resulted in the formation of major agribusinesses, spawned international migrations, and transformed great swaths of the Honduran environment into monocultures susceptible to plant disease epidemics that in turn changed Central American livelihoods. Soluri also looks at labor practices and workers' lives, changing gender roles on the banana plantations, the effects of pesticides on the Honduran environment and people, and the mass marketing of bananas to consumers in the United States. His multifaceted account of a century of banana production and consumption adds an important chapter to the history of Honduras, as well as to the larger history of globalization and its effects on rural peoples, local economies, and biodiversity.

A close look at the lives of working musicians who aren’t the center of their stage.

Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people” are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry.

The years 1945-1965 saw heavy partisan conflict in the rural areas of Colombia, with at least 200,000 people killed. This virtual civil war began as a sectarian conflict between the Liberal and Conservative parties, with rural workers (campesinos) constituting the majority of combatants and casualties. Yet La Violencia resists classification as a social uprising, since calls for social reform were largely absent during this phase of the struggle. In fact, once the elite leadership settled on a power-sharing agreement in 1958, the conflict appeared to subside.

This book focuses on the second phase (1958-1965) of the struggle, in which the social dimensions of the conflict emerged in a uniquely Colombian form: the campesinos, shaped by the earlier violence, became social and political bandits, no longer acting exclusively for powerful men above them but more in defense of the peasantry. In comparing them with other regional expressions of bandolerismo, the authors weigh the limited prospects for the evolution of Colombian banditry into full-scale social revolution.

Published originally in 1983 as Bandoleros, gamonales y campesinos and now updated with a new epilogue, this book makes a timely contribution to the discourse on social banditry and the Colombian violencia. Its importance rests in the insights it provides not only on the period in question but also on Colombia's present situation.

Revered by Americans across the political spectrum, Barbara Jordan was "the most outspoken moral voice of the American political system," in the words of former President Bill Clinton, who awarded her the Presidential Medal of Freedom in 1994. Throughout her career as a Texas senator, U.S. congresswoman, and distinguished professor at the Lyndon B. Johnson School of Public Affairs, Barbara Jordan lived by a simple creed: "Ethical behavior means being honest, telling the truth, and doing what you said you were going to do." Her strong stand for ethics in government, civil liberties, and democratic values still provides a standard around which the nation can unite in the twenty-first century.

This volume brings together several major political speeches that articulate Barbara Jordan's most deeply held values. They include:

• "Erosion of Civil Liberties," a commencement address delivered at Howard University on May 12, 1974, in which Jordan warned that "tyranny in America is possible"
• "The Constitutional Basis for Impeachment," Jordan's ringing defense of the U.S. Constitution before the House Judiciary Committee investigating the Watergate break-in
• Keynote addresses to the Democratic National Conventions of 1976 and 1992, in which Jordan set forth her vision of the Democratic Party as an advocate for the common good and a catalyst of change
• Testimony in the U.S. Congress on the confirmation of Supreme Court nominee Robert Bork and on immigration reform
• Meditations on faith and politics from two National Prayer Breakfasts
• Acceptance speech for the 1995 Sylvanus Thayer Award presented by the Association of Graduates of the United States Military Academy, in which Jordan challenged the military to uphold the values of "duty, honor, country"

Accompanying the speeches are context-setting introductions by volume editor Max Sherman. The book concludes with the eloquent eulogy that Bill Moyers delivered at Barbara Jordan's memorial service in 1996, in which he summed up Jordan's remarkable life and career by saying, "Just when we despaired of finding a hero, she showed up, to give the sign of democracy.... This is no small thing. This, my friends, this is grace. And for it we are thankful."

In the 1980s, troubled Americans saw interest rates in the United States climb to an alltime high, unemployment grow to over 10 percent, the federal deficit reach near monumental proportions, and the world economy as a whole fall stagnant.

Why did a once booming world economy give way to stagflation? Economist W. W. Rostow finds the roots of the problem in the phenomenon he terms the Barbaric Counter-Revolution—the effort to wring inflation out of the economic system by the rigorous application of a restricted rate of increase in the money supply. This policy was launched by the Carter administration in October 1979, reinforced by President Reagan in mid 1980, and abandoned in August 1982. In the end, it provided the United States with no mechanism for rapid recovery that did not bring with it a return to high interest rates, resumed inflation, and, soon, another recession.

In what he terms a Civilized Synthesis, Rostow sets forth a series of new policies that would permit rapid, sustained growth with inflation under control. He argues that fiscal and monetary policy must be joined by an incomes policy that would gear the rate of increase of wages and salaries to the average rate of increase in productivity. He explores how this could be accomplished within the context of American politics and existing institutions. Finally, Rostow identifies four directions for investment that, together, would yield economic and social benefits.

American historians preoccupied with the stirring events of the Mexican Revolution and the years following tend to neglect the basic causes of the conflict. John Kenneth Turner—a crusading California newspaperman—presents these causes with brilliance and passion in Barbarous Mexico, his exposé of the Díaz regime. Published serially beginning in the fall of 1909, his articles received scores of favorable reviews. The Rochester Times wrote: "The abolitionists in our own ante bellum days did not formulate an indictment as repulsive as that brought against Mexico by this impassioned writer." A British periodical called Turner "an American humanitarian who deserves the thanks of civilisation." Mexican President Francisco I. Madero himself said that Barbarous Mexico contributed greatly to the success of the Revolution.

Despite its fame early in the twentieth century, Barbarous Mexico was out of print for close to sixty years. The present edition, with an introductory biographical essay on Turner by Sinclair Snow and photographs of the principal characters involved, not only reemphasizes the causes of the Mexican Revolution, but provides both lay reader and scholar with a vivid and exciting account of life in Mexico under Porfirio Díaz.

In stories, recipes, and photographs, James Beard Award–winning writer Robb Walsh and acclaimed documentary photographer O. Rufus Lovett take us on a barbecue odyssey from East Texas to the Carolinas and back. In Barbecue Crossroads, we meet the pitmasters who still use old-fashioned wood-fired pits, and we sample some of their succulent pork shoulders, whole hogs, savory beef, sausage, mutton, and even some barbecued baloney. Recipes for these and the side dishes, sauces, and desserts that come with them are painstakingly recorded and tested.

But Barbecue Crossroads is more than a cookbook; it is a trip back to the roots of our oldest artisan food tradition and a look at how Southern culture is changing. Walsh and Lovett trace the lineage of Southern barbecue backwards through time as they travel across a part of the country where slow-cooked meat has long been part of everyday life. What they find is not one story, but many. They visit legendary joints that don’t live up to their reputations—and discover unknown places that deserve more attention. They tell us why the corporatizing of agriculture is making it difficult for pitmasters to afford hickory wood or find whole hogs that fit on a pit.

Walsh and Lovett also remind us of myriad ways that race weaves in and out of the barbecue story, from African American cooking techniques and recipes to the tastes of migrant farmworkers who ate their barbecue in meat markets, gas stations, and convenience stores because they weren’t welcome in restaurants. The authors also expose the ways that barbecue competitions and TV shows are undermining traditional barbecue culture. And they predict that the revival of the community barbecue tradition may well be its salvation.

Because they prey upon a wide variety of conifers, bark beetles have a major impact upon western forests. In most of the western states, for example, we have witnessed bark beetles in epidemic outbreaks, attacking and damaging ponderosa pine, limber pine, and other hosts.

The ecosystem of bark beetle and host tree is a highly coevolved community of organisms in which the evolution of one member of the community significantly influences the evolution of the other. Largely because of the enormous economic impact these insects exert on the management of our forests, few other such communities have been studied so extensively. Bark Beetles in North American Conifers brings together in one volume both theory and a wealth of empirical data gathered by researchers from all the fields in which bark beetles are studied: ecology, evolutionary biology, population genetics, entomology, and forestry.

Topics covered include the life cycle of bark beetles and their population dynamics, their genetic variation and evolutionary mechanisms, the evolution and systematics of the major groups of bark beetles, pheromone production and its implications for coevolution among these organisms, the interaction between bark beetles and their predators, host resistance and susceptibility, the relationship of parasites and symbiotic micro-organisms in general, and management and control of bark beetles based on sound ecological and evolutionary concepts. The concluding section of the book summarizes the dynamics of the coevolved system of bark beetle and host tree and discusses controversial issues for which this system may provide important answers.

Soldier, sea captain, freebooter, courtier, writer, reformer, and informer, Barnaby Rich was a man of his time. In the service of Queen Elizabeth, Rich took part in numerous campaigns fraught with hardship and disaster in France, the Low Countries, and Ireland. After twenty years of soldiering, he wrote Riche His Farewell to Militarie Profession, which attracted the attention of the Queen herself, as well as William Shakespeare and many of the lesser among his contemporaries.

"I have preferred to be rich rather than to be called so," punned the Captain ruefully on his title pages, for he was usually in want and as often in trouble. The source of both misfortunes was his disdain for dodging a fight, and much that is known of his life comes from unpublished records of legal actions in which he was involved. Rich directed his satire primarily against the sinecures of the Anglican clergy in Ireland and against the papacy. "Sworne man" of both Elizabeth and James, he protested near the end of his life that his assaults with pike and pen were but the promptings of a "true harted subjecte."

Born in an age bright with stars, Rich must be considered a "minor" Elizabethan. Therein lies the novelty of this study: it treats the not-so-great, using unpublished court records to enrich our knowledge of Great Britain's grandest era. But the story of the man is not lost in the background of the period. With freshness and charm the present volume disinters Barnaby Rich from the footnote crediting him as Shakespeare's source for the plot of Twelfth Night and fleshes him forth a live Elizabethan.

A peasant family, driven by the drought, walks to exhaustion through an arid land. As they shelter at a deserted ranch, the drought is broken and they linger, tending cattle for the absentee ranch owner, until the onset of another drought forces them to move on, homeless wanderers again. Yet, like the desert plants that defeat all rigors of wind and weather, the family maintains its will to survive in the harsh and solitary land. Intimately acquainted with the region of which he writes and keenly appreciative of the character of its inhabitants, into whose minds he has penetrated as few before him, Graciliano Ramos depicts them in a style whose austerity well becomes the spareness of the subject, creating a gallery of figures that rank as classic in contemporary Brazilian literature.

Within the Mexican American barrios of Los Angeles, gang activity, including crime and violent acts, has grown and flourished. In the past, community leaders and law enforcement officials have approached the problem, not as something that needs to be understood, but only as something to be gotten rid of. Rejecting that approach, James D. Vigil asserts that only by understanding the complex factors that give birth and persistence to gangs can gang violence be ended.

Drawing on many years of experience in the barrios as a youth worker, high school teacher, and researcher, Vigil identifies the elements from which gangs spring: isolation from the dominant culture, poverty, family stress and crowded households, peer pressure, and the adolescent struggle for self-identity. Using interviews with actual gang members, he reveals how the gang often functions as parent, school, and law enforcement in the absence of other role models in the gang members' lives. And he accounts for the longevity of gangs, sometimes over decades, by showing how they offer barrio youth a sense of identity and belonging nowhere else available.

Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raúl Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity.

Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts.

Mexican communities in the Midwestern United States have a history that extends back to the turn of the twentieth century, when a demand for workers in several mass industries brought Mexican agricultural laborers to jobs and homes in the cities. This book offers a comprehensive social, labor, and cultural history of these workers and their descendants, using the Mexican barrio of "San Pablo" (St. Paul) Minnesota as a window on the region.

Through extensive archival research and numerous interviews, Dennis Valdés explores how Mexicans created ethnic spaces in Midwestern cities and how their lives and communities have changed over the course of the twentieth century. He examines the process of community building before World War II, the assimilation of Mexicans into the industrial working class after the war, the Chicano Movement of the 1960s and 1970s, and more recent changes resulting from industrial restructuring and unprecedented migration and population growth. Throughout, Valdés pays particular attention to Midwestern Mexicans' experiences of inequality and struggles against domination and compares them to Mexicans' experiences in other regions of the U.S.

