Some of today's most significant writers and poets explore the relation between what we call the sacred and what we witness in the apparent world.

This unprecedented anthology brings together a provocative mix of new and well known writers whose poetry and prose broaches the possibility of something "bigger" going on, something more significant at stake. Is some powerful agency at work in what we see or are we just wishing (or fearing) that there were? Who can say? Who would dare? What’s most intriguing about the selections in this volume is that the authors do dare. What’s most attractive about them is that they resist answering that dare with reductions. They prefer the swoon of multiple possibilities over the relative comfort of conclusions. Various as they are, the works collected in The Sacred Place share a common reverence for the word itself, and perhaps best of all—they share a common understanding that no one of them comprehends fully what that means. They seem to desire instead a sense that the humble stuff surrounding us affords a likely enough habitation for the sacred, even now.

"I use violence as it is. It's ugly, brutalizing, and bloody...awful." Vilified for his violent vision of the American West as presented in films such as The Wild Bunch and Pat Garrett and Billy the Kid, the artistry of Sam Peckinpah’s work was largely overlooked in his lifetime. Dismissed by critics, he was essentially ignored in the decade following his untimely death in 1984 at the age of fifty-nine. However, with the publication of a biography in 1994 and Warner Bros.’ theatrical re-release of The Wild Bunch in 1995, Peckinpah reemerged as a distinctive voice in American film.

In Sam Peckinpah’s West eleven scholars approach the director’s oeuvre with an eye toward his minor films, touching on themes and characters previously overlooked and linking his vision to America’s literary and historical traditions. These insightful essays assure us that Peckinpah’s work will not be forgotten again, nor the vibrancy of his characters who go out "not with a whimper, nor even a bang, but a cinematic explosion that rocked Hollywood and riveted us in a way we’ll never forget."

Winner of the Wallace Stegner Prize in Environmental Humanities

In late 2012, more than one hundred people gathered to hear a long-awaited announcement: the Trust for Public Land had succeeded in preventing natural gas development in the remote Hoback Basin of Wyoming. This landmark agreement—purchasing leases from Plains Exploration Company—would not have come to pass without the extraordinary will and expertise of local citizens. Unchallenged, the proposed natural gas development in the national forest near the hamlet of Bondurant, Wyoming, would have brought roads, pipelines, water and air pollution, and a complete change in the character of the landscape and its communities.
     Saving Wyoming's Hoback tells the story of the Hoback and Noble Basins in northwestern Wyoming and of the citizens who worked together to protect the land that they loved. Retired schoolteachers, mine workers, big game hunting outfitters, and other stakeholders brought together their knowledge of the area to achieve a single goal: to prevent the industrialization of the wild country that was their home. While some disagreed about specifics, their work as individuals and as coalitions is an inspiring example of how determined citizens can make a difference. 

Weiss’s new introduction provides an overview of Amidi’s jurisprudence that facilitates deeper comprehension of the challenging dialectic of the text. This edition includes an in-depth analysis of the nature of language and the ways in which it mediates the law, while shaping it at the same time. An updated index has been added.

The continuing work of the Crow Canyon Archaeological Center has focused on community life in the northern Southwest during the Great Pueblo period (AD 1150– 1300). Researchers have been able to demonstrate that during the last Puebloan occupation of the area the majority of the population lived in dispersed communities and large villages of the Great Sage Plain, rather than at nearby Mesa Verde. The work at Sand Canyon Pueblo and more than sixty other large contemporary pueblos has examined reasons for population aggregation and why this strategy was ultimately forsaken in favor of a migration south of the San Juan River, leaving the area depopulated by 1290.

Contributors to this volume, many of whom are distinguished southwestern researchers, draw from a common database derived from extensive investigations at the 530-room Sand Canyon Pueblo, intensive test excavations at thirteen small sites and four large villages, a twenty-five square kilometer full-coverage survey, and an inventory of all known villages in the region. Topics include the context within which people moved into villages, how they dealt with climatic changes and increasing social conflict, and how they became increasingly isolated from the rest of the Southwest.

Seeking the Center Place is the most detailed view we have ever had of the last Pueblo communities in the Mesa Verde region and will provide a better understanding of the factors that precipitated the migration of thousands of people.

The original scheme for the modern Olympic Games was hatched at an international sports conference at the Sorbonne in June 1894. At the time, few provisions were made for the financial underwriting of the project—providence and the beneficence of host cities would somehow take care of the costs. For much of the first century of modern Olympic history, this was the case, until the advent of television and corporate sponsorship transformed that idealism.

