Throughout history, warfare and raiding forced captives from one society into another, forming an almost invisible stratum of many people without kin and largely outside the social systems in which they lived. Invisible Citizens explores the profound effects this mingling of societies and customs had on cultural development around the world.

The contributors to this volume explore the remarkable range in the conditions and experiences of captives, from abject drudge to quasi kinswoman and from war captive to sexual concubine. Developing methods for identifying captives in the archaeological record are established in light of the silence that surrounded captive-taking and enslavement in many parts of the world.

Invisible Citizens promises to attract attention from a number of fields concerned with the comparative, historical study of social inequality. It challenges scholars to develop robust, empirically grounded insights into the practices of slavery while attending to the forms and saliencies of its memories. .

Winner of the Agha Shahid Ali Poetry Prize

Although it ends with a marriage, Kara Candito’s second poetry collection is anything but a comedy. At the book’s center is the struggle of a U.S. citizen and a Mexican citizen to find a common space and language in their relationship while navigating the U.S. immigration system, a process that sometimes requires magical thinking just to endure. By employing a kind of documentary poetics that views the application process through different angles and perspectives, Candito crafts discourses around xenophobia, otherness, and national and ethnic identity.
     “In the waiting room of the third government office, / you will invent your own religion,” writes Candito in “Ars Amatoria: So You Want to Marry a Foreign National,” a tragicomic sequence written in Roman-numeric fragments reminiscent of an official document’s formatting. Interspersed with moments of lyric urgency (“I am here to suffer more beautifully”) and disconcerting cinematic observation (“One wore an assault rifle across his back, // another pointed a video camera at our faces.”), Spectator charts the plural self’s course through a world of airplane travel, drug wars, and customs forms.
     From Italy to Boston, Lorca’s Granada to New York, and the dusty streets of Mexico City to the snowy parking lots of the Midwest, the speakers of Spectator probe the jagged boundaries between past and present, observer and observed, and political and personal. As such, the book is an homage to anyone who’s been displaced or redefined by bureaucratic systems of power.

The poem "Monologue during a Blackout" (which appears in Spectator) was the winner of a Pushcart Award in 2014.

Charlotte’s Rose—justifiably back in print—tells the story of a young Welsh girl, Charlotte Edwards, who, soon after her mother dies, sails with her father from England to the United States to become part of a company of Mormon handcart pioneers—emigrants with no horses or oxen who themselves pulled the heavy carts filled with their belongings. These were arduous journeys. While on the Mormon Trail, Charlotte befriends a young mother who later dies in childbirth. Though only 12 years old, Charlotte assumes responsibility for the infant and carries her to Utah. Over the course of their journey together, Charlotte becomes deeply attached to the baby she calls Rose, which makes Charlotte’s choice at the novel’s end particularly poignant.

The author, A. E. Cannon, is adept at creating vivid, multifaceted, believable characters and has crafted a story of pioneers that will seem relevant to today’s young people. The reader will quickly be drawn into the story as Charlotte struggles to navigate the trials of an adolescent moving into adulthood. Although this is a book about Mormon pioneers, it is in fact about the larger American experience of immigration—a drama still unfolding today­—and Charlotte’s coming-of-age journey will resonate with readers young and old.
 

Art is politics and politics is art in this study of post–World War I caricature art in Egypt and Egyptian politics. This book explores the complex meaning and significance of caricature art drawn to support the ascendant Egyptian Wafdpolitical party and its push for independence from British colonial control. The works of previously neglected Egyptian lithographers are also explored, especially those who adopted sophisticated European techniques while experimenting with a variety of new styles during a remarkable period in Egyptian history.

Caricature art by Wafd party artists was almostsui generis. It is distinguished especially by its sincere use of iconic, folkloric imagery, intended to rally nationalistic sentiments among an emerging Egyptian electorate that included many nonliterate citizens. Cannon’s research breathes new life into an influential yet largely forgotten artistic movement in Egypt, one that deserves recognition for its contribution to Egypt’s share of modern Middle East cultural history. Includes full color reproductions.