Finding all the birds in Texas can be a lifetime pursuit. Basic Texas Birds, an easy-to-use field guide, will help you identify over 180 species of birds that are found across the state, including a selection of the rarer "Texas specialties" that draw birders to Texas from around the world. These are the birds that form the basis of a birder's life list for Texas.

Basic Texas Birds is organized by bird families to aid in identifying any bird you see in the wild. It is loaded with resources, including:

• 200 full-color, close-up photos of the birds
• State-of-the-art range maps—the most accurate of any currently available—that show each species' distribution within the state
• Up-to-date species accounts that provide a wealth of current and historical information, including each bird's appearance, habitat, status, and distribution, and that also identify similar species
• A glossary of terms used in bird identification
• A list of selected readings for learning more about birds found in Texas
• The Texas Ornithological Society's list of birds documented in Texas

Much more convenient for identifying common birds than a comprehensive state or national field guide, Basic Texas Birds is a must-have resource for both beginning and experienced birders.

It was a crazy way to win World War II in the Pacific—

All the United States had to do was to attach small incendiary bombs to millions of bats and release them over Japan's major cities. As the bats went to roost, a million fires would flare up in remote crannies of the wood and paper buildings common throughout Japan. When their cities were reduced to ashes, the Japanese would surely capitulate...

The plan made sense to a handful of eccentric promoters and researchers, who convinced top military brass and even President Roosevelt to back the scheme. It might have worked, except that another secret weapon—something to do with atoms—was chosen to end the war.

Told here by the youngest member of the team, this is the story of the bat bomb project, or Project X-Ray, as it was officially known. In scenes worthy of a Capra or Hawks comedy, Jack Couffer recounts the unorthodox experiments carried out in the secrecy of Bandera, Texas; Carlsbad, New Mexico; and El Centro, California, in 1942-1943 by "Doc" Adams' private army. This oddball cast of characters included an eccentric inventor, a distinguished Harvard scientist, a biologist with a chip on his shoulder, a movie star, a Texas guano collector, a crusty Marine Corps colonel, a Maine lobster fisherman, an ex-mobster, and a tiger.

Not to be defeated by minor logistical hurdles, the bat bomb researchers risked life and limb to explore uncharted bat caves and "recruit" thousands of bats to serve their country. Through months of personality conflicts, military snafus, and technical failures the team pressed on, certain that bats could end the war with Japan. And they might have—in their first airborne test, the bat bombers burned an entire brand-new military airfield to the ground.

For everyone who relishes true tales of action and adventure, Bat Bomb is a must-read. Bat enthusiasts will also discover the beginnings of the scientific study of bats.

Saddam Hussein ruled Iraq as a dictator for nearly a quarter century before the fall of his regime in 2003. Using the Ba’th party as his organ of meta-control, he built a broad base of support throughout Iraqi state and society. Why did millions participate in his government, parrot his propaganda, and otherwise support his regime when doing so often required betraying their families, communities, and beliefs? Why did the “Husseini Ba’thist” system prove so durable through uprisings, two wars, and United Nations sanctions?

Drawing from a wealth of documents discovered at the Ba’th party’s central headquarters in Baghdad following the US-led invasion in 2003, The Ba’thification of Iraq analyzes how Hussein and the party inculcated loyalty in the population. Through a grand strategy of “Ba’thification,” Faust argues that Hussein mixed classic totalitarian means with distinctly Iraqi methods to transform state, social, and cultural institutions into Ba’thist entities, and the public and private choices Iraqis made into tests of their political loyalty. Focusing not only on ways in which Iraqis obeyed, but also how they resisted, and using comparative examples from Hitler’s Germany and Stalin’s Russia, The Ba’thification of Iraq explores fundamental questions about the roles that ideology and culture, institutions and administrative practices, and rewards and punishments play in any political system.

A classic account of life on the Texas-Mexico border, Batos, Bolillos, Pochos, and Pelados offers the fullest portrait currently available of the people of the South Texas/Northern Mexico borderlands. First published in 1999, the book is now extensively revised and updated throughout to cover developments since 2000, including undocumented immigration, the drug wars, race relations, growing social inequality, and the socioeconomic gap between Latinos and the rest of American society—issues of vital and continuing national importance.

An outgrowth of the Borderlife Research Project conducted at the University of Texas Rio Grande Valley, Batos, Bolillos, Pochos, and Pelados uses the voices of several hundred Valley residents, collected by embedded student researchers and backed by the findings of sociological surveys, to describe the lives of migrant farmworkers, colonia residents, undocumented domestic servants, maquiladora workers, and Mexican street children. Likewise, it explores social, racial, and ethnic relations in South Texas among groups such as Latinos, Mexican immigrants, wealthy Mexican visitors, Anglo residents or tourists, and Asian and African American residents of South Texas. With this firsthand material and an explanatory focus that utilizes and applies social-science theoretical concepts, the book thoroughly addresses the future composition and integration of Latinos into the society and culture of the United States.

The Civil War history of Galveston is one of the last untold stories from America's bloodiest war, despite the fact that Galveston was a focal point of hostilities throughout the conflict. As other Southern ports fell to the Union, Galveston emerged as one of the Confederacy's only lifelines to the outside world. When the war ended in 1865, Galveston was the only major port still in Confederate hands.

In this beautifully written narrative history, Ed Cotham draws upon years of archival and on-site research, as well as rare historical photographs, drawings, and maps, to chronicle the Civil War years in Galveston. His story encompasses all the military engagements that took place in the city and on Galveston Bay, including the dramatic Battle of Galveston, in which Confederate forces retook the city on New Year's Day, 1863.

Cotham sets the events in Galveston within the overall conduct of the war, revealing how the city's loss was a great strategic impediment to the North. Through his pages pass major figures of the era, as well as ordinary soldiers, sailors, and citizens of Galveston, whose courage in the face of privation and danger adds an inspiring dimension to the story.

All the world over, people tell stories to express their deepest feelings about such things as what makes a "real" man or woman; what true love, courage, or any other virtue is; what the proper relationships are between people. Often groups of people widely separated by space or time will tell the same basic story, but with differences in the details that reveal much about a particular group's worldview.

This book looks at differences in the telling of several common Hispanic folktales. James Taggart contrasts how two men—a Spaniard and an Aztec-speaking Mexican—tell such tales as "The Bear's Son." He explores how their stories present different ways of being a man in their respective cultures.

Taggart's analysis contributes to a revision of Freud's theory of gender, which was heavily grounded in biological determinism. Taggart focuses instead on how fathers reproduce different forms of masculinity in their sons. In particular, he shows how fathers who care for their infant sons teach them a relational masculinity based on a connected view of human relationships. Thus, The Bear and His Sons will be important reading not only in anthropology and folklore, but also in the growing field of men's studies.

The first book to focus on the multifaceted images of deer and hunting in ancient Maya art, from the award-winning author of To Be Like Gods: Dance in Ancient Maya Civilization.

Winner, CHOICE Outstanding Academic Title, 2019

The white-tailed deer had a prominent status in Maya civilization: it was the most important wild-animal food source at many inland Maya sites and also functioned as a major ceremonial symbol. Offering an in-depth semantic analysis of this imagery, The Beast Between considers iconography, hieroglyphic texts, mythological discourses, and ritual narratives to translate the significance and meaning of the vibrant metaphors expressed in a variety of artifacts depicting deer and hunting.

Charting the importance of deer as a key component of the Maya diet, especially for elites, and analyzing the coupling of deer and maize in the Maya worldview, The Beast Between reveals a close and long-term interdependence between the Maya and these animals. Not only are deer depicted naturalistically in hunting and ritual scenes, but also they are assigned human attributes. This rich imagery reflects the many ways in which deer hunting was linked to status, sexuality, and war as part of a deeper process to ensure the regeneration of both agriculture and ancestry. Drawing on methodologies of art history, archaeology, and ethnology, this illuminating work is poised to become a key resource for multiple fields.

Published originally as La flor mas bella de la maquiladora, this beautifully written book is based on interviews the author conducted with more than fifty Mexican women who work in the assembly plants along the U.S.-Mexico border. A descriptive analytic study conducted in the late 1970s, the book uses compelling testimonials to detail the struggles these women face.

The experiences of women in maquiladoras are attracting increasing attention from scholars, especially in the context of ongoing Mexican migration to the country's northern frontier and in light of the North American Free Trade Agreement (NAFTA). This book is among the earliest accounts of the physical and psychological toll exacted from the women who labor in these plants. Iglesias Prieto captures the idioms of these working women so that they emerge as dynamic individuals, young and articulate personalities, inexorably engaged in the daily struggle to change the fundamental conditions of their exploitation.

During its five-year run from 1997 to 2002, the popular TV show Ally McBeal engaged viewers in debates over what it means to be a woman or a man in the modern workplace; how romance factors into the therapeutic understanding of relationships; what value eccentricity has and how much oddity society should tolerate; and what utility fantasy has in the pragmatic world. In addition to these social concerns, however, Ally McBeal stood out for being well-constructed, narratively complex, and stylistically rich—in short, beautiful TV.

Starting from the premise that much of television today is "drop-dead gorgeous" and that TV should be studied for its formal qualities as well as its social impact, Greg M. Smith analyzes Ally McBeal in terms of its aesthetic principles and narrative construction. He explores how Ally's innovative use of music, special effects, fantasy sequences, voiceovers, and flashbacks structures a distinctive fictional universe, while it also opens up new possibilities for televisual expression. Smith also discusses the complex narrative strategies that Ally's creator David E. Kelley used to develop a long-running storyline and shows how these serial narrative practices can help us understand a wide range of prime-time TV serials.

By taking seriously the art and argument of Ally McBeal, Beautiful TV conclusively demonstrates that aesthetic and narrative analysis is an indispensable key for unlocking the richness of contemporary television.

Would you like your children to grow up bilingual, even if you aren’t yet? Then speak to your kids in Spanish as you learn the language along with them. Becoming a Bilingual Family gives English-speaking parents the tools to start speaking Spanish with their kids in their earliest years, when children are most receptive to learning languages. It teaches the vocabulary and idioms for speaking to children in Spanish and offers practical, proven ways to create a language-learning environment at home.

The first part of the book introduces parents to many resources—books, audio books, music, television, computer programs, childcare workers, school, and friends—that can help you establish a home environment conducive to the acquisition of Spanish. The second part is a Spanish phrasebook that takes you through all the typical activities that parents and children share, from getting up in the morning to going to bed at night. Few, if any, other Spanish study aids provide this much vocabulary and guidance for talking to small children about common daily activities. The authors also include a quick course in Spanish pronunciation and enough grammar to get a parent started. Spanish-language resources, kids’ names in Spanish, and an easy-to-use index and glossary complete the book.

Take the Markses’ advice and start talking to your kids in Spanish, even if it’s not perfect. You’ll learn the language together and share the excitement of discovering the peoples and cultures that make up the Spanish-speaking world.

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.

In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study of this multitalented artist. She sets Belafonte’s compelling story within a history of American race relations, black theater and film history, McCarthy-era hysteria, and the challenges of introducing multifaceted black culture in a moment of expanding media possibilities and constrained political expression. Smith traces Belafonte’s roots in the radical politics of the 1940s, his careful negotiation of the complex challenges of the Cold War 1950s, and his full flowering as a civil rights advocate and internationally acclaimed performer in the 1960s. In Smith’s account, Belafonte emerges as a relentless activist, a questing intellectual, and a tireless organizer. From his first national successes as a singer of Calypso-inflected songs to the dedication he brought to producing challenging material on television and film regardless of its commercial potential, Belafonte stands as a singular figure in American cultural history—a performer who never shied away from the dangerous crossroads where art and politics meet.

