BiblioVault

German Writing, American Reading

Women and the Import of Fiction, 1866–1917

Lynne Tatlock

The Ohio State University Press, 2012

In postbellum America, publishers vigorously reprinted books that were foreign in origin, and Americans thus read internationally even at a moment of national consolidation. A subset of Americans’ international reading—nearly 100 original texts, approximately 180 American translations, more than 1,000 editions and reprint editions, and hundreds of thousands of books strong—comprised popular fiction written by German women and translated by American women. German Writing, American Reading: Women and the Import of Fiction, 1866–1917 by Lynne Tatlock examines the genesis and circulation in America of this hybrid product over four decades and beyond. These entertaining novels came to the consumer altered by processes of creative adaptation and acculturation that occurred in the United States as a result of translation, marketing, publication, and widespread reading over forty years. These processes in turn de-centered and disrupted the national while still transferring certain elements of German national culture. Most of all, this mass translation of German fiction by American women trafficked in happy endings that promised American readers that their fondest wishes for adventure, drama, and bliss within domesticity and their hope for the real power of love, virtue, and sentiment could be pleasurably realized in an imagined and quaintly old-fashioned Germany—even if only in the time it took to read a novel.

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Dance of the Trustees

On the Astonishing Concerns of a Small Ohio Township

Dylan Taylor-Lehman

The Ohio State University Press, 2018

On September 9, 2015, in the quirky village of Yellow Springs, Ohio, the Miami Township Board of Trustees arbitrated a dispute concerning an area bed and breakfast that was apparently causing problems in the neighborhood where it was located. People were irate: the B&B was considered too loud by some but unfairly under attack by others, while township officials were called incompetent by both sides for not ruling in their favor. The trustees were amused, concerned, and baffled at the situation before them.

This quaint debate represents just one of many fascinating problems the trustees deal with on a daily basis. While Miami Township is small, the concerns are myriad—from cemeteries filled with unknown remains to a fire department to oversee to legal action required against properties clogged with junk. The responsibilities are doubly impressive considering no trustees have backgrounds in public office.

This book combines entertaining nonfiction vignettes with well-researched township history—including a history of religious cults and the possibility that Lee Harvey Oswald was once in town—and elucidates the processes behind an entire civic division. Dance of the Trustees documents twenty-first-century small-town life with humor, warmth, and erudition.

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You, Me, and the Violence

Catherine Taylor

The Ohio State University Press, 2017

“Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill.” In You, Me, and the Violence, Catherine Taylor ponders the nature of personal and political autonomy, focusing on the surprising juxtaposition of puppetry and military drones. In a book at once politically significant and narratively engaging, Taylor blends genres to question the roles of individuals within society and expose the gritty and emotional underpinnings of the seemingly mechanical process of a remote soldier.
From conversations with her own brother about his military experiences to Punch and Judy, from the original tale of Pinocchio to the radio chatter of soldiers in active drone operation, Taylor writes about family, power, and the “theater” of war in a voice both sly and sobering, heartbreaking and hopeful.

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Fictions of Evidence

Witnessing, Literature, and Community in the Late Middle Ages

Jamie K. Taylor

The Ohio State University Press, 2013

Throughout the Middle Ages, witnessing was a crucial way religious and legal “truths” were understood and produced. Religious and secular officials alike harnessed the power of testimony to assert doctrinal, political, or legal responsibilities. Swearing an oath, testifying in court, and signing a deposition were common ways to shape and discipline both devotional and legal communities. In Fictions of Evidence: Witnessing, Literature, and Community in the Late Middle Ages, Jamie K. Taylor traces depictions of witnessing in a wide range of late medieval texts and shows how witnessing practices formed and reformed, policed and challenged medieval communities.

Through close study of texts like the Man of Law’s Tale and Piers Plowman alongside sermon exempla, common law statutes, and pastoral treatises, Fictions of Evidence argues that vernacular literature was a vital site of criticism and dissent. It shows that devotional and legal witnessing practices offered medieval writers a distinct vocabulary they could use to expose how the ethical and legal obligations to one’s community were constructed. And since vernacular writers often challenged the ways ecclesiastical or secular authorities asserted community bonds, they found they could use those same witnessing practices and language to imagine extra-legal or extra-ecclesiastical communities that followed different ethical codes.

