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Uncommon Women
Gender and Representation in Nineteenth-Century U.S. Women's Writing
Laura Laffrado
The Ohio State University Press, 2009
Uncommon Women discusses provocative, highly readable, nineteenth-century American texts that complicate notions of self-writing and female agency. This feminist study considers the generic forms, language, and illustrations of a group of complex and often daring texts, including Sarah Kemble Knight’s unconventional travel Journal (1825); Fanny Fern’s controversial newspaper essays (1851–72); Civil War nurse Louisa May Alcott’s Hospital Sketches (1863); and cross-dressed soldier’s S. Emma E. Edmonds’s Nurseand Spy in the Union Army (1865), along with later women’s war reminiscences. The study concludes with a fresh reading of neglected aspects of Harriet Jacobs’s Incidents in the Life of a Slave Girl (1861), the primary Black female autobiographical text of the century, which fundamentally displays what whiteness enabled.
 
Uncommon Women reveals attempts of white middle-class women to both violate and align themselves with gendered assumptions. In doing so, it makes visible the ways in which these texts disputed restrictive female constructions, tested boundaries of race and class, and anticipated reaction to their disruptive discourses. The resulting conflicted self-representations illuminate the vexed contours of women’s autobiography.
This study’s findings make plain the impact of white/male discourses of gender on women’s self-narrativeand illustrate how unconventional women were pressured to embrace domesticity, heterosexuality, marriage, motherhood, and political passivity.
 
 
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Masked Atheism
Catholicism and the Secular Victorian Home
Maria LaMonaca
The Ohio State University Press, 2008

Why did the Victorians hate and fear Roman Catholics so much? This question has long preoccupied literary and cultural scholars alike. Masked Atheism: Catholicism and the Secular Victorian Home by Maria LaMonaca begins with the assumption that anti-Catholicism reveals far more about the Victorians than simple theological disagreements or religious prejudice. An analysis of anti-Catholicism exposes a host of anxieties, contradictions, and controversies dividing Great Britain, the world’s most powerful nation by the mid-nineteenth century.

Noting that Catholicism was frequently caricatured by the Victorians as “masked atheism”—that is, heathenism and paganism masquerading as legitimate Christianity—LaMonaca’s study suggests that much anti-Catholic rhetoric in Victorian England was fueled by fears of encroaching secularism and anxieties about the disappearance of God in the modern world. For both male and female writers, Catholicism became a synonym for larger, “ungodly” forces threatening traditional ways of life: industrialization, rising standards of living, and religious skepticism.

LaMonaca situates texts by Charlotte Brontë, George Eliot, Christina Rossetti, Elizabeth Barrett Browning, Michael Field, and others against a rich background of discourses about the growing visibility of Anglo and Roman Catholicism in Victorian England. In so doing, she demonstrates the influence of both pro- and anti-Catholic sentiment on constructs of Victorian domesticity, and explores how writers appropriated elements of Catholicism to voice anxieties about the growing secularization of the domestic sphere: a bold challenge to sentimental notions of the home as a “sacred” space. Masked Atheism will contribute a fresh perspective to an ongoing conversation about the significance of Catholicism in Victorian literature and culture.

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VIOLENT DEATH IN THE CITY
SUICIDE, ACCIDENT, AND MURDER IN NINETEE
ROGER LANE
The Ohio State University Press, 1999

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The Black Aesthetic Unbound
Theorizing the Dilemma of Eighteenth-Century African American Literature
April C.E. Langley
The Ohio State University Press, 2007
During the era of the slave trade, more than 12 million Africans were brought as slaves to the Americas. Their memories, ideas, beliefs, and practices would forever reshape its history and cultures. April C. E. Langley’s The Black Aesthetic Unbound exposes the dilemma of the literal, metaphorical, and rhetorical question, "What is African in African American literature?" Confronting the undeniable imprints of West African culture and consciousness in early black writing such as Olaudah Equiano’s The Interesting Narrative or Phillis Wheatley’s poetry, the author conceives eighteenth-century Black Experience to be literally and figuratively encompassing and inextricably linked to Africa, Europe, and America.