On the surface, Mexican Americans and Mexican immigrants to the United States seem to share a common cultural identity but often make uneasy neighbors. Discrimination and assimilationist policies have influenced generations of Mexican Americans so that some now fear that the status they have gained by assimilating into American society will be jeopardized by Spanish-speaking newcomers. Other Mexican Americans, however, adopt a position of group solidarity and work to better the social conditions and educational opportunities of Mexican immigrants.

Focusing on the Mexican-origin, working-class city of La Puente in Los Angeles County, California, this book examines Mexican Americans' everyday attitudes toward and interactions with Mexican immigrants—a topic that has so far received little serious study. Using in-depth interviews, participant observations, school board meeting minutes, and other historical documents, Gilda Ochoa investigates how Mexican Americans are negotiating their relationships with immigrants at an interpersonal level in the places where they shop, worship, learn, and raise their families. This research into daily lives highlights the centrality of women in the process of negotiating and building communities and sheds new light on identity formation and group mobilization in the U.S. and on educational issues, especially bilingual education. It also complements previous studies on the impact of immigration on the wages and employment opportunities of Mexican Americans.

A groundbreaking collection of experimental short fiction by award-winning Syrian author and Booker International Prize for Arabic Fiction nominee Shahla Ujayli, A Bed for the King’s Daughter uses surrealism and irony to examine such themes as women’s agency, the decline of collective life and imagination under modernity, and the effects of social and political corruption on daily life. In “The Memoir of Cinderella’s Shoes,” Cinderella uses her famous glass slipper as a weapon in order to take justice into her own hands. In “Tell Me About Surrealism,” an art history professor’s writing assignment reveals the slipperiness of storytelling, and in “Merry Christmas,” the realities of apartheid interfere with one family’s celebration. Through twenty-two short stories, Ujayli animates—with brevity and inventiveness—themes relevant to both the particularities of life in the Arab world and life outside it.

Between the Nile River and the Red Sea, in the northern half of Egypt's Eastern Desert, live the Bedouins of the Ma'aza tribe. Joseph Hobbs lived with the Khushmaan Ma'aza clan for almost two years, gathering information for a study of traditional Bedouin life and culture. The resulting work, Bedouin Life in the Egyptian Wilderness, is the first modern ethnographic portrait of the Ma'aza Bedouins.

This volume reports in detail how a particular portion of the American wilderness developed into a settled farming community. To fully comprehend the history of the American people in the early national period, an understanding of this transformation from forest to community—and the pattern of life within such communities where the vast majority of the people live—is essential.

Three major conclusions emerge from Philip L. White's study of Beekmantown, New York. First, the economic advantages of the frontier attracted a first generation of settlers relatively high in social and economic status, but the disappearance of frontier conditions brought a second generation of settlers appreciably lower in status. Second, White rejects the romantic notion that the frontier fostered equality and argues instead that the frontier's economic opportunities fostered inequality. Finally, in contrast to revisionist arguments, he affirms that in Beekmantown the Jacksonian period does indeed warrant characterization as the era of the "common man."

This book represents a model in community history: the narrative is full of human interest; the scholarship is prodigious; the applications are universal.

Winner, Coral Horton Tullis Memorial Prize for Best Book on Texas History, Texas State Historical Association, 2010
Carr P. Collins Award, Texas Institute of Letters, 2011

On February 26, 1946, an African American from Houston applied for admission to the University of Texas School of Law. Although he met all of the school's academic qualifications, Heman Marion Sweatt was denied admission because he was black. He challenged the university's decision in court, and the resulting case, Sweatt v. Painter, went to the U.S. Supreme Court, which ruled in Sweatt's favor. The Sweatt case paved the way for the landmark Brown v. Board of Education of Topeka rulings that finally opened the doors to higher education for all African Americans and desegregated public education in the United States.

In this engrossing, well-researched book, Gary M. Lavergne tells the fascinating story of Heman Sweatt's struggle for justice and how it became a milestone for the civil rights movement. He reveals that Sweatt was a central player in a master plan conceived by the National Association for the Advancement of Colored People (NAACP) for ending racial segregation in the United States. Lavergne masterfully describes how the NAACP used the Sweatt case to practically invalidate the "separate but equal" doctrine that had undergirded segregated education for decades. He also shows how the Sweatt case advanced the career of Thurgood Marshall, whose advocacy of Sweatt taught him valuable lessons that he used to win the Brown v. Board of Education case in 1954 and ultimately led to his becoming the first black Associate Justice of the Supreme Court.

Before Fidel Castro seized power, Cuba was an ebullient and chaotic society in a permanent state of turmoil, combining a raucous tropical nature with the evils of arbitrary and corrupt government. Yet this fascinating period in Cuban history has been largely forgotten or misrepresented, even though it set the stage for Castro's dramatic takeover in 1959. To reclaim the Cuba that he knew—and add color and detail to the historical record—distinguished political scientist Francisco José Moreno here offers his recollections of the Cuba in which he came of age personally and politically.

Moreno takes us into the little-known world of privileged, upper-middle-class, white Cubans of the 1930s through the 1950s. His vivid depictions of life in the family and on the streets capture the distinctive rhythms of Cuban society and the dynamics between parents and children, men and women, and people of different races and classes. The heart of the book describes Moreno's political awakening, which culminated during his student years at the University of Havana. Moreno gives a detailed, insider's account of the anti-Batista movement, including the Ortodoxos and the Triple A. He recaptures the idealism and naiveté of the movement, as well as its ultimate ineffectiveness as it fell before the juggernaut of the Castro Revolution. His own disillusionment and wrenching decision to leave Cuba rather than accept a commission in Castro's army poignantly closes the book.

2024 Carol Horton Tullis Memorial Prize, Texas State Historical Association

The grassroots queer activism and legal challenges that led to a landmark Supreme Court decision in favor of gay and lesbian equality.

In 2003 the US Supreme Court overturned anti-sodomy laws across the country, ruling in Lawrence v. Texas that the Constitution protects private consensual sex between adults. To some, the decision seemed to come like lightning from above, altering the landscape of America’s sexual politics all at once. In actuality, many years of work and organizing led up to the legal case, and the landmark ruling might never have happened were it not for the passionate struggle of Texans who rejected their state’s discriminatory laws.

Before Lawrence v. Texas tells the story of the long, troubled, and ultimately hopeful road to constitutional change. Wesley G. Phelps describes the achievements, setbacks, and unlikely alliances along the way. Over the course of decades, and at great risk to themselves, gay and lesbian Texans and their supporters launched political campaigns and legal challenges, laying the groundwork for Lawrence. Phelps shares the personal experiences of the people and couples who contributed to the legal strategy that ultimately overturned the state’s discriminatory law. Even when their individual court cases were unsuccessful, justice seekers and activists collectively influenced public opinion by insisting that their voices be heard. Nine Supreme Court justices ruled, but it was grassroots politics that vindicated the ideal of equality under the law.

"The natural world is a lot like a game of musical chairs," observes Pete Dunne. "Everywhere you turn, everywhere you go, there are places where living things sit down, niches that support their specific needs. But just as in musical chairs, there aren't enough places to go around. Our species keeps removing them—forcing other creatures to leave the game."

In these twenty-nine essays, one of America's top nature writers trains his sights on the beauties and the vulnerabilities of the natural world. Writing to infuse others with a sense of the richness and diversity that nature holds, Pete Dunne ranges over topics from the wonder of the year's first snowfall to the lost art of stargazing to the mysterious forces that impel people to hunt—and not to hunt. Running like a thread through all the essays is Dunne's desire to preserve all that is "natural" in nature, to stop our unthinking destruction of wild places and wild creatures before we humans find ourselves with "the last chair, in an empty room" on an impoverished earth.

On an August evening around AD 600, residents of the Cerén village in the Zapotitán Valley of what is now El Salvador were sitting down to their nightly meal when ground tremors and loud steam emissions warned of an impending volcanic eruption. The villagers fled, leaving their town to be buried under five meters of volcanic ash and forgotten until a bulldozer uncovered evidence of the extraordinarily preserved town in 1976. The most intact Precolumbian village in Latin America, Cerén has been called the "Pompeii of the New World."

This book presents complete and detailed reports of the excavations carried out at Cerén since 1978 by a multidisciplinary team of archaeologists, ethnographers, volcanologists, geophysicists, botanists, conservators, and others. The book is divided into sections that discuss the physical environment and resources, household structures and economy, special buildings and their uses, artifact analysis, and topical and theoretical issues.

As the authors present and analyze Cerén's houses and their goods, workshops, civic and religious buildings, kitchen gardens, planted fields, and garbage dumps, a new and much clearer picture of how commoners lived during the Maya Classic Period emerges. These findings constitute landmark contributions to the anthropology and archaeology of Central America.

A fascinating book on the origins of writing.

Before Writing gives a new perspective on the evolution of communication. It points out that when writing began in Mesopotamia it was not, as previously thought, a sudden and spontaneous invention. Instead, it was the outgrowth of many thousands of years' worth of experience at manipulating symbols.

In Volume I: From Counting to Cuneiform, Denise Schmandt-Besserat describes how in about 8000 B.C., coinciding with the rise of agriculture, a system of counters, or tokens, appeared in the Near East. These tokens—small, geometrically shaped objects made of clay—represented various units of goods and were used to count and account for them. The token system was a breakthrough in data processing and communication that ultimately led to the invention of writing about 3100 B.C. Through a study of archaeological and epigraphic evidence, Schmandt-Besserat traces how the Sumerian cuneiform script, the first writing system, emerged from a counting device.

In Volume II: A Catalog of Near Eastern Tokens, Schmandt-Besserat presents the primary data on which she bases her theories. These data consist of several thousand tokens, catalogued by country, archaeological site, and token types and subtypes. The information also includes the chronology, stratigraphy, museum ownership, accession or field number, references to previous publications, material, and size of the artifacts. Line drawings and photographs illustrate the various token types.

Before Writing gives a new perspective on the evolution of communication. It points out that when writing began in Mesopotamia it was not, as previously thought, a sudden and spontaneous invention. Instead, it was the outgrowth of many thousands of years' worth of experience at manipulating symbols.

In Volume I: From Counting to Cuneiform, Denise Schmandt-Besserat describes how in about 8000 B.C., coinciding with the rise of agriculture, a system of counters, or tokens, appeared in the Near East. These tokens—small, geometrically shaped objects made of clay—represented various units of goods and were used to count and account for them. The token system was a breakthrough in data processing and communication that ultimately led to the invention of writing about 3100 B.C. Through a study of archaeological and epigraphic evidence, Schmandt-Besserat traces how the Sumerian cuneiform script, the first writing system, emerged from a counting device.

In Volume II: A Catalog of Near Eastern Tokens, Schmandt-Besserat presents the primary data on which she bases her theories. These data consist of several thousand tokens, catalogued by country, archaeological site, and token types and subtypes. The information also includes the chronology, stratigraphy, museum ownership, accession or field number, references to previous publications, material, and size of the artifacts. Line drawings and photographs illustrate the various token types.

Whether it's the sudden, plunging dives of Brown Pelicans, the singing and aerial displays of Northern Mockingbirds, or the communal nesting of Purple Martins, innate and learned behaviors are some of the most fascinating things to observe in Texas birds. Even casual birdwatchers eventually ask, "why do they do that?" while serious birders and ornithologists seek to understand all the behaviors involved in feeding, flying, mating, and rearing young. But until now, it has been hard to find this information in one handy source.

