In T. E. Lawrence’s classic memoir Seven Pillars of Wisdom, Lawrence of Arabia claimed that he inspired a “dream palace” of Arab nationalism. What he really inspired, however, was an American idea of the area now called the Middle East that has shaped U.S. interventions over the course of a century, with sometimes tragic consequences. America’s Dream Palace brings into sharp focus the ways U.S. foreign policy has shaped the emergence of expertise concerning this crucial, often turbulent, and misunderstood part of the world.

America’s growing stature as a global power created a need for expert knowledge about different regions. When it came to the Middle East, the U.S. government was initially content to rely on Christian missionaries and Orientalist scholars. After World War II, however, as Washington’s national security establishment required professional expertise in Middle Eastern affairs, it began to cultivate a mutually beneficial relationship with academic institutions. Newly created programs at Harvard, Princeton, and other universities became integral to Washington’s policymaking in the region. The National Defense Education Act of 1958, which aligned America’s educational goals with Cold War security concerns, proved a boon for Middle Eastern studies.

But charges of anti-Americanism within the academy soon strained this cozy relationship. Federal funding for area studies declined, while independent think tanks with ties to the government flourished. By the time the Bush administration declared its Global War on Terror, Osamah Khalil writes, think tanks that actively pursued agendas aligned with neoconservative goals were the drivers of America’s foreign policy.

The U.S. Constitution opens by proclaiming the sovereignty of all citizens: “We the People.” Robert Tsai’s gripping history of alternative constitutions invites readers into the circle of those who have rejected this ringing assertion—the defiant groups that refused to accept the Constitution’s definition of who “the people” are and how their authority should be exercised.

America’s Forgotten Constitutions is the story of America as told by dissenters: squatters, Native Americans, abolitionists, socialists, internationalists, and racial nationalists. Beginning in the nineteenth century, Tsai chronicles eight episodes in which discontented citizens took the extraordinary step of drafting a new constitution. He examines the alternative Americas envisioned by John Brown (who dreamed of a republic purged of slavery), Robert Barnwell Rhett (the Confederate “father of secession”), and Etienne Cabet (a French socialist who founded a utopian society in Illinois). Other dreamers include the University of Chicago academics who created a world constitution for the nuclear age; the Republic of New Afrika, which demanded a separate country carved from the Deep South; and the contemporary Aryan movement, which plans to liberate America from multiculturalism and feminism.

Countering those who treat constitutional law as a single tradition, Tsai argues that the ratification of the Constitution did not quell debate but kindled further conflicts over basic questions of power and community. He explains how the tradition mutated over time, inspiring generations and disrupting the best-laid plans for simplicity and order. Idealists on both the left and right will benefit from reading these cautionary tales.

During World War II, Japan was vilified by America as our hated enemy in the East. Though we distinguished "good Germans" from the Nazis, we condemned all Japanese indiscriminately as fanatics and savages. As the Cold War heated up, however, the U.S. government decided to make Japan its bulwark against communism in Asia.

But how was the American public made to accept an alliance with Japan so soon after the "Japs" had been demonized as subhuman, bucktoothed apes with Coke-bottle glasses? In this revelatory work, Naoko Shibusawa charts the remarkable reversal from hated enemy to valuable ally that occurred in the two decades after the war. While General MacArthur's Occupation Forces pursued our nation's strategic goals in Japan, liberal American politicians, journalists, and filmmakers pursued an equally essential, though long-unrecognized, goal: the dissemination of a new and palatable image of the Japanese among the American public.

With extensive research, from Occupation memoirs to military records, from court documents to Hollywood films, and from charity initiatives to newspaper and magazine articles, Shibusawa demonstrates how the evil enemy was rendered as a feminized, submissive nation, as an immature youth that needed America's benevolent hand to guide it toward democracy. Interestingly, Shibusawa reveals how this obsession with race, gender, and maturity reflected America's own anxieties about race relations and equity between the sexes in the postwar world. America's Geisha Ally is an exploration of how belligerents reconcile themselves in the wake of war, but also offers insight into how a new superpower adjusts to its role as the world's preeminent force.

John J. McCloy was the "wise man" of the Cold War era who had the longest substantial American connection with Germany. A self-made man of great ambition, enormous vitality, and extraordinary tenacity, McCloy served in several government positions before being appointed High Commissioner of Germany in 1949.

America's Germany is the first study of McCloy's critical years in Germany. Drawing on deep archival research and interviews, Thomas Schwartz argues that McCloy played a decisive role in the American effort to restore democracy and integrate Germany into Western Europe. Convinced that reunification should wait until Germany was firmly linked to the West, McCloy implemented a policy of "dual containment," designed to keep both the Soviet Union and Germany from dominating Europe.

McCloy represented the best and the worst of the values and beliefs of a generation of American foreign policy leaders. He strove to learn from the mistakes made in the aftermath of the collapse of the Weimar Republic, when the West did not do enough to help German democracy survive. Yet his leniency toward convicted Nazi war criminals compromised the ideals for which America had fought in World War II.

America's Germany offers an essential history for those wishing to understand the recent changes in Germany and Europe. The book describes a unique period in the relationship between America and Germany, when the two nations forged an extraordinary range of connections--political, economic, military, and cultural--as the Federal Republic became part of the Western club and the new Europe.

During a career spanning sixty years, the Reverend Billy Graham’s resonant voice and chiseled profile entered the living rooms of millions of Americans with a message that called for personal transformation through God’s grace. How did a lanky farm kid from North Carolina become an evangelist hailed by the media as “America’s pastor”? Why did listeners young and old pour out their grief and loneliness in letters to a man they knew only through televised “Crusades” in faraway places like Madison Square Garden? More than a conventional biography, Grant Wacker’s interpretive study deepens our understanding of why Billy Graham has mattered so much to so many.

Beginning with tent revivals in the 1940s, Graham transformed his born-again theology into a moral vocabulary capturing the fears and aspirations of average Americans. He possessed an uncanny ability to appropriate trends in the wider culture and engaged boldly with the most significant developments of his time, from communism and nuclear threat to poverty and civil rights. The enduring meaning of his career, in Wacker’s analysis, lies at the intersection of Graham’s own creative agency and the forces shaping modern America.

Wacker paints a richly textured portrait: a self-deprecating servant of God and self-promoting media mogul, a simple family man and confidant of presidents, a plainspoken preacher and the “Protestant pope.” America’s Pastor reveals how this Southern fundamentalist grew, fitfully, into a capacious figure at the center of spiritual life for millions of Christians around the world.

THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.

In this probing history of twentieth-century American attitudes toward the poor, James Patterson explores how we have viewed poverty and what our welfare reformers have tried to do about it. It is a history broad in scope--and one that is especially pertinent to the ongoing welfare-reform debate.

This new edition of Patterson's widely used book carries the story of battles over poverty and social welfare through what the author calls the "amazing 1990s," those years of extraordinary performance of the economy. He explores a range of issues arising from the economic phenomenon--increasing inequality and demands for use of an improved poverty definition. He focuses the story on the impact of the highly controversial welfare reform of 1996, passed by a Republican Congress and signed by a Democratic President Clinton, despite the laments of anguished liberals.

Don K. Price seeks the cause of the nation’s inability to develop coherent policies and manage consistent programs and finds it in American attitudes toward authority. This country’s managerial disarray can be traced to religious and philosophical roots of our informal system of government and its development. Price shows how a native American skepticism toward all establishments, combined with a belief in the role of science as advancing progress, has given us a moralistic, reformist view of government that rejects compromise even for the sake of coherence and continuity. This is unlike the experience of Great Britain and Canada, which he relates in a series of incisive comparisons.

In 1200, what is now southwest China—Guizhou, Yunnan, and the southern portion of Sichuan—was home to an assortment of strikingly diverse cultures and ruled by a multitude of political entities. By 1750, China’s military, political, sociocultural, and economic institutions were firmly in control of the region, and many of the area’s cultures were rapidly becoming extinct. One purpose of this book is to examine how China’s three late imperial dynasties—the Yuan, Ming, and Qing—conquered, colonized, and assumed control of the southwest. Another objective is to highlight the indigenous response to China’s colonization of the southwest, particularly that of the Nasu Yi people of western Guizhou and eastern Yunnan, the only group to leave an extensive written record.

Contemporary America, with its unparalleled armaments and ambition, seems to many commentators a new empire. Others angrily reject the designation. What stakes would being an empire have for our identity at home and our role abroad?

A preeminent American historian addresses these issues in light of the history of empires since antiquity. This elegantly written book examines the structure and impact of these mega-states and asks whether the United States shares their traits and behavior. Eschewing the standard focus on current U.S. foreign policy and the recent spate of pro- and anti-empire polemics, Charles S. Maier uses comparative history to test the relevance of a concept often invoked but not always understood. Marshaling a remarkable array of evidence—from Roman, Ottoman, Moghul, Spanish, Russian, Chinese, and British experience—Maier outlines the essentials of empire throughout history. He then explores the exercise of U.S. power in the nineteenth and twentieth centuries, carefully analyzing its economic and strategic sources and the nation’s relationship to predecessors and rivals.

To inquire about empire is to ask what the United States has become as a result of its wealth, inventiveness, and ambitions. It is to confront lofty national aspirations with the realities of the violence that often attends imperial politics and thus to question both the costs and the opportunities of the current U.S. global ascendancy. With learning, dispassion, and clarity, Among Empires offers bold comparisons and an original account of American power. It confirms that the issue of empire must be a concern of every citizen.

The local people know him as the "Man of the Forest," who refused to speak for fear of being put to work. And indeed the bear-like Sumatran orangutan, with his moon face, lanky arms, and shaggy red hair, does seem uncannily human; one of our closest relatives in the animal kingdom, the orangutan may have much to tell us about the origins of human intelligence, technology, and culture. In this book one of the world's leading experts on Sumatran orangutans, working in collaboration with nature photographer Perry van Duijnhoven, takes us deep into the disappearing world of these captivating primates.

