A SCHOLARLY BOOK REPOSITORY57 have author last names that start with C have author last names that start with C
In his stories about where we came from and who we are, Callahan uses autobiographical episodes to illustrate his scientific points. Through stories about the sex lives of wood lice, the biological advantages of eating dirt, the question of immortality, the relationship between syphilis and the musical genius of Beethoven, and more, this book creates another way, a chimeric way, of seeing ourselves. The general reader with an interest in science will find Lousy Sex fascinating.
Remembering Ludlow but Forgetting the Columbine examines the causes, context, and legacies of the 1927 Columbine Massacre in relation to the history of labor organizing and coal mining in both Colorado and the United States. While historians have written prolifically about the 1914 Ludlow Massacre, there has been a lack of attention to the violent event remembered now as the Columbine Massacre in which police shot and killed six striking coal miners and wounded sixty more protestors during the 1927–1928 Colorado Coal Strike, even though its aftermath exerted far more influence upon subsequent national labor policies.
This volume is a comparative biography of three key participants before, during, and after the strike: A. S. Embree, the IWW strike leader; Josephine Roche, the owner of the coal mine property where the Columbine Massacre took place; and Powers Hapgood, who came to work for Roche four months after she signed the 1928 United Mine Worker’s contract. The author demonstrates the significance of this event to national debates about labor during the period, as well as changes and continuities in labor history starting in the progressive era and continuing with 1930s New Deal labor policies and through the 1980s.
This examination of the 1927–1928 Colorado Coal Strike reorients understandings of labor history from the 1920s through the 1960s and the construction of public memory—and forgetting—surrounding those events. Remembering Ludlow but Forgetting the Columbine appeals to academic and general readers interested in Colorado history, labor history, mining history, gender studies, memory, and historiography.
The Lapidary’s Nosegay, Lara Candland’s primer of poems, presents to readers a bouquet of resplendent poems that Candland has created, collaged, curated, and reimagined by using the rich floral and gem imagery in the poetry of Emily Dickinson as her primary source material. Dickinson and Candland share linguistic and theological roots in the Bible, nineteenth-century American Protestantism, and a lexicon distinctive to their specific individuarian communities, and this collection of poems draws a serpentine kind of map across nearly two centuries, journeying from Amherst, Massachusetts, to Provo, Utah, from Dickinson’s severe and lush New England to Candland’s own jagged, harsh, and stunning high desert Utah. The Lapidary’s Nosegay explores the ways that both poets have simultaneously challenged and embraced the axiomatic constraints of religion, landscape, and cultural conventions and expectations of each poet’s time and place.
Aesthetically, Candland attempts to challenge the hierarchies of the page through linguistic, typographic, and sonic experimentation. The Lapidary’s Nosegay carries Dickinsonian echoes to alliterative and parenthetic excessivities that indicate sound stresses or that pictographically invoke sun, god, ghosts, ecstasy, and the jewels and flowers tumbling throughout Dickinson’s own poems. This collection works at toppling textual hierarchies, systematically jumbling sound, text, meaning, symbol, and context and entering the vein of radical American aesthetics, politics, and culture that have shaped Candland’s life and poetics.
Disentangling the motivations and institutions that foster group cooperation among competitive individuals remains one of the few great conundrums within evolutionary theory. The breadth and material focus of archaeology provide a much needed complement to existing research on cooperation and collective action, which thus far has relied largely on game-theoretic modeling, surveys of college students from affluent countries, brief ethnographic experiments, and limited historic cases. In Cooperation and Collective Action, diverse case studies address the evolution of the emergence of norms, institutions, and symbols of complex societies through the last 10,000 years. This book is an important contribution to the literature on cooperation in human societies that will appeal to archaeologists and other scholars interested in cooperation research.
Exploring the materiality of this volcanic glass rather than only its functionality, this book considers the interplay among people, obsidian, and meaning and how these relationships shaped patterns of procurement, exchange, and use. An international group of scholars hailing from Belize, France, Japan, Mexico, and the United States provides a variety of case studies from Mexico, Guatemala, Belize, and Honduras. The authors draw on archaeological, iconographic, ethnographic, and ethnohistoric data to examine obsidian as a touchstone for cultural meaning, including references to sacrificial precepts, powerful deities, landscape, warfare, social relations, and fertility.
