No person involved in so much history received so little attention as the late Robert C. Byrd, the longest-serving U.S. senator. In The Last Great Senator, David A. Corbin examines Byrd’s complex and fascinating relationships with eleven presidents of the United States, from Eisenhower to Obama. Furthermore, Byrd had an impact on nearly every significant event of the last half century, including the Cold War, the civil rights movement, the Vietnam War, Kennedy’s New Frontier, the Watergate scandal, the Reagan Revolution, the impeachment of President Clinton, and the Iraq War. Holding several Senate records, Byrd also cast more votes than any other U.S. senator. 

In his sweeping portrait of this eloquent and persuasive man’s epic life and career, Corbin describes Senator Byrd’s humble background in the coalfields of southern West Virginia (including his brief membership in the Ku Klux Klan). He covers Byrd’s encounters and personal relationship with each president and his effect on events during their administrations. Additionally, the book discusses Byrd’s interactions with other notable senators, including Lyndon B. Johnson, Richard Russell, Mike Mansfield, and especially Robert and Edward Kennedy. Going beyond the boundaries of West Virginia and Capitol Hill, The Last Great Senator presents Byrd in a larger historical context, where he rose to the height of power in America.

This gonzo-style metamemoir follows Chuck Kinder on a wild tour of the back roads of his home state of West Virginia, where he encounters Mountain State legends like Sid Hatfield, Dagmar, Robert C. Byrd, the Mothman, Chuck Yeager, Soupy Sales, Don Knotts, and Jesco White, the “Dancing Outlaw.”

This collection, the first of its kind, gathers original and previously published fiction and poetry from lesbian, gay, bisexual, transgender, and queer authors from Appalachia. Like much Appalachian literature, these works are pervaded with an attachment to family and the mountain landscape, yet balancing queer and Appalachian identities is an undertaking fraught with conflict. This collection confronts the problematic and complex intersections of place, family, sexuality, gender, and religion with which LGBTQ Appalachians often grapple.

With works by established writers such as Dorothy Allison, Silas House, Ann Pancake, Fenton Johnson, and Nickole Brown and emerging writers such as Savannah Sipple, Rahul Mehta, Mesha Maren, and Jonathan Corcoran, this collection celebrates a literary canon made up of writers who give voice to what it means to be Appalachian and LGBTQ.

Between 1880 and 1922, the coal fields of southern West Virginia witnessed two bloody and protracted strikes, the formation of two competing unions, and the largest armed conflict in American labor history—a week-long battle between 20,000 coal miners and 5,000 state police, deputy sheriffs, and mine guards. These events resulted in an untold number of deaths, indictments of over 550 coal miners for insurrection and treason, and four declarations of martial law. Corbin argues that these violent events were collective and militant acts of aggression interconnected and conditioned by decades of oppression. His study goes a long way toward breaking down the old stereotypes of Appalachian and coal mining culture. This second edition contains a new preface and afterword by author David A. Corbin.

Richard Currey's Lost Highway has attracted a legion of admirers since its initial publication in 1997. The book depicts the epic struggle of an ordinary person living his dreams and following his passion. Lost Highway is the story of Sapper Reeves, a gifted country musician from the small town of Maxwell, West Virginia. Sapper’s story covers the events of more than half a century, from his birth in a poor coal mining town through his travels on the back roads of Appalachia in search of recognition and respect. Along the way, Sapper’s embattled love for his wife and struggle to come to terms with his combat-wounded son form the basis of his artistic and personal redemption.

An innovative, hybrid work of literary nonfiction, Lowest White Boy takes its title from Lyndon Johnson’s observation during the civil rights era: “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket.”

Greg Bottoms writes about growing up white and working class in Tidewater, Virginia, during school desegregation in the 1970s. He offers brief stories that accumulate to reveal the everyday experience of living inside complex, systematic racism that is often invisible to economically and politically disenfranchised white southerners—people who have benefitted from racism in material ways while being damaged by it, he suggests, psychologically and spiritually. Placing personal memories against a backdrop of documentary photography, social history, and cultural critique, Lowest White Boy explores normalized racial animus and reactionary white identity politics, particularly as these are collected and processed in the mind of a child.