In a narrative that is part adventure, part field journal, part call to conscience, Carel van Schaik introduces us to the colorful characters and complex lives of the orangutans who inhabit the vanishing forests of Sumatra. In compelling words and pictures, we come to know the personalities and temperaments of our primate cousins as they go about their days: building double-decker tree nests; using leaves as napkins, gloves, rain hats, and blankets, and sticks as backscratchers and probes; nurturing their infants longer and more intensely than any other nonhuman mammal. Here are the births and deaths, the first use of a tool, the defeat of a rival, the gradual loss of influence that, while fascinating to observe, may also help us to reconstruct human evolution.

For most Americans, the Revolution’s main achievement is summed up by the phrase “life, liberty, and the pursuit of happiness.” Yet far from a straightforward attempt to be free of Old World laws and customs, the American founding was also a bid for inclusion in the community of nations as it existed in 1776. America aspired to diplomatic recognition under international law and the authority to become a colonizing power itself.

As Eliga Gould shows in this reappraisal of American history, the Revolution was an international transformation of the first importance. To conform to the public law of Europe’s imperial powers, Americans crafted a union nearly as centralized as the one they had overthrown, endured taxes heavier than any they had faced as British colonists, and remained entangled with European Atlantic empires long after the Revolution ended.

No factor weighed more heavily on Americans than the legally plural Atlantic where they hoped to build their empire. Gould follows the region’s transfiguration from a fluid periphery with its own rules and norms to a place where people of all descriptions were expected to abide by the laws of Western Europe—“civilized” laws that precluded neither slavery nor the dispossession of Native Americans.

In this study of the A & P. the author inquires into cost and price policy in one of America's large corporations, and examines the fact–finding process in government regulation of an industry.

The first part of the book treats the history of The Great Atlantic & Pacific Tea Company from 1919 to 1951 as a case study of a business management which is seeking to understand its market, formulate a rational price policy, and enforce the policy despite the inarticulate but effective opposition of subordinate executives. The second part deals with the buying methods of the company and A & P's relations with large and small suppliers. Particular attention is given to price discrimination.

In the final part of his study, Mr. Adelman discusses in detail the antitrust suit of the 1940's against the company and the goals and values implicit in that suit. He shows the way in which these goals predetermined the "facts" that purportedly were found. The author shows how a standard inductive–deductive method of economic research would have improved on the process of ”trial by slogan and cliché.“

Funny happenings.

The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This first volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents Amphitruo, Asinaria, Aulularia, Bacchides, and Captivi with freshly edited texts, lively modern translations, and ample explanatory notes. Accompanying the plays is a detailed introduction to Plautus’ œuvre as a whole, discussing his techniques of translation and adaptation, his use of Roman humor, stage conventions, language and meter, and his impact on the Greco-Roman comedic theater and beyond.

Plautus (Titus Maccius), born about 254 BCE at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies.

Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300–250 BCE transferred to the Roman stage of about 225–185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant).

The Loeb Classical Library edition of Plautus is in five volumes.

This work offers the first systematic and interdisciplinary study of the poetics of the twelfth-century medieval Greek novel. This book investigates the complex ways in which rhetorical theory and practice constructed the overarching cultural aesthetics that conditioned the production and reception of the genre of the novel in twelfth-century Byzantine society. By examining the indigenous rhetorical concept of amphoteroglossia, this book probes unexplored aspects of the re-inscription of inherited allegorical, comic, and rhetorical modes in the Komnenian novels, and offers new methodological directions for the study of Byzantine secular literature in its cultural complexities. The creative re-appropriation of the established generic conventions of the ancient Greek novel by the medieval Greek novelists, it is argued in this wide-ranging study, has invested these works with a dynamic dialogism. In this book, Roilos shows that this interdiscursivity functions on two pivotal axes: on the paradigmatic axis of previously sanctioned ancient Greek and—less evidently but equally significantly—Christian literature, and on the syntagmatic axis of allusions to the broader twelfth-century Byzantine cultural context.

Cosmopolitan, stylish, even a little decadent, Amsterdam--"the Venice of the North"--is a city of legendary beauty. From a twelfth-century settlement of wooden huts at the mouth of the River Amstel, it had become by the late sixteenth century one of the great cultural capitals of Europe and a major financial center.

In this gracefully written examination of Amsterdam's soul--part history, part travel guide--the Dutch writer Geert Mak imaginatively depicts the lives of early Amsterdammers and traces the city's progress from a small town of merchants, sailors, farmers, and fishermen to a thriving metropolis. Mak's Amsterdam is a city of dreams and nightmares, of grand civic architecture and magnificent monuments, but also of civil wars, uprisings, and bloody religious purges. In his delightfully instructive journey through the city and through time, Mak displays an eye for the bizarre and the unexpected: a Rembrandt sketch of a young girl executed for manslaughter; the shoe of a medieval lady unearthed during a remodeling project; a graffito foretelling the city's doom on the wall of a mansion, daubed by a deranged burgomaster with his own blood.

Amsterdam remains a magnet for travelers from around the world, and this charmingly detailed account of its origins and its history through the present day is designed to help the reader step into daily life in a truly modern city.

Greek mercenaries on the march.

Xenophon (ca. 430 to ca. 354 BC) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian governor Cyrus against the Persian king. After the defeat of Cyrus, it fell to Xenophon to lead the Greeks from the gates of Babylon back to the coast through inhospitable lands. Later he wrote the famous vivid account of this “March Up-Country” (Anabasis); but meanwhile he entered service under the Spartans against the Persian king, married happily, and joined the staff of the Spartan king, Agesilaus. But Athens was at war with Sparta in 394 and so exiled Xenophon. The Spartans gave him an estate near Elis where he lived for years writing and hunting and educating his sons. Reconciled to Sparta, Athens restored Xenophon to honor, but he preferred to retire to Corinth.

Xenophon’s Anabasis is a true story of remarkable adventures. Hellenica, a history of Greek affairs from 411 to 362, begins as a continuation of Thucydides’ account. There are four works on Socrates (collected in LCL 168). In Memorabilia Xenophon adds to Plato’s picture of Socrates from a different viewpoint. The Apology is an interesting complement to Plato’s account of Socrates’ defense at his trial. Xenophon’s Symposium portrays a dinner party at which Socrates speaks of love; and Oeconomicus has him giving advice on household management and married life. Cyropaedia, a historical romance on the education of Cyrus (the Elder), reflects Xenophon’s ideas about rulers and government; the Loeb edition is in two volumes.

We also have his Hiero, a dialogue on government; Agesilaus, in praise of that king; Constitution of Lacedaemon (on the Spartan system); Ways and Means (on the finances of Athens); Manual for a Cavalry Commander; a good manual of Horsemanship; and a lively Hunting with Hounds. The Constitution of the Athenians, though clearly not by Xenophon, is an interesting document on politics at Athens. These eight books are collected in the last of the seven volumes of the Loeb Classical Library edition of Xenophon.

On the march to greatness.

Arrian (Flavius Arrianus), of the period ca. AD 95–175, was a Greek historian and philosopher of Nicomedia in Bithynia. Both a Roman and an Athenian citizen, he was governor of the Roman province of Cappadocia 132–137, and repelled an invasion of the Alani in 134. He retired then to Athens (where he was archon in 148–149) and later to Nicomedia.

Arrian’s Anabasis of Alexander in seven books is the best account we have of Alexander’s adult life. Indica (a description of India and of Nearchus’ voyage therefrom) was to be a supplement.

A student of Epictetus, Arrian took notes at his lectures and published them (in eight books, of which we have four, The Discourses) and also the Encheiridion or Manual of Epictetus. Both works are available in the Loeb edition of Epictetus (LCL 131, 218).

The Loeb Classical Library edition of Arrian is in two volumes.

On the march to greatness.

Arrian (Flavius Arrianus), of the period ca. AD 95–175, was a Greek historian and philosopher of Nicomedia in Bithynia. Both a Roman and an Athenian citizen, he was governor of the Roman province of Cappadocia 132–137, and repelled an invasion of the Alani in 134. He retired then to Athens (where he was archon in 148–149) and later to Nicomedia.

Arrian’s Anabasis of Alexander in seven books is the best account we have of Alexander’s adult life. Indica (a description of India and of Nearchus’ voyage therefrom) was to be a supplement.

A student of Epictetus, Arrian took notes at his lectures and published them (in eight books, of which we have four, The Discourses) and also the Encheiridion or Manual of Epictetus. Both works are available in the Loeb edition of Epictetus (LCL 131, 218).

The Loeb Classical Library edition of Arrian is in two volumes.

Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.

The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound.

Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.

Mid-nineteenth century Russian radicals who witnessed the Meiji Restoration saw it as the most sweeping revolution in recent history and the impetus for future global progress. Acting outside imperial encounters, they initiated underground transnational networks with Japan. Prominent intellectuals and cultural figures, from Peter Kropotkin and Lev Tolstoy to Saigo Takamori and Tokutomi Roka, pursued these unofficial relationships through correspondence, travel, and networking, despite diplomatic and military conflicts between their respective nations.

Tracing these non-state networks, Anarchist Modernity uncovers a major current in Japanese intellectual and cultural life between 1860 and 1930 that might be described as “cooperatist anarchist modernity”—a commitment to realizing a modern society through mutual aid and voluntary activity, without the intervention of state governance. These efforts later crystallized into such movements as the Nonwar Movement, Esperantism, and the popularization of the natural sciences.

Examining cooperatist anarchism as an intellectual foundation of modern Japan, Sho Konishi offers a new approach to Japanese history that fundamentally challenges the “logic” of Western modernity. It looks beyond this foundational construct of modern history writing to understand people, practices, and cultural expressions that have been forgotten or dismissed as products of anti-modern nativist counter urges against the West.

The United States has always imagined that its identity as a nation is insulated from violent interventions abroad, as if a line between domestic and foreign affairs could be neatly drawn. Yet this book argues that such a distinction, so obviously impracticable in our own global era, has been illusory at least since the war with Mexico in the mid-nineteenth century and the later wars against Spain, Cuba, and the Philippines. In this book, Amy Kaplan shows how U.S. imperialism--from "Manifest Destiny" to the "American Century"--has profoundly shaped key elements of American culture at home, and how the struggle for power over foreign peoples and places has disrupted the quest for domestic order.

