"Written in 1977 and 1981, the novellas translated in this volume form a compelling unity and testify to the creativeness and vitality of contemporary Arab fiction." -Choice Abd al-Hakim Qasim (1935-1990), one of modern Egypt's great novelists, began writing short stories while imprisoned for his leftwing politics under the Nasser regime in the 1960s. This period in Qasim's life, along with his subsequent exile in Germany and his opposition to the Camp David Agreement, led him to avoid political commentary in his writing. He focused on people and events in the Egyptian village and the down-to-earth Sufi Islam practiced there. Still, the history of his political beliefs ensured his work would remain controversial, and most was published abroad in Beirut or Baghdad. The power and inventiveness of modern Egyptian writing are manifest in this first English-language translation of two novellas that Qasim published together during his lifetime. Al-Mahdi is the story of Awadallah, an impoverished Coptic umbrella maker forced to convert to Islam by members of the local Muslim brotherhood. Awadallah's conversion, both unwilling and insincere, torments him with guilt, and he soon falls gravely ill. At the same time, subplots explore the philandering mayor's attempt to seduce his maid, and an affectionate homoerotic relationship between two young men in the Brotherhood. Elegantly narrated and visually evocative, Al-Mahdi illuminates everyday religious tensions in a small Egyptian town. Where Al-Mahdi ends with Awadallah's death, Good News from the Afterlife opens virtually at the mouth of the grave--a testament to Qasim's versatility and compositional sense. This fantastical story brilliantly interweaves a young village boy's thoughts and the spiritual, sensual, and sometimes macabre recollections of a dead man newly lowered into his burial place. Memories and experiences mingle with images of the afterlife, as the deceased is judged by the Muslim angels of death and the boy suddenly hears that his grandfather has died. In the end, the boy awakes atop a grave, throwing into question which, if not all, of the story's strange events had been dreamed. "[T]here's more than Mahfouz in modern Egyptian fiction, and it's good to have Qasim's work among us." -Kirkus Reviews

This groundbreaking book opens the door on the missing record of South Los Angeles juvenile gangs. It is the result of the unique friendship that developed between John Quicker and Akil Batani-Khalfani, aka Bird, who collaborated to show how structural marginality transformed hang-out street groups of non-White juveniles into gangs, paving the way for the rise of the infamous Crips and Bloods. Before Crips uses a macro historical analysis to sort through political and economic factors to explain the nature of gang creation.

The authors mine a critical archive, using direct interviews with original gang members as well as theory and literature reviews, to contextualize gang life and gang formation. They discuss (and fuss and cuss about) topics ranging from the criminal economy and conceptions of masculinity to racial and gendered politics and views of violence. Their insider/outsider approach not only illuminates gang values and organization, but what they did and why, and how they grew in a backdrop of inequality and police brutality that came to a head with the 1965 Watts Rebellion.

Providing an essential understanding of early South Los Angeles gang life, Before Crips explains what has remained constant, what has changed, and the roots of the violence that continues.

Across the United States tens of millions of people are working forty or more hours a week...and living in poverty. This is surprising in a country where politicians promise that anyone who does their share, and works hard, will get ahead. In Ending Poverty As We Know It, William Quigley argues that it is time to make good on that promise by adding to the Constitution language that insures those who want to work can do so—and at a wage that enables them to afford reasonable shelter, clothing, and food.

"Lora Ann Quiñonez and Mary Daniel Turner once again serve American religious women well. Although their book focuses on the development of the Leadership Conference of Women Religious, it...is also an account of the thought development of American women religious.... Besides describing areas of change, Quiñonez and Turner analyze and interpret them thoroughly and objectively and also compassionately, courageously, and readably." --Review for Religious During the past four decades, radical changes have occurred in the personal and corporate lives of Roman Catholic nuns in the United States; in their institutions and ministries; in their relations with laity, clergy, and hierarchy; and in their presence in the public sphere. In this book, Lora Ann Quiñonez and Mary Daniel Turner explore this transformation: the experiences that marked these changes, their effects on the women, and the future suggested by the nature of the reforms. The movement for change picked up speed in the decade after Vatican Council 11, which mandated the adaptation of religious communities to contemporary milieu. The impact of American culture on the sisters generated a struggle to reconcile American belonging and religious commitment into one identity. The Women's Movement caused a gradual awakening to the reality of gender as an element of personal and corporate identity. It made American nuns confront the structural questions that occur to awakened women and also confront the male Church hierarchy. This book is the first comprehensive analysis of the forces that directed the process by which American sisters have redefined themselves. "[Quiñonez and Turner ] offer a privileged perspective on the transitions that have taken place in the past 25 years.... [This] is an important work that will enlighten and challenge. It contains pieces of the ongoing transformation that are not found in the many other books on American women's religious life today. American sisters will appreciate this splendid effort to synthesize their experience. Others in the church will find that the experience of American sisters has much resonance with their own." --National Catholic Reporter "This well-written and well-documented book shows the energy, creativity, and highly organized response of these women to Vatican Council II and to the momentum which they themselves created. It is a testimony to the dynamism and creativity of the women in religious life in the past forty years. The book is a work of love and a tribute to all those women who have suffered and celebrated the transition thus far." --Marie J. Giblin, Maryknoll School of Theology

"Home Girls makes an original, bold, and significant contribution to feminist studies, Chicana/o studies, and literature. Quintana accomplishes what few critics in Chicana/o studies have done: she applies different interpretive paradigms to her reading of Chicana texts, blending ethnography with literary criticism, ideological analysis with semiotics. Her reading of literary texts is rich in texture and detail." --Rosa Linda Fregoso, author of Bronze Screen: Chicana and Chicano Film Culture Chicana writers in the United States write to inspire social change, to challenge a patriarchal and homophobic culture, to redefine traditional gender roles, to influence the future. Alvina E. Quintana examines how Chicana writers engage literary convention through fiction, poetry, drama, and autobiography as a means of addressing these motives. Her analysis of the writings of Gloria Anzaldua, Ana Castillo, Denise Chavez, Sandra Cisneros, and Cherrie Moraga addresses a multitude of issues: the social and political forces that influenced the Chicana aesthetic; Chicana efforts to open a dialogue about the limitation of both Anglo-American feminism and Chicano nationalism; experimentations with content and form; the relationship between imaginative writing and self-reflexive ethnography; and performance, domesticity, and sexuality. Employing anthropological, feminist, historical, and literary sources, Quintana explores the continuity found among Chicanas writing across varied genres--a drive to write themselves into being.