Now, linking with the five-ring logo is good business. Advertising during the Olympic Games guarantees a global audience unmatched in size by any other sports audience in the world. However, if the image begins to tarnish and the corporate sector loses interest, television companies can’t sell advertising to business interests. This was the greatest threat posed by the scandal surrounding Salt Lake City’s bid.

Selling the Five Rings outlines the rise of the Olympic movement from an envisioned instrument of peace and brotherhood, to a transnational commercial giant of imposing power and influence. Using primary source documents such as minutes of the IOC General Sessions, minutes and reports of various IOC sub-committees and commissions concerned with finance, reports of key marketing agencies, and the letters and memoranda written to and by the major figures in Olympic history, the authors track the history of a fascinating global institution.

Seven Summers is the story of a naturalist-turned-professor who flees city life each summer with her pets and power tools to pursue her lifelong dream—building a cabin in the Wyoming woods. With little money and even less experience, she learns that creating a sanctuary on her mountain meadow requires ample doses of faith, patience, and luck. This mighty task also involves a gradual and sometimes painful acquisition of flexibility and humility in the midst of great determination and naive enthusiasm.

For Corbett, homesteading is not about wresting a living from the land, but respecting and immersing herself in it—observing owls and cranes, witnessing seasons and cycles, and learning the rhythms of wind and weather in her woods and meadow. The process changes her in unexpected ways, just as it did for women homesteaders more than a century ago. The more she works with wood, the more she understands the importance of “going with the grain” in wood as well as in life. She must learn to let go, to move through loss and grief, to trust her voice, and to balance independence and dependence. Corbett also gains a better understanding of her fellow Wyomingites, a mix of ranchers, builders, gas workers, and developers, who share a love of place but often hold decidedly different values. This beautifully written memoir will appeal to readers who appreciate stories of the western landscape, independent women, or the appreciation of the natural world.

In the lightly-populated northwestern corner of Nevada, a former geologist and rural schoolteacher, a published poet and ranch owner, and an artist and environmentalist make for an intriguing—perhaps even unlikely—trio of friends. In this evocative collection of personal essays, each offers her voice as a testament to the joys and struggles of creating a home and connecting to the land and the people who live there.

Stories of ranch hands and Ladies’ Clubs, raising chickens and raising children, pulling up roots and planting dreams tumble together in a mélange of lives lived well and thoughtfully. Sharing Fencelines is as much about art as it is about activism, as much about personal growth as it is about growing community. What these women offer us is the sweet taste of what is possible, and the blended harmony of their voices echoes across the mountains and washes and deserts, resonating in our own hearts, our own homes.

Carolyn Dufurrena’s "The Flying Heart Museum" pays homage to a layered landscape of unique individuals—not the least of which are her students, searching for themselves in the Nevada wilderness: "You know how your spirit betrays you when you’re not thinking to protect yourself. Jose has been dreaming, doodling away, and his pencil has discovered this flying heart, as big as the Puritan meetinghouse....He has drawn the log cabin around the heart, and labeled it. At recess I ask him, gently, 'So, Jose, what’s in there, in your Flying Heart Museum?'"

In "Shared Fencelines," Linda Hussa reveals the mystery of horses, the gift of water, and the serendipity of love: "My first hurt came from a horse when I tried to shinny up the feathered leg of our old gelding as I’d seen my brother and sister do. Twelve hundred pounds of him stepped on my bare foot. Mom carried her shrieking two-year-old to the house...she cut off the dangling nail saying Popeye didn’t mean to, he just didn’t notice my little foot. Then she cradled my face in her cool hands and said she hoped I would forgive him and we could be friends again."

"Fire Hall" by Sophie Sheppard paints a picture of a families and communities forged against the backdrop of a rugged, rural life: "Here, when there is a funeral, the whole town comes. First to arrive are the older women, vestiges of the Lake City Ladies Club that was disbanded a few years ago because most of the younger women have jobs and no longer stay at home. At the potluck funeral dinner everyone will file in together: the women unfamiliar in dresses ordered from catalogs, the mens' hatless foreheads glowing pale in contrast to the tan of their freshly shaven jaws, the younger people that I won’t recognize."

In the 1800s, when California was captivated by gold fever, a small group of Chinese immigrants recognized the fortune to be made from the untapped resources along the state’s coast, particularly from harvesting the black abalone of southern and Baja California. These immigrants, with skills from humble beginnings in a traditional Chinese fishing province, founded California’s commercial abalone industry, and led its growth and expansion for several decades. By the turn of the twentieth century, however, their successful livelihood was stolen from them through targeted legislation of the U.S. and California governments.

