As a black Appalachian woman, Memphis Tennessee Garrison belonged to a demographic category triply ignored by historians.

The daughter of former slaves, she moved to McDowell County, West Virginia, at an early age and died at ninety-eight in Huntington. The coalfields of McDowell County were among the richest seams in the nation. As Garrison makes clear, the backbone of the early mining work force—those who laid the railroad tracks, manned the coke ovens, and dug the coal—were black miners. These miners and their families created communities that became the centers of the struggle for unions, better education, and expanded civil rights. Memphis Tennessee Garrison, an innovative teacher, administrative worker at U.S. Steel, and vice president of the National Board of the NAACP at the height of the civil rights struggle (1963-66), was involved with all of these struggles.

In many ways, this oral history, based on interview transcripts, is the untold and multidimensional story of African American life in West Virginia, as seen through the eyes of a remarkable woman. She portrays a courageous people who organize to improve their working conditions, send their children to school and then to college, own land, and support a wide range of cultural and political activities.

African Video Movies and Global Desires is the first full-length scholarly study of Ghana’s commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstances of dire shortage and scarcity, African video movies narrate the desires and anxieties created by Africa’s incorporation into the global cultural economy. Drawing on archival and ethnographic research conducted in Ghana over a ten-year period, as well as close readings of a number of individual movies, this book brings the insights of historical context as well as literary and film analysis to bear on a range of movies and the industry as a whole. Garritano makes a significant contribution to the examination of gender norms and the ideologies these movies produce. African Video Movies and Global Desires is a historically and theoretically informed cultural history of an African visual genre that will only continue to grow in size and influence.

P. L. Gaus’s Blood of the Prodigal, a mystery in the tradition of Tony Hillerman, is back in a new edition, including an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

In Holmes County, Ohio—home to the largest Amish and Mennonite settlements in the world—mystery and foreboding lurk in the quiet Old Order Amish community led by Bishop Eli Miller.

The illusion of peace is shattered one early morning when a young Amish boy goes missing—abducted from his home and from Bishop Miller’s care. At first, the bishop suspects the child’s father, who was exiled from the Old Order ten years ago, but a murder soon casts doubt on the bishop’s theory. With a strong distrust of law enforcement and the modern “English” ways, the bishop must put his faith in an unlikely partnership with Professor Michael Branden before it’s too late.

With the help of the peaceful pastor Cal Troyer and the reckless Sheriff Bruce Robertson, Branden plunges headlong into the closed culture to unravel the mystery of the missing child and uncover truths many would prefer to leave undisturbed.

Broken English  is a tale of honor, deception, and revenge, one in which circumstances and the search for justice test the mettle of the closest of friends and reveal the desperate measures of the strongest of foes. Following on the critical and popular success of P. L. Gaus’ acclaimed Amish mystery series, this new edition of Broken English includes an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

The peaceful town of Millersburg, Ohio, in the heart of Amish country, is rocked by the vicious murder of a woman at the hands of an ex-convict. When a local reporter covering the story turns up dead, while the convict is already behind bars, suspicion falls on David Hawkins, the first victim’s father. With Hawkins nowhere to be found among the protective Amish community that had taken him in as one of its own, Professor Michael Branden, Sheriff Bruce Robertson, and Pastor Cal Troyer set out to uncover the elusive truth in this otherwise quiet corner of the world.

In Cast a Blue Shadow, his fourth Amish mystery, P. L. Gaus spins a suspenseful tale of power, pride, and tested faith. As always, Gaus explores the threshold of culture and faith among the Amish sects and their English neighbors, combining it here with the political divisions unique to the academic world.

After an early winter blizzard in Holmes County, Ohio, a wealthy socialite is found murdered in her mansion. That same morning, a troubled student, Martha Lehman, turns up at her psychiatrist’s office, bloody and unable to speak.

Professor Michael Branden and Sheriff Bruce Robertson begin an investigation that threatens to tear Millersburg College apart. Mute for many years as a child, Martha is once again unable (or unwilling) to speak. As Branden wrestles with the murder of the college’s leading benefactor, the real story of Martha Lehman begins to emerge—born Amish, converted to Mennonite, and drawn to the “English” world for the worst of reasons.

This new edition of Cast a Blue Shadow features an exclusive interview with the author, reading group materials, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

Written in the tradition of Tony Hillerman, in Clouds without Rain, P. L. Gaus once again provides compelling intrigue and insight into Amish culture and tradition alongside contemporary American life.

In the wake of a fatal accident involving an Amish buggy and an eighteen-wheeler, Professor Michael Branden, working with the Holmes County Sheriff’s Department, becomes suspicious about the true nature of the crash. His suspicions only grow when the trustee of the dead man’s estate disappears a few days later.

Faced with Amish teenagers in goat masks robbing buggies on dusty lanes, land swindles involving out-of-town developers, several mysterious deaths, and the disappearance of a bank official, Branden realizes that there is far more to the story than a buggy crash on a sleepy country road.

This new edition of Clouds without Rain  features an exclusive interview with the author, reading group materials, and a detailed map and driving guide to Holmes County, Ohio with everything one needs to visit the iconic scenes depicted in the story.

As another college year draws to an end, Professor Michael Branden is weary after nearly thirty years of teaching. Sitting in his office on a warm spring day, he receives an unexpected visit from an Amish man who claims his brother, a dwarf like himself, has been murdered. Their discussion of the odd details of the case is interrupted by a commotion on campus, which turns out to be the apparent suicide of a young woman, who, it seems, has leapt to her death from the college bell tower.

The investigations of these two deaths become intertwined as Professor Branden again teams up with his colleagues Pastor Cal Troyer and Sheriff Bruce Robertson to seek explanations for these bizarre events.

Separate from the World is a story of a rift between two Amish factions, one that favors the use of medicine and that participates in a college study of genetic traits particular to the Amish community, and the other that rejects any outside influence.

Once more, P. L. Gaus takes us inside a separate culture and, in a manner both gentle and grim, highlights the complex relationship of the Amish and the “English” as they live inside or outside each other’s orbits.

As he goes about his milking chores on a cold October morning, Bishop Leon Shetler daydreams of escaping the Ohio winter and taking a bus to the Pinecraft Amish community in Florida for a vacation. His reverie is suddenly interrupted when young Crist Burkholder enters the barn, head down, hat in hand, to make a confession. ”I just killed Glenn Spiegle.”

“An Amish murderer?” Sheriff Robertson asks when he arrives on the scene. “Who will believe that?” But Burkholder is adamant about his guilt, fueled by the passion of his love for Vesta Miller, the young woman both he and Spiegle so desperately wanted to marry.

No sooner does the sheriff start his investigation than he learns of two more murders in the Pinecraft community, and a startling connection is made. There’s no way around it — Professor Mike Branden will have to put his research trip on hold and, along with detective Ricky Niell, travel south to investigate. There they discover the disturbing truth about Spiegle’s conversion to the Amish faith and the reason for the long–smoldering hatred that has reached into the secluded pastoral valleys of Holmes County.

In Harmless as Doves, P. L. Gaus takes the action to Florida in one of the most exciting mysteries in this series. This is Gaus at his best.