Wildbranch: An Anthology of Nature, Environmental, and Place-based Writing is a powerful collection of mostly unpublished essays and poetry by both prominent American environmental writers and exciting new voices. The poetry and essays by more than fifty contributors offer the reader glimpses into places as diverse as a forest in West Africa, the moors of Ireland, the canyons of the Sonoran desert mountains, and the fields of New England, and they reflect the varied perspectives of field biologists, hunters, farmers, environmental educators, wilderness guides, academics, writers, and artists.

The collection is an intimate portrait of the natural world drawn through the wisdom, ecological consciousness, and open hearts of these exceptional contributors. The Wildbranch Writing Workshop, cosponsored by Orion magazine and Sterling College, has encouraged thoughtful natural history, outdoor, and environmental writing for more than twenty years. The Wildbranch faculty has included its founder E. Anne Proulx, the essayists Edward Hoagland, Janisse Ray, and Scott Russell Sanders, the poet Alison Hawthorne Deming, and many other notable authors. Many have work included in the anthology.

Winner of the New Mexico Book Association's Southwest Book Design & Production Awards for Excellence in the category Trade Books: Non-illustrated. 

Films located in the American West and the Western as a cinematic genre have endured throughout the history of moviemaking. Today, this tradition of battles between good versus evil, populists versus profiteers, and man versus nature may have been largely assimilated and transformed into action adventures with car chases replacing mounted posses, yet the genre remains popular with audiences. In studies of the Hollywood Western, the importance of landscape itself, the idyllic or treacherous environment portrayed in these films, often receives supporting-role status. Without the land, however, American national mythmaking would not exist.

The essays in this volume scrutinize the special place of nature and landscape in films—including silent, documentary, and feature length film—that are specifically American and Western. The films discussed here go beyond the stereotypical sagebrush setting. Although many of the films closely fit the standard conventions of the Western, others demonstrate the fluidity of the genre. The wildness of the western environment as a central fact of the American mythos encompasses far more than a brief period of national history or a specific geographical location.

In this revealing family memoir, best-selling author Ann Chamberlin explores the history of her Mormon grandmother Frances Lyda and her seven sisters who grew up desperately poor in Bradford, Yorkshire, in the early years of the twentieth century. Chamberlin’s narrative follows these eight daughters of Mary Jane Jones and Ralph Robinson Whitaker, a remarkably gifted yet poor and blind piano tuner. Most of the girls were forced by necessity to abandon school at age twelve and find work in terrible conditions at a local factory. When their mother converted to the Church of Jesus Christ of Latter-day Saints in 1901, she became the backbone of the Mormon community in Yorkshire. Her daughters followed their mother into her faith, while navigating their own, sometimes tragic, ways into adulthood, family, and the world beyond industrial England. Though they were exploited and undereducated, the girls maintained a steadfast belief in a brighter future for the Mormon faithful, a mindset that, despite their many differences, forged an unshakable togetherness between them. All gifted and strong individuals in their own right, many of the Whitaker sisters overcame long odds and incredible hardships to carry on and prosper in Salt Lake City.
 
Chamberlin interviewed her grandmother and six of her surviving great-aunts for Clogs and Shawls, the relatives who had made their way to Mormon Zion. She weaves novelistic passages with their first-person narratives to create a singular work of oral immigrant family history that is both lively and revealing.
 

Nevada is one of the most mountainous states in the US. Yet mapping out exactly where one range begins and another ends has never been done—until now. In this volume David Charlet provides maps and descriptions for all 319 mountain ranges in the state.