The neatly ordered kitchen in Catherine Beecher's household manual may seem remote from the battlefields of Mexico in 1846, just as Mark Twain's Mississippi may seem distant from Honolulu in 1866, or W. E. B. Du Bois's reports of the East St. Louis Race Riot from the colonization of Africa in 1917. But, as this book reveals, such apparently disparate locations are cast into jarring proximity by imperial expansion. In literature, journalism, film, political speeches, and legal documents, Kaplan traces the undeniable connections between American efforts to quell anarchy abroad and the eruption of such anarchy at the heart of the empire.

Liberal: spoken in a certain tone, heard more and more often lately, it summons up permissiveness, materialism, rootlessness, skepticism, relativism run rampant. How has liberalism, the grand democratic ideal, come to be a dirty word? This book shows us what antiliberalism means in the modern world—where it comes from, whom it serves, and why it speaks with such a forceful, if ever-changing, voice.

In the past, in a battle pitting one offspring of eighteenth-century rationalism against another, Marxism has been liberalism’s best known and most vociferous opponent. But with the fall of Communism, the voices of ethnic particularism, communitarianism, and religious fundamentalism—a tradition Stephen Holmes traces to Joseph de Maistre—have become louder in rejection of the Enlightenment, failing to distinguish between the descendants of Karl Marx and Adam Smith. Holmes uses the tools of the political theorist and the intellectual historian to expose the philosophical underpinnings of antiliberalism in its nonmarxist guise. Examining the works of some of liberalism’s severest critics—including Maistre, Carl Schmitt, Leo Strauss, and Alasdair MacIntyre—Holmes provides, in effect, a reader’s guide to antiliberal culture, in all its colorful and often seductive, however nefarious, variety. As much a mindset as a theory, as much a sensibility as an argument, antiliberalism appears here in its diverse efforts to pit “spiritual truths” and “communal bonds” against a perceived cultural decay and moral disintegration. This corrosion of the social fabric—rather than the separation of powers, competitive elections, a free press, religious tolerance, public budgets, and judicial controls on the police—is what the antiliberal forces see as the core of liberal politics. Against this picture, Holmes outlines the classical liberal arguments most often misrepresented by the enemies of liberalism and most essential to the future of democracy.

Constructive as well as critical, this book helps us see what liberalism is and must be, and why it must and always will engender deep misgivings along with passionate commitment.

During the Cultural Revolution, Mao exhorted the Chinese people to “smash the four olds”: old customs, old culture, old habits, and old ideas. Yet when the Red Guards in Tiananmen Square chanted “We want to see Chairman Mao,” they unknowingly used a classical rhythm that dates back to the Han period and is the very embodiment of the four olds. An Anatomy of Chinese reveals how rhythms, conceptual metaphors, and political language convey time-honored meanings of which Chinese speakers themselves may not be consciously aware, and contributes to the ongoing debate over whether language shapes thought, or vice versa.

Perry Link’s inquiry into the workings of Chinese reveals convergences and divergences with English, most strikingly in the area of conceptual metaphor. Different spatial metaphors for consciousness, for instance, mean that English speakers wake up while speakers of Chinese wake across. Other underlying metaphors in the two languages are similar, lending support to theories that locate the origins of language in the brain. The distinction between daily-life language and official language has been unusually significant in contemporary China, and Link explores how ordinary citizens learn to play language games, artfully wielding officialese to advance their interests or defend themselves from others.

Particularly provocative is Link’s consideration of how Indo-European languages, with their preference for abstract nouns, generate philosophical puzzles that Chinese, with its preference for verbs, avoids. The mind-body problem that has plagued Western culture may be fundamentally less problematic for speakers of Chinese.

William Miller embarks on an alluring journey into the world of disgust, showing how it brings order and meaning to our lives even as it horrifies and revolts us. Our notion of the self, intimately dependent as it is on our response to the excretions and secretions of our bodies, depends on it. Cultural identities have frequent recourse to its boundary-policing powers. Love depends on overcoming it, while the pleasure of sex comes in large measure from the titillating violation of disgust prohibitions. Imagine aesthetics without disgust for tastelessness and vulgarity; imagine morality without disgust for evil, hypocrisy, stupidity, and cruelty.

Miller details our anxious relation to basic life processes: eating, excreting, fornicating, decaying, and dying. But disgust pushes beyond the flesh to vivify the larger social order with the idiom it commandeers from the sights, smells, tastes, feels, and sounds of fleshly physicality. Disgust and contempt, Miller argues, play crucial political roles in creating and maintaining social hierarchy. Democracy depends less on respect for persons than on an equal distribution of contempt. Disgust, however, signals dangerous division. The high's belief that the low actually smell bad, or are sources of pollution, seriously threatens democracy.

Miller argues that disgust is deeply grounded in our ambivalence to life: it distresses us that the fair is so fragile, so easily reduced to foulness, and that the foul may seem more than passing fair in certain slants of light. When we are disgusted, we are attempting to set bounds, to keep chaos at bay. Of course we fail. But, as Miller points out, our failure is hardly an occasion for despair, for disgust also helps to animate the world, and to make it a dangerous, magical, and exciting place.

In this deeply thoughtful book, Elisabeth Young-Bruehl turns a critical lens on prejudice. Surveying the study of prejudice since World War II, Young-Bruehl suggests an approach that distinguishes between different types of prejudices, the people who hold them, the social and political settings that promote them, and the human needs they fulfill. Startling, challenging, and courageous, this work offers an unprecedented analysis of prejudice.

Speaking wisely and provocatively about the political economy of race, Glenn C. Loury has become one of our most prominent black intellectuals—and, because of his challenges to the orthodoxies of both left and right, one of the most controversial. A major statement of a position developed over the past decade, this book both epitomizes and explains Loury’s understanding of the depressed conditions of so much of black society today—and the origins, consequences, and implications for the future of these conditions.

Using an economist’s approach, Loury describes a vicious cycle of tainted social information that has resulted in a self-replicating pattern of racial stereotypes that rationalize and sustain discrimination. His analysis shows how the restrictions placed on black development by stereotypical and stigmatizing racial thinking deny a whole segment of the population the possibility of self-actualization that American society reveres—something that many contend would be undermined by remedies such as affirmative action. On the contrary, this book persuasively argues that the promise of fairness and individual freedom and dignity will remain unfulfilled without some forms of intervention based on race.

Brilliant in its account of how racial classifications are created and perpetuated, and how they resonate through the social, psychological, spiritual, and economic life of the nation, this compelling and passionate book gives us a new way of seeing—and, perhaps, seeing beyond—the damning categorization of race in America.

“Lifts and transforms the discourse on ‘race’ and racial justice to an entirely new level.”
—Orlando Patterson

“Intellectually rigorous and deeply thoughtful…An incisive, erudite book by a major thinker.”
—Gerald Early, New York Times Book Review

Why are black Americans so persistently confined to the margins of society? And why do they fail across so many metrics—wages, unemployment, income levels, test scores, incarceration rates, health outcomes? Known for his influential work on the economics of racial inequality and for pioneering the link between racism and social capital, Glenn Loury is not afraid of piercing orthodoxies and coming to controversial conclusions. In this now classic work, reconsidered in light of recent events, he describes how a vicious cycle of tainted social information helped create the racial stereotypes that rationalize and sustain discrimination, and suggests how this might be changed.

Brilliant in its account of how racial classifications are created and perpetuated, and how they resonate through the social, psychological, spiritual, and economic life of the nation, this compelling and passionate book gives us a new way of seeing—and of seeing beyond—the damning categorization of race.

“Paints in chilling detail the distance between Martin Luther King’s dream and the reality of present-day America.”
—Anthony Walton, Harper’s

“Loury provides an original and highly persuasive account of how the American racial hierarchy is sustained and reproduced over time. And he then demands that we begin the deep structural reforms that will be necessary to stop its continued reproduction.”
—Michael Walzer

“He is a genuine maverick thinker…The Anatomy of Racial Inequality both epitomizes and explains Loury’s understanding of the depressed conditions of so much of black society today.”
—New York Times Magazine

The guinea pig is so widely used in laboratories that it has become synonymous in common speech with "experimental animal." But until now there has been no complete and accurate anatomy of this otherwise familiar creature. Cavia has remained uncharted territory for experimenters who come to it without previous experience. Gale Cooper and Alan L. Schiller here provide a thorough description of guinea pig anatomy in a text illustrated with about four hundred separate drawings. It is a detailed, complete, and practical guide to the gross morphology of the animal. Nomenclature has been standardized according to the Nomina Anatomica Veterinaria.

The authors' dissections have been carefully correlated with the published literature on guinea pig anatomy, and numerous references are given. This book sets a new standard of beauty and clarity in anatomical illustration. Dr. Cooper's drawings not only provide anatomical information with the utmost in accuracy and fidelity, they are in themselves an aesthetic triumph. Her pencil drawings have been made by a technique that requires specially made paper and demands unusual skill from the artist; closely identified with the famous illustrator Max Brodl, this method is now rarely employed. Researchers in immunology, hematology, physiology, biochemistry, pharmacology, reproductive biology, comparative anatomy, and taxonomy, among other fields, will turn to this anatomy as a reliable guide to a favored experimental species.

This volume addresses two facets common to our human experience. We are all descendants; we all have ancestors who make powerful claims on our lives. And we live in the aftermath of contact between European-based cultures and other civilizations. It is now clear that native religions are alive and adapting in the contemporary world, just as all religions have done in all eras.

The phenomenon of ancestors is common to all humans, but while prominent in most indigenous traditions, it has been suppressed in western cultures. This volume articulates crucial issues in the study of post-contact religion through the themes of the ancestral ordering of the world, intense personal attachments to forebears, and the catastrophes of colonization.