Amid a whirlwind of drugs, sex, and other temptations of the “English” world, a group of Amish teenagers on their Rumschpringe test the limits of their parents’ religion to the breaking point. The murder of one and the abduction of another challenge Professor Michael Branden as he confronts the communal fear that the young people can never be brought home safely.

Along with Holmes County Sheriff Bruce Robertson and Pastor Cal Troyer, Professor Branden works against the clock to find a murderer and a kidnapper, and to break a drug ring operating in the county, determined, wherever the trail may lead him, to restore the shattered community. In his desperate search, Branden struggles with the reluctance of the Amish to trust the law to help them find the answers to their problems.

In A Prayer for the Night, his fifth Ohio Amish Mystery, P. L. Gaus deftly balances the pace and practices of Amish life in northern Ohio against the unfolding urgency of a hostage situation. As Gaus has proven before, the mystery gains from its exploration of the ever-widening chasm between the traditional life of the Amish people and their interaction with the outside world.

P. L. Gaus’s Blood of the Prodigal, a mystery in the tradition of Tony Hillerman, is back in a new edition, including an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

In Holmes County, Ohio—home to the largest Amish and Mennonite settlements in the world—mystery and foreboding lurk in the quiet Old Order Amish community led by Bishop Eli Miller.

The illusion of peace is shattered one early morning when a young Amish boy goes missing—abducted from his home and from Bishop Miller’s care. At first, the bishop suspects the child’s father, who was exiled from the Old Order ten years ago, but a murder soon casts doubt on the bishop’s theory. With a strong distrust of law enforcement and the modern “English” ways, the bishop must put his faith in an unlikely partnership with Professor Michael Branden before it’s too late.

With the help of the peaceful pastor Cal Troyer and the reckless Sheriff Bruce Robertson, Branden plunges headlong into the closed culture to unravel the mystery of the missing child and uncover truths many would prefer to leave undisturbed.

Broken English  is a tale of honor, deception, and revenge, one in which circumstances and the search for justice test the mettle of the closest of friends and reveal the desperate measures of the strongest of foes. Following on the critical and popular success of P. L. Gaus’ acclaimed Amish mystery series, this new edition of Broken English includes an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

The peaceful town of Millersburg, Ohio, in the heart of Amish country, is rocked by the vicious murder of a woman at the hands of an ex-convict. When a local reporter covering the story turns up dead, while the convict is already behind bars, suspicion falls on David Hawkins, the first victim’s father. With Hawkins nowhere to be found among the protective Amish community that had taken him in as one of its own, Professor Michael Branden, Sheriff Bruce Robertson, and Pastor Cal Troyer set out to uncover the elusive truth in this otherwise quiet corner of the world.

In Cast a Blue Shadow, his fourth Amish mystery, P. L. Gaus spins a suspenseful tale of power, pride, and tested faith. As always, Gaus explores the threshold of culture and faith among the Amish sects and their English neighbors, combining it here with the political divisions unique to the academic world.

After an early winter blizzard in Holmes County, Ohio, a wealthy socialite is found murdered in her mansion. That same morning, a troubled student, Martha Lehman, turns up at her psychiatrist’s office, bloody and unable to speak.

Professor Michael Branden and Sheriff Bruce Robertson begin an investigation that threatens to tear Millersburg College apart. Mute for many years as a child, Martha is once again unable (or unwilling) to speak. As Branden wrestles with the murder of the college’s leading benefactor, the real story of Martha Lehman begins to emerge—born Amish, converted to Mennonite, and drawn to the “English” world for the worst of reasons.

This new edition of Cast a Blue Shadow features an exclusive interview with the author, reading group materials, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

Written in the tradition of Tony Hillerman, in Clouds without Rain, P. L. Gaus once again provides compelling intrigue and insight into Amish culture and tradition alongside contemporary American life.

In the wake of a fatal accident involving an Amish buggy and an eighteen-wheeler, Professor Michael Branden, working with the Holmes County Sheriff’s Department, becomes suspicious about the true nature of the crash. His suspicions only grow when the trustee of the dead man’s estate disappears a few days later.

Faced with Amish teenagers in goat masks robbing buggies on dusty lanes, land swindles involving out-of-town developers, several mysterious deaths, and the disappearance of a bank official, Branden realizes that there is far more to the story than a buggy crash on a sleepy country road.

This new edition of Clouds without Rain  features an exclusive interview with the author, reading group materials, and a detailed map and driving guide to Holmes County, Ohio with everything one needs to visit the iconic scenes depicted in the story.

The modern comic book shop was born in the early 1970s. Its rise was due in large part to Phil Seuling, the entrepreneur whose direct market model allowed shops to get comics straight from the publishers. Stores could then better customize their offerings and independent publishers could access national distribution. Shops opened up a space for quirky ideas to gain an audience and helped transform small-press series, from Teenage Mutant Ninja Turtles to Bone, into media giants.

Comic Shop is the first book to trace the history of these cultural icons. Dan Gearino brings us from their origins to the present-day, when the rise of digital platforms and a changing retail landscape have the industry at a crossroads. When the book was first published in 2017, Gearino had spent a year with stores around the country, following how they navigated the business. For this updated and expanded paperback edition, he covers the wild retail landscape of 2017 and 2018, a time that was brutal for stores and rich for comics as an art form.

Along the way he interviews pioneers of comics retailing and other important players, including many women; top creators; and those who continue to push the business in new directions. A revised guide to dozens of the most interesting shops around the United States and Canada is a bonus for fans.

This English translation of Gebser’s major work, Ursprung und Gegenwart (Stuttgart, Deutsche Verlag, 1966), offers certain fundamental insights which should be beneficial to any sensitive scientist and makes it available to the English-speaking world for the recognition it deserves.

“The path which led Gebser to his new and universal perception of the world is, briefly, as follows. In the wake of materialism and social change, man had been described in the early years of our century as the “dead end” of nature. Freud had redefined culture as illness—a result of drive sublimation; Klages had called the spirit (and he was surely speaking of the hypertrophied intellect) the “adversary of the soul,” propounding a return to a life like that of the Pelasgi, the aboriginal inhabitants of Greece; and Spengler had declared the “Demise of the West” during the years following World War I. The consequences of such pessimism continued to proliferate long after its foundations had been superseded.

It was with these foundations—the natural sciences—that Gebser began. As early as Planck it was known that matter was not at all what materialists had believed it to be, and since 1943 Gebser has repeatedly emphasized that the so-called crisis of Western culture was in fact an essential restructuration.…

Gebser has noted two results that are of particular significance: first, the abandonment of materialistic determinism, of a one-sided mechanistic-causal mode of thought; and second, a manifest “urgency of attempts to discover a universal way of observing things, and to overcome the inner division of contemporary man who, as a result of his one-sided rational orientation, thinks only in dualisms.”

Against this background of recent discoveries and conclusions in the natural sciences Gebser discerned the outlines of a potential human universality. He also sensed the necessity to go beyond the confines of this first treatise so as to include the humanities (such as political economics and sociology) as well as the arts in a discussion along similar lines. This was the point of departure of The Ever-Present Origin.