Obsidian Reflections underscores the necessity of understanding obsidian from within its cultural context—the perspective of the indigenous people of Mesoamerica. It will be of great interest to Mesoamericanists as well as students and scholars of lithic studies and material culture.
The Archaeology of Large-Scale Manipulation of Prey explores the social and functional aspects of large-scale hunting adaptations in the archaeological record. Mass-kill hunting strategies are ubiquitous in human prehistory and exhibit culturally specific economic, social, environmental, and demographic markers. Here, seven case studies—primarily from the Americas and spanning from the Folsom period on the Great Plains to the ethnographic present in Australia—expand the understanding of large-scale hunting methods beyond the customary role of subsistence and survival to include the social and political realms within which large-scale hunting adaptations evolved.
Addressing a diverse assortment of archaeological issues relating to the archaeological signatures and interpretation of mass-kill sites, The Archaeology of Large-Scale Manipulation of Prey reevaluates and rephrases the deep-time development of hunting and the themes of subsistence to provide a foundation for the future study of hunting adaptations around the globe. Authors illustrate various perspectives and avenues of investigation, making this an important contribution to the field of zooarchaeology and the study of hunter-gatherer societies throughout history. The book will appeal to archaeologists, ethnologists, and ecologists alike.
Contributors: Jane Balme, Jonathan Driver, Adam C. Graves, David Maxwell, Ulla Odgaard, John D. Speth, María Nieves Zedeño
Open-air sites are difficult for researchers to locate and, because of depositional processes, often more difficult to interpret; they contain many superimposed events but often show evidence of only the most recent. Working to overcome the limitations of data and poor preservation, using decades of prior research and new analytical tools, and diverging from a one-size-fits-all mode of interpretation, the contributors to this volume offer fresh insight into the formation and taphonomy of open-air sites.
Contributors: Douglas B. Bamforth, Ian Buvit, Brian J. Carter, Robin Cordero, Robert Dello-Russo, George C. Frison, Kelly E. Graf, Bruce B. Huckell, Michael A. Jochim, Joshua D. Kapp, Robert L. Kelly, Aleksander V. Konstantinov, Banks Leonard, Madeline E. Mackie, Christopher W. Merriman, Matthew J. O’Brien, Spencer Pelton, Neil N. Puckett, Beth Shapiro, Todd A. Surovell, Karisa Terry, Steve Teteak, Robert Yohe
- American Anthropologist
"A must for both professional and serious non-professional students in Mesoamerica. Those who are interested in complex society and urbanism in general, as well as students of comparative religion, will find it stimulating. Most importantly, for anyone interested in the history of ideas, the book illuminates the tremendously powerful impact and role of a complex deity/mythico-historical figure in shaping one of the world's great pristine civilizations."
- Queen's Quarterly
The contributors to Mesoamerica's Classic Heritage offer a wide range of individual interpretations, but they agree that Teotihuacan, more than any other pre-Hispanic center, was a paradigmatic source that formed the art and architecture, cosmology and ritual life, and conceptions of urbanism and political authority for significant parts of the Mesoamerican world. This great city achieved the prestige of being the site of the creation of the cosmos and of effective social and political space in Mesoamerica through its capacity to symbolize, perform, and export its imperial authority. These essays reveal the different ways in which Teotihuacan's classic heritage both fed and fed on the dynamic interactivity of the entire area. Whether or not a paradigm shift in Mesoamerican studies is taking place, certainly a new contextual understanding of Teotihuacan and the diversities and unities of Mesoamerica is emerging in these pages.
With nearly 150 full-color illustrations, Moctezuma’s Mexico is an important and handsome book that will appeal to scholars and students of Mexico’s indigenous past.
Along with photographer Jack Parsons, Marie Romero Cash visited every church in the region and documented, identified, and measured each santos. Together they photographed more than 500 pieces, including 19 moradas (places of worship for Penitentes) and the Archdiocese of Santa Fe Collection housed at the Museum of International Folk Art.
Cash's extensive research into these formerly "anonymous" artisans fills a gap in the study of this unique form, making Santos indispensable for art historians and the general reader interested in the culture and art of the American Southwest.
Focusing on the Postclassic and Colonial periods, Maya Worldviews at Conquest provides a regional investigation of archaeological and epigraphic evidence of Maya ideology, landscape, historical consciousness, ritual practices, and religious symbolism before and during the Spanish conquest. Through careful investigation, the volume focuses on the impact of conversion, hybridization, resistance, and revitalization on the Mayans’ understanding of their world and their place in it.