Ancestors, Kings, and the Dao outlines the evolution of musical performance in early China, first within and then ultimately away from the socio-religious context of ancestor worship. Examining newly discovered bamboo texts from the Warring States period, Constance A. Cook compares the rhetoric of Western Zhou (1046–771 BCE) and Spring and Autumn (770–481 BCE) bronze inscriptions with later occurrences of similar terms in which ritual music began to be used as a form of self-cultivation and education. Cook’s analysis links the creation of such classics as the Book of Odes with the ascendance of the individual practitioner, further connecting the social actors in three types of ritual: boys coming of age, heirs promoted into ancestral government positions, and the philosophical stages of transcendence experienced in self-cultivation.

The focus of this study is on excavated texts; it is the first to use both bronze and bamboo narratives to show the evolution of a single ritual practice. By viewing the ancient inscribed materials and the transmitted classics from this new perspective, Cook uncovers new linkages in terms of how the materials were shaped and reshaped over time and illuminates the development of eulogy and song in changing ritual contexts.

Rescuing the premodern family from the grim picture many historians have given us of life in early Europe, Ancestors offers a major reassessment of a crucial aspect of European history—and tells a story of age-old domesticity inextricably linked, and surprisingly similar, to our own.

An elegant summa on family life in Europe past, this compact and powerful book extends and completes a project begun with Steven Ozment’s When Fathers Ruled: Family Life in Reformation Europe. Here Ozment, the leading historian of the family in the middle centuries, replaces the often miserable depiction of premodern family relations with a delicately nuanced portrait of a vibrant and loving social group. Mining the records of families’ private lives—from diaries and letters to fiction and woodcuts—Ozment shows us a preindustrial family not very different from the later family of high industry that is generally viewed as the precursor to the sentimental nuclear family of today.

In Ancestors, we see the familiar pattern of a domestic wife and working father in a home in which spousal and parental love were amply present: parents cherished their children, wives were helpmeets in providing for the family, and the genders were nearly equal. Contrary to the abstractions of history, parents then—as now—were sensitive to the emotional and psychological needs of their children, treated them with affection, and gave them a secure early life and caring preparation for adulthood.

As it recasts familial history, Ancestors resonates beyond its time, revealing how much the story of the premodern family has to say to a modern society that finds itself in the throes of a family crisis.

Christianity is often praised as an agent of Chinese modernization or damned as a form of cultural and religious imperialism. In both cases, Christianity’s foreignness and the social isolation of converts have dominated this debate. Eugenio Menegon uncovers another story. In the sixteenth century, European missionaries brought a foreign and global religion to China. Converts then transformed this new religion into a local one over the course of the next three centuries.

Focusing on the still-active Catholic communities of Fuan county in northeast Fujian, this project addresses three main questions. Why did people convert? How did converts and missionaries transform a global and foreign religion into a local religion? What does Christianity’s localization in Fuan tell us about the relationship between late imperial Chinese society and religion?

Based on an impressive array of sources from Asia and Europe, this pathbreaking book reframes our understanding of Christian missions in Chinese-Western relations. The study’s implications extend beyond the issue of Christianity in China to the wider fields of religious and social history and the early modern history of global intercultural relations. The book suggests that Christianity became part of a preexisting pluralistic, local religious space, and argues that we have so far underestimated late imperial society’s tolerance for “heterodoxy.” The view from Fuan offers an original account of how a locality created its own religious culture in Ming-Qing China within a context both global and local, and illuminates the historical dynamics contributing to the remarkable growth of Christian communities in present-day China.

Ancestral ritual in early China was an orchestrated dance between what was present (the offerings and the living) and what was absent (the ancestors). The interconnections among the tangible elements of the sacrifice were overt and almost mechanical, but extending those connections to the invisible guests required a medium that was itself invisible. Thus in early China, ancestral sacrifice was associated with focused thinking about the ancestors, with a structured mental effort by the living to reach out to the absent forebears and to give them shape and existence. Thinking about the ancestors-about those who had become distant-required active deliberation and meditation, qualities that had to be nurtured and learned.

This study is a history of the early Chinese ancestral cult, particularly its cognitive aspects. Its goals are to excavate the cult's color and vitality and to quell assumptions that it was no more than a simplistic and uninspired exchange of food for longevity, of prayers for prosperity. Ancestor worship was not, the author contends, merely mechanical and thoughtless. Rather, it was an idea system that aroused serious debates about the nature of postmortem existence, served as the religious backbone to Confucianism, and may even have been the forerunner of Daoist and Buddhist meditation practices.

This latest title in a strikingly beautiful series of collectable books turns our attention to the rich variety of art from the Ancient Americas. We gain fascinating insights into the design and production of a wide range of objects from Mexico and Central and South America. Enlarged details chosen to inspire, illuminate, and surprise bring us close to the world of the Olmecs, Mayans, Mixtecs, Aztecs, and Incans.

Beginning by asking what constitutes Ancient American art, Colin McEwan contextualizes this art in its complexity of form and meaning. The close-ups provide the reader with insights that even a behind-the-scenes museum tour cannot offer. As we move across a range of cultures and media, we understand larger issues within which these works of art are embedded: What is the relationship between art and nature in the Ancient Americas? How were these objects used in ritual and religious practices? What is the role of masks? How do the practices of ancestor deification, sacrifice, and rituals related to fertility and procreation shape the visual and material culture of the Ancient Americas?

Jade, turquoise, featherwork, metalwork, wood, stone, ceramics, textiles, and illustrations—each beautifully photographed object is part of the extraordinary Ancient American collection of the British Museum. The beauty of the smallest details is magnified and contextualized through accompanying essays written by experts in Ancient American art.

This concise survey is an introduction to the art and culture of ancient Cyprus, from the time of the first settlers around 7000 B.C. to the end of the Roman period in the late fourth century A.D..

What does it mean to be a hero? The ancient Greeks who gave us Achilles and Odysseus had a very different understanding of the term than we do today. Based on the legendary Harvard course that Gregory Nagy has taught for well over thirty years, The Ancient Greek Hero in 24 Hours explores the roots of Western civilization and offers a masterclass in classical Greek literature. We meet the epic heroes of Homer’s Iliad and Odyssey, but Nagy also considers the tragedies of Aeschylus, Sophocles, and Euripides, the songs of Sappho and Pindar, and the dialogues of Plato. Herodotus once said that to read Homer was to be a civilized person. To discover Nagy’s Homer is to be twice civilized.

“Fascinating, often ingenious… A valuable synthesis of research finessed over thirty years.”
—Times Literary Supplement

“Nagy exuberantly reminds his readers that heroes—mortal strivers against fate, against monsters, and…against death itself—form the heart of Greek literature… [He brings] in every variation on the Greek hero, from the wily Theseus to the brawny Hercules to the ‘monolithic’ Achilles to the valiantly conflicted Oedipus.”
—Steve Donoghue, Open Letters Monthly

The ancient Greeks’ concept of “the hero” was very different from what we understand by the term today, Gregory Nagy argues—and it is only through analyzing their historical contexts that we can truly understand Achilles, Odysseus, Oedipus, and Herakles.

In Greek tradition, a hero was a human, male or female, of the remote past, who was endowed with superhuman abilities by virtue of being descended from an immortal god. Despite their mortality, heroes, like the gods, were objects of cult worship. Nagy examines this distinctively religious notion of the hero in its many dimensions, in texts spanning the eighth to fourth centuries bce: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; and dialogues of Plato. All works are presented in English translation, with attention to the subtleties of the original Greek, and are often further illuminated by illustrations taken from Athenian vase paintings.

The fifth-century bce historian Herodotus said that to read Homer is to be a civilized person. In twenty-four installments, based on the Harvard University course Nagy has taught and refined since the late 1970s, The Ancient Greek Hero in 24 Hours offers an exploration of civilization’s roots in the Homeric epics and other Classical literature, a lineage that continues to challenge and inspire us today.

In Ancient Greek Heroes, Athletes, Poetry, Gregory Nagy continues where The Ancient Greek Hero in 24 Hours left off. This book is also centered on some of the greatest masterpieces of ancient Greek literature—including the Homeric Iliad and Odyssey and seven tragedies stemming from the grand masters of the Classical Age of Athens. It returns to the same grand era and then moves beyond, in both time and space, with a new emphasis: how did the heroes of ancient Greek poetry relate to athletes, female as well as male, who competed in the athletic festivals of ancient Greece? A primary point of interest here is the seasonally recurring festival of the ancient Olympics, notionally founded by the hero Herakles.

The ancient Greeks commonly resorted to magic spells to attract and keep lovers--as numerous allusions in Greek literature and recently discovered "voodoo dolls," magical papyri, gemstones, and curse tablets attest. Surveying and analyzing these various texts and artifacts, Christopher Faraone reveals that gender is the crucial factor in understanding love spells. There are, he argues, two distinct types of love magic: the curselike charms used primarily by men to torture unwilling women with fiery and maddening passion until they surrender sexually; and the binding spells and debilitating potions generally used by women to sedate angry or philandering husbands and make them more affectionate.

Faraone's lucid analysis of these spells also yields a number of insights about the construction of gender in antiquity, for example, the "femininity" of socially inferior males and the "maleness" of autonomous prostitutes. Most significantly, his findings challenge the widespread modern view that all Greek men considered women to be naturally lascivious. Faraone reveals the existence of an alternate male understanding of the female as "naturally" moderate and chaste, who uses love magic to pacify and control the "naturally" angry and passionate male. This fascinating study of magical practices and their implications for perceptions of male and female sexuality offers an unusual look at ancient Greek religion and society.

An esteemed teacher offers a major reassessment of the history of Greece from prehistoric times to the rise of Alexander. This is a work of prodigious scholarship written in grand style.