From In memoriam Jean Gebser by Jean Keckeis

“I imagine everyone has a center of gravity,” says Ellen Bromfield Geld. “Something which binds one to the earth and gives sense and direction to what one does.” For Ellen, this center is a writing table before a window that looks out upon groves of pecan trees and mahogany-colored cattle in seas of grass. The place is Fazenda Pau D’Alho, Brazil, where she and her husband, Carson, have lived and farmed since 1961.

Healing the ravaged coffee plantation, rearing five children, exploring the outposts, the Gelds have created a dynamic yet peaceful life far from Ellen’s native Ohio. Their practice of sustainable agriculture, and Ellen’s plea for the preservation of Brazil’s remaining wilderness areas, reflect the legacy of her father, the novelist and farm visionary Louis Bromfield. Their shared vision is crystallized in her account of a cattle drive across the Pantanal, the vast flood plain on Brazil’s side of the Paraguay River. She describes a two-hundred year symbiosis between ranchers and a fragile ecosystem that is being threatened by development.

View from the Fazenda is distilled from fifty years of living in Brazil, weaving daily life on the farm into her quest to understand a nation. It portrays a true melting pot of people who—as conquerers, immigrants, or slaves, their blood and history mingled with those of native Indians—have created the character of Brazil. This huge, diverse county, living in several eras at the same time, is ever changing through its people’s amazing ability to “find a way.”

Ellen Bromfield Geld evokes the land and people of Brazil and offers readers an invigorating glimpse into a soulful life. “It seems to me that being a bit of a poet is perhaps the only way one can survive as a farmer,” she explains. “For in the end, more than anything, farming is a way of life you either love or become bitter enduring.”

Louis Bromfield, the Pulitzer Prize-winning writer, established one of the most significant homesteads in Ohio on his Malabar Farm. Today it receives thousands of visitors a year from all over the world; once the site of the wedding of Humphrey Bogart and Lauren Bacall, it was a successful prototype of experimental and conservation farming.

This lively, outspoken, and affectionate memoir preserves all things Louis Bromfield fought for or against in a life marked by surging vitality and gusto. He came from an Ohio family whose roots were in the land before the land was lost. He had his father's love of the land, and from his willful mother a hunger to know the world. From the New York City of theaters, concerts, parties, and novels, and a life in France that his success allowed, he finally returned to Ohio and established a new order for his family and friends, and for his followers, a new orbit into which they were drawn.

Ellen Bromfield Geld wrote a memoir of the man who was Louis Bromfield, father and friend, tyrant and “Boss,” alive always to whatever was worth responding to in people and in places, yet complex and lonely as a writer must essentially be to work at his craft. Now revived in paperback thirty-five years after its first publication, The Heritage remains a moving tribute and the recreation of a remarkable human being.

The Phenomenology of Pain is the first book-length investigation of its topic to appear in English. Groundbreaking, systematic, and illuminating, it opens a dialogue between phenomenology and such disciplines as cognitive science and cultural anthropology to argue that science alone cannot clarify the nature of pain experience without incorporating a phenomenological approach. Building on this premise, Saulius Geniusas develops a novel conception of pain grounded in phenomenological principles: pain is an aversive bodily feeling with a distinct experiential quality, which can only be given in original first-hand experience, either as a feeling-sensation or as an emotion.

Geniusas crystallizes the fundamental methodological principles that underlie phenomenological research. On the basis of those principles, he offers a phenomenological clarification of the fundamental structures of pain experience and contests the common conflation of phenomenology with introspectionism. Geniusas analyzes numerous pain dissociation syndromes, brings into focus the de-personalizing and re-personalizing nature of chronic pain experience, and demonstrates what role somatization and psychologization play in pain experience. In the process, he advances Husserlian phenomenology in a direction that is not explicitly worked out in Husserl’s own writings.

Winner of the 2015 Aidoo-Snyder Book Prize for outstanding book on African women's experiences. (African Studies Association)
Honorable Mention, New York African Studies Association Book Prize

In Making Modern Girls, Abosede A. George examines the influence of African social reformers and the developmentalist colonial state on the practice and ideology of girlhood as well as its intersection with child labor in Lagos, Nigeria. It draws from gender studies, generational studies, labor history, and urban history to shed new light on the complex workings of African cities from the turn of the twentieth century through the nationalist era of the 1950s.

The two major schemes at the center of this study were the modernization project of elite Lagosian women and the salvationist project of British social workers. By approaching children and youth, specifically girl hawkers, as social actors and examining the ways in which local and colonial reformers worked upon young people, the book offers a critical new perspective on the uses of African children for the production and legitimization of national and international social development initiatives.

Making Modern Girls demonstrates how oral sources can be used to uncover the social history of informal or undocumented urban workers and to track transformations in practices of childhood over the course of decades. George revises conventional accounts of the history of development work in Africa by drawing close attention to the social welfare initiatives of late colonialism and by highlighting the roles that African women reformers played in promoting sociocultural changes within their own societies.

Lee Gerlach’s Selected Poems is a rigorous culling from the life’s work of a remarkable and prolific poet. Written over a period of fifty years, the poetry of Lee Gerlach is a full spectrum of human expression, vision, and experience. It reflects a wisdom and maturity of character that has been constant during the entire span of Gerlach’s writing career. This selection, chosen by the poet, is the retrospective of a true twentieth-century American original.

A series of transformations, reforms, and attempted abolitions of slavery form a core narrative of nineteenth-century coastal West Africa. As the region’s role in Atlantic commercial networks underwent a gradual transition from principally that of slave exporter to producer of “legitimate goods” and dependent markets, institutions of slavery became battlegrounds in which European abolitionism, pragmatic colonialism, and indigenous agency clashed.

In Slavery and Reform in West Africa, Trevor Getz demonstrates that it was largely on the anvil of this issue that French and British policy in West Africa was forged. With distant metropoles unable to intervene in daily affairs, local European administrators, striving to balance abolitionist pressures against the resistance of politically and economically powerful local slave owners, sought ways to satisfy the latter while placating or duping the former.

The result was an alliance between colonial officials, company agents, and slave-owning elites that effectively slowed, sidetracked, or undermined serious attempts to reform slave holding. Although slavery was outlawed in both regions, in only a few isolated instances did large-scale emancipations occur. Under the surface, however, slaves used the threat of self-liberation to reach accommodations that transformed the master-slave relationship.

By comparing the strategies of colonial administrators, slave-owners, and slaves across these two regions and throughout the nineteenth century, Slavery and Reform in West Africa reveals not only the causes of the astounding success of slave owners, but also the factors that could, and in some cases did, lead to slave liberations. These findings have serious implications for the wider study of slavery and emancipation and for the history of Africa generally.

The Herero-German war led to the destruction of Herero society. Yet Herero society reemerged, reorganizing itself around the structures and beliefs of the German colonial army and Rhenish missionary activity.

This book describes the manner in which the Herero of Namibia struggled to maintain control over their own freedom in the face of advancing German colonialism. Taking advantage of the South AFrican invasion in of Namibia in World War One the Herero established themselves in areas of their own choosing. The effective reoccupation of land by the Herero forced the new colonial state, anxious to maintain peace and cut costs, to come to terms with the existence of Herero society.