In this comprehensive, yet easy-to-use book, Kent Rylander distills data from many sources to provide an authoritative guide to the behavior of Texas birds. He begins by explaining the principles of animal behavior and illustrating how they can be applied to interpreting bird behaviors in the field. The majority of the book is devoted to accounts of more than 400 species of birds that are most likely to be encountered by Texas birdwatchers. Each account describes such behaviors as feeding, courtship, parenting, and other behaviors that are significant for that species. References to interesting and important articles from scientific journals are incorporated in the species accounts where appropriate, and line drawings illustrate some of the behaviors described.

Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else.

This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones.

Jones sees the history of a nation in the history of its drama. Pre-Columbian Indians, conquistadores, missionary priests, viceroys, dictators, and national heroes form a background of true drama for the main characters here—those who wrote and produced and acted in the make-believe drama of the times.

The theatre mirrors the whole life of the community, Jones believes, and thus he offers information about geography, military events, and economics, and follows the politics of state and church through dramatists’ offerings. Examining the plays of a people down the centuries, he shows how the many cultural elements of both Old and New Worlds have been blended into the distinct national characteristics of each of the Spanish American countries.

He does full justice to the subject he loves. A lively storyteller, he adds tidbits of spice and laughter, long-buried vignettes of history, tales of politics and drama, stories of high and low life, plots of plays, bits of verse, accounts of dalliance and of hard work, and sad and happy endings of rulers and peons, dramatists, actors, and clowns.

A valuable appendix is a selected reading guide, listing the outstanding works of important Spanish American dramatists. A generous bibliography is a useful addition for scholars.

In 1930, anthropologists Robert Zingg and Wendell Bennett spent nine months among the Tarahumara of Chihuahua, Mexico, one of the least acculturated indigenous societies in North America. Their fieldwork resulted in The Tarahumara: An Indian Tribe of Northern Mexico (1935), a classic ethnography still familiar to anthropologists. In addition to this formal work, Zingg also penned a personal, unvarnished travelogue of his sojourn among the Tarahumara. Unpublished in his lifetime, Behind the Mexican Mountains is now available in print for the first time.

This colorful account provides a compelling description of the landscape, people, traditions, language, and archaeology of the Tarahumara region. Abandoning the scientific detachment of the observer, Zingg frankly records his reactions to the people and their customs as he vividly evokes the daily experience of doing fieldwork. In the introduction, Howard Campbell examines Zingg's writing in light of current critiques of anthropology as literature. He makes a strong case that although earlier anthropological writing reveals unacceptable cultural biases, it also demonstrates the ongoing importance and vitality of field research.

Originally published in 1974, just as the Wounded Knee occupation was coming to an end, Behind the Trail of Broken Treaties raises disturbing questions about the status of American Indians within the American and international political landscapes. Analyzing the history of Indian treaty relations with the United States, Vine Deloria presents population and land ownership information to support his argument that many Indian tribes have more impressive landholdings than some small members of the United Nations. Yet American Indians are not even accorded status within the UN's trust territories recognition process.

A 2000 study published by the Annual Survey of International and Comparative Law recommends that the United Nations offer membership to the Iroquois, Cherokee, Navajo, and other Indian tribes. Ironically, the study also recommends that smaller tribes band together to form a confederation to seek membership—a suggestion nearly identical to the one the United States made to the Delaware Indians in 1778—and that a presidential commission explore ways to move beyond the Doctrine of Discovery, under which European nations justified their confiscation of Indian lands. Many of these ideas appear here in this book, which predates the 2000 study by twenty-six years. Thus, Behind the Trail of Broken Treaties anticipates recent events as history comes full circle, making the book imperative reading for anyone wishing to understand the background of the movement of American Indians onto the world political stage.

In the quarter century since this book was written, Indian nations have taken great strides in demonstrating their claims to recognized nationhood. Together with Tribes, Treaties, and Constitutional Tribulations, by Deloria and David E. Wilkins, Behind the Trail of Broken Treaties highlights the historical events that helped bring these changes to fruition. At the conclusion of Behind the Trail of Broken Treaties, Deloria states: "The recommendations made in the Twenty Points and the justification for such a change as articulated in the book may well come to pass in our lifetime." Now we are seeing his statement come true.

For nearly a hundred years, young women have competed for the title of Miss America—although what it means to wear the crown and be our “ideal” has changed dramatically over time. The Miss America Pageant began as a bathing beauty contest in 1920s Atlantic City, New Jersey, sponsored by businessmen trying to extend the tourist season beyond Labor Day. In the post–World War II years, the pageant evolved into a national coronation of an idealized “girl next door,” as pretty and decorous as she was rarely likely to speak her mind on issues of substance. Since the cultural upheavals of the 1960s, the pageant has struggled to find a balance between beauty and brains as it tries to remain relevant to women who aspire to become leaders in the community, not hot babes in swimsuits.

In Being Miss America, Kate Shindle interweaves an engrossing, witty memoir of her year as Miss America 1998 with a fascinating and insightful history of the pageant. She explores what it means to take on the mantle of America’s “ideal,” especially considering the evolution of the American female identity since the pageant’s inception. Shindle profiles winners and organization leaders and recounts important moments in the pageant’s story, with a special focus on Miss America’s iconoclasts, including Bess Myerson (1945), the only Jewish Miss America; Yolande Betbeze (1951), who crusaded against the pageant’s pinup image; and Kaye Lani Rae Rafko (1987), a working-class woman from Michigan who wanted to merge her famous title with her work as an oncology nurse. Shindle’s own account of her work as an AIDS activist—and finding ways to circumvent the “gown and crown” stereotypes of Miss America in order to talk honestly with high school students about safer sex—illuminates both the challenges and the opportunities that keep young women competing to become Miss America.

Is women’s inequality supported by the Qur’an? Do men have the exclusive right to interpret Islam’s holy scripture? In her best-selling book Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an, Asma Barlas argues that, far from supporting male privilege, the Qur’an actually encourages the full equality of women and men. She explains why a handful of verses have been interpreted to favor men and shows how these same verses can be read in an egalitarian way that is fully supported by the text itself and compatible with the Qur’an’s message that it is complete and self-consistent.

A Brief Introduction presents the arguments of Believing Women in a simplified way that will be accessible and inviting to general readers and undergraduate students. The authors focus primarily on the Qur’an’s teachings about women and patriarchy. They show how traditional teachings about women’s inferiority are not supported by the Qur’an but were products of patriarchal societies that used it to justify their existing religious and social structures. The authors’ hope is that by understanding how patriarchal traditionalists have come to exercise so much authority in today’s Islam, as well as by rereading some of the Qur’an’s most controversial verses, adherents of the faith will learn to question patriarchal dogma and see that an egalitarian reading of the Qur’an is equally possible and, for myriad reasons, more plausible.

Does Islam call for the oppression of women? Non-Muslims point to the subjugation of women that occurs in many Muslim countries, especially those that claim to be "Islamic," while many Muslims read the Qur’an in ways that seem to justify sexual oppression, inequality, and patriarchy. Taking a wholly different view, Asma Barlas develops a believer’s reading of the Qur’an that demonstrates the radically egalitarian and antipatriarchal nature of its teachings.

Beginning with a historical analysis of religious authority and knowledge, Barlas shows how Muslims came to read inequality and patriarchy into the Qur’an to justify existing religious and social structures and demonstrates that the patriarchal meanings ascribed to the Qur’an are a function of who has read it, how, and in what contexts. She goes on to reread the Qur’an’s position on a variety of issues in order to argue that its teachings do not support patriarchy. To the contrary, Barlas convincingly asserts that the Qur’an affirms the complete equality of the sexes, thereby offering an opportunity to theorize radical sexual equality from within the framework of its teachings. This new view takes readers into the heart of Islamic teachings on women, gender, and patriarchy, allowing them to understand Islam through its most sacred scripture, rather than through Muslim cultural practices or Western media stereotypes.

For this revised edition of Believing Women in Islam, Asma Barlas has written two new chapters—“Abraham’s Sacrifice in the Qur’an” and “Secular/Feminism and the Qur’an”—as well as a new preface, an extended discussion of the Qur’an’s “wife-beating” verse and of men’s presumed role as women’s guardians, and other updates throughout the book.

Founded in Galveston in 1842 with the launch of the Daily News, the Belo Corporation entered the twenty-first century as a powerhouse conglomerate, owning four daily newspapers (including the Dallas Morning News), twenty-six television and cable stations, and over thirty interactive Web sites. The first comprehensive work to bring to life this remarkable success story, Belo blends biography with a history of corporate strategies.

Drawing on company archives and private papers of key figures, including A. H. Belo and G. B. Dealey, former company archivist Judith Garrett Segura brings to life important chapters in the cultural life of Texas, from Galveston's days as the largest and most vibrant town in the Republic of Texas, through the wars that followed statehood, periods of economic hardship, and the effects of sweeping social change. Turning points in the company's history, such as the sale of its Galveston paper when company revenues were dramatically affected by candid reporting of Ku Klux Klan activities in the 1920s, highlight crucial elements of the press's role in the life of a community. Segura also charts technological advances, from the telegraph and the typographers' union to the dawn of the Information Age. Finally, she includes the most complete portrait of the Dallas Times Herald Company to date, documenting the rise and fall of Belo's chief rival.

This is a story of frontier survival and futuristic thinking, marketing genius and historic reporting, nurtured by a family of mavericks.

Longlisted for the 2022 Kraszna-Krausz Book Award, Moving Image Category

Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. By addressing ordinary actors as a labor force, Kate Fortmueller proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood.

Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape professional norms. She pulls from archival research, in-person interviews, and firsthand observation to examine a history that cuts across industry boundaries and situates actors as a labor group at the center of industrial and technological upheavals, with lasting implications for race, gender, and labor relations in Hollywood.

The Ben Lilly Legend brings back to life a great American hunter—the greatest bear hunter in history after Davy Crockett, by his own account and also by the record. J. Frank Dobie met Lilly and was so struck by this extraordinary man that he collected everything he could find about him.

Lilly was born in Alabama in 1856, followed the bear and the panther westward through Mississippi and Louisiana to Texas, leaving a trail of stories about his prowess as a hunter and his goodness as a man. He was at one time "chief huntsman" to Teddy Roosevelt, hunted in Texas and Mexico, and came to be known as the master sign reader of the Rockies.

Here are all the stories Ben Lilly told and a great many more Frank Dobie heard about him, put together in a fresh and fascinating contribution to American folklore.

In the first, most intense years of the Cold War (1947–1954), New Deal liberals often found themselves in great disfavor. Ben Shahn's experience presents something of a paradox, however, since his paintings appealed in different ways to both liberals and conservatives. Blacklisted by CBS during the McCarthy era and yet, ironically, incorporated into presidential "campaigns of truth" aimed at improving the U.S. image abroad, Ben Shahn is a pivotal figure, revealing the complexities and contradictions inherent in this highly polarized moment in American history.

In this pathbreaking study, Frances Pohl traces the political and artistic struggles Ben Shahn became embroiled in as he tried to remain a socially concerned artist during the early Cold War period. She shows how he rejected the argument, voiced by many Abstract Expressionists, that art and politics should not mix, yet at the same time searched for a way to depict, in universal and allegorical terms, the broad human condition rather than simply specific instances of injustice. Perhaps most important, she makes critical connections between U.S. social and political history and the art it provoked, thus illuminating both the later career of Ben Shahn and the Cold War era in American cultural history.

The name "Beowulf" lingers in our collective memory, although today fewer people have heard the tale of the Germanic hero's fight with Grendel, the dreadful Monster of the Mere, as recounted in this Anglo-Saxon epic.