John Fine surveys the archaeological work that has revealed so much about the civilization of Crete and Mycenaean Greece, and discusses the age of colonization during which Greek colonies were established from the Crimea to the Nile, from the Caucasus to Spain. Analyzing social and economic developments, as well as foreign and inter-city affairs, he assesses the history, culture, and democracy of Athens, and Sparta’s institutions and military exploits; recounts the Greeks’ relations and then war with the Persian empire; details alliances, struggles, and the varying fortunes of the Greek city-states; and relates the rise of Macedon. Fine treats the Greeks’ story in the context of events elsewhere in the eastern Mediterranean. Throughout he indicates the nature of the evidence on which our present knowledge is based, masterfully explaining the problems and pitfalls in interpreting ancient accounts. The Ancient Greeks is a splendid narrative history and a refreshing reinterpretation that will please students of ancient history, and everyone interested in early civilizations.

In the most comprehensive, up-to-date, and lucid exploration of cosmology available today, MIT astrophysicist and science writer Alan Lightman takes the reader on a grand tour of the universe. In this slim volume he explores the history of cosmology, the theories and the evidence, the new discoveries, the outstanding questions, and the controversies.

How many people could read and write in the ancient world of the Greeks and Romans?

No one has previously tried to give a systematic answer to this question. Most historians who have considered the problem at all have given optimistic assessments, since they have been impressed by large bodies of ancient written material such as the graffiti at Pompeii. They have also been influenced by a tendency to idealize the Greek and Roman world and its educational system.

In Ancient Literacy W. V. Harris provides the first thorough exploration of the levels, types, and functions of literacy in the classical world, from the invention of the Greek alphabet about 800 B.C. down to the fifth century A.D. Investigations of other societies show that literacy ceases to be the accomplishment of a small elite only in specific circumstances. Harris argues that the social and technological conditions of the ancient world were such as to make mass literacy unthinkable. Noting that a society on the verge of mass literacy always possesses an elaborate school system, Harris stresses the limitations of Greek and Roman schooling, pointing out the meagerness of funding for elementary education.

Neither the Greeks nor the Romans came anywhere near to completing the transition to a modern kind of written culture. They relied more heavily on oral communication than has generally been imagined. Harris examines the partial transition to written culture, taking into consideration the economic sphere and everyday life, as well as law, politics, administration, and religion. He has much to say also about the circulation of literary texts throughout classical antiquity.

The limited spread of literacy in the classical world had diverse effects. It gave some stimulus to critical thought and assisted the accumulation of knowledge, and the minority that did learn to read and write was to some extent able to assert itself politically. The written word was also an instrument of power, and its use was indispensable for the construction and maintenance of empires. Most intriguing is the role of writing in the new religious culture of the late Roman Empire, in which it was more and more revered but less and less practiced.

Harris explores these and related themes in this highly original work of social and cultural history. Ancient Literacy is important reading for anyone interested in the classical world, the problem of literacy, or the history of the written word.

The second monograph from the archaeological exploration of Sardis in western Turkey is a compilation of references to early Sardis (to A.D. 284) in the writings of ancient authors ranging from Homer to Tzetses. John Griffiths Pedley has organized the references into four chronological chapters covering successive periods in the history of the city; a fifth chapter is devoted to topography and monuments, and an appendix presents Eastern sources. Each entry includes the Greek or Latin text, an English translation, and a commentary with bibliographical references. More than three hundred major sources are quoted; references of lesser importance are cited in the notes.

Based on the comprehensive study of one of the most important collections of Maya art in the United States, Ancient Maya Art at Dumbarton Oaks is a scholarly introduction to one of the great traditions of sculpture and painting in ancient America. Assembled by Robert Woods Bliss between 1935 and 1962, the collection is historically important, as it was one of the first to be established on the basis of aesthetic criteria. The catalogue, written by leading international scholars of Maya archaeology, art history, and writing, contains detailed analyses of specific works of art along with thematic essays situating these works within the broader context of Maya culture. Monumental panels, finely worked jade ornaments, exquisitely painted ceramic vessels, and other objects-most created in the first millennium ce-are presented in full color and analyzed in light of recent breakthroughs in understanding their creation, function, and deeper meaning in Maya ritual and history. Individual essays address the history of the Dumbarton Oaks collection; Maya culture, history, and myth; and Maya aesthetics. They also study specific materials (including jade, shell, and fine ceramics) and their meanings. Scholarly yet accessible, this volume provides a detailed introduction to Maya art and culture.

Hippocrates, said to have been born in Cos in or before 460 BCE, learned medicine and philosophy; travelled widely as a medical doctor and teacher; was consulted by King Perdiccas of Macedon and Artaxerxes of Persia; and died perhaps at Larissa. Apparently he rejected superstition in favour of inductive reasoning and the study of real medicine as subject to natural laws, in general and in individual people as patients for treatment by medicines and surgery. Of the roughly 70 works in the “Hippocratic Collection,” many are not by Hippocrates; even the famous oath may not be his. But he was undeniably the “Father of Medicine.”

The works available in the Loeb Classical Library edition of Hippocrates are:

Volume I: Ancient Medicine. Airs, Waters, Places. Epidemics 1 and 3. The Oath. Precepts. Nutriment.
Volume II: Prognostic. Regimen in Acute Diseases. The Sacred Disease. The Art. Breaths. Law. Decorum. Physician (Ch. 1). Dentition.
Volume III: On Wounds in the Head. In the Surgery. On Fractures. On Joints. Mochlicon.
Volume IV: Nature of Man. Regimen in Health. Humours. Aphorisms. Regimen 1–3. Dreams.
Volume V: Affections. Diseases 1–2.
Volume VI: Diseases 3. Internal Affections. Regimen in Acute Diseases.
Volume VII: Epidemics 2 and 4–7.
Volume VIII: Places in Man. Glands. Fleshes. Prorrhetic 1–2. Physician. Use of Liquids. Ulcers. Haemorrhoids and Fistulas.
Volume IX: Anatomy. Nature of Bones. Heart. Eight Months’ Child. Coan Prenotions. Crises. Critical Days. Superfetation. Girls. Excision of the Fetus. Sight.
Volume X: Generation. Nature of the Child. Diseases 4. Nature of Women. Barrenness.
Volume XI: Diseases of Women 1–2.

(Volume IV also contains the fragments of Heracleitus’ On the Universe.)

This volume, the third in a series of catalogues of Pre-Columbian art at Dumbarton Oaks, presents the outstanding collection of Aztec, Mixtec, Zapotec, Teotihuacan, and Classic Veracruz sculpture, jewelry, and painting. Four leading scholars present essays on the ancient art and archaeology of Mexico’s Central Highlands, Southwestern Highlands, and Gulf Lowlands as well as extensive catalogue entries of over one hundred objects of jade, shell, fine ceramics, wood, and other materials. The catalogue is richly illustrated with color plates, comparative illustrations, and diagrams presented as black-and-white figures. This catalogue will be an important and enduring reference for scholars and students, as well as an attractive volume for admirers of Pre-Columbian art.

Our image of the Roman world is shaped by the writings of Roman statesmen and upper class intellectuals. Yet most of the material evidence we have from Roman times—art, architecture, and household artifacts from Pompeii and elsewhere—belonged to, and was made for, artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes, Emanuel Mayer boldly argues, turns out to be distinctly middle class and requires a radically new framework of analysis.

Starting in the first century bce, ancient communities, largely shaped by farmers living within city walls, were transformed into vibrant urban centers where wealth could be quickly acquired through commercial success. From 100 bce to 250 ce, the archaeological record details the growth of a cosmopolitan empire and a prosperous new class rising along with it. Not as keen as statesmen and intellectuals to show off their status and refinement, members of this new middle class found novel ways to create pleasure and meaning. In the décor of their houses and tombs, Mayer finds evidence that middle-class Romans took pride in their work and commemorated familial love and affection in ways that departed from the tastes and practices of social elites.

The foremost historian of Greek religion provides the first comprehensive, comparative study of a little-known aspect of ancient religious beliefs and practices. Secret mystery cults flourished within the larger culture of the public religion of Greece and Rome for roughly a thousand years. This book is neither a history nor a survey but a comparative phenomenology, concentrating on five major cults. In defining the mysteries and describing their rituals, membership, organization, and dissemination, Walter Burkert displays the remarkable erudition we have come to expect of him; he also shows great sensitivity and sympathy in interpreting the experiences and motivations of the devotees.

This book is a study of the variable perceptions of Greek collective identity, discussing ancient categories such as blood- and mythically-related primordiality, language, religion, and culture. With less emphasis on dichotomies between Greeks and others, the book considers complex middle grounds of intra-Hellenic perceptions, oppositional identities, and outsiders’ views. Although the authors do not seek to provide a litmus test of Greek identity, they do pay close attention to modern theories of ethnicity, its construction, function, and representation, and assess their applicability to views of Greekness in antiquity.

From the Archaic period through the Roman Empire, archaeological, anthropological, historical, historiographical, rhetorical, artistic, and literary aspects are studied. Regardless of the invented aspects of ethnicity, the book illustrates its force and validity in history.

The many splendid achievements of the early inhabitants of Iran range from the imaginatively painted pottery of the prehistoric period to the magnificent silver vessels of Sasanian times, and include the Luristan bronzes and the spectacular sculptures of Persepolis. Civilization began early in Persia, in common with other parts of the Middle East, and John Curtis traces the history, archaeology and art from the growth of settled communities in about 6000 B.C. through to the beginning of the Islamic period in the seventh century A.D. The author illustrates this concise introduction to ancient Persia with examples drawn from the rich collection of Iranian antiquities in the British Museum.

Religious beliefs and practices, which permeated all aspects of life in antiquity, traveled well-worn routes throughout the Mediterranean: itinerant charismatic practitioners journeying from place to place peddled their skills as healers, purifiers, cursers, and initiators; and vessels decorated with illustrations of myths traveled with them. New gods encountered in foreign lands by merchants and conquerors were sometimes taken home to be adapted and adopted. This collection of essays by a distinguished international group of scholars, drawn from the groundbreaking reference work Religions of the Ancient World, offers an expansive, comparative perspective on this complex spiritual world.

An esteemed historian explores the natural and social dynamics of the ancient coastline, demonstrating for the first time its integral place in the world of Mediterranean antiquity.