The study ends in 1923 when the death and funeral of Samuel Maherero — first paramount of the Herero and then resistance leader — was the catalyst that brought the disparate groups of Herero together to establish a single unitary Herero identity.

The outbreak of numerous and simultaneous violent conflicts around the globe in the past decade resulted in immense human suffering and countless lost lives. In part, both results were aided by inactivity or by belated and often misplaced responses by the international community to the embattled groups. The apparent inability of the international community to respond firmly and purposefully to violent conflicts can be attributed partially to a general confusion and misunderstanding of the root causes of such conflicts. In some cases, the international community argued that violent conflicts could be attributed to irreconcilable ethnic differences, which, like earthquakes, are impossible to prevent or control.

At other times, the argument was that such conflicts were the results of evil leaders capable of engineering mass violent acts. Ethnic Conflict presents an interdisciplinary and comparative effort to explain the root causes of ethnic conflicts in terms of political, economic, and social common denominators that characterize all such conflicts. It seeks to dispel misplaced assumptions about violent domestic conflicts and, by providing a clearer picture of the mechanics of such conflicts, it hopes to assist in the process of conflict resolution and prevention.

Anglophone Poetry in Colonial India, 1780–1913: A Critical Anthology makes accessible for the first time the entire range of poems written in English on the subcontinent from their beginnings in 1780 to the watershed moment in 1913 when Rabindranath Tagore won the Nobel Prize in Literature.Mary Ellis Gibson establishes accurate texts for such well-known poets as Toru Dutt and the early nineteenth-century poet Kasiprasad Ghosh. The anthology brings together poets who were in fact colleagues, competitors, and influences on each other. The historical scope of the anthology, beginning with the famous Orientalist Sir William Jones and the anonymous “Anna Maria” and ending with Indian poets publishing in fin-de-siècle London, will enable teachers and students to understand what brought Kipling early fame and why at the same time Tagore’s Gitanjali became a global phenomenon. Anglophone Poetry in Colonial India, 1780–1913 puts all parties to the poetic conversation back together and makes their work accessible to American audiences.With accurate and reliable texts, detailed notes on vocabulary, historical and cultural references, and biographical introductions to more than thirty poets, this collection significantly reshapes the understanding of English language literary culture in India. It allows scholars to experience the diversity of poetic forms created in this period and to understand the complex religious, cultural, political, and gendered divides that shaped them.

A 2012 CHOICE “Outstanding Academic Title“

A new historical approach to Indian English literature

Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities.

Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia.

In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.

Conventional history assumes that the rise of the steamship trade killed off the Indian Ocean dhow trade in the twentieth century. Erik Gilbert argues that the dhow economy played a major role in shaping the economic and social life of colonial Zanzibar. Dhows, and the regional trade they fostered, allowed a class of indigenous entrepreneurs to thrive in Zanzibar. These entrepreneurs, whose economic interests stretched across continents and colonial boundaries, were able to thwart or shape many of the colonial state’s pet projects. Not only did steamships fail to drive out indigenous sailing craft, but in some cases dhows were able to drive the steamer out of specific market niches. In highlighting the role of East Africa’s commercial connections to the Middle East and India during the colonial period, Dhows and the Colonial Economy of Zanzibar, 1860-1970 makes a major contribution to African history as part of world history.

Global Health in Africa is a first exploration of selected histories of global health initiatives in Africa. The collection addresses some of the most important interventions in disease control, including mass vaccination, large-scale treatment and/or prophylaxis campaigns, harm reduction efforts, and nutritional and virological research.The chapters in this collection are organized in three sections that evaluate linkages between past, present, and emergent. Part I, “Looking Back,” contains four chapters that analyze colonial-era interventions and reflect upon their implications for contemporary interventions. Part II, “The Past in the Present,” contains essays exploring the historical dimensions and unexamined assumptions of contemporary disease control programs. Part III, “The Past in the Future,” examines two fields of public health intervention in which efforts to reduce disease transmission and future harm are premised on an understanding of the past.

This much-needed volume brings together international experts from the disciplines of demography, anthropology, and historical epidemiology. Covering health initiatives from smallpox vaccinations to malaria control to HIV campaigns, Global Health in Africa offers a first comprehensive look at some of global health’s most important challenges.

Scholars have argued for decades over which constitutes the best possible version of Charlotte Perkins Gilman’s frequently anthologized story “The Yellow Wall-Paper.”

Most editions have been based on the 1892 New England Magazine publication rather than the handwritten manuscript at Radcliffe College. Publication of the unedited manuscript in 1994 sparked controversy over which of the two was definitive. Since then, scholars have discovered half a dozen parent texts for later twentieth-century printings, including William Dean Howells’s version from 1920 and the 1933 Golden Book version.

While traditional critical editions gather evidence and make an argument for adopting one text as preferable to others,“The Yellow Wall-Paper” by Charlotte Perkins Gilman: A Dual-Text Critical Edition, edited by Shawn St. Jean, offers both manuscript and magazine versions, critically edited and printed in parallel for the first time. New significance appears in such facets as the magazine’s accompanying illustrations, its lineation and paragraphing, Gilman’s choice of pronouns, and her original handwritten ending.

This critical edition of “The Yellow Wall-Paper” includes a full and nontraditional apparatus, making it easy for students and scholars to study the more than four hundred variants between the two texts. Four new essays, written especially for this volume, explore the implications of this multitext model.

In The Tenets of Cognitive Existentialism, Dimitri Ginev draws on developments in hermeneutic phenomenology and other programs in hermeneutic philosophy to inform an interpretative approach to scientific practices. At stake is the question of whether it is possible to integrate forms of reflection upon the ontological difference in the cognitive structure of scientific research. A positive answer would have implied a proof that (pace Heidegger) “science is able to think.” This book is an extended version of such a proof. Against those who claim that modern science is doomed to be exclusively committed to the nexus of objectivism and instrumental rationality, the interpretative theory of scientific practices reveals science’s potentiality of hermeneutic self-reflection. Scientific research that takes into consideration the ontological difference has resources to enter into a dialogue with Nature.

Ginev offers a critique of postmodern tendencies in the philosophy of science, and sets out arguments for a feminist hermeneutics of scientific research.

Short-listed for the Fage & Oliver Prize for outstanding scholarly work published on Africa.

Finalist, African Studies Association Book Prize.

Finalist, ASA Bethwell A. Ogot Prize for best book in east African studies.

If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context.

Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.

Set in the run-up and aftermath of the 2016 election, Pop brings the Canard County trilogy to a close as Dawn, the young narrator of Gipe’s first novel, Trampoline, is now the mother of the seventeen-year-old Nicolette. Whereas Dawn has become increasingly agoraphobic as the internet persuades her the world is descending into chaos, Nicolette narrates an Appalachia where young people start businesses rooted in local food culture and work to build community. But Nicolette’s precocious rise in the regional culinary scene is interrupted when her policeman cousin violently assaults her, setting in motion a chain of events that threaten to destroy the family—and Canard County in the process. In the tradition of Gipe’s first two novels, Pop’s Appalachia is full of clear-eyed, caring, creative, and complicated people struggling to hang on to what is best about their world and reject what is not. Their adventures reflect an Appalachia that is overrun by outside commentators looking for stories to tell about the region—sometimes positive, sometimes negative, but almost always oversimplified.