Divided into three parts, the book presents a simple system recognizing the primary landscape features of Nevada. Part I describes the methods used to define the boundaries of the ranges and divides the state into meaningful landforms. Part II describes the ecological life zones and their vegetation types. Part III describes the individual mountain ranges. Each mountain range entry contains a descriptive narrative and a data summary that includes the county or counties in which the range occurs, whether the author has visited and collected plants there, the highest point, the base elevation, a brief discussion of the geology, any historic settlements or post offices located in the range, the distribution of life zones, and a list of all conifers and flowering trees.

The result of over thirty years of exploration and study throughout the state, this is a long-overdue compendium of Nevada’s mountains and associated flora. This book is a required reference for anyone venturing out into the Nevada wilds.

Plain But Wholesome presents a groundbreaking foray into Mormon history. Brock Cheney explores the foodways of Mormon pioneers from their trek west through the arrival of the railroad and reveals new perspectives on the fasci-nating Mormon settlement era. Relying on original diaries, newspaper accounts, and recipe books from the 1850s, Cheney draws a vivid portrait of what Mormon pioneers ate and drank. Although other authors have sketched the subject before, this portrait is the first effort that might be described as scholarly, though the lively prose will interest a broad general audience.

Presented here are the first explicit descriptions of the menus, food processes, and recipes of the Mormon pioneers. While many have supposed that earlier pioneer foodways continued to be handed down through Mormon families, Cheney has confirmed traditions going back generations and covering more than a century. The book also exposes myths and clichés about pioneer piety and hardships, as Cheney examines such pioneer extravagances as fresh “oysters on the half shell” and pioneer trends of alcohol consumption.

A perfect gift for the history buff or Dutch oven chef, Plain But Wholesome will also prove its place among scholars and historians. With its rollicking blend of historical source material and modern interpretation, this book will entertain and educate novice and expert alike.
 

Material Meanings focuses on the social context in which things are produced and in which they are given meaning.

With firm roots in antiquarianism, archaeology began as the study and collection of things. Even today objects take center stage in many areas of archaeological inquiry. But the past few decades have seen a proliferation of the ways anthropological archaeologist analyze raw materials, tools, techniques, finished products, and discarded objects.

Material Meanings examines current approaches to material culture in the archaeological record from three perspective: ethnoarchaeology and technological traditions, material science, and theoretical approaches to materiality. The focus of this book is not on artifacts themselves but on the social context in which things are produced and in which they are given meaning, the technical choices of an artifact producer within a larger technical system, and their interpretation by modern researchers.

The chapters represent a broad range of theoretical perspectives, methods, and data sets. Several chapters consider methodological issues in reconstructing technical systems. Most contributions, however, apply this understanding to larger questions of social identity and ethnicity, emphasizing historical context or models of cultural process.

The Battle of the Little Bighorn is one of the best-known events in the history of the American West. Questions surrounding Custer’s fate have been discussed and researched at length, but details about the transportation and logistics of military supplies have not been thoroughly investigated. Archaeologist Gerald Clark stumbled upon the remnants of a supply depot while surveying the area near the confluence of the Yellowstone and Powder Rivers. It turned out to have been established by General Terry during the Sioux War and utilized by Custer and part of the 7th Calvary.
     The book details the items recovered archaeologically, including ale and soda bottles, cartridges, packing crates, and a horseshoe and ceramic doll. It also addresses the army’s knowledge of this area and how the supply depot fit into the broader military campaign. This book connects archaeology and history to explore how the American military planned, maneuvered, and operated on the northern plains from the end of the Civil War through 1876.

When Melissa Clark purchased a box of old scrapbooks online, she knew only that she had bought something relating to the University of Utah and Zion Park.  What came in the mail was much more than she had expected.  Instead of random mementos, two albums arrived full of photographs and newspaper clippings dating to 1920 that document a trip made by six young women from the University of Utah into the newly formed Zion National Park.  Part of a promotional campaign developed by the Los Angeles and Salt Lake Railroad to advertise its national park shuttle service, the women entered Zion Canyon as its first offical tourists.  When Melissa bought those timeworn scrapbooks she found a forgotten treasure: the opening of Zion.