As we learn from The Odyssey and the Argonauts, Greek dramas frequently played out on a watery stage. In particular, antiquity’s key events and exchanges often occurred on coastlines. Yet the shore was not just a site of conquest and trade, ire and yearning. The seacoast was a singular kind of space and was integral to the cosmology of the Greeks and their neighbors. In The Ancient Shore, award-winning historian Paul Kosmin reveals the influence of the coast on the inner lives of the ancients: their political thought, scientific notions, artistic endeavors, and myths; their sense of wonder and of self.

The Ancient Shore transports readers to a time when the coast was an unpredictable, formidable site of infinite and humbling possibility. Shorelines served as points of connection and competition that fostered distinctive political identities. It was at the coast—ever violent, ever permeable to predation—that state power ended, and so the coast was fundamental to theories of sovereignty. Then too, the boundary of land and sea symbolized human limitation, making it the subject of elaborate and continuous philosophical, scientific, and religious attention.

Kosmin’s ancient world is expansive, connecting the Atlantic to the Straits of Malacca, the Black Sea to the Indian Ocean. And his methods are similarly far-ranging, integrating accounts of statecraft and commerce with intellectual, literary, religious, and environmental history. The Ancient Shore is a radically new encounter with people, places, objects, and ideas we thought we knew.

This collection of essays represents Vogt's personal contribution to the collective enterprise; the English edition is translated from the second German edition of 1972, which included three additional papers and a supplement bringing his earlier work up to date.

The distinctive features of Vogt's approach to ancient slavery are his social awareness and sympathetic commitment, and his refusal either to ignore or be dominated by the dogmas of the left and the structures of sociology. His systematic investigation of ancient slave wars, which is the centre of this collection, is a reasoned refutation of more extreme Marxist interpretations, and a brilliant demonstration that a pragmatic approach to the analysis of a general phenomenon can lead to conclusions as far-reaching as any a priori system. Other outstanding essays investigate with subtlety and insight the position of slaves in literature and in utopian theory, the concept of the slave of God in early Christian thought, and the extent to which rigid distinctions between slave and free were eroded by the daily contact between individuals in different social roles, and by their inability to forget that both masters and slaves were human beings, with personal loyalties and friendships. The volume ends with two essays on the interrelationship between ancient and modern attitudes to slavery since the Renaissance.

Mark E. Byington explores the formation, history, and legacy of the ancient state of Puyŏ, which existed in central Manchuria from the third century BCE until the late fifth century CE. As the earliest archaeologically attested state to arise in northeastern Asia, Puyŏ occupies an important place in the history of that region. Nevertheless, until now its history and culture have been rarely touched upon in scholarly works in any language. The present volume, utilizing recently discovered archaeological materials from Northeast China as well as a wide variety of historical records, explores the social and political processes associated with the formation and development of the Puyŏ state, and discusses how the historical legacy of Puyŏ—its historical memory—contributed to modes of statecraft of later northeast Asian states and provided a basis for a developing historiographical tradition on the Korean peninsula. Byington focuses on two major aspects of state formation: as a social process leading to the formation of a state-level polity called Puyŏ, and as a political process associated with a variety of devices intended to assure the stability and perpetuation of the inegalitarian social structures of several early states in the Korea-Manchuria region.

This book is a complete translation of the fragments of the pre-Socratic philosophers given in the fifth edition of Diels, Fragmente der Vorsokratiker.

John Hirsch chronicles the research, scientists, and ephemera of the Harvard Forest—a 3,750-acre research forest in Petersham, Massachusetts. Essays by David Foster, Clarisse Hart, and Margot Anne Kelley expand the scope of this photographic exploration at the nexus of science and art.

Hirsch is attentive to both the quixotic and the beautiful, and has created a body of work that is about a desire to understand, describe, and predict the evolution of our surroundings, while showing reverence for the possibility of sublime moments in a place. The forest is here a microcosm for the world in which we live, and this work helps us envision the future we may inhabit, making the book a useful and engaging vantage from which to consider pressing issues of climate change, ecosystem resilience, and land and water use.

Andean Art at Dumbarton Oaks presents the Andean portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It superbly illustrates all 133 Andean objects in color plates, and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, and which has been amplified slightly since his death, is a remarkably significant collection. These works of art are among the finest examples of the visual arts produced by Andean cultures.

This Andean volume is the first in a series of four catalogues that will treat the entirety of the Bliss Pre-Columbian collection; the others planned will focus on objects from eastern Mesoamerica (Olmec and Maya), western Mesoamerica (Teotihuacan, Veracruz, Mixtec, and Aztec), and Lower Central America.

Andean Art is composed of five topical essays, shorter essays on the Andean cultures represented in the collection, and discussions of the individual objects. These were written by specialists in Pre-Columbian art, presenting the latest in scholarly thinking on Andean cultures and the objects. All thirteen authors bring broad perspectives from Andean culture history, archaeology, and art history to their contributions, but they focus their attentions primarily on the objects themselves, in order to provide meaningful contexts for them and to highlight how these objects, as works of art created and used purposefully, reveal special qualities of Andean culture.

The reader is provided with a fine sense of how the creators and original owners of the pieces in the Bliss collection used and valued these artworks on many levels. The authors also place individual objets alongside others of their type in so far as possible. An extraordinary feature of this volume is the technical descriptions of the metal objects provided by metals specialist Heather Lechtman.

Sydney J. Freedberg presents an interpretive analysis and a full Catalogue Raisonné of Andrea del Sarto’s achievement. The interpretive work includes an account of Andrea’s career as a painter, illustrations of all his authentic paintings and many of his drawings, a brief biography, and a selective bibliography. The painter’s style and its place in the history of Italian painting are discussed in detail. The author questions current concepts of a sudden “triumph of Mannerism” in Florence after 1520 and presents a more balanced interpretation of this era.

The Catalogue Raisonné includes a complete critical catalogue of Andrea’s paintings and drawings, an inventory of lost works, and a full account of paintings and drawings attributed to the artist. Documentary information on Andrea’s life and the details of dating and attribution which are the basis for the interpretive text are also included. The illustrations in this volume supplement those in the interpretive work and will be of particular interest to scholars and art historians.

Sydney J. Freedberg presents an interpretive analysis and a full Catalogue Raisonné of Andrea del Sarto’s achievement. The interpretive work includes an account of Andrea’s career as a painter, illustrations of all his authentic paintings and many of his drawings, a brief biography, and a selective bibliography. The painter’s style and its place in the history of Italian painting are discussed in detail. The author questions current concepts of a sudden “triumph of Mannerism” in Florence after 1520 and presents a more balanced interpretation of this era.

The Catalogue Raisonné includes a complete critical catalogue of Andrea’s paintings and drawings, an inventory of lost works, and a full account of paintings and drawings attributed to the artist. Documentary information on Andrea’s life and the details of dating and attribution which are the basis for the interpretive text are also included. The illustrations in this volume supplement those in the interpretive work and will be of particular interest to scholars and art historians.

One of the most important writers of the twentieth century, André Gide also led what was probably one of the most interesting lives our century has seen. Gide knew and corresponded with many of the major literary figures of his day, from Mallarmé to Oscar Wilde. Though a Communist, his critical account of Soviet Russia in Return from the USSR earned him the enmity of the Left. A lifelong advocate of moral and political freedom and justice, he was a proscribed writer on the Vatican’s infamous “Index.” Self-published most of his life, he won the Nobel Prize for Literature in 1947, at the age of 77. An avowed homosexual, he nonetheless married his cousin, and though their marriage was unconsummated, at 53 he fathered a daughter for a friend.

Alan Sheridan’s book is a literary biography of Gide, an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. Gide’s life provides a unique perspective on our century, an idea of what it was like for one person to live through unprecedented technological change, economic growth and collapse, the rise of socialism and fascism, two world wars, a new concern for the colonial peoples and for women, and the astonishing hold of Rome and Moscow over intellectuals. Following Gide from his first forays among the Symbolists through his sexual and political awakenings to his worldwide fame as a writer, sage, and commentator on his age, Sheridan richly conveys the drama of a remarkable life; the depth, breadth, and vitality of an incomparable oeuvre; and the spirit of a time that both so aptly expressed.

Anecdote, Network, Gossip, Performance is a study of the Shishuo xinyu, the most important anecdotal collection of medieval China—and arguably of the entire traditional era. In a set of interconnected essays, Jack W. Chen offers new readings of the Shishuo xinyu that draw upon social network analysis, performance studies, theories of ritual and mourning, and concepts of gossip and reputation to illuminate how the anecdotes of the collection imagine and represent a political and cultural elite. Whereas most accounts of the Shishuo have taken a historical approach, Chen argues that the work should be understood in literary terms.

At its center, Anecdote, Network, Gossip, Performance is an extended meditation on the very nature of the anecdote form, both what the anecdote affords in terms of representing a social community and how it provides a space for the rehearsal of certain longstanding philosophical and cultural arguments. Although each of the chapters may be read separately as an essay in its own right, when taken together, they present a comprehensive account of the Shishuo in all of its literary complexity.

Giovanni Marrasio (d. 1452), a humanist poet from Noto in Sicily, spent the major part of his poetic career in Siena and Ferrara before returning to Palermo in the role of a medical doctor serving the University of Palermo. In Siena, Naples, and Palermo he hovered on the edge of the courts of the Este and of Alfonso “the Magnanimous” of Aragon without ever winning the title of court poet he coveted.

Marrasio was esteemed in the Renaissance as the first to revive the ancient Latin elegy, and his Angelinetum, or “Angelina’s Garden,” as well as his later poems (Carmina Varia) explore that genre in all its variety, from love poetry, to a description of a court masque, to political panegyric, to poetic exchanges with famous humanists of the day such as Leonardo Bruni, Maffeo Vegio, Antonio Panormita, and Enea Silvio Piccolomini. This volume contains the first translation of Marrasio’s works into any modern language.