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DOWN ON PARCHMAN FARM

THE GREAT PRISON IN THE MISSISSIPPI DELT

WILLIAM BANKS TAYLOR

The Ohio State University Press, 1999

Archive Feelings

A Theory of Greek Tragedy

Mario Telò

The Ohio State University Press, 2020

Do we take pleasure in reading ancient Greek tragedy despite the unsettling content or because of it? Does a safe aesthetic distance protect us from tragic suffering, or does the proximity to death tap into something more primal? Aristotle proposed catharsis, an emotional cleansing—or, in later interpretations, a sense of equilibrium—as tragedy’s outcome, and Sigmund Freud and Jacques Lacan, grand theorists of the forces of anti-mastery in human and nonhuman existence, surprisingly agreed. Notwithstanding this deferral to Aristotle, their theorizations of the death drive—together with Jacques Derrida’s notion of the archive as a place of conservation that inevitably fails—provide the groundwork for a radically new way of understanding tragic aesthetics.

With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, Žižek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Telò’s Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy’s aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Telò forges a new model of tragic aesthetics.

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Niobes

Antiquity, Modernity, Critical Theory

Mario Telò

The Ohio State University Press, 2024

A marginalized but persistent figure of Greek tragedy, Niobe, whose many children were killed by Apollo and Artemis, embodies yet problematizes the philosophically charged dialectics between life and death, mourning and melancholy, animation and inanimation, silence and logos. The essays in Niobes present her as a set of complex figurations, an elusive mythical character but also an overdetermined figure who has long exerted a profound influence on various modes of modern thought, especially in the domains of aesthetics, ethics, psychoanalysis, and politics. As a symbol of both exclusion and resistance, Niobe calls for critical attention at a time of global crisis.

Reconstructing the dialogues of Phillis Wheatley, G. W. F. Hegel, Walter Benjamin, Aby Warburg, and others with Niobe as she appears in Aeschylus, Sophocles, Ovid, and the visual arts, a collective of major thinkers—classicists, art historians, and critical theorists—reflect on the space that she can occupy in the humanities today. Inspiring new ways of connecting the classical tradition and ancient tragic discourse with crises and political questions relating to gender, race, and social justice, Niobe insists on living on.

Contributors:
Barbara Baert, Andrew Benjamin, drea brown, Adriana Cavarero, Rebecca Comay, Mildred Galland-Szymkowiak, John T. Hamilton, Paul A. Kottman, Jacques Lezra, Andres Matlock, Ben Radcliffe, Victoria Rimell, Mario Telò, Mathura Umachandran, Daniel Villegas Vélez

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Scripting the Nation

Court Poetry and the Authority of History in Late Medieval Scotland

Katherine H. Terrell

The Ohio State University Press, 2021

Scripting the Nation is the first book to set the poets of Scottish King James IV’s court—William Dunbar, Walter Kennedy, and Gavin Douglas—in an extended dialogue with Latin and vernacular traditions of historiography. In the fourteenth and fifteenth centuries, Latin chroniclers such as John of Fordun and Walter Bower argued for their nation’s status, using genealogically based myths of origin that linked Scotland to ancient centers of power. As vernacular histories grew more Anglophobic and quarrels rooted in the past continued to influence Anglo-Scottish diplomacy, Dunbar, Kennedy, and Douglas took up a national discourse that responded to English myths and an English poetic tradition exemplified by Geoffrey Chaucer. Terrell’s elegant study examines how these Scottish writers marked out a distinct realm of Scottish cultural and poetic achievement, appropriating and subverting English literary models in ways that reveal the interplay between literary and historical authority in the scripting of nationhood.

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POWER OF THE PEOPLE

CONGRESSIONAL COMPETITION, PUBLIC ATTENT $ VOTER RETRIBUTION

SEAN THERIAULT

The Ohio State University Press, 2005

Return to the Kingdom of Childhood

Re-envisioning the Legacy and Philosophical Relevance of Negritude

Cheikh Thiam

The Ohio State University Press, 2014

Return to the Kingdom of Childhood: Re-envisioning the Legacy and Philosophical Relevance of Negritude examines the philosophy of Negritude through an innovative analysis of Léopold Sédar Senghor’s oeuvre. In the first book-length study of Senghorian philosophy, Cheikh Thiam argues that Senghor’s work expresses an Afri-centered conception of the human while simultaneously offering a critique of the Western universalization of “man.” Senghor’s corrective, descriptive, and prescriptive theory of humanness is developed through a conception of race as a cultural manifestation of being.