Consequently, this book has three aims: to locate the eighteenth century as the genesis of the cultural and historical movements which mark twentieth-century black aestheticism—known as the Black Aesthetic; to analyze problematic associations of African identity as manifested in an essentialized Afro-America; and to study the relationship between specific West African modes of thought and expression and the emergence of a black aesthetic in eighteenth-century North America. By exploring how Senegalese, Igbo, and other West African traditions provide striking new lenses for reading poetry and prose by six significant writers, Langley offers a fresh perspective on this important era in our literary history. Ultimately, the author confronts the difficult dilemma of how to use diasporic, syncretic, and vernacular theories of Black culture to think through the massive cultural transformations wrought by the Middle Passage.
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PRESIDENTIAL AGENDA
SOURCES OF EXECUTIVE INFLUENCE IN CONGRESS
ROGER T LAROCCA
The Ohio State University Press, 2006
It is well understood that the president is a powerful agenda-setting influence in Congress. But how exactly does the president, who lacks any formal power in early stages of the legislative process, influence the congressional agenda? In The Presidential Agenda, Roger T. Larocca argues that the president’s agenda-setting influence arises from two informal powers: the ability to communicate directly to voters and the ability to control the expertise of the many executive agencies that advise Congress on policy.
​Larocca develops a theoretical model that explains how the president can raise the public salience of issues in his major addresses, long accepted as one of the president’s strongest agenda-setting tools. He also develops a theoretical model that explains how control over executive agency expertise yields a more reliable and persistent influence on the congressional agenda than presidential addresses.
The Presidential Agenda tests these theoretical models with an innovative empirical study of presidential agenda setting. Using data from all House and Senate Commerce Committee bills from 1979 to 2002, Larocca converts information about bills into information about policy issues and then traces the path of presidential influence through the committee and floor stages of legislative consideration.
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Democracy on the Wall
Street Art of the Post-Dictatorship Era in Chile
Guisela Latorre
The Ohio State University Press, 2019
Guisela Latorre’s Democracy on the Wall: Street Art of the Post-Dictatorship Era in Chile documents and critically deconstructs the explosion of street art that emerged in Chile after the dictatorship of Augusto Pinochet, providing the first broad analysis of the visual vocabulary of Chile’s murals and graffiti while addressing the historical, social, and political context for this public art in Chile post-1990.
 
Exploring the resurgence and impact of the muralist brigades, women graffiti artists, the phenomenon of “open-sky museums,” and the transnational impact on the development of Chilean street art, Latorre argues that mural and graffiti artists are enacting a “visual democracy,” a form of artistic praxis that seeks to create alternative images to those produced by institutions of power. Keenly aware of Latin America’s colonial legacy and deeply flawed democratic processes, and distrustful of hegemonic discourses promoted by government and corporate media, the artists in Democracy on the Wall utilize graffiti and muralism as an alternative means of public communication, one that does not serve capitalist or nationalist interests. Latorre posits that through these urban interventions that combine creativity with social action, Chilean street artists formulate visions of what a true democracy looks like.
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Afrofuturism Rising
The Literary Prehistory of a Movement
Isiah Lavender III
The Ohio State University Press, 2019
Growing out of the music scene, afrofuturism has emerged as an important aesthetic through films such as Black Panther and Get Out. While the significance of these sonic and visual avenues for afrofuturism cannot be underestimated, literature remains fundamental to understanding its full dimensions. Isiah Lavender’s Afrofuturism Rising explores afrofuturism as a narrative practice that enables users to articulate the interconnection between science, technology, and race across centuries.
 
By engaging with authors as diverse as Phillis Wheatley, David Walker, Frederick Douglass, Harriet Ann Jacobs, Samuel R. Delany Jr., Pauline Hopkins, Zora Neale Hurston, and Richard Wright, Afrofuturism Rising extends existing scholarly conversations about who creates and what is created via science fiction. Through a trans-historical rereading of texts by these authors as science fiction, Lavender highlights the ways black experience in America has always been an experience of spatial and temporal dislocation akin to science fiction. Compelling and ambitious in scope, Afrofuturism Rising redefines both science fiction and literature as a whole.
 
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Literary Afrofuturism in the Twenty-First Century
Isiah Lavender III
The Ohio State University Press, 2020
Finalist, 2021 Locus Award

In Literary Afrofuturism in the Twenty-First Century, eminent contributors pay tribute to Afrofuturism as a powerful and evolving aesthetic practice that communicates the experience of science, technology, and race across centuries, continents, and cultures. While Ryan Coogler and Janelle Monáe may have helped bring the genre into contemporary pop consciousness, it in fact extends back to the writing of eighteenth-century poet Phyllis Wheatley and has continued in the work of Samuel R. Delany, Octavia E. Butler, N. K. Jemisin, and many others. In examining this heritage, contributors in this volume question generic boundaries, recover lost artists and introduce new ones, and explore how the meteoric rise of a new, pan-African speculative literary tradition may or may not connect with Afrofuturism.
 
Additionally, the editors have marshaled some of today’s most exciting writers for a roundtable discussion of the genre: Bill Campbell, Minister Faust, Nalo Hopkinson, N. K. Jemisin, Chinelo Onwualu, Nisi Shawl, and Nick Wood. Pioneering author and editor Sheree R. Thomas limns how black women have led new developments in contemporary Afrofuturism, and artist Stacey Robinson’s illustrations orient readers to the spirited themes of this enduring and consequential literary tradition.