The volume also addresses the issue of anthropologists unconsciously projecting their modern worldviews on the culture under investigation. Thus, the book critically defines and strengthens the use of worldviews in the scholarly literature regardless of the culture studied, making it of value not only to Maya scholars but also to those interested in the anthropologist’s projection of worldview on other cultures in general.
In We Remain Traditional, Sylvia Chan juxtaposes the elegy, the conflict, and the brashness of a relationship that summons wild musicality in its love and frustration. Through the speaker and Adam, the beloveds offer thirty-two consolations for the gendered history of Chinese American women—a break and affirmation of their traditions. What saves these two characters is their music—a peace treaty for the book’s form or “fractured paradise,” a language that protects and protests their bodies in Oakland, California.
Marked by vulnerability and intimacy, Chan interrogates a young woman’s childhood sexual abuse. In the vein of Stacy Doris and Paul Celan, Chan asks, because she is a child of violent tradition, what is her visceral grief? This is a speaker who aspires to create universal experiences for her listeners, to transform jazz into narrative. This is a wild, beautiful, and ambitious first book: Chan refuses to apologize for the terror in her conviction and compassion. To choose a man who is behind her sexual, psychological, and political exploitation is to forgive his narcissism, aggression, and addiction. To love, simply, is to live unafraid of pushing boundaries and being happy.
Supplemented with additional archival research, the wills provide new and detailed descriptions of various aspects of life in eighteenth-century Ixil. In each chapter, authors Mark Christensen and Matthew Restall examine a different dimension of Ixil’s colonial history, including the role of notaries, Maya participation in a coastal militia, economy and modes of production, religious life and records, and the structures and patterns of familial relationships. These details offer insight into the complex network of societies in colonial Yucatan, colonial Mesoamerica, and colonial Latin America.
Including an appendix presenting the original Maya texts as well as translations by Christensen and Restall, Return to Ixil not only analyzes the largest body of substantive wills in any Mayan language known today but also provides a rare closeup view of the inner workings of a colonial Maya town and the communal and familial affairs that made up a large part of the Maya colonial experience. It will be of great interest to Mayanists as well as to students and scholars of history, anthropology, ethnohistory, linguistics, and social history.
The publication of this book is supported in part byBrigham Young University and Penn State University.
The Title of Totonicapán is a land title written by surviving members of the K’iche’ Maya nobility, a branch of the Maya that dominated the highlands of western Guatemala prior to the Spanish invasion in 1524, and it was duly signed by the ruling lords of all three major K’iche’ lineages—the Kaweqib’, the Nijayib’, and the Ajaw K’iche’s. Titles of this kind were relatively common for Maya communities in the Guatemalan highlands in the first century after the Spanish Conquest as a means of asserting land rights and privileges for its leaders. Like the Popol Vuh, the Title of Totonicapán is written in the elevated court language of the early Colonial period and eloquently describes the mythic origins and history of the K’iche’ people. For the most part, the Title of Totonicapán agrees with the Popol Vuh’s version of K’iche’ history and cosmology, providing a complementary account that attests traditions that must have been widely known and understood. But in many instances the Totonicapán document is richer in detail and departs from the Popol Vuh’s more cursory description of history, genealogy, and political organization. In other instances, it contradicts assertions made by the authors of the Popol Vuh, perhaps a reflection of internal dissent and jealousy between rival lineages within the K’iche’ hierarchy. It also contains significant passages of cosmology and history that do not appear in any other highland Maya text.
This volume makes a comprehensive and updated edition of the Title of Totonicapán accessible to scholars and students in history, anthropology, archaeology, and religious studies in Latin America, as well as those interested in Indigenous literature and Native American/Indigenous studies more broadly. It is also a stand-alone work of Indigenous literature that provides additional K’iche’ perspectives, enhancing the reading of other colonial Maya sources.
"Family System is one of the most specific and clarifying books of poetry I’ve ever read. It is filled with choices—made, to be made, not made—handled with a poetic understanding that what seems arbitrary will be inevitable when said with the right words while singing the right songs. This is a stand-out first book, introducing a first-rate original talent, doing powerful work, making quintessentially lyrical choices. Don’t miss this book.”