With text by John Clark, the scrapbooks are now the basis of a one-of-a-kind publication.  Part fashion spread, part adventure guide, and all Utah cultural treasure, Opening Zion is a stunning visual record of the park.  Remarkably detailed black-and-white photographs show the young adventurers scrambling over rocky outcrops, pondering the dizzying height of Zion's sheer walls, and singing camp songs by the campfire.  We are introduced anew to the "gigantic grandeur" of Zion National Park.  As one of the women wrote, "One can think only beautiful thoughts amid such splendor."

Julian Steward and the Great Basin is a critical assessment of Steward’s work, the factors that influenced him, and his deep effect on American anthropology. Steward (1902–1972) was one of the foremost American exponents of cultural ecology, the idea that societies evolve in adaptation to their human and natural environments. He was also central in shaping basic anthropological constructs such as "hunter-gatherer" and "adaptation." But his fieldwork took place almost entirely in the Great Basin.

In one sense, the phases of Steward’s career epitomize the successive schools of anthropological theory and practice. Each chapter explores a different aspect of his work ranging from early efforts at documenting trait distributions to his later role in the development of social transformation theory, area studies, and applied anthropology.

Julian Steward and the Great Basin also corrects long-standing misperceptions that originated with Steward about lifeways of the Indians living between the Great Plains and California. It charts new directions for research, demanding a more exacting study of environmental conditions, material adaptations, and organizational responses, as well as an appreciation of the ideological and humanistic dimensions of Basin Life.

Lithic analysis in North America traditionally has focused on bifacially retouched pieces, or bifaces. Angela Close contends that such an approach has ignored cores and debitage to the detriment of analysis.
 

At English Camp on San Juan Island, Washington, an earlier excavation (1950) kept the bifaces and discarded everything else, unstudied. Typically, the bifaces themselves have been used as type-fossils, allowing assignment of occupation to a chronological phase but serving little other purpose. North American lithic analysis has seen a move away from this approach and toward other aspects of lithic assemblages, yet the emphasis is still on the genesis of bifaces.
 

In this volume, Close uses a fine-grained study to critique American approaches to lithic analysis. Her approach is based on chaîne opératoire analysis, which applied here attempts to trace the life-histories of all artifacts in an assemblage from raw material procurement to discard and entry into the archaeological record. This approach is aimed explicitly at the people behind the artifacts.
 

Close’s final and likely controversial analysis is that women did a great deal of the tool manufacture at this particular site.

Jean Hascall Cole’s interviews with her fellow classmates documents their valuable contribution to the history of women, aviation, and the military. Women Pilots of World War II presents a rare look at the personal experiences of the Women Air Force Service Pilots (WASPs) by recording the adventures of one of eighteen classes of women to graduate from the Army Air Forces flight training school during World War II. This unique oral history verifies and shines a long-overdue spotlight on the flying accomplishments of these remarkable women.

How does one bring poetry to a community? And who is going to make it happen? In response to these questions posed by the Harriet Monroe Poetry Institute, Katharine Coles and a cadre of poets and artists provide this essential guide and inspiration. Blueprints creates for poets and arts organizers the sense that they are part of a larger, noble endeavor based in shared values and commitment to poetry. The first three sections include essays by a dozen poets and artists about the ways they have brought poetry into different kinds of communities. These essays demonstrate what has been done and what can be done and will inspire others to bring poetry into their own communities. The final section provides a practical "toolkit" loaded with experience-based advice and the tools and strategies necessary to acocmplish those endeavors.