Dawn Jewell is fifteen. She is restless, curious, and wry. She listens to Black Flag, speaks her mind, and joins her grandmother’s fight against mountaintop removal mining almost in spite of herself. “I write by ear,” says Robert Gipe, and Dawn’s voice is the essence of his debut novel, Trampoline. She lives in eastern Kentucky with her addict mother and her Mamaw, whose stance against the coal companies has earned her the community’s ire. Jagged and honest, Trampoline is a powerful portrait of a place struggling with the economic and social forces that threaten and define it. Inspired by oral tradition and punctuated by Gipe’s raw and whimsical drawings, it is above all about its heroine, Dawn, as she decides whether to save a mountain or save herself; be ruled by love or ruled by anger; remain in the land of her birth or run for her life.

Finalist, 2019 Weatherford Award (Fiction)

A finalist for the 2019 Weatherford Award in Fiction, Weedeater  is a contemporary story of love and loss told by a pair of eastern Kentucky mountaineers: Gene, the lovelorn landscaper who bears witness to the misadventures of a family entangled in drugs, artmaking, and politics, a family beset by both environmental and self-destruction; and Dawn Jewell, a young mother  searching—for lost family members, lost youth, lost community, and lost heart.

Picking up six years after the end of Robert Gipe’s acclaimed first novel, Trampoline, in Weedeater,  the reader finds Canard County living through the last hurrah of the coal industry and the most turbulent and deadly phase of the community’s battle with opioid abuse. The events Gipe chronicles are frantic. They are told through a voice by turns taciturn and angry, yet also balanced with humor and stoic grace. Weedeater  is a story about how we put our lives back together when we lose the things we thought we couldn’t bear losing, how we find new purpose in what we thought were scraps and trash caught in the weeds.

In 1993, white American Fulbright scholar Amy Biehl was killed in a racially motivated attack near Cape Town, after spending months working to promote democracy and women’s rights in South Africa. The ironic circumstances of her death generated enormous international publicity and yielded one of South Africa’s most heralded stories of postapartheid reconciliation. Amy’s parents not only established a humanitarian foundation to serve the black township where she was killed, but supported amnesty for her killers and hired two of the young men to work for the Amy Biehl Foundation. The Biehls were hailed as heroes by Nelson Mandela, Desmond Tutu, and many others in South Africa and the United States—but their path toward healing was neither quick nor easy.

Granted unrestricted access to the Biehl family’s papers, Steven Gish brings Amy and the Foundation to life in ways that have eluded previous authors. He is the first to place Biehl’s story in its full historical context, while also presenting a gripping portrait of this remarkable young woman and the aftermath of her death across two continents.

Gissing’s career, which spanned the period of about 1877 to his death in 1903, was characterized by prodigious output (almost a novel a year in the early days), modest recognition, and modest income. He wrote of poverty, socialism, class differences, social reform, and later on, about the problems of women and industrialization. His best known works are New Grub Street (1891) and Private Papers of Henry Ryecroft (1903), rich sources of social commentary that reflect a literary transition from the Victorian to the modern period.

For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927. Now the editors have culled widely scattered sources—private and public collections, journals, newspapers, memoirs, biographies, and sales catalogs—to gather and organize Gissing’s correspondence, including letters to him, and to provide an editorial context.

The years 1892-1895 saw an increase in the bulk and scope of Gissing’s literary production, coinciding with his new and cordial association with publishers Bullen and Lawrence. During this period, the partners published Denzil Quarrier, The Odd Women, In the Year of Jubilee, ad Eve’s Ransom, while A. and C. Black brought out Born in Exile. Gissing’s correspondence with his publishers, some of which is printed here for the first time, is matched in significance by his letters to his literary agent William Morris Colles and to editors such as Clement Shorter, who were instrumental in turning Gissing to the short story. His domestic life remained grim: his unfortunate marriage ruled out the possibility of satisfactory social relationships, and his anxiety over the care of his son Walter was eased only by sending the infant away to stay with strangers. New friends, especially Clara Collet and Edward Clodd, were a precious asset—in their presence he could be his better self, a highly cultured, joy-loving individual whose work was finding greater favor with the public.

The Cold War is back in the news. So is history, in the sense of past geopolitical confrontations that for a span of a few decades were thought to be largely decoupled from present-day political developments. Of course, such reflexive reactions lack nuance and, until the Russian invasion of Ukraine in February 2022, tended to refer more to tensions between the United States and China. We should neither see Russia’s aggressive war in Ukraine immediately as part of a new cold war—though it could certainly become one of its foundation pieces—nor define history simply in terms of warfare and conflict. Yet such history has great appeal in efforts to understand the dizzying and depressing events of recent years. For example, correspondents and commentators have likened the delivery of weapons systems, protective gear, and humanitarian aid to a beleaguered Ukraine to the Berlin Airlift of 1948–49. But relying on history as a guide may mislead as much as enlighten. No city symbolizes the Cold War quite as Berlin does. When we think of the Cold War and of Berlin, we tend to emphasize the crises—the 1948–49 blockade and airlift, perhaps the 1953 East German workers’ uprising, surely the 1958­–61 crisis, during which the Berlin Wall was built—and the climactic ending of the Cold War in Europe when the wall came down. Berlin may conjure up iconic moments and tropes, from a statement attributed to Nikita Khrushchev in 1963 that Berlin was “the testicles of the West,” to John F. Kennedy’s insistence that all free men had to be invested in the defense of Berlin, to Ronald Reagan’s exhortation to Mikhail Gorbachev to “tear down this wall.” For American presidents (or presidential hopefuls), Berlin and the Brandenburg Gate have remained powerful images, even in the twenty-first century. A presence in Berlin signals strong leadership in the West, even though the proximate reasons why the West, as a political construct, emerged in the first place may be gone. In that sense, Berlin also stands for overcoming the past: first, West Berlin as the counterpoint not only to eastern communism but also to defeated fascism, and second, the new Berlin as the capital of a unified Germany and as a symbol that the West has won.

This brilliant little book tells the story of the African National Congress (ANC) Youth League from its origins in the 1940s to the present and the controversies over Julius Malema and his influence in contemporary youth politics. Glaser analyzes the ideology and tactics of its founders, some of whom (notably Nelson Mandela and Oliver Tambo) later became iconic figures in South African history as well as inspirational figures such as A. P. Mda (father of author Zakes Mda) and Anton Lembede. It shows how the early Youth League gave birth not only to the modern ANC but also to its rival, the Pan Africanist Congress. Dormant for many years, the Youth League reemerged in the transition era under the leadership of Peter Mokaba—infused with the tradition of the militant youth politics of the 1980s. Throughout its history the Youth League has tried to “dynamize” and criticize the ANC from within, while remaining devoted to the mother body and struggling to find a balance between loyalty and rebellion.