 
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Vaccine Rhetorics
Heidi Yoston Lawrence
The Ohio State University Press, 2020
Finalist, 2021 Association for the Rhetoric of Science, Technology, and Medicine Book Award
Honorable Mention, Conference on College Composition and Communication Best Book in Technical or Scientific Communication


Debates over vaccination run rampant in the US—from the pages of medical journals, to news coverage about the latest outbreak, to vehement messages passed back and forth online. From the professional level to the personal one, almost everyone has an opinion on vaccinations—and often conversations around this issue pit supporters of vaccinations against “anti-vaxxers.” In Vaccine Rhetorics, Heidi Yoston Lawrence turns a critical eye toward such conversations—proposing a new approach that moves us beyond divisive rhetoric and seeks to better understand the material conditions underlying the debate.
 
Starting with a key question—If vaccines work, why are they controversial?—and using an approach she calls “material exigence,” Lawrence seeks to understand the material conditions of disease and injury associated with vaccination. Examining four primary motivations—the exigency of disease at the heart of physician views, the desire for eradication from policymakers, concern over injury expressed by parents and patients in online confessionals, and questions about the unknown surrounding potential recipients of the flu vaccine, Lawrence demonstrates the complexity of vaccination skepticism and the need for more nuanced public discourse. In bringing together the voices of those who oppose, question, and support vaccines, Vaccine Rhetorics unearths the material circumstances that lead to differing viewpoints and brings important attention not just to what is said but how and why it is said—providing a useful framework for studying other controversial issues.
 
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Techniques for Living
Fiction and Theory in the Work of Christine Brooke-Rose
Karen R. Lawrence
The Ohio State University Press, 2010
Christine Brooke-Rose is a writer, critic, and narrative theorist whose extraordinarily varied body of work tests the relationship between twentieth-century theory and fiction in unparalleled ways. As they rupture “the relics of nineteenth-century ideologies,” Brooke-Rose’s fictional experiments offer new ways to theorize life and formulate conduct in the new world orders of the twentieth and twenty-first centuries. Specifically addressing the loss of our ability to differentiate reality from what she calls “the unreal,” her novels mime the various “deaths” and absences described in contemporary literary theory, registering these absences technically, ontologically, and emotionally in linguistic and grammatical “constraints.” Rather than melancholy or self-enclosed exercises, however, her writing draws creative vitality out of the loss and limitation it examines. Deploying twentieth-century discourses drawn from technology, literary theory, astronomy, evolutionary biology, and popular culture, her vital, often humorous, fictions offer survival strategies for the genre of the novel. They offer new forms for telling the human story within the unreality of contemporary life.
 
In Techniques for Living: Fiction and Theory in the Work of Christine Brooke-Rose, Karen R. Lawrence explains how Brooke-Rose’s career invites revision of contemporary literary histories and theories of postmodernism. With her highly original narrative forms, Brooke-Rose significantly contributes to the radical evolution of narrative in modernism’s wake. In its singular focus on the lively and prolific experiments of this writer/critic/theorist, Techniques for Living lays the groundwork for further challenges to our generalized versions of postmodernism, as it also provides a fascinating reading of a highly original writer.
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Diary of a Reluctant Dreamer
Undocumented Vignettes from a Pre-American Life
Alberto Ledesma
The Ohio State University Press, 2017
In this hybrid memoir, Alberto Ledesma wonders, At what point does a long-time undocumented immigrant become an American in the making? From undocumented little boy to “hyper documented” university professor, Ledesma recounts how even now, he sometimes finds himself reverting to the child he was, recalling his father’s words: “Mijo, it doesn’t matter how good you think your English is, la migra will still get you.”
 
 
Exploring Ledesma’s experiences from immigrant to student to academic, Diary of a Reluctant Dreamer presents a humorous, gritty, and multilayered portrait of undocumented immigrant life in urban America. Ledesma’s vignettes about life in the midst of ongoing social trauma give voice to a generation that has long been silent about its struggles. Delving into the key moments of cultural transition throughout his childhood and adulthood—police at the back door waiting to deport his family, the ex-girlfriend who threatens to call INS and report him, and the interactions with law enforcement even after he is no longer undocumented—Ledesma, through his art and his words, provides a glimpse into the psychological and philosophical concerns of undocumented immigrant youth who struggle to pinpoint their identity and community.  
 
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A Body of Individuals
The Paradox of Community in Contemporary Fiction
Sue-Im Lee
The Ohio State University Press, 2009
Why are some versions of the collective “we” admired and desired while other versions are scorned and feared? A Body of Individuals: The Paradox of Community in Contemporary Fiction examines the conflict over the collective “we” through discourses of community. In the discourse of benevolent community, community is a tool towards achieving healing, productiveness, and connection. In the discourse of dissenting community, community that serves a function is simply another name for totalitarianism; instead, community must merely be a fact of coexistence. What are the sources and the appeal of these irreconcilable views of community, and how do they interact in contemporary fiction’s attempt at imagining “we”?
 