This edition of Beowulf makes the poem more accessible than ever before. Ruth Lehmann's imitative translation is the only one available that preserves both the story line of the poem and the alliterative versification of the Anglo-Saxon original. The characteristic features of Anglo-Saxon poetry— alliterative verse with first-syllable stress, flexible word order, and inflectional endings—have largely disappeared in Modern English, creating special problems for the translator. Indeed, many other translations of Beowulf currently available are either in prose or in some modern poetic form. Dr. Lehmann's translation alone conveys the "feel" of the original, its rhythm and sound, the powerful directness of the Germanic vocabulary.

In her introduction, Dr. Lehmann gives a succinct summary of the poem's plot, touching on the important themes of obligation and loyalty, of family feuds, unforgivable crimes, the necessity of revenge, and the internal and external struggles of the Scandinavian tribes. She also describes the translation process in some detail, stating the guiding principles she used and the inevitable compromises that were sometimes necessary.

Like many indigenous groups that have endured centuries of subordination, the Berber/Amazigh peoples of North Africa are demanding linguistic and cultural recognition and the redressing of injustices. Indeed, the movement seeks nothing less than a refashioning of the identity of North African states, a rewriting of their history, and a fundamental change in the basis of collective life. In so doing, it poses a challenge to the existing political and sociocultural orders in Morocco and Algeria, while serving as an important counterpoint to the oppositionist Islamist current.

This is the first book-length study to analyze the rise of the modern ethnocultural Berber/Amazigh movement in North Africa and the Berber diaspora. Bruce Maddy-Weitzman begins by tracing North African history from the perspective of its indigenous Berber inhabitants and their interactions with more powerful societies, from Hellenic and Roman times, through a millennium of Islam, to the era of Western colonialism. He then concentrates on the marginalization and eventual reemergence of the Berber question in independent Algeria and Morocco, against a background of the growing crisis of regime legitimacy in each country. His investigation illuminates many issues, including the fashioning of official national narratives and policies aimed at subordinating Berbers in an Arab nationalist and Islamic-centered universe; the emergence of a counter-movement promoting an expansive Berber "imagining" that emphasizes the rights of minority groups and indigenous peoples; and the international aspects of modern Berberism.

Gary Cartwright is one of Texas’s legendary writers. In a career spanning nearly six decades, he has been a newspaper reporter, Senior Editor of Texas Monthly, and author of several acclaimed books, including Blood Will Tell, Confessions of a Washed-up Sportswriter, and Dirty Dealing. Cartwright was a finalist for a National Magazine Award for reporting excellence, and he has won several awards from the Texas Institute of Letters, including its most prestigious—the Lon Tinkle Award for lifetime achievement. His personal life has been as colorful and occasionally outrageous as any story he reported, and in this vivid, often hilarious, and sometimes deeply moving memoir, Cartwright tells the story of his writing career, tangled like a runaway vine with great friendships, love affairs, four marriages, four or five great dogs . . . looking always to explain, at least to himself, how the pattern probably makes a kind of perverted sense.

Cartwright’s career began at the Fort Worth Star-Telegram and Fort Worth Press, among kindred spirits and fellow pranksters Edwin “Bud” Shrake and Dan Jenkins. He describes how the three rookie writers followed their mentor Blackie Sherrod to the Dallas Times Herald and the Dallas Morning News, becoming the “best staff of sportswriters anywhere, ever” and creating a new kind of sportswriting that “swept the country and became standard.” Cartwright recalls his twenty-five years at Texas Monthly, where he covered everything from true crime to notable Texans to Texas’s cultural oddities. Along the way, he tells lively stories about “rebelling against sobriety” in many forms, with friends and co-conspirators that included Willie Nelson, Ann Richards, Dennis Hopper, Willie Morris, Don Meredith, Jack Ruby, and countless others. A remarkable portrait of the writing life and Austin’s counterculture, The Best I Recall may skirt the line between fact and fiction, but it always tells the truth.

Since the magazine's founding in 1995, No Depression has reported on and helped define the music that goes by names such as alt.country, Americana, and roots music. Though dismissed by the commercial country music establishment as "music that doesn't sell," alternative country has attracted thousands of listeners who long for the authenticity and rich complexity that come from its potent blend of country and rock 'n' roll and any number of related musical genres and subgenres.

To celebrate No Depression's tenth anniversary and spotlight some of the most important artists and trends in alt.country music, editors Grant Alden and Peter Blackstock have compiled this anthology of twenty-five of the magazine's best and most representative feature articles. Their subjects range from venerated country artists such as Johnny Cash and Ray Price to contemporary songwriters such as Lucinda Williams and Buddy and Julie Miller to the post-punk country-influenced bands Wilco and the Drive-By Truckers. All of the articles included here illustrate No Depression's commitment to music writing that puts the artist front-and-center and covers his or her career in sufficient depth to be definitive. Alden and Blackstock have also written a preface to this volume in which they discuss the alt.country phenomenon and the history and editorial philosophy that have made No Depression the bible for everyone seeking genuine American roots music.

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and Seth Horton are now reviving the series in Best of the West 2009.

Thomas and Horton combed some 250 literary journals and magazines to gather these eighteen stories published since the fall of 2007. They come from both emerging and established writers, including Lee K. Abbott, Louise Erdrich, Dagoberto Gilb, Antonya Nelson, Joyce Carol Oates, and Annie Proulx. Like Bass, the editors believe "the Western short story" inhabits a wide territory; the subjects in this collection range from illegal immigrants tending illegal crops in California's national forests, to mismatched Mormon missionaries on the conversion trail in Nevada, to a Native American college student exploring her sexuality, to Papa Hemingway's meditations as he loads the shotgun in his Idaho cabin. As these stories make clear, the West continues to shape our literary landscape. Thomas and Horton have preserved the best of that work in this vital anthology.

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.

Best of the West 2010 brings together established and emerging writers who reinterpret this most vital of literary regions and create, as Kent Meyers puts it in his foreword, "gift[s] the nation needs right now." Editors Horton and Thomas have chosen nineteen stories by writers including Sherman Alexie, Rick Bass, Ron Carlson, Julia Glass, William Kittredge, Kent Nelson, and Deb Olin Unferth. Their subjects vary from a Greek community in Wyoming dealing with a suicide, to a re-creation of Christ's crucifixion in New Mexico, to an unlikely friendship that peaks at a burial ground in Alaska. Best of the West 2010 is the latest indication that the West has become one of the most crucial settings for contemporary American fiction.

Contributors:

• Sherman Alexie
• Rick Bass
• John Blanchard
• Elea Carey
• Ron Carlson
• Natalie Diaz
• Darren Dillman
• Ben Ehrenreich
• Julia Glass
• Dina Guidubaldi
• Ben Kostival
• William Kittredge
• Paul Mihas
• Kent Nelson
• Daniel Orozco
• Kirstin Valdez Quade
• Aurelie Sheehan
• Justin St. Germain
• Deb Olin Unferth

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.

Best of the West 2011: New Stories from the Wide Side of the Missouri is the latest volume in what has become one of the nation's most important anthologies. Editors Horton and Thomas have chosen twenty stories by writers including Rick Bass, T. C. Boyle, Ron Carlson, Philipp Meyer, Dagoberto Gilb, Yiyun Li, Antonya Nelson, and Sam Shepard. Subjects vary from an Idaho family that breeds lions and tigers with disastrous results, to a Mormon veteran whose mind is taken over by a nineteenth-century consciousness, to a Texas boy who spends an afternoon with Bonnie and Clyde shortly before their deaths. Taken together, these stories suggest that the West has become one of the most exciting and diverse literary regions in the twenty-first century.

In this expert insider’s account of the savings and loan debacle of the 1980s, William Black lays bare the strategies that corrupt CEOs and CFOs—in collusion with those who have regulatory oversight of their industries—use to defraud companies for their personal gain. Recounting the investigations he conducted as Director of Litigation for the Federal Home Loan Bank Board, Black fully reveals how Charles Keating and hundreds of other S&L owners took advantage of a weak regulatory environment to perpetrate accounting fraud on a massive scale. In the new afterword, he also authoritatively links the S&L crash to the business failures of 2008 and beyond, showing how CEOs then and now are using the same tactics to defeat regulatory restraints and commit the same types of destructive fraud.

Black uses the latest advances in criminology and economics to develop a theory of why “control fraud”—looting a company for personal profit—tends to occur in waves that make financial markets deeply inefficient. He also explains how to prevent such waves. Throughout the book, Black drives home the larger point that control fraud is a major, ongoing threat in business that requires active, independent regulators to contain it. His book is a wake-up call for everyone who believes that market forces alone will keep companies and their owners honest.

Climate change has become one of the most polarizing issues of our time. Extremists on the left regularly issue hyperbolic jeremiads about the impending destruction of the environment, while extremists on the right counter with crass, tortured denials. But out in the vast middle are ordinary people dealing with stronger storms and more intense droughts than they’ve ever known. This middle ground is the focus of Betting the Farm on a Drought, a lively, thought-provoking book that lays out the whole story of climate change—the science, the math, and most importantly, the human stories of people fighting both the climate and their own deeply held beliefs to find creative solutions to a host of environmental challenges.

Seamus McGraw takes us on a trip along America’s culturally fractured back roads and listens to farmers and ranchers and fishermen, many of them people who are not ideologically, politically, or in some cases even religiously inclined to believe in man-made global climate change. He shows us how they are already being affected and the risks they are already taking on a personal level to deal with extreme weather and its very real consequences for their livelihoods. McGraw also speaks to scientists and policymakers who are trying to harness that most renewable of American resources, a sense of hope and self-reliance that remains strong in the face of daunting challenges. By bringing these voices together, Betting the Farm on a Drought ultimately becomes a model for how we all might have a pragmatic, reasoned conversation about our changing climate.

Oaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in “fakes” that occasionally make their way to the auction block as antiquities. Others argue that these souvenirs represent a long cultural tradition of woodcarving or clay sculpting and are “genuine” artifacts of artisanal practices that have been passed from generation to generation, allowing community members to preserve their cultural practices and make a living. Exploring the intriguing question of authenticity and its relationship to cultural forms in Oaxaca and throughout southern Mexico, Between Art and Artifact confronts an important issue that has implications well beyond the commercial realm.

Demonstrating that identity politics lies at the heart of the controversy, Ronda Brulotte provides a nuanced inquiry into what it means to present “authentic” cultural production in a state where indigenous ethnicity is part of an awkward social and racial classification system. Emphasizing the world-famous woodcarvers of Arrazola and the replica purveyors who come from the same community, Brulotte presents the ironies of an ideology that extols regional identity but shuns its artifacts as “forgeries.” Her work makes us question the authority of archaeological discourse in the face of local communities who may often see things differently. A departure from the dialogue that seeks to prove or disprove “authenticity,” Between Art and Artifact reveals itself as a commentary on the arguments themselves, and what the controversy can teach us about our shifting definitions of authority and authorship.

From reviews of the first edition:

"Between Field and Cooking Pot offers details of the daily lives of marketwomen in the central Andean departmental capital of Huaraz.... A welcome addition to studies of women and international development, this book contains a wealth of firsthand material, collected through informal participant-observation as well as formal interviews and analysis of statistical data.... The book encourages us to imagine how the dynamic culture of marketwomen might intersect with the construction, representation, and effects of class and gender."
—American Anthropologist

"The book has a clear and readable style, moving easily between vignettes of marketwomen's lives, descriptions of the markets themselves, and surveys of the theoretical literature. Babb's long, close involvement with the Huaraz markets is apparent. As someone who has spent a lot of time in Andean markets, I found the book pleasurable to read, because it recreated the experience of the marketplace so well."
—American Ethnologist

This revised edition of Between Field and Cooking Pot offers an updated appraisal of what neoliberal politics and economics mean in the lives of marketwomen in the nineties, based on new fieldwork conducted in 1997. Babb also reflects on how recent currents in feminist and anthropological studies have caused her to rethink some aspects of Andean marketers in Peruvian culture and society.