—Dara Wier
“It seems that Jack Christian’s brain is able to produce tiny lucid creatures, have them run and sprinkle over a map of an unknown world with joy, speed and delight. Even stranger, he’s somehow the spiritual offspring of very different ancestors: Pascal’s Esprit de Geometrie and Scandinavian mythology. ‘I was eulogizing a squirrel in a shoebox.’ Brilliant.”
—Tomaž Šalamun
Political Landscapes of Capital Cities blends the historical, political, and cultural narratives of capital cities such as Bangkok, Cusco, Rome, and Tehran with a careful visual analysis, hinging on the methodological tools of not only architectural and urban design but also cultural, historiographical, and anthropological studies. The collection provides further ways to conceive of how processes of urbanization, monumentalization, ritualization, naturalization, and unification affected capitals differently without losing grasp of local distinctive architectural and spatial features. The essays also articulate the many complex political and ideological agendas of a diverse set of sovereign entities that planned, constructed, displayed, and performed their societal ideals in the spaces of their capitals, ultimately confirming that political authority is profoundly spatial.
Contributors: Jelena Bogdanović, Jessica Joyce Christie, Talinn Grigor, Eulogio Guzmán, Gregor Kalas, Stephanie Pilat, Melody Rod-ari, Anne Toxey, Alexei Vranich
The Great Plains has been central to academic and popular visions of Native American warfare, largely because the region’s well-documented violence was so central to the expansion of Euroamerican settlement. However, social violence has deep roots on the Plains beyond this post-Contact perception, and these roots have not been systematically examined through archaeology before. War was part, and perhaps an important part, of the process of ethnogenesis that helped to define tribal societies in the region, and it affected many other aspects of human lives there. In Archaeological Perspectives on Warfare on the Great Plains, anthropologists who study sites across the Plains critically examine regional themes of warfare from pre-Contact and post-Contact periods and assess how war shaped human societies of the region.
Contributors to this volume offer a bird’s-eye view of warfare on the Great Plains, consider artistic evidence of the role of war in the lives of indigenous hunter-gatherers on the Plains prior to and during the period of Euroamerican expansion, provide archaeological discussions of fortification design and its implications, and offer archaeological and other information on the larger implications of war in human history. Bringing together research from across the region, this volume provides unprecedented evidence of the effects of war on tribal societies. Archaeological Perspectives on Warfare on the Great Plains is a valuable primer for regional warfare studies and the archaeology of the Great Plains as a whole.
Contributors: Peter Bleed, Richard R. Drass, David H. Dye, John Greer, Mavis Greer, Eric Hollinger, Ashley Kendell, James D. Keyser, Albert M. LeBeau III, Mark D. Mitchell, Stephen M. Perkins, Bryon Schroeder, Douglas Scott, Linea Sundstrom, Susan C. Vehik
Before incarceration, many at Amache had been farmers, gardeners, or nursery workers. Between 1942 and 1945, they applied their horticultural expertise to the difficult high plains landscape of southeastern Colorado. At Amache they worked to form microclimates, reduce blowing sand, grow better food, and achieve stability and preserve community at a time of dehumanizing dispossession. In this book archaeologist Bonnie J. Clark examines botanical data like seeds, garden-related artifacts, and other material evidence found at Amache, as well as oral histories from survivors and archival data including personal letters and government records, to recount how the prisoners of Amache transformed the harsh military setting of the camp into something resembling a town. She discusses the varieties of gardens found at the site, their place within Japanese and Japanese American horticultural traditions, and innovations brought about by the creative use of limited camp resources.
The gardens were regarded by the incarcerees as a gift to themselves and to each other. And they were also, it turns out, a gift to the future as repositories of generational knowledge where a philosophical stance toward nature was made manifest through innovation and horticultural skill. Framing the gardens and gardeners of Amache within the larger context of the incarceration of Japanese Americans and of recent scholarship on displacement and confinement, Finding Solace in the Soil will be of interest to gardeners, historical archaeologists, landscape archaeologists, cultural anthropologists, and scholars of Japanese American history and horticultural history.
This singular event is surveyed and interpreted from multiple diverse perspectives—college professors, students, and scientists and activists from a range of academic and epistemological backgrounds—with each chapter reflecting unique professional and personal experiences. Contributors examine both the context for this event and responses to it, embedding this discussion within the broader context of the tens of thousands of mines leaking pollutants into waterways and soils throughout Colorado and the failure to adequately mitigate the larger ongoing crisis.