By engaging contemporary U.S. writers such as Toni Morrison, Richard Powers, Karen Tei Yamashita, Lydia Davis, Lynne Tillman, and David Markson with theorists such as Jean-Luc Nancy, Giorgio Agamben, François Lyotard, Ernesto Laclau, Louis Althusser, Roland Barthes, and Ludwig Wittgenstein, this book reveals how the two conflicting discourses of community—benevolent and dissenting—are inextricably intertwined in various literary visions of “we”—“we” of the family, of the world, of the human, and of coexistence.
 
These literary visions demonstrate, in a way that popular visions of community and postmodern theories of community cannot, the dialectical relationship between the discourses of benevolent community and dissenting community. Sue-Im Lee argues that contemporary fiction’s inability to resolve the paradox results in a model of ambivalent community, one that offers unique insights into community and into the very notion of unity.
 
 
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Hard-Boiled Crime Fiction and the Decline of Moral Authority
Susanna Lee
The Ohio State University Press, 2016
The cynical but kind-hearted detective is the soul of the classic hard-boiled story, that chronicle of world-weary urban pessimism. In Hard-Boiled Crime Fiction and the Decline of Moral Authority, Susanna Lee argues that this fiction functions as a measure for individual responsibility in the modern world and that it demonstrates the enduring status of individual conscience across a variety of cultural crises. In this major rethinking of the hard-boiled genre, Lee suggests that, whether in Los Angeles, New York, or Paris, the hard-boiled detective is the guardian of individual moral authority and the embodiment of ideals in a corrupt environment.
Lee traces the history of the hard-boiled detective through the twentieth century and on both sides of the Atlantic (France and the United States), tying the idea of morality to the character model in nuanced, multifaceted ways. When the heroic model devolves, the very conceptual validity of individual moral authority can seem to devolve as well. Hard-Boiled Crime Fiction and the Decline of Moral Authority charts the evolution of that character model of the hard-boiled hero, the mid-century deterioration of his exemplarity, and twenty-first-century endeavors to resuscitate the accountable hero. The history of hard-boiled crime fiction tells nothing less than the story of individual autonomy and accountability in modern Western culture.
 
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MATTERS OF FACT
READING NONFICTION OVER THE EDGE
DANIEL W. LEHMAN
The Ohio State University Press, 1998

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PARTIES RULES EVOLUTION OF CONG BUDG
LANCE T LELOUP
The Ohio State University Press, 2005

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Inscrutable Eating
Asian Appetites and the Rhetorics of Racial Consumption
Jennifer Lin LeMesurier
The Ohio State University Press, 2023

“You are what you eat,” but what if you’re seen as a rat eater, bat lover, or MSG user? In Inscrutable Eating, Jennifer Lin LeMesurier considers how everyday assumptions about Asian food influence the perception of Asian and Asian American identity within the US racial landscape, demonstrating that beliefs about how certain people eat are inseparable from attitudes that support hierarchies around race, gender, and sexuality. 

Drawing on rhetorical theory, affect theory, and Asian American studies, LeMesurier analyzes messages in US popular culture about Asian eating to develop the concept of gut orientations: rhetorically dominant ways of interacting with food that scale upward to feelings of desire and disgust toward social groups. Looking at examples from fears around MSG to uproar over wet markets as the source of COVID-19, she argues that these “gut” reactions establish certain racial views as common-sense truths rather than cultural biases, reinforcing dominant norms about what belongs on whose plate, or who belongs at what table. In demystifying marginalizing discourse around food and eating, LeMesurier shows how exposing the tacit, felt ideas of consumption is necessary to contest broader forms of discrimination.

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BEYOND THE REPRODUCTIVE BODY
POLITICS OF WOMEN'S HEALTH & WORK IN EARLY VICTORIAN ENGLAND
MARJORIE LEVINE-CLARK
The Ohio State University Press, 2004

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Narrative Middles
Navigating the Nineteenth-Century Novel
Caroline Levine
The Ohio State University Press, 2011

Narrative theorists have lavished attention on beginnings and endings, but they have too often neglected the middle of narratives. In this groundbreaking collection of essays, Narrative Middles: Navigating the Nineteenth-Century British Novel, nine literary scholars offer innovative approaches to the study of the underrepresented middle of the vast, bulky nineteenth-century multiplot novel. Combining rigorous formal analysis with established sociohistorical methods, these essays seek to account for the various ways in which the novel gave shape to British culture’s powerful obsession with middles. The capacious middle of the nineteenth-century novel provides ample room for intricately woven plots and the development of complex character systems, but it also becomes a medium for capturing, consecrating, and cultivating the middle class and its middling, middlebrow tastes as well as its mediating global role in empire. Narrative Middles explores these fascinating conjunctions in new readings of novels by Jane Austen, William Makepeace Thackeray, Anne Brontë, George Eliot, Charles Dickens, Wilkie Collins, Henry James, and William Morris. Contributors: Amanda Claybaugh, Suzanne Daly, Amanpal Garcha, Amy King, Caroline Levine, Mario Ortiz-Robles, Kent Puckett, Hilary Schor, and Alex Woloch.