Between Self and Society explores the psychosocial dramas that galvanize six major British novels written between the eighteenth and twentieth centuries. The book challenges an influential misconception that has for too long hindered appreciation of the psychological novel. John Rodden argues that there should be no simplifying antithesis between psychological, “inner” conflicts (within the mind or “soul”) and institutional, “outer” conflicts (within family, class, community). Instead, it is the overarching, dramatic—yet often tortuous—relations between self and society that demand our attention. Rodden presents fresh interpretations of an eclectic group of prose fiction classics, including Tobias Smollett’s The Adventures of Roderick Random, William Godwin’s Caleb Williams, Thomas Hardy’s The Mayor of Casterbridge, Ford Madox Ford’s The Good Soldier, Wyndham Lewis’s Tarr, and D. H. Lawrence’s Women in Love.

Far from being merely admirable experiments, let alone daring though interesting failures, these fictions are shown to possess aesthetic unity, stylistic consistency, and psychic force. Between Self and Society thus impels our careful reconsideration of novels that represent major artistic achievements, yet have been either unjustly neglected or appreciated in limiting ways that do injustice to their psychological aspects. Rodden’s vibrant discussion invites an upward revaluation of these works and encourages the full recognition of their value and significance in British literary history.

The Nasca Lines are one of the world's great enigmas. Who etched the more than 1,000 animal, human, and geometric figures that cover 400 square miles of barren pampa in southern Peru? How did the makers create lifelike images of monkeys, birds, and spiders without an aerial vantage point from which to view these giant figures that stretch across thousands of square yards? Most puzzling of all, why did the ancient Nasca lay out these lines and images in the desert? These are the questions that pioneering archaeoastronomer Anthony Aveni seeks to answer in this book.

Writing for a wide public audience, Aveni begins by establishing the Nasca Lines as a true wonder of the ancient world. He describes how viewers across the centuries have tried to interpret the lines and debunks the wilder theories. Then he vividly recounts his own years of exploration at Nasca in collaboration with other investigators and the discoveries that have answered many of the riddles about who made the Nasca Lines, when, and for what purposes. This fascinating overview of what the leading expert and his colleagues currently understand about the lines is required reading for everyone intrigued by ancient mysteries.

Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives.

Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade” mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself,” Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons,” interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation,” underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics.

In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.

Beyond Market Value chronicles Annette Campbell-White’s remarkable life, from a childhood spent in remote mining camps throughout the British Commonwealth, where books created an imaginary home; to her early adulthood in London, where she first discovered a vocation as a book collector; to Silicon Valley, where she built a pioneering career as a formidable venture capitalist. She recalls the impulsive purchase of the first book in her collection, T. S. Eliot’s A Song for Simeon, and her pursuit of rare editions of all one hundred titles listed in Cyril Connolly’s The Modern Movement. Campbell-White’s collecting and career peaked in 2005, when she acquired the last of the Connolly titles and was first named to Forbes’ Midas List, the annual ranking of the most successful dealmakers in venture capital.

In 2007, out of concern for their preservation, Campbell-White rashly sold the Connolly titles she had spent more than twenty years assembling, leading to a new appreciation of what remained of her collection and, going forward, a broader focus on collecting modernist letters, manuscripts, and ephemera. Beyond Market Value is both a loving tribute to literary collecting and a telling account of the challenges of being a woman in the male-dominated world of finance.

As the first full-length critical study of Edgar Lee Masters, Beyond Spoon River is important not only for its reevaluation of this American poet and his work but also for its valuable insights into central questions of aesthetics, regionalism, and the nature and meaning of literary influence.

The inordinate popularity of Spoon River Anthology has for many years unfairly restricted Masters' reputation as a "one-book phenomenon," although between 1911 and 1942 he wrote over fifty other books—most of which were neglected or misinterpreted precisely because they attempted a large-scale rewriting of what he felt had been obscured or distorted in the Anglo-American tradition. Masters' wide reading in the whole of western literature shaped his own attitudes, themes, and style, and his detailed accounts of that reading and its effect on his work form the basis for this reinterpretation of his place in American poetry in this century.

After reviewing Masters' own statements on literary influence and his role as a critic, Primeau devotes the main body of his study to the major influences on Masters' work—the Greeks, Goethe, Emerson, Whitman, Shelley, and Browning. For Masters, the composite of all these influences provided a corrective to the poetry and criticism of his time, which he little admired. Primeau concludes by exploring Masters' midwestern heritage in the light of recent reinterpretations of regionalism.

During the last decade, the South American continent has seen a strong push for transnational integration, initiated by the former Brazilian president Fernando Henrique Cardoso, who (with the endorsement of eleven other nations) spearheaded the Initiative for the Integration of Regional Infrastructure in South America (IIRSA), a comprehensive energy, transport, and communications network. The most aggressive transcontinental integration project ever planned for South America, the initiative systematically deploys ten east-west infrastructural corridors, enhancing economic development but raising important questions about the polarizing effect of pitting regional needs against the colossal processes of resource extraction. Providing much-needed historical contextualization to IIRSA’s agenda, Beyond the City ties together a series of spatial models and offers a survey of regional strategies in five case studies of often overlooked sites built outside the traditional South American urban constructs.

Implementing the term “resource extraction urbanism,” the architect and urbanist Felipe Correa takes us from Brazil’s nineteenth-century regional capital city of Belo Horizonte to the experimental, circular, “temporary” city of Vila Piloto in Três Lagoas. In Chile, he surveys the mining town of María Elena. In Venezuela, he explores petrochemical encampments at Judibana and El Tablazo, as well as new industrial frontiers at Ciudad Guayana. The result is both a cautionary tale, bringing to light a history of societies that were “inscribed” and administered, and a perceptive examination of the agency of architecture and urban planning in shaping South American lives.

Maggie Rivas-Rodríguez 's edited volume Mexican Americans & World War II brought pivotal stories from the shadows, contributing to the growing acknowledgment of Mexican American patriotism as a meaningful force within the Greatest Generation. In this latest anthology, Rivas-Rodríguez and historian Emilio Zamora team up with scholars from various disciplines to add new insights. Beyond the Latino World War II Hero focuses on home-front issues and government relations, delving into new arenas of research and incorporating stirring oral histories.

These recollections highlight realities such as post-traumatic stress disorder and its effects on veterans' families, as well as Mexican American women of this era, whose fighting spirit inspired their daughters to participate in Chicana/o activism of the 1960s and 1970s. Other topics include the importance of radio as a powerful medium during the war and postwar periods, the participation of Mexican nationals in World War II, and intergovernmental negotiations involving Mexico and Puerto Rico. Addressing the complexity of the Latino war experience, such as the tandem between the frontline and the disruption of the agricultural migrant stream on the home front, the authors and contributors unite diverse perspectives to harness the rich resources of an invaluable oral history.

By day, every year over 40,000 visitors pour in. Across the Rio Grande, a hundred miles away, Mexican mountaineers use the white domes as landmarks. By night, perched almost 7,000 feet above the sleeping, earthbound world, astronomers probe the secrets of the night sky. This is the University of Texas McDonald Observatory, one of the world's largest university-operated astronomical installations.

Big and Bright: A History of the McDonald Observatory is the story of a remarkable collaboration between two major universities, one a prestigious private school, the other a growing southwestern state institution. The University of Chicago had astronomers, but its Yerkes Observatory was aging and underfunded; the University of Texas had money for an observatory but no working astronomer to staff it. Out of their mutual need, they formed a thirty-year compact for a joint venture. Unusual in its day, the Yerkes-McDonald connection presaged the future. In this arrangement, one can see some of the beginnings of today's consortium "big science."

Now the McDonald Observatory's early history can be put in proper perspective. Blessed with a gifted and driving founding director, the world's (then) second-largest telescope, and an isolation that permitted it to be virtually the only major astronomical observatory that continued operations throughout World War II, the staff of McDonald Observatory helped lay the foundations of modern astrophysics during the 1940s. For over a decade after the war, a lonely mountaintop in West Texas was the mecca that drew nearly all the most important astronomers from all over the world.

Based on personal reminiscences and archival material, as well as published historical sources, Big and Bright is one of the few histories of a major observatory, unique in its focus on the human side of the story.

To the wild and fabulous country where the Rio Grande makes its big bend, J. O. Langford came in 1909 with his wife and daughter in search of health and a home. High on a bluff overlooking the spot where Tornillo Creek pours its waters into the turbulent Rio Grande, the Langfords built their home, a rude structure of adobe blocks in a land reputed to be inhabited only by bandits and rattlesnakes.

Big Bend is the story of the Langfords' life in the rugged and spectacularly beautiful country which they came to call their own. Langford's account is told with the help of Fred Gipson, author of Old Yeller and Hound Dog Man.

Living off the land—hunting, fishing, and farming, along with a range of specialized crafts that provided barter or cash income—was a way of life that persisted well into the twentieth century in the Big Thicket of southeast Texas. Before this way of life ended with World War II, professional photographer Larry Jene Fisher spent a decade between the 1930s and 1940s photographing Big Thicket people living and working in the old ways. His photographs, the only known collection on this subject, constitute an irreplaceable record of lifeways that first took root in the southeastern woodlands of the colonial United States and eventually spread all across the Southern frontier.

Big Thicket People presents Fisher's photographs in suites that document a wide slice of Big Thicket life-people, dogs, camps, deer hunts, farming, syrup mills, rooter hogs and stock raising, railroad tie making, barrel stave making, chimney building, peckerwood sawmills, logging, turpentining, town life, church services and picnics, funerals and golden weddings, and dances and other amusements. Accompanying each suite of images is a cultural essay by Thad Sitton, who also introduces the book with a historical overview of life in the Big Thicket. C. E. Hunt provides an informative biography of Larry Jene Fisher.

2020 Philosophical Society of Texas Nonfiction Book Prize
2019 Nonfiction Book Award Finalist, Writers’ League of Texas
2021 Citation from the San Antonio Conservation Society

"Harrigan, surveying thousands of years of history that lead to the banh mi restaurants of Houston and the juke joints of Austin, remembering the forgotten as well as the famous, delivers an exhilarating blend of the base and the ignoble, a very human story indeed. [ Big Wonderful Thing is] as good a state history as has ever been written and a must-read for Texas aficionados.”—Kirkus, Starred Review

The story of Texas is the story of struggle and triumph in a land of extremes. It is a story of drought and flood, invasion and war, boom and bust, and the myriad peoples who, over centuries of conflict, gave rise to a place that has helped shape the identity of the United States and the destiny of the world.

“I couldn’t believe Texas was real,” the painter Georgia O’Keeffe remembered of her first encounter with the Lone Star State. It was, for her, “the same big wonderful thing that oceans and the highest mountains are.”

Big Wonderful Thing invites us to walk in the footsteps of ancient as well as modern people along the path of Texas’s evolution. Blending action and atmosphere with impeccable research, New York Times best-selling author Stephen Harrigan brings to life with novelistic immediacy the generations of driven men and women who shaped Texas, including Spanish explorers, American filibusters, Comanche warriors, wildcatters, Tejano activists, and spellbinding artists—all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea.

Written in fast-paced prose, rich with personal observation and a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby Foote about the Civil War. Like those volumes, it is a big book about a big subject, a book that dares to tell the whole glorious, gruesome, epically sprawling story of Texas.

At thirteen, George Miksch Sutton planned a school of ornithology centered around his collection of bird skins, feathers, bones, nests, eggs, and a prized stuffed crow. As an adult, he became one of the most prominent ornithologists and bird artists of the twentieth century. He describes his metamorphosis from amateur to professional in Bird Student.