The Gold King Mine spill was the catalyst that finally brought Superfund listing to the Silverton area; it was a truly sensational event in many respects. Gold Metal Waters will be of interest to students and scholars in all disciplines, but especially in environmental history, western history, mining history, politics, and communication, as well as general readers concerned with human relationships with the environment.
Contributors: Alane Brown, Brian L. Burke, Karletta Chief, Steven Chischilly, Becky Clausen, Michael A. Dichio, Betty Carter Dorr, Cynthia Dott, Gary Gianniny, David Gonzales, Andrew Gulliford, Lisa Marie Jacobs, Ashley Merchant, Teresa Montoya, Scott W. Roberts, Lorraine L. Taylor, Jack Turner, Keith D. Winchester, Megan C. Wrona, Janene Yazzie
In this completely redesigned and expanded edition, LaVerne Harrell Clark examines how storytellers, singers, medicine men, and painters created the animal's evolving symbolic significance by adapting existing folklore and cultural symbols. Exploring the horse's importance in ceremonies, songs, prayers, customs, and beliefs, she investigates the period of the horse's most pronounced cultural impact on the Navajo and the Apache, starting from the time of its acquisition from the Spanish in the seventeenth century and continuing to the mid-1960s, when the pickup truck began to replace it as the favored means of transportation. In addition, she presents a look at how Navajos and Apaches today continue to redefine the horse's important role in their spiritual as well as material lives.
This classic work is a must for historians, readers interested in Native American folklore and mythology, and anyone who has ever been captivated by the magic and romance of the horse.
Co-winner of the 1967 University of Chicago Folklore Award.
This book is also available as an open access ebook through the WAC Clearinghouse.
This book also includes case studies focused on wildlife management, forest preservation, tribal hunting laws, and other specific concerns in management, preservation and utilization of Native American land. An excellent source for scholars in the fields of Native American and environmental studies, Trusteeship in Change is sure to spark debate and to be an important reference book for years to come.
Clyne reveals that a strong sense of community and tolerance existed in the camps, into which families journeyed from such far-flung locales as eastern and southern Europe to carve out a living. The shared immigrant experience—and the shared risks of mining—more often than not strengthened the bonds between both miners and families.
Coal People contains historic images of coal-town life culled from the collections of the Colorado Historical Society, as well as the author's own photographs of how several of these camps appear today.
Goin' Railroading is the story of two generations of such men, four members of the Speas family who, from the open cabs of narrow-gauge steam engines, watched Colorado grow.
Sam Speas tells the story of his father, Sam Speas Sr., who left Missouri in 1883 to become an engineer in Colorado, and recounts his own experiences and those of his brothers and fellow railroaders on the Colorado and Southern Railway, from the golden era of the narrow-gauge lines in South Park to the final days of steam power on the Front Range and the coming of the diesel engine.
His stories are a profound document of a vanished way of life, a testament to the courage and tenacity of the early citizens of Colorado, and a tribute to the rough-hewn, often gallant men who took the trains through incredible, almost unbelievable, hazards. Funny, tragic, bittersweet, and poignant, Goin' Railroading is a remarkable book that brings a portion of the history and people of an earlier Colorado to vibrant life.
In Denver Inside and Out, eleven authors illustrate how pioneers built enduring educational, medical, and transportation systems; how Denver's social and political climate contributed to the elevation of women; how Denver residents wrestled with-and exploited-the city's natural features; and how diverse cultural groups became an essential part of the city's fabric. By showing how the city rose far above its humble roots, the authors illuminate the many ways that Denver residents have never stopped imagining a great city.
Published in time for the opening of the new History Colorado Center in Denver in 2012, Denver Inside and Out hints at some of the social, economic, legal, and environmental issues that Denverites will have to consider over the next 150 years. Finalist for the 2012 Colorado Book Awards
In each chapter, preeminent scholars of ritual and belief ask very different questions about what exactly sorcery is in Mesoamerica. Contributors consider linguistic and visual aspects of sorcery and witchcraft, such as the terminology in Aztec semantics and dictionaries of the Kaqchiquel and K’iche’ Maya. Others explore the practice of sorcery and witchcraft, including the incorporation by indigenous sorcerers in the Mexican highlands of European perspectives and practices into their belief system. Contributors also examine specific deities, entities, and phenomena, such as the pantheistic Nahua spirit entities called forth to assist healers and rain makers, the categorization of Classic Maya Wahy (“co-essence”) beings, the cult of the Aztec goddess Cihuacoatl, and the recurring relationship between female genitalia and the magical conjuring of a centipede throughout Mesoamerica.