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Historicizing Fat in Anglo-American Culture
Elena Levy-Navarro
The Ohio State University Press, 2010

Historicizing Fat in Anglo-American Culture, edited by Elena Levy-Navarro, is the first collection of essays to offer a historical consideration of fat bodies in Anglophone culture. The interdisciplinary essays cover periods from the medieval to the contemporary, mapping out a new terrain for historical consideration. These essays question many of the commonplace assumptions that circulate around the category of fat: that fat exists as a natural and transhistorical category; that a premodern period existed which universally celebrated fat and knew no fatphobia; and that the thin, youthful body, as the presumptively beautiful and healthy one, should be the norm by which to judge other bodies.

The essays begin with a consideration of the interrelationship between the rise of weight-watching and the rise of the novel. The essays that follow consider such wide-ranging figures as the fat child’s body as a contested site in post-Blair U.K. and in Lord of the Flies; H. G. Wells; Wilkie Collins’s subversively performative Fosco; Ben Jonson; the voluptuous Lillian Russell; Shakespeare’s Venus and Adonis; the opera diva; and the fat feminist activists of recent San Francisco. In developing their histories in a self-conscious way that addresses the pervasive fatphobia of the present-day Anglophone culture, Historicizing Fat suggests ways in which scholarship and criticism in the humanities can address, resist, and counteract the assumptions of late modern culture.

 
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Unexceptional Women
Female Proprietors in Mid-Nineteenth-Century Albany, New York, 1830–1885
Susan Ingalls Lewis
The Ohio State University Press, 2009
Unexceptional Women:Female Proprietors in Mid-Nineteenth-Century Albany, New York, 1830–1885 by Susan Ingalls Lewis challenges our conceptions about mid-nineteenth-century American women, business, and labor, offering a detailed study of female proprietors in one industrializing American city. Analyzing the careers of more than two thousand women who owned or operated businesses between 1830 and 1885, Lewis argues that business provided a common, important, and varied occupation for nineteenth-century working women. Based on meticulous research in city directories, census records, and credit reports, this study provides both a demographic portrait of Albany’s female proprietors and an examination of the size, scope, longevity, financing, and creditworthiness of their ventures.
Although the growing city did produce several remarkable businesswomen in trades as diverse as hotel management, plumbing, and the marketing of pianos on the installment plan, Albany’s female proprietors were most often self-employed artisans, shopkeepers, petty manufacturers, and service providers. These women used business as a method of self-employment and survival, as a means of both individual and family mobility, and as a strategy for immigrant assimilation into an urban economy and middle-class lifestyle.  
Intriguingly, among the ranks of Albany’s female proprietors Lewis discovered substantial evidence of such supposedly recent phenomena as self-employment, dual-income marriages, working motherhood, home-based business, and the juggling of domestic and professional priorities. The stories of these businesswomen make fascinating reading while simultaneously providing the basis for a theoretical discussion of how to define and understand enterprise for mid-nineteenth-century women.
 
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Talk and Textual Production in Medieval England
Marisa Libbon
The Ohio State University Press, 2021
People in medieval England talked, and yet we seldom talk or write about their talk. People conversed not within literary texts, but in the world in which those texts were composed and copied. The absence of such talk from our record of the medieval past is strange. Its absence from our formulation of medieval literary history is stranger still. In Talk and Textual Production in Medieval England, Marisa Libbon argues that talk among medieval England’s public, especially talk about history and identity, was essential to the production of texts and was a fundamental part of the transmission and reception of literature. Examining Richard I’s life as an exemplary subject of medieval England’s class-crossing talk about the past, Libbon advances a theory of how talk circulates history, identity, and cultural memory over time. By identifying sites of local talk about England's past, from law courts to palace chambers, and tracing rumors about Richard that circulated during his life and long after his death, Libbon offers a literary history of Richard that accounts for the spaces between and around extant manuscript copies of Middle English romances like Richard Coeur de Lion, insular and Continental chronicles, and chansons de geste with figures such as Charlemagne and Roland. These spaces, usually dismissed as silent, tell us about the processes of writing and reading and illuminate the intangible daily life in which textual production occurred. In revealing the pressures that talk about the past exerted on textual production, this book relocates the power of making culture and collective memory to a wider, collaborative authorship in medieval England. 
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ISLAND HERITAGE
A GUIDED TOUR TO LAKE ERIE'S BASS ISLAND
TED LIGIBEL
The Ohio State University Press, 1987

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Silent City on a Hill
Landscapes of Memory and Boston’s Mount Auburn Cemetery
BLANCHE LINDEN-WARD
The Ohio State University Press, 1900

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MAKING STORIES, MAKING SELVES
FEMINIST REFLECTIONS ON THE HOLOCAUST
R. RUTH LINDEN
The Ohio State University Press, 1995
Ruth Linden's bold, experimental book explores the interconnected processes of remembering, storytelling, and self-fashioning. Juxtaposing autobiography and ethnography, Linden begins this study by situating herself in the context of her assimilated Jewish family, where the Holocaust was shrouded in silences.