Today, the physical evidence of historical Chinese abalone fishing on the mainland has been erased by development. On California’s Channel Islands, however, remnants of temporary abalone collecting and processing camps lie scattered along the coastlines. These sites hold a treasure trove of information, stories, lifeways, and history. Braje has excavated many of these sites and uses them to explore the history of Chinese abalone fishing, presenting a microcosm of the broader history of Chinese immigrants in America—their struggles, their successes, the institutionalized racism they faced, and the unique ways in which they helped to shape the identity of the United States. 

Sherman Alexie is, by many accounts, the most widely read American Indian writer in the United States and likely in the world.  A literary polymath, Alexie's nineteen published books span a variety of genres and include his most recent National Book Award-winning The Absolutely True Diary of a Part-Time Indian.

Now, for the first time, a volume of critical essays is devoted to Alexie's work both in print and on the big screen.  Editors Jeff Berglund and Jan Roush have assembled twelve leading scholars of American Indian literature to provide new perspectives on a writer with his finger on the pulse of America.

Interdisciplinary in their approach to Alexie's work, these essays cover the writer's entire career, and are insightful and accessible to scholars and lay readers alike.  This volume is a worthy companion to the work of one of our nations's most recognized contemporary voices.

The life of a Mormon intellectual in the secular academic community is likely to include some contradictions between belief, scholarship, and the changing times. In his memoir, Armand L. Mauss recounts his personal and intellectual struggles—inside and outside the LDS world—from his childhood to his days as a graduate student at UC Berkeley in the 1960s through his many years as a professor.

As an important and influential observer and author in the Mormon intellectual world, Mauss has witnessed how, in attempting to suppress independent and unsponsored scholarship during the final decades of the twentieth century, LDS leaders deliberately marginalized important intellectual support and resources that could have helped, in the twenty-first century, to refurbish the public image of the church. As a sociologist, he notes how the LDS Church, as a large, complex organization, strives to adjust its policies and practices in order to maintain an optimal balance between unique, appealing claims on the one hand and public acceptance on the other. He also discusses national and academic controversies over the New Religious Movements of the 1960s and 1970s. Writing in clear language, Mauss shows how he has navigated the boundaries where his faith and academic life intersect, and reveals why a continuing commitment to the LDS Church must be a product of choice more than of natural or supernatural “proof.”
 

Anthropologist Kevin Jones takes the reader on a journey into the world of the Aché, hunter-gatherers of the deep jungles of Paraguay. The Aché were among the last tribal peoples to come into peaceful contact with the outside world, with some bands leaving the forest only in the late 1970s. Jones was fortunate to live among them while conducting ethnoarchaeological fieldwork as part of his graduate studies. Their stories were so compelling and the insights into their lives so profound that he wove them into this fictional account, seeking to share the uniqueness of the culture while illustrating the universal nature of the Achés’ concerns.

The Shrinking Jungle tells the story of a fictional Aché band forced to deal with the tribulations of living in a forest gradually diminished by the encroachments of loggers and farmers. It follows the lives of one family and their band as they grapple for existence in a world of waning resources. The unfolding narrative captures the human struggle to live, love, care for family, fend off danger, and dream and hope for a bright future.

A compassionate look at the lives of people affected by the expansion of modern industrial society, The Shrinking Jungle gives a face to the human cost of tropical forest habitat loss. It also provides a realistic glimpse into the lifeways that were common to all human beings for much of our history.
 

Integrating personal narrative and natural history, Fleischner presents what he calls a "guide to understanding" the relatively unknown landscape of the Grand Staircase-Escalante National Monument.

Like a bright blue seam incised deep in solid rock, the Escalante River binds the fir forests of Utah’s High Plateau with the barren deserts of the canyonlands region in the newly designed Grand Staircase-Escalante National Monument. To this wild landscape, naturalist Thomas Fleischner brings both emotional engagement and a wealth of knowledge. With unabashed passion and patient and learned observations Fleischner presents this relatively unknown landscape.

Singing Stone is ideal for curious visitors to the national monument as well as students of environmental studies. Fleischner’s background as a conservation biologist and former park ranger, a professor of environmental studies, and a naturalist in the Escalante Region for almost twenty years has provided him with a deep reservoir of experience and knowledge.

The book’s first three chapters survey the unique geology, flora and fauna, and human history of the region. Chapters four and five trace the more recent impacts of human activities—grazing and wilderness recreation—and explore the shifts in cultural values and public policy that have occurred as a result. Examining these topics in the context of a specific landscape offers a lens through which these changes, now the topic of examination and controversy throughout the New West, can be clearly seen and, hopefully, re-evaluated.