Thiam contends that Senghor’s conception of race entails an innovative Afri-centered epistemology and ontology. For Senghor, races are the effects of particular groups’ relations to the world. The so-called “Negroes,” for example, are determined by their epistemology based on their fluid understanding of the ontological manifestations of being. The examination of this ontology and its ensuing epistemology, which is constitutive of the foundation of Senghor’s entire oeuvre, indicates that Negritude is a postcolonial philosophy that stands on its own.

The hermeneutics of Senghor’s race theory show that the Senegalese thinker’s pioneering postcolonial philosophy remains relevant in the postcolonial era. In fact, it questions and expands the works of major contemporary African-descended scholars such as Paul Gilroy, Edouard Glissant, and Molefi Asante. Thiam’s approach is thoroughly interdisciplinary, combining perspectives from philosophy, literary analysis, anthropology, and postcolonial, African, and cultural studies.

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Polonium in the Playhouse

The Manhattan Project's Secret Chemistry Work in Dayton, Ohio

Linda Carrick Thomas

The Ohio State University Press, 2017

At the height of the race to build an atomic bomb, an indoor tennis court in one of the Midwest’s most affluent residential neighborhoods became a secret Manhattan Project laboratory. Polonium in the Playhouse: The Manhattan Project's Secret Chemistry Work in Dayton, Ohio presents the intriguing story of how this most unlikely site in Dayton, Ohio, became one of the most classified portions of the Manhattan Project.

Seized by the War Department in 1944 for the bomb project, the Runnymede Playhouse was transformed into a polonium processing facility, providing a critical radioactive ingredient for the bomb initiator—the mechanism that triggered a chain reaction. With the help of a Soviet spy working undercover at the site, it was also key to the Soviet Union’s atomic bomb program.

The work was directed by industrial chemist Charles Allen Thomas who had been chosen by J. Robert Oppenheimer and General Leslie Groves to coordinate Manhattan Project chemistry and metallurgy. As one of the nation’s first science administrators, Thomas was responsible for choreographing the plutonium work at Los Alamos and the Project’s key laboratories. The elegant glass-roofed building belonged to his wife’s family.

Weaving Manhattan Project history with the life and work of the scientist, industrial leader and singing-showman Thomas, Polonium in the Playhouse offers a fascinating look at the vast and complicated program that changed world history and introduces the men and women who raced against time to build the initiator for the bomb.

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WELCOME TO HEIGHTS HIGH

THE CRIPPLING POLITICS OF RESTRUCTURING

DIANA TITTLE

The Ohio State University Press, 1995

Learning to Unlearn

Decolonial Reflections from Eurasia and the Americas

Madina V. Tlostanova

The Ohio State University Press, 2012

Learning to Unlearn: Decolonial Reflections from Eurasia and the Americas is a complex, multisided rethinking of the epistemic matrix of Western modernity and coloniality from the position of border epistemology. Colonial and imperial differences are the two key concepts to understanding how the logic of coloniality creates ontological and epistemic exteriorities. Being at once an enactment of decolonial thinking and an attempt to define its main grounds, mechanisms, and concepts, the book shifts the politics of knowledge from “studying the other” (culture, society, economy, politics) toward “the thinking other” (the authors).

Addressing areas as diverse as the philosophy of higher education, gender, citizenship, human rights, and indigenous agency, and providing fascinating and little-known examples of decolonial thinking, education, and art, Madina V. Tlostanova and Walter D. Mignolo deconstruct the modern architecture of knowledge—its production and distribution as manifested in the corporate university. In addition, the authors dwell on and define the echoing global decolonial sensibilities as expressed in the Americas and in peripheral Eurasia.

The book is an important addition to the emerging transoceanic inquiries that introduce decolonial thought and non-Western border epistemologies not only to update or transform disciplines but also to act and think decolonially in the global futures to come.

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Towards the Ethics of Form in Fiction

Narratives of Cultural Remission

Leona Toker

The Ohio State University Press, 2010

Female Piety and the Invention of American Puritanism

Bryce Traister

The Ohio State University Press, 2016

Female Piety and the Invention of American Puritanism reconsiders the standard critical view that women’s religious experiences were either silent consent or hostile response to mainstream Puritan institutions. In this groundbreaking new approach to American Puritanism, Bryce Traister asks how gendered understandings of authentic religious experience contributed to the development of seventeenth-century religious culture and to the “post-religious” historiography of Puritanism in secular modernity. He argues that women were neither marginal nor hostile to the theological and cultural ambitions of seventeenth-century New England religious culture and, indeed, that radicalized female piety was in certain key respects the driving force of New England Puritan culture.