Essayists:
Elizabeth Alexander
Sherwin Bitsui
Lee Briccetti
Alison Hawthorne Deming
Dana Gioia
Robert Hass
Bas Kwakman
Thomas Lux
Christopher Merrill
Luis Rodriguez
Anna Deavere Smith
Patricia Smith

Contributors to the Toolkit:
Elizabeth Allen
Susan Boskoff
Katharine Coles
Tree Swenson
Orlando White

This volume seeks nothing less than to shift the focus of Mormon studies from its historic North American, Euro-American “center” to the critical questions being raised by Mormons living at the movement’s cultural and geographic margins.

As a social institution, Mormonism is shaped around cultural notions, systems, and ideas that have currency in the United States but make less sense beyond the land of its genesis. Even as an avowedly international religion some 183 years out from its inception, it makes few allowances for diverse international contexts, with Salt Lake City prescribing programs, policies, curricula, leadership, and edicts for the church’s international regions. While Mormonism’s greatest strength is its organizational coherence, there is also a cost paid for those at the church’s peripheries.
 
Decolonizing Mormonism brings together the work of 15 scholars from around the globe who critically reflect on global Mormon experiences and American-Mormon cultural imperialism. Indigenous, minority, and Global South Mormons ask in unison: what is the relationship between Mormonism and imperialism and where must the Mormon movement go in order to achieve its long-cherished dream of equality for all in Zion? Their stories are both heartbreaking and heartening and provide a rich resource for thinking about the future of Mormon missiology and the possibilities inherent in the work of Mormon contextual theology.

Winner of the Juanita Brooks Prize in Mormon Studies

Frontiersman, colonizer, missionary to the Indians, and explorer of the American West, Jacob Hamblin has long been one of the most enigmatic figures in Mormon history. In this defining biography, Todd Compton examines and disentangles many of the myths and controversies surrounding Hamblin. His Grand Canyon adventures and explorations as a guide alongside John Wesley Powell are well documented, as are his roles as a missionary, cultural liaison, and negotiator to the Indian tribes of southern Utah and Arizona. Hamblin struggled in this latter role, sometimes unable to bridge the gulf between Mormonism and Indian culture. He disavowed violent conflict and ceaselessly sought peaceful resolutions where others resorted to punitive action. He strove above all for mutual understanding in the absence of conversion.

A Frontier Life provides a rich narrative that fleshes out a picture of a sometimes vilified figure, particularly in regard to his connection to the infamous Mountain Meadows Massacre, where Compton provides nuanced discussion clarifying Hamblin’s post-massacre role—he was not present at the massacre, but reported on it to both Brigham Young and military investigators. Compton’s engagement with Mormon historiography and previous Hamblin portrayals will make this work of particular interest to both scholars and students. The casual reader will take pleasure in learning of a true pioneer who lived life at the geographical, cultural, and spiritual boundaries of his era. This dramatic, entertaining biography is a truly significant contribution to Mormon history.


Winner of the Evans Biography Award, the John Whitmer Historical Society Best Biography Award, and the Francis Armstrong Madsen Best Book Award. 


 

The research in this volume derives from investigations conducted in connection with proposed widening and realignment of the Paulina-East Lake Highway, located within the caldera of Newberry Volcano. Formal evaluation of 13 localities and data recovers at four sites produced a wealth of information regarding human uses of the caldera and vicinity throughout the Holocene.

Why do quaking aspens grow in prominent clumps rather than randomly scattered across the landscape? Why and how does a rufous hummingbird drop its metabolism to one-hundredth of its normal rate? Why do bull elk grow those enormous antlers? Using his experience as a biologist and ecologist, George Constantz illuminates these remarkable slices of mountain life in plain but engaging language. Whether it sketches conflict or cooperation, surprise or familiarity, each story resolves when interpreted through the theory of evolution by natural selection.
 
These provocative accounts of birds, insects, rodents, predators, trees, and flowers are sure to stir the reader’s curiosity. Who wouldn’t be intrigued by a rattlesnake’s ability to hunt in total darkness by detecting the infrared radiation emitted by a mouse? Or how white-tailed ptarmigan thrive in their high, treeless alpine environments -- even through the winter? The narratives, often brought home with a counterintuitive twist, invite readers to make new connections and broaden perspectives of a favorite outdoor place. 