Placing the Mesoamerican people in a human context—as engaged in a rational and logical system of behavior—Sorcery inMesoamerica is the first comprehensive study of the subject and an invaluable resource for students and scholars of Mesoamerican culture and religion.
Contributors:
Lilián González Chévez, John F. Chuchiak IV, Jeremy D. Coltman, Roberto Martínez González, Oswaldo Chinchilla Mazariegos, Cecelia F. Klein, Timothy J. Knab, John Monaghan, Jesper Nielsen, John M. D. Pohl, Alan R. Sandstrom, Pamela Effrein Sandstrom, David Stuart
The book presents 123 full-color images to highlight the museum's cultural treasures. Selected for their individual beauty, historic value, and cultural meaning, these objects connect different places, times, and people. From the mammoth hunters of the Plains to the first American pioneer settlers to the flourishing Hispanic and Asian diasporas in downtown Denver, the Rocky Mountain region has been home to a breathtaking array of cultures. Many objects tell this story of the Rocky Mountains' fascinating and complex past, whereas others serve to bring enigmatic corners of the globe to modern-day Denver.
Crossroads of Culture serves as a behind-the-scenes tour of the museum's anthropology collections. All the royalties from this publication will benefit the collections of the Denver Museum of Nature & Science's Department of Anthropology.
In Performing Antiracist Pedagogy, Frankie Condon and Vershawn Ashanti Young seek to help create openings to address race and racism not only in course readings and class discussion in writing, rhetoric, and communication courses but also in wider public settings. The contributors to this collection, drawn from a wide range of disciplines, urge readers to renew their commitment to intelligently and publicly deliberate race and to counteract the effects of racism. The book is both theoretically rigorous and practical, providing readers with insightful analyses of race and racism and useful classroom suggestions and examples.
Contributors: Chiara Bacigalupa, Sophia Bell, Susan Leigh Brooks, Frankie Condon, Rasha Diab, John Dean, Thomas Ferrell, Beth Godbee, Dae-Joong Kim, Timothy Lensmire, Calvin M. Logue, Aja Y. Martinez, Rebecca Nathan, Bobbi Olson, Jessica Parker, Charise Pimentel, Octavio Pimentel, Mya Poe, Neil Simpkins, Nathan Snaza, Deatra Sullivan, Vershawn Ashanti Young
Included are:
-The evolution of federal statutory Indian law and the judicial foundations of federal Indian policy.
-An extensive compilation and analysis of federal and state court decisions.
- Reservation and Indian lands ownership and property interests.
-The parameters of criminal jurisdiction in Indian country.
-Concepts of tribal sovereignty and jurisdiction relating to a number of specific areas, including tribal courts, hunting and fishing, environmental regulation, water rights, gaming, and child welfare.
-Cooperative approaches used by the states and tribes for resolving jurisdictional disputes and promoting better relations.
Thorough, scholarly, and balanced, the American Indian Law Deskbook, Fourth Edition is an invaluable reference for a wide range of people working with Indian tribes, including attorneys, legal scholars, government officials, social workers, state and tribal jurists, and historians. This revised edition includes information from more recent court decisions, federal statutes, administrative regulations, and law reviews.
The 2011 Supplement reviews cases issued, as well as statutes and administrative rules adopted, from July 2010 through June 2011. It additionally covers law review articles published between spring 2010 and spring 2011.
Many disasters originate from a force of nature, such as an earthquake, cyclone, tsunami, volcanic eruption, drought, or flood. But that is only half of the story; decisions of people and their particular cultural lifeways are the rest. Sociocultural factors are essential in understanding risk, impact, resilience, reactions, and recoveries from massive sudden environmental changes. By using deep-time perspectives provided by interdisciplinary approaches, this book provides a rich temporal background to the human experience of environmental hazards and disasters. In addition, each chapter is followed by an abstract summarizing the important implications for today's management practices and providing recommendations for policy makers. Publication supported in part by the National Science Foundation.