Uncovering the feminine interiority of New England Protestantism, Female Piety and the Invention of American Puritanism positions itself against prevalent historical arguments about the rise of secularism in the modern West. Traister demonstrates that female spirituality became a principal vehicle through which Puritan identity became both absorbed within and foundational for pre-national secular culture. Engaging broadly with debates about religion and secularization, national origins and transnational unsettlements, and gender and cultural authority, this is a foundational reconsideration both of American Puritanism itself and of “American Puritanism” as it has been understood in relation to secular modernity.

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FISHES OF OHIO

MILTON B. TRAUTMAN

The Ohio State University Press, 1982

“In 1957, Milton B. Trautman . . . authored one of the finest regional fish books. His first edition of The Fishes of Ohio was unique in its approach by documenting historical changes in fish distribution in the face of man's encroachment and alteration of aquatic ecosystems. . . . Now, 24 years later, a revised edition of this classic work has been made available.

“The objectives of [this] edition are to demonstrate and explain distributional changes from 1750 to 1980, and to provide keys to the 166 species of Ohio fishes. These aims are admirably achieved. The natural factors influencing distribution of fishes are discussed in Part I, which relates the geology, physiography, topography, hydrology, and climatic history of the regions. . . . Part II reviews changes that have occurred from 1750 until 1980, and is an excellent chronicle of modern man's alternation and manipulation of essentially every aquatic ecosystem in Ohio. . . . Part III is a listing of species, synonomy and nomenclatorial history of Ohio’s fishes. . . . Part IV is an informative section of the systematics and nomenclature of fishes that is very useful to beginning students of ichthylogy. The glossary and family and species keys contained in Part V are excellent. Part VI contains the major content of the book, the 166 species accounts. . . .

“The updated range maps, a central focus of Trautman's approach, are excellent and obviously the result of endless efforts. Ohio is one of the most thoroughly surveyed of all states and to translate these data to visual understanding is an unenviable task for which the reader should be deeply appreciative. . . . Also of exceptional quality are the species illustrations originally rendered by Mrs. E. R. Weeks and Trautman himself for the 1957 edition. They are among the best of their kind in a fish reference work, and serve well to facilitate identification of specimens in hand. . . .

“Anyone concerned with or otherwise interested in the fishes, aquatic environments, or general natural history of Ohio or eastern North America should consider this book a valued addition to their library.”
—Ohio Journal of Science

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Clashing Convictions

Science and Religion in American Fiction

Albert H. Tricomi

The Ohio State University Press, 2016

Clashing Convictions: Science and Religion in American Fiction is the first study to identify a body of twentieth-century American fiction that represents the increasing tensions experienced by people of Christian faith in response to Darwinism, the higher biblical criticism, and modern medicine. Delineating how these works dramatize clashes between scientific and conservative Protestant understandings of the world, Albert H. Tricomi examines a canon of ten novels and one iconic play that present a cultural history of inner turmoil as well as social conflict. The three parts of the study chart this increasing inner turmoil, a rising secularist ideology, and finally a fundamentalist revival among alienated biblical literalists.

With chapters on James Lane Allen’s The Reign of Law, Harold Frederic’s The Damnation of Theron Ware, William Dean Howells’s The Leatherwood God, Sinclair Lewis’s Arrowsmith and Elmer Gantry, Jerome Lawrence and Robert E. Lee’s Inherit the Wind, and James Scott Bell’s The Darwin Conspiracy, Tricomi offers new readings emphasizing how this canon represents science and religion as in deep, if not irreconcilable, conflict. Tricomi’s sweeping study, with its emphasis on the twentieth century, thus reveals from several directions the processes of secularism even as it identifies the emergence of what some have come to describe as the current “postsecular” moment in America.