Urged forward by these silences, Linden, a feminist and sociologist, began to interview Jewish Holocaust survivors in 1983. As Linden interprets survivors' accounts of the death camps and the resistance, she reveals complex ways in which selves are constructed through storytelling. The stories that unfold are continuously fashioned and refashioned—never stripped of context or frozen in time. What emerges is an unexpectedly elegant montage in which interviewee, interviewer, and author are intertwined.

Linden's meetings with survivors and her encounters with their stories transformed her as a feminist, a Jew, and a social scientist. Her analysis reveals the intimate connections between an ethnographer's lived experience and her interpretations of others'. Linden's reflections on the process of ethnography belie the rhetoric of positivism in the social sciences. They will inspire other scholars to break free of research and writing practices in their own disciplines that efface the ineluctable bond between knower and known. All readers will be challenged to reexamine the Holocaust in an intensely personal light and to reconsider the meanings of survival in our own time.

Cutting across the boundaries of ethnography and autobiography to create a new kind of text, Making Stories, Making Selves offers a significant contribution to interpretive social science and the literature of the Holocaust. Linden's original and courageous work is vital reading for Holocaust scholars, students of modern Jewish life, sociologists, feminist theorists, and all readers seeking to understand their own relationship to the Holocaust.
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Language Files
Materials for an Introduction to Language and Linguistics, 12th Edition
Department of Linguistics
The Ohio State University Press, 2016
Language Files: Materials for an Introduction to Language and Linguistics has become one of the most widely adopted, consulted, and authoritative introductory textbooks to linguistics ever written. The scope of the text makes it suitable for use in a wide range of courses, while its unique organization into student-friendly, self-contained sections allows for tremendous flexibility in course design.
The twelfth edition has been significantly revised, clarified, and updated throughout—with particular attention to the chapters on phonetics, phonology, pragmatics, and especially psycholinguistics. The restructured chapter on psycholinguistics makes use of recent research on language in the brain and includes expanded coverage of language processing disorders, introducing students to current models of speech perception and production and cutting-edge research techniques. In addition, exercises have been updated, and icons have been added to the text margins throughout the book, pointing instructors and students to useful and engaging audio files, videos, and other online resources on the accompanying Language Files website, which has also been significantly expanded.
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Language Files
Materials for an Introduction to Language and Linguistics, 13th Edition
Department of Linguistics
The Ohio State University Press, 2022
Language Files has become one of the most widely adopted, consulted, and authoritative introductory textbooks to linguistics ever written. The scope of the text makes it suitable for use in a wide range of courses, while its unique organization into student-friendly, self-contained sections allows for tremendous flexibility in course design. 
 
The thirteenth edition has been revised, clarified, and updated throughout to ensure that it remains the most comprehensive and accessible introductory linguistics textbook on the market. The revised chapter on morphology includes a more thorough discussion of allomorphy and adds sections on templatic morphology, suprasegmental morphology, and morphological metathesis to give students a more complete picture of all morphological phenomena. The chapter on language and computers has been updated with new sections on deep learning, artificial neural networks, and on other areas of computational linguistics, providing readers with a better sense of current research and applications in this rapidly developing field. Other additions include new sections on syntactic non-constituents and non-generative rule systems in the syntax chapter and a complete rewrite to the creole languages file in the language contact chapter. We have also adopted the use of the singular they when referring to a generic person whose gender is unknown or irrelevant. Exercises and lists of other readings have been updated throughout.
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The Theater in the Fiction of Marcel Proust
John Gaywood Linn
The Ohio State University Press, 1900

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LIVINGSTON AND THE TOMATO
A.W. LIVINGSTON
The Ohio State University Press, 1998
A. W Livingston (1821-98) was a Reynoldsburg, Ohio, tomato seedsman who was the best known developer of tomato varieties in the United States in the nineteenth century. First published in 1893, Livingston and the Tomato contains both descriptions and drawings of the tomato varieties he developed. The book features over sixty tomato recipes, including ones for slicing, frying, escalloping, baking, and broiling tomatoes; as well as for tomato toast, custard, soup, pie, preserves, figs, jam, butter, salad, sauce, and omelets.