Born in 1898, Sutton gives us his clearest memories of his boyhood in Nebraska, Minnesota, Oregon, Illinois, Texas, and West Virginia with his closely knit family. Recognizing birds, identifying them correctly, drawing them, and writing about them became more and more important to him. His intense admiration for Louis Agassiz Fuertes had a good deal to do with his beginning to draw birds in earnest, and his correspondence and his 1916 summer visit with the generous Fuertes taught him to look at birds with the eyes of a professional artist and to consider the possibility of making ornithology his career.

By 1918, Sutton had talked himself into a job at the Carnegie Museum of Natural History in Pittsburgh, which gave him fresh opportunities to learn and travel, and his 1920 field trip to the Labrador Peninsula stimulated his lifelong interest in arctic birds. Further expeditions to James Bay, the east coast of Hudson Bay—on leave from his job as state ornithologist of Pennsylvania—and Southampton Island at the north end of Hudson Bay, in search of the elusive blue goose and its nesting grounds, give us glimpses of field methods before the days of sophisticated equipment. Sutton ends his autobiography in 1935, with an account of his graduate days at Cornell University and his position as curator of the Fuertes Memorial Collection of Birds.

Bird Student is about raising young roadrunners and owls and prairie dogs, sailing (and being stranded) in arctic waters, preparing specimens in the hold of a ship, hunting birds and caribou and bears in almost inaccessible regions, canoeing in the Far North, camping in Florida, and delivering speeches in Pennsylvania. Sutton's gift for mixing facts and philosophy lets us see the evolution of a naturalist, as his inherent curiosity and innocent enjoyment of beauty led to a permanent desire to preserve this beauty.

The West Indies offer so much more than sun, sand, and shopping. This sweeping arc of islands, which runs from Cuba to Grenada and includes the Virgin Islands, teems with a rich diversity of plant and animal life. Up to 40 percent of the plants in some forests are found nowhere else on earth, while the West Indian flyway is a critical link in the migratory routes of many birds.

In A Birder's West Indies, Roland Wauer takes you on an island-by-island journey of discovery. He describes the unique natural features of each island and recounts his often fascinating experiences in seeking out the nearly 400 species of birds known in the West Indies. His accounts give insight into the birds' habitats, status, and ecology and record some of the threats posed by human activities.

For readers planning trips to the West Indies, Wauer also includes helpful, up-to-date facts about the best times to travel, the kinds of entry and customs systems to expect, the money exchange services available, and general information about weather, food, and accommodations. Filling a unique niche among current guides, A Birder's West Indies offers both professional ornithologists and avocational bird watchers a chance to compare notes and experiences with an expert observer. And for readers who haven't yet visited the islands, Wauer's fluid prose and lovely color photographs will be the next-best thing to being there—and an irresistible invitation to go.

Nature takes a surprising turn in the heart of Texas. The flat Gulf Coastal Plains, which become the fertile Blackland Prairies in Central Texas, end abruptly at the Balcones Escarpment, one of the state’s most dramatic geological features, and the rolling, more sparsely vegetated Hill Country begins. The animal life varies as dramatically as the land. More than 400 species of birds alone, nearly three-fourths of all Texas birds, can be spotted in the region.

This handbook offers a concise natural history of Central Texas and a complete checklist of all native and naturalized vertebrate animals, including birds, mammals, reptiles, amphibians, and fish, as well as invertebrates that include butterflies and land snails. The listings cite both scientific and common names for each species, relative abundance in the region, and preferred habitats.

A distinguishing feature of the handbook is its list of parks and recreational areas in the region, which includes the counties of Bastrop, Bell, Bexar, Blanco, Burleson, Burnet, Caldwell, Comal, Fayette, Gillespie, Gonzales, Guadalupe, Hays, Kendall, Lee, Llano, Milam, Travis, and Williamson. The authors describe the recreational facilities available in each park and list the animal species likely to be encountered there.

For birdwatchers, naturalists, visitors, and residents alike, this popular handbook will be the essential "where-to-find-it" reference.

With nearly six hundred identified species of birds—and an average of five "new" species discovered annually—Belize is becoming a birding hotspot for amateur and professional birders from around the globe. Thousands of birders visit the country each year to enjoy Belize's amazing abundance and variety of both temperate and tropical birds in natural habitats that remain largely unspoiled. But until now, despite the growing need for an authoritative identification guide, birders have had to rely on regional field guides that offer only limited information on Belizean birds.

Birds of Belize provides the first complete guide to the identification of all currently known species—574 in all. The birds are grouped by families, with an introduction to each family that highlights its uniquely identifying characteristics and behaviors. The species accounts include all the details necessary for field identification: scientific and common names, size, plumage features, thorough voice descriptions, habitat, distribution, and status in Belize. Full color, expertly drawn illustrations by noted bird artist Dana Gardner present male and female, juvenile and adult, and basic and alternate plumages to aid visual identification throughout the year, while 234 range maps show the birds' distribution and seasonality in Belize. A comprehensive bibliography completes the volume.

At the biological crossroads of the Americas, Costa Rica hosts an astonishing array of plants and animals—over half a million species! Ecotourists, birders, and biologists come from around the world, drawn by the likelihood of seeing more than three or four hundred species of birds and other animals during even a short stay. To help all of these visitors, as well as local residents, identify and enjoy the wildlife of Costa Rica, Carrol Henderson published Field Guide to the Wildlife of Costa Rica in 2002, and it became the instant and indispensable guide.

Now Henderson has created a dedicated field guide to the birds that travelers are most likely to see, as well as to the unique or endemic species that are of high interest to birders. Birds of Costa Rica covers 310 birds—an increase of 124 species from the earlier volume—with fascinating accounts of the birds' natural history, identification, and behavior gleaned from Henderson's forty years of traveling and birding in Costa Rica. All of the accounts include beautiful photographs of the birds, most of which were taken in the wild by Henderson. There are new updated distribution maps and a detailed appendix that identifies many of the country's best bird-watching locations and lodges, including contact information for trip planning purposes.

No matter where you see birds in the city—in parks or woodlands, on power lines or in parking lots—they are the natural soul of the urban landscape. They enhance the city and the lives of those who watch them.

Nature writer B. C. Robison and wildlife photographer John Tveten have teamed up to produce this field guide for birders who want to identify the birds most commonly seen in Houston. Fifty-five species are included, ranging from such well-known favorites as the mockingbird and cardinal to the more exotic yellow-crowned night heron.

A full-color photograph for each bird appears alongside warm and often witty description. For quick reference, a summary of the primary field marks of the adult bird is also provided. This summary includes not only identifying features of the bird but also its habitats, the time of year it can be found, and its distinctive behavioral traits.

Aimed at the beginning birder, the guide also gives tips on buying binoculars and on attracting birds to your yard.

From the bald eagle to the pileolated woodpecker, the varied and abundant birdlife of the northwestern national parks is as impressive as the parks' dramatic scenery. To help both beginning and advanced birders make the most of their visits to these parks, Roland Wauer has written this finding guide, which introduces the most common birds and the most likely places to see them.

The book opens with practical advice on getting started in birding—choosing binoculars, bird identification, proper field techniques, etc. Then after a concise discussion of the national parks as "islands" of bird habitat, the succeeding chapters fully describe each park, including its plant and animal communities and the facilities and interpretive activities available to visitors. Wauer takes readers on "walks" through each park's most popular and accessible places, where he explains the identification and behavior of the birds that visitors are most likely to see. He closes each account with a review of the park's bird life and a list of key species. Pen-and-ink drawings illustrate many of the birds.

The Trans-Pecos, that huge region of Texas west of the Pecos River, is richer in recorded bird species than all but three of the United States. Hundreds of birders come here each year in search of species such as the Colima Warbler which are rarely if ever spotted in other parts of the country. Yet, until now, there was no comprehensive birding guide devoted to the entire region.

Designed for intermediate to advanced birders, Birds of the Trans-Pecos provides an annotated checklist of all 482 species found in the region. The species accounts include seasonal distribution, documentation of nesting, most likely habitat, and the bird's status as a "Texas Review Species." The authors also describe the geography and bird habitats of the Trans-Pecos; federal and state parklands in the area (including Big Bend and Guadalupe Mountains), with the species that occur in each; and the mountain-breeding birds and species of special interest.

The guide to neotropical bird behavior that picks up where field guides leave off.

Why are tropical birds like parrots and quetzals so much more colorful than those in more temperate climates? How can a vulture soaring thousands of feet above the canopy spot a dead rodent no bigger than a mouse on the rainforest floor? What permits sparrow-sized antbirds to not only survive but to thrive among relentless hordes of army ants that devour every other living thing in their path?

Steven Hilty has led birding tours to the American Tropics for decades. By providing answers to the hundreds of questions asked by participants of these expeditions, Hilty has produced a natural history of the bird life of the New World Tropics that is at once practical, accurate, and as endlessly fascinating as the species whose lives it reveals.

Birds of Tropical America was published by Chapters Publishing in 1994 and went out of print in 1997. UT Press is pleased to reissue it with a new epilogue and updated references.

"I love the native race with a tender love, and so I have observed its customs closely, enchanted by their simplicity, and, as well, the abjection into which this race is plunged by small-town despots, who, while their names may change, never fail to live up to the epithet of tyrants. They are no other than, in general, the priests, governors, caciques, and mayors." So wrote Clorinda Matto de Turner in Aves sin nido, the first major Spanish American novel to protest the plight of native peoples.

First published in 1889, Birds without a Nest drew fiery protests for its unsparing expose of small town officials, judicial authorities, and priests who oppressed the native peoples of Peru. Matto de Turner was excommunicated by the Catholic Church and burned in effigy. Yet her novel was strongly influential; indeed, Peruvian President Andres Avelino Caceres credited it with stimulating him to pursue needed reforms.

In 1904, the novel was published in a bowdlerized English translation with a modified ending. This edition restores the original ending and the translator's omissions. It will be important reading for all students of the indigenous cultures of South America.

Birding can become an addiction. It starts when you hang a bird feeder in the backyard. Then you buy a bird book to identify the birds you see. Then, before you know it, you're keeping a life list and traveling the region, the country, perhaps even the world to catch glimpses of rare birds. Marjorie Adams's birding passion progressed through all these stages and continues today in her tenth decade. In this engaging and informative book, she looks back at her evolution into a full-fledged birder and the concurrent growth of the sport of birding, to which she contributed significantly as a founding member of the American Birding Association, a newspaper columnist on birding, and a teacher and producer of educational wildlife films with her husband and lifelong birding partner, "Red" Adams.

As one who was there from the beginning, Marjorie Adams is uniquely qualified to recount the astonishing rise of birding to a major pastime and recreational industry. She describes the founding of the American Birding Association and profiles its founder, James A. Tucker. She vividly recalls many of her and Red's birding adventures, from southern Canada to Mexico, as well as their encounters with a host of highly regarded birders, including Roger Tory Peterson, Pete Dunne, Victor Emanuel, Charles Hartshorne, and Roy Bedichek. She also explains how her and Red's love for birds led them to become conservation activists and how they produced an award-winning film on the endangered Golden-cheeked Warbler. Offering an important chapter in the story of birding in Texas and the United States, this book establishes Marjorie and Red Adams's rightful place among the leading Texas naturalists of recent decades.

Opening a new area in Latin American studies, The Birth of the Penitentiary in Latin America showcases the most recent historical outlooks on prison reform and criminology in the Latin American context. The essays in this collection shed new light on the discourse and practice of prison reform, the interpretive shifts induced by the spread of criminological science, and the links between them and competing discourses about class, race, nation, and gender. The book shows how the seemingly clear redemptive purpose of the penitentiary project was eventually contradicted by conflicting views about imprisonment, the pervasiveness of traditional forms of repression and control, and resistance from the lower classes.