In the aftermath of the Civil War, legislators in the Nebraska Territory grappled with the responsibility of forming a state government as well as with the larger issues of reconstructing the Union, protecting civil rights, and redefining federal-state relations. In the years that followed, Nebraskans coped with regional and national economic collapses. Nebraska women struggled for full recognition in the legal profession. Meyer v. Nebraska, a case involving a teacher in a one-room rural Nebraska schoolhouse, changed the course of American constitutional doctrine and remains one of the cornerstones of civil liberties law. And Roscoe Pound, a boy from Lincoln, went on to become one of the nation’s great legal philosophers.

Nebraska holds a prominent position in the field of Native American legal history, and the state’s original inhabitants have been at the center of many significant developments in federal Indian policy. Nebraska Indian legal history is replete with stories of failure and success, heartache and triumph, hardship and hope. These stories are more than a mere record of the past, of treaties broken or trials won—they are reminders of the ongoing and sometimes tense relations among the many peoples and nations that make up the heartland.

Much of Nebraska law reflects mainstream American law, yet Nebraskans also have been open to experiment and innovation. The state revamped the legislative process by establishing the nation’s only unicameral legislature and pioneered public employment collective bargaining and dispute resolution through its industrial relations commission and its relaxation of strict separation of powers. These seemingly contradictory trends, however, are but differing expressions of a single underlying principle inscribed in the state’s motto: “Equality Before the Law.”

For more than 200 years no institution has been more important to the development of the American democratic polity than the state legislature, yet no political institution has been so neglected by historians. Although more lawmaking takes place in the state capitals than in Washington D.C., scholars have lavished their attention on Congress, producing only a handful of histories of state legislatures. Most of those histories have focused on discrete legislative acts rather than on legislative process, and all have slighted key aspects of the legislative environment: the parliamentary rules of play, the employees who make the game possible, the physical setting—the arena—in which the people’s representatives engage in conflict and compromise to create public policy.

This book relates in fascinating detail the history of the Ohio General Assembly from its eighteenth-century origins in the Northwest Territory to its twenty-first-century incarnation as a full-time professional legislature. Democracy in Session explains the constitutional context within which the General Assembly functions, examines the evolution of legislative committees, and explores the impact of technology on political contests and legislative procedure. It sheds new light on the operations of the House and Senate clerks’ offices and on such legislative rituals as seat selection, opening prayers, and the Pledge of Allegiance. Partisan issues and public policy receive their due, but so do ethics and decorum, the election of African American and female legislators, the statehouse, and the social life of the members. Democracy in Session is, in short, the most comprehensive history of a state legislature written to date and an important contribution to the story of American democracy.

Ohio’s Rufus P. Ranney embodied many of the most intriguing social and political tensions of his time. He was an anticorporate campaigner who became John D. Rockefeller’s favorite lawyer. A student and law partner of abolitionist Benjamin F. Wade, Ranney acquired an antislavery reputation and recruited troops for the Union army; but as a Democratic candidate for governor he denied the power of Congress to restrict slavery in the territories, and during the Civil War and Reconstruction he condemned Republican policies.

Ranney was a key delegate at Ohio’s second constitutional convention and a two-time justice of the Ohio Supreme Court. He advocated equality and limited government as understood by radical Jacksonian Democrats. Scholarly discussions of Jacksonian jurisprudence have primarily focused on a handful of United States Supreme Court cases, but Ranney’s opinions, taken as a whole, outline a broader approach to judicial decision making.

A founder of the Ohio State Bar Association, Ranney was immensely influential but has been understudied until now. He left no private papers, even destroying his own correspondence. In The Jacksonian Conservatism of Rufus P. Ranney, David M. Gold works with the public record to reveal the contours of Ranney’s life and work. The result is a new look at how Jacksonian principles crossed the divide of the Civil War and became part of the fabric of American law and at how radical antebellum Democrats transformed themselves into Gilded Age conservatives.

When Deborah Gold and her husband signed up to foster parent in their rural mountain community, they did not foresee that it would lead to a roller-coaster fifteen years of involvement with a traumatized yet resilient birth family. They fell in love with Michael (a toddler when he came to them), yet they had to reckon with the knowledge that he could leave their lives at any time.

In Counting Down, Gold tells the story of forging a family within a confounding system. We meet social workers, a birth mother with the courage to give her children the childhood she never had herself, and a father parenting from prison. We also encounter members of a remarkable fellowship of Appalachian foster parents—gay, straight, right, left, evangelical, and atheist—united by love, loss, and quality hand-me-downs.

Gold’s memoir is one of the few books to deliver a foster parent’s perspective (and, through Michael’s own poetry and essays, that of a former foster child). In it, she shakes up common assumptions and offers a powerfully frank and hopeful look at an experience often portrayed as bleak.

At the end of World War II, the Allies were unanimous in their determination to disarm the former aggressor Germany. As the Cold War intensified, however, the decision whether to reverse that policy and to rearm West Germany as a bulwark against the Soviet threat led to disagreements both within the US government and among members of the nascent NATO alliance. The US military took the practical view that a substantial number of German troops would be required to deter any potential Soviet assault. The State Department, on the other hand, initially advocated an alternative strategy of strengthening European institutions but eventually came around to the military’s position that an armed West Germany was preferable to a weak state on the dividing line between the Western democracies and the Soviet satellite states.

Sheldon A. Goldberg traces the military, diplomatic, and political threads of postwar policy toward West Germany and provides insights into the inner workings of alliance building and the roles of bureaucrats and military officers as well as those of diplomats and statesmen. He draws on previously unexamined primary sources to construct a cogent account of the political and diplomatic negotiations that led to West Germany’s accession to NATO and the shaping of European order for the next forty years.

Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader. Recently, women have begun to study and perform in this traditionally male role, an innovation that has triggered resistance and controversy.

In Women in the Shadows, Jennifer Goodlander draws on her own experience training as a dalang as well as interviews with early women dalang and leading artists to upend the usual assessments of such gender role shifts. She argues that rather than assuming that women performers are necessarily mounting a challenge to tradition, “tradition” in Bali must be understood as a system of power that is inextricably linked to gender hierarchy.

She examines the very idea of “tradition” and how it forms both an ideological and social foundation in Balinese culture. Ultimately, Goodlander offers a richer, more complicated understanding of both tradition and gender in Balinese society. Following in the footsteps of other eminent reflexive ethnographies, Women in the Shadows will be of value to anyone interested in performance studies, Southeast Asian culture, or ethnographic methods.

Invisible Agents shows how personal and deeply felt spiritual beliefs can inspire social movements and influence historical change. Conventional historiography concentrates on the secular, materialist, or moral sources of political agency. Instead, David M. Gordon argues, when people perceive spirits as exerting power in the visible world, these beliefs form the basis for individual and collective actions. Focusing on the history of the south-central African country of Zambia during the nineteenth and twentieth centuries, his analysis invites reflection on political and religious realms of action in other parts of the world, and complicates the post-Enlightenment divide of sacred and profane.

The book combines theoretical insights with attention to local detail and remarkable historical sweep, from oral narratives communicated across slave-trading routes during the nineteenth century, through the violent conflicts inspired by Christian and nationalist prophets during colonial times, and ending with the spirits of Pentecostal rebirth during the neoliberal order of the late twentieth century. To gain access to the details of historical change and personal spiritual beliefs across this long historical period, Gordon employs all the tools of the African historian. His own interviews and extensive fieldwork experience in Zambia provide texture and understanding to the narrative. He also critically interprets a diverse range of other sources, including oral traditions, fieldnotes of anthropologists, missionary writings and correspondence, unpublished state records, vernacular publications, and Zambian newspapers.

