When Sandy Holston is on dry land, she’s nothing special: a nurse who wears her hair in a ponytail and prefers a fishing lure as an earring. But once she dons waders, picks up a fly rod, and steps into a river, she becomes a remarkable, elegant fisherwoman who’s at peace with the world.

After surviving her marriage to Vernon - her violent, incarcerated ex-husband - peace is just what Sandy needs. So she moves to Damascus, a small town on the Ripshin River, where she plans to enjoy the fishing and the solitude. Finally she is on the brink of a life she desires in a place she loves. But as the Ripshin’s trout mysteriously die off, and as Sandy grows closer to a reclusive neighbor who has a propensity for fishing naked, her plans are put in jeopardy. Will Sandy be able to find peace - in the river or out - once Vernon is released from prison and fulfills his promise to hunt her down?

In this new, scholarly text—an ambitious study of contemporary poetics—Joe W. Moffett deciphers the twentieth-century long poem, searching for a better understanding of why long-poem writers are preoccupied with a search for origins.

Moffett focuses on issues like postcolonialism, nation, modernism, and postmodernism. He conceptualizes his theories by using what he calls “originiary moments”: historical periods or specific events from which a poet contends our culture descends. These moments enlighten and inspire the modern poet to use origin or “source” as a way to examine present culture and social conditions. The poems also encourage modern readers to question, revise, and repudiate. Moffett organizes his argument by arranging specific examples into three categories of originary moments: Sumerian, Homeric, and Anglo-Saxon.

According to Moffett, the long poem is appealing because it “lacks strict conventions that govern other genres.” Using a wide variety of poems to support his arguments, Moffett asks many stimulating questions and also provides provocative answers.

Questions of when and where It All Began have been off the critical agenda for some time now, embargoed by poststructuralism. Undeterred, Joe Moffett boldly revisits the search for cultural origins, which preoccupied major poets throughout the twentieth century. Capacious in his scope, eclectic in his choices, Moffett rounds up unusual subjects, including long poems by Armand Schwerner, Derek Walcott, Geoffrey Hill, and Judy Grahn, with excursions into Charles Olson, Seamus Heaney, and others. Nowhere will you find clearer, more intelligent, or better-informed readings of these poems than Moffett’s.

This 1910 study of sectionalism in Virginia illustrates how the east and west of Virginia were destined to separate into two states. Barbara Rasmussen, professor of Public History and Director of Cultural Resource Management at West Virginia University writes a new introduction to Sectionalism in Virginia, setting Ambler’s classic grand achievement into the context of its production by creating an historical process for studying West Virginia history.

Sir Gawain and the Green Knight is a late fourteenth-century Middle English alliterative romance outlining an adventure of Sir Gawain, a knight of King Arthur’s Round Table. In this poem, Sir Gawain accepts a challenge from a mysterious green warrior. In a struggle to uphold his oath along this quest, Gawain demonstrates chivalry, loyalty, and honor.  This new verse translation of the most popular and enduring fourteenth century romance to survive to the present offers students an accessible way of approaching the literature of medieval England without losing the flavor of the original writing. The language of Sir Gawain presents considerable problems to present-day readers as it is written in the West Midlands dialect before English became standardized. With a foreword by David Donoghue, the close verse translation includes facing pages of the original fourteenth-century text and its modern translation.

Medieval European Studies Series, Volume 13

Smell and History collects many of the most important recent essays on the history of scent, aromas, perfumes, and ways of smelling. With an introduction by Mark M. Smith—one of the leading social and cultural historians at work today and the preeminent champion in the United States of the emerging field of sensory history—the volume introduces to undergraduate and graduate students as well as to historians of all fields the richness, relevance, and insightfulness of the olfactory to historical study.

Ranging from antiquity to the present, these ten essays, most of them published since 2003, consider how olfaction and scent have shaped the history of medicine, gender, race-making, class formation, religion, urbanization, colonialism, capitalism, and industrialization; how habits and practices of smelling informed ideas about the Enlightenment, modernity, and memory; how smell shaped perceptions of progress and civilization; and how people throughout history have used smell as a way to organize categories and inform worldviews.

The Smokeless Coal Fields of West Virginia: A Brief History first appeared in 1963, a little book by a man with no training as either a writer or a historian. Since then, this volume has become an essential sourcebook, consulted and quoted in nearly every study of coal field history. The surprising impact and durability of the book are due to both the information in it and the personality behind it. Through the first half of the twentieth century, William Purviance Tams lived coal. Rising from a young coal engineer to a senior coal baron, Tams stood at the center of Southern West Virginia industrialization. When he sold his company in 1955, Tams was the last of the old owner-operators, men with no personal or financial interest outside of coal. Tams wrote a book which could only have come from an ultimate insider. The everyday work of mining coal is here-laying track, blasting and loading the coal. So is the everyday business of coal, from sinking shafts and ventilating the work area, to administering a town and keeping the workers happy.