Vranesh's Colorado Water Law serves as a reference resource for attorneys practicing in the field of water law, as well as a thorough introduction for those just getting started in the subject. It will also be a helpful reference work for individuals and institutions interested in the acquisition and distribution of water: municipalities, water conservancy districts, irrigation organizations, water engineers, and hydrologists.
More than four decades after that book’s publication, the fourteen contributions in this volume review and analyze its theoretical and methodological influence in light of recent research across disciplines. Among a spectrum of authors representing several generations are those who participated directly in the Basin of Mexico surveys—including the late Jeffrey R. Parsons—as well as those who have been actively working on recent projects in the basin and neighboring regions.
Providing a broad and multidisciplinary perspective of the present and future state of research in the area, The Legacies of The Basin of Mexico will be of interest to Mesoamerican and Latin American archaeologists as well as geographers, geologists, historians, and specialists in the study of past environments.
Contributors: Guillermo Acosta Ochoa, Aleksander Borejsza, Destiny Crider, Charles Frederick, Raúl García-Chávez, Larry Gorenflo, Angela Huster, Georgina Ibarra Arzave, Charles Kolb, Frank Lehmkuhl, Abigail Meza Peñaloza, Emily McClung de Tapia, John K. Millhauser, Deborah Nichols, Jeffrey R. Parsons, Serafin Sánchez Pérez, Philipp Schulte, Sergey Sedov, Elizabeth Solleiro Rebolledo, Daisy Valera Fenández, Federico Zertuche
Winner of the 2014 Colorado Prize for Poetry, Supplice is the second installment in T. Zachary Cotler’s sonnet sequence that began with Sonnets to the Humans.These are amatory sonnets, but with love and rhyme tortured into broken and boneset textures. Supplice herself, the dark lady of these poems, is difficult to pin down with an epithet. Is she the angel of reality, banality, popular culture, pornography, uncertainty, or economic and environmental crisis? She has something to do with the history of cruelty and pain, with the devaluation of traditional ideas of beauty, and with the silence and science that have replaced divinity.
Cowell and Moss detail strategies used by speakers of this highly polysynthetic language to form complex words and illustrate how word formation interacts with information structure. They discuss word order and discourse-level features, treat the special features of formal discourse style and traditional narratives, and list gender-specific particles, which are widely used in conversation. Appendices include full sets of inflections for a variety of verbs.
Arapaho is spoken primarily in Wyoming, with a few speakers in Oklahoma. The corpus used in The Arapaho Language spans more than a century of documentation, including multiple speakers from Wyoming and Oklahoma, with emphasis on recent recordings from Wyoming. The book cites approximately 2,000 language examples drawn largely from natural discourse - either recorded spoken language or texts written by native speakers.
With The Arapaho Language, Cowell and Moss have produced a comprehensive document of a language that, in its departures from its nearest linguistic neighbors, sheds light on the evolution of grammar.
A continuation on the first edition, Basic Concepts in Music Education, II features revisions and updates by the living authors as well as contributions by new authors who delineate concepts of music education that are particularly important to the nineties and beyond. These topics include growth processes, learning theory, functional music, messages for teachers, the range of musical experience, technology, and evaluation.
Chapters from the most noted authorities in music education promise to provide definitive guidance in Basic Concepts, II that Basic Concepts, I has provided for the past quarter century. Among the contributors are Charles Fowler, Harry S. Broudy, Foster McMury, Wayne Bowman, Marilyn Zimmerman, Bennett Reimer, Clifton Burmeister, Richard Colwell, Robert Ehle, and Allen P. Britton. Like its predecessor, Basic Concepts, II offers rich and stimulating discussions on the most pertinent issues facing music education today - discussions that are vital to professionals and enlightening to the general reader.
Teachers of first-year composition courses do essential work. Teaching argumentation and conventions of university-level writing; demystifying citation and punctuation; promoting reading comprehension and analysis. Yet such skills, as important as they are, do not reflect the full scope of our discipline. Some of the best learning in composition coursework relates to students' growth as successful individuals able to live and write in a complex world. Composition instructors demand civil discourse and respect for diversity. They coach students in time management and the creative process. They build up confidence, break down learning obstacles, and promote self-examination. The essays found in Writing Pathways for Student Success, written by and for instructors of college writing, examine life lessons that both students and instructors learn from first-year composition courses.
