Best known for his contribution to the development of the motion picture, Eadweard Muybridge (1830–1904) was a pioneering photographer during his lifetime. Alongside his remarkable photographic achievements, his personal life was riddled with melodrama—including a near-fatal stagecoach accident and a betrayal by his wife that ended with Muybridge being tried for the murder of her lover. Marta Braun’s revealing biography traces the sensational events of Muybridge’s life and his personal reinventions as artist, photographer, researcher, and showman.
In the 1870s, Muybridge’s photography skills were enlisted by Leland Stanford, a racehorse breeder who later founded Stanford University, to prove the “unsupported motion controversy”—the theory that during a horse’s stride, there was a moment when all four of its legs left the ground. The resulting collection of motion studies, as Braun explains, inspired Muybridge to take photography beyond landscapes to the realm of science. He went on to invent the zoopraxiscope, which captures movement too quick for the human eye to record. Most importantly, simulating motion through a series of stills, his pioneering use of sequence photography served as a forerunner to the introduction of cinematography in the 1890s.
This illuminating study examines a man whose influence has resounded through generations. In Eadweard Muybridge, Braun firmly establishes Muybridge’s central contributions to the history of art, science, photography, and motion pictures.
The life of Edgar Allan Poe (1809–49) is the quintessential writer’s biography—great works arising from a life of despair, poverty, alcoholism, and a mysterious solitary death. It may seem like a cliché now, but it was Poe who helped shape this idea in the popular imagination. Despite or perhaps even inspired by his many hardships, Poe wrote some of the most well-known poems and intricately crafted stories in American literature. In Edgar Allan Poe,Kevin J. Hayes argues that Poe’s work anticipated many of the directions Western thought would take in the century to come, and he identifies links between Poe and writers and artists such as Walter Benjamin, Salvador Dalí, Sergei Eisenstein, and Jean Cocteau.
Whereas previous biographers have tended to concentrate on the sorry details of Poe’s life, by contrast Hayes takes an original approach by examining Poe’s life within the context of his writings. The author offers fresh, insightful readings of many of Poe’s short stories, and presents newly-discovered information about previously unknown books from Poe’s library, as well as updated biographical details obtained from nineteenth-century newspapers and magazines. This well-researched biography goes beyond previous scholarship and creates a complete picture of Poe and his significant body of work.
Approachably written, Edgar Allan Poe will appeal to the many fans of Poe’s work—from “The Raven” to the “Tell-Tale Heart”—as well as readers interested in American literary history.
When pulled from the mud of creeks, ponds, rivers, or the sea, the eel, with its slick, snake-like body, emerges as an extremely mundane and even unappealing fish. But don’t let the appearance fool you—the eel has been one of the world’s favorite foods since ancient Greece, and the eel’s life cycle is one of the most remarkable on the planet—during the middle ages, impoverished Londoners survived on eel and the eel later saved the Mayflower pilgrims from starvation on American shores.
In Eel, RichardSchweid chronicles the many facets of these slippery creatures from their natural history to their market value and contemporary consumption to their appearance in art and literature and finally to their present threatened status. So far, eels have steadfastly refused to reproduce in captivity, apparently requiring the vastness of the open ocean to successfully mature—which has imperiled the species’ long-term survival. Schweid explains that freshwater eels are born in remote ocean depths and make a journey of thousands of miles to fresh water where they spend most of their lives before making a return journey to the ocean to mate and die.
Well-illustrated and containing many little-known facts about this surprising fish, Eel will appeal to general readers of natural history and others wishing to discover something more about the common unagi on the sushi menu.
The Lisbon Earthquake of 1755. The South Asian Tsunami of 2004. The San Francisco Earthquake of 1906. Hurricane Katrina in 2005. All of these are natural disasters that not only caused massive devastation but actually changed the course of history, and have influenced our reactions to and perspectives on disasters ever since.
Spanning two millennia, The End is Nigh provides a detailed history of natural disasters around the world and how they have shaped our cultural beliefs and our practical planning. Henrik Svensen draws from many eyewitness accounts to reveal the personal stories of the victims of natural disasters. Through them, we are reminded that while the disasters are natural phenomena, victims often react in similar ways seeking to explain the disaster within the context of an omen or a divine warning. A geologist, Svensen also explores the science behind the occurrence of specific disasters, and he examines whether climate change is creating an environment where natural disasters are more frequent and more deadly.
The End is Nigh is as instructive as it is insightful and will appeal to fans of history and science, as well as policy makers and all those seeking to better prepare for future calamities.
“The End is Nigh is a great example of storytelling across scientific disciplines, and in gripping prose it spans geology, geography and history, anthropology, sociology, and the history of religion.”—Apollon
A composer who dabbled in the Dada movement, a Bohemian “gymnopédiste” of fin-de-siècle Montmartre, and a legendary dresser known as “The Velvet Gentleman,” Erik Satie cut a unique figure among early twentieth-century European composers. Yet his legacy has largely languished in the shadows of Stravinsky, Debussy, and Ravel. Mary E. Davis now brings Satie to life in this fascinating new biography.
Satie redefined the composer’s art, devising new methods of artistic expression that melded ordinary and rarified elements of words, visual art, and music. Davis argues that Satie’s modernist aesthetic was grounded in the contradictions of his life—such as enrolling in the conservative Schola Cantorum after working as a cabaret performer—and is reflected in his irreverent essays, drawn art, and music. Erik Satie explores how the composer was embraced by avant-garde artists and fashionable Parisian elite, and how his experiences inspired him to create the musical style of Neoclassicism. Satie also employed the power of the image through his infamous fashion statements, Davis contends, and became part of a nascent celebrity culture.
A cogent and informative portrait, Erik Satie upends the accepted history of modernist music and restores the composer to his rightful pioneering status.
In Europe since the Seventies, Jeremy Black offers a succinct and authoritative analysis of the social and economic development of Europe in recent decades.
While providing a full treatment of environmental, demographic, and cultural issues in Europe, Black also offers delineations of broader political, economic, and social matters discussing practical, immediate subjects like migration, crime, transportation, and the environment. Europe since the Seventies reveals how European society has changed strikingly—former societal lines drawn on the basis of economics and class have given way to lines formed by identity, such as gender, sexual orientation, and ethnicity. Meanwhile, the European Union has created an expanded Europe and is now a testing ground for new forms of economics and politics.
A readable, concise, and timely work, this latest book by a notable European historian will be indispensable to anyone wishing to understand the complexities of present-day Europe.
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