Invisible Agents will challenge scholars and students alike to think in new ways about the political imagination and the invisible sources of human action and historical change.

Indigenous knowledge has become a catchphrase in global struggles for environmental justice. Yet indigenous knowledges are often viewed, incorrectly, as pure and primordial cultural artifacts. This collection draws from African and North American cases to argue that the forms of knowledge identified as “indigenous” resulted from strategies to control environmental resources during and after colonial encounters.

At times indigenous knowledges represented a “middle ground” of intellectual exchanges between colonizers and colonized; elsewhere, indigenous knowledges were defined through conflict and struggle. The authors demonstrate how people claimed that their hybrid forms of knowledge were communal, religious, and traditional, as opposed to individualist, secular, and scientific, which they associated with European colonialism.

Indigenous Knowledge and the Environment offers comparative and transnational insights that disturb romantic views of unchanging indigenous knowledges in harmony with the environment. The result is a book that informs and complicates how indigenous knowledges can and should relate to environmental policy-making.

Contributors: David Bernstein, Derick Fay, Andrew H. Fisher, Karen Flint, David M. Gordon, Paul Kelton, Shepard Krech III, Joshua Reid, Parker Shipton, Lance van Sittert, Jacob Tropp, James L. A. Webb, Jr., Marsha Weisiger

Beginning with the closing decade of European colonial rule in Southeast Asia and covering the wartime Japanese empire and its postwar disintegration, Tensions of Empire focuses on the Japanese in Southeast Asia, Indonesians in Japan, and the legacy of the war in Southeast Asia. It also examines Japanese perceptions of Southeast Asia and the lingering ambivalence toward Japanese involvement in Asia and toward the war in particular.

Drawing on extensive multilingual archival research and interviews, Ken‘ichi Goto has produced a factually rich and balanced view of this region’s historical events of the last century.

Tensions of Empire features detailed discussions of Portuguese Timor in the 1930s and 1940s, the decolonization of Malaya, and twentieth-century Indonesia. This extended inquiry yields a unique view of the complicated network within and beyond the colonial and imperial relationships between a one-time nonwestern colonial power and an entire region.

Of great interest to students of Japan-Southeast Asia relations and to specialists in the modern history of both Southeast Asia and Japan, Professor Goto’s Tensions of Empire is a fascinating account of Japan’s recent past from the inside.

The Experiment Must Continue is a beautifully articulated ethnographic history of medical experimentation in East Africa from 1940 through 2014. In it, Melissa Graboyes combines her training in public health and in history to treat her subject with the dual sensitivities of a medical ethicist and a fine historian. She breathes life into the fascinating histories of research on human subjects, elucidating the hopes of the interventionists and the experiences of the putative beneficiaries.

Historical case studies highlight failed attempts to eliminate tropical diseases, while modern examples delve into ongoing malaria and HIV/AIDS research. Collectively, these show how East Africans have perceived research differently than researchers do and that the active participation of subjects led to the creation of a hybrid ethical form.

By writing an ethnography of the past and a history of the present, Graboyes casts medical experimentation in a new light, and makes the resounding case that we must readjust our dominant ideas of consent, participation, and exploitation. With global implications, this lively book is as relevant for scholars as it is for anyone invested in the place of medicine in society.

How does anxiety impact narratives about African history, culture, and society?

This volume demonstrates the richness of anxiety as an analytical lens within African studies. Contributors call attention to ways of thinking about African spaces—physical, visceral, somatic, and imagined—as well as about time and temporality. Through a multidisciplinary approach, the volume also brings histories of anxiety in colonial settings into conversation with work on the so-called negative emotions in disciplines beyond history. While anxiety has long been acknowledged for its ability to unsettle colonial narratives, to reveal the vulnerability of the colonial enterprise, this volume shows it can equally complicate contemporary narratives, such as those of sustainable development, migration, sexuality, and democracy. These essays therefore highlight the need to take emotions seriously as contemporary realities with particular histories that must be carefully mapped out.

Few American states can match the rich and diverse transportation heritage of Ohio. Every major form of public conveyance eventually served the Buckeye state. From the “Canal Age” to the “Interurban Era,” Ohio emerged as a national leader. The state’s central location, abundant natural resources, impressive wealth, shrewd business leadership, and episodes of good fortune explain the dynamic nature of its transport past.

Ohio on the Move is the first systematic scholarly account of the transportation history of Ohio. To date, little has appeared on several subjects discussed here, including intercity bus and truck operations and commercial aviation. The more familiar topics of river and lake transport, canals, steam railroads, electric interurbans, and mass transit are extensively explored in the Ohio context.

In this inaugural volume of Ohio University Press’s Ohio Bicentennial Series, Professor Grant demonstrates the truth of the slogan that Ohio is “the heart of it all” - not solely by location but also in the impressive network of transportation arteries that have linked the state, whether natural waterways and air space or various artificial land-travel routes.

Photographing Eden presents the first full-length collection of poems by a major new talent. The work meditates on several ideas, the crux of which is Eden: spirituality, environmentalism, and the relationships between men and women. Observing, often through the lens of a camera, our state in the world, the poems try to focus sharply on what often seems a blur. The poems are always attentive to artistic mediums and the craft behind them because our struggle is to make something perfect in the imperfect world in which we live, while acknowledging the impossibility of that quest. Gray’s poems range all over, from adventures in Egyptian ruins with machine-gun-toting tourist police to the western edge of the foggy Irish coastline, and to the mythic past, where Adam and Eve visit a zoo and Eden has become a nature preserve.

In 1837, when Queen Victoria came to the throne, no institution of higher education in Britain was open to women. By the end of the century, a quiet revolution had occurred: women had penetrated even the venerable walls of Oxford and Cambridge and could earn degrees at the many new universities founded during Victoria's reign. During the same period, novelists increasingly put intellectually ambitious heroines students, teachers, and frustrated scholars—at the center of their books. Educating Women analyzes the conflict between the higher education movement's emphasis on intellectual and professional achievement and the Victorian novel's continuing dedication to a narrative in which women's success is measured by the achievement of emotional rather than intellectual goals and by the forging of social rather than institutional ties.

Focusing on works by Charlotte Brontë, George Eliot, Anna Leonowens, and Thomas Hardy, Laura Morgan Green demonstrates that those texts are shaped by the need to mediate the conflict between the professionalism and publicity increasingly associated with education, on the one hand, and the Victorian celebration of women as emblems of domesticity, on the other. Educating Women shows that the nineteenth-century “heroines” of both history and fiction were in fact as indebted to domestic ideology as they were eager to transform it.

How to live with difference—not necessarily in peace, but with resilience, engagement, and a lack of vitriol—is a defining worry in America at this moment. The poets, fiction writers, and essayists (plus one graphic novelist) who contributed to Welcome to the Neighborhood don’t necessarily offer roadmaps to harmonious neighboring. Some of their narrators don’t even want to be neighbors. Maybe they grieve, or rage. Maybe they briefly find resolution or community. But they do approach the question of what it means to be neighbors, and how we should do it, with open minds and nuance.