Contributors: Lori Brown, Kathryn Crowther, Casie Fedukovich, Rachel Anya Fomalhaut, Lynée Lewis Gaillet, Christopher Garland, Ruth A. Goldfine, Pamela Henney, Rachel McCoppin, Deborah Mixson-Brookshire, Karen Bishop Morris, Sarah O’Connor, Abigail G. Scheg, Lisa Whalen
A Land Made from Water chronicles how the appropriation and development of water and riparian resources in Colorado changed the face of the Front Range—an area that was once a desert and is now an irrigated oasis suitable for the habitation and support of millions of people. This comprehensive history of human intervention in the Boulder Creek and Lefthand Creek valleys explores the complex interactions between environmental and historical factors to show how thoroughly the environment along the Front Range is a product of human influence.
Author Robert Crifasi examines the events that took place in nineteenth-century Boulder County, Colorado, and set the stage for much of the water development that occurred throughout Colorado and the American West over the following century. Settlers planned and constructed ditches, irrigation systems, and reservoirs; initiated the seminal court decisions establishing the appropriation doctrine; and instigated war to wrest control of the region from the local Native American population. Additionally, Crifasi places these river valleys in the context of a continent-wide historical perspective.
By examining the complex interaction of people and the environment over time, A Land Made from Water links contemporary issues facing Front Range water users to the historical evolution of the current water management system and demonstrates the critical role people have played in creating ecosystems that are often presented to the public as “natural” or “native.” It will appeal to students, scholars, professionals, and general readers interested in water history, water management, water law, environmental management, political ecology, or local natural history.
Organized as a collection of terms, the book addresses the most salient water issues and provides helpful background information regarding their origins and implications. Photographs serve a vital role in the cultural dialogue on water and stand as an equal partner to the text. Each subject is covered in about one page and is accompanied by one or two striking images from famous photographers like Margaret Bourke-White, Carleton E. Watkins, Arthur Rothstein, William Henry Jackson, and Dorothea Lang as well as Crifasi’s own work. Water often finds itself at the center of our cultural discourse in art, cinema, and literature, which play essential roles in shaping our understanding and experience of Western water. Crifasi also engages personalities that are nearly synonymous with Western water—John Wesley Powell, Elwood Mead, and Floyd Dominy, among others—to show how their lives intertwined with and often influenced the course of water development across the region.
Travelers, adventurers, students, and anyone interested in water will find Western Water A to Z a handy and entertaining reference guide.
In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members.
The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state.
Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of the guild’s artists became great modernists, while others remained great traditionalists.
Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba.
In honor of the book’s release, the Byers-Evans House Gallery will showcase a collection of founding guild members’ works starting June 26, 2015. The exhibit, also titled The Denver Artists Guild: Its Founding Members, contains paintings from artists such as the famed Paschal Quackenbush, Louise Ronnebeck, Albert Byron Olson, Elisabeth Spalding, Waldo Love and Vance Kirkland. The show will be on display through September 26, 2015.
If it is true, as Joseph Campbell said, that “the psychotic drowns in the same waters in which the mystic swims with delight,” then Cummings strains the boundaries of this notion: “Is it the same? The desire to end a life / and the need to know how: a flower’s simple bliss?” Her women and girls, part “little heavenling” and part “small hellborn,” understand the emptiness of utmost despair and long for that other emptiness, which can be thought of as union with God, the death of the troublesome ego. Cummings’s poetic ancestors may be Dickinson and Plath and her source here Shakespeare, but more contemporary voices also echo in her poems, those of Lucie Brock-Broido, Larissa Szporluk, and Cynthia Cruz. Here, in The Owl Was a Baker’s Daughter, is what might happen if, after sealing off the doors and turning on the gas, indeed, after dying, a poet had come to embrace the holiness in how “all dissolves: one color, / one moon, all earth, red as love, red as living.”
In Montana, legal issues and politics—such as unexpected consequences of federal mining law and the electrification of the United States—further complicated the mining industry’s already complex relationship to geology, while government policy, legal frameworks, dominant understandings of nature, and the exigencies of profit and production drove the industry in momentous and surprising directions. Despite its many uncertainties, mining became an important part of American culture and daily life.
Gambling on Ore unpacks the tangled relationships between mining and the natural world that gave material possibility to the age of electricity. Metal mining has had a profound influence on the human ecology and the social relationships of North America through the twentieth century and throughout the world after World War II. Understanding how we forged these relationships is central to understanding the environmental history of the United States after 1850.
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