Tams gives the financial details of the volatile business, and offers capsule biographies of the other major developers of the Southern West Virginia coal fields. It was a passion for Tams. He never married, and tended his business and his town with paternal care. After retirement, this industrial baron spent his final decades in a modest bungalow in his little coal-camp community, watching the town he had built fade back into the mountains. It is W. P. Tams's passion and attitude, as much as his place at the center of history, which make The Smokeless Coal Fields of West Virginia worth reading nearly 40 years after its first publication. Tams's 1963 account of his career, The Smokeless Coal Fields of West Virginia, offers a unique perspective on the business and the life of coal mining. The book is especially valuable for its account of the daily life and work of the miners, engineers, and families in the mines and in the mining towns. Our reprint of this fascinating and important book combines Tams's original work with a new introduction by Ronald D. Eller, author of Miners, Millhands, & Mountaineers.

First published in 1973, this debut novel is the deeply moving coming-of-age story of Speer Whitfield, whose recollection of his upbringing and his large, remarkable, and often peculiar family evokes the forces that set the path for a boy’s growth into manhood in 1940s Appalachia.

The residents of The Sound of Holding Your Breath could be neighbors, sharing the same familiar landscapes of twenty-first-century Appalachia—lake and forest, bridge and church, cemetery and garden, diner and hair salon. They could be your neighbors—average, workaday, each struggling with secrets and losses, entrenched in navigating the complex requirements of family in all its forms.

Yet tragedy and violence challenge these unassuming lives: A teenage boy is drawn to his sister’s husband, an EMT searching the lake for a body. A brother, a family, and a community fail to confront the implications of a missing girl. A pregnant widow spends Thanksgiving with her deceased husband’s family. Siblings grapple with the death of their sister-in-law at the hands of their brother. And in the title story, the shame of rape ruptures more than a decade later.

Accidents and deaths, cons and cover-ups, abuse and returning veterans—Natalie Sypolt’s characters wrestle with who they are during the most trying situations of their lives.

Back in print just in time for spring! Originally published in 1948, this is the germinal text on nearly 250 species of spring wildflowers found in West Virginia. Common or English names and scientific or Latin names are given for each species. The descriptions are in two sections: The first description includes the meaning of the name of the flower, uses, habitats, and ranges in West Virginia. Secondly, the plant itself is described in deep detail to help in identification. Each description is accompanied by a facing page detailed line drawing. This book is a must have for those interested in the beauty and science of West Virginia's spring flora. The author, Earl L. Core, also co-wrote the four-volume Flora of West Virginia. He received his bachelor's and master's degrees from West Virginia University and his doctorate from Columbia. He was a biology professor at WVU where the 75-acre arboretum managed by the university bears his name. The illustrator, William A. Lunk, received his doctorate at the University of Michigan and went on to become curator of their University Museums.

For nearly seventy years, John J. Young Jr. photographed railroads. With unparalleled scope and span, he documented the impact and beauty of railways in American life from 1936 to 2004.

As a child during the Great Depression, J. J. Young Jr. began to photograph railroads in Wheeling, West Virginia. This book collects over one hundred fifty of those images—some unpublished until now—documenting the railroads of Wheeling and the surrounding area from the 1930s until the 1960s.

The photographs within this book highlight the major railroads of Wheeling: the Baltimore & Ohio, the Pennsylvania, the Wheeling & Lake Erie, the Pittsburgh & West Virginia, the New York Central, and the industrial and interurban rail lines that crisscrossed the region. These images capture the routine activities of trains that carried passengers and freight to and from the city and its industries, as well as more unusual traffic, such as a circus-advertising car, the General Motors Train of Tomorrow, and the 1947 American Freedom Train.

The miners' strike against Pittston Coal in 1989–1990, which spread throughout southwestern Virginia, southern West Virginia, and eastern Kentucky, was one of the most important strikes in the history of American labor, and, as Richard Brisbin observes, "one of the longest and largest incidents of civil disorder and civil disobedience in the United States in the second half of the twentieth century." The company aggressively sought to break the strike, and workers and their families used a variety of tactics—lawful and unlawful—to resist Pittston's efforts as the situation quickly turned ugly.

In A Strike like No Other Strike: Law and Resistance during the Pittston Coal Strike of 1989–1990, Richard Brisbin offers a compelling study of the exercise of political power. In considering the legal significance of the strike, Brisbin asks the larger question of whether even extreme transgression or resistance can fracture the "imagined coherence of the law." He shows how each party in the strike invoked the law to justify its actions while attacking those of the other side as unlawful. In the end, both sides lost; although the U.S. Supreme Court ultimately ruled in favor of the union, most of the strikers faced elimination of their jobs and an ongoing struggle for pensions and health benefits.

Tess, a West Virginian in New York City, finds herself among seedy brothels facing life as a prostitute. A number of trials test her in every way, leading to both understanding and misunderstanding among her friends and her family. Tess tells these stories of pain, joy, depression, loneliness, and endurance in her journal, and they will shock some readers and charm others. With the shadow of the Appalachians calling her back home, she desperately struggles to claim her individuality in a world of debauchery without the painful remnants of her past and fear of a fragmented future overwhelming her.