Northwestern Plains prehistory and early history as told by human bones is vivid and dramatic. The skeletal and burial record spans thousands of years, a wide geographic expanse, and contains important evidence of human existence in this vast region of North America. This book helps clarify the emerging picture.

Most of the contributions assembled here were initially presented as part of a symposium at the Plains Conference in Oklahoma City in 2003. Twenty-one preeminent scholars, working across many fields within bioarchaeology and skeletal biology—including paleopathology, dental pathology, and human osteology—bring their expertise to bear not only on prehistoric Native American burials, but on numerous other case studies. They look at specific Wyoming samples of pioneer-era burials, Indian War–era casualties, historic Chinese burials, and remains from the Benick Ranch and the Korell-Bordeaux sites. Reports on Crow Indian mummies from Montana and military burials from Missouri and Nebraska continue the exploration into recent historic times.

Human burials provide a rich source of information about people’s lives—who they were, what activities they pursued, and how they may have participated in rituals of death and mourning. This volume is an authoritative statement on both the skeletal biology and bioarchaeology of the entire Northwestern Plains.

Since the debut of the New Archaeology in the 1960s, approaches to the science of interpreting the material past have proliferated.

Seeking to find common ground in an increasingly fractious and polarized discipline, a group of archaeological theorists representing various schools of thought gathered in a roundtable, during the fall of 1997. As organizer, Michael Schiffer sought to build bridges that might begin to span the conceptual chasms that have formed in archaeology during the past few decades. Many participants in the roundtable accepted the challenge of building bridges, but some rejected the premise that bridge building is desirable or feasible. Even so, every chapter in the resulting volume contributes something provocative or significant to the enterprise of constructing social theory in archaeology and setting the agenda for future social-theoretic research.

With contributions from every major school of thought, whether informed by evolutionary theory, feminism, chaos theory, behavioralism, or post-processualism, this volume serves as both handbook to an array of theoretical approaches and as a useful look at each school’s response to criticism.

The curanderos of northern Peru, traditional healing specialists who invoke Jesus Christ and the saints with a mescaline sacrament and a shamanic rattle, are not vestigial curiosities nor are their patients rural illiterates without access to "modern medicine." Instead, many of these shamans have thriving urban practices with clients from all levels of society.

Sorcery and Shamanism documents the lives and rituals of twelve curanderos, offering a perspective on their curing role and shared knowledge. Authors Donald Joralemon and Douglas Sharon also consider the therapeutic experiences of over one hundred patients, including case histories and follow-ups. They offer a broad view of the shamans’ work in modern Peruvian society, particularly in connection with gender-based conflicts.

The significant work goes a long way toward dispelling the stereotype of shamans as enigmatic and wise, showing them to be pragmatic curers confronting the health effects of everyday aggressions and betrayals.

Copublished with the Tanner Trust Fund, J. Willard Marriott Library.

Robert Smithson’s earthwork, Spiral Jetty (1970), an icon of the Land Art movement of the 1960s and 1970s, is located on the northern shores of Utah’s Great Salt Lake. Smithson built a masterpiece from local materials, one that spirals counterclockwise into the lake and appears or is submerged with fluctuations in the lake’s locally red, saline water.

The Spiral Jetty Encyclo draws on Smithson’s writings for encyclopedic entries that bring to light the context of the earthwork and Smithson’s many points of reference in creating it. Visitors and armchair travelers, too, will discover how much significance Smithson placed on regional considerations, his immersion in natural history, his passion for travel, and his ability to use diverse mediums to create a cohesive and lasting work of art. Containing some 220 images, most of them in color, with some historical black and whites, The  Spiral Jetty Encyclo lets readers explore the construction, connections, and significance of Smithson’s 1,500-foot-long curl into Great Salt Lake, created, in Smithson’s words, of “mud, salt crystals, rocks, water.” 

Winner of 15 Bytes Book Award for Art Book.
Finalist for the Utah State Historical Society Best Book Award.

Studying Technological Change synthesizes nearly four decades of research by Michael Brian Schiffer, a cofounder of the field of behavioral archaeology. This new book asks historical and scientific questions about the interaction of people with artifacts during all times and in all places. The book is not about the history or prehistory of technology, nor is it a catalog of methods and techniques for inferring how specific technologies were made or used. Rather, it supplies conceptual tools that can be used to help craft an explanation of any technological change in any society.