The essays are unified by their attempt to view the penitentiary (as well as the variety of representations conveyed by the different reform movements favoring its adoption) as an interpretive moment, revealing of the ideology, class fractures, and contradictory nature of modernity in Latin America. As such, the book should be of interest not only to scholars concerned with criminal justice history, but also to a wide range of readers interested in modernization, social identities, and the discursive articulation of social conflict. The collection also offers an up-to-date sampling of new historical approaches to the study of criminal justice history, illuminates crucial aspects of the Latin American modernization process, and contrasts the Latin American cases with the better known European and North American experiences with prison reform.

When the venerable historian Norman D. Brown published Hood, Bonnet, and Little Brown Jug in 1984, he earned national acclaim for revealing the audacious tactics at play in Texas politics during the Roaring Twenties, detailing the effects of the Ku Klux Klan, newly enfranchised women, and Prohibition. Shortly before his death in 2015, Brown completed Biscuits, the Dole, and Nodding Donkeys, which picks up just as the Democratic Party was poised for a bruising fight in the 1930 primary. Charting the governorships of Dan Moody, Ross Sterling, Miriam “Ma” Ferguson in her second term, and James V. Allred, this engrossing sequel takes its title from the notion that Texas politicians should give voters what they want (“When you cease to deliver the biscuits they will not be for you any longer,” said Jim “Pa” Ferguson) while remaining wary of federal assistance (the dole) in a state where the economy is fueled by oil pump jacks (nodding donkeys).

Taking readers to an era when a self-serving group of Texas politicians operated in a system that was closed to anyone outside the state’s white, wealthy echelons, Brown unearths a riveting, little-known history whose impact continues to ripple at the capitol.

Under a provision in the Brazilian constitution, rural black communities identified as the modern descendants of quilombos—runaway slave communities—are promised land rights as a form of reparations for the historic exclusion of blacks from land ownership. The quilombo provision has been hailed as a success for black rights; however, rights for quilombolas are highly controversial and, in many cases, have led to violent land conflicts. Although thousands of rural black communities have been legally recognized, only a handful have received the rights they were promised. Conflict over quilombola rights is widespread and carries important consequences for race relations and political representations of blackness in twenty-first century Brazil.

Drawing on a year of field research in a quilombola community, Elizabeth Farfán-Santos explores how quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community’s struggle to prove its historical authenticity—and to gain the land and rights they need to survive. This work not only demonstrates the lived experience of a new, particular form of blackness in Brazil, but also shows how blackness is being mobilized and reimagined to gain social rights and political recognition. Black Bodies, Black Rights thus represents an important contribution to the rapidly growing interdisciplinary field of Afro-Latino studies.

Surrealism as a movement has always resisted the efforts of critics to confine it to any static definition—surrealists themselves have always preferred to speak of it in terms of dynamics, dialectics, goals, and struggles. Accordingly, surrealist groups have always encouraged and exemplified the widest diversity—from its start the movement was emphatically opposed to racism and colonialism, and it embraced thinkers from every race and nation.

Yet in the vast critical literature on surrealism, all but a few black poets have been invisible. Academic histories and anthologies typically, but very wrongly, persist in conveying surrealism as an all-white movement, like other "artistic schools" of European origin. In glaring contrast, the many publications of the international surrealist movement have regularly featured texts and reproductions of works by comrades from Martinique, Haiti, Cuba, Puerto Rico, South America, the United States, and other lands. Some of these publications are readily available to researchers; others are not, and a few fall outside academia's narrow definition of surrealism.

This collection is the first to document the extensive participation of people of African descent in the international surrealist movement over the past seventy-five years. Editors Franklin Rosemont and Robin D. G. Kelley aim to introduce readers to the black, brown, and beige surrealists of the world—to provide sketches of their overlooked lives and deeds as well as their important place in history, especially the history of surrealism.

2023 Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame
2024 Woody Guthrie Book Award, International Association for the Study of Popular Music-US Branch (IASPM-US)
2023 ARSC Awards for Excellence in Historical Recorded Sound Research, Association for Recorded Sound Collections​
2023 The Judy Tsou Critical Race Studies Award, American Musicological Society

How Black musicians have changed the country music landscape and brought light to Black creativity and innovation.

After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.

Throughout the fourteenth century AD/eighth century H, waves of plague swept out of Central Asia and decimated populations from China to Iceland. So devastating was the Black Death across the Old World that some historians have compared its effects to those of a nuclear holocaust. As countries began to recover from the plague during the following century, sharp contrasts arose between the East, where societies slumped into long-term economic and social decline, and the West, where technological and social innovation set the stage for Europe's dominance into the twentieth century. Why were there such opposite outcomes from the same catastrophic event?

In contrast to previous studies that have looked to differences between Islam and Christianity for the solution to the puzzle, this pioneering work proposes that a country's system of landholding primarily determined how successfully it recovered from the calamity of the Black Death. Stuart Borsch compares the specific cases of Egypt and England, countries whose economies were based in agriculture and whose pre-plague levels of total and agrarian gross domestic product were roughly equivalent. Undertaking a thorough analysis of medieval economic data, he cogently explains why Egypt's centralized and urban landholding system was unable to adapt to massive depopulation, while England's localized and rural landholding system had fully recovered by the year 1500.

Hollywood film directors are some of the world's most powerful storytellers, shaping the fantasies and aspirations of people around the globe. Since the 1960s, African Americans have increasingly joined their ranks, bringing fresh insights to movie characterizations, plots, and themes and depicting areas of African American culture that were previously absent from mainstream films. Today, black directors are making films in all popular genres, while inventing new ones to speak directly from and to the black experience.

This book offers a first comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing 67 individuals and over 135 films, Melvin Donalson thoroughly explores how black directors' storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, he convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to ethnic, cultural, and gender issues.

In the fall of 1968, the University of Texas at Austin sponsored a series of public lectures delivered by outstanding students of the black past in an effort to clarify the role of the African American in America’s history. This volume of essays by eight of the ten participants makes the lectures available to a broader public.

The essays demonstrate that the black experience in America has been integral throughout the nation’s history. Although each contributor deals with a different aspect of this experience, they all share a common commitment to sound historical scholarship. The essays also reflect the intensive research in the field of black history during a time of high racial tension.

Henry Allen Bullock, in an exploration of education in the slave experience, shows that, despite organized attempts to dehumanize the Negro, the black man’s position in the American social order was not static. By training and educating the Negro, the slaveowner was weakening the peculiar institution and preparing the slave for freedom. In the field of cultural anthropology, which had largely ignored blacks in the United States, William S. Willis, Jr., examines the interaction of whites, blacks, and Indians on the Southern colonial frontier. Arthur Zilversmit traces the development of abolitionist attitudes from patience to militance and points out that both those reformers who abandoned action and those who demanded radical violent change were forced into their positions by society’s failure to listen to the arguments of moderate reformers.

William S. McFeely takes a fresh look at the Reconstruction era, one of the only times in American history when white Americans have even come close to wanting for black Americans what black Americans wanted for themselves. In a discussion of protest against segregated streetcars in the South, August Meier and Elliott Rudwick show that the boycotts of the late 1950s had their counterparts in more than twenty-five Southern cities between 1900 and 1906. Thomas R. Cripps attacks the myth of the Southern box office and shows how Hollywood’s own timidity fostered racial stereotyping in American movies. Robert L. Zangrando outlines the role of the NAACP, founded in 1909, in the evolution of civil rights protests during the mid-twentieth century. He argues that the organization’s precarious position in American society prevented it from exercising strong leadership within the black community. Louis R. Harlan concludes the volume by assessing the past and looking toward the future of black history in America.

A collection of essays, interviews, and conversations by and between scholars, activists, and artists from Latin America and the Caribbean that paints a portrait of Black women's experiences across the region.

Black women in Latin America and the Caribbean suffer a triple erasure: as Black people, as women, and as non-English speakers in a global environment dominated by the Anglophone North. Black Feminist Constellations is a passionate and necessary corrective. Focused on and written by Black women of the southern Americas, the original works composing this volume make legible the epistemologies that sustain radical scholarship, art, and political organizing by Black women everywhere.

In essays, poems, and dialogues, the writers in Black Feminist Constellations reimagine liberation from the perspectives of radical South American and Caribbean Black women thinkers. The volume’s methodologically innovative approach reflects how Black women come together to theorize the world and challenges the notion that the university is the only site where knowledge can emerge. A major work of intellectual history, Black Feminist Constellations amplifies rarely heard voices, centers the uncanonized, and celebrates the overlooked work of Black women.

Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.

Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions.

The Black Rose of Halfeti opens with a letter delivered at midnight in Ankara, Turkey. In this letter, an elderly doctor who has begun to experience the first signs of dementia professes his love and desire for a relationship with the narrator, a woman in middle age beginning to contemplate her own mortality. From there, the novel moves between Mardin, Izmir, and Ankara; the past and the present; and the real and the imagined as the narrator seeks to know the doctor both in his prime and in his struggle to hold senility at bay. In these dreamlike landscapes, the author effortlessly introduces King Darius, the Spanish director Luis Buñuel, the actress Silvia Pinal, and the archetypal dream woman as the narrator’s guides in her efforts to understand the human psyche.

Nazli Eray has established herself as a master of magical realism, the perfect tool to bring to life this poignant meditation on love, aging, and the role of memory. And, as in her earlier novels, she paints vivid images of the urban landscapes of Turkey, capturing both the present and the past.

Winner, Rollins Book Award, Southwest Texas Popular Culture Association/American Culture Association, 2008

Science fiction film offers its viewers many pleasures, not least of which is the possibility of imagining other worlds in which very different forms of society exist. Not surprisingly, however, these alternative worlds often become spaces in which filmmakers and film audiences can explore issues of concern in our own society. Through an analysis of over thirty canonic science fiction (SF) films, including Logan's Run, Star Wars, Blade Runner, Back to the Future, Gattaca, and Minority Report, Black Space offers a thorough-going investigation of how SF film since the 1950s has dealt with the issue of race and specifically with the representation of blackness.

Setting his study against the backdrop of America's ongoing racial struggles and complex socioeconomic histories, Adilifu Nama pursues a number of themes in Black Space. They include the structured absence/token presence of blacks in SF film; racial contamination and racial paranoia; the traumatized black body as the ultimate signifier of difference, alienness, and "otherness"; the use of class and economic issues to subsume race as an issue; the racially subversive pleasures and allegories encoded in some mainstream SF films; and the ways in which independent and extra-filmic productions are subverting the SF genre of Hollywood filmmaking.

The first book-length study of African American representation in science fiction film, Black Space demonstrates that SF cinema has become an important field of racial analysis, a site where definitions of race can be contested and post-civil rights race relations (re)imagined.

In the minds of many, black street speech—the urban dialect of black Americans—bespeaks illiteracy, poverty, and ignorance. John Baugh challenges those prejudices in this brilliant new inquiry into the history, linguistic structure, and survival within white society of black street speech. In doing so, he successfully integrates a scholarly respect for black English with a humanistic approach to language differences that weds rigor of research with a keen sense of social responsibility.

Baugh's is the first book on black English that is based on a long-term study of adult speakers. Beginning in 1972, black men and women in Los Angeles, Philadelphia, Chicago, Austin, and Houston were repeatedly interviewed, in varied social settings, in order to determine the nature of their linguistic styles and the social circumstances where subtle changes in their speech appear. Baugh's work uncovered a far wider breadth of speaking styles among black Americans than among standard English speakers. Having detailed his findings, he explores their serious implications for the employability and education of black Americans.

Black Street Speech is a work of enduring importance for educators, linguists, sociologists, scholars of black and urban studies, and all concerned with black English and its social consequences.