Livingston's pioneering work; his entrepreneurial sons, who transformed his efforts into a successful business concern; the application of scientific principles to agricultural practices; and the tremendous growth of the canning and preserving industries are all reflections of the spirit of Ohio and America on the cusp of the twentieth century.
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Women’s Friendship in Medieval Literature
Karma Lochrie
The Ohio State University Press, 2022
In Women’s Friendship in Medieval Literature, Karma Lochrie and Usha Vishnuvajjala bring together established scholars and new voices to illuminate a previously understudied but consequential element of life in the Middle Ages. Contributors focus on representations of women’s friendships in medieval European literature and their afterlives both to historicize them and draw out the finer nuances of the multitude of forms, affects, values, and ethics that emerge within those friendships. This volume examines works by Chaucer, Gower, Malory, Marie de France, female saints, and late-Middle Scots poets alongside lesser-known late medieval lyrics and Middle English romances to chart women’s friendships and their many and sometimes conflicting affinities with the cultural categories of gender, religion, politics, and sexuality. In addition to exploring the parameters of female friendship across a range of texts and historical contexts, contributors evaluate the political, religious, and civic structures negotiated in public and private and engage with the long history of theory and philosophy on friendship. The result is a theoretical and historical rubric for the future study of women’s friendships in medieval texts and beyond.

Contributors:
Penelope Anderson, Andrea Boffa, Jennifer N. Brown, Christine Chism, Melissa Ridley Elmes, Laurie Finke, Carissa M. Harris, Lydia Yaitsky Kertz, Clare A. Lees, Karma Lochrie, Gillian R. Overing, Alexandra Verini, Usha Vishnuvajjala, Stella Wang

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The Chartist Imaginary
Literary Form in Working-Class Political Theory and Practice
Margaret A. Loose
The Ohio State University Press, 2014
Can imaginative literature change the political and social history of a class or nation? In The Chartist Imaginary: Literary Form in Working-Class Political Theory and Practice, Margaret Loose turns to the Chartist Movement—Britain’s first mass working-class movement, dating from the 1830s to the 1840s—and argues that, based on literature by members of the movement, the answer to that question is a resounding “yes.” Chartist writing awakened workers’ awareness of discord between professed ideals and reality; exercised their conceptual powers (literary and social); and sharpened their appetite for more knowledge, intellectual power, dignity, and agency in the present to fashion a utopian future. Igniting such self-respecting, politically transfigurative energy was a unique kind of agency Loose calls “the Chartist imaginary.” In examining the Chartist movement, Loose balances the nervous projections of canonical Victorian writers against a consideration of the ways that laborers represented Chartism’s aims and tactics.
 
The Chartist Imaginary offers close readings of poems and fiction by Chartist figures from Ernest Jones and Thomas Cooper to W. J. Linton, Thomas Martin Wheeler, and Gerald Massey. It also draws on extensive archival research to examine, for the first time, working-class female Chartist poets Mary Hutton, E. L. E., and Elizabeth La Mont. Focusing on the literary form of these works, Loose strongly argues for the political power of the aesthetic in working-class literature.
 
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A Mother's Tale
Phillip Lopate
The Ohio State University Press, 2017

In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn’t satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today.

Trying to break open the family myths, rationalizations, and self-deceptions, A Mother’s Tale is about family members who love each other but who can’t seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her—using logic, of all things—that he really does love her, but is only partially successful, of course.

A Mother’s Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

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The Woman Painter in Victorian Literature
Antonia Losano
The Ohio State University Press, 2008

The nineteenth century saw a marked rise both in the sheer numbers of women active in visual art professions and in the discursive concern for the woman artist in fiction, the periodical press, art history, and politics. The Woman Painter in Victorian Literature argues that Victorian women writers used the controversial figure of the woman painter to intervene in the discourse of aesthetics. These writers were able to assert their own status as artistic producers through the representation of female visual artists.

Women painters posed a threat to the traditional heterosexual erotic art scenarios—a male artist and a male viewer admiring a woman or feminized art object. Antonia Losano traces an actual movement in history in which women writers struggled to rewrite the relations of gender and art to make a space for female artistic production. She examines as well the disruption female artists caused in the socioeconomic sphere. Losano offers close readings of a wide array of Victorian writers, particularly those works classified as noncanonical—by Anne Thackeray Ritchie, Margaret Oliphant, Anne Brontë, and Mrs. Humphrey Ward—and a new look at better-known novels such as Jane Eyre and Daniel Deronda, focusing on the pivotal social and aesthetic meanings of female artistic production in these texts. Each of the novels considered here is viewed as a contained, coherent, and complex aesthetic treatise that coalesces around the figure of the female painter.