Darwin's theory of evolutionary descent with modification rests in part on the notion that there is heritable continuity affected by transmission between ancestor and descendant. It is precisely this continuity that allows one to trace hylogenetic histories between fossil taxa of various ages and recent taxa. Darwin was clear that were an analyst to attempt such tracings, then the anatomical characters of choice are those least influenced by natural selection, or what are today referred to as adaptively neutral traits. The transmission of these traits is influenced solely by such mechanisms as drift and not by natural selection.

The application of Darwin's theory to archaeological phenomena requires that the theory be retooled to accommodate artifacts. One aspect that has undergone this retooling concerns cultural transmission, the mechanism that affects heritable continuity between cultural phenomena. Archaeologists have long traced what is readily interpreted as heritable continuity between artifacts, but the theory underpinning their tracings is seldom explicit. Thus what have been referred to as artifacts styles underpin such tracings because styles are adaptively neutral. Other traits are referred to as functional.

In their introduction to Style, Function, Transmission, Michael O’Brien and R. Lee Lyman outline in detail the interrelations of a theory of cultural descent with modification and the concepts of drift, style, and function. The chapters in the volume specifically address the issues of selection and drift and their relation to style and function. In non-polemic presentations, contributors specify empirical implications of aspects of cultural transmission for evolutionary lineages of artifacts and then present archaeological data for those implications.

Archaeology in the Southwest is increasingly directing its attention south of the international border as it becomes clear that a picture of the pre-hispanic Southwest is incomplete without taking the Mexican Northwest into account.

Surveying the Archaeology of Northwest Mexico presents an overview of recent work in Sonora and Chihuahua, comprising a sort of professional tour of the area. The chapters offer fresh insights into the formation of centers such as Paquimé, Cerro de Trincheras, and the Rio Sonora cabaceras. Contributors explore relations between these centers, individual internal organization of the various identifiable polities, and the relation of the whole northwest Mexican region to better-known adjacent ones. The volume underscores that northwest Mexico was not a dependent hinterland but was inhabited by many independent groups throughout prehistory.

Utah Series in Middle East Studies

This interdisciplinary study discusses the development, economics, and politics of North Cyprus, a divided state since 1960 when sovereignty was surrendered by the British to both Greek and Turkish Cypriots.  Mehmet works to demonstrate that, as a microstate with an area of just 3,442 square kilometers, North Cyprus possesses certain inherent comparative economic advantages in the service sectors that enable it to be sustainable in today's rapidly globalizing and competitive economic world.

Mehmet bases his arguments for the potential sustainability of North Cyprus on the concept of economic rationalism, in which participating parties work to optimize their own self-interest.  In an ethnic conflict like that of North Cyprus, the logic of optimization demands a rational, free, and objective balancing of competing interests to reach an agreed solution.  The economic rationalist approach sharply contrasts with the highly emotional political, historical, cultural, and legal approaches that have thus far dominated the study and discussion of the Cyprus problem, approaches that have largely resulted in a protracted conflict.

While recognizing the negative forces of ethnic tension and the very real possibility of a continued divided Cyprus state, Sustainability of Microstates nevertheless remains hopeful, designed to unleash the forces of convergence that may be deduced from economic rationalism, and unwavering in its conviction of the ultimate sustainability of North Cyprus.

Utah Series in Middle East Studies

Today, nationalism and nationalist sentiments are becoming more and more pronounced, creating a global emergence of ethno-nationalist and religious fundamentalist identity conflicts. In the post-9/11 era of international terrorism, it is appropriate to suggest that nationalism will retain its central place in politics and local and world affairs for the foreseeable future. It is in this vein that there has been a recent upsurge of interest concerning the power of nationalist tendencies as one of the dominant ideologies of modern times.

Symbiotic Antagonisms looks at the state-centric mode of modernization in Turkey that has constituted the very foundation on which nationalism has acquired its ideological status and transformative power. The book documents a symposium held at Sabanci University, presenting nationalism as a multidimensional, multiactor-based phenomenon that functions as an ideology, a discourse, and a political strategy. Turkish, Kurdish, and Islamic nationalisms are systematically compared in this timely and significant work.

Art is politics and politics is art in this study of post–World War I caricature art in Egypt and Egyptian politics. This book explores the complex meaning and significance of caricature art drawn to support the ascendant Egyptian Wafdpolitical party and its push for independence from British colonial control. The works of previously neglected Egyptian lithographers are also explored, especially those who adopted sophisticated European techniques while experimenting with a variety of new styles during a remarkable period in Egyptian history.