Animal body fluids are a vital aspect of physiology. Life depends on the satisfactory functioning of protoplasm, and the functioning of protoplasm is in its turn dependent on its being bathed by a suitable medium. Animal Body Fluids and their Regulation is designed to introduce the student to some of the reasons why the composition of the bathing medium is so important and to the manner in which it is maintained. Examples are given to show how the problems involved in maintenance vary with the environment, and to show the nature of the solution of these problems adopted by most of the major groups of animals.

In recent years a considerable volume of research has been devoted to studying the relationship between the physiology of animals and their particular environments. As a result there has been an increasing emphasis placed on physiology in scholarship and introductory university courses. Some aspects of the subject, for example vertebrate respiration and nervous conduction, have been comprehensively summarized in books at this level. Animal body fluids and their regulation, however, has not so far been satisfactorily covered. This book fills an important gap and should be especially useful to scholarship candidates and first year university students.

Why do America’s cities look the way they do? If we want to know the answer, we should start by looking at our relationship with animals.

Americans once lived alongside animals. They raised them, worked them, ate them, and lived off their products. This was true not just in rural areas but also in cities, which were crowded with livestock and beasts of burden. But as urban areas grew in the nineteenth century, these relationships changed. Slaughterhouses, dairies, and hog ranches receded into suburbs and hinterlands. Milk and meat increasingly came from stores, while the family cow and pig gave way to the household pet. This great shift, Andrew Robichaud reveals, transformed people’s relationships with animals and nature and radically altered ideas about what it means to be human.

As Animal City illustrates, these transformations in human and animal lives were not inevitable results of population growth but rather followed decades of social and political struggles. City officials sought to control urban animal populations and developed sweeping regulatory powers that ushered in new forms of urban life. Societies for the Prevention of Cruelty to Animals worked to enhance certain animals’ moral standing in law and culture, in turn inspiring new child welfare laws and spurring other wide-ranging reforms.

The animal city is still with us today. The urban landscapes we inhabit are products of the transformations of the nineteenth century. From urban development to environmental inequality, our cities still bear the scars of the domestication of urban America.

Animal Cognition presents a clear, concise, and comprehensive overview of what we know about cognitive processes in animals. Focusing mainly on what has been learned from experimental research, Vauclair presents a wide-ranging review of studies of many kinds of animals--bees and wasps, cats and dogs, dolphins and sea otters, pigeons and titmice, baboons, chimpanzees, vervet monkeys, and Japanese macaques. He also offers a novel discussion of the ways Piaget's theory of cognitive development and Piagetian concepts may be used to develop models for the study of animal cognition.

Individual chapters review the current state of our knowledge about specific kinds of cognition in animals: tool use and spatial and temporal representations; social cognition--how animals manage their relational life and the cognitive organization that sustains social behaviors; representation, communication, and language; and imitation, self-recognition, and the theory of mind--what animals know about themselves. The book closes with Vauclair's "agenda for comparative cognition." Here he examines the relationship of the experimental approach to other fields and methods of inquiry, such as cognitive ethology and the ecological approach to species comparisons. It is here, too, that Vauclair addresses the key issue of continuity, or its absence, between animal and human cognition.

Given our still limited knowledge of cognitive systems in animals, Vauclair argues, researchers should be less concerned with the "why" question--the evolutionary or ecological explanations for differences in cognition between the species--and more concerned with the "what"--the careful work that is needed to increase our understanding of similarities and differences in cognitive processes. This thoughtful and lively book will be of great value to students of animal behavior and to anyone who desires a better understanding of humankind's relations to other living creatures.

Like all cellular organisms, humans run on electricity. Slight imbalances of electric charge across cell membranes result in sensation, movement, awareness, and thinking—nearly everything we associate with being alive. Robert Campenot offers a comprehensive overview of animal electricity, examining its physiological mechanisms as well as the experimental discoveries that form the basis for our modern understanding of nervous systems across the animal kingdom.

Cells work much like batteries. Concentration gradients of sodium and potassium cause these ions to flow in and out of cells by way of protein channels, creating tiny voltages across the cell membrane. The cellular mechanisms that switch these ion currents on and off drive all the functions associated with animal nervous systems, from nerve impulses and heartbeats to the 600-volt shocks produced by electric eels.

Campenot’s examination of the nervous system is presented in the context of ideas as they evolved in the past, as well as today’s research and its future implications. The discussion ranges from the pre-Renaissance notion of animal spirits and Galvani’s eighteenth-century discovery of animal electricity, to modern insights into how electrical activity produces learning and how electrical signals in the cortex can be used to connect the brains of paralyzed individuals to limbs or prosthetic devices. Campenot provides the necessary scientific background to make the book highly accessible for general readers while conveying much about the process of scientific discovery.

When we think about the Victorian age, we usually envision people together with animals: the Queen and her pugs, the sportsman with horses and hounds, the big game hunter with his wild kill, the gentleman farmer with a prize bull. Harriet Ritvo here gives us a vivid picture of how animals figured in English thinking during the nineteenth century and, by extension, how they served as metaphors for human psychological needs and sociopolitical aspirations.

Victorian England was a period of burgeoning scientific cattle breeding and newly fashionable dog shows; an age of Empire and big game hunting; an era of reform and reformers that saw the birth of the Royal SPCA. Ritvo examines Victorian thinking about animals in the context of other lines of thought: evolution, class structure, popular science and natural history, imperial domination. The papers and publications of people and organizations concerned with agricultural breeding, veterinary medicine, the world of pets, vivisection and other humane causes, zoos, hunting at home and abroad, all reveal underlying assumptions and deeply held convictions—for example, about Britain’s imperial enterprise, social discipline, and the hierarchy of orders, in nature and in human society.

Thus this book contributes a new new topic of inquiry to Victorian studies; its combination of rhetorical analysis with more conventional methods of historical research offers a novel perspective on Victorian culture. And because nineteenth-century attitudes and practices were often the ancestors of contemporary ones, this perspective can also inform modern debates about human–animal interactions.

Animal Fables of the Courtly Mediterranean is a treasure trove of stories and lessons on how to conduct oneself and succeed in life, sometimes through cleverness rather than virtue. They feature human and many animal protagonists, including the two jackals Stephanites and Ichnelates, after whom the book is named, as well as several lion kings. At the heart of this work are tales from the Sanskrit Panchatantra and Mahabharata, to which more were added, both in the original Middle Persian collection and its eighth-century Arabic translation, the widely known Kalīla wa-Dimna.

In the eleventh century, readers in Constantinople were introduced to these stories through an abbreviated Greek version, translated by Symeon Seth from the Arabic. The new Byzantine Greek text and English translation presented here is a more complete version, originating in twelfth-century Sicily and connected with Admiral Eugenius of Palermo. It contains unique prefaces and reinstates the prologues and stories omitted by Seth.

The spread of empires in the nineteenth century brought more than new territories and populations under Western sway. Animals were also swept up in the net of imperialism, as jungles and veldts became colonial ranches and plantations. A booming trade in animals turned many strange and dangerous species into prized commodities. Tigers from India, pythons from Malaya, and gorillas from the Congo found their way—sometimes by shady means—to the zoos of major U.S. cities, where they created a sensation.

Zoos were among the most popular attractions in the United States for much of the twentieth century. Stoking the public’s fascination, savvy zookeepers, animal traders, and zoo directors regaled visitors with stories of the fierce behavior of these creatures in their native habitats, as well as daring tales of their capture. Yet as tropical animals became increasingly familiar to the American public, they became ever more rare in the wild. Tracing the history of U.S. zoos and the global trade and trafficking in animals that supplied them, Daniel Bender examines how Americans learned to view faraway places and peoples through the lens of the exotic creatures on display.

Over time, as the zoo’s mission shifted from offering entertainment to providing a refuge for endangered species, conservation parks replaced pens and cages. The Animal Game recounts Americans’ ongoing, often conflicted relationship with zoos, decried as anachronistic prisons by animal rights activists even as they remain popular centers of education and preservation.

Together with Konrad Lorenz, Niko Tinbergen is generally acknowledged as the founder of the young science of ethology. Professor Tinbergen has spent a lifetime of research exploring the behavior of many types of animals in their natural environments, and has founded centers of worldwide renown for research and teaching in the behavioral sciences, first in his native Holland and later at Oxford. His influence extends far beyond the borders of Europe and of zoology proper, and he has contributed substantially to international and interdisciplinary collaboration.

Tinbergen’s work has been characterized by many as a “breath of fresh air” in fields that were in danger of losing touch with nature and of becoming bogged down in theory. He has tirelessly worked for the use of scientific methods in the study of human behavior, both normal and abnormal. Without shying away from quantification and measurement, he has made his main contribution in what Sir Peter Medawar calls “creative observation” and in the design of meaningful experiments, even in the seemingly chaotic and continuously varying conditions of the natural habitat.

In following him in what Tinbergen likes to call his seemingly aimless wanderings, the reader will catch a unique glimpse into the workshop of ethology. Even when reporting on sophisticated experiments, or when developing new theoretical concepts and arguments, Tinbergen writes simply, lucidly, and precisely. The present volume spans forty years of pioneer investigation and includes selections on the behavior of gulls; on the homing, landmark preference, and prey findings of the digger wasp; on the food hoarding of foxes; and on creatures living scattered as a defense against predators.

These classic original studies will fascinate the increasing number of readers interested in the topical problems of animals and human behavior.

Nikolaas Tinbergen has devoted a lifetime of research to exploring the behavior of many types of animals in their natural environments, and has founded centers of worldwide renown for research and teaching in the behavioral sciences, first in his native Holland and later at Oxford. His influence extends far beyond the borders of Europe and zoology proper, and he has contributed substantially to international and interdisciplinary collaboration. He has tirelessly worked for the use of scientific methods in the study of human behavior, both normal and abnormal.

Volume I is devoted to field studies. Volume II includes accounts of Tinbergen’s remarkable laboratory experiments as well as his significant general papers. These selections explore the search for animal roots of human behavior, behavior and natural selection, appeasement signals, and the nature of ethology.