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Syphilis
Medicine, Metaphor, and Religious Conflict in Early Modern France
Deborah N. Losse
The Ohio State University Press, 2015
In Syphilis: Medicine, Metaphor, and Religious Conflict in Early Modern France, Deborah Losse examines how images of syphilis became central to Renaissance writing and reflected more than just the rapid spread of this new and poorly understood disease. Losse argues that early modern writers also connected syphilis with the wars of religion in sixteenth-century France. These writers, from reform-minded humanists to Protestant poets and Catholic polemicists, entered the debate from all sides by appropriating the disease as a metaphor for weakening French social institutions. Catholics and Protestants alike leveled the charge of paillardise (lechery) at one another. Losse demonstrates how they adopted the language of disease to attack each other’s politics, connecting diseased bodies with diseased doctrine.
Losse provides close readings of a range of genres, moving between polemical poetry, satirical narratives, dialogical colloquies, travel literature, and the personal essay. With chapters featuring Erasmus, Rabelais, Montaigne, Léry, and Agrippa d’Aubigné, this study compares literary descriptions of syphilis with medical descriptions. In the first full-length study of Renaissance writers’ engagement with syphilis, Deborah Losse charts a history from the most vehement rhetoric of the pox to a tenuous resolution of France’s conflicts, when both sides called for a return to order.
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After Testimony
The Ethics and Aesthetics of Holocaust Narrative for the Future
Jakob Lothe
The Ohio State University Press, 2012

After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future collects sixteen essays written with the awareness that we are on the verge of a historical shift in our relation to the Third Reich’s programmatic genocide. Soon there will be no living survivors of the Holocaust, and therefore people not directly connected to the event must assume the full responsibility for representing it. The contributors believe that this shift has broad consequences for narratives of the Holocaust. By virtue of being “after” the accounts of survivors, storytellers must find their own ways of coming to terms with the historical reality that those testimonies have tried to communicate. The ethical and aesthetic dimensions of these stories will be especially crucial to their effectiveness. Guided by these principles and employing the tools of contemporary narrative theory, the contributors analyze a wide range of Holocaust narratives—fictional and nonfictional, literary and filmic—for the dual purpose of offering fresh insights and identifying issues and strategies likely to be significant in the future. In addition to the editors, the contributors are Daphna Erdinast-Vulcan, Sidra DeKoven Ezrahi, Anniken Greve, Jeremy Hawthorn, Marianne Hirsch, Irene Kacandes, Phillipe Mesnard, J. Hillis Miller, Michael Rothberg, Beatrice Sandberg, Anette H. Storeide, Anne Thelle, and Janet Walker.

 
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Not One More! Feminicidio on the Border
Nina Maria Lozano
The Ohio State University Press, 2019
Since 1993, more than 2,000 feminicidios have occurred in Ciudad Juárez, Mexico—once called “the feminicidio capital of the world.” Who is killing the women of Juárez? Why is this happening? In Not One More! Feminicidio on the Border, Nina Maria Lozano seeks to answer these questions, turning a critical eye to the state structures and legal systems that allow and participate in the violence, rape, and murder propagated against thousands of women in the border town of Juárez.
 
Finding theories of new materialism inadequate to explain the feminicidios, Lozano critiques and extends this approach—advancing instead a new theoretical framework, border materialism, to argue that capitalist systems of neoliberalism and free trade are directly correlated to the killing of women on the US–Mexico border. Through the author’s fifteen-plus years of on-the-ground fieldwork, readers are presented with firsthand accounts, testimonies, and new social movement strategies from family members and activists attempting to stop these gendered crimes.
 
By offering concrete case studies—including analysis of maquiladoras/factories and free trade zones, public monuments and murals memorializing the victims, rastreos/searches by family members for victims’ DNA remains, and testimony from Mothers, family members, and activists—Not One More! lays bare the socioeconomic and geopolitical forces at work in the killing of women in Juárez.
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THE DANGEROUS LOVER
GOTHIC VILLIANS, BYRONISM, AND THE NINETEENTH-CENTURY SEDUCTION NARRATIVE
DEBORAH LUTZ
The Ohio State University Press, 2006

The dangerous lover has haunted our culture for over two hundred years; English, American, and European literature is permeated with his erotic presence. The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero—his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Brontës, and the tormented individualism of twentieth-century love narratives. Arguing for this character’s central influence not only in literature but also in the history of ideas, this book places the dangerous lover firmly within the philosophy of Martin Heidegger, the Modernism of Georg Lukács, and Roland Barthes’s theories on love and longing. Working with canonical authors such as Ann Radcliffe, Charles Maturin, Lord Byron, Charles Dickens, George Eliot, and Oscar Wilde, and also with non-canonical texts such as contemporary romance, The Dangerous Lover combines a lyrical, essayistic style with a depth of inquiry that raises questions about the mysteries of desire, death, and eroticism.

The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives.

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GORILLAS IN OUR MIDST
THE STORY OF THE COLUMBUS ZOO GORILLAS
JEFF LYTTLE
The Ohio State University Press, 1997


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