Seven Summers is the story of a naturalist-turned-professor who flees city life each summer with her pets and power tools to pursue her lifelong dream—building a cabin in the Wyoming woods. With little money and even less experience, she learns that creating a sanctuary on her mountain meadow requires ample doses of faith, patience, and luck. This mighty task also involves a gradual and sometimes painful acquisition of flexibility and humility in the midst of great determination and naive enthusiasm.

For Corbett, homesteading is not about wresting a living from the land, but respecting and immersing herself in it—observing owls and cranes, witnessing seasons and cycles, and learning the rhythms of wind and weather in her woods and meadow. The process changes her in unexpected ways, just as it did for women homesteaders more than a century ago. The more she works with wood, the more she understands the importance of “going with the grain” in wood as well as in life. She must learn to let go, to move through loss and grief, to trust her voice, and to balance independence and dependence. Corbett also gains a better understanding of her fellow Wyomingites, a mix of ranchers, builders, gas workers, and developers, who share a love of place but often hold decidedly different values. This beautifully written memoir will appeal to readers who appreciate stories of the western landscape, independent women, or the appreciation of the natural world.

Mesa Verde, Chaco Canyon, Canyon de Chelly, and Paquimé are as well known to tourists as they are to scholars as emblems of the American Southwest. This region has been the scene of intense archaeological investigation for more than a hundred years, with more research done here than in any other part of the United States. The arid and sparsely populated landscape provides excellent site preservation, while the living native peoples give cultural continuity with the past. In the first decades of the twentieth century Americans saw the Southwest as exotic—as opposed to the Mexican perspective, which viewed the region, sometimes called the Northwest, as more of a backwater. Both views continue to shape and color the study of the area today.
With contributions from well-known archaeologists, Southwest Archaeology in the Twentieth Century reviews the histories of major archaeological topics of the region during the twentieth century, with particular attention to the vast changes in southwestern archaeology during the later decades of the century. Included are the huge influence of field schools, the rise of cultural resource management (CRM), the uses and abuses of ethnographic analogy, the intellectual contexts of archaeology in Mexico, and current debates on agriculture, sedentism, and political complexity.

By looking back at the previous century of study, this book provides an authoritative retrospective of intellectual trends as well as a synthesis of current themes in the arena of the American Southwest. 

Willis William Ritter, United States District Judge for the District of Utah from 1949 until his death on March 4, 1978, was the one judge whose name was familiar among those who had little or no idea of the difference between judicial jurisdictions. Many knew him by the broad gestures with which he challenged bureaucracies and the federal government itself. He was, legally speaking, a friend to the underdog. Yet at his death scarcely a friend was left and he had become the object of ridicule, outrage, pity, and contempt.

Ritter was clearly ahead of his time, for his opinions on criminal justice, police interrogation, and the rights to counsel have now become accepted standards in jurisprudence. They are, indeed, so universally accepted that few if any viewers of televised police court dramas would even question them. In his personal life he was a man flawed on a grand scale and he lived a life fraught with contradictions. This is his compelling story, compellingly recounted.

Drift down the Colorado River through Glen Canyon and explore the people and places that encompass the history of this majestic canyon before it drowned in the rising waters of Lake Powell.
Author Gregory Crampton led the historical investigations of Glen and San Juan Canyons from 1957 to 1963 under contract with the National Park Service. The objective was to locate and record historical sites that would be lost to the rising waters of the reservoir. This book records that effort.

First published in 1986, this edition has been revised to include several new “ghosts” of Glen Canyon, including a never-before-published foreword by Edward Abbey. It also showcases stunning color photographs by Philip Hyde and includes hundreds of black-and-white photographs taken by the original salvage crews.