“Early Childhood Autism,” written by Professor Tinbergen and his wife Elisabeth Tinbergen, is among the most important papers. It is a pioneer work in applied ethology and is a product of thirty years of observing non-verbal expression in both animals and children. Also included is Professor Tinbergen’s 1972 Croonian Lecture, “Functional Ethology and the Human Sciences.”

These classic original studies will fascinate the increasing number of readers interested in the topical problems of animal and human behavior.

One summer evening in 1918, a leopard wandered into the gardens of an Indian palace. Roused by the alarms of servants, the prince’s eldest son and his entourage rode elephant-back to find and shoot the intruder. An exciting but insignificant vignette of life under the British Raj, we may think. Yet to the participants, the hunt was laden with symbolism. Carefully choreographed according to royal protocols, recorded by scribes and commemorated by court artists, it was a potent display of regal dominion over men and beasts alike. Animal Kingdoms uncovers the far-reaching cultural, political, and environmental importance of hunting in colonial India.

Julie E. Hughes explores how Indian princes relied on their prowess as hunters to advance personal status and solidify power. Believing that men and animals developed similar characteristics by inhabiting a shared environment, they sought out quarry—fierce tigers, agile boar—with traits they hoped to cultivate in themselves. Largely debarred from military activities under the British, they also used the hunt to establish meaningful links with the historic battlefields and legendary deeds of their ancestors.

Hunting was not only a means of displaying masculinity and heroism, however. Indian rulers strove to present a picture of privileged ease, perched in luxuriously outfitted shooting boxes and accompanied by lavish retinues. Their interest in being sumptuously sovereign was crucial to elevating the prestige of prized game. Animal Kingdoms will inform historians of the subcontinent with new perspectives and captivate readers with descriptions of its magnificent landscapes and wildlife.

For over 25 years, primatologists have speculated that intelligence, at least in monkeys and apes, evolved as an adaptation to the complicated social milieu of hard-won friendships and bitterly contested rivalries. Yet the Balkanization of animal research has prevented us from studying the same problem in other large-brained, long-lived animals, such as hyenas and elephants, bats and sperm whales. Social complexity turns out to be widespread indeed. For example, in many animal societies one individual's innovation, such as tool use or a hunting technique, may spread within the group, thus creating a distinct culture. As this collection of studies on a wide range of species shows, animals develop a great variety of traditions, which in turn affect fitness and survival.

The editors argue that future research into complex animal societies and intelligence will change the perception of animals as gene machines, programmed to act in particular ways and perhaps elevate them to a status much closer to our own. At a time when humans are perceived more biologically than ever before, and animals as more cultural, are we about to witness the dawn of a truly unified social science, one with a distinctly cross-specific perspective?

This masterly and long-awaited work is a full exposition, synthesis, summation, and critical evaluation of the present state of man’s knowledge about the nature of animal species and of the part they play in the processes of evolution.In a series of twenty chapters, Ernst Mayr presents a consecutive story, beginning with a description of evolutionary biology and ending with a discussion of man as a biological species. Calling attention to unsolved problems, and relating the evolutionary subject matter to appropriate material from other fields, such as physiology, genetics, and biochemistry, the author integrates and interprets existing data. Believing that an unequivocal stand is more likely to produce constructive criticism than evasion of an issue, he does not hesitate to choose that interpretation of a controversial matter which to him seems most consistent with the emerging picture of the evolutionary process.Between the terminal points mentioned above, Mr. Mayr pursues the narrative through discussions of species concepts and their application, morphological species characters and sibling species, biological properties of species, isolating mechanisms, hybridization, the variation and genetics of populations, storage and protection of genetic variation, the unity of the genotype, geographic variation, the polytypic species of the taxonomist, the population structure of species, kinds of species, multiplication of species, geographic speciation, the genetics of speciation, the ecology of speciation, and species and transpecific evolution. The volume provides a valuable glossary; and an inclusive bibliography greatly extends its range for those who wish to investigate special aspects of the material. Animal Species and Evolution is presented as a permanent entity. In accordance with the author’s feeling that the acquisition of new knowledge will require a new statement, rather than an emendation of a previous one, no substantive revisions of this volume are planned for future printings.Because of the impossibility of experimenting with man, and because an understanding of man’s biology is indispensable for safeguarding his future, emphasis throughout this book is placed on those findings from the higher animals which are directly applicable to man. In his final chapter on hominids and the various forms of Homo, Mr. Mayr comes to the conclusion that, while modern man appears to be just as well adapted for survival purposes as were his ancestors, there is much evidence to suggest that he is threatened by the loss of his most typically human characteristics. It would be within his power to reverse this tendency.

The Anime Boom in the United States is a comprehensive and empirically grounded study of the expansion of anime marketing and sales into the United States. Using the example of Japanese animation, it examines the supporting organizational and cultural processes that constitute a transnational system for globalizing and localizing cultural commodities.

Drawing on field research, survey data, and in-depth interviews with Japanese and American professionals in the animation industry, the authors investigate anime’s arrival in the United States beginning in the 1960s, and explores the transnational networks of anime production and marketing as well as the cultural and artistic processes the genre has inspired.

This detailed study of the anime boom in the United States is the starting point for a wider investigation of the globalization of contemporary culture and the way in which global creative industries operate in an age of media digitalization and convergence. It is an indispensable guide for all those interested in understanding the dynamics of power structures in cultural and media globalization.

The paramount historian of the early Roman empire.

Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years’ absence he experienced the terrors of Emperor Domitian’s last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.

Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola’s career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus’s other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66).

Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount.

The Loeb Classical Library edition of Tacitus is in five volumes.

The paramount historian of the early Roman empire.

Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years’ absence he experienced the terrors of Emperor Domitian’s last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.

Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola’s career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus’s other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66).

Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount.

The Loeb Classical Library edition of Tacitus is in five volumes.

Never before translated into English, this official history of the reign of King T’aejo—founder of Korea’s long, illustrious Chosŏn dynasty (1392–1910 CE)—is a unique resource for reconstructing life in late-fourteenth-century Korea. Its narrative of a ruler’s rise to power includes a wealth of detail not just about politics and war but also about religion, astronomy, and the arts.

The military general Yi Sŏnggye, posthumously named T’aejo, assumed the throne in 1392. During his seven-year reign, T’aejo instituted reforms and established traditions that would carry down through the centuries. These included service to Korea’s overlord, China, and other practices reflecting China’s influence over the peninsula: creation of a bureaucracy based on civil service examinations, a shift from Buddhism to Confucianism, and official records of the deeds of kings, which in the Confucian tradition were an important means of educating succeeding generations. A remarkable compilation process for the sillok, or “veritable records,” was instituted to ensure the authority of the annals. Historiographers were present for every royal audience and wrote down each word that was uttered. They were strictly forbidden to divulge the contents of their daily drafts, however—even the king himself could not view the records with impunity.

Choi Byonghyon’s translation of the first of Korea’s dynastic histories, The Annals of King T’aejo, includes an introduction and annotations.

This widely used bibliography is now available in a third revised and enlarged edition. An essential tool for serious students of Chinese civilization, it supplies bibliographical data and descriptive notes for a very large selection of bibliographies, encyclopedias, dictionaries, geographical and biographical works, tables, yearbooks, and Sinological indexes. Besides books written in Chinese, a limited number of works in Japanese that can readily be used by persons who read Chinese have been included. Of particular value is the listing of many new editions of old books that have been published during the past two decades. There is a combined index and glossary.

A brilliant essayist and a master of the aphorism (“Our moods do not believe in each other”; “Money often costs too much”), Emerson has inspired countless writers. He challenged Americans to shut their ears against Europe’s “courtly muses” and to forge a new, distinctly American cultural identity. But he remains one of America’s least understood writers. And, by his own admission, he spawned neither school nor follower (he valued independent thought too much). Now, in this annotated selection of Emerson’s writings, David Mikics instructs the reader in a larger appreciation of Emerson’s essential works and the remarkable thinker who produced them.

Full of color illustrations and rich in archival photographs, this volume offers much for the specialist and general reader. In his running commentaries on Emerson’s essays, addresses, and poems, Mikics illuminates contexts, allusions, and language likely to cause difficulty to modern readers. He quotes extensively from Emerson’s Journal to shed light on particular passages or lines and examines Emerson the essayist, poet, itinerant lecturer, and political activist. Finally, in his Foreword, Phillip Lopate makes the case for Emerson as a spectacular truth teller—a model of intellectual labor and anti-dogmatic sanity.

Anyone who values Emerson will want to own this edition. Those wishing to discover, or to reacquaint themselves with, Emerson’s writings but who have not known where or how to begin will not find a better starting place or more reliable guide than The Annotated Emerson.

An annotated and illustrated edition of Mary Shelley's classic work, celebrating its 200th anniversary in 2018.

First published in 1818, Frankenstein has spellbound, disturbed, and fascinated readers for generations. One of the most haunting and enduring works ever written in English, it has inspired numerous retellings and sequels in virtually every medium, making the Frankenstein myth familiar even to those who have never read a word of Mary Shelley’s remarkable novel. Now, this freshly annotated, illustrated edition illuminates the novel and its electrifying afterlife with unmatched detail and vitality.

From the first decade after publication, “Frankenstein” became a byword for any new, disturbing developments in science, technology, and human imagination. The editors’ Introduction explores the fable’s continuing presence in popular culture and intellectual life as well as the novel’s genesis and composition. Mary Shelley’s awareness of European politics and history, her interest in the poets and philosophical debates of the day, and especially her genius in distilling her personal traumas come alive in this engaging essay.

The editors’ commentary, placed conveniently alongside the text, provides stimulating company. Their often surprising observations are drawn from a lifetime of reading and teaching the novel. A wealth of illustrations, many in color, immerses the reader in Shelley’s literary and social world, in the range of artwork inspired by her novel, as well as in Frankenstein’s provocative cinematic career. The fresh light that The Annotated Frankenstein casts on a story everyone thinks is familiar will delight readers while deepening their understanding of Mary Shelley’s novel and the Romantic era in which it was created.