Around 12,000 B.C., groups of leather-clad Paleoindians passed through the juncture of the South Platte River and Cherry Creek, following the herds of mammoth or buffalo they hunted. In the Archaic period, people rested under the shade of trees along the riverbanks, with baskets full of plums as they waited for rabbits to be caught in their nearby snares. In the early Ceramic period, a group of mourners adorned with yellow pigment on their faces and beads of eagle bone followed Cherry Creek to the South Platte to attend a funeral at a neighboring village. And in 1858, the area was populated by the crude cottonwood log shacks with dirt floors and glassless windows, the homes of Denver's first inhabitants.
For at least 10,000 years, Greater Denver has been a collection of diverse lifeways and survival strategies, a crossroads of interaction, and a locus of cultural coexistence. Setting the scene with detailed descriptions of the natural environment, summaries of prehistoric sites, and archaeologists' knowledge of Denver's early inhabitants, Nelson and her colleagues bring the region's history to life. From prehistory to the present, this is a compelling narrative of Denver's cultural heritage that will fascinate lay readers, amateur archaeologists, professional archaeologists, and academic historians alike.
"In Andrew S. Nicholson’s A Lamp Brighter than Foxfire, what is most alive is color, that which gives itself freely, generously: ‘Follow the hopeful as they green the day’ (‘My Garage Fills with an Ever-Increasing Number of Dandelions’). Threaded throughout with Genesis, wherein Jacob wrestles an angel, this gorgeous debut collection builds a ladder firmly rooted here: in sun and earth; in varying and multiple shades of orange; in trials of father and son; in books and paintings; in abandoned casinos; in countries far from home; and/or in the sound of a door closing. Nicholson’s poems come from a man standing by himself, in what George Oppen called the ‘shipwreck of the singular,’ which includes everybody. I’m moved by the luminous generosity, the moral clarity of this work. A Lamp Brighter than Foxfire is news that will stay news.”
—Claudia Keelan, author of The Devotion Field, Missing Her, and O, Heart
"'Who doesn’t nurse a secret love?' asks Andrew S. Nicholson in visionary poems that reveal secret worlds cradled inside this one. Whether considering the casinos of Las Vegas, a fresco in Pompeii, or scenes from the Hebrew Bible, the poet endures one of desire’s more fraught paradoxes: its unchanging ability to bring change, to turn the known into the unknown. These poems bravely attend to such transformations the way Jacob—the book’s patron saint—wrestles with the angel, 'lifting all the flesh / that he can lose.' I admire this poet who knows that blessing doesn’t arrive without loss, who remembers 'I was loved once. / Beneath that love, a kindness took root.' The same sweet feeling lingers long after this book is closed. Dear reader: savor it."
—Brian Teare
"Andrew S. Nicholson’s A Lamp Brighter than Foxfire is a gorgeous book. His graceful, playful poems enchant us ('I try to make out the stranger’s face, but he’s shrinking: / a melting gray blur, an ever-smaller thorn.') and transform us ('Sink into the bathwater, any way is a way / to journey toward that joining'). Nicholson has become one of the great poets of a new and radical kind of pastoral."
—Joseph Lease
Opening the space between the ordinary and the visionary, the poems in A Lamp Brighter than Foxfire uncover an intimate relationship with the world, from Las Vegas to Italy to the American Midwest. From a lime glowing in an orchard to a miraculous childhood attempt at levitation, Andrew S. Nicholson’s poems ground themselves in the commonplace and leap for the luminous. Central to this collection are poems that retell stories of Jacob from the Old Testament, relocated behind casinos, glimpsed in miniature on kitchen floors, and heard speaking in a moment of decay. Through these retellings, Nicholson examines the creation of self, family relationships, and a generative sense of the divine.
Professor Nicholson sorts through this wealth of material, classifying, summarizing, and analyzing all known primary accounts of the career of Topiltzin Quetzalcoatl, in the Spanish, Nahuatl, and Mayan languages, which Spanish missionaries and Spanish-educated natives recorded after the Conquest. In a new introduction, he updates the original source material presently available to scholars interested in this figure. After careful consideration of the evidence, he concludes that, in spite of the obvious myth surrounding this renowned Toltec priest-ruler, at least some of Topiltzin Quetzalcoatl's recorded life and deeds are drawn from historical fact. Nicholson also contends that the tradition of his expected return probably played a role in the peaceable reception of Cortés by Moctezuma II in Mexico's Tenochtitlan in the fall of 1519.
Including new illustrations and an index, Topiltzin Quetzalcoatl: The Once and Future Lord of the Toltecs constitutes a major contribution to Mesoamerican ethnohistory and archaeology.
Contributors define space to include physical, social, and intellectual sites throughout the Northern and Southern regions of the United States, ranging from urban milieus to the suburbs and even to swamps and forests. They explore under-represented locations such as burial grounds, courtrooms, schools, and churches. Moreover, contributors demonstrate how Black consciousness and ideology challenged key concepts of American democracy - such as freedom, justice, citizenship, and equality - establishing African American space in social and intellectual areas.
Ultimately, "We Shall Independent Be " recovers the voices of African American men and women from the antebellum United States through the present and chronicles their quest to assert their right to a place in American society. By identifying, examining, and telling the stories of contested sites, this volume demonstrates the power of African American self-definition and agency in the process of staking a physical and ideological claim to public space
In each chapter of this book, you will find some questions, activities, and suggested reading to help you learn more of Colorado's story than we can present here. In these pages. you will discover a high, dry state with rugged natural beauty and an awesome history.
Each chapter is followed by questions, suggested activities, recommended reading, a "Did you know?" trivia section, and recommended websites, movies, and other multimedia that highlight the important concepts covered and lead the reader to more information. Additionally, the book is filled with photographs, making Colorado: The Highest State a fantastic text for middle and high school Colorado history courses.
Dating as far back as 2.5-2.7 million years ago, stone tools were used in cutting up animals, woodworking, and preparing vegetable matter. Today, lithic remains give archaeologists insight into the forethought, planning, and enhanced working memory of our early ancestors. Contributors focus on multiple ways in which archaeologists can investigate the relationship between tools and the evolving human mind-including joint attention, pattern recognition, memory usage, and the emergence of language.
Offering a wide range of approaches and diversity of place and time, the chapters address issues such as skill, social learning, technique, language, and cognition based on lithic technology. Stone Tools and the Evolution of Human Cognition will be of interest to Paleolithic archaeologists and paleoanthropologists interested in stone tool technology and cognitive evolution.
Jan Nyberg, an experienced nursing administrator, scholar, and educator, knows another way-from the inside out rather than the outside in. She brings forth her wisdom and knowledge, experiences, and insights so that others may now grasp another way to transform systems for delivery of human caring and healing. This work informs, instructs, and inspires; it invites nurse leaders and other health administrators to reach for what might be, rather than succumbing to what already is.
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