The many diverse contributors give this collection a depth beyond easy answers. Their attentions to the theme of neighborliness as an ongoing evolution offer hope to readers: possible pathways for rediscovering community, even just by way of a shared wish for it. The result is an enormously rich resource for the classroom and for anyone interested in reflecting on what it means to be American today, and how place and community play a part.

Contributors include Leila Chatti, Rita Dove, Jonathan Escoffery, Rebecca Morgan Frank, Amina Gautier, Ross Gay, Mark Halliday, Joy Harjo, Edward Hirsch, Marie Howe, Sonya Larson, Dinty W. Moore, Robert Pinsky, Christine Schutt, and many more.

How to live with difference—not necessarily in peace, but with resilience, engagement, and a lack of vitriol—is a defining worry in America at this moment. The poets, fiction writers, and essayists (plus one graphic novelist) who contributed to Welcome to the Neighborhood don’t necessarily offer roadmaps to harmonious neighboring. Some of their narrators don’t even want to be neighbors. Maybe they grieve, or rage. Maybe they briefly find resolution or community. But they do approach the question of what it means to be neighbors, and how we should do it, with open minds and nuance.

The many diverse contributors give this collection a depth beyond easy answers. Their attentions to the theme of neighborliness as an ongoing evolution offer hope to readers: possible pathways for rediscovering community, even just by way of a shared wish for it. The result is an enormously rich resource for the classroom and for anyone interested in reflecting on what it means to be American today, and how place and community play a part.

Contributors include Leila Chatti, Rita Dove, Jonathan Escoffery, Rebecca Morgan Frank, Amina Gautier, Ross Gay, Mark Halliday, Joy Harjo, Edward Hirsch, Marie Howe, Sonya Larson, Dinty W. Moore, Robert Pinsky, Christine Schutt, and many more.

The author of the Hardy Boys Mysteries was, as millions of readers know, Franklin W. Dixon. Except there never was a Franklin W. Dixon. He was the creation of Edward Stratemeyer, the savvy founder of a children’s book empire that also published the Tom Swift, Bobbsey Twins, and Nancy Drew series.

The Secret of the Hardy Boys: Leslie McFarlane and the Stratemeyer Syndicate recounts how a newspaper reporter with dreams of becoming a serious novelist first brought to life Joe and Frank Hardy, who became two of the most famous characters in children’s literature.

Embarrassed by his secret identity as the author of the Hardy Boys books, Leslie McFarlane admitted it to no one-his son pried the truth out of him years later. Having signed away all rights to the books, McFarlane never shared in the wild financial success of the series. Far from being bitter, however, late in life McFarlane took satisfaction in having helped introduce millions of children to the joys of reading.

Commenting on the longevity of the Hardy Boys series, the New York Times noted, “Mr. McFarlane breathed originality into the Stratemeyer plots, loading on playful detail.”

Author Marilyn Greenwald gives us the story of McFarlane’s life and career, including for the first time a compelling account of his writing life after the Hardy Boys. A talented and versatile writer, McFarlane adapted to sweeping changes in North American markets for writers, as pulp and glossy magazines made way for films, radio, and television. It is a fascinating and inspiring story of the force of talent and personality transcending narrow limits.

For twenty-five years, Charlotte Curtis was a society/women's reporter and editor and an op-ed editor at the New York Times. As the first woman section editor at the Times, Curtis was a pioneering journalist and one of the first nationwide to change the nature and content of the women's pages from fluffy wedding announcements and recipes to the more newsy, issue-oriented stories that characterize them today. In this riveting biography, Marilyn Greenwald describes how a woman reporter from Columbus, Ohio, broke into the ranks of the male-dominated upper echelon at the New York Times. It documents what she did to succeed and what she had to sacrifice.

Charlotte Curtis paved the way for the journalists who followed her. A Woman of the Times offers a chronicle of her hard-won journey as she invents her own brand of feminism during the 1960s and 1970s. In the telling of this remarkable woman’s life is the story, as well, of a critical era in the nation’s social history.

Carlos Guevara Mann argues that Panamanian militarism, a consequence of the breakdown of legitimacy that occurred in the early nineteenth century, is more a manifestation of a deeply-rooted political tradition than an isolated phenomenon of the late twentieth century. He examines the variable US policy approach to domestic stability with the overall context of US hegemony in the isthmus and its shaping of Panamanian militarism.

Focusing on the causes that generated nineteenth-century predatory militarism, including political illegitimacy and US support, Guevara Mann analyzes the so-called professionalization of the armed forces — institutionalized militarism — and the polices developed by the 1968-89 military regime.

The author cautions that although Panamanian Defense Forces were abolished after the US invasion of December 1989, and although the state’s security apparatus has been placed under civilian direction, Panama’s stability remains threatened. Lack of legitimacy — the characteristic which informs military involvement in politics — still persists, and militarism could well reappear if the Panamanian polity fails to achieve legitimacy.

Contrary to modern theories of developing nations, Brunei Darussalam, which has a very high rate of literacy, is also one of the few countries where the traditional elite retains absolute political power. Professor Gunn's comprehensive study, which assesses the state's efforts to implement national language policies, explores the aspects of the complex relationship between language and power including the oral tradition, the rise of Islamic literacy, print culture and mass literacy, and the electronic media and its effects.

Deeply rooted in respect and compassion for Appalachia and its people, these poems are both paeans to and dirges for past and present family, farmlands, factories, and coal. Kari Gunter-Seymour’s second full-length collection resounds with candid, lyrical poems about Appalachia’s social and geographical afflictions and affirmations. History, culture, and community shape the physical and personal landscapes of Gunter-Seymour’s native southeastern Ohio soil, scarred by Big Coal and fracking, while food insecurity and Big Pharma leave their marks on the region’s people. A musicality of language swaddles each poem in hope and a determination to endure. Alone in the House of My Heart offers what only art can: a series of thought-provoking images that evoke such a clear sense of place that it’s familiar to anyone, regardless of where they call home.

In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden’s Pearl) to the docudramatic (David Rudkin’s Cries from Casement), from the curtly conversational (Harold Pinter’s A Slight Ache) to the virtually operatic (Robert Ferguson’s Transfigured Night), testifying to radio drama’s variety and literary stature. Two of the plays included in this study pose aesthetic questions—the role of art in politics (Howard Barker’s Scenes from an Execution), and the nature of artistic excellence (Tom Stoppard’s Artist Descending a Staircase).

Guralnick contends that well-crafted radio plays tend to meld to their medium so naturally that they cannot be transferred to the theater or to film without being diminished. Each play is thus shown to exploit, to special effect, one of radio’s fundamental features: its invisible stage (Barker and Stoppard), its affinity to music (Ferguson and Beckett), its ability to imitate the mind’s subjectivity (Kopit and Pinter), its association with world events through features and the news (Rudkin). As for the question of radio’s relation to the theater, the issue is engaged in the work of John Arden, who dares to portray a theatrical stage on the airwaves, while intimating that the radio offers contemporary playwrights an incomparable boon: creative conditions roughly equivalent to those enjoyed by Shakespeare.