This informative guide to the historic treasures of Glen Canyon includes numbered maps keyed to each location. It is a book for both the armchair traveler and the lake enthusiast eager for a journey through the past to a place few had the privilege to know.

Hal Crimmel has brought the findings of science together with the experienced voices of environmental social scientists, humanists, and activists to provide perspective on Utah water issues. The matters discussed are relevant beyond this one state, as similar conditions and concerns, especially over supply and demand in the face of demographic and climate change, exist throughout the West. Some of the essays are scientific and analytical; others literary and personal. Together they draw attention to problems that Utah residents and policy makers must address but also emphasize ways to build solutions. Desert Water will help citizens, policy makers, and anyone interested in Utah’s water supply and use—as everyone in the state should be—understand the real challengesand ethicsinvolved in managing this vital, finite resource. By awareness, these essays should create a sense of urgency for finding workable solutions. 

Taking students out of the classroom and into a variety of settings, ranging from remote wilderness sites to urban or built environments is now recognized as a valuable means of teaching ecological concepts and environmental values. But field studies are also a way of encouraging explorations across the curriculum, enhancing the teaching of life sciences, literature, and creative writing.

Teaching in the Field is the first volume to specifically survey field studies conducted through colleges and universities. The essays, arranged into three sections, offer rationales, pedagogical strategies, and foundational advice and information that broaden and strengthen the collective knowledge of this increasingly popular means of instruction. The essays present theoretical information within engaging, candid narratives that report on various aspects of field experiences, whether hour-long excursions or month-long trips.

Teachers of environmental studies, of English, composition, and creative writing, and of allied humanities and science disciplines, will find here a wealth of success stories and cautionary tales to guide them in envisioning their own outdoor classrooms.

Although Utah is a land of outdoor wonders, the state has a distressing air pollution problem. In some areas like Salt Lake City, geography exacerbates the issue; air quality in the Wasatch Front metropolitan region often ranks among the worst in the nation.
 
Utah’s Air Quality Issues: Problems and Solutions is the first book to tackle the subject.  Written by scholars in a variety of fields, including chemical engineering, economics, atmospheric science, health care, law, parks and recreation and public policy, the book provides a one-stop resource on the causes, impacts, and possible solutions to the state’s air quality dilemma. This volume is a must read for anyone wanting to understand Utah’s air pollution problem and what can be done about it.

A hundred forty years ago, the Western Shoshone occupied a vast area of present-day Nevada—from Idaho in the north to Death Valley in the south. Today, the Newe hold a fraction of their former territory, still practicing native lifeways while accepting many aspect of American culture. Their story deserves telling.

The Road on Which We Came is the first comprehensive history of the Great Basin Shoshone. Written by historian Steven Crum, an enrolled tribal member, this book presents the Shoshone as an active force in their own history, effectively adapting to harsh physical environment, defending their territory in the nineteenth century, and working to modify or reject assimilationists policy in the present.

Noting that Native American history did not end with Wounded Knee, Crum gives substantial attention to twentieth-century events up to 1990 and emphasizes that in every period tribal actions can be characterized by a plurality of voices and opinions.

Grounded in existing understandings of Yup’ik cosmology and worldview, this work is the first to look at how a Yup’ik community uses stories of place in social life. On the Bering coast of southwest Alaska, Cusack-McVeigh accompanied storytellers during their daily activities. Hearing many narratives repeatedly over a span of years, she came to understand how stories reflected interactions of people and places.

For the Yup’ik people, places are also social actors that react to human actions and emotions. Stories tell how people learn about each other through encounters on the land, and thereby places also learn about people. Places comment on human behavior through the land's responses to specific actions. Stories variously reveal ideas about human associations and relationships between humans and nonhuman beings. Pointing to a systematic correlation between places and narrative elements that has not been previously explored, this volume makes a unique contribution to the literature on place. 

Winner of the Brian McConnell Book Award from the International Society for Contemporary Legend Research.