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Victorian Freaks

The Social Context of Freakery in Britain

Marlene Tromp

The Ohio State University Press, 2008

While “freaks” have captivated our imagination since well before the nineteenth century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, “missing links,” and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of “consolidation” for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of “freakery” and the unstable and sometimes conflicting ways in which freakery was understood and deployed. As the first study centralizing British culture, this collection discusses figures as varied as Joseph Merrick, “The Elephant Man”; Daniel Lambert, “King of the Fat Men”; Julia Pastrana, “The Bear Woman”; and Laloo “The Marvellous Indian Boy” and his embedded, parasitic twin. The Victorian Freaks contributors examine Victorian culture through the lens of freakery, reading the production of the freak against the landscape of capitalist consumption, the medical community, and the politics of empire, sexuality, and art. Collectively, these essays ask how freakery engaged with notions of normalcy and with its Victorian cultural context.

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Fear, Loathing, and Victorian Xenophobia

Marlene Tromp

The Ohio State University Press, 2013

In this groundbreaking collection, scholars explore Victorian xenophobia as a rhetorical strategy that transforms “foreign” people, bodies, and objects into perceived invaders with the dangerous power to alter the social fabric of the nation and the identity of the English. Essays in the collected edition look across the cultural landscape of the nineteenth century to trace the myriad tensions that gave rise to fear and loathing of immigrants, aliens, and ethnic/racial/religious others. This volume introduces new ways of reading the fear and loathing of all that was foreign in nineteenth-century British culture, and, in doing so, it captures nuances that often fall beyond the scope of current theoretical models. “Xenophobia” not only offers a distinctive theoretical lens through which to read the nineteenth century; it also advances and enriches our understanding of other critical approaches to the study of difference. Bringing together scholarship from art history, history, literary studies, cultural studies, women’s studies, Jewish studies, and postcolonial studies, Fear, Loathing, and Victorian Xenophobia seeks to open a rich and provocative dialogue on the global dimensions of xenophobia during the nineteenth century.

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Charlotte Perkins Gilman

New Texts, New Contexts

Jennifer S. Tuttle

The Ohio State University Press, 2011

During her lifetime, Charlotte Perkins Gilman (1860–1935) was a popular writer, public speaker, and social reformer whose literary interests ranged from short stories, novels, and nonfiction philosophical studies to poetry, newspaper columns, plays, and many other genres. Though she fell into obscurity after her death, there has been a resurgence of interest in Gilman’s works among literary scholars.

Charlotte Perkins Gilman: New Texts, New Contexts represents a new phase of feminist scholarship in recovery, drawing readers’ attention to Gilman’s lesser-known works from fresh perspectives that revise what we thought we knew about the author and her work. Volume contributors consider an array of texts that have not yet enjoyed adequate critical scrutiny, including Gilman’s short fiction, drama, and writing for periodicals, as well as her long fiction. Similarly, incorporating careful archival, biographical, and historical research, contributors explore Gilman’s life and writings—including her most famous story, “The Yellow Wall-Paper”—through strikingly new critical lenses. Other essays included here assess Gilman’s place in a longer historical trajectory and within multiple rhetorical traditions, from the genre of feminist humor to the canon of African American women’s literary production.

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Beyond the Icon

Asian American Graphic Narratives

Eleanor Ty

The Ohio State University Press, 2022

Winner, 2023 Comics Studies Society Edited Book Prize

While most US-based comics studies anthologies tend to neglect race, Beyond the Icon brings it to the foreground through an analysis of the vibrant and growing body of graphic narratives by Asian North American creators in the twenty-first century. By demonstrating how the forms and styles of the comics genre help depict Asian Americans as nuanced individuals in ways that words alone may not, Beyond the Icon makes the case for comics as a crucial artistic form in Asian American cultural production––one used to counter misrepresentations and myths, rewrite official history, and de-exoticize the Asian American experience.

An interdisciplinary team of contributors offers exciting new readings of key texts, including Ms. Marvel, George Takei’s They Called Us Enemy, Thi Bui’s The Best We Could Do, Gene Luen Yang and Sonny Liew’s The Shadow Hero, works by Adrian Tomine and Jillian Tamaki, and more, to uncover the ways in which Asian American comics authors employ graphic narratives to provide full and complex depictions of Asian diasporic subjects and intervene in the wider North American consciousness. Beyond the Icon initiates vital conversations between Asian American studies, ethnic studies, and comics.

Contributors:
Monica Chiu, Shilpa Davé, Melinda Luisa de Jesús, Lan Dong, Jin Lee, erin Khuê Ninh, Stella Oh, Jeanette Roan